home.social

#exile — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #exile, aggregated by home.social.

  1. He wore the blue shirt his mother ironed when the church voted him out. 63% of LGBTQ+ Christians have left — Williams Institute confirms what every empty pew already knew: institutions chose comfort over humanity. We build better where they refused to hold.
    twp.ai/4hr7Kh
    #LGBTQ #Queer #ExChristian #ChurchHurt #Faith #QueerJoy #Community #Pride #News #Exile

  2. A liuthad soitheach a dh’fhàg ar dùthaich
    le sgiathan geala a’ toirt Chanada orra.
    Tha iad mar neapaigearan ’nar cuimhne
    ’s an sàl mar dheoirean,
    ’s anns na croinn aca seòladairean a’ seinn
    mar eòin air gheugan.

    —Iain Mac a’ Ghobhainn, “Na h-Eilthirich” (Iain Crichton Smith, “The Exiles”)
    published in Nua-Bhardachd Gaidhlig / Modern Scottish Gaelic Poems, @canongatebooks 1999

    canongate.co.uk/books/193-mode

    #Scottish #literature #Gaidhlig #Gaelic #poem #poetry #Clearances #emigration #exile

  3. A liuthad soitheach a dh’fhàg ar dùthaich
    le sgiathan geala a’ toirt Chanada orra.
    Tha iad mar neapaigearan ’nar cuimhne
    ’s an sàl mar dheoirean,
    ’s anns na croinn aca seòladairean a’ seinn
    mar eòin air gheugan.

    —Iain Mac a’ Ghobhainn, “Na h-Eilthirich” (Iain Crichton Smith, “The Exiles”)
    published in Nua-Bhardachd Gaidhlig / Modern Scottish Gaelic Poems, @canongatebooks 1999

    canongate.co.uk/books/193-mode

    #Scottish #literature #Gaidhlig #Gaelic #poem #poetry #Clearances #emigration #exile

  4. A liuthad soitheach a dh’fhàg ar dùthaich
    le sgiathan geala a’ toirt Chanada orra.
    Tha iad mar neapaigearan ’nar cuimhne
    ’s an sàl mar dheoirean,
    ’s anns na croinn aca seòladairean a’ seinn
    mar eòin air gheugan.

    —Iain Mac a’ Ghobhainn, “Na h-Eilthirich” (Iain Crichton Smith, “The Exiles”)
    published in Nua-Bhardachd Gaidhlig / Modern Scottish Gaelic Poems, @canongatebooks 1999

    canongate.co.uk/books/193-mode

    #Scottish #literature #Gaidhlig #Gaelic #poem #poetry #Clearances #emigration #exile

  5. A liuthad soitheach a dh’fhàg ar dùthaich
    le sgiathan geala a’ toirt Chanada orra.
    Tha iad mar neapaigearan ’nar cuimhne
    ’s an sàl mar dheoirean,
    ’s anns na croinn aca seòladairean a’ seinn
    mar eòin air gheugan.

    —Iain Mac a’ Ghobhainn, “Na h-Eilthirich” (Iain Crichton Smith, “The Exiles”)
    published in Nua-Bhardachd Gaidhlig / Modern Scottish Gaelic Poems, @canongatebooks 1999

    canongate.co.uk/books/193-mode

    #Scottish #literature #Gaidhlig #Gaelic #poem #poetry #Clearances #emigration #exile

  6. A liuthad soitheach a dh’fhàg ar dùthaich
    le sgiathan geala a’ toirt Chanada orra.
    Tha iad mar neapaigearan ’nar cuimhne
    ’s an sàl mar dheoirean,
    ’s anns na croinn aca seòladairean a’ seinn
    mar eòin air gheugan.

