#hyperion — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #hyperion, aggregated by home.social.
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This car runs on hydrogen; it is called "HYPERION." It has solar panels on its side to generate some power for internal light.
#Car #hyperion #solarpanel -
Ciao Mondo.
Son passati c.a. 30 anni da che affrontai il viaggio - i viaggi - e di nuovo vorrei fosse più lungo.
È incredibile come la memoria abbia confuso certi eventi ma come questi si siano comunque conservati a livello emotivo.
Bello
Bello
Bello! -
Dan Simmons Is Dead So It’s Time To Read ‘Hyperion’
https://web.brid.gy/r/https://defector.com/dan-simmons-is-dead-so-its-time-to-read-hyperion
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Aktualności:
»Odszedł Dan Simmons«W piątek cały fantastyczny świat (i nie tylko) obiegła smutna informacja - 21 lutego 2026 roku w wieku 77 lat zmarł pisarz Dan Simmons.
https://www.fahrenheit.net.pl/aktualnosci/odszedl-dan-simmons/
#Fahrenheit_zin #DanSimmons #Ilion #UpadekHyperiona #Endymion #TriumfEndymiona #Hyperion #Olimp #PieśńboginiKali #SongofKali #ZagładaHyperiona #Trupiaotucha #Fazygrawitacji #IlionOlimp
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Aw, sad to hear about Dan Simmons passing away. Hyperion was my gateway to science fiction.
https://arstechnica.com/culture/2026/02/hyperion-author-dan-simmons-dies-from-stroke-at-77/
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I felt exactly the same the author of this article described he felt after reading Hyperion. RIP Dan Simmons.
Dan Simmons, the author of more than three dozen books, including the famed Hyperion Cantos, has died from a stroke. He was 77.
https://arstechnica.com/culture/2026/02/hyperion-author-dan-simmons-dies-from-stroke-at-77/
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Pues ha muerto Dan Simmons, escritor entre otros de #hyperion
https://bookwyrm.social/book/151613/s/hyperion-hyperion-cantosEl primer libro son varios relatos en los que peregrinos venidos desde otros mundos hacen un viaje para encontrarse con el #alcaudon una entidad entre divina y demoniaca que reside en el planeta Hyperion.
Lo lei hace más de 10 años y no recuerdo muchos detalles así que no me extenderé, pero decir que es una colección de relatos de #terror y #cienciaficcion que confluyen en una trama común.
En los siguientes libros se ahoanda en esa trama y se desarrolla.Si lo que buscas es #solarpunk esto es un poco lo opuesto. Aunque recuerdo que tenía ciertas notas de optimismo.
#dansimmons -
Dan Simmons ist am 21. Februar 2026 im Alter von 77 Jahren gestorben. 😢#sfcd #dansimmons #hyperion #sciencefiction #literatur
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Dan Simmons, author of Hyperion, Song of Kali, dead at 77
https://en.wikipedia.org/wiki/Dan_Simmons
#HackerNews #DanSimmons #Hyperion #SongOfKali #AuthorTribute #SciFiNews #LiteraryLegacy
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Dan Simmons, author of Hyperion, Song of Kali, dead at 77
https://en.wikipedia.org/wiki/Dan_Simmons
#HackerNews #DanSimmons #Hyperion #SongOfKali #AuthorTribute #SciFiNews #LiteraryLegacy
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Endymion (Hyperion Cantos, Book 3) "274 years after the fall of the WorldWeb in Fall of Hyperion, Raoul Endymion is sent on a quest" Sale: $11 to $1.99 by Dan Simmons Rating: 4.6/5 (10,150 Reviews) #SciFi #SpaceOpera #TimeTravel #Androids #Hyperion #Recommendation #Reading #Books #BookSky
Endymion (Hyperion Cantos, Boo... -
HyperioN (IT) – Cybergenesis Review By Spicie ForrestFormed in Bologna, Italy, HyperioN has been kicking around since 2015. When they visited these halls in 2017, Eldritch Elitist called their debut, Dangerous Days, “the strongest 3.0 possible,” citing its ability to “effortlessly [inject] elements of trash and power metal into the proceedings” and its “significant room for future growth.” HyperioN returns now in 2026 with their third full-length,1 Cybergenesis, a concept album chronicling an interdimensional war, humanity’s enslavement, and their eventual rebellion and liberation. Although still a five-piece, HyperioN sports an entirely new lineup save for founding guitarist Davide Cotti. Can this massive injection of fresh blood catapult these space-age heavy metallers to the greater heights Eldritch Elitist saw in the band?
