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#jewish-history — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #jewish-history, aggregated by home.social.

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  1. europesays.com/iran/133232/ The Blogs: Ukraine Israel and the right to remember: Andriy Melnyk’s story needs no slogans | Alexander Lutsenko #History #InvasionOfUkraine #Israel #JewishHistory #Ukraine

  2. From JTA:

    "The [museum exhibit] show, titled “Jews Are Magic,” digs into the ongoing Jewish fascination with mysticism, folk healing, fortune-telling and occult practices. Drawing mostly on archival materials from the 19th and early 20th centuries in Eastern Europe and the Lower East Side, it features palm-reading guides, amulets, handwritten petitions known as kvitlekh and advertisements for self-styled psychics who promised help with everything from illness to legal disputes to matters of the heart. The artifacts capture a world where official religious authorities often frowned on such practices, but everyday Jews made room for them anyway.""

    Read more: jta.org/2026/05/24/culture/a-m

    #Mazeldon #Jewish #Judaism #JewishHistory #JewishMysticism #Kabbalah

  3. From JTA:

    "The [museum exhibit] show, titled “Jews Are Magic,” digs into the ongoing Jewish fascination with mysticism, folk healing, fortune-telling and occult practices. Drawing mostly on archival materials from the 19th and early 20th centuries in Eastern Europe and the Lower East Side, it features palm-reading guides, amulets, handwritten petitions known as kvitlekh and advertisements for self-styled psychics who promised help with everything from illness to legal disputes to matters of the heart. The artifacts capture a world where official religious authorities often frowned on such practices, but everyday Jews made room for them anyway.""

    Read more: jta.org/2026/05/24/culture/a-m

    #Mazeldon #Jewish #Judaism #JewishHistory #JewishMysticism #Kabbalah

  4. From JTA:

    "The [museum exhibit] show, titled “Jews Are Magic,” digs into the ongoing Jewish fascination with mysticism, folk healing, fortune-telling and occult practices. Drawing mostly on archival materials from the 19th and early 20th centuries in Eastern Europe and the Lower East Side, it features palm-reading guides, amulets, handwritten petitions known as kvitlekh and advertisements for self-styled psychics who promised help with everything from illness to legal disputes to matters of the heart. The artifacts capture a world where official religious authorities often frowned on such practices, but everyday Jews made room for them anyway.""

    Read more: jta.org/2026/05/24/culture/a-m

    #Mazeldon #Jewish #Judaism #JewishHistory #JewishMysticism #Kabbalah

  5. From JTA:

    "The [museum exhibit] show, titled “Jews Are Magic,” digs into the ongoing Jewish fascination with mysticism, folk healing, fortune-telling and occult practices. Drawing mostly on archival materials from the 19th and early 20th centuries in Eastern Europe and the Lower East Side, it features palm-reading guides, amulets, handwritten petitions known as kvitlekh and advertisements for self-styled psychics who promised help with everything from illness to legal disputes to matters of the heart. The artifacts capture a world where official religious authorities often frowned on such practices, but everyday Jews made room for them anyway.""

    Read more: jta.org/2026/05/24/culture/a-m

    #Mazeldon #Jewish #Judaism #JewishHistory #JewishMysticism #Kabbalah

  6. From JTA:

    "The [museum exhibit] show, titled “Jews Are Magic,” digs into the ongoing Jewish fascination with mysticism, folk healing, fortune-telling and occult practices. Drawing mostly on archival materials from the 19th and early 20th centuries in Eastern Europe and the Lower East Side, it features palm-reading guides, amulets, handwritten petitions known as kvitlekh and advertisements for self-styled psychics who promised help with everything from illness to legal disputes to matters of the heart. The artifacts capture a world where official religious authorities often frowned on such practices, but everyday Jews made room for them anyway.""

    Read more: jta.org/2026/05/24/culture/a-m

    #Mazeldon #Jewish #Judaism #JewishHistory #JewishMysticism #Kabbalah

  7. From Harif UK:
    What were the Farhud's causes and consequences? We will hear the testimonies of survivors and analysis by professor Uzi Rabi, chairman of the Babylonian Jewry Heritage Center.

