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  1. Wir alle erleben in unserem Leben verschiedene Momente, Situationen und Phasen. Es sind schöne darunter und unangenehme. Erwischen wir mal eine schlechte und für uns unangenehme Phase, neigen wir dazu, nach dem Warum zu fragen. Wir denken, wenn jangoeritz.de/die-opferfrage/? #gestalten #Opfer #psychotHHerapie #Selbstwirksamkeit

  2. The Art of Less: An Exploration of Essence is a 320-page hardcover published by gestalten. Jonas Bjerre-Poulsen of Norm Architects and Sarah Dorweiler of Aesence edited it, and it profiles twenty international creatives across five chapters. Read my review on WE AND THE COLOR. weandthecolor.com/the-art-of-l

    #gestalten #book #design #art

  3. The Art of Less Is a Book About Seeing More, Not Having Less

    Back in August, I wrote about this new gestalten book before it was even released. Thanks to the lovely people at gestalten, who sent me a copy, I’ve now had the pleasure of spending the past few weeks with it. Although I received a complimentary copy of the book, everything I write about it in this review reflects my own personal opinion.

    The international edition has been available since September 1, 2026, and the US edition follows today, October 27. Christmas shoppers still have weeks to order. Feeds refresh faster than anyone can read them, so a book that asks for two hands and a quiet hour feels almost radical right now.

    Order the book from gestalten. Order the book on Amazon.

    The Art of Less: An Exploration of Essence is a 320-page hardcover published by gestalten. Jonas Bjerre-Poulsen of Norm Architects and Sarah Dorweiler of Aesence edited it, and it profiles twenty international creatives across five chapters.

    The Art of Less: An Exploration of Essence—a gestalten book review by Dirk Petzold.

    Is The Art of Less Worth $100?

    Yes. I would pay full price, and I would gladly buy a second copy as a gift.

    I judge minimalist work with a rule I call the Presence Test. A piece passes when removing one more element would drain it of presence. In my experience, many minimalism books fail. Their pages look quiet, yet their ideas stay thin.

    The Art of Less passes. I could not find a single page I wanted to cut.

    The price still invites suspicion, and it should. At $100, €70, or £60, this hardcover asks for real commitment. Two things justify that commitment. One is the object. The other is the argument.

    What Is The Art of Less About?

    The book treats minimalism as a sensory and intellectual practice. The editors argue that the urge to reduce grows stronger when life feels overloaded. They call it a human reflex, and they back that claim with twenty examples. The examples come from art, architecture, and design, so the argument never stays in one discipline. Each profile tests the same idea from a different angle. Restraint, in this book, produces presence. That is a sharper thesis than the old line about less being more.

    The claim sounds abstract until you apply it. Think about the last time your inbox and your feed demanded you at once. Did you crave more input, or less?

    Sarah Dorweiler founded Aesence more than ten years ago, and this is her first book. Jonas Bjerre-Poulsen leads Norm Architects, the Copenhagen studio founded in 2008. Norm Architects had already published Soft Minimal and Stillness with gestalten, and Dorweiler took the photographs for Stillness. That shared history shows.

    The collaboration reads like a conversation between two people who have studied the same quiet things for years. A practitioner and a curator rarely write the same book. Here, they do.

    The Five Lenses Behind the Argument

    Five chapters organize the twenty profiles. Each chapter acts as a lens, and each features four creatives.

    • Balance with Nicolas Schuybroek, Danielle Siggerud, Nuria Maria, and Tycjan Knut
    • Contrast with Tatsuro Miki, HENRYTIMI, Lee Ufan, and Rahee Yoon
    • Materiality with Cédric Etienne, Christian + Jade, Maverick Lee, and Antonia Ferrer
    • Rhythm with Liam Stevens, Studio MK27, Krista Mezzadri, and Maria Yelletisch
    • Space with Álvaro Siza, John Pawson, Ylva Carlgren, and Tom Holden

    Four profiles per lens is a smart limit. It keeps every chapter tight and gives each creative room to breathe.

    The Art of Less: An Exploration of Essence—a gestalten book review by Dirk Petzold.

    How Does The Art of Less Feel in Your Hands?

    Binding and Cover

    The Art of Less measures 24.5 × 33 cm, or 9¾ × 13 inches. Retailer data puts the spine at about 3 cm. The 320 pages are stitch-bound.

    Stitch binding matters at this size. Sewn signatures usually outlast glued spines, so a heavy book like this one should survive many openings.

    The cover stays calm. A pale greige surface carries a small title and a small inset photograph of a black rock framed by a dark doorway. The rock is an artwork by Kimsooja, according to gestalten. Nothing on the cover shouts. That restraint sets the tone before you open the book.

    The Handling Tax

    Precious books charge what I call a handling tax. You pay it in hesitation, because every touch risks a crease or a stain. The Art of Less charged me that tax, and I paid it gladly. I turned each page with care and left no marks on paper or cover. I found no flaws in the print or the cover.

    The tax even fits the theme. Slow handling forces slow reading, and slow reading is what a book about restraint deserves.

    Photography That Does Real Work

    The photographs are perfect. I would not change one of them.

    A book about presence depends on its pictures. One busy image would contradict the text at once. Here, every image supports the argument, and the large format gives each one room. Screens flatten texture. Paper at this size restores some of it.

    The writing deserves its own mention. It reads beautifully from the first page.

    Order the book from gestalten. Order the book on Amazon.

    Why Does the Artist Selection Work So Well?

    The artist selection is the smartest decision in the book. The editors place established masters beside younger names, and the pairing produces friction in the best way.

    Álvaro Siza won the Pritzker Prize in 1992, and John Pawson designed the Novy Dvur monastery in the Czech Republic, so anyone who studied architecture already knows how much silence these two can build into stone and light.

    Lee Ufan, a leading voice of the Mono-ha movement, adds sculpture built on elemental tension. The publisher singles out that tension as a signature of his work.

    Younger names such as Tycjan Knut in Balance and Rahee Yoon in Contrast sit beside these giants without apology. That placement argues that minimalism remains a living practice.

    The map matters too. Siza built his career in Porto, and Studio MK27 works from São Paulo. Minimalism looks different in each climate, and the book lets those differences show.

    How Does The Art of Less Compare With Earlier Minimalism Books?

    John Pawson’s Minimum, published by Phaidon in 1996, set the visual template for the genre. It showed readers what reduction looks like.

