#gestalten — Public Fediverse posts

The Art of Less Is Gestalten’s Answer to a World Full of More

The Art of Less is not a book about owning fewer things. That’s the first assumption gestalten wants readers to drop before they even crack the spine, and honestly, it’s overdue. Minimalism got turned into a real estate listing aesthetic somewhere around 2015, all white walls and empty countertops with nothing to say for itself. This new release wants that reputation gone for good. Gestalten built the book with Jonas Bjerre-Poulsen of Norm Architects and Sarah Dorweiler of Aesence, two people who’ve spent years arguing that restraint is a mental skill, not a shopping decision.

I haven’t held a copy yet. The Art of Less ships internationally on September 1, 2026, and doesn’t land in the US until October 6, so I’m reading press materials like everyone else right now. That’s fine, though. It gives me time to explain why I think this release is going to matter more than most design books this year and why I’ve already cleared shelf space for it.

So What Is The Art of Less Actually Trying to Say?

The publisher’s own framing is blunt: the pull toward simplicity gets stronger exactly when everything else feels out of balance. Not a style choice, a reflex. That’s a meaningfully different claim than most minimalism books make, since most of them treat white space as a look you can buy into. The Art of Less treats it as a cognitive and sensory response to overload, something closer to how your body reacts to a loud room by seeking a quiet corner.

Gestalten structures the argument through five thematic lenses: Balance, Contrast, Materiality, Rhythm, and Space. Twenty international artists, designers, and architects get profiled across those five sections, each one used as evidence that restraint produces presence rather than emptiness. That’s the thesis in one sentence, and it’s a sharper one than “less is more” ever managed to be.

Who’s Actually Behind It: Norm Architects and Aesence

Jonas Bjerre-Poulsen founded Norm Architects, a Copenhagen studio known for interiors that feel quiet without feeling cold. Wood, wool, stone—the kind of materials that ask to be touched rather than photographed. Sarah Dorweiler runs Aesence, a platform that’s spent years curating and questioning minimalist aesthetics from the outside looking in.

Gestalten pairs a practitioner with a curator on purpose here. Bjerre-Poulsen brings the hands-on view of someone who actually builds these spaces for clients. Dorweiler brings the critical distance of someone who studies why the aesthetic resonates emotionally in the first place. That combination is probably why the book reads less like a portfolio and more like an argument, at least based on how gestalten is positioning it.

The Five Lenses, and Why They’re Not Just Chapter Titles

Each lens works as its own small thesis rather than a loose category:

• Balance looks at how weight and asymmetry create calm instead of tension.
• Contrast uses friction between materials or forms to sharpen focus, featuring artists like Lee Ufan, whose sculpture has built a career out of elemental tension.
• Materiality asks what happens when texture does the emotional work that decoration used to do.
• Rhythm studies repetition: how a pattern can choreograph how a body moves through a space.
• Space covers architects like John Pawson and Álvaro Siza, both known for treating emptiness as a built material in its own right.

None of these are new ideas individually. What’s different is that The Art of Less puts all five side by side and asks readers to notice how they overlap instead of treating each one as a separate design trend.

Twenty Names Worth Knowing Before September

Here’s the full profiled lineup, organized by chapter, straight from gestalten’s own release:

A few of those names carry weight beyond the design world. Álvaro Siza is a Pritzker laureate. John Pawson basically defined what “minimalist architecture” means to people who’ve never studied architecture. Lee Ufan is a founding figure of the Mono-ha movement in postwar Japanese art. Putting them next to twelve younger, less established names is a bold editorial choice, and it’s one I want to see land well.

My Own Framework for Reading This Book

I want to be upfront that these next two terms are my own reading lens, not gestalten’s official language. I’m coining them here because I think they’re useful for talking about what The Art of Less is doing.

First, what I’d call the Restraint Dividend. This is the idea that cutting visual or informational noise doesn’t just declutter a space; it pays back attention and calm at a rate disproportionate to what got removed. Remove ten percent of the clutter and gain back thirty percent of the focus. The book’s whole premise runs on this math, even if it never states it that plainly.

Second, the Noise Ceiling. Every environment, digital or physical, has a threshold where more input stops adding value and starts registering as stress instead. Once you cross that ceiling, additional stimulus doesn’t inform you; it just wears you down. The Art of Less seems built entirely around helping readers locate that ceiling in their own lives, then design around it.