New blood or not, HyperioN has a vision for their sound and proudly stays the course. Like previous efforts, Cybergenesis is heavily inspired by the likes of Metal Church and Judas Priest. But thematically rooted in sci-fi territory, HyperioN establishes the futuristic, dystopian backdrop of Cybergenesis’ narrative in much the same fashion that Blaze Bayley did on Silicon Messiah. A neoclassical opening gives way to a “Deafening” detonation of traditional heavy metal, soaring and gritty vocals, and Mozartian fills. HyperioN maintains this momentum with sticky choruses (“Yet We Still Fight,” “Blood over Chrome”), courtesy of new vocalist Max Morelli, and the strong axe work of Cotti and newcomer Francis Dipasquale (“Rewire, Rebuild,” “The Shackles of Chronitus,” “Rhizome Rider”). The potential Eldritch Elitist saw is brutally obvious when the band comes together to exceed their mathematical sum. Moments like the ends of “Grain of Sand”—where a squealing guitar lead cranks up the intensity of the final chorus—and “The Shackles of Chronitus”—where the solo extends to usher Morelli back to center stage—are particularly well done.
From a songwriting perspective, Cybergenesis is largely on par with previous efforts—aside from the baffling spoken word intro on “The Whole of Time”—but it’s not executed as well. Morelli is a fairly good vocalist, but he is much different than HyperioN’s previous vocalist and can’t reach the clean, clear highs of Dangerous Days. Rather than find ways to highlight the registers where he does excel, Morelli struggles to mimic previous efforts and seems shoved into too rigid a box. Bassist Simone Cauli employs a tone notably rougher than before. It’s got a retro sound that feels at odds with the futuristic subject matter of Cybergenesis. Where the bass was velvety on Dangerous Days, it’s much grittier or more textured here. Similar to HyperioN’s debut, drummer Francesco Madonna puts in a serviceable but largely unremarkable performance.
Structurally, Cybergenesis isn’t breaking any new ground. Most songs fall in the 4-5 minute range and follow a standard verse-chorus-verse-chorus pattern. No risks are taken here, and this is a fundamentally safe album. This isn’t a criticism per se—HyperioN’s ability to competently utilize well-established constructions is certainly impressive—but it does hold Cybergenesis back from being greater. To its credit, it’s a pretty lean record, clocking in at just under 40 minutes. The music moves along at a good pace, and there’s no real bloat to be found here. But especially in the back half, Cybergenesis can get repetitive as its lack of originality becomes more apparent, which somewhat counteracts the album’s good pacing and brisk runtime.
HyperioN boasts some great guitar work, especially in solos and hooks and such, but I struggled to find much else on Cybergenesis that stood out. I see the same opportunity for growth that Eldritch Elitist did on their debut, but this feels like a step back. It’s marred by a vocal performance that struggles to match the music and a general lack of novel material. Nonetheless, Cybergenesis is solid meat-and-potatoes fare. It’s good background music and playlist filler, but it’s nothing to write home about. You won’t find any new metal converts worshipping at the altar of Cybergenesis, but for those who dig trad/heavy metal muchly, HyperioN’s newest offering should be plenty filling.
Rating: 2.5/5.0
#25 #2026 #BlazeBayley #Cybergenesis #FighterRecords #HeavyMetal #Hyperion #ItalianMetal #Jan26 #JudasPriest #MetalChurch #Review #Reviews
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Fighter Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: Jan 15th, 2026 -
HyperioN unleash lyric video for “Rewire, Rebuild” ahead of new album ‘Cybergenesis’
Rising from the heart of Italy’s heavy metal underground, HyperioN have dropped a gripping lyric video for “Rewire, Rebuild,” the second single from their forthcoming album, Cybergenesis. Watch it now on YouTube:
http://www.youtu.be/F_t3ubeiPMc
The track is streaming across all major platforms, including Bandcamp, Spotify, Apple Music, Amazon Music, Tidal, Pandora, AWA, and Deezer.