    Norm Architects’ Soft Minimal went further inside one studio. It explains how the team thinks and designs.

    The Art of Less widens that view to twenty creatives. It also asks what reduction does to the person standing in the room. That question sets it apart from every minimalism book on my shelf.

    Where Does Minimalism Go Next?

    I expect this book to influence how publishers pitch minimalism. Two changes seem likely by the end of 2027.

    1. More minimalism titles will present themselves as tools for attention and drop the style-guide angle.
    2. Heavy, tactile print will gain ground against feeds. Gestalten’s own media pitches for this book stress the rising demand for haptic, physical experiences.

    I could be wrong about the pace. I doubt I am wrong about the direction.

    Here is a definition worth quoting. Sensory minimalism, as I define it, is the practice of reducing a space or an object until what remains holds more attention than the whole once did.

    How Should You Read The Art of Less?

    Read it in five sittings. I call this the One-Lens Evening. Take one chapter per sitting, and leave your phone in another room.

    Look at each photograph before you read its text. Then read the text and look again.

    Is The Art of Less a Good Christmas Gift for Architecture Lovers?

    Yes. I can’t think of a better gift for anyone who loves art and architecture, and designers will treasure it too.

    The list prices are €70 in Germany, £60 in the UK, and $100 in the US. Gestalten’s shop lists free shipping above $49 in the US and above €29 in the EU. Order by mid-November if you want to wrap it before Christmas.

    Who Should Skip It?

    Skip it if you want a decluttering manual. The book is built around twenty profiles, so it offers examples and ideas. Buy something else if you need a ten-step system for your closet.

    The Art of Less at a Glance

    DetailInformationTitleThe Art of Less: An Exploration of EssencePublishergestaltenEditorsJonas Bjerre-Poulsen (Norm Architects) and Sarah Dorweiler (Aesence)Format24.5 × 33 cm (9¾ × 13 in)Pages320, full colorBindingHardcover, stitch-boundLanguageEnglishPrice€70 (Germany), £60 (UK), $100 (US)ReleaseInternational: September 1, 2026. USA: October 27, 2026ISBN978-3-96704-245-0StructureFive chapters, twenty creatives, four per chapterCover artworkBlack rock by KimsoojaMy verdictWorth the price. I found no flaws.Best forArt and architecture fans, and designers Order the book from gestalten. Order the book on Amazon.

    Frequently Asked Questions About The Art of Less

    Is The Art of Less worth buying?

    Yes. After several weeks with the book, I found no flaws in the print or the cover, and the photography holds up page after page. At $100, it costs more than most design books, but it passes my Presence Test.

    Who edited The Art of Less?

    Jonas Bjerre-Poulsen of the Copenhagen studio Norm Architects and Sarah Dorweiler, founder of the minimalist art publication Aesence, edited the book for gestalten. It is Dorweiler’s first book.

    What are the five chapters of The Art of Less?

    Balance, Contrast, Materiality, Rhythm, and Space. Each chapter profiles four creatives.

    How much does The Art of Less cost?

    The list price is €70 in Germany, £60 in the UK, and $100 in the US. Gestalten’s shop lists free shipping above $49 in the US and above €29 in the EU.

    When does The Art of Less come out in the US?

    The US edition publishes on October 27, 2026. The international edition has been available since September 1, 2026.

    Is The Art of Less a how-to guide to minimalism?

    No. The book follows twenty profiles of creatives and offers examples and ideas. Readers who want a decluttering system should look elsewhere.

    Where can I buy The Art of Less?

    You can order it from the gestalten shop or from Amazon.com. Independent bookstores can order it too, and the ISBN is 978-3-96704-245-0.

    Browse WE AND THE COLOR’s Books category for more.

    Subscribe to our newsletter!

    #architecture #art #artists #book #books #Gestalten #interiorDesign #lessIsMore
  4. The Joy of Painting 🎨🖼 - richtig gut Zeichnen können ist auch eine schöne Gabe.
    So viele Ideen und Bilder im Kopf, und ich kann sie nur so mäßig vermitteln *fck*
    Maybe in the next life.

    #Zeichnen #Malen #Grafik #Gestalten #Kunst #Illustration

  5. Selbstbestimmt entscheiden, Bleibendes schaffen

    Der 13. September ist #Internationaler_Tag_des_Testaments – ein guter Anlass, sich Gedanken zu machen, was man an die #nachfolgende #Generation weitergeben möchte. Ein #Testament bietet Ihnen die Möglichkeit, Ihren #Nachlass selbstbestimmt zu #gestalten und #festzulegen, wen Sie bedenken oder auch welche #Projekte Sie mit Ihrem #Vermögen fördern wollen...
    menschenfuermenschen.de/news/t

  6. 🚀 Der 3. Berliner Fediverse Day steht vor der Tür! 🎉 Vom 11.–13. September 2026 brummt auf der @cbase Berlin, mit allen, die das #Fediverse gestalten wollen.

    Mit Vorträgen, Workshops & Networking – für Entwickler:innen, Admins, Wissenschaftler_innen, Künstler*innen und alle, die ein freies, föderiertes Netz als echte Alternative zu Big Tech leben wollen!

    #Diskutieren #Visionen #Gestalten #Fediverse #fediday

    berlinfedi.day

    Teaser:
    fair.tube/w/n7EXoGW91T7j5ruxfo

  7. Wir alle erleben in unserem Leben verschiedene Momente, Situationen und Phasen. Es sind schöne darunter und unangenehme. Erwischen wir mal eine schlechte und für uns unangenehme Phase, neigen wir dazu, nach dem Warum zu fragen. Wir denken, wenn bit.ly/4hcnSey #gestalten #Opfer #psychotHHerapie #Selbstwirksamkeit

  8. Der #NRW_Tag 2026, das offizielle #Landesfest zum 80. Geburtstag #NordrheinWestfalens, wird vom 28. bis 30. August 2026 in #Münster gefeiert. Als #Bürger- und #Familienfest steht der NRW-Tag ganz im Zeichen der #Menschen, die das Land seit #80Jahren #prägen und #gestalten. Gemeinsam mit Menschen aus allen #Regionen des Landes soll das #Jubiläum als großes #Fest_der_Begegnung, des Austauschs und des Miteinanders gefeiert werden...
    stadt-muenster.de/nrw-tag

    #80JahreNRW

  9. The Art of Less Is Gestalten’s Answer to a World Full of More

    The Art of Less is not a book about owning fewer things. That’s the first assumption gestalten wants readers to drop before they even crack the spine, and honestly, it’s overdue. Minimalism got turned into a real estate listing aesthetic somewhere around 2015, all white walls and empty countertops with nothing to say for itself. This new release wants that reputation gone for good. Gestalten built the book with Jonas Bjerre-Poulsen of Norm Architects and Sarah Dorweiler of Aesence, two people who’ve spent years arguing that restraint is a mental skill, not a shopping decision.

