#folder — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #folder, aggregated by home.social.
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Filling The Gaps With Another 35mm Folding Camera: The Zeiss Ikon Contessa (533/24)
I’ll come out and say it: I didn’t need this camera. It was just an impulse buy from the Kamerastore website. But I like Zeiss Ikon cameras, and this one was 35mm, and a folder (it doesn’t look like it, but it has little bellows inside), and I just had to have it. I HAD to. Of course, it was cheap, about 40€, which I understand is a great price for a Contessa. Naturally, it was in the ‘Not Passed’ category of the Kamerastore website, with ‘flaws that will affect typical use’. In this case, the ‘shutter overexposes and needs service. The rangefinder calibration is off. The light meter does not work, [and it] has a lot of dust, haze, and fungus inside the viewfinder’. The fungus had been killed by UV light, and I hoped (one day) I might get inside it to clean this out.
The Zeiss Ikon Contessa (533/24) is a manual 35mm rangefinder camera. Produced between 1950 and 1955, it was a quite high-end camera for the day, and it looks like it. Turning it over in your hands, the Contessa is a heavy beast (clocking in at around 600g), but has a minimalist appearance. All there is on the top plate of the camera is an indicator dial for the type of film, and the dial and window for the camera meter. On the bottom of the camera are two large wheels, one to advance the film and one to rewind, and a button in the centre of the advance wheel that disengages the wind-on mechanism to rewind the film. In the middle of the bottom of the camera is the frame counter. All of the other controls of the camera are hidden behind the lens flap.
Like many folding cameras from the Zeiss Ikon range, the Contessa has a flap on the front that pops out to reveal the lens. The shutter release button is also in this assembly, and this can be disconcerting when you’re turning the folded camera around in your hands as there’s no obvious shutter button on the top plate, where these things are normally found. It has a Compur-Rapid shutter, which makes it an early version of the Contessa, and from the serial number (O45505), I reckon it was made between 1956/57. The shutter has nominal speeds of 1s—1/500s (+ B), but according to the description the camera overexposes, so my first attempts at using this camera will probably be a bit of a guess. It comes with a Zeiss-Opton 45mm f2.8 Tessar lens, with apertures from f2.8 to f22.
It has an uncoupled light meter, which is behind a flap on the front right of the camera, but of course that doesn’t work in my Contessa. Outside in the daylight, the meter is used with the flap down. But indoors, and in low light situations, the flap can be raised to reveal the full selenium cell. I did come across a method of revitalising the selenium cell, and I may well give this a try later. Similarly, the rangefinder is out of alignment and at some stage I might try working on that. The most serious fault with this Contessa is that the shutter speeds overexpose, but I have a ‘plan’ for that.
The interesting thing about this camera is that it’ll only work with film loaded. There are two sprocket wheels below the film gate that lock on to the film sprockets and a hold the film firmly against the film plate. These turn for the required spacing between frames then lock the film in place. The wind on wheel only turns the sprocket wheels while the film is loaded, and the shutter cannot be cocked until the next frame is locked in place. It can actually be done with the back open and the wheels turned by hand, but it’s fiddly.
To load the camera, open the film back and load a 35mm cassette. Pull a length of film to the wind on spindle, making sure that the film sprockets feed through the sprocket wheels. When the film is secure on the spool, close the back. On the bottom of the camera, rotate the film counter dial until the arrow is pointing at the diamond. Then wind on the film. It will automatically stop when the counter reaches ‘1’ and the camera is ready to use. When the film is finished, and the wind on wheel can’t turn any more, press the button in the centre of the wind on wheel and using the rewind wheel wind the film back into the cassette. The button disengages the wind-on mechanism and allows the film to be rewound. Keep pressure on the button when rewinding.
I have a whole load of offcuts in the refrigerator, little rolls of film that were left over after respooling 35mm films into Rapid canisters. Each 12-exposure Rapid canister requires a length of about 60cm of film, and generally I can get two Rapid canisters worth out of a 36-exposure roll of film. However, I discovered that the offcut left over from each roll is about 8 exposures long, so I’ve started making one Rapid canister from each roll, and using the rest in a regular 35mm camera, which works out at about 20 exposures.
I took an offcut of Harman Phoenix I (expired 12/2025), and loaded it into the Contessa. I’m aware that the Contessa is over exposing, so I assumed that the 1/200s shutter speed setting was actually exposing at 1/100s. Using the Camera Meter app, I set the aperture accordingly for a 1/100s exposure. We took the Contessa to Vagueira, along with the Ilford Pixie with some really expired film, and used the camera around the town. It turned out that I must have tried to make two Rapid canisters worth out of this 35mm roll, since I only got 8 exposures out of the roll.
After respooling the film into the cassette, I took the exposed film to the Forever Blue in Aveiro for development. I wasn’t sure what I was going to get from this, if anything at all, so I went for the ‘develop only’ option. When I got the negatives back (forty-five minute turnaround from Forever Blue, thank you lads) they were absolutely amazing and it looks like I might have nailed the exposure. The negatives were scanned with an Epson Perfection v750 Pro flat bed scanner and Epson Scan software. If you’re interested, I’ve posted the whole series in an album on my Flickr.
There were only a few images on this offcut, but I absolutely loved them. The photographs shown are basically how they came out of the scanner. I didn’t have to (or want to) make any adjustments at all. The Contessa is definitely going to be one of my ‘day out’ cameras, even with its limitations.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#35mm #Belca #Beltica #Contessa #CostaNova #Folder #Harman #HarmanTechnology #Phoenix #Portugal #Rangefinder #Vagueira #ZeissIkon -
Filling The Gaps With Another 35mm Folding Camera: The Zeiss Ikon Contessa (533/24)
I’ll come out and say it: I didn’t need this camera. It was just an impulse buy from the Kamerastore website. But I like Zeiss Ikon cameras, and this one was 35mm, and a folder (it doesn’t look like it, but it has little bellows inside), and I just had to have it. I HAD to. Of course, it was cheap, about 40€, which I understand is a great price for a Contessa. Naturally, it was in the ‘Not Passed’ category of the Kamerastore website, with ‘flaws that will affect typical use’. In this case, the ‘shutter overexposes and needs service. The rangefinder calibration is off. The light meter does not work, [and it] has a lot of dust, haze, and fungus inside the viewfinder’. The fungus had been killed by UV light, and I hoped (one day) I might get inside it to clean this out.
The Zeiss Ikon Contessa (533/24) is a manual 35mm rangefinder camera. Produced between 1950 and 1955, it was a quite high-end camera for the day, and it looks like it. Turning it over in your hands, the Contessa is a heavy beast (clocking in at around 600g), but has a minimalist appearance. All there is on the top plate of the camera is an indicator dial for the type of film, and the dial and window for the camera meter. On the bottom of the camera are two large wheels, one to advance the film and one to rewind, and a button in the centre of the advance wheel that disengages the wind-on mechanism to rewind the film. In the middle of the bottom of the camera is the frame counter. All of the other controls of the camera are hidden behind the lens flap.
Like many folding cameras from the Zeiss Ikon range, the Contessa has a flap on the front that pops out to reveal the lens. The shutter release button is also in this assembly, and this can be disconcerting when you’re turning the folded camera around in your hands as there’s no obvious shutter button on the top plate, where these things are normally found. It has a Compur-Rapid shutter, which makes it an early version of the Contessa, and from the serial number (O45505), I reckon it was made between 1956/57. The shutter has nominal speeds of 1s—1/500s (+ B), but according to the description the camera overexposes, so my first attempts at using this camera will probably be a bit of a guess. It comes with a Zeiss-Opton 45mm f2.8 Tessar lens, with apertures from f2.8 to f22.
It has an uncoupled light meter, which is behind a flap on the front right of the camera, but of course that doesn’t work in my Contessa. Outside in the daylight, the meter is used with the flap down. But indoors, and in low light situations, the flap can be raised to reveal the full selenium cell. I did come across a method of revitalising the selenium cell, and I may well give this a try later. Similarly, the rangefinder is out of alignment and at some stage I might try working on that. The most serious fault with this Contessa is that the shutter speeds overexpose, but I have a ‘plan’ for that.
