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#sijo — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #sijo, aggregated by home.social.

  1. If we remain, or: The last machine

    A Sijo

    the future glows with aspirations
    though none know if we remain;
    signals cross the sleepless skyline
    in languages no throat has formed;
    what if the last machine looks back 
    and finds its makers gone?

    Reena’s Xploration Challenge 440

    For RXC, Reena invites us to compose poems inspired by this visual image of a vast futuristic city glowing with towers, traffic, and airborne vehicles, yet no human figure is visible anywhere.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Absence #Aspiration #Dystopia #Extinction #Humanity #Language #Machines #Poem #Poetry #Sijo #Technology
  2. If we remain, or: The last machine

    A Sijo

    the future glows with aspirations
    though none know if we remain;
    signals cross the sleepless skyline
    in languages no throat has formed;
    what if the last machine looks back 
    and finds its makers gone?

    Reena’s Xploration Challenge 440

    For RXC, Reena invites us to compose poems inspired by this visual image of a vast futuristic city glowing with towers, traffic, and airborne vehicles, yet no human figure is visible anywhere.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Absence #Aspiration #Dystopia #Extinction #Humanity #Language #Machines #Poem #Poetry #Sijo #Technology
  3. If we remain, or: The last machine

    A Sijo

    the future glows with aspirations
    though none know if we remain;
    signals cross the sleepless skyline
    in languages no throat has formed;
    what if the last machine looks back 
    and finds its makers gone?

    Reena’s Xploration Challenge 440

    For RXC, Reena invites us to compose poems inspired by this visual image of a vast futuristic city glowing with towers, traffic, and airborne vehicles, yet no human figure is visible anywhere.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Absence #Aspiration #Dystopia #Extinction #Humanity #Language #Machines #Poem #Poetry #Sijo #Technology
  4. If we remain, or: The last machine

    A Sijo

    the future glows with aspirations
    though none know if we remain;
    signals cross the sleepless skyline
    in languages no throat has formed;
    what if the last machine looks back 
    and finds its makers gone?

    Reena’s Xploration Challenge 440

    For RXC, Reena invites us to compose poems inspired by this visual image of a vast futuristic city glowing with towers, traffic, and airborne vehicles, yet no human figure is visible anywhere.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Absence #Aspiration #Dystopia #Extinction #Humanity #Language #Machines #Poem #Poetry #Sijo #Technology
  5. If we remain, or: The last machine

    A Sijo

    the future glows with aspirations
    though none know if we remain;
    signals cross the sleepless skyline
    in languages no throat has formed;
    what if the last machine looks back 
    and finds its makers gone?

    Reena’s Xploration Challenge 440

    For RXC, Reena invites us to compose poems inspired by this visual image of a vast futuristic city glowing with towers, traffic, and airborne vehicles, yet no human figure is visible anywhere.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Absence #Aspiration #Dystopia #Extinction #Humanity #Language #Machines #Poem #Poetry #Sijo #Technology
  6. To bone, or: Breathing between words

    A Sijo

    these I have loved: suggestion 
    the silence breathing between words; 
    restraint pares these thoughts to bone 
    what stays withheld gathers force; 
    absence opens into abundance—
    all these have been my loves 

    d’Verse poetics: The great lover

    At d’Verse, we are encouraged to write a list poem beginning with “These I have loved:” that celebrates the ordinary things we treasure through precise, sensory details. Continue the catalogue at length and conclude with “All these have been my loves.”

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Absence #Abundance #Brevity #force #Love #Omission #Poem #Poetry #Restraint #Sijo #Silence #Suggestion
  7. The view, or: The distance

    A Sijo

    these heights gather scattered paths
    into one broad field of motion;
    what I once touched seems distant now
    almost beyond discernment;
    perspective is not belonging—
    I begin my downward climb

    Reena’s Xploration Challenge 439

    For RXC, Reena invites us to compose poems inspired by this visual image of a solitary cottage and fruit tree perch atop a towering rock spire, overlooking a vast, distant landscape beneath a bright, cloud-dappled sky.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Belonging #Clarity #Descent #Distance #Perspective #Poem #Poetry #Realization #Return #Sijo
  8. Thresholds, or: Between escape and morning

    A Sijo

    night deepens, yet I stay awake
    bedtime feels replete with loss;
    exhaustion pulls me under late
    dreams grant relief from consequence;
    caught between escape and morning
    I resist the thresholds

    d’Verse poetics: “My God, It’s Full of Stars”

    At d’Verse, we are encouraged to write a poem in which the imagery and experience of night shape a central emotion, memory, event, or reflection.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Divorce #Emotions #Exhaustion #Insomnia #Night #Poem #Poetry #Relief #Restless #Sijo #Sleep
  9. Vincent, or: Theo

    A Sijo

    EPIGRAPH:

    You don’t know how paralyzing it is, that stare from a blank canvas that says to the painter you can’t do anything.