Set for release on January 15th, 2026 via Fighter Records, Cybergenesis marks HyperioN’s third full-length studio album and is now available for pre-order: hyperionbandheavy.bandcamp.com/album/cybergenesis
A concept-driven record steeped in classic sci-fi lore, Cybergenesis delivers eight tracks of high-octane traditional heavy metal. The album’s narrative follows a doomed space mission that triggers the awakening of the Choir—an ancient alien hive mind—and humanity’s descent into a brutal war against cyborg overlords. At the center of this rebellion stands the Rhizome Rider, a fallen commander reborn to lead the final charge for freedom.
Drawing inspiration from genre-defining works like Star Trek and Ghost in the Shell, Cybergenesis explores themes of resistance, sacrifice, and the enduring strength of the human spirit.
The album’s cover art was hand-painted by UK illustrator Ryan T. Hancock, known for his work with Seven Sisters, Blood Star, and Stormborn. HyperioN deliberately chose a traditional canvas approach to reflect the album’s raw, human essence.
Tracklist:
- Deafening
- Rewire, Rebuild
- Yet We Still Fight
- The Shackles of Chronitus
- Blood Over Chrome
- Grain of Sand
- Rhizome Rider
- The Whole of Time
Current Line-up:
- Davide Cotti – Guitars
- Francesco Madonna – Drums
- Max Morelli – Vocals
- Simone “Nega” Cauli – Bass
- Francis Dipasquale – Guitars
About HyperioN: Founded in 2015 by drummer Jason Beghelli and guitarist Davide Cotti, HyperioN emerged with a mission to revive traditional heavy metal, channeling the spirit of Metal Church, early Queensrÿche, and Judas Priest. Their debut album Dangerous Days (2017) earned critical acclaim and led to live appearances alongside Italian metal stalwarts.
Following lineup changes and the release of Into The Maelstrom (2020), the band weathered the pandemic and expanded their global reach via Bandcamp and streaming platforms. With a refreshed lineup and renewed creative fire, HyperioN now present Cybergenesis—a bold new chapter that honors their roots while pushing their sound into cinematic, sci-fi territory.
LInktree: linktr.ee/hyperionband
Fighter Records: fighter-records.com
#Cybergenesis #FighterRecords #HeavyMetal #HyperioN #metal #NewAlbum #NWOTHM #rewireRebuild #thenwothm #thenwothmCom
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These are now the definitive Amiga 40 streaming details from Mönchengladbach for Saturday and Sunday. There may still be minor changes to the stream depending on the previous topic.
Watch at the following URLs:
http://YouTube.com/BBSindex
http://Twitch.TV/BBSindexMay now be officially published everywhere.
#commodore #amiga #amiga40 #event #amigaos #hyperion #icomp #ApolloVampire #augs #68k #retro #vintage #computer #vcf #vcfzh #VCFSO
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Hyperion oder Der Eremit in Griechenland
Friedrich Hölderlin, dessen Gesamtwerk erst der Nachwelt erschlossen wurde, verdankte seine Leserschaft bei Lebzeiten vor allem dem Briefroman, der 1797/99 bei Cotta in Tübingen erschien. Vor dem Hintergrund des griechischen Freiheitskampfes seit 1770, der Hölderlins Generation für die Wiederbelebung antiker Ideale begeisterte, spiegelt der Roman auch den unterdrückten Freiheitsdrang im eigenen Lande. Die brieflichen Unterhaltungen des Griechen Hyperion mit seinem deutschen Freund Bellarmin und seiner geliebten Diotima sind bittere Analysen der eigenen Gegenwart und Rückblicke auf hoffnungsvolle Versuche, an der Misere der Verhältnisse etwas zu ändern. Hyperion, zu Deutsch der Drobenwandelnde, verrät die Ideale nicht, die er zu leben versucht, und bewahrt gerade im Rückzug seine kritische Position.