The interesting thing about this camera is that it’ll only work with film loaded. There are two sprocket wheels below the film gate that lock on to the film sprockets and a hold the film firmly against the film plate. These turn for the required spacing between frames then lock the film in place. The wind on wheel only turns the sprocket wheels while the film is loaded, and the shutter cannot be cocked until the next frame is locked in place. It can actually be done with the back open and the wheels turned by hand, but it’s fiddly.
To load the camera, open the film back and load a 35mm cassette. Pull a length of film to the wind on spindle, making sure that the film sprockets feed through the sprocket wheels. When the film is secure on the spool, close the back. On the bottom of the camera, rotate the film counter dial until the arrow is pointing at the diamond. Then wind on the film. It will automatically stop when the counter reaches ‘1’ and the camera is ready to use. When the film is finished, and the wind on wheel can’t turn any more, press the button in the centre of the wind on wheel and using the rewind wheel wind the film back into the cassette. The button disengages the wind-on mechanism and allows the film to be rewound. Keep pressure on the button when rewinding.
I have a whole load of offcuts in the refrigerator, little rolls of film that were left over after respooling 35mm films into Rapid canisters. Each 12-exposure Rapid canister requires a length of about 60cm of film, and generally I can get two Rapid canisters worth out of a 36-exposure roll of film. However, I discovered that the offcut left over from each roll is about 8 exposures long, so I’ve started making one Rapid canister from each roll, and using the rest in a regular 35mm camera, which works out at about 20 exposures.
I took an offcut of Harman Phoenix I (expired 12/2025), and loaded it into the Contessa. I’m aware that the Contessa is over exposing, so I assumed that the 1/200s shutter speed setting was actually exposing at 1/100s. Using the Camera Meter app, I set the aperture accordingly for a 1/100s exposure. We took the Contessa to Vagueira, along with the Ilford Pixie with some really expired film, and used the camera around the town. It turned out that I must have tried to make two Rapid canisters worth out of this 35mm roll, since I only got 8 exposures out of the roll.
After respooling the film into the cassette, I took the exposed film to the Forever Blue in Aveiro for development. I wasn’t sure what I was going to get from this, if anything at all, so I went for the ‘develop only’ option. When I got the negatives back (forty-five minute turnaround from Forever Blue, thank you lads) they were absolutely amazing and it looks like I might have nailed the exposure. The negatives were scanned with an Epson Perfection v750 Pro flat bed scanner and Epson Scan software. If you’re interested, I’ve posted the whole series in an album on my Flickr.
There were only a few images on this offcut, but I absolutely loved them. The photographs shown are basically how they came out of the scanner. I didn’t have to (or want to) make any adjustments at all. The Contessa is definitely going to be one of my ‘day out’ cameras, even with its limitations.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#35mm #Belca #Beltica #Contessa #CostaNova #Folder #Harman #HarmanTechnology #Phoenix #Portugal #Rangefinder #Vagueira #ZeissIkon -
Filling The Gaps: The Belca Beltica, A 35mm Folding Camera
I have a lot of cameras, but until recently I never had a 35mm folding camera. Then, a few weeks ago, I was leisurely scrolling the Kamerastore website when I came across this lovely black folding camera, the Belca Beltica. Unusually for me, it was in the ‘Certified’ category and was, ‘found to be working correctly [and any] flaws present will … will not affect typical use’. In this instance, there was ‘some minor haze on the viewfinder and some wear on the body’. This won’t affect use, so it looks like I have a 35mm folder now.
The Belca Beltica was made by the East German VEB Belca-Werk in Dresden between 1946 and 1951. It has a Meyer-Optik 50mm f2.9 Trioplan lens and a Cludor shutter with speeds of 1s—1/200s (+B). Unusually, the shutter button is on the left side of the top plate of the camera. The button to the right of the viewfinder is to open the front flap of the camera. My model is quite tightly wound, even seventy years after its production, and springs open with a mighty ‘thwack!’ so I tend to hold the flap and let it open slowly, just in case it’s not good for the camera.
Beneath the viewfinder is a distance dial with markings from 0,6m to infinity. I believe this is a parallax adjustment system, perhaps like an early rangefinder, but I’m not sure. On the right-hand side of the top plate is the frame counter, which is adjusted manually, and turns with a satisfying click. On the top left, next to the shutter button, is the rewind knob. On the base of the camera is a wheel to advance the film, and next to this another button that disengages the wind-on between frames.
Loading and using this camera is a bit of a palaver, though in practice is easier than it sounds. To load the film, the tab on the film header is pushed under the little ‘flap’ on the wind-on spindle (which actually holds the film very securely) and the sprockets aligned with the cog wheel. Advance the film with the wheel until it stops, then push the film advance button. There’s a little click, then you can wind-on again. Repeat the process, and when the film is secure, close the back.
Wind-on one more time, pressing the advance button each time. On the top of the camera you can then adjust the frame counter to zero. Shooting involves the same process except this time, cock the shutter and set the speed and aperture. Judge the distance to the subject and set this distance on the focus ring. Set the parallax dial to the same distance, compose the image and press the shutter. Then press the advance button and wind the film to the next frame. At the end of the roll, pull on the wind-on wheel, which will disengage the film advance and allow the film to be rewound back into the cassette.
For my first outing with the Belca Beltica I used one of my rolls of the new colour shifting film from Harman, Switch Azure. This is a film like Lomochrome Turquoise where the layers on the film emulsion have been mixed up. However, although Turquoise has a quite wide ISO range, Azure uses the same film base as Harman Phoenix and is rated at ISO 125. We took the camera to Costa Nova and Vagueira, where we had lunch, and later to the Feira de Março in Aveiro. As usual, I used the Camera Meter app to judge the exposures. I’ve posted the whole roll in an album on my Flickr if you want to see the rest of the images.
In conclusion, I was really happy with the Belca Beltica, it’s a quality camera, even 60-odd years after its release. Mind you, it’s not a camera for rapid shooting situations, and I’m always finding myself pressing the button to open the camera instead of the shutter button. The multiple steps mean you really have to think, and if you forget to wind on between shots there’s always a chance of multiple exposures. I’m also loving Harman Switch Azure, and as it’s much easier for me to get hold of than Turquoise, I might have a new favourite.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#35mm #Belca #Beltica #FeiraDeMarço #Folder #HarmanSwitchAzure #HarmanTechnologySwitchAzure #Lomochrome #Portugal #Turquoise #Vagueira -
From NASA’s Spacesuit to a $119 Folder: 14 EDC Knives
https://atlas.whatip.xyz/post.php?slug=from-nasas-spacesuit-to-a-119-folder-14-edc-knives
Key insight: <p>Last month pulled us in fourteen different directions
#spacesuit #folder #knives #month -
Penjelasan kenapa folder .npm-cache/_cacache muncul di repo Git kamu saat pakai npm install, terutama di GitHub Actions. Plus solusi cara mengabaikannya atau pakai cache Actions.
#fediverse #Kenapa #Folder #npmcache_cacache
https://dalam.web.id/warta-tekno/kenapa-ada-folder-npm-cache
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Remember the, 'It's VERY worn in almost every way, but somehow still working' Proud Chrome Six III? I got the first film developed yesterday, and the results were fantastic!! #ChromeSix, #MediumFormat, #Folder, #HarmanPhoenix, #HarmanTechnology,
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Nonogram 10x10 Easy Puzzle Solve #3894
🧩 Nonogram Puzzle Small 10x10 Grid | Easy Difficulty
Watch as we solve this challenging #nonogram puzzle step by step! This 10x10 grid puzzle is perfect for easy Puzzle solvers.
📊 Puzzle Details:
• Grid Size: 10x10
• Difficulty: Easy
• Category: Small Nonogram#nonogram #picross #griddler #puzzle #brainteaser #logicpuzzle #folder #folders #foldernonogram #nonogramfolder
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Nonogram 10x10 Easy Puzzle Solve #3894
🧩 Nonogram Puzzle Small 10x10 Grid | Easy Difficulty
Watch as we solve this challenging #nonogram puzzle step by step! This 10x10 grid puzzle is perfect for easy Puzzle solvers.
📊 Puzzle Details:
• Grid Size: 10x10
• Difficulty: Easy
• Category: Small Nonogram#nonogram #picross #griddler #puzzle #brainteaser #logicpuzzle #folder #folders #foldernonogram #nonogramfolder
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Penjelasan kenapa folder .npm-cache/_cacache muncul di repo Git kamu saat pakai npm install, terutama di GitHub Actions. Plus solusi cara mengabaikannya atau pakai cache Actions.
#fediverse #Repost #WartaTekno #Kenapa #Folder #npmcache_cacache
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List of folders without names, but with sizes. Only at Microsoft
Thanks Gamlor for the picture
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List of folders without names, but with sizes. Only at Microsoft
Thanks Gamlor for the picture
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My #folder family is complete, for now…scored a Moskva 5 at the Chelsea flea market this weekend. And nothing says Soviet like knocking off a good Western design, right? (Note the similarities to the Zeiss Ikonta)
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My #folder family is complete, for now…scored a Moskva 5 at the Chelsea flea market this weekend. And nothing says Soviet like knocking off a good Western design, right? (Note the similarities to the Zeiss Ikonta)
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Salut les amis, je me suis mis en tête de recycler ♻️ des dossiers de samples, en créant pour cela un petit patch pouvant les exploiter de manière nouvelle 🆕 #sebairstein #maxmsp #mpc60 #drummachine #samples #folder
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📁☁️ How To Create a Folder, Upload Files, and Share on Google Drive | Beginner-Friendly Guide https://www.youtube.com/watch?v=4XufEqfgy8o 💡 #Create #Folder #Upload #GoogleDrive
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📁☁️ How To Create a Folder, Upload Files, and Share on Google Drive | Beginner-Friendly Guide https://www.youtube.com/watch?v=4XufEqfgy8o 💡 #Create #Folder #Upload #GoogleDrive
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Folder Week: A Trip to Aveiro With The KW Patent Etui 9×12 Folding Camera
The week beginning 14 April was Folder Week, a Challenge that was new to me but was a great incentive to use some of the many folding cameras that I seem to be accumulating. According to Tom North, the brains behind Folder Week, ‘The rules are loose. If it folds it’s a folder.’ Well that seems straightforward enough. The plan was to use the KW Patent Etui from the 1920s with a roll of 120 Lomography ISO 100 colour film.
The Patent Etui is a thin form folding camera, compared to other more traditional ‘boxy’ folding cameras from the 1920s, and the only thing that has stopped me going out with this camera before is that I tend to use these folders with Instax Wide film mounted into plate film holders with a tripod, dark hood, the whole works. However, with the Patent Etui I also have a Rollex 5A roll film holder for 118 format film. These were manufactured by the Balda-Werk camera company of Dresden, Germany from about 1927 to 1946. It’s a 9×12 sized holder with a dark slide that fits securely to the back of the Patent Etui.
The Rollex film back was made for 118 film, which was wider than 120 film by about a couple of centimetres, so to use 120 film with this camera I really need some adapters. Fortunately, an Italian company called Camerhack make 120 adapters for a range of different formats and it was a no brainer to get my hands on a set of these.
The week beginning 14 April was forecast to be bad, and indeed it rained practically the whole week, and when it wasn’t raining it was dull and overcast. With faint optimism I loaded the 118 film back, though judging by the forecast I needn’t have bothered. The 120 roll with adapters fitted snugly into the film back and I wound the film on until I could see the ‘start’ arrow in the window. I closed the film back and wound the paper onwards for twelve half turns.
My original experiment with a paper roll suggested that this would bring me to the start of the film. Between exposures I wound the film five half turns, and I reckoned that I would get about seven frames out of a single roll of 120 film. In the event I got six exposures from the roll, but I’ll need to check the negatives to see how my experiment turned out.
The following Monday after Folder Week the sun came out so I headed to Aveiro. I took the KW Patent Etui loaded with Lomography ISO 100 film for Folder Week, and the Agfa Silette Rapid F loaded with expired (c.2002) Konica VX-100 colour film exposed at ISO 6. I redscaled the Rapid film. I even found a new piece of street art, so it was a morning well spent.
Using the Patent Etui with the film back was great fun. The only thing that I had to make sure was that the back was fitted firmly to the back with the little tab on the camera. I also put a piece of electrical tape over the red window, which was probably just as well since I think I lost most of the first image to a light leak before taking the camera out. Once the window was covered up, the rest of the images came out wonderfully.
The results were fabulous, and this time the Camera Meter app gave perfect results. I think the lab made one mistake with the scanning, mind. Although I used Lomography ISO 100 colour film, all the scans came back as monochrome, which I must admit — in my enjoyment of seeing such wonderful images — I missed at first look. That said, I really like how the black and white scans came out.
If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.
#1920s #Experimental #Folder #FolderWeek #LargeFormat #PatentEtui #Vintage
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Starting on 14 April is the next Folder Week, a Challenge that's new to me but is a great idea to get out some of the many folding cameras that I seem to be accumulating. The plan is to use the KW Patent Etui from the 1920s with the 118 roll film back, but worst case, the 1940s Agfa Karat could be a worthy substitute.
#LargeFormat, #Folder, #FolderWeek, #1920s, #PatentEtui, #AgfaRapid, -
Starting on 14 April is the next Folder Week, a Challenge that's new to me but is a great idea to get out some of the many folding cameras that I seem to be accumulating. The plan is to use the KW Patent Etui from the 1920s with the 118 roll film back, but worst case, the 1940s Agfa Karat could be a worthy substitute.
#LargeFormat, #Folder, #FolderWeek, #1920s, #PatentEtui, #AgfaRapid, -
Microsoft will change the naming of OneDrive folder links from March 2025: New links will contain the name of the source.
Further information: https://hansbrender.com/2025/03/10/onedrive-new-naming-convention-for-folder-shortcuts/
#OneDrive #Microsoft365 #SharePoint #productivity #ITNews #folder management
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Microsoft will change the naming of OneDrive folder links from March 2025: New links will contain the name of the source.
Further information: https://hansbrender.com/2025/03/10/onedrive-new-naming-convention-for-folder-shortcuts/
#OneDrive #Microsoft365 #SharePoint #productivity #ITNews #folder management
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#til, dass @AntennaPod auch Verzeichnisse als #podcast laden kann. (add local #folder). Supergut, kein gesuche mehr, wo man mit dem horchen aufgehört hatte :yayblob:
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#til, dass @AntennaPod auch Verzeichnisse als #podcast laden kann. (add local #folder). Supergut, kein gesuche mehr, wo man mit dem horchen aufgehört hatte :yayblob:
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A file is a collection of data or information stored electronically on a computer, while a folder is a container that is used to hold files. Read Difference Between File and Folder
https://www.techaipost.com/difference-between-file-and-folder/
#file #folder #news #techterms #technology #computer
#update #news #latest #tech -
A file is a collection of data or information stored electronically on a computer, while a folder is a container that is used to hold files. Read Difference Between File and Folder
https://www.techaipost.com/difference-between-file-and-folder/
#file #folder #news #techterms #technology #computer
#update #news #latest #tech -
A nerdy question: How do you organize your (sub-)folders in your mailbox? Do you add your sub-folders all below "Inbox" or do you put them on the same level next to your Inbox"?
Until now I had all my sub-folders below the "Inbox" but sometimes this looks ugly (e.g. k9 /Thunderbird for Android). Moving them one level up could make the folder structure look nicer and also simplify navigation.
Opinions? Best practice?
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A nerdy question: How do you organize your (sub-)folders in your mailbox? Do you add your sub-folders all below "Inbox" or do you put them on the same level next to your Inbox"?
Until now I had all my sub-folders below the "Inbox" but sometimes this looks ugly (e.g. k9 /Thunderbird for Android). Moving them one level up could make the folder structure look nicer and also simplify navigation.
Opinions? Best practice?
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The Blue Folder by Mikhail Bearr
https://tmblr.co/Z7VXvxgitCmnSW00
#streetphotography #shadow #grx #documentaryphotography #deep #dark #dream #signs #silhouette #streetclassic #snaps #seriously #street #spring #geometry #go #grsnaps #black #blue #folder #architecture #white #wall #walk #windows #stphotographia #art #exhibition #exit #expressiveness
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My late father's Ikonta 524/16 {*} has a VERY daggy case. I've been wondering about buying a "new" one, but the cases I see without cameras are silly prices, and I really don't need another camera. Any suggestions as to what sort of artesan would renovate this? I have the strap but not the top part. #folder #Zeiss #Ikonta #Leather #BelieveInFilm
* I really should start referring to this camera as mine, but in this case I want to emphasise the importance of this particular camera to me!
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My late father's Ikonta 524/16 {*} has a VERY daggy case. I've been wondering about buying a "new" one, but the cases I see without cameras are silly prices, and I really don't need another camera. Any suggestions as to what sort of artesan would renovate this? I have the strap but not the top part. #folder #Zeiss #Ikonta #Leather #BelieveInFilm
* I really should start referring to this camera as mine, but in this case I want to emphasise the importance of this particular camera to me!
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Beschouwing "Frits Klein : eeuwig creatief". Overzichtstentoonstelling bij Museum Heerenveen tot en met 19 januari 2025.
#beschouwing #kunststukjes #blog #tumblr #MuseumHeerenveen #FritsKlein #kunst #art #strip #reclame #boekomslag #affiche #advertentie #folder #tekening #schilderij #creatief #muurschildering #Gurbe
https://www.tumblr.com/jurjenkvanderhoek/765676497864425472/frits-klein-de-kunst-van-het-beeld?source=share -
Es gibt eine Petition, dass Hochschulen #X verlassen und stattdessen Mastodon nutzen sollen.
Die @tuberlin hat dazu zwei #Folder erstellt, die auch allgemein für #neuhier nützlich sind.
In #osterreich gibt es übrigens die beiden Best-Practice-Beispiele @uniinnsbruck und @univienna
cc @SheDrivesMobility @publicvoit @wir
https://www.openpetition.de/petition/online/appell-an-die-hochschulrektorenkonferenz-zur-nutzung-sozialer-medien -
Es gibt eine Petition, dass Hochschulen #X verlassen und stattdessen Mastodon nutzen sollen.
Die @tuberlin hat dazu zwei #Folder erstellt, die auch allgemein für #neuhier nützlich sind.
In #osterreich gibt es übrigens die beiden Best-Practice-Beispiele @uniinnsbruck und @univienna
cc @SheDrivesMobility @publicvoit @wir
https://www.openpetition.de/petition/online/appell-an-die-hochschulrektorenkonferenz-zur-nutzung-sozialer-medien -
3 godziny… tyle mi zajęło szukanie programu który w konkretnym miejscu umieszcza podpis na zdjęciu. W końcu napisałem sam. W sensie wskazujesz mu folder, ma plik podpis.png i sam przechodzi przez wszystkie zdjęcia w katalogu, dodając podpis w zależności od koloru tła. Bierze kolor dominujący i jego odwrotność i skleja w jeden podpis tak, że z koloru dominującego powstaje cieniutka ramka. Przerobione zdjęcia umieszcza w folderze /podpis . Dla zainteresowanych udostępnię kod :) #Programowanie #Automatyzacja #Zdjęcia #PodpisNaZdjęciu #Kodowanie #Folder #KolorTła #DominującyKolor #Ramka #UdostępnienieKodu
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I create #promotion #label "Libera muziko" that will promote #music licensed under #free (#libre ) licenses, you can send your tracks as pull request on https://codeberg.org/GNUAn/liberamuziko, you should create a #folder with your #nickname and put your #track in it, then make #pull request.
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Mastering Directory Search in Linux with the find Command #findcommand #directory #search #folder #linux #linuxcommands #linuxhowto #commandline
https://ostechnix.com/find-directory-in-linux/ -
Woodland taken with a 1920s 9x12 generic folding camera loaded with Instax Wide film for the Frugal Film Project. This might be with a ND4 neutral density filter, but then again it might not because I mucked up one of the test images and I'm not sure whether this is the image taken with the filter or not.
#Generic, #Folder, #Camera, #1920s, #Instax, #Instant, #InstaxWide, #Experimental, #Vintage, #FrugalFilmProject,