    Vincent van Gogh (1853 – 1890)
    the life we painted—over;
    blank linen upon my easel;
    this choice feels almost sacred;
    one false first stroke would skew my course;
    still, memory steadies my hand;
    old lessons guide the brush I raise

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Anxiety #Beginnings #Decisions #Divorce #Fear #Metaphor #Poem #Poetry #Quote #Sijo #VincentVanGogh
  10. Vincent, or: Theo

    A Sijo

    EPIGRAPH:

    You don’t know how paralyzing it is, that stare from a blank canvas that says to the painter you can’t do anything.

    Vincent van Gogh (1853 – 1890)
    the life we painted—over;
    blank linen upon my easel;
    this choice feels almost sacred;
    one false first stroke would skew my course;
    still, memory steadies my hand;
    old lessons guide the brush I raise

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Anxiety #Beginnings #Decisions #Divorce #Fear #Metaphor #Poem #Poetry #Quote #Sijo #VincentVanGogh
  11. Vincent, or: Theo

    A Sijo

    EPIGRAPH:

    You don’t know how paralyzing it is, that stare from a blank canvas that says to the painter you can’t do anything.

    Vincent van Gogh (1853 – 1890)
    the life we painted—over;
    blank linen upon my easel;
    this choice feels almost sacred;
    one false first stroke would skew my course;
    still, memory steadies my hand;
    old lessons guide the brush I raise

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Anxiety #Beginnings #Decisions #Divorce #Fear #Metaphor #Poem #Poetry #Quote #Sijo #VincentVanGogh
  12. Vincent, or: Theo

    A Sijo

    EPIGRAPH:

    You don’t know how paralyzing it is, that stare from a blank canvas that says to the painter you can’t do anything.

    Vincent van Gogh (1853 – 1890)
    the life we painted—over;
    blank linen upon my easel;
    this choice feels almost sacred;
    one false first stroke would skew my course;
    still, memory steadies my hand;
    old lessons guide the brush I raise

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Anxiety #Beginnings #Decisions #Divorce #Fear #Metaphor #Poem #Poetry #Quote #Sijo #VincentVanGogh
  13. Vincent, or: Theo

    A Sijo

    EPIGRAPH:

    You don’t know how paralyzing it is, that stare from a blank canvas that says to the painter you can’t do anything.

    Vincent van Gogh (1853 – 1890)
    the life we painted—over;
    blank linen upon my easel;
    this choice feels almost sacred;
    one false first stroke would skew my course;
    still, memory steadies my hand;
    old lessons guide the brush I raise

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Anxiety #Beginnings #Decisions #Divorce #Fear #Metaphor #Poem #Poetry #Quote #Sijo #VincentVanGogh
  14. Search history, or: Hyperlinks

    A Sijo

    Leon Wieseltier posed questions \\ while poring over manuscripts;
    then, years later, I followed links \\ to essays, chapters, printed texts;
    my mourning became a map \\ for other lost wayfarers

    W3 poetry prompt

    For this week’s W3, Jaideep invites us to write a three-line poem showing how a cultural tradition and modern technology meet, interact, or create something new.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Books #Comparison #Internet #Kaddish #LeonWieseltier #Poem #Poetry #Quote #Research #Sijo #VincentVanGogh #W3
  15. Search history, or: Hyperlinks

    A Sijo

    Leon Wieseltier posed questions \\ while poring over manuscripts;
    then, years later, I followed links \\ to essays, chapters, printed texts;
    my mourning became a map \\ for other lost wayfarers

    W3 poetry prompt

    For this week’s W3, Jaideep invites us to write a three-line poem showing how a cultural tradition and modern technology meet, interact, or create something new.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Books #Comparison #Internet #Kaddish #LeonWieseltier #Poem #Poetry #Quote #Research #Sijo #VincentVanGogh #W3
  16. Search history, or: Hyperlinks

    A Sijo

    Leon Wieseltier posed questions \\ while poring over manuscripts;
    then, years later, I followed links \\ to essays, chapters, printed texts;
    my mourning became a map \\ for other lost wayfarers

    W3 poetry prompt

    For this week’s W3, Jaideep invites us to write a three-line poem showing how a cultural tradition and modern technology meet, interact, or create something new.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Books #Comparison #Internet #Kaddish #LeonWieseltier #Poem #Poetry #Quote #Research #Sijo #VincentVanGogh #W3
  17. Search history, or: Hyperlinks

    A Sijo

    Leon Wieseltier posed questions \\ while poring over manuscripts;
    then, years later, I followed links \\ to essays, chapters, printed texts;
    my mourning became a map \\ for other lost wayfarers

    W3 poetry prompt

    For this week’s W3, Jaideep invites us to write a three-line poem showing how a cultural tradition and modern technology meet, interact, or create something new.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Books #Comparison #Internet #Kaddish #LeonWieseltier #Poem #Poetry #Quote #Research #Sijo #VincentVanGogh #W3
  18. Search history, or: Hyperlinks