https://archive.org/details/hyperion_oder_der_eremit_von_griechenland_2004
#archiveOrg #Bücher #Hölderlin #Hören #Hörspiel #Hyperion #Literatur #Radio #Roman #SWR
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Louisiana Hands Meta a Tax Break and Power for Its Biggest Data Center
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Hyperion: Minecraft game engine for custom events
#HackerNews #Hyperion #Minecraft #CustomEvents #GameEngine #GamingDevelopment
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The 10 Best Sci-Fi Books About Time Travel (For When You’re Bored of Today)
Think today's problems will be solved tomorrow? Think again.
https://www.themarysue.com/the-10-best-sci-fi-books-about-time-travel-for-when-youre-bored-of-today/#Books #deathsend #howtolivesafelyinasciencefictionaluniverse #Hyperion #Kindred
@indieauthors -
Hyperion von Hölderlin begeistert noch immer! 📖✨ Wer in die Welt der deutschen Romantik eintauchen will, findet hier das komplette Werk online: https://www.projekt-gutenberg.org/hoelderl/hyperion/hyperion.html #Hölderlin #Hyperion #Literatur #Klassiker #Lesetipp #lesenbildert
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1/ Hab den #Hölderlin-Post noch um ein Bild ergänzt. Ein verwirrte Rose, die zum #Winteranfang blüht.
Verzweifelt. Allein. Ohne Blätter.
Hölderlin dachte, die Natur sei stärker als die Menschen. Er hat sich geirrt.
https://hot-climate-topics.net/2024/12/05/hoelderlin-und-das-wetter-eine-zitatsammlung/
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5/ 1989 habe ich mir jedenfalls schon Sorgen bzgl. Klimawandel gemacht. Hier ist der Beweis.
Hatte was anderes gesucht, aber das hier gefunden. #Hölderlin hatte ja den #Hyperion sagen lassen, dass man die Natur quälen, aber den Lauf der Jahreszeiten nicht stören kann. Er hat sich geirrt.
Nicht sicher, ob das alles damals schon Klima oder nur #Wetter war. Der Chef-Meterologe meinte: Is nur so ne Anomalie. Er hat auch zum Klima geforscht. Vielleicht stimmte das auch. Wenn jemand Ahnung hat, würde ich mich über ne Nachricht freuen.
Vielleicht habe ich mir ja ganz zu Unrecht Sorgen gemacht, damals. =:-)
https://hot-climate-topics.net/2024/12/05/hoelderlin-und-das-wetter-eine-zitatsammlung/
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Yes I worked at Dynalogic on the Hyperion... I didn't know I still had this disk. ;)
#Ottawa #Classiccomputers #Dynalogic #Hyperion #ClassicComputing
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22/ Ich habe 1988 oder 1989 angefangen, über Klimafragen nachzudenken. Damals habe ich den #Hyperion von #Hölderlin gelesen.
Hölderlin schrieb im Hyperion:
„Ihr entwürdiget, ihr zerreißt, wo sie euch duldet, die geduldige Natur, doch lebt sie fort, in unendlicher Jugend, und ihren Herbst und ihren Frühling könnt ihr nicht vertreiben, ihren Aether, den verderbt ihr nicht.“https://www.projekt-gutenberg.org/hoelderl/hyperion/hyperion.html
Das war 1797. Vor über 225 Jahren. Hölderlin konnte nicht vorhersehen, wozu die Menschheit in der Lage ist. Hätte er es gekonnt, wäre er noch depressiver geworden.
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Thanks to excellent ground work done by @edri member #HomoDigitalis in #Greece, the Hellenic #DataProtection Authority fined the Ministry of #Migration and #Asylum with the largest penalty ever imposed on a Greek public body. 🎉
The #DPA found the ministry's use of the #Centaurus and #Hyperion systems to infringe #GDPR.
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Tanin’iver – Dark Evils Desecrate Review
By Saunders
Like many, I am a little burnt out by the end of a year. Frantic work, life, and personal matters collide, while we scramble to listen to a bunch of cool shit we missed, as well as consolidating final lists. I often spend the early stages of a new year basking in old favorites and bingeing on particular bands or genres. Blackened choices have darkened recent listening, and though my enjoyment of black metal is not hugely reflected in my regular review projects, my complicated relationship with the genre continues to bubble away. I have been stoked to revisit some genre classics, as well as modern marvels such as Hyperion’s Seraphical Euphony and Mistur’s In Memoriam, plus a shitload of Borknagar and Ihsahn. It’s inspired me to be a little more adventurous with my promo picks in 2024 and perhaps include more black metal acts, or at least those with a blackened bent. We’ll see if that lasts. Kicking off 2024 I was slung a promo from Aussie underground toilers Tanin’iver, the project of Steve Lillywhite, unleashing their fourth opus of raw fiery blackened death, entitled Dark Evils Desecrate.