    Join Zoom Meeting
    us02web.zoom.us/j/82460674517?
    Meeting ID: 824 6067 4517
    Passcode: bataween

                                                               
    IMPORTANT: Please note that no registration is required but for security reasons, only participants identified by name, and not 'Ipad' or 'Wonderwoman', willl be admitted. The event will be recorded.

    To see recordings of previous events, click here: youtube.com/user/bataween1/vid

    #JewishHistory #Mizrahi #Sephardi #MENA #Mazeldon #Jewish #Judaism

  8. From Harif UK:
    What were the Farhud's causes and consequences? We will hear the testimonies of survivors and analysis by professor Uzi Rabi, chairman of the Babylonian Jewry Heritage Center.

    Join Zoom Meeting
    us02web.zoom.us/j/82460674517?
    Meeting ID: 824 6067 4517
    Passcode: bataween

                                                               
    IMPORTANT: Please note that no registration is required but for security reasons, only participants identified by name, and not 'Ipad' or 'Wonderwoman', willl be admitted. The event will be recorded.

    To see recordings of previous events, click here: youtube.com/user/bataween1/vid

    #JewishHistory #Mizrahi #Sephardi #MENA #Mazeldon #Jewish #Judaism

  9. From Harif UK:
    What were the Farhud's causes and consequences? We will hear the testimonies of survivors and analysis by professor Uzi Rabi, chairman of the Babylonian Jewry Heritage Center.

    Join Zoom Meeting
    us02web.zoom.us/j/82460674517?
    Meeting ID: 824 6067 4517
    Passcode: bataween

                                                               
    IMPORTANT: Please note that no registration is required but for security reasons, only participants identified by name, and not 'Ipad' or 'Wonderwoman', willl be admitted. The event will be recorded.

    To see recordings of previous events, click here: youtube.com/user/bataween1/vid

    #JewishHistory #Mizrahi #Sephardi #MENA #Mazeldon #Jewish #Judaism

  10. From Harif UK:
    What were the Farhud's causes and consequences? We will hear the testimonies of survivors and analysis by professor Uzi Rabi, chairman of the Babylonian Jewry Heritage Center.

    Join Zoom Meeting
    us02web.zoom.us/j/82460674517?
    Meeting ID: 824 6067 4517
    Passcode: bataween

                                                               
    IMPORTANT: Please note that no registration is required but for security reasons, only participants identified by name, and not 'Ipad' or 'Wonderwoman', willl be admitted. The event will be recorded.

    To see recordings of previous events, click here: youtube.com/user/bataween1/vid

    #JewishHistory #Mizrahi #Sephardi #MENA #Mazeldon #Jewish #Judaism

  11. From Harif UK:
    What were the Farhud's causes and consequences? We will hear the testimonies of survivors and analysis by professor Uzi Rabi, chairman of the Babylonian Jewry Heritage Center.

    Join Zoom Meeting
    us02web.zoom.us/j/82460674517?
    Meeting ID: 824 6067 4517
    Passcode: bataween

                                                               
    IMPORTANT: Please note that no registration is required but for security reasons, only participants identified by name, and not 'Ipad' or 'Wonderwoman', willl be admitted. The event will be recorded.

    To see recordings of previous events, click here: youtube.com/user/bataween1/vid

    #JewishHistory #Mizrahi #Sephardi #MENA #Mazeldon #Jewish #Judaism

  12. From JIMENA:
    On June 1–2, 1941, the Farhud pogrom in Baghdad marked a devastating turning point for Iraq’s Jewish community and reflected the spread of Nazi influence and antisemitism into the Middle East and North Africa during the Holocaust era.

    Join JIMENA and Executive Director Sarah Levin for a special virtual training exploring the Farhud and the often-overlooked experiences of Jews in the Middle East during this period of history. The session will provide historical context, educational tools, and insight into why these histories remain essential today.