    A Sijo

    Leon Wieseltier posed questions \\ while poring over manuscripts;
    then, years later, I followed links \\ to essays, chapters, printed texts;
    my mourning became a map \\ for other lost wayfarers

    W3 poetry prompt

    For this week’s W3, Jaideep invites us to write a three-line poem showing how a cultural tradition and modern technology meet, interact, or create something new.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Books #Comparison #Internet #Kaddish #LeonWieseltier #Poem #Poetry #Quote #Research #Sijo #VincentVanGogh #W3
  19. A part, or: Me, while my fingers

    A Sijo

    fifteen years, the band a part of me 
    while my fingers thickened;
    a tiny chainsaw bit the gold
    cool water checked the mounting heat;
    my bare hand showed the coming change
    before we told our daughter

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Acceptance #Change #Childhood #Divorce #Family #Fatherhood #Parenthood #Poem #Poetry #Sadness #Sijo #Sorrow
  20. Before the words, or: Through the sorrow

    A Sijo

    we told her on Friday evening 
    and tears arrived before the words; 
    she listened through the sorrow 
    then said some part had long sensed this; 
    her wisdom held the hurt and truth; 
    my new rooms were Grandma’s once 

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Acceptance #Change #Childhood #Divorce #Family #Fatherhood #Grief #Parenthood #Poem #Poetry #Sadness #Sijo
  21. I s, or: T the piled possessions

    A Sijo

    EPIGRAPH:

    Simplicity is the ultimate sophistication.

    Leonardo da Vinci (1452 – 1519)
    books claim the couches first
    furniture and playthings take the rest;
    I sort the piled possessions
    keeping only what earns its place;
    less now gathers greater weight
    a stanza steadies in the air

    Reena’s Xploration Challenge 438

    For Reena’s RXC prompt, she invites us to explore juxtaposition by responding to one of three quotations about luxury, simplicity, elegance, and refusal, or by creating a similarly contrasting statement of our own. We may use juxtaposition directly or indirectly and reflect on what luxury or simplicity means to us personally.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Contrast #Juxtaposition #LeonardoDaVinci #Mess #Messiness #Poem #Poetry #Quote #Sijo #Simplicity #Sophistication
  22. Quiet currents, or: Thin webbing

    A Sijo

    a child tests a toy flashlight
    against one thumb’s thin webbing;
    skin brightens to copper-red
    quiet currents seem to course;
    somewhere, beneath the sinking sun
    a dark hull glides through crimson hues 

    What Do You See 348

    For WDYS, Sadje offers us a photo by Annie Spratt (Unsplash) of a silhouetted boat gliding across a calm river glowing red-orange beneath a sinking sun, while dark palms frame the horizon.

    As always, Sadje is eagerly awaiting our responses!

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Blood #Childhood #Imagination #Light #Perception #Poem #Poetry #Sijo #Sunset #Wonder
  23. I walk, or: Carrying less

    A Sijo

    sandals, Middle Eastern tan lines
    earbuds playing Billy Joel;
    the old words sound and sound right
    yet their teenage listener has blurred;
    midlife's now loosening its grip
    I walk on, carrying less

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #BillyJoel #GrowingUp #Immigration #LettingGo #Memories #MiddleAge #Music #Nostalgia #Poem #Poetry #Sijo
  24. I walk, or: Carrying less

    A Sijo

    sandals, Middle Eastern tan lines
    earbuds playing Billy Joel;
    the old words sound and sound right
    yet their teenage listener has blurred;
    midlife's now loosening its grip
    I walk on, carrying less

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #BillyJoel #GrowingUp #Immigration #LettingGo #Memories #MiddleAge #Music #Nostalgia #Poem #Poetry #Sijo
  25. I walk, or: Carrying less

    A Sijo

    sandals, Middle Eastern tan lines
    earbuds playing Billy Joel;
    the old words sound and sound right
    yet their teenage listener has blurred;
    midlife's now loosening its grip
    I walk on, carrying less

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #BillyJoel #GrowingUp #Immigration #LettingGo #Memories #MiddleAge #Music #Nostalgia #Poem #Poetry #Sijo
  26. I walk, or: Carrying less

    A Sijo

    sandals, Middle Eastern tan lines
    earbuds playing Billy Joel;
    the old words sound and sound right
    yet their teenage listener has blurred;
    midlife's now loosening its grip
    I walk on, carrying less

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #BillyJoel #GrowingUp #Immigration #LettingGo #Memories #MiddleAge #Music #Nostalgia #Poem #Poetry #Sijo
  27. I walk, or: Carrying less

    A Sijo

    sandals, Middle Eastern tan lines
    earbuds playing Billy Joel;
    the old words sound and sound right
    yet their teenage listener has blurred;
    midlife's now loosening its grip
    I walk on, carrying less

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #BillyJoel #GrowingUp #Immigration #LettingGo #Memories #MiddleAge #Music #Nostalgia #Poem #Poetry #Sijo
  28. Abandonment, support, or: Hope

    A Sijo

    our planet spins off balance
    against the inflamed ether;
    any raised hand can signal
    abandonment, support, or hope;
    intentions remain unknowable
    until the catch or crash 

    Reena’s Xploration Challenge 437

    For Reena’s RXC prompt, she invites us to compose poems inspired by any of the three panels in this image (I was personally drawn to the third panel):

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Ambiguous #Consequences #Crisis #Intention #Poem #Poetry #Responsibility #Sijo #Trust #Uncertainty
  29. Arakan, or: Jerusalem

    Poetry Partners 268

    ‘A Refugee’, a poem by Anowar Sadak

    I am a refugee
    Not by choice,
    But by the cruelty
    That stole my homeland.
    