Immersing myself in the twisted, feral cauldron of Dark Evils Desecrate and its relentless assault, Tanin’iver appear hellbent on writing the most ugly, evil, and uncompromising anthems as possible to soundtrack a fiery apocalypse. Bells, whistles, and gimmicks are jettisoned for an old school underground sound converging in the dankest underground corners where raw black metal brawls with death and thrash influences. Lillywhite handles guitars, vocals and sampling duties, while Liam Mohor wields lead guitar and bass. Drums I assume are programmed, based on the lack of information or credits to an individual. The duo pound and hammer their way through nine grimy, gnawing tunes that lack subtlety, instead basking in the catharsis of cyclonic chaos and belligerent, nasty aggression. It’s the kind of unfiltered, cutthroat album with the range to appeal to listeners that crave grim second-wave hammerings of the likes Mayhem and ilk, to fans of underground blackened death warriors Belphegor. The acidic, groovier moments vaguely recall Mantar on occasion.
Opener “Another World’s Hell” sets the nasty, pitch-black tone of the album with sledgehammer force, Lillywhite’s snarling, acidic screams and howls oozing anguish and seething hate as rapid-fire percussion, galloping charges and icy aggression dominate proceedings. A killer, riffy slower segment adds a sick, groovy bent to the tune’s otherwise savage assault. Tanin’iver’s songwriting does not always grip, however, there are moments of real bite and grim swagger. “Freedom is Never Here” effectively channels a thick, moody stomp, before slinging intense bursts of barreling speed and wall of sound heft. This willingness to temper violent, speed-driven black metal with versatile shifts in tempo and groove land the most telling blows. ‘Drowning on Dry Land” relies on a potent mix of relentless speed, anthemic vocal hooks, and insidious groove, while closer “So was Red” is the most righteously grooving, riffy beast on the album.
Dark Evils Desecrate is rarely dull, however, certain factors drag it down a few pegs as a complete package. Lillywhite’s vocals are deliciously wicked and venomous, yet tend to overbear in the mix, the drums lack character, while the dueling axework is solid though intermittently engaging. Perhaps a more telling blow to the album’s promising fortunes is the songwriting struggles to gain consistent traction and lasting memorability. Several songs overstay their welcome, or leave little lasting impressions, weakening some otherwise solid ideas and highlighting the handful of successfully developed and crafted offerings. It’s a shame, as there are moments of solid quality and charm on display, and nothing to actively dislike, but inconsistently engaging writing and slivers of monotony hamper proceedings.
Dark Evils Desecrate lands some killer blows and takes some nasty turns, with its predominant second wave, underground blackened fury tastefully spiced with death, thrash and doom elements, complete with an appealingly harsh, mean-spirited streak. And throughout the album there are perk up and notice moments of headbangable fun to be had. The moody, sinister melodies, blasty, speed-laced attack and grim atmosphere feature favorable elements that unfortunately do not quite translate into a fully fleshed, consistent listen. Still, Tanin’iver is a passionate, underdog act that is worth a listen. Here’s hoping for more consistent, satisfying returns next time around.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Morning Star Heresy
Websites: taniniver.bandcamp.com | facebook.com/TaniniverOfficial
Releases Worldwide: January 25th, 2024#25 #2024 #AustralianMetal #Belphegor #BlackMetal #Borknagar #DarkEvilsDesecrate #DeathMetal #Hyperion #Ihsahn #Mantar #Mayhem #Mistur #MorningStarHeresyRecords #Review #Reviews #TaninIver
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Tanin’iver – Dark Evils Desecrate Review
By Saunders
Like many, I am a little burnt out by the end of a year. Frantic work, life, and personal matters collide, while we scramble to listen to a bunch of cool shit we missed, as well as consolidating final lists. I often spend the early stages of a new year basking in old favorites and bingeing on particular bands or genres. Blackened choices have darkened recent listening, and though my enjoyment of black metal is not hugely reflected in my regular review projects, my complicated relationship with the genre continues to bubble away. I have been stoked to revisit some genre classics, as well as modern marvels such as Hyperion’s Seraphical Euphony and Mistur’s In Memoriam, plus a shitload of Borknagar and Ihsahn. It’s inspired me to be a little more adventurous with my promo picks in 2024 and perhaps include more black metal acts, or at least those with a blackened bent. We’ll see if that lasts. Kicking off 2024 I was slung a promo from Aussie underground toilers Tanin’iver, the project of Steve Lillywhite, unleashing their fourth opus of raw fiery blackened death, entitled Dark Evils Desecrate.