    This event is open to all. Educators, museum professionals, students, and community leaders are especially encouraged to attend.

    Registration: us02web.zoom.us/meeting/regist

    #JewishHistory #Farhud #JIMENA #Sephardi #Mizrahi #Mazeldon #Jewish #Judaism #MENA

  13. From JIMENA:
    On June 1–2, 1941, the Farhud pogrom in Baghdad marked a devastating turning point for Iraq’s Jewish community and reflected the spread of Nazi influence and antisemitism into the Middle East and North Africa during the Holocaust era.

    Join JIMENA and Executive Director Sarah Levin for a special virtual training exploring the Farhud and the often-overlooked experiences of Jews in the Middle East during this period of history. The session will provide historical context, educational tools, and insight into why these histories remain essential today.

    This event is open to all. Educators, museum professionals, students, and community leaders are especially encouraged to attend.

    Registration: us02web.zoom.us/meeting/regist

    #JewishHistory #Farhud #JIMENA #Sephardi #Mizrahi #Mazeldon #Jewish #Judaism #MENA

  14. From JIMENA:
    On June 1–2, 1941, the Farhud pogrom in Baghdad marked a devastating turning point for Iraq’s Jewish community and reflected the spread of Nazi influence and antisemitism into the Middle East and North Africa during the Holocaust era.

    Join JIMENA and Executive Director Sarah Levin for a special virtual training exploring the Farhud and the often-overlooked experiences of Jews in the Middle East during this period of history. The session will provide historical context, educational tools, and insight into why these histories remain essential today.

    This event is open to all. Educators, museum professionals, students, and community leaders are especially encouraged to attend.

    Registration: us02web.zoom.us/meeting/regist

    #JewishHistory #Farhud #JIMENA #Sephardi #Mizrahi #Mazeldon #Jewish #Judaism #MENA

  15. From JIMENA:
    On June 1–2, 1941, the Farhud pogrom in Baghdad marked a devastating turning point for Iraq’s Jewish community and reflected the spread of Nazi influence and antisemitism into the Middle East and North Africa during the Holocaust era.

    Join JIMENA and Executive Director Sarah Levin for a special virtual training exploring the Farhud and the often-overlooked experiences of Jews in the Middle East during this period of history. The session will provide historical context, educational tools, and insight into why these histories remain essential today.

    This event is open to all. Educators, museum professionals, students, and community leaders are especially encouraged to attend.

    Registration: us02web.zoom.us/meeting/regist

    #JewishHistory #Farhud #JIMENA #Sephardi #Mizrahi #Mazeldon #Jewish #Judaism #MENA

  16. From JIMENA:
    On June 1–2, 1941, the Farhud pogrom in Baghdad marked a devastating turning point for Iraq’s Jewish community and reflected the spread of Nazi influence and antisemitism into the Middle East and North Africa during the Holocaust era.

    Join JIMENA and Executive Director Sarah Levin for a special virtual training exploring the Farhud and the often-overlooked experiences of Jews in the Middle East during this period of history. The session will provide historical context, educational tools, and insight into why these histories remain essential today.

    This event is open to all. Educators, museum professionals, students, and community leaders are especially encouraged to attend.

    Registration: us02web.zoom.us/meeting/regist

    #JewishHistory #Farhud #JIMENA #Sephardi #Mizrahi #Mazeldon #Jewish #Judaism #MENA

  17. The Blogs: Poland Versus History | Sheldon Kirshner

    Polish-Jewish relations during the German occupation of Poland were tortuous at best. As the Nazi occupiers ruthlessly exterminated…
    #Poland #Polska #PL #Europe #Europa #EU #Jewishhistory
    europesays.com/poland/8773/

  18. For JIMENA readers who may not be familiar: CASJE (The Collaborative for Applied Studies in Jewish Education) is a leading research hub that translates academic scholarship into practical tools for Jewish educators, institutions, and community leaders. Their Research Digest distills significant Jewish studies into accessible summaries and analysis, and it's read widely across the field by the people who shape Jewish communal policy and practice.