    I was born in Arakan,
    Where my parents dreamed
    I would grow up in peace.
    Instead, I inherited fear,
    Burning villages, gunfire,
    And nights without sleep.
    
    The world calls me a refugee.
    Before that, I was a son,
    A student,
    A dreamer
    Who believed tomorrow
    Could be kinder than yesterday.
    
    I do not ask for pity.
    I ask for justice
    For every child forced to flee,
    For every family torn apart,
    For every homeland
    Reduced to ashes.
    
    Though I live far from home,
    Arakan still lives within me.
    Its rivers, memories,
    And the voices of my people
    Travel wherever I go.
    
    So I keep writing,
    Because my voice cannot be silenced,
    My identity cannot be erased,
    And hope is stronger than exile.
    
    I am a refugee
    But this is not the end of my story.
    
    One day,
    I will return home
    As a free Rohingya,
    Walking with dignity,
    Peace,
    And hope.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    my people carried Jerusalem
    through exile, psalm, and hunger;
    today’s broken borders reveal
    old longing in new faces;
    from Arakan to elsewhere—
    the uprooted share one heart

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Empathy #Exile #Homeland #Identity #Longing #Memory #Partnership #Poem #Poetry #Refugees #Sijo
  30. Arakan, or: Jerusalem

    Poetry Partners 268

    ‘A Refugee’, a poem by Anowar Sadak

    I am a refugee
    Not by choice,
    But by the cruelty
    That stole my homeland.
    
    I was born in Arakan,
    Where my parents dreamed
    I would grow up in peace.
    Instead, I inherited fear,
    Burning villages, gunfire,
    And nights without sleep.
    
    The world calls me a refugee.
    Before that, I was a son,
    A student,
    A dreamer
    Who believed tomorrow
    Could be kinder than yesterday.
    
    I do not ask for pity.
    I ask for justice
    For every child forced to flee,
    For every family torn apart,
    For every homeland
    Reduced to ashes.
    
    Though I live far from home,
    Arakan still lives within me.
    Its rivers, memories,
    And the voices of my people
    Travel wherever I go.
    
    So I keep writing,
    Because my voice cannot be silenced,
    My identity cannot be erased,
    And hope is stronger than exile.
    
    I am a refugee
    But this is not the end of my story.
    
    One day,
    I will return home
    As a free Rohingya,
    Walking with dignity,
    Peace,
    And hope.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    my people carried Jerusalem
    through exile, psalm, and hunger;
    today’s broken borders reveal
    old longing in new faces;
    from Arakan to elsewhere—
    the uprooted share one heart

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Empathy #Exile #Homeland #Identity #Longing #Memory #Partnership #Poem #Poetry #Refugees #Sijo
  31. Arakan, or: Jerusalem

    Poetry Partners 268

    ‘A Refugee’, a poem by Anowar Sadak

    I am a refugee
    Not by choice,
    But by the cruelty
    That stole my homeland.
    
    I was born in Arakan,
    Where my parents dreamed
    I would grow up in peace.
    Instead, I inherited fear,
    Burning villages, gunfire,
    And nights without sleep.
    
    The world calls me a refugee.
    Before that, I was a son,
    A student,
    A dreamer
    Who believed tomorrow
    Could be kinder than yesterday.
    
    I do not ask for pity.
    I ask for justice
    For every child forced to flee,
    For every family torn apart,
    For every homeland
    Reduced to ashes.
    
    Though I live far from home,
    Arakan still lives within me.
    Its rivers, memories,
    And the voices of my people
    Travel wherever I go.
    
    So I keep writing,
    Because my voice cannot be silenced,
    My identity cannot be erased,
    And hope is stronger than exile.
    
    I am a refugee
    But this is not the end of my story.
    
    One day,
    I will return home
    As a free Rohingya,
    Walking with dignity,
    Peace,
    And hope.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    my people carried Jerusalem
    through exile, psalm, and hunger;
    today’s broken borders reveal
    old longing in new faces;
    from Arakan to elsewhere—
    the uprooted share one heart

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Empathy #Exile #Homeland #Identity #Longing #Memory #Partnership #Poem #Poetry #Refugees #Sijo
  32. Arakan, or: Jerusalem

    Poetry Partners 268

    ‘A Refugee’, a poem by Anowar Sadak

    I am a refugee
    Not by choice,
    But by the cruelty
    That stole my homeland.
    