Immersing myself in the twisted, feral cauldron of Dark Evils Desecrate and its relentless assault, Tanin’iver appear hellbent on writing the most ugly, evil, and uncompromising anthems as possible to soundtrack a fiery apocalypse. Bells, whistles, and gimmicks are jettisoned for an old school underground sound converging in the dankest underground corners where raw black metal brawls with death and thrash influences. Lillywhite handles guitars, vocals and sampling duties, while Liam Mohor wields lead guitar and bass. Drums I assume are programmed, based on the lack of information or credits to an individual. The duo pound and hammer their way through nine grimy, gnawing tunes that lack subtlety, instead basking in the catharsis of cyclonic chaos and belligerent, nasty aggression. It’s the kind of unfiltered, cutthroat album with the range to appeal to listeners that crave grim second-wave hammerings of the likes Mayhem and ilk, to fans of underground blackened death warriors Belphegor. The acidic, groovier moments vaguely recall Mantar on occasion.
Opener “Another World’s Hell” sets the nasty, pitch-black tone of the album with sledgehammer force, Lillywhite’s snarling, acidic screams and howls oozing anguish and seething hate as rapid-fire percussion, galloping charges and icy aggression dominate proceedings. A killer, riffy slower segment adds a sick, groovy bent to the tune’s otherwise savage assault. Tanin’iver’s songwriting does not always grip, however, there are moments of real bite and grim swagger. “Freedom is Never Here” effectively channels a thick, moody stomp, before slinging intense bursts of barreling speed and wall of sound heft. This willingness to temper violent, speed-driven black metal with versatile shifts in tempo and groove land the most telling blows. ‘Drowning on Dry Land” relies on a potent mix of relentless speed, anthemic vocal hooks, and insidious groove, while closer “So was Red” is the most righteously grooving, riffy beast on the album.
Dark Evils Desecrate is rarely dull, however, certain factors drag it down a few pegs as a complete package. Lillywhite’s vocals are deliciously wicked and venomous, yet tend to overbear in the mix, the drums lack character, while the dueling axework is solid though intermittently engaging. Perhaps a more telling blow to the album’s promising fortunes is the songwriting struggles to gain consistent traction and lasting memorability. Several songs overstay their welcome, or leave little lasting impressions, weakening some otherwise solid ideas and highlighting the handful of successfully developed and crafted offerings. It’s a shame, as there are moments of solid quality and charm on display, and nothing to actively dislike, but inconsistently engaging writing and slivers of monotony hamper proceedings.
Dark Evils Desecrate lands some killer blows and takes some nasty turns, with its predominant second wave, underground blackened fury tastefully spiced with death, thrash and doom elements, complete with an appealingly harsh, mean-spirited streak. And throughout the album there are perk up and notice moments of headbangable fun to be had. The moody, sinister melodies, blasty, speed-laced attack and grim atmosphere feature favorable elements that unfortunately do not quite translate into a fully fleshed, consistent listen. Still, Tanin’iver is a passionate, underdog act that is worth a listen. Here’s hoping for more consistent, satisfying returns next time around.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Morning Star Heresy
Websites: taniniver.bandcamp.com | facebook.com/TaniniverOfficial
Releases Worldwide: January 25th, 2024#25 #2024 #AustralianMetal #Belphegor #BlackMetal #Borknagar #DarkEvilsDesecrate #DeathMetal #Hyