#sijo — Public Fediverse posts

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A Sijo

Leon Wieseltier posed questions \\ while poring over manuscripts;
then, years later, I followed links \\ to essays, chapters, printed texts;
my mourning became a map \\ for other lost wayfarers

W3 poetry prompt

For this week’s W3, Jaideep invites us to write a three-line poem showing how a cultural tradition and modern technology meet, interact, or create something new.

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

I walk, or: Carrying less

A Sijo

sandals, Middle Eastern tan lines
earbuds playing Billy Joel;
the old words sound and sound right
yet their teenage listener has blurred;
midlife's now loosening its grip
I walk on, carrying less

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

The ghost, or: The silence

A Sijo

for one year, Kaddish gave my loss
a borrowed ancient voice;
then silence marked the threshold
between mourning and forever;
I withdrew after the last amen
but returned to words as breathing

W3 poetry prompt

For Benji’s W3 prompt this week, he invites us to reflect on the quiet we long for, and what happens when it finally arrives. He asks us to consider the uneasy space after busyness, obligation, noise, or familiar chaos has ended, when freedom may first feel welcome but later reveal loneliness, memory, regret, or unexpected clarity.

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

Still, or: Shabbat tables call

A Sijo

snowlight whitens the village roofs
while burning windows glow askew;
through rising smoke a wagon tilts
while alleyways darken again;
still our Shabbat tables call
through centuries of ashes

d’Verse: Don’t box me in

At d’Verse, we are encouraged to compose poems inspired by one of several paintings by the famous Jewish painter Marc Chagall (1887 – 1985). I selected ‘Burning House’ (1913).

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!