    Pre-order on gestalten Pre-order on Amazon.com

    I haven’t held a copy yet. The Art of Less ships internationally on September 1, 2026, and doesn’t land in the US until October 6, so I’m reading press materials like everyone else right now. That’s fine, though. It gives me time to explain why I think this release is going to matter more than most design books this year and why I’ve already cleared shelf space for it.

    Pre-order on gestalten Pre-order on Amazon.com

    So What Is The Art of Less Actually Trying to Say?

    The publisher’s own framing is blunt: the pull toward simplicity gets stronger exactly when everything else feels out of balance. Not a style choice, a reflex. That’s a meaningfully different claim than most minimalism books make, since most of them treat white space as a look you can buy into. The Art of Less treats it as a cognitive and sensory response to overload, something closer to how your body reacts to a loud room by seeking a quiet corner.

    Gestalten structures the argument through five thematic lenses: Balance, Contrast, Materiality, Rhythm, and Space. Twenty international artists, designers, and architects get profiled across those five sections, each one used as evidence that restraint produces presence rather than emptiness. That’s the thesis in one sentence, and it’s a sharper one than “less is more” ever managed to be.

    Who’s Actually Behind It: Norm Architects and Aesence

    Jonas Bjerre-Poulsen founded Norm Architects, a Copenhagen studio known for interiors that feel quiet without feeling cold. Wood, wool, stone—the kind of materials that ask to be touched rather than photographed. Sarah Dorweiler runs Aesence, a platform that’s spent years curating and questioning minimalist aesthetics from the outside looking in.

    Gestalten pairs a practitioner with a curator on purpose here. Bjerre-Poulsen brings the hands-on view of someone who actually builds these spaces for clients. Dorweiler brings the critical distance of someone who studies why the aesthetic resonates emotionally in the first place. That combination is probably why the book reads less like a portfolio and more like an argument, at least based on how gestalten is positioning it.

    The Five Lenses, and Why They’re Not Just Chapter Titles

    Each lens works as its own small thesis rather than a loose category:

    • Balance looks at how weight and asymmetry create calm instead of tension.
    • Contrast uses friction between materials or forms to sharpen focus, featuring artists like Lee Ufan, whose sculpture has built a career out of elemental tension.
    • Materiality asks what happens when texture does the emotional work that decoration used to do.
    • Rhythm studies repetition: how a pattern can choreograph how a body moves through a space.
    • Space covers architects like John Pawson and Álvaro Siza, both known for treating emptiness as a built material in its own right.

    None of these are new ideas individually. What’s different is that The Art of Less puts all five side by side and asks readers to notice how they overlap instead of treating each one as a separate design trend.

    Twenty Names Worth Knowing Before September

    Here’s the full profiled lineup, organized by chapter, straight from gestalten’s own release:

    ChapterFeatured CreativesBalanceNicolas Schuybroek, Danielle Siggerud, Nuria Maria, Tycjan KnutContrastTatsuro Miki, HENRYTIMI, Lee Ufan, Rahee YoonMaterialityCédric Etienne, Christian + Jade, Maverick Lee, Antonia FerrerRhythmLiam Stevens, Studio MK27, Krista Mezzadri, Maria YelletischSpaceÁlvaro Siza, John Pawson, Ylva Carlgren, Tom Holden

    A few of those names carry weight beyond the design world. Álvaro Siza is a Pritzker laureate. John Pawson basically defined what “minimalist architecture” means to people who’ve never studied architecture. Lee Ufan is a founding figure of the Mono-ha movement in postwar Japanese art. Putting them next to twelve younger, less established names is a bold editorial choice, and it’s one I want to see land well.

    My Own Framework for Reading This Book

    I want to be upfront that these next two terms are my own reading lens, not gestalten’s official language. I’m coining them here because I think they’re useful for talking about what The Art of Less is doing.

    First, what I’d call the Restraint Dividend. This is the idea that cutting visual or informational noise doesn’t just declutter a space; it pays back attention and calm at a rate disproportionate to what got removed. Remove ten percent of the clutter and gain back thirty percent of the focus. The book’s whole premise runs on this math, even if it never states it that plainly.

    Second, the Noise Ceiling. Every environment, digital or physical, has a threshold where more input stops adding value and starts registering as stress instead. Once you cross that ceiling, additional stimulus doesn’t inform you; it just wears you down. The Art of Less seems built entirely around helping readers locate that ceiling in their own lives, then design around it.

    Why This Book Lands at the Right Moment

    I run a design publication, so I live inside the exact problem this book is describing. Search behavior has changed. People ask ChatGPT or Gemini a question and get an answer without ever opening a website. Feeds refresh faster than anyone can process what’s in them. The Art of Less isn’t marketed as a commentary on any of that directly, but its timing says plenty on its own.

    There’s a reason minimalism keeps resurfacing every time information gets denser. It happened with print in the sixties, with digital interfaces in the 2000s, and it’s happening again now with generative tools flooding every feed with content nobody asked for. Gestalten didn’t plan this release around an AI news cycle, but the argument fits the moment almost too well.

    What I Expect When I Finally Get My Hands on It

    I expect the photography to be excellent, since gestalten rarely misses on production value. Full color, stitch-bound, 320 pages at 24.5 by 33 centimeters—that’s a serious physical object, not a paperback you toss in a bag.

    My one worry, and I’ll say it plainly, is that a 320-page hardcover priced at 100 dollars risks becoming exactly the kind of status object the book’s own thesis argues against. A book about restraint that costs as much as a nice dinner for two and sits on a coffee table mostly unread would be a strange outcome. I hope the writing earns its shelf space rather than just decorating it. I’ll know for sure once I’ve actually read it cover to cover.