    —Iain Mac a’ Ghobhainn, “Na h-Eilthirich” (Iain Crichton Smith, “The Exiles”)
    published in Nua-Bhardachd Gaidhlig / Modern Scottish Gaelic Poems, @canongatebooks 1999

    canongate.co.uk/books/193-mode

    #Scottish #literature #Gaidhlig #Gaelic #poem #poetry #Clearances #emigration #exile

  7. Scattered tongues, or: If I forget thee

    A ‘Garland’ Shadorma

    midnight flights 
    cracked heels crossed Sudan 
    mothers prayed 
    stars concealed 
    trembling elders kissed the ground
    Zion after storms
    
    eagles’ wings
    sea salt and deserts
    Aden called
    sandstorms passed
    old caravan hymns endured
    the sky roads opened
    
    ash-choked trains
    numbered arms recalled
    exiles rose
    ships arrived
    displaced children spoke again
    names returned ashore
    
    Tigris dusk
    courtyard lamps faded
    passports stamped
    children borne
    tears by Babylon’s waters
    locked homes gathered dust
    
    winter queues
    visa refusals
    gray buildings
    mouthed Hebrew
    each scattered tongue remembers
    snow melted slowly
    
    banks collapsed
    Buenos Aires mourned
    glass shattered
    sirens wailed
    Spanish carried Sabbath songs
    our Jerusalem
    
    midnight flights
    sea salt and deserts
    exiles rose
    children borne
    each scattered tongue remembers
    our Jerusalem

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Yvette encourages us to compose resilience-themed syllabic poems. My above shadorma is about the resilience of Jews from around the world who repatriated to our ancient homeland under difficult and often dangerous circumstances.

    The first stanza is about Ethiopian Jews who crossed Sudan and were flown to Israel in secret rescue missions. The second stanza is about Yemenite Jews who traveled through deserts and through Aden before flying to Israel. The third stanza is about Holocaust survivors who came to Israel after surviving Nazi camps and war.

    The fourth stanza is about Iraqi Jews who were forced to leave behind their ancient homes and communities in Babylon and Iraq. The fifth stanza is about Soviet Jews who kept Jewish identity and Hebrew alive even when the Soviet Union tried to suppress it. The sixth stanza is about Argentine Jews facing terror attacks and economic collapse while still carrying Jewish traditions with them.

    The final stanza brings all the journeys together into one shared story of exile, survival, memory, and return to Jerusalem.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Diaspora #Exile #History #Israel #Jewish #JewishHistory #Poem #Poetry #Resilience #Shadorma
  8. Scattered tongues, or: If I forget thee

    A ‘Garland’ Shadorma

    midnight flights 
    cracked heels crossed Sudan 
    mothers prayed 
    stars concealed 
    trembling elders kissed the ground
    Zion after storms
    
    eagles’ wings
    sea salt and deserts
    Aden called
    sandstorms passed
    old caravan hymns endured
    the sky roads opened
    
    ash-choked trains
    numbered arms recalled
    exiles rose
    ships arrived
    displaced children spoke again
    names returned ashore
    
    Tigris dusk
    courtyard lamps faded
    passports stamped
    children borne
    tears by Babylon’s waters
    locked homes gathered dust
    
    winter queues
    visa refusals
    gray buildings
    mouthed Hebrew
    each scattered tongue remembers
    snow melted slowly
    
    banks collapsed
    Buenos Aires mourned
    glass shattered
    sirens wailed
    Spanish carried Sabbath songs
    our Jerusalem
    
    midnight flights
    sea salt and deserts
    exiles rose
    children borne
    each scattered tongue remembers
    our Jerusalem

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Yvette encourages us to compose resilience-themed syllabic poems. My above shadorma is about the resilience of Jews from around the world who repatriated to our ancient homeland under difficult and often dangerous circumstances.

    The first stanza is about Ethiopian Jews who crossed Sudan and were flown to Israel in secret rescue missions. The second stanza is about Yemenite Jews who traveled through deserts and through Aden before flying to Israel. The third stanza is about Holocaust survivors who came to Israel after surviving Nazi camps and war.

    The fourth stanza is about Iraqi Jews who were forced to leave behind their ancient homes and communities in Babylon and Iraq. The fifth stanza is about Soviet Jews who kept Jewish identity and Hebrew alive even when the Soviet Union tried to suppress it. The sixth stanza is about Argentine Jews facing terror attacks and economic collapse while still carrying Jewish traditions with them.