    I was born in Arakan,
    Where my parents dreamed
    I would grow up in peace.
    Instead, I inherited fear,
    Burning villages, gunfire,
    And nights without sleep.
    
    The world calls me a refugee.
    Before that, I was a son,
    A student,
    A dreamer
    Who believed tomorrow
    Could be kinder than yesterday.
    
    I do not ask for pity.
    I ask for justice
    For every child forced to flee,
    For every family torn apart,
    For every homeland
    Reduced to ashes.
    
    Though I live far from home,
    Arakan still lives within me.
    Its rivers, memories,
    And the voices of my people
    Travel wherever I go.
    
    So I keep writing,
    Because my voice cannot be silenced,
    My identity cannot be erased,
    And hope is stronger than exile.
    
    I am a refugee
    But this is not the end of my story.
    
    One day,
    I will return home
    As a free Rohingya,
    Walking with dignity,
    Peace,
    And hope.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    my people carried Jerusalem
    through exile, psalm, and hunger;
    today’s broken borders reveal
    old longing in new faces;
    from Arakan to elsewhere—
    the uprooted share one heart

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Empathy #Exile #Homeland #Identity #Longing #Memory #Partnership #Poem #Poetry #Refugees #Sijo
  33. Arakan, or: Jerusalem

    Poetry Partners 268

    ‘A Refugee’, a poem by Anowar Sadak

    I am a refugee
    Not by choice,
    But by the cruelty
    That stole my homeland.
    
    I was born in Arakan,
    Where my parents dreamed
    I would grow up in peace.
    Instead, I inherited fear,
    Burning villages, gunfire,
    And nights without sleep.
    
    The world calls me a refugee.
    Before that, I was a son,
    A student,
    A dreamer
    Who believed tomorrow
    Could be kinder than yesterday.
    
    I do not ask for pity.
    I ask for justice
    For every child forced to flee,
    For every family torn apart,
    For every homeland
    Reduced to ashes.
    
    Though I live far from home,
    Arakan still lives within me.
    Its rivers, memories,
    And the voices of my people
    Travel wherever I go.
    
    So I keep writing,
    Because my voice cannot be silenced,
    My identity cannot be erased,
    And hope is stronger than exile.
    
    I am a refugee
    But this is not the end of my story.
    
    One day,
    I will return home
    As a free Rohingya,
    Walking with dignity,
    Peace,
    And hope.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    my people carried Jerusalem
    through exile, psalm, and hunger;
    today’s broken borders reveal
    old longing in new faces;
    from Arakan to elsewhere—
    the uprooted share one heart

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Empathy #Exile #Homeland #Identity #Longing #Memory #Partnership #Poem #Poetry #Refugees #Sijo
  34. The ghost, or: The silence

    A Sijo

    for one year, Kaddish gave my loss
    a borrowed ancient voice;
    then silence marked the threshold
    between mourning and forever;
    I withdrew after the last amen
    but returned to words as breathing

    W3 poetry prompt

    For Benji’s W3 prompt this week, he invites us to reflect on the quiet we long for, and what happens when it finally arrives. He asks us to consider the uneasy space after busyness, obligation, noise, or familiar chaos has ended, when freedom may first feel welcome but later reveal loneliness, memory, regret, or unexpected clarity.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Kaddish #Poetry #Mourning #Grief #Loss #Poem #Writing #Sijo #SelfExpression #W3 #Threshold
  35. The ghost, or: The silence

    A Sijo

    for one year, Kaddish gave my loss
    a borrowed ancient voice;
    then silence marked the threshold
    between mourning and forever;
    I withdrew after the last amen
    but returned to words as breathing

    W3 poetry prompt

    For Benji’s W3 prompt this week, he invites us to reflect on the quiet we long for, and what happens when it finally arrives. He asks us to consider the uneasy space after busyness, obligation, noise, or familiar chaos has ended, when freedom may first feel welcome but later reveal loneliness, memory, regret, or unexpected clarity.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Kaddish #Poetry #Mourning #Grief #Loss #Poem #Writing #Sijo #SelfExpression #W3 #Threshold
  36. The ghost, or: The silence

    A Sijo

    for one year, Kaddish gave my loss
    a borrowed ancient voice;
    then silence marked the threshold
    between mourning and forever;
    I withdrew after the last amen
    but returned to words as breathing

    W3 poetry prompt

    For Benji’s W3 prompt this week, he invites us to reflect on the quiet we long for, and what happens when it finally arrives. He asks us to consider the uneasy space after busyness, obligation, noise, or familiar chaos has ended, when freedom may first feel welcome but later reveal loneliness, memory, regret, or unexpected clarity.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Grief #Kaddish #Loss #Mourning #Poem #Poetry #SelfExpression #Sijo #Threshold #W3 #Writing
  37. The ghost, or: The silence

    A Sijo

    for one year, Kaddish gave my loss
    a borrowed ancient voice;
    then silence marked the threshold
    between mourning and forever;
    I withdrew after the last amen
    but returned to words as breathing

