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#folderweek — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #folderweek, aggregated by home.social.

  1. The final photo on this film roll taken with the 110-year-old camera

    I only managed six photos on the roll (each neg is 6x10.5cm). Film advance was by counting half turns of the advance knob; there are no suitable markings on the backing paper.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/11, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #FolderWeek #VintageCamera #believeinfilm #AnalogPhotography

  2. The final photo on this film roll taken with the 110-year-old camera

    I only managed six photos on the roll (each neg is 6x10.5cm). Film advance was by counting half turns of the advance knob; there are no suitable markings on the backing paper.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/11, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #FolderWeek #VintageCamera #believeinfilm #AnalogPhotography

  3. The final photo on this film roll taken with the 110-year-old camera

    I only managed six photos on the roll (each neg is 6x10.5cm). Film advance was by counting half turns of the advance knob; there are no suitable markings on the backing paper.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/11, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #FolderWeek #VintageCamera #believeinfilm #AnalogPhotography

  4. The final photo on this film roll taken with the 110-year-old camera

    I only managed six photos on the roll (each neg is 6x10.5cm). Film advance was by counting half turns of the advance knob; there are no suitable markings on the backing paper.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/11, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #FolderWeek #VintageCamera #believeinfilm #AnalogPhotography

  5. The final photo on this film roll taken with the 110-year-old camera

    I only managed six photos on the roll (each neg is 6x10.5cm). Film advance was by counting half turns of the advance knob; there are no suitable markings on the backing paper.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/11, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #FolderWeek #VintageCamera #believeinfilm #AnalogPhotography

  6. Another film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate from the same set-up mastoart.social/@tapasinthesun.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  7. Another film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate from the same set-up mastoart.social/@tapasinthesun.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  8. Another film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate from the same set-up mastoart.social/@tapasinthesun.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  9. Another film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate from the same set-up mastoart.social/@tapasinthesun.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  10. Another film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate from the same set-up mastoart.social/@tapasinthesun.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  11. The third film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 negative (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera

  12. The third film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 negative (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera

  13. The third film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 negative (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera

  14. The third film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 negative (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera

  15. The third film photo taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    Compare it with the equivalent glass plate mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 negative (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera

  16. Another photo on film, taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    I missed focus (I forgot to take a loupe) and/or camera shake (no cable release on this camera). Nevertheless, I think this lens has potential!

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  17. Another photo on film, taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    I missed focus (I forgot to take a loupe) and/or camera shake (no cable release on this camera). Nevertheless, I think this lens has potential!

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  18. Another photo on film, taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    I missed focus (I forgot to take a loupe) and/or camera shake (no cable release on this camera). Nevertheless, I think this lens has potential!

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  19. Another photo on film, taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    I missed focus (I forgot to take a loupe) and/or camera shake (no cable release on this camera). Nevertheless, I think this lens has potential!

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  20. Another photo on film, taken with the 110-year-old Duplouich French Tropical Camera for #FolderWeek

    I missed focus (I forgot to take a loupe) and/or camera shake (no cable release on this camera). Nevertheless, I think this lens has potential!

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/100 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #FolderWeek #GrainyPhotos #VintageCamera #believeinfilm

    #GrainyPhotos #VintageCamera #believeinfilm #AnalogPhotography

  21. In the shade. Take 2 for #FolderWeek with a 110-year-old camera

    I like this: well-exposed, sharp, and with a good tonal range. Original glass plate: mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/50 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #GrainyPhotos #VintageCamera #believeinfil

  22. In the shade. Take 2 for #FolderWeek with a 110-year-old camera

    I like this: well-exposed, sharp, and with a good tonal range. Original glass plate: mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/50 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #GrainyPhotos #VintageCamera #believeinfil

  23. In the shade. Take 2 for #FolderWeek with a 110-year-old camera

    I like this: well-exposed, sharp, and with a good tonal range. Original glass plate: mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/50 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #GrainyPhotos #VintageCamera #believeinfil