    The final stanza brings all the journeys together into one shared story of exile, survival, memory, and return to Jerusalem.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Diaspora #Exile #History #Israel #Jewish #JewishHistory #Poem #Poetry #Resilience #Shadorma
  9. Scattered tongues, or: If I forget thee

    A ‘Garland’ Shadorma

    midnight flights 
    cracked heels crossed Sudan 
    mothers prayed 
    stars concealed 
    trembling elders kissed the ground
    Zion after storms
    
    eagles’ wings
    sea salt and deserts
    Aden called
    sandstorms passed
    old caravan hymns endured
    the sky roads opened
    
    ash-choked trains
    numbered arms recalled
    exiles rose
    ships arrived
    displaced children spoke again
    names returned ashore
    
    Tigris dusk
    courtyard lamps faded
    passports stamped
    children borne
    tears by Babylon’s waters
    locked homes gathered dust
    
    winter queues
    visa refusals
    gray buildings
    mouthed Hebrew
    each scattered tongue remembers
    snow melted slowly
    
    banks collapsed
    Buenos Aires mourned
    glass shattered
    sirens wailed
    Spanish carried Sabbath songs
    our Jerusalem
    
    midnight flights
    sea salt and deserts
    exiles rose
    children borne
    each scattered tongue remembers
    our Jerusalem

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Yvette encourages us to compose resilience-themed syllabic poems. My above shadorma is about the resilience of Jews from around the world who repatriated to our ancient homeland under difficult and often dangerous circumstances.

    The first stanza is about Ethiopian Jews who crossed Sudan and were flown to Israel in secret rescue missions. The second stanza is about Yemenite Jews who traveled through deserts and through Aden before flying to Israel. The third stanza is about Holocaust survivors who came to Israel after surviving Nazi camps and war.

    The fourth stanza is about Iraqi Jews who were forced to leave behind their ancient homes and communities in Babylon and Iraq. The fifth stanza is about Soviet Jews who kept Jewish identity and Hebrew alive even when the Soviet Union tried to suppress it. The sixth stanza is about Argentine Jews facing terror attacks and economic collapse while still carrying Jewish traditions with them.

    The final stanza brings all the journeys together into one shared story of exile, survival, memory, and return to Jerusalem.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Diaspora #Exile #History #Israel #Jewish #JewishHistory #Poem #Poetry #Resilience #Shadorma
  10. Scattered tongues, or: If I forget thee

    A ‘Garland’ Shadorma

    midnight flights 
    cracked heels crossed Sudan 
    mothers prayed 
    stars concealed 
    trembling elders kissed the ground
    Zion after storms
    
    eagles’ wings
    sea salt and deserts
    Aden called
    sandstorms passed
    old caravan hymns endured
    the sky roads opened
    
    ash-choked trains
    numbered arms recalled
    exiles rose
    ships arrived
    displaced children spoke again
    names returned ashore
    
    Tigris dusk
    courtyard lamps faded
    passports stamped
    children borne
    tears by Babylon’s waters
    locked homes gathered dust
    
    winter queues
    visa refusals
    gray buildings
    mouthed Hebrew
    each scattered tongue remembers
    snow melted slowly
    
    banks collapsed
    Buenos Aires mourned
    glass shattered
    sirens wailed
    Spanish carried Sabbath songs
    our Jerusalem
    
    midnight flights
    sea salt and deserts
    exiles rose
    children borne
    each scattered tongue remembers
    our Jerusalem

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Yvette encourages us to compose resilience-themed syllabic poems. My above shadorma is about the resilience of Jews from around the world who repatriated to our ancient homeland under difficult and often dangerous circumstances.

    The first stanza is about Ethiopian Jews who crossed Sudan and were flown to Israel in secret rescue missions. The second stanza is about Yemenite Jews who traveled through deserts and through Aden before flying to Israel. The third stanza is about Holocaust survivors who came to Israel after surviving Nazi camps and war.

    The fourth stanza is about Iraqi Jews who were forced to leave behind their ancient homes and communities in Babylon and Iraq. The fifth stanza is about Soviet Jews who kept Jewish identity and Hebrew alive even when the Soviet Union tried to suppress it. The sixth stanza is about Argentine Jews facing terror attacks and economic collapse while still carrying Jewish traditions with them.