    The CASJE Research Digest is an important vehicle for getting these findings in front of the decision-makers who need to see them. We encourage you to read their analysis and share it with colleagues in the field.

    And if you haven't yet explored the full study — the community portraits, the demographic data, the recommendations — it's all available at sephardicstudy.org.

    Read the CASJE Research Digest: casje.org/our-work/research-di

    #Mazeldon #Judaism #Jewish #JewishEducation #JewishHistory

  19. For JIMENA readers who may not be familiar: CASJE (The Collaborative for Applied Studies in Jewish Education) is a leading research hub that translates academic scholarship into practical tools for Jewish educators, institutions, and community leaders. Their Research Digest distills significant Jewish studies into accessible summaries and analysis, and it's read widely across the field by the people who shape Jewish communal policy and practice.

    The CASJE Research Digest is an important vehicle for getting these findings in front of the decision-makers who need to see them. We encourage you to read their analysis and share it with colleagues in the field.

    And if you haven't yet explored the full study — the community portraits, the demographic data, the recommendations — it's all available at sephardicstudy.org.

    Read the CASJE Research Digest: casje.org/our-work/research-di

    #Mazeldon #Judaism #Jewish #JewishEducation #JewishHistory

  20. For JIMENA readers who may not be familiar: CASJE (The Collaborative for Applied Studies in Jewish Education) is a leading research hub that translates academic scholarship into practical tools for Jewish educators, institutions, and community leaders. Their Research Digest distills significant Jewish studies into accessible summaries and analysis, and it's read widely across the field by the people who shape Jewish communal policy and practice.

    The CASJE Research Digest is an important vehicle for getting these findings in front of the decision-makers who need to see them. We encourage you to read their analysis and share it with colleagues in the field.

    And if you haven't yet explored the full study — the community portraits, the demographic data, the recommendations — it's all available at sephardicstudy.org.

    Read the CASJE Research Digest: casje.org/our-work/research-di

    #Mazeldon #Judaism #Jewish #JewishEducation #JewishHistory

  21. For JIMENA readers who may not be familiar: CASJE (The Collaborative for Applied Studies in Jewish Education) is a leading research hub that translates academic scholarship into practical tools for Jewish educators, institutions, and community leaders. Their Research Digest distills significant Jewish studies into accessible summaries and analysis, and it's read widely across the field by the people who shape Jewish communal policy and practice.

    The CASJE Research Digest is an important vehicle for getting these findings in front of the decision-makers who need to see them. We encourage you to read their analysis and share it with colleagues in the field.

    And if you haven't yet explored the full study — the community portraits, the demographic data, the recommendations — it's all available at sephardicstudy.org.

    Read the CASJE Research Digest: casje.org/our-work/research-di

    #Mazeldon #Judaism #Jewish #JewishEducation #JewishHistory

  22. For JIMENA readers who may not be familiar: CASJE (The Collaborative for Applied Studies in Jewish Education) is a leading research hub that translates academic scholarship into practical tools for Jewish educators, institutions, and community leaders. Their Research Digest distills significant Jewish studies into accessible summaries and analysis, and it's read widely across the field by the people who shape Jewish communal policy and practice.

    The CASJE Research Digest is an important vehicle for getting these findings in front of the decision-makers who need to see them. We encourage you to read their analysis and share it with colleagues in the field.

    And if you haven't yet explored the full study — the community portraits, the demographic data, the recommendations — it's all available at sephardicstudy.org.

    Read the CASJE Research Digest: casje.org/our-work/research-di

    #Mazeldon #Judaism #Jewish #JewishEducation #JewishHistory

  23. Last survivor of 1929 Hebron massacre passes away

    Yitzhak Ben Hebron, the last survivor of the 1929 Hebron massacre, passed away on Thursday. Yitzhak, who was…
    #Israel #News #hebron #hebronmassacre #history #jerusalem #Jewishhistory
    europesays.com/3008004/

  24. Still, or: Shabbat tables call

    A Sijo

    snowlight whitens the village roofs
    while burning windows glow askew;
    through rising smoke a wagon tilts
    while alleyways darken again;
    still our Shabbat tables call
    through centuries of ashes

    d’Verse: Don’t box me in

    At d’Verse, we are encouraged to compose poems inspired by one of several paintings by the famous Jewish painter Marc Chagall (1887 – 1985). I selected ‘Burning House’ (1913).