  24. In the shade. Take 2 for #FolderWeek with a 110-year-old camera

    I like this: well-exposed, sharp, and with a good tonal range. Original glass plate: mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/50 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #GrainyPhotos #VintageCamera #believeinfil

  25. In the shade. Take 2 for #FolderWeek with a 110-year-old camera

    I like this: well-exposed, sharp, and with a good tonal range. Original glass plate: mastoart.social/@tapasinthesun. The composition is identical; the lesser coverage is due to the narrower 120 film, and scanning as a 6x9 (actual neg measures 6x10.5)

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/16, 1/50 s
    🎞️: Kentmere 100
    🧪: Spur Acurol-N

    #GrainyPhotos #VintageCamera #believeinfil

  26. Another glass plate photo taken with a 110-year-old folding camera #FolderWeek

    Plate 3: Abandoned cortijo ruins.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/8, 1/10 s
    🎞️: Zebra 9x12 cm glass plate
    🧪: Moersch Eco 4812

    That is all the glass plates I shot this time. Next will be the film photos

    #GrainyPhotos #VintageCamera #GlassPlate #AnalogPhotography

  27. Another glass plate photo taken with a 110-year-old folding camera #FolderWeek

    Plate 2: In the shade.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/8, 1/5 s
    🎞️: Zebra 9x12 cm glass plate
    🧪: Moersch Eco 4812

    Note the damage to the emulsion and the light leak. Inspection of the holder revealed a dent in one of the rails; I have withdrawn this holder from use until it is repaired.

    #GrainyPhotos #VintageCamera #GlassPlate #AnalogPhotography

  28. From my second attempt at photos with a 110-year-old camera for #FolderWeek—first, the glass plates.

    Plate 1: The new build on the edge of town.

    📷: French Tropical Camera,
    🔎: H. Duplouich Rectiligne Extra Rapide, f/8, 1/15 s
    🎞️: Zebra 9x12 cm glass plate
    🧪: Moersch Eco 4812

    Note the damage to the emulsion. I need to rethink my loading and development technique.

    #GrainyPhotos #VintageCamera #GlassPlate #AnalogPhotography

  29. Today I will be developing the photos I took yesterday with my Duplouich Tropical camera for #FolderWeek. I will be developing the glass plates using Moersch Eco 4812 and the Kentmere in Spur Acurol-N.

    My first attempt at shooting glass plates with this camera was not very successful. I couldn’t fathom out the weird aperture scale. The exposures were way underexposed - the best one is shown below, along with the glass plate negative and positive.

    #glassplate #BelieveInFilm #GrainyPhotos

  30. The velvet ribbon for the light seals arrived, fitted, and everything is ready to test—time to load film and get the show on the road!

    Hopefully, we will have photos!

    #FolderWeek #vintagecamera #believeinfilm #GrainyPhotos

  31. I'm still waiting for the velvet ribbon to repair the light seals on my 110-year-old Tropical Camera with H. Duplouich Lens. The ribbon should have arrived on Monday 😡

    I am still hoping to use the camera for #FolderWeek; I just have to fix a few issues. In the meantime, if you would like to find out more about this amazing camera, I have posted an article about it: grainyphotos.com/projects/hund

    #vintagecamera #believeinfilm #GrainyPhotos

  32. @arkadiusz @#sailing@pixelfed.social @#analogphotography@pixelfed.social @#art@pixelfed.social @#believeinfilm@pixelfed.social @#boat@pixelfed.social @#boats@pixelfed.social @#corfu@pixelfed.social @#folderweek@pixelfed.social @#fotografiaanalogowa@pixelfed.social @#greece@pixelfed.social @#landscape@pixelfed.social @#landscapephotography@pixelfed.social @#lomography@pixelfed.social @#minimalism@pixelfed.social @#photography@pixelfed.social @#sea@pixelfed.social @#sun@pixelfed.social @#sunrise@pixelfed.social how do they sail without sails, and with visible anchor chain in the water?

