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#figures — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #figures, aggregated by home.social.

  1. BMW of North America Reports Q3 2026 U.S. Sales Results.

    BMW Sales Increase 3.4% in Q3, Continue to Outpace Premium Segment. New BMW iX3, BMW X5 and 7…
    #Germany #DE #Europe #EU #Europa #BMW #Corporate #Facts #Figures #finance
    europesays.com/germany/102568/

  2. europesays.com/uk/1232286/ Spain’s employment figures hit best September on record thanks to regularisation process, although number of unemployed increases by 23,500 #23500 #Best #but #Contracts #employment #EU #Europe #figures #hit #number #record #regularisation #September #shot #Spain #thanks #the #their #unemployed #up

  3. T.A.E.’s Art Reviews – La Foule Québécoise: Cinq

    The painting presents a compressed, portrait-like image built from two predominant vertical forms—left and right—framed by a warm field of ochres and yellows. Rather than constructing a fully naturalistic figure, the work cultivates an emblematic presence: a lack of eyes becomes the most legible of “features,” a face encircled by a thick, dark contour that acts like a graphic outline or mask. This contouring immediately situates the piece in a lineage of modern figuration that values […]

    renminds.org/2026/10/01/t-a-e-

  4. T.A.E.’s Art Reviews – La Foule Québécoise: Cinq

    The painting presents a compressed, portrait-like image built from two predominant vertical forms—left and right—framed by a warm field of ochres and yellows. Rather than constructing a fully naturalistic figure, the work cultivates an emblematic presence: a lack of eyes becomes the most legible of “features,” a face encircled by a thick, dark contour that acts like a graphic outline or mask. This contouring immediately situates the piece in a lineage of modern figuration that values […]

    renminds.org/2026/10/01/t-a-e-

  5. T.A.E.’s Art Reviews – La Foule Québécoise: Cinq

    The painting presents a compressed, portrait-like image built from two predominant vertical forms—left and right—framed by a warm field of ochres and yellows. Rather than constructing a fully naturalistic figure, the work cultivates an emblematic presence: a lack of eyes becomes the most legible of “features,” a face encircled by a thick, dark contour that acts like a graphic outline or mask. This contouring immediately situates the piece in a lineage of modern figuration that values […]

    renminds.org/2026/10/01/t-a-e-