    The final stanza brings all the journeys together into one shared story of exile, survival, memory, and return to Jerusalem.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Diaspora #Exile #History #Israel #Jewish #JewishHistory #Poem #Poetry #Resilience #Shadorma
  11. Scattered tongues, or: If I forget thee

    A ‘Garland’ Shadorma

    midnight flights 
    cracked heels crossed Sudan 
    mothers prayed 
    stars concealed 
    trembling elders kissed the ground
    Zion after storms
    
    eagles’ wings
    sea salt and deserts
    Aden called
    sandstorms passed
    old caravan hymns endured
    the sky roads opened
    
    ash-choked trains
    numbered arms recalled
    exiles rose
    ships arrived
    displaced children spoke again
    names returned ashore
    
    Tigris dusk
    courtyard lamps faded
    passports stamped
    children borne
    tears by Babylon’s waters
    locked homes gathered dust
    
    winter queues
    visa refusals
    gray buildings
    mouthed Hebrew
    each scattered tongue remembers
    snow melted slowly
    
    banks collapsed
    Buenos Aires mourned
    glass shattered
    sirens wailed
    Spanish carried Sabbath songs
    our Jerusalem
    
    midnight flights
    sea salt and deserts
    exiles rose
    children borne
    each scattered tongue remembers
    our Jerusalem

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Yvette encourages us to compose resilience-themed syllabic poems. My above shadorma is about the resilience of Jews from around the world who repatriated to our ancient homeland under difficult and often dangerous circumstances.

    The first stanza is about Ethiopian Jews who crossed Sudan and were flown to Israel in secret rescue missions. The second stanza is about Yemenite Jews who traveled through deserts and through Aden before flying to Israel. The third stanza is about Holocaust survivors who came to Israel after surviving Nazi camps and war.

    The fourth stanza is about Iraqi Jews who were forced to leave behind their ancient homes and communities in Babylon and Iraq. The fifth stanza is about Soviet Jews who kept Jewish identity and Hebrew alive even when the Soviet Union tried to suppress it. The sixth stanza is about Argentine Jews facing terror attacks and economic collapse while still carrying Jewish traditions with them.

    The final stanza brings all the journeys together into one shared story of exile, survival, memory, and return to Jerusalem.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Diaspora #Exile #History #Israel #Jewish #JewishHistory #Poem #Poetry #Resilience #Shadorma
  12. G-Nitro’s Daily Music Wrap-Up – 4/27/26

    I check out an album by Grant Lee Buffalo, as well as the latest releases from Tink, and Blu & Exile.

    Favorite Videos include a Super Climbing Club studio live session, SORAN on It's Live, and more!

    g-nitro.com/g-nitros-daily-mus

    #Music #1001Albums #GrantLeeBuffalo #Tink #Blu #Exile #SuperClimbingClub #Soran #ItsLive

  13. G-Nitro’s Daily Music Wrap-Up – 4/27/26

    I check out an album by Grant Lee Buffalo, as well as the latest releases from Tink, and Blu & Exile.

    Favorite Videos include a Super Climbing Club studio live session, SORAN on It's Live, and more!

    g-nitro.com/g-nitros-daily-mus

    #Music #1001Albums #GrantLeeBuffalo #Tink #Blu #Exile #SuperClimbingClub #Soran #ItsLive

  14. G-Nitro’s Daily Music Wrap-Up – 4/27/26

    I check out an album by Grant Lee Buffalo, as well as the latest releases from Tink, and Blu & Exile.

    Favorite Videos include a Super Climbing Club studio live session, SORAN on It's Live, and more!

    g-nitro.com/g-nitros-daily-mus

    #Music #1001Albums #GrantLeeBuffalo #Tink #Blu #Exile #SuperClimbingClub #Soran #ItsLive

  15. G-Nitro’s Daily Music Wrap-Up – 4/27/26

    I check out an album by Grant Lee Buffalo, as well as the latest releases from Tink, and Blu & Exile.

    Favorite Videos include a Super Climbing Club studio live session, SORAN on It's Live, and more!

    g-nitro.com/g-nitros-daily-mus

    #Music #1001Albums #GrantLeeBuffalo #Tink #Blu #Exile #SuperClimbingClub #Soran #ItsLive

  16. G-Nitro’s Daily Music Wrap-Up – 4/27/26

    I check out an album by Grant Lee Buffalo, as well as the latest releases from Tink, and Blu & Exile.

    Favorite Videos include a Super Climbing Club studio live session, SORAN on It's Live, and more!

    g-nitro.com/g-nitros-daily-mus

    #Music #1001Albums #GrantLeeBuffalo #Tink #Blu #Exile #SuperClimbingClub #Soran #ItsLive

  17. "[F]or #Jews who fled #Iran in the decade after the #Islamic #Revolution in 1979, the military campaign represents a long-awaited reckoning with the brutal regime that forced them into #exile. An estimated 60,000 #Iranian Jews emigrated, and tens of thousands settled in the #US, with the largest communities in #LosAngeles, south #Florida, northern #Texas, and the #LongIsland suburb of #GreatNeck, #NewYork, where #Farsi is heard as often as English along Middle Neck Road and #Israeli flags hang in the windows of shops and #Persian restaurants.