  33. Folder Week: A Trip to Aveiro With The KW Patent Etui 9×12 Folding Camera

    The week beginning 14 April was Folder Week, a Challenge that was new to me but was a great incentive to use some of the many folding cameras that I seem to be accumulating. According to Tom North, the brains behind Folder Week, ‘The rules are loose. If it folds it’s a folder.’ Well that seems straightforward enough. The plan was to use the KW Patent Etui from the 1920s with a roll of 120 Lomography ISO 100 colour film. 

    The Patent Etui is a thin form folding camera, compared to other more traditional ‘boxy’ folding cameras from the 1920s, and the only thing that has stopped me going out with this camera before is that I tend to use these folders with Instax Wide film mounted into plate film holders with a tripod, dark hood, the whole works. However, with the Patent Etui I also have a Rollex 5A roll film holder for 118 format film. These were manufactured by the Balda-Werk camera company of Dresden, Germany from about 1927 to 1946. It’s a 9×12 sized holder with a dark slide that fits securely to the back of the Patent Etui.

    The Rollex film back was made for 118 film, which was wider than 120 film by about a couple of centimetres, so to use 120 film with this camera I really need some adapters. Fortunately, an Italian company called Camerhack make 120 adapters for a range of different formats and it was a no brainer to get my hands on a set of these.

    The week beginning 14 April was forecast to be bad, and indeed it rained practically the whole week, and when it wasn’t raining it was dull and overcast. With faint optimism I loaded the 118 film back, though judging by the forecast I needn’t have bothered. The 120 roll with adapters fitted snugly into the film back and I wound the film on until I could see the ‘start’ arrow in the window. I closed the film back and wound the paper onwards for twelve half turns.

    My original experiment with a paper roll suggested that this would bring me to the start of the film. Between exposures I wound the film five half turns,  and I reckoned that I would get about seven frames out of a single roll of 120 film. In the event I got six exposures from the roll, but I’ll need to check the negatives to see how my experiment turned out.

    https://flic.kr/p/2qZfKGP

    The following Monday after Folder Week the sun came out so I headed to Aveiro. I took the KW Patent Etui loaded with Lomography ISO 100 film for Folder Week, and the Agfa Silette Rapid F loaded with expired (c.2002) Konica VX-100 colour film exposed at ISO 6. I redscaled the Rapid film. I even found a new piece of street art, so it was a morning well spent.

    https://flic.kr/p/2qZ9DTJ

    Using the Patent Etui with the film back was great fun. The only thing that I had to make sure was that the back was fitted firmly to the back with the little tab on the camera. I also put a piece of electrical tape over the red window, which was probably just as well since I think I lost most of the first image to a light leak before taking the camera out. Once the window was covered up, the rest of the images came out wonderfully.

    https://flic.kr/p/2qZfKGU

    The results were fabulous, and this time the Camera Meter app gave perfect results. I think the lab made one mistake with the scanning, mind. Although I used Lomography ISO 100 colour film, all the scans came back as monochrome, which I must admit — in my enjoyment of seeing such wonderful images — I missed at first look. That said, I really like how the black and white scans came out.

    https://flic.kr/p/2qZ9DUR

    If you are on Mastodon, you can now follow this blog directly. Just go to Mastodon and follow the ‘Snapshot’ WordPress account at @keithdevereux.wordpress.com. All new posts will be automatically updated to your timeline.

    #1920s #Experimental #Folder #FolderWeek #LargeFormat #PatentEtui #Vintage

  34. Starting on 14 April is the next Folder Week, a Challenge that's new to me but is a great idea to get out some of the many folding cameras that I seem to be accumulating. The plan is to use the KW Patent Etui from the 1920s with the 118 roll film back, but worst case, the 1940s Agfa Karat could be a worthy substitute.
    #LargeFormat, #Folder, #FolderWeek, #1920s, #PatentEtui, #AgfaRapid,