Why This Book Lands at the Right Moment

I run a design publication, so I live inside the exact problem this book is describing. Search behavior has changed. People ask ChatGPT or Gemini a question and get an answer without ever opening a website. Feeds refresh faster than anyone can process what’s in them. The Art of Less isn’t marketed as a commentary on any of that directly, but its timing says plenty on its own.

There’s a reason minimalism keeps resurfacing every time information gets denser. It happened with print in the sixties, with digital interfaces in the 2000s, and it’s happening again now with generative tools flooding every feed with content nobody asked for. Gestalten didn’t plan this release around an AI news cycle, but the argument fits the moment almost too well.

What I Expect When I Finally Get My Hands on It

I expect the photography to be excellent, since gestalten rarely misses on production value. Full color, stitch-bound, 320 pages at 24.5 by 33 centimeters—that’s a serious physical object, not a paperback you toss in a bag.

My one worry, and I’ll say it plainly, is that a 320-page hardcover priced at 100 dollars risks becoming exactly the kind of status object the book’s own thesis argues against. A book about restraint that costs as much as a nice dinner for two and sits on a coffee table mostly unread would be a strange outcome. I hope the writing earns its shelf space rather than just decorating it. I’ll know for sure once I’ve actually read it cover to cover.

The Art of Less at a Glance

Frequently Asked Questions

When does The Art of Less come out?

The Art of Less releases internationally on September 1, 2026, through gestalten’s own shop. The US release follows on October 6, 2026.

Who wrote The Art of Less?

The book is edited by Jonas Bjerre-Poulsen, founder of Norm Architects, and Sarah Dorweiler, founder of Aesence. Both bring a different angle to minimalism, one from practice, one from curation.

What are the five chapters in The Art of Less?

Balance, Contrast, Materiality, Rhythm, and Space. Each chapter profiles four creatives whose work illustrates that particular lens on restraint.

Is The Art of Less just another coffee table design book?

Not based on the premise gestalten is presenting. The book argues minimalism is a cognitive response to overload rather than a decorating style, which sets it apart from most books in this category. Whether the execution backs that up is something I can only confirm once I’ve read it.

Where can I buy The Art of Less?

It’s available through gestalten’s own online shop starting September 1, 2026, with wider retail availability, including Amazon, starting October 6, 2026.

Who are some of the featured artists and architects?

The lineup includes John Pawson, Álvaro Siza, Lee Ufan, Studio MK27, Nicolas Schuybroek, and fourteen additional creatives spread across the five thematic chapters.

All images © gestalten and the respective photographers. Don’t hesitate to browse WE AND THE COLOR’s Books, Architecture, and Interior Design categories for more.

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Was sagt euch der Text? :
Stell dir einmal vor: Ein #König verlässt sein #Königreich für eine gewisse Zeit. Bei der #Verabschiedung gibt er seinen Hofbeamten, die enge Vertraute sind, klare Anweisungen, was sie während seiner #Abwesenheit erwartet und was sie tun sollen. Er stattet sie mit allem aus, was sie benötigen, damit sie die #Wartezeit gut #gestalten können. Und dann ist er schneller fort als gedacht. Viel zu früh das meinen zumindest einige. Klar ist: Er kommt wieder. Unklar ist: Wann?

München trockengelegt?

Was sind die aktuellen Pläne der Stadt? Geht das noch besser? Was würden wir machen?
Erfahre das an unserem Stammtisch.

Alle Infos: https://www.pdh.eu/events/politischer-stammtisch-der-pdh-in-muenchen/

Wir freuen uns auf dich!
#PdH #Stammtisch #München #Mitreden #Gestalten

Das war ein tolles Panel - und irgendwie habe ich genau das auch gebraucht.

https://www.youtube.com/watch?v=--a3Bh-aaT0

#Hoffnung #Gesellschaft #Zukunft #BildetBanden #Klima #Katastrophen #Solarpunk #Hopepunk #Gestalten

Aktuell ist er eher ein Platz mit viel Potential als ein Ort zum entspannten Abhängen - wir vom BUND Ortsverband Langen-Egelsbach möchten wissen: Welche Ideen habt ihr für den Platz der Deutschen Einheit in #Langen