    W3 poetry prompt

    For Benji’s W3 prompt this week, he invites us to reflect on the quiet we long for, and what happens when it finally arrives. He asks us to consider the uneasy space after busyness, obligation, noise, or familiar chaos has ended, when freedom may first feel welcome but later reveal loneliness, memory, regret, or unexpected clarity.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Grief #Kaddish #Loss #Mourning #Poem #Poetry #SelfExpression #Sijo #Threshold #W3 #Writing
  38. The ghost, or: The silence

    A Sijo

    for one year, Kaddish gave my loss
    a borrowed ancient voice;
    then silence marked the threshold
    between mourning and forever;
    I withdrew after the last amen
    but returned to words as breathing

    W3 poetry prompt

    For Benji’s W3 prompt this week, he invites us to reflect on the quiet we long for, and what happens when it finally arrives. He asks us to consider the uneasy space after busyness, obligation, noise, or familiar chaos has ended, when freedom may first feel welcome but later reveal loneliness, memory, regret, or unexpected clarity.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Grief #Kaddish #Loss #Mourning #Poem #Poetry #SelfExpression #Sijo #Threshold #W3 #Writing
  39. Elsewhere, or: Tomorrow

    Poetry Partners 267

    ‘Just One Hour Before I Die’, a poem by Anowar Sadak

    I do not ask
    For a lifetime of happiness.
    
    I do not ask
    For wealth, power, or fame.
    
    I ask for only one gift—
    Just one hr
    
    Just one hour
    To know what freedom feels like.
    
    Just one hour
    To breathe the air of peace,
    With no fear following my footsteps.
    
    Just one hour
    To stand with dignity
    On the soil of my homeland,
    Without being called a stranger.
    
    Since the day I was born,
    I have known violence
    Better than peace,
    Exile better than home,
    And survival better than living.
    
    I have buried dreams
    Before they had the chance to bloom.
    I have carried memories
    Too heavy for any child to bear.
    Yet my heart still refuses
    To stop hoping.
    
    If Allah grants me
    Just one hr
    Of freedom, peace, and dignity
    Before I die,
    
    I will bow my head
    In endless gratitude.
    
    Because even one hour
    As a free Rohingya
    Would be worth
    More than a lifetime
    Spent in fear.
    
    That one hour
    Would heal wounds
    No one else could see.
    
    That one hour
    Would tell my soul—
    
    You were born human.
    You were meant to live free.
    
    And I would leave this world knowing,
    
    This is what it means
    To finally live.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    another refugee in the news
    another person's fate;
    today's comforts surround me
    built upon chance circumstance;
    I've inherited no guarantees
    beyond this current moment

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Chance #Comfort #Dignity #Exile #Fate #Hope #Partnership #Poem #Poetry #Refugees #Sijo
  40. Elsewhere, or: Tomorrow

    Poetry Partners 267

    ‘Just One Hour Before I Die’, a poem by Anowar Sadak

    I do not ask
    For a lifetime of happiness.
    
    I do not ask
    For wealth, power, or fame.
    
    I ask for only one gift—
    Just one hr
    
    Just one hour
    To know what freedom feels like.
    
    Just one hour
    To breathe the air of peace,
    With no fear following my footsteps.
    
    Just one hour
    To stand with dignity
    On the soil of my homeland,
    Without being called a stranger.
    
    Since the day I was born,
    I have known violence
    Better than peace,
    Exile better than home,
    And survival better than living.
    
    I have buried dreams
    Before they had the chance to bloom.
    I have carried memories
    Too heavy for any child to bear.
    Yet my heart still refuses
    To stop hoping.
    
    If Allah grants me
    Just one hr
    Of freedom, peace, and dignity
    Before I die,
    
    I will bow my head
    In endless gratitude.
    
    Because even one hour
    As a free Rohingya
    Would be worth
    More than a lifetime
    Spent in fear.
    
    That one hour
    Would heal wounds
    No one else could see.
    
    That one hour
    Would tell my soul—
    
    You were born human.
    You were meant to live free.
    
    And I would leave this world knowing,
    
    This is what it means
    To finally live.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    another refugee in the news
    another person's fate;
    today's comforts surround me
    built upon chance circumstance;
    I've inherited no guarantees
    beyond this current moment

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Chance #Comfort #Dignity #Exile #Fate #Hope #Partnership #Poem #Poetry #Refugees #Sijo
  41. Elsewhere, or: Tomorrow

    Poetry Partners 267

    ‘Just One Hour Before I Die’, a poem by Anowar Sadak

    I do not ask
    For a lifetime of happiness.
    
    I do not ask
    For wealth, power, or fame.
    
    I ask for only one gift—
    Just one hr
    
    Just one hour
    To know what freedom feels like.
    
    Just one hour
    To breathe the air of peace,
    With no fear following my footsteps.
    
    Just one hour
    To stand with dignity
    On the soil of my homeland,
    Without being called a stranger.
    