    The Art of Less at a Glance

    DetailInformationTitleThe Art of Less: An Exploration of EssenceEditorsJonas Bjerre-Poulsen (Norm Architects) & Sarah Dorweiler (Aesence)PublishergestaltenFormatFull color, hardcover, stitch-bound, 320 pagesDimensions24.5 x 33 cm / 9 3/4 x 13 inchesPrice€70 (Europe), £60 (UK), $100 (US)ISBN978-3-96704-245-0International ReleaseSeptember 1, 2026US ReleaseOctober 6, 2026Featured Creatives20, across five thematic chapters Pre-order on gestalten Pre-order on Amazon.com

    Frequently Asked Questions

    When does The Art of Less come out?

    The Art of Less releases internationally on September 1, 2026, through gestalten’s own shop. The US release follows on October 6, 2026.

    Who wrote The Art of Less?

    The book is edited by Jonas Bjerre-Poulsen, founder of Norm Architects, and Sarah Dorweiler, founder of Aesence. Both bring a different angle to minimalism, one from practice, one from curation.

    What are the five chapters in The Art of Less?

    Balance, Contrast, Materiality, Rhythm, and Space. Each chapter profiles four creatives whose work illustrates that particular lens on restraint.

    Is The Art of Less just another coffee table design book?

    Not based on the premise gestalten is presenting. The book argues minimalism is a cognitive response to overload rather than a decorating style, which sets it apart from most books in this category. Whether the execution backs that up is something I can only confirm once I’ve read it.

    Where can I buy The Art of Less?

    It’s available through gestalten’s own online shop starting September 1, 2026, with wider retail availability, including Amazon, starting October 6, 2026.

    Who are some of the featured artists and architects?

    The lineup includes John Pawson, Álvaro Siza, Lee Ufan, Studio MK27, Nicolas Schuybroek, and fourteen additional creatives spread across the five thematic chapters.

    All images © gestalten and the respective photographers. Don’t hesitate to browse WE AND THE COLOR’s Books, Architecture, and Interior Design categories for more.

    Subscribe to our newsletter!

    #architecture #book #design #Gestalten #interiorDesign #lessIsMore #minimalism #TheArtOfLess
  10. A House in Japan: Lessons in Living | gestalten

    A House in Japan explores the home as a space where ideas of dwelling are constantly reimagined. In a culture shaped by precision and restraint, domestic projects become sites of quiet experimentation. These houses privilege clarity over excess, intent over display. Rigorous yet flexible, they adapt to daily rhythms while proposing fresh ways of living. The book reveals how Japanese homes, understated yet radical, show that even the everyday can be transformed into something unexpected.

    via https://gestalten.com/products/a-house-in-japan-lessons-in-living?srsltid=AfmBOopqlzl_0x84lXVwqIHxTAGXx3RaaSAyebQ-urBnuB-3i50LYFbx

    A House in Japan: Lessons in Living – Edición en Inglés de Gestalten vía Amazon

    Las viviendas más ingeniosas de Japón son de escala modesta, pero ambiciosas en sus objetivos. Los arquitectos del país asiático ofrecen “el enfoque más preciso e innovador sobre cómo vivir hoy en día”, según François-Luc Giraldeau, editor del libro A House in Japan: Lessons in Living (Una casa en Japón: lecciones de vivir).

    “Esto es relevante hoy, ya que gran parte del mundo se enfrenta a las mismas interrogantes que Japón lleva décadas abordando”, comenta a la BBC, “cómo vivir bien con menos espacio, menos recursos y una mayor presión medioambiental”.

    vía La Nación

    «Las mejores viviendas japonesas poseen una simplicidad engañosa.«

    «Lo que parece minimalista suele ser el resultado de decisiones minuciosas sobre proporciones, materiales, iluminación y ensamblajes; detrás de lo que aparenta sencillez y fluidez hay una enorme maestría artesanal. El buen diseño no consiste en tener más, sino en lograr que lo existente rinda al máximo».
    vía BBC News Mundo

    Follow @arquitectonico

    Tu voto:

    #AHouseInJapan #Arquitectos #Arquitectura #Casas #Cultura #Diseño #Gestalten #Japón #LessonsInLiving #Proyecto
  11. Was sagt euch der Text? :
    Stell dir einmal vor: Ein #König verlässt sein #Königreich für eine gewisse Zeit. Bei der #Verabschiedung gibt er seinen Hofbeamten, die enge Vertraute sind, klare Anweisungen, was sie während seiner #Abwesenheit erwartet und was sie tun sollen. Er stattet sie mit allem aus, was sie benötigen, damit sie die #Wartezeit gut #gestalten können. Und dann ist er schneller fort als gedacht. Viel zu früh das meinen zumindest einige. Klar ist: Er kommt wieder. Unklar ist: Wann?

  12. München trockengelegt?

    Was sind die aktuellen Pläne der Stadt? Geht das noch besser? Was würden wir machen?
    Erfahre das an unserem Stammtisch.

    Alle Infos: pdh.eu/events/politischer-stam

    Wir freuen uns auf dich!
    #PdH #Stammtisch #München #Mitreden #Gestalten

  13. KI nicht verbieten – sondern endlich gestalten

    Künstliche Intelligenz nervt, überfordert und verunsichert viele Menschen. Aber genau deshalb darf Deutschland nicht in die alte Reflexhaltung zurückfallen: erst ablehnen, dann regulieren, dann den Anschluss verlieren. Es gibt Begriffe, bei denen man schon innerlich abschaltet, sobald sie fallen. „Künstliche Intelligenz“ gehört inzwischen dazu. Kaum ein Produkt, kaum eine Software, kaum eine Unternehmenspräsentation kommt noch ohne KI-Versprechen aus. Alles soll plötzlich […]

    bachhausen.de/ki-nicht-verbiet

  14. Aktuell ist er eher ein Platz mit viel Potential als ein Ort zum entspannten Abhängen - wir vom BUND Ortsverband Langen-Egelsbach möchten wissen: Welche Ideen habt ihr für den Platz der Deutschen Einheit in #Langen

    Macht gerne mit bei unserer Online-Umfrage. Wir sammeln die Antworten, werten sie aus, und tragen diese an die Politik heran. ⤵️

    langen-egelsbach.bund.net/stad

    #Gemeinsam #Gestalten #VorOrt

  15. Stillness and Japanese Aesthetics: What Norm Architects’ Book Reveals About the Future of Design

    This post contains affiliate links. We may earn a commission if you click on them and make a purchase. It’s at no extra cost to you and helps us run this site. Thanks for your support!

    Quiet is having a moment. Not the quiet of minimalism reduced to a trend board, but a more earned, more philosophical kind — the kind that asks you to slow down and actually look. Stillness: An Exploration of Japanese Aesthetics in Architecture and Design, published by gestalten in October 2024, arrives at exactly the right time. The book is Norm Architects’ attempt to put language, image, and structure around something most designers feel but rarely articulate: that Japanese spatial thinking changes the way you see everything else afterward.

    Norm Architects — the Copenhagen-based studio known for their restrained, material-led approach to interiors, architecture, and product design — spent over a decade traveling to Japan, collaborating with Japanese craftspeople, and sitting with the country’s design philosophy before committing it to print. The result is 304 pages that function simultaneously as a travel memoir, an aesthetic manifesto, and a serious design document. Furthermore, it’s one of the most visually considered design books published in 2024.

    The book is available on Amazon

    This isn’t a coffee table book that flatters itself with pretty photographs. It’s a book with a thesis. And the thesis matters.

    Stillness: An Exploration of Japanese Aesthetics in Architecture and Design. This book by Norm Architects was published by gestalten. The book is available on Amazon

    What Does Japanese Aesthetics Actually Mean for Contemporary Architecture?

    The phrase “Japanese aesthetics” gets used carelessly. It’s become a shorthand for neutral palettes, natural materials, and open floor plans — the visual vocabulary of a thousand boutique hotels. But the tradition Norm Architects engages with in Stillness runs much deeper than surface style.

    Japanese spatial philosophy is rooted in concepts like ma (negative space as active presence), wabi-sabi (the beauty of impermanence and imperfection), and mono no aware (a bittersweet sensitivity to transience). These aren’t decorative ideas. They’re structural ones — ways of organizing perception, time, and material experience. Consequently, they reshape how you design a threshold, choose a texture, or decide where light should fall.

    Norm Architects understood this early. Their Scandinavian sensibility — already oriented toward craft, restraint, and natural material honesty — gave them a framework for genuine dialogue rather than appropriation. The book makes this cross-cultural conversation legible. It shows how two distinct design traditions, separated by geography and history, arrive at strikingly similar conclusions about what space should feel like and why stillness in design is not emptiness, but precision.

    The Scandinavian-Japanese Design Continuum

    One of the book’s most compelling arguments is what I’d call the Nordic-Zen Continuum — the observation that Scandinavian and Japanese design share a foundational commitment to functional beauty, material truth, and spatial modesty. Both traditions resist ornament for its own sake. Furthermore, both prioritize the relationship between inside and outside, and both treat craft as a form of philosophy.

    This isn’t a coincidence. Both cultures developed design traditions in response to demanding natural environments. Darkness and cold in Scandinavia. Islands, seismic instability, and resource scarcity in Japan. When nature is a constraint, design responds with economy and depth rather than excess. Therefore, the visual affinities between a Danish farmhouse and a Japanese machiya townhouse are structural, not stylistic.

    Stillness makes this argument through juxtaposition — placing images from Japan alongside Norm Architects’ built work in Denmark and Sweden. The comparison is generous and precise. You see the same thinking operating across different climates, clients, and construction traditions.

    Inside the Book: Structure, Content, and Editorial Vision

    At 304 pages, Stillness is a substantial document. It’s also physically imposing — nearly 13 inches tall and weighing close to five pounds. gestalten produced it to a standard that honors the material the book discusses. The paper, the binding, the image reproduction: all of it communicates seriousness.

    The book organizes itself around dispatches — richly illustrated accounts of visits to Japanese landscapes, architecture, and cultural sites. These aren’t tourist itineraries. They’re closer to phenomenological field notes: observations about how a specific space affects the body, the eye, and the mind. Additionally, commentary from expert collaborators in both Japan and Scandinavia gives the book intellectual ballast beyond personal observation.

    Key Projects Featured in Stillness

    The book anchors its arguments in specific built work. Two projects appear as primary case studies for how Japanese aesthetics inform contemporary Scandinavian practice:

    Äng Restaurant, Sweden — A dining environment where materiality and restraint create a specific atmospheric quality. The space uses natural materials, careful proportioning, and controlled light in ways that directly reflect the ma principle — treating emptiness as a design element rather than an absence of design.

    Heatherhill Beach House, Denmark — A coastal residence that negotiates the relationship between interior shelter and exterior landscape with the same sensitivity found in traditional Japanese architecture. The project demonstrates what Norm calls spatial humility: the idea that a building should defer to its site rather than dominate it.

    Both projects demonstrate what I’d define as Calibrated Absence — a design principle in which every element present in a space is justified not just by its function, but by the quality of attention it creates around itself.

    The Core Frameworks: How Stillness Structures Its Argument

    Good design books don’t just document work. They give readers tools for thinking. Stillness does this through several interlocking ideas worth naming precisely.

    1. The Stillness Gradient

    Not all quiet is the same. Stillness implicitly identifies what I’d call a Stillness Gradient — a spectrum running from decorative simplicity (spaces that look minimal) through functional restraint (spaces that eliminate unnecessary elements) to perceptual depth (spaces where less creates more conscious experience). Japanese architecture — at its best — operates at the perceptual depth end of this gradient. Norm Architects’ work consistently aims there too.

    The distinction matters enormously for contemporary design practice. Much of what passes for minimalism today is decorative simplicity — a white wall and a concrete floor that still feels busy because nothing has been considered at the perceptual level. True stillness, as the book argues, requires active editorial discipline at every scale of the design process.

    2. Material Testimony

    Another framework the book develops — implicitly, through its images and commentary — is what I’d call Material Testimony: the idea that materials should tell the truth about their own nature, their age, and their place of origin. Japanese craft traditions, particularly those around wood, stone, lacquer, and ceramics, operate on this principle rigorously.

    Norm Architects applies the same logic to their Scandinavian projects. The Äng Restaurant, for instance, uses materials that age visibly and honestly. Nothing pretends to be something else. Accordingly, the space develops a patina of authenticity that synthetic or highly processed materials cannot achieve.

    3. The Threshold as Philosophical Device

    Both Japanese and Scandinavian architecture treat thresholds — doors, engawa corridors, transitional zones between inside and out — as philosophically loaded moments. Stillness returns to this idea repeatedly. The threshold is where the building makes its first argument about what matters: how you arrive, how your body adjusts, how your perception shifts.

    In Japanese architecture, the threshold is often drawn out, extended, and made generous. You’re not moved through space; you’re introduced to it. This approach to arrival profoundly influenced Norm Architects’ thinking about how their buildings receive the people who use them.

    Why This Book Lands Differently Than Other Japanese Design Books

    There’s no shortage of books about Japanese design aesthetics. So what makes Stillness distinct?

    First, the authorial position. Norm Architects are not journalists or academics observing Japanese design from the outside. They’re practitioners who have spent a decade in genuine creative dialogue with Japanese makers, architects, and cultural figures. The book carries the authority of lived engagement, not borrowed vocabulary.

    Second, the comparative structure. By juxtaposing Japanese source material with their own built work, Norm Architects make the book’s argument visible rather than merely stated. You see the influence operating in real projects, at real scale, with real consequences. This is rare and valuable.

    Third, the timing. We’re in a moment when the design conversation has become saturated with digital aesthetics, AI-generated imagery, and trend-cycle acceleration. A book that argues for slowness, depth, and material honesty feels genuinely countercultural right now. Moreover, it makes an implicit argument that resonates beyond design: that quality of attention is itself a form of design.

    Japanese Design Principles in a Post-Digital World

    Here’s a forward-looking prediction worth stating directly: the principles Stillness documents will become increasingly central to design practice over the next decade — not because Japanese aesthetics are fashionable, but because they address a real problem.

    The problem is this: digital environments have trained human perception toward constant stimulation, rapid context-switching, and surface-level engagement. Physical spaces that counteract this — that offer genuine perceptual depth, material presence, and sensory calm — will be experienced as profound relief. Designers who understand how to create this quality will be in significant demand.

    The frameworks in Stillness — calibrated absence, material testimony, the extended threshold — are not historical curiosities. They’re practical instruments for designing the kind of spaces people will desperately need.

    Who Should Read Stillness?

    The obvious answer is architects, interior designers, and design students. But the book speaks usefully to a wider audience. Brand designers interested in spatial identity will find the arguments about material testimony directly applicable to retail and hospitality environments. Photographers will find the book’s visual intelligence instructive. Anyone who cares seriously about the relationship between space and human experience — which is to say, anyone who’s ever felt a room before they thought about it — will find something essential here.

    It’s also genuinely one of the most beautiful books published in 2024. The image editing, the sequencing, the relationship between text and photograph: all of it reflects the aesthetic principles the book discusses. This kind of formal coherence is rarer than it should be.

    Stillness as a Design Argument for Slowness

    What I find most compelling about Stillness is its willingness to be unfashionable. In an era when design publishing often chases novelty, Norm Architects built a book around ideas that are centuries old — and made them feel urgently contemporary. That’s a difficult thing to do. It requires genuine conviction about what design is actually for.

    The book’s central argument — that stillness is not absence but a quality of presence, and that achieving it requires discipline, knowledge, and genuine cross-cultural humility — feels important. Not just for architecture. For design thinking broadly. And perhaps for how we organize our lives.

    The book is available on Amazon

    Japanese aesthetics in architecture have always been about more than visual style. They’re about how space shapes consciousness. Stillness makes that argument with rigor, beauty, and earned authority. It belongs on the shelf of anyone who takes space seriously.

    Frequently Asked Questions About Stillness by Norm Architects

    What is Stillness by Norm Architects about?

    Stillness: An Exploration of Japanese Aesthetics in Architecture and Design is a 304-page book published by gestalten in October 2024. It documents Norm Architects’ decade-long engagement with Japanese design culture, exploring how Japanese spatial philosophy — concepts like ma, wabi-sabi, and material honesty — has shaped their contemporary Scandinavian practice. The book combines travel dispatches, architectural photography, expert commentary, and project documentation into a unified design manifesto.

    Who are Norm Architects?

    Norm Architects is a Copenhagen-based design studio working across architecture, interiors, and product design. They are known for a rigorously restrained aesthetic that emphasizes craft, natural materials, and spatial sensitivity. Their work includes residential architecture, hospitality interiors, and product collaborations across Scandinavia and internationally.

    Who published Stillness and when?

    gestalten published Stillness on October 8, 2024. It’s a Berlin-based publisher specializing in high-quality design, architecture, and culture books. The book runs to 304 pages with an ISBN of 978-3967041583.

    What Japanese design principles does the book explore?

    The book engages with several core Japanese aesthetic concepts: ma (the active use of negative space), wabi-sabi (beauty found in impermanence and imperfection), mono no aware (sensitivity to transience), and the philosophical role of craft and material honesty in spatial design. It also explores how these principles manifest in Japanese landscapes, traditional architecture, and contemporary cultural spaces.

    Which Norm Architects projects are featured in Stillness?

    The book features two primary built projects as case studies: the Äng Restaurant in Sweden and the Heatherhill Beach House in Denmark. Both projects demonstrate how Japanese spatial thinking — particularly around material selection, threshold design, and calibrated restraint — operates within a contemporary Scandinavian architectural practice.

    Is Stillness suitable for non-architects?

    Yes. While the book engages seriously with architectural thinking, its accessible structure and richly illustrated format make it valuable for anyone interested in design, photography, Japanese culture, or the relationship between space and human experience. Brand designers, interior designers, photographers, and design enthusiasts will all find the book compelling.

    How does Japanese aesthetics influence Scandinavian design?

    Both traditions share foundational commitments to functional beauty, material integrity, and spatial modesty. Both developed in response to demanding natural environments. The book argues — and demonstrates through comparative imagery — that these shared values create a genuine design continuum between the two cultures, rather than a one-directional influence relationship.

    What makes Stillness different from other Japanese design books?

    Stillness distinguishes itself through three things: the authorial credibility of a studio with a decade of genuine creative engagement with Japan; its comparative structure, juxtaposing Japanese source material with completed built work; and its forward-looking design argument about why Japanese aesthetic principles matter urgently for contemporary practice.

    Discover more of our book reviews here at WE AND THE COLOR.

    #architecture #book #design #Gestalten #NormArchitects #StillnessAndJapaneseAesthetics
  16. Immerzu höre und lese ich die Fragestellung Wie sowie Warum denn nur die AfD so viel gewählt wird, ob dessen Wähler denn nicht wüsten wie dumm das wäre und selbige dadurch auch sind.

    SO werden jene Wähler der AfD oder irgendeiner anderen Partei definitiv nicht davon überzeugt die eigene Entscheidung zu überdenken sowie etwas anderes zu wählen.

    Zuhören, anstatt verurteilen.

    Brücken bauen im gesellschaftlichen Kontext anstatt sich von einander abzugrenzen wodurch die Gräben in der Gesellschaft noch tiefer sowie breiter werden.

    Solidarität mal wieder lernen.

    Gemeinsam die Zukunft von Deutschland gestalten funktioniert nur wenn alle mitgenommen anstatt ausgeschlossen werden.

    #Gesellschaft #Solidarität #Politik #Deutschland #Zukunft #Gestalten

  17. Textil-Projekt verbindet Fäden und Menschen in Wuppertal

    Das vom Bürgerforum Oberbarmen organisierte Projekt „Fließ-Bänder“ lädt dazu ein, gemeinsam mit Menschen aus dem Stadtteil ein großes…
    #Wuppertal #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Bürgerforum #Färberei #Germany #Gestalten #Nähen #Nordrhein-Westfalen #Oberbarmen #projekt #Rosenau #Stennert #Ufer #verschiedenen #Wupper #Wupperufer #zusammenzunähen
    europesays.com/de/911024/

  18. 🟢 Wahlkreiskandidat:innen der Saar-Grünen für die Landtagswahl 2027 aufgestellt

    Engagierte Kandidat:innen aus allen Teilen des #Saarland​es bringen unterschiedliche Perspektiven, Erfahrungen und #Kompetenz​en ein.

    Sie eint das Ziel, das Land #zukunft​sfest, #gerecht und #lebenswert zu #gestalten.

    gruene-saar.de/2026/03/wahlkre

    #Saarland #LTWSaar2027 #2027IstGrün #BereitFür2027 #ZurückInDenLandtag #Demokratie #SozialeGerechtigkeit #Gruene

  19. 🔜Kurs: Grundlagen des Maskenbaus 👺 👉Ton formen, Figur entwickeln, Maske bauen – und am Ende etwas in der Hand halten, das auf der Bühne funktioniert. Keine Kunstfertigkeit nötig, auch für pädagogische Berufe geeignet. Bitte Arbeitskleidung mitbringen, Materialkosten: 10 €.

    📅 6x ab Fr, 20.03.2026
    📍 vhs #Lichtenberg
    ℹ️ Mehr Infos und Buchung: vhsit.berlin.de/VHSKURSE/Busin

    #VHS #Berlin #Volkshochschule #Kultur #Gestalten #Maskenbau #Theater #Pädagogik

  20. ‘ridiculously good-looking saunas’ features design-led thermal retreats worldwide

    gestalten’s book charts the global rise of design-led saunas   Ridiculously Good-Looking Saunas, published by gestalten, a publication…
    #NewsBeep #News #Artsanddesign #Arts #ArtsAndDesign #CA #Canada #Design #designboombookreports #Entertainment #gestalten #saunas
    newsbeep.com/ca/516006/

  21. Wenn Leute rätseln, „was SICH ändert“, bist Du in einer passiven Gruppe gelandet, die auf ihr Schicksal wartet… oft verbunden mit Sorgen/ Angst - das lähmt.

    Es gibt auch Menschen, die darüber sprechen, „was ändere ICH“ - das sind aktive #Lerner*innen, die nicht warten wollen, sondern die eigene (oft auch die von anderen) #Zukunft #gestalten - dort herrscht weniger Angst, weil diese Leute meist vernetzt sind und kontinuierlich ihre #Komfortzone erweitern.

    #ZukunftsLust #SocialLearning #DID

  22. WZ-Kommentar zum Stadtteilfonds: Gemeinsam für den Ölberg

    In einer notorisch klammen Stadt werden ihre Bewohnerinnen und Bewohner entsprechend erfindungsreich und glücklicherweise gibt es auch Menschen,…
    #Wuppertal #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Germany #Gestalten #Ideen #Nordrhein-Westfalen #ölberg #Projekte #Stadtteilfonds #Umsetzung #unterstützen
    europesays.com/de/732820/

  23. Häfen in Duisburg und Rotterdam gestalten weiter gemeinsam die Energiewende

    Die Häfen in Duisburg und Rotterdam setzen ihre enge Zusammenarbeit fort: In Anwesenheit von Hendrik Wüst, Ministerpräsident des…
    ##Duisburg Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Duisburg #"gemeinsam" #Deutschland #Energiewende #Germany #Gestalten #Häfen #Nordrhein-Westfalen #Rotterdam #Weiter
    europesays.com/de/547331/

  24. Kinder an die Macht! In Wuppertal haben 100 Kinder ihre eigene Stadt gestaltet. Mit eigenen Ämtern, Regeln und Geschäften.#WDR #24102025 #Wuppertal #BergischesLand #Kinder #Stadt #Gestalten #Demokratie #NRW
    Demokratie kann man lernen: Die Kinderstadt in Wuppertal
  25. CW: BND

    Martin Jäger: Direkt aus der Hölle

    "Martin Jäger wird Chef des #Bundesnachrichtendienst'es. Sein Lebenslauf liest sich wie eine schlechte #Verschwörungstheorie

    Dass sich in #Geheimdiensten seltsame #Gestalten tummeln, mag nicht überraschen. Doch der Lebenslauf des neuen #BND-Chefs Martin Jäger liest sich, als stamme er direkt aus der Hölle.

    Seit seinem Eintritt in die #CDU 1994 jedoch besitzt Jäger einen ausgeprägten Zug zur #Macht..."
    nd-aktuell.de/artikel/1192042.

  26. #KI-Kompetenzen 🟢#verstehen, 🔵#anwenden, 🟠#reflektieren und 🟣#gestalten.
    Lasst uns das Modell von @reg_schulz @joschafalck Manuel Flick und Susanne Alles für die religionsbezogene Bildung adaptieren und miteinander #OER entwickeln:
    relilab.org/ki-kompetenzen-in-

  27. ✍️ #Sammelschulung mit #Fabian #Hanneforth

    Im Anschluss findet eine Sammelschulung statt – und nach dem tollen Feedback bei unserem Jupi-Bar-Abend freuen wir uns riesig, dass Fabian Hanneforth wieder dabei ist.