Macht gerne mit bei unserer Online-Umfrage. Wir sammeln die Antworten, werten sie aus, und tragen diese an die Politik heran. ⤵️

https://langen-egelsbach.bund.net/stadtgruen/umfrage-zum-platz-der-deutschen-einheit/

#Gemeinsam #Gestalten #VorOrt

Stillness and Japanese Aesthetics: What Norm Architects’ Book Reveals About the Future of Design

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Quiet is having a moment. Not the quiet of minimalism reduced to a trend board, but a more earned, more philosophical kind — the kind that asks you to slow down and actually look. Stillness: An Exploration of Japanese Aesthetics in Architecture and Design, published by gestalten in October 2024, arrives at exactly the right time. The book is Norm Architects’ attempt to put language, image, and structure around something most designers feel but rarely articulate: that Japanese spatial thinking changes the way you see everything else afterward.

Norm Architects — the Copenhagen-based studio known for their restrained, material-led approach to interiors, architecture, and product design — spent over a decade traveling to Japan, collaborating with Japanese craftspeople, and sitting with the country’s design philosophy before committing it to print. The result is 304 pages that function simultaneously as a travel memoir, an aesthetic manifesto, and a serious design document. Furthermore, it’s one of the most visually considered design books published in 2024.

This isn’t a coffee table book that flatters itself with pretty photographs. It’s a book with a thesis. And the thesis matters.

What Does Japanese Aesthetics Actually Mean for Contemporary Architecture?

The phrase “Japanese aesthetics” gets used carelessly. It’s become a shorthand for neutral palettes, natural materials, and open floor plans — the visual vocabulary of a thousand boutique hotels. But the tradition Norm Architects engages with in Stillness runs much deeper than surface style.

Japanese spatial philosophy is rooted in concepts like ma (negative space as active presence), wabi-sabi (the beauty of impermanence and imperfection), and mono no aware (a bittersweet sensitivity to transience). These aren’t decorative ideas. They’re structural ones — ways of organizing perception, time, and material experience. Consequently, they reshape how you design a threshold, choose a texture, or decide where light should fall.

Norm Architects understood this early. Their Scandinavian sensibility — already oriented toward craft, restraint, and natural material honesty — gave them a framework for genuine dialogue rather than appropriation. The book makes this cross-cultural conversation legible. It shows how two distinct design traditions, separated by geography and history, arrive at strikingly similar conclusions about what space should feel like and why stillness in design is not emptiness, but precision.

The Scandinavian-Japanese Design Continuum

One of the book’s most compelling arguments is what I’d call the Nordic-Zen Continuum — the observation that Scandinavian and Japanese design share a foundational commitment to functional beauty, material truth, and spatial modesty. Both traditions resist ornament for its own sake. Furthermore, both prioritize the relationship between inside and outside, and both treat craft as a form of philosophy.

This isn’t a coincidence. Both cultures developed design traditions in response to demanding natural environments. Darkness and cold in Scandinavia. Islands, seismic instability, and resource scarcity in Japan. When nature is a constraint, design responds with economy and depth rather than excess. Therefore, the visual affinities between a Danish farmhouse and a Japanese machiya townhouse are structural, not stylistic.

Stillness makes this argument through juxtaposition — placing images from Japan alongside Norm Architects’ built work in Denmark and Sweden. The comparison is generous and precise. You see the same thinking operating across different climates, clients, and construction traditions.

Inside the Book: Structure, Content, and Editorial Vision

At 304 pages, Stillness is a substantial document. It’s also physically imposing — nearly 13 inches tall and weighing close to five pounds. gestalten produced it to a standard that honors the material the book discusses. The paper, the binding, the image reproduction: all of it communicates seriousness.

The book organizes itself around dispatches — richly illustrated accounts of visits to Japanese landscapes, architecture, and cultural sites. These aren’t tourist itineraries. They’re closer to phenomenological field notes: observations about how a specific space affects the body, the eye, and the mind. Additionally, commentary from expert collaborators in both Japan and Scandinavia gives the book intellectual ballast beyond personal observation.

Key Projects Featured in Stillness

The book anchors its arguments in specific built work. Two projects appear as primary case studies for how Japanese aesthetics inform contemporary Scandinavian practice:

Äng Restaurant, Sweden — A dining environment where materiality and restraint create a specific atmospheric quality. The space uses natural materials, careful proportioning, and controlled light in ways that directly reflect the ma principle — treating emptiness as a design element rather than an absence of design.

Heatherhill Beach House, Denmark — A coastal residence that negotiates the relationship between interior shelter and exterior landscape with the same sensitivity found in traditional Japanese architecture. The project demonstrates what Norm calls spatial humility: the idea that a building should defer to its site rather than dominate it.

Both projects demonstrate what I’d define as Calibrated Absence — a design principle in which every element present in a space is justified not just by its function, but by the quality of attention it creates around itself.

The Core Frameworks: How Stillness Structures Its Argument

Good design books don’t just document work. They give readers tools for thinking. Stillness does this through several interlocking ideas worth naming precisely.

1. The Stillness Gradient

Not all quiet is the same. Stillness implicitly identifies what I’d call a Stillness Gradient — a spectrum running from decorative simplicity (spaces that look minimal) through functional restraint (spaces that eliminate unnecessary elements) to perceptual depth (spaces where less creates more conscious experience). Japanese architecture — at its best — operates at the perceptual depth end of this gradient. Norm Architects’ work consistently aims there too.

The distinction matters enormously for contemporary design practice. Much of what passes for minimalism today is decorative simplicity — a white wall and a concrete floor that still feels busy because nothing has been considered at the perceptual level. True stillness, as the book argues, requires active editorial discipline at every scale of the design process.

2. Material Testimony

Another framework the book develops — implicitly, through its images and commentary — is what I’d call Material Testimony: the idea that materials should tell the truth about their own nature, their age, and their place of origin. Japanese craft traditions, particularly those around wood, stone, lacquer, and ceramics, operate on this principle rigorously.

Norm Architects applies the same logic to their Scandinavian projects. The Äng Restaurant, for instance, uses materials that age visibly and honestly. Nothing pretends to be something else. Accordingly, the space develops a patina of authenticity that synthetic or highly processed materials cannot achieve.

3. The Threshold as Philosophical Device

Both Japanese and Scandinavian architecture treat thresholds — doors, engawa corridors, transitional zones between inside and out — as philosophically loaded moments. Stillness returns to this idea repeatedly. The threshold is where the building makes its first argument about what matters: how you arrive, how your body adjusts, how your perception shifts.

In Japanese architecture, the threshold is often drawn out, extended, and made generous. You’re not moved through space; you’re introduced to it. This approach to arrival profoundly influenced Norm Architects’ thinking about how their buildings receive the people who use them.

Why This Book Lands Differently Than Other Japanese Design Books

There’s no shortage of books about Japanese design aesthetics. So what makes Stillness distinct?

First, the authorial position. Norm Architects are not journalists or academics observing Japanese design from the outside. They’re practitioners who have spent a decade in genuine creative dialogue with Japanese makers, architects, and cultural figures. The book carries the authority of lived engagement, not borrowed vocabulary.

Second, the comparative structure. By juxtaposing Japanese source material with their own built work, Norm Architects make the book’s argument visible rather than merely stated. You see the influence operating in real projects, at real scale, with real consequences. This is rare and valuable.

Third, the timing. We’re in a moment when the design conversation has become saturated with digital aesthetics, AI-generated imagery, and trend-cycle acceleration. A book that argues for slowness, depth, and material honesty feels genuinely countercultural right now. Moreover, it makes an implicit argument that resonates beyond design: that quality of attention is itself a form of design.

Japanese Design Principles in a Post-Digital World

Here’s a forward-looking prediction worth stating directly: the principles Stillness documents will become increasingly central to design practice over the next decade — not because Japanese aesthetics are fashionable, but because they address a real problem.

The problem is this: digital environments have trained human perception toward constant stimulation, rapid context-switching, and surface-level engagement. Physical spaces that counteract this — that offer genuine perceptual depth, material presence, and sensory calm — will be experienced as profound relief. Designers who understand how to create this quality will be in significant demand.

The frameworks in Stillness — calibrated absence, material testimony, the extended threshold — are not historical curiosities. They’re practical instruments for designing the kind of spaces people will desperately need.

Who Should Read Stillness?

The obvious answer is architects, interior designers, and design students. But the book speaks usefully to a wider audience. Brand designers interested in spatial identity will find the arguments about material testimony directly applicable to retail and hospitality environments. Photographers will find the book’s visual intelligence instructive. Anyone who cares seriously about the relationship between space and human experience — which is to say, anyone who’s ever felt a room before they thought about it — will find something essential here.

It’s also genuinely one of the most beautiful books published in 2024. The image editing, the sequencing, the relationship between text and photograph: all of it reflects the aesthetic principles the book discusses. This kind of formal coherence is rarer than it should be.

Stillness as a Design Argument for Slowness

What I find most compelling about Stillness is its willingness to be unfashionable. In an era when design publishing often chases novelty, Norm Architects built a book around ideas that are centuries old — and made them feel urgently contemporary. That’s a difficult thing to do. It requires genuine conviction about what design is actually for.

The book’s central argument — that stillness is not absence but a quality of presence, and that achieving it requires discipline, knowledge, and genuine cross-cultural humility — feels important. Not just for architecture. For design thinking broadly. And perhaps for how we organize our lives.

Japanese aesthetics in architecture have always been about more than visual style. They’re about how space shapes consciousness. Stillness makes that argument with rigor, beauty, and earned authority. It belongs on the shelf of anyone who takes space seriously.

Frequently Asked Questions About Stillness by Norm Architects

What is Stillness by Norm Architects about?

Stillness: An Exploration of Japanese Aesthetics in Architecture and Design is a 304-page book published by gestalten in October 2024. It documents Norm Architects’ decade-long engagement with Japanese design culture, exploring how Japanese spatial philosophy — concepts like ma, wabi-sabi, and material honesty — has shaped their contemporary Scandinavian practice. The book combines travel dispatches, architectural photography, expert commentary, and project documentation into a unified design manifesto.

Who are Norm Architects?

Norm Architects is a Copenhagen-based design studio working across architecture, interiors, and product design. They are known for a rigorously restrained aesthetic that emphasizes craft, natural materials, and spatial sensitivity. Their work includes residential architecture, hospitality interiors, and product collaborations across Scandinavia and internationally.

Who published Stillness and when?

gestalten published Stillness on October 8, 2024. It’s a Berlin-based publisher specializing in high-quality design, architecture, and culture books. The book runs to 304 pages with an ISBN of 978-3967041583.

What Japanese design principles does the book explore?

The book engages with several core Japanese aesthetic concepts: ma (the active use of negative space), wabi-sabi (beauty found in impermanence and imperfection), mono no aware (sensitivity to transience), and the philosophical role of craft and material honesty in spatial design. It also explores how these principles manifest in Japanese landscapes, traditional architecture, and contemporary cultural spaces.

Which Norm Architects projects are featured in Stillness?

The book features two primary built projects as case studies: the Äng Restaurant in Sweden and the Heatherhill Beach House in Denmark. Both projects demonstrate how Japanese spatial thinking — particularly around material selection, threshold design, and calibrated restraint — operates within a contemporary Scandinavian architectural practice.

Is Stillness suitable for non-architects?

Yes. While the book engages seriously with architectural thinking, its accessible structure and richly illustrated format make it valuable for anyone interested in design, photography, Japanese culture, or the relationship between space and human experience. Brand designers, interior designers, photographers, and design enthusiasts will all find the book compelling.

How does Japanese aesthetics influence Scandinavian design?

Both traditions share foundational commitments to functional beauty, material integrity, and spatial modesty. Both developed in response to demanding natural environments. The book argues — and demonstrates through comparative imagery — that these shared values create a genuine design continuum between the two cultures, rather than a one-directional influence relationship.

What makes Stillness different from other Japanese design books?

Stillness distinguishes itself through three things: the authorial credibility of a studio with a decade of genuine creative engagement with Japan; its comparative structure, juxtaposing Japanese source material with completed built work; and its forward-looking design argument about why Japanese aesthetic principles matter urgently for contemporary practice.

Discover more of our book reviews here at WE AND THE COLOR.

Immerzu höre und lese ich die Fragestellung Wie sowie Warum denn nur die AfD so viel gewählt wird, ob dessen Wähler denn nicht wüsten wie dumm das wäre und selbige dadurch auch sind.

SO werden jene Wähler der AfD oder irgendeiner anderen Partei definitiv nicht davon überzeugt die eigene Entscheidung zu überdenken sowie etwas anderes zu wählen.

Zuhören, anstatt verurteilen.

Brücken bauen im gesellschaftlichen Kontext anstatt sich von einander abzugrenzen wodurch die Gräben in der Gesellschaft noch tiefer sowie breiter werden.

Solidarität mal wieder lernen.

Gemeinsam die Zukunft von Deutschland gestalten funktioniert nur wenn alle mitgenommen anstatt ausgeschlossen werden.

#Gesellschaft #Solidarität #Politik #Deutschland #Zukunft #Gestalten

🔜Kurs: Grundlagen des Maskenbaus 👺 👉Ton formen, Figur entwickeln, Maske bauen – und am Ende etwas in der Hand halten, das auf der Bühne funktioniert. Keine Kunstfertigkeit nötig, auch für pädagogische Berufe geeignet. Bitte Arbeitskleidung mitbringen, Materialkosten: 10 €.

📅 6x ab Fr, 20.03.2026
📍 vhs #Lichtenberg
ℹ️ Mehr Infos und Buchung: https://www.vhsit.berlin.de/VHSKURSE/BusinessPages/CourseDetail.aspx?id=773024

#VHS #Berlin #Volkshochschule #Kultur #Gestalten #Maskenbau #Theater #Pädagogik

Wenn Leute rätseln, „was SICH ändert“, bist Du in einer passiven Gruppe gelandet, die auf ihr Schicksal wartet… oft verbunden mit Sorgen/ Angst - das lähmt.

Es gibt auch Menschen, die darüber sprechen, „was ändere ICH“ - das sind aktive #Lerner*innen, die nicht warten wollen, sondern die eigene (oft auch die von anderen) #Zukunft #gestalten - dort herrscht weniger Angst, weil diese Leute meist vernetzt sind und kontinuierlich ihre #Komfortzone erweitern.

#ZukunftsLust #SocialLearning #DID

#TestaPP #Funktionsumfang;

#Gespräch vom 17.9.2025;

- #Büchereien #einrichten, #dokumentieren, #organisieren und #verwalten
- #Bücherabgabe​n #entwerfen, #gestalten, #beschreiben und #veröffentlichen
- #Bücherannahme​n #dokumentieren und eigene #Büchersammlung​en #vorstellen, #veröffentlichen und #verwalten

-> #Verkaufen, #verleihen #tauschen und #verschenken von #Bücher​n
-> #Kontakte #herstellen und #Kommunikation mit anderen Nutzern
...

#Entwicklung #Projektmanagement

#KI-Kompetenzen 🟢#verstehen, 🔵#anwenden, 🟠#reflektieren und 🟣#gestalten.
Lasst uns das Modell von @reg_schulz @joschafalck Manuel Flick und Susanne Alles für die religionsbezogene Bildung adaptieren und miteinander #OER entwickeln:
https://relilab.org/ki-kompetenzen-in-der-religionsbezogenen-bildung/

✍️ #Sammelschulung mit #Fabian #Hanneforth

Im Anschluss findet eine Sammelschulung statt – und nach dem tollen Feedback bei unserem Jupi-Bar-Abend freuen wir uns riesig, dass Fabian Hanneforth wieder dabei ist.

Er sammelt seit über 20 Jahren für verschiedene #Volksbegehren Unterschriften und zeigt dir ganz konkret, worauf es ankommt.

Egal, ob du ganz neu dabei bist oder schon Erfahrung hast – hier kannst du sicher noch etwas mitnehmen!

#Hamburg #Mitmachen #Gestalten #Debatte #Werbung

Unser außerordentlichen Landesparteitag steht an 😍

Wir freuen uns schon mit allen Interessierten und Mitgliedern einen wundervollen Tag zu verbringen.
Wir werden die Weichen für unseren Wahlkampf stellen.
Lasst uns zusammen eine bessere Zukunft in Bayern gestalten.

Alle Infos hier:
https://www.pdh.eu/events/ausserordentlicher-landesparteitag-bayern/?occurrence=2025-01-25

#Landesparteitag #Bayern2025 #PdH #Fakten #Freiheit #Fortschritt #Gestalten

@Blumine @klaremitte Politisches Taktieren und Blockieren ist das Brot-und-Butter-Geschäft der #CDU / #CSU : https://campact.org/merz-blockiert-milliarden-emum
Konstruktives #Gestalten leider Fehlanzeige.
#merzKANNesNICHT

Nächsten Samstag treffen sich die Menschen, die am Rhein-Neckar-Wiki mitmachen oder Interesse an dem Projekt haben. Du bist herzlich nach #Heidelberg eingeladen: https://rheinneckar.events/events/edf367c3-ab95-474e-a9a8-50538e18da12

https://rhein-neckar-wiki.de/

#Wiki #Wikipedia #Mediawiki #Geschichte #Kultur #Lexikon #Wissen #Gestalten #Mitmachen #Entwickeln #Schreiben #Text #Foto #Photo #Fotografieren #RNWiki #RheinNeckar

Read about Stuart Humphryes' The Colors of Life, available via #Gestalten

https://www.vice.com/en/article/4a3m3p/early-color-photography-stuart-humphryes-aut

#autochromes #StuartHumphryes #photography

Veränderungskompetenz: Anpassung an Veränderung oder Gestaltung an Veränderung? Bitte doch das zweite: Wir können wir aktive Veränderungskompetenz lehren und lernen?

@nele nimmt uns mal wieder mit, die großen Narrative zu hinterfragen und neu zu denken!

#UFF24 #Veränderungskompetenz #Gestalten

@dzwoelfer @ckemfert
Dafür wurden die #Ampel-#PolitikerInnen gewählt.
Nicht dafür, "die zahlreichen Großdemonstrationen gegen Rechtsextremismus", also das Engagement seitens der #Bürgerinnen und #Bürger zu "begrüßen"! 🙄
Sozial gerechten Wandel #Gestalten! @ #Ampel-Gestalten
#HandelnStattLabern! @ #OlafScholz, nicht bloß den #GrüßAugust geben ... 😠
Und dazu aufrufen, die Demokratie gegen Angriffe zu verteidigen - als #Bundeskanzler!!! 🙈
https://www.zdf.de/nachrichten/politik/deutschland/holocaust-gedenken-scholz-demokratie-100.html

NEU!
polis aktuell 2024/01: Lernen durch Engagement

Lernen durch Engagement oder Service Learning ist als demokratiepädagogischer Ansatz in Österreich noch nicht sehr etabliert. Mit diesem Heft wollen wir einen Beitrag dazu leisten, diesen Ansatz bekannter zu machen, und anhand konkreter Praxisbeispiele mögliche Anwendungen aufzeigen.

Claudia Fahrenwald von der Pädagogischen Hochschule Oberösterreich hat das Heft für Zentrum polis zusammengestellt. Sie hat im Jahr 2020 das Projekt "Lernen durch Engagement. Demokratie in Schulen leben – Gesellschaft mitgestalten" ins Leben gerufen und baut seither das Netzwerk "Lernen durch Engagement-Schulen" in Oberösterreich auf.

https://www.politik-lernen.at/pa_lernendurchengagement

#PolisAktuell #Engagement #gestalten #PolitischeBildung #PolitikEdu #Publikation #Schule #Download #ServiceLearning

Feenhafte schlanke #Wesen und seltsame, schwarzweiß gekleidete #Gestalten beim Tanz. So könnte am #photomonday die Beschreibung dieses Fotos lauten. Wahrhaftig handelt es sich hier um junge und deshalb noch geweihlose #Pilze der Gattung 'Geweihförmige Holzkeule' (Xylaria hypoxylon) zwischen frischem Moos auf einem Buchenholzrest.

Slender fairy-like #creatures and strange #figures dressed in black and white dancing. That could be the description of this photo on #mushroommonday. In fact, these are young and therefore still antlerless #mushrooms of the genus antler-shaped wood club (Xylaria hypoxylon) between fresh moss on a #beech wood remnant.

#fotografie #photography #fungi #fungiverse #nature #mosstodon