    “You can’t just have peace for nothing. It clearly just doesn’t land on the table. You have to work at it, and sometimes you have to fight for it,” said #JasmineRokhsar, a Persian #Jewish Great Neck resident. “I think #Iranians understand that well. I think #Iranian Jews understand that better.”

    #Rokhsar left Iran as a kindergartner in 1978..."

    forward.com/news/809305/iran-p

  18. Toward the end of Isaiah's messages for the Jewish people during the #exile and perhaps afterward, #Isaiah extended #hope regarding a "new heavens" and a "new earth." 

    In it he imagined God providing full #restoration to His people, long life, peace, security, and blessings.

    Ever since, the people of God have yearned for God to make all things new.

  19. Belarusian activist Kolesnikova on starting over in Germany.

    Maria Kolesnikova was a leading figure in the 2020 protests against Belarusian strongman Alexander Lukashenko.

    She reflects on this turbulent time, and her new life in German exile.

    mediafaro.org/article/20260216

    #MariaKolesnikova #Kolesnikova #Belarus #Exile #Germany #Politics #Lukashenko #Kalesnikava

  20. Top ten posts in October 2025

    library.hrmtc.com/2025/11/01/t

    #account #achieve #AdamHassan #AdamHulse #AdeptusExemptus #AdeptusMajor #AdeptusMinor #adopted #alchemicalInquiry #aleisterCrowley #AlexanderSaxton #AliMaloney #allBeings #AmandaBlake #amongMany #amusement #AmyBoucher #Anat #ancientGods #ancientIsrael #AngelikaMay #Anglican #anthology #archivalMaterials #artists #Asherah #astarte #astralDeities #AtlanticOcean #AtlantisBookshop #Baal #BarneyMuldoon #bbc #BBCRadio #belief #BernhardBeyer #bestPosts #bestRemembered #bestTen #biblicalMagi #Blondie #BobbyCampbell #BookOfTheLaw #buddhism #CJSubko #California #Canaan #CanaanitePolytheism #CanaaniteReligionAndMythology #CatholicSuperstition #celebrated #charlatan #CharlesMocenigo #ChristianIdiom #ChristianKabbalah #ChristianNonDuality #churchRitual #churches #ChymicalWedding #cleansing #commonMetaphysicalTemplate #comparativeFramework #ConfessioFraternitatis #conspiracies #conspiracy #contemplativePractice #cosmic #counterculturalBookshops #counterculturalIcon #cultOfYahweh #curiosity #dangerousManipulator #DanteBonutto #darkArts #DavidMitchell #deliverance #deliveranceMinistry #demanding #demonology #dismissed #distinctlySeparate #divineFeminine #DivineUnity #DoWhatThouWiltShallBeTheWholeOfTheLaw #Doctrinal #doctrineOfRéintégration #Doinel #drugTaking #dues #DutchSchulz #earlyHistory #EdgarBroughton #EdwardianEccentric #ÉgliseGnostique #El #EleanorGraydon #eliphasLevi #ElizabethRMcClellan #ÉlusCoëns #emanation #encounters #esotericChristianity #esotericCurrent #esotericKnowledge #esotericMysteries #EucharisticVision #evangelicalExcess #evilSpirits #evolved #exile #exorcism #expulsion #FUCKUP_ #faith #FamaFraternitatis #fascination #fear #feast #feminineEros #feminineWisdom #figure #finDeSiècle #fire #FissionChips #flamboyantShowman #FlorenceSusanneReppert #folk #Foreign #France #FrancisYoung #fraudster #freemasonry #FrenchEsotericism #FrenchTradition #fullyDefined #GaryLachman #genius #GeorgeDorn #GeraldineBeskin #GérardEncausse #gnosis #GnosticLiturgy #Gnosticism #god #goddeses #gods #greatGoddesses #greaterFeast #greaterMysteries #HagbardCeline #hardRock #HarryCoin #heavyMetal #HebrewBible #HermeticSymbolism #hermeticism #historicallyGrounded #history #historyOfIdeas #horrors #HowardTheDolphin #IanHGladwin #identity #illuminatedTreeOfLife #Illuminatus #ineffableOne #initiated #initiaticOrders #initiatoryCodification #institutionalDiversity #integralSpirituality #integrate #interiorPath #invoked #JDMYoder #JamesFoster #JannHaworth #JazColemanmKillingJoke #jimmyPage #JohnDay #JohnDillinger #JonathanHart #journals #JulesDoinel #Juniorus #keySource #LauraCathcart #leadingGods #LeeIrwin #lesserMysteries #Levi #LindaBromilow #lineage #lodgeRooms #lodges #Logos #louisClaudeDeSaintMartin #lucidDreamers #lucifer #LydiaWaites #madMan #magickalOrder #Magister #magus #MarkSSmith #MartinèsDePasqually #MaryLouServix #masculinePrinciple #masonic #master #metalMusicians #modernEurope #MoggMorgan #Molech #monotheism #monotheisticFaith #moon #Mot #mountaineer #MrCrowley #Musicians #mysteries #mysteriesOfNature #mysticalInsight #nativeChristianNonDuality #NeoplatonicMetaphysics #neoplatonism #newGeneration #nineGrades #occultChurches #occultReligion #occultist #October2025 #OldTestament #OllyPearson #openInvitation #OrderOfTheGoldenAndRosyCross #otherDeities #outrightRejection #OzzyOsbourne #paganGods #pansentience #Papus #PatrickDMiller #PaulMorley #pedagogiesOfUnity #pervert #Philosophus #pioneeringThinker #plymouthBrethren #poet #popularCulture #Power #practicalWisdom #Practicus #primaryDeity #progressiveEstablishment #prophet #provocation #psychedelia #public #publicForm #RLoftiss #realities #rediscover #Reincarnation #reintegration #religion #religiousHorror #religiousTrauma #remarkableTransformation #remarkablyCoherent #Rephaim #Resheph #return #rigorous #riteOfExorcism #ritual #ritualForms #robertAntonWilson #RobertPearson #RobertShea #rockStars #rosicrucian #RosicrucianManifestos #rosicrucianSociety #rosicrucianism #RyanDay #sacredMarriage #SaintMartin #SaintYvesDAlveydre #SashaRavitch #SaulGoodman #scandal #scandalous #selfMythology #seven #SgtPepper #SimonMoon #soleGod #sophia #spiritualEntities #spiritualOutlook #spiritualSignificance #StephenHoward #summary #summaryOfTheMonth #sun #symbol #symbolicSynthesis #syncreticCuriosity #taoism #thaumaturgicalHeritage #TheAMA #TheBeatles #TheGreatBeast #TheOneirocriticalSociety #theWickedestManInTheWorld #theWorldSOldest #theoreticalFoundations #Theoreticus #theurgy #ToddPurse #topPosts #topTen #underworldDeities #unity #unwaveringDevotion #VanessaSantos #Vedanta #vision #westernEsotericism #wholeness #WieboGrobler #worlds #wreckedLives #yahweh

  21. 【期間限定】EXILE 24年ぶりにショッピングモールでイベント 『EXILE LIVE TOUR 2025 “THE REASON” KICKOFF EVENT』 vivizine.com/995536/ #actor #AKIRA #atsushi #EXILE #EXILEAKIRA #KYODONEWS #NAOTO #TAKAHIRO #エンタメ #俳優 #共同通信 #芸能ニュース

  22. CW: Digital Exile... Being left out digitally...? !

    #Quote says it well:

    💬 " I propose that in this context, a fear of #exile – that is, a fear of being left out, #overlooked, #ignored or#banished – can act as a #regulating #force that inverts the radial spatial dynamic of the #panopticon and shifts the responsibility for visibility, understood both in terms of competitive exposure and existential recognition, onto #workers.

    As a consequence these workers enlist #digital #technologies to become #visible at the real or imagined organizational centre."

    ➡️ by #EllaHafermal #Quotes

    Article Title : Out of the Panopticon and into Exile:
    Visibility and control in distributed new culture organization

    Picture Edit: #FreeSchool from "We Live in Public" screenshot

    ➡️ PDF Link: journals.sagepub.com/doi/pdf/1