    Er sammelt seit über 20 Jahren für verschiedene #Volksbegehren Unterschriften und zeigt dir ganz konkret, worauf es ankommt.

    Egal, ob du ganz neu dabei bist oder schon Erfahrung hast – hier kannst du sicher noch etwas mitnehmen!

    #Hamburg #Mitmachen #Gestalten #Debatte #Werbung

  28. Unser außerordentlichen Landesparteitag steht an 😍

    Wir freuen uns schon mit allen Interessierten und Mitgliedern einen wundervollen Tag zu verbringen.
    Wir werden die Weichen für unseren Wahlkampf stellen.
    Lasst uns zusammen eine bessere Zukunft in Bayern gestalten.

    Alle Infos hier:
    pdh.eu/events/ausserordentlich

    #Landesparteitag #Bayern2025 #PdH #Fakten #Freiheit #Fortschritt #Gestalten

  29. 🌍🤝 Zusammenhalt, Zuversicht, Zukunft – Robert Habeck zeigt, wie wir gemeinsam ein starkes und gerechtes Deutschland gestalten können. 💚 Am 23. Februar Grün wählen und die Zukunft in die Hand nehmen! ✅✨

    #roberthabeck #habeck #zusammenhalt #gestalten #deutschland #gruenesiegburg

  30. @Blumine @klaremitte Politisches Taktieren und Blockieren ist das Brot-und-Butter-Geschäft der #CDU / #CSU : campact.org/merz-blockiert-mil
    Konstruktives #Gestalten leider Fehlanzeige.
    #merzKANNesNICHT

  31. Erkennt die #Gemeinsamkeiten, durch die #Bitcoin uns zusammenbringt, und schätzt die unterschiedlichen Ansichten und Überzeugungen der #Menschen, um gemeinsam eine #lebenswerte #Zukunft für unsere #Kinder und #Enkel #gestalten zu können.

    youtube.com/watch?v=DD0-wfZgLp

  32. Veränderungskompetenz: Anpassung an Veränderung oder Gestaltung an Veränderung? Bitte doch das zweite: Wir können wir aktive Veränderungskompetenz lehren und lernen?

    @nele nimmt uns mal wieder mit, die großen Narrative zu hinterfragen und neu zu denken!

    #UFF24 #Veränderungskompetenz #Gestalten

  33. @dzwoelfer @ckemfert
    Dafür wurden die #Ampel-#PolitikerInnen gewählt.
    Nicht dafür, "die zahlreichen Großdemonstrationen gegen Rechtsextremismus", also das Engagement seitens der #Bürgerinnen und #Bürger zu "begrüßen"! 🙄
    Sozial gerechten Wandel #Gestalten! @ #Ampel-Gestalten
    #HandelnStattLabern! @ #OlafScholz, nicht bloß den #GrüßAugust geben ... 😠
    Und dazu aufrufen, die Demokratie gegen Angriffe zu verteidigen - als #Bundeskanzler!!! 🙈
    zdf.de/nachrichten/politik/deu

  34. NEU!
    polis aktuell 2024/01: Lernen durch Engagement

    Lernen durch Engagement oder Service Learning ist als demokratiepädagogischer Ansatz in Österreich noch nicht sehr etabliert. Mit diesem Heft wollen wir einen Beitrag dazu leisten, diesen Ansatz bekannter zu machen, und anhand konkreter Praxisbeispiele mögliche Anwendungen aufzeigen.

    Claudia Fahrenwald von der Pädagogischen Hochschule Oberösterreich hat das Heft für Zentrum polis zusammengestellt. Sie hat im Jahr 2020 das Projekt "Lernen durch Engagement. Demokratie in Schulen leben – Gesellschaft mitgestalten" ins Leben gerufen und baut seither das Netzwerk "Lernen durch Engagement-Schulen" in Oberösterreich auf.

    politik-lernen.at/pa_lernendur

    #PolisAktuell #Engagement #gestalten #PolitischeBildung #PolitikEdu #Publikation #Schule #Download #ServiceLearning

  35. Feenhafte schlanke #Wesen und seltsame, schwarzweiß gekleidete #Gestalten beim Tanz. So könnte am #photomonday die Beschreibung dieses Fotos lauten. Wahrhaftig handelt es sich hier um junge und deshalb noch geweihlose #Pilze der Gattung 'Geweihförmige Holzkeule' (Xylaria hypoxylon) zwischen frischem Moos auf einem Buchenholzrest.

    Slender fairy-like
    #creatures and strange #figures dressed in black and white dancing. That could be the description of this photo on #mushroommonday. In fact, these are young and therefore still antlerless #mushrooms of the genus antler-shaped wood club (Xylaria hypoxylon) between fresh moss on a #beech wood remnant.

    #fotografie #photography #fungi #fungiverse #nature #mosstodon

  36. Auch am zweiten Tag des For Future Kongress gab es neben vielen individuellen Gesprächen weitere großartige Diskussionen, wie eine sozialgerechte Klimatransformation gelingen kann.

    Der Austausch vieler For Future Gruppen, z.B. zum nächsten globalen Streik, Zukunftsbildern, dem EU- Mercosur-Abkommen, Klimafilmen und Maßnahmen zur Treibhausgasreduzierung, hat uns neue Impulse gegeben, die wir mit allen For Future Gruppen teilen wollen.

    Es war ein Wochenende voller Inspiration und wir sind voller Motivation in die Woche und das zweite Halbjahr 2023 gestartet!

    Danke an alle die dabei waren!

    #allforfuture #allefürsklima #allefür1komma5 #forfuturekongress23 #zukunft #gemeinsam #gestalten
    Bilder: Jana Legler

  37. Was ich auch 👍🏻 finde ist, dass im Vergleich zu 🇩🇪 sehr viele, und auch (sehr) junge #Frauen in #Schlüsselpositionen arbeiten & die #Zukunft #gestalten können …
    Die beruflichen #Highlights 2022 waren jedenfalls (in chronologischer Reihenfolge) die Abschlusswoche von %SinnfluenceyourWorld in #SanktVith mit der #Aufführung des Stücks. Es war bewegend zu sehen, wie die #Gruppe sich über ein Jahr weiterentwickelt und so viel dazugelernt hat! 3/X

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