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Art #Ekphrasis #History #Interpretation #Jewish #JewishHistory #MarcChagall #Painting #Poem #Poetry #Sijo
  25. Still, or: Shabbat tables call

    A Sijo

    snowlight whitens the village roofs
    while burning windows glow askew;
    through rising smoke a wagon tilts
    while alleyways darken again;
    still our Shabbat tables call
    through centuries of ashes

    d’Verse: Don’t box me in

    At d’Verse, we are encouraged to compose poems inspired by one of several paintings by the famous Jewish painter Marc Chagall (1887 – 1985). I selected ‘Burning House’ (1913).

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Art #Ekphrasis #History #Interpretation #Jewish #JewishHistory #MarcChagall #Painting #Poem #Poetry #Sijo
  26. Still, or: Shabbat tables call

    A Sijo

    snowlight whitens the village roofs
    while burning windows glow askew;
    through rising smoke a wagon tilts
    while alleyways darken again;
    still our Shabbat tables call
    through centuries of ashes

    d’Verse: Don’t box me in

    At d’Verse, we are encouraged to compose poems inspired by one of several paintings by the famous Jewish painter Marc Chagall (1887 – 1985). I selected ‘Burning House’ (1913).

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Art #Ekphrasis #History #Interpretation #Jewish #JewishHistory #MarcChagall #Painting #Poem #Poetry #Sijo
  27. Still, or: Shabbat tables call

    A Sijo

    snowlight whitens the village roofs
    while burning windows glow askew;
    through rising smoke a wagon tilts
    while alleyways darken again;
    still our Shabbat tables call
    through centuries of ashes

    d’Verse: Don’t box me in

    At d’Verse, we are encouraged to compose poems inspired by one of several paintings by the famous Jewish painter Marc Chagall (1887 – 1985). I selected ‘Burning House’ (1913).

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Art #Ekphrasis #History #Interpretation #Jewish #JewishHistory #MarcChagall #Painting #Poem #Poetry #Sijo
  28. Still, or: Shabbat tables call

    A Sijo

    snowlight whitens the village roofs
    while burning windows glow askew;
    through rising smoke a wagon tilts
    while alleyways darken again;
    still our Shabbat tables call
    through centuries of ashes

    d’Verse: Don’t box me in

    At d’Verse, we are encouraged to compose poems inspired by one of several paintings by the famous Jewish painter Marc Chagall (1887 – 1985). I selected ‘Burning House’ (1913).

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Art #Ekphrasis #History #Interpretation #Jewish #JewishHistory #MarcChagall #Painting #Poem #Poetry #Sijo
  29. The Surprising History of Warm Iranian-Jewish Relations

    Berkshire (Special to Informed Comment; Feature) – After the massive US and Israeli attacks on Iran on 28…
    #NewsBeep #News #BreakingNews #breakingnews #Featured #Iran #Israel #Jewishhistory #Judaism
    newsbeep.com/543155/

  30. Take the Jerusalem Quiz: How well do you know Israel’s capital?

    Can you identify the biblical book in which the phrase “Tower of David” appears? Do you know where…
    #Israel #News #Bible #jerusalem #JerusalemDay #Jewishhistory #Judaism #magazine #TowerofDavidMuseum
    europesays.com/2994543/

  31. Why does Jerusalem belongs to the Jews? Because history says so

    Every year on Jerusalem Day, as Israeli flags flutter proudly across the skyline and Jews celebrate the reunification…
    #Israel #News #archeology #jerusalem #JerusalemDay #Jewishhistory #magazine #Zionism
    europesays.com/2993600/

