#sijo — Public Fediverse posts

Their old world, or: Their children’s days

A Sijo

from their old world, they fall 
like water over mountain granite; 
uprooted names blur in the spray 
as every promise breaks on stone; 
lives of upheaval refract light 
into their children’s days 

What Do You See 356

For WDYS, Sadje offers us a photo by Lea Müller (Pexels) of a stunning view of Vernal Falls in Yosemite National Park.

As always, Sadje is eagerly awaiting our responses!

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

If we remain, or: The last machine

A Sijo

the future glows with aspirations
though none know if we remain;
signals cross the sleepless skyline
in languages no throat has formed;
what if the last machine looks back 
and finds its makers gone?

Reena’s Xploration Challenge 440

For RXC, Reena invites us to compose poems inspired by this visual image of a vast futuristic city glowing with towers, traffic, and airborne vehicles, yet no human figure is visible anywhere.

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

Vincent, or: Theo

A Sijo

EPIGRAPH:

You don’t know how paralyzing it is, that stare from a blank canvas that says to the painter you can’t do anything.

–Vincent van Gogh (1853 – 1890)

the life we painted—over;
blank linen upon my easel;
this choice feels almost sacred;
one false first stroke would skew my course;
still, memory steadies my hand;
old lessons guide the brush I raise

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

Search history, or: Hyperlinks

A Sijo

Leon Wieseltier posed questions \\ while poring over manuscripts;
then, years later, I followed links \\ to essays, chapters, printed texts;
my mourning became a map \\ for other lost wayfarers

W3 poetry prompt

For this week’s W3, Jaideep invites us to write a three-line poem showing how a cultural tradition and modern technology meet, interact, or create something new.

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!