    Since the day I was born,
    I have known violence
    Better than peace,
    Exile better than home,
    And survival better than living.
    
    I have buried dreams
    Before they had the chance to bloom.
    I have carried memories
    Too heavy for any child to bear.
    Yet my heart still refuses
    To stop hoping.
    
    If Allah grants me
    Just one hr
    Of freedom, peace, and dignity
    Before I die,
    
    I will bow my head
    In endless gratitude.
    
    Because even one hour
    As a free Rohingya
    Would be worth
    More than a lifetime
    Spent in fear.
    
    That one hour
    Would heal wounds
    No one else could see.
    
    That one hour
    Would tell my soul—
    
    You were born human.
    You were meant to live free.
    
    And I would leave this world knowing,
    
    This is what it means
    To finally live.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    another refugee in the news
    another person's fate;
    today's comforts surround me
    built upon chance circumstance;
    I've inherited no guarantees
    beyond this current moment

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Chance #Comfort #Dignity #Exile #Fate #Hope #Partnership #Poem #Poetry #Refugees #Sijo
  42. Elsewhere, or: Tomorrow

    Poetry Partners 267

    ‘Just One Hour Before I Die’, a poem by Anowar Sadak

    I do not ask
    For a lifetime of happiness.
    
    I do not ask
    For wealth, power, or fame.
    
    I ask for only one gift—
    Just one hr
    
    Just one hour
    To know what freedom feels like.
    
    Just one hour
    To breathe the air of peace,
    With no fear following my footsteps.
    
    Just one hour
    To stand with dignity
    On the soil of my homeland,
    Without being called a stranger.
    
    Since the day I was born,
    I have known violence
    Better than peace,
    Exile better than home,
    And survival better than living.
    
    I have buried dreams
    Before they had the chance to bloom.
    I have carried memories
    Too heavy for any child to bear.
    Yet my heart still refuses
    To stop hoping.
    
    If Allah grants me
    Just one hr
    Of freedom, peace, and dignity
    Before I die,
    
    I will bow my head
    In endless gratitude.
    
    Because even one hour
    As a free Rohingya
    Would be worth
    More than a lifetime
    Spent in fear.
    
    That one hour
    Would heal wounds
    No one else could see.
    
    That one hour
    Would tell my soul—
    
    You were born human.
    You were meant to live free.
    
    And I would leave this world knowing,
    
    This is what it means
    To finally live.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    another refugee in the news
    another person's fate;
    today's comforts surround me
    built upon chance circumstance;
    I've inherited no guarantees
    beyond this current moment

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Chance #Comfort #Dignity #Exile #Fate #Hope #Partnership #Poem #Poetry #Refugees #Sijo
  43. Elsewhere, or: Tomorrow

    Poetry Partners 267

    ‘Just One Hour Before I Die’, a poem by Anowar Sadak

    I do not ask
    For a lifetime of happiness.
    
    I do not ask
    For wealth, power, or fame.
    
    I ask for only one gift—
    Just one hr
    
    Just one hour
    To know what freedom feels like.
    
    Just one hour
    To breathe the air of peace,
    With no fear following my footsteps.
    
    Just one hour
    To stand with dignity
    On the soil of my homeland,
    Without being called a stranger.
    
    Since the day I was born,
    I have known violence
    Better than peace,
    Exile better than home,
    And survival better than living.
    
    I have buried dreams
    Before they had the chance to bloom.
    I have carried memories
    Too heavy for any child to bear.
    Yet my heart still refuses
    To stop hoping.
    
    If Allah grants me
    Just one hr
    Of freedom, peace, and dignity
    Before I die,
    
    I will bow my head
    In endless gratitude.
    
    Because even one hour
    As a free Rohingya
    Would be worth
    More than a lifetime
    Spent in fear.
    
    That one hour
    Would heal wounds
    No one else could see.
    
    That one hour
    Would tell my soul—
    
    You were born human.
    You were meant to live free.
    
    And I would leave this world knowing,
    
    This is what it means
    To finally live.

    A ‘Sijo’ by ben Alexander of ‘The Skeptic’s Kaddish’

    another refugee in the news
    another person's fate;
    today's comforts surround me
    built upon chance circumstance;
    I've inherited no guarantees
    beyond this current moment

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    List of Poetry Partners

    #Chance #Comfort #Dignity #Exile #Fate #Hope #Partnership #Poem #Poetry #Refugees #Sijo
  44. To look ahead, or: To know

    A Sijo

    one ordinary moment 
    refuses to let me go; 
    countless mornings drifted by 
    while I fought to look ahead; 
    there's a man I've come to know 
    standing scarred, recognisable 

    What Do You See 347

    For WDYS, Sadje offers us a photo by Doruq Pasha (Unsplash) of a shaft of warm sunlight falling across a simple wall clock, drawing my eye to the quiet, unceasing passage of time within an otherwise ordinary room.

    As always, Sadje is eagerly awaiting our responses!