  32. Dedushka, or: Saba

    A ‘Garland’ Shadorma

    oldest child
    born in poverty
    raised at a
    children's home
    because his parents couldn't
    afford to feed him

    hunger pangs
    caught with potatoes
    left behind
    on the field
    shipped off to fight the Nazis
    without a weapon

    at the front
    fell in a meat wave
    stabbed at war
    through the calf
    by Germans probing corpses
    crawled back through the night

    taught himself
    how to speak Russian
    for college
    self-made man
    became the chief engineer
    at a major plant

    in Vilnius
    under Soviets
    my Saba
    a proud Yid
    hired Refusenik engineers
    fired for Jewish souls

    gave up his
    party membership
    cursed the damned
    Communists
    for antisemitism—and
    moved to Israel

    oldest child
    caught with potatoes
    stabbed at war
    self-made man
    hired Refusenik engineers
    moved to Israel

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Robbie encourages us to compose syllabic poems that includes a story. My above shadorma is about my grandfather (saba).

    My grandfather grew up very poor, was forced to fight the Nazis in World War II without a weapon, and was badly wounded; but he survived and taught himself Russian so he could become a top engineer in Soviet Lithuania.

    Even when the government threatened him, he kept hiring Jewish engineers who were punished for applying for exit visas to Israel. In the end, he gave up his cursed the antisemitism around him, Communist Party membership, and moved with his family to Israel.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Family #Grandfather #History #Israel #Jewish #JewishHistory #Poem #Poetry #Shadorma #SovietJewry
  33. Dedushka, or: Saba

    A ‘Garland’ Shadorma

    oldest child
    born in poverty
    raised at a
    children's home
    because his parents couldn't
    afford to feed him

    hunger pangs
    caught with potatoes
    left behind
    on the field
    shipped off to fight the Nazis
    without a weapon

    at the front
    fell in a meat wave
    stabbed at war
    through the calf
    by Germans probing corpses
    crawled back through the night

    taught himself
    how to speak Russian
    for college
    self-made man
    became the chief engineer
    at a major plant

    in Vilnius
    under Soviets
    my Saba
    a proud Yid
    hired Refusenik engineers
    fired for Jewish souls

    gave up his
    party membership
    cursed the damned
    Communists
    for antisemitism—and
    moved to Israel

    oldest child
    caught with potatoes
    stabbed at war
    self-made man
    hired Refusenik engineers
    moved to Israel

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Robbie encourages us to compose syllabic poems that includes a story. My above shadorma is about my grandfather (saba).

    My grandfather grew up very poor, was forced to fight the Nazis in World War II without a weapon, and was badly wounded; but he survived and taught himself Russian so he could become a top engineer in Soviet Lithuania.

    Even when the government threatened him, he kept hiring Jewish engineers who were punished for applying for exit visas to Israel. In the end, he gave up his cursed the antisemitism around him, Communist Party membership, and moved with his family to Israel.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Family #Grandfather #History #Israel #Jewish #JewishHistory #Poem #Poetry #Shadorma #SovietJewry
  34. Dedushka, or: Saba

    A ‘Garland’ Shadorma

    oldest child
    born in poverty
    raised at a
    children's home
    because his parents couldn't
    afford to feed him

    hunger pangs
    caught with potatoes
    left behind
    on the field
    shipped off to fight the Nazis
    without a weapon

    at the front
    fell in a meat wave
    stabbed at war
    through the calf
    by Germans probing corpses
    crawled back through the night

    taught himself
    how to speak Russian
    for college
    self-made man
    became the chief engineer
    at a major plant

    in Vilnius
    under Soviets
    my Saba
    a proud Yid
    hired Refusenik engineers
    fired for Jewish souls

    gave up his
    party membership
    cursed the damned
    Communists
    for antisemitism—and
    moved to Israel

    oldest child
    caught with potatoes
    stabbed at war
    self-made man
    hired Refusenik engineers
    moved to Israel

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Robbie encourages us to compose syllabic poems that includes a story. My above shadorma is about my grandfather (saba).

    My grandfather grew up very poor, was forced to fight the Nazis in World War II without a weapon, and was badly wounded; but he survived and taught himself Russian so he could become a top engineer in Soviet Lithuania.

    Even when the government threatened him, he kept hiring Jewish engineers who were punished for applying for exit visas to Israel. In the end, he gave up his cursed the antisemitism around him, Communist Party membership, and moved with his family to Israel.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Family #Grandfather #History #Israel #Jewish #JewishHistory #Poem #Poetry #Shadorma #SovietJewry
  35. Dedushka, or: Saba

    A ‘Garland’ Shadorma

    oldest child
    born in poverty
    raised at a
    children's home
    because his parents couldn't
    afford to feed him

    hunger pangs
    caught with potatoes
    left behind
    on the field
    shipped off to fight the Nazis
    without a weapon

    at the front
    fell in a meat wave
    stabbed at war
    through the calf
    by Germans probing corpses
    crawled back through the night

    taught himself
    how to speak Russian
    for college
    self-made man
    became the chief engineer
    at a major plant

    in Vilnius
    under Soviets
    my Saba
    a proud Yid
    hired Refusenik engineers
    fired for Jewish souls

    gave up his
    party membership
    cursed the damned
    Communists
    for antisemitism—and
    moved to Israel

    oldest child
    caught with potatoes
    stabbed at war
    self-made man
    hired Refusenik engineers
    moved to Israel

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Robbie encourages us to compose syllabic poems that includes a story. My above shadorma is about my grandfather (saba).

    My grandfather grew up very poor, was forced to fight the Nazis in World War II without a weapon, and was badly wounded; but he survived and taught himself Russian so he could become a top engineer in Soviet Lithuania.

    Even when the government threatened him, he kept hiring Jewish engineers who were punished for applying for exit visas to Israel. In the end, he gave up his cursed the antisemitism around him, Communist Party membership, and moved with his family to Israel.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Family #Grandfather #History #Israel #Jewish #JewishHistory #Poem #Poetry #Shadorma #SovietJewry
  36. Dedushka, or: Saba

    A ‘Garland’ Shadorma

    oldest child
    born in poverty
    raised at a
    children's home
    because his parents couldn't
    afford to feed him

    hunger pangs
    caught with potatoes
    left behind
    on the field
    shipped off to fight the Nazis
    without a weapon

    at the front
    fell in a meat wave
    stabbed at war
    through the calf
    by Germans probing corpses
    crawled back through the night

    taught himself
    how to speak Russian
    for college
    self-made man
    became the chief engineer
    at a major plant

    in Vilnius
    under Soviets
    my Saba
    a proud Yid
    hired Refusenik engineers
    fired for Jewish souls

    gave up his
    party membership
    cursed the damned
    Communists
    for antisemitism—and
    moved to Israel

    oldest child
    caught with potatoes
    stabbed at war
    self-made man
    hired Refusenik engineers
    moved to Israel

    ‘Garland’ Shadorma?

    The ‘Garland’ Shadorma was created by Sylvia Cognac, modeled after the ‘Garland’ Cinquain. Essentially, it is a Shadorma series of seven stanzas, with the seventh and final stanza being composed of lines from all six previous stanzas.

    Tanka Tuesday

    For Tanka Tuesday, Robbie encourages us to compose syllabic poems that includes a story. My above shadorma is about my grandfather (saba).

    My grandfather grew up very poor, was forced to fight the Nazis in World War II without a weapon, and was badly wounded; but he survived and taught himself Russian so he could become a top engineer in Soviet Lithuania.

    Even when the government threatened him, he kept hiring Jewish engineers who were punished for applying for exit visas to Israel. In the end, he gave up his cursed the antisemitism around him, Communist Party membership, and moved with his family to Israel.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Aliyah #Family #Grandfather #History #Israel #Jewish #JewishHistory #Poem #Poetry #Shadorma #SovietJewry