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Poem #Poetry #Sijo
  45. Uncurl, or: Unanswered

    A Sijo

    I plant my unanswered questions 
    hoping spring knows what to do;
    yearning tendrils spread outward
    straining to find some purchase;
    crisp, green vowels uncurl softly
    beside bright consonant foliage

    W3 poetry prompt

    For Sally’s W3 prompt last week, she invites us to explore what lies beneath the surface—whether in gardens, nature, or ourselves—through the images of soil, roots, weeds, and hidden growth.

    My above sijo was inspired by this limerick I wrote for a d’Verse community prompt back in 2021:

    Crisp, or: Fresh

    I sow d'Verse prompts in my garden
    But I feel that I must beg your pardon.
    For my rows are of keys
    That yield green abc's
    Though my gardenin's really quite ardent.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Conceit #Garden #Gardening #Hope #Metaphor #Plants #Poem #Poetry #Questions #Sijo #W3
  46. Uncurl, or: Unanswered

    A Sijo

    I plant my unanswered questions 
    hoping spring knows what to do;
    yearning tendrils spread outward
    straining to find some purchase;
    crisp, green vowels uncurl softly
    beside bright consonant foliage

    W3 poetry prompt

    For Sally’s W3 prompt last week, she invites us to explore what lies beneath the surface—whether in gardens, nature, or ourselves—through the images of soil, roots, weeds, and hidden growth.

    My above sijo was inspired by this limerick I wrote for a d’Verse community prompt back in 2021:

    Crisp, or: Fresh

    I sow d'Verse prompts in my garden
    But I feel that I must beg your pardon.
    For my rows are of keys
    That yield green abc's
    Though my gardenin's really quite ardent.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Conceit #Garden #Gardening #Hope #Metaphor #Plants #Poem #Poetry #Questions #Sijo #W3
  47. Uncurl, or: Unanswered

    A Sijo

    I plant my unanswered questions 
    hoping spring knows what to do;
    yearning tendrils spread outward
    straining to find some purchase;
    crisp, green vowels uncurl softly
    beside bright consonant foliage

    W3 poetry prompt

    For Sally’s W3 prompt last week, she invites us to explore what lies beneath the surface—whether in gardens, nature, or ourselves—through the images of soil, roots, weeds, and hidden growth.

    My above sijo was inspired by this limerick I wrote for a d’Verse community prompt back in 2021:

    Crisp, or: Fresh

    I sow d'Verse prompts in my garden
    But I feel that I must beg your pardon.
    For my rows are of keys
    That yield green abc's
    Though my gardenin's really quite ardent.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Conceit #Garden #Gardening #Hope #Metaphor #Plants #Poem #Poetry #Questions #Sijo #W3
  48. Uncurl, or: Unanswered

    A Sijo

    I plant my unanswered questions 
    hoping spring knows what to do;
    yearning tendrils spread outward
    straining to find some purchase;
    crisp, green vowels uncurl softly
    beside bright consonant foliage

    W3 poetry prompt

    For Sally’s W3 prompt last week, she invites us to explore what lies beneath the surface—whether in gardens, nature, or ourselves—through the images of soil, roots, weeds, and hidden growth.

    My above sijo was inspired by this limerick I wrote for a d’Verse community prompt back in 2021:

    Crisp, or: Fresh

    I sow d'Verse prompts in my garden
    But I feel that I must beg your pardon.
    For my rows are of keys
    That yield green abc's
    Though my gardenin's really quite ardent.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Conceit #Garden #Gardening #Hope #Metaphor #Plants #Poem #Poetry #Questions #Sijo #W3
  49. Carry me, or: Hold my hand

    A Sijo

    my hiking sandals carry me 
    over Jerusalem's stones; 
    from spring pollen to summer dust 
    autumn leaves to winter mud; 
    I catch myself wondering 
    when she'll be too big to hold my hand 

    Reena’s Xploration Challenge 436

    For Reena’s RXC prompt, she invites us to compose poems inspired by this paragraph:

      The seasons shift like unspoken truths—summer’s blaze softens into autumn’s hush, winter’s silence yields to spring’s renewal. In each turn, the human heart mirrors the cycle: burning with desire, retreating into reflection, and blossoming again with fragile hope.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #Change #GrowingUp #Growth #Jerusalem #Parenthood #Poem #Poetry #Sandals #Seasons #Sijo #Time
  50. Relieving song, or: Rising steam

    A Sijo

    my pot begins to murmur
    beneath its plain, faithful cap;
    every heartbeat finds less room
    inside the thick, waiting steel;
    then comes the valve's relieving song
    each stanza lifts with rising steam

    d’Verse: Ars poetica revisited

    At d’Verse, we are encouraged to write an Ars Poetica that reveals our relationship with poetry through imagery, symbolism, or personification, showing our writing process rather than simply explaining it.

    Sijo?

    A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

    Let’s write poetry together!

    When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

    Ben Harper (b. 1969)

    Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

    #ArsPoetica #Conceit #Metaphor #Need #Poem #Poetry #Pressure #Release #Relief #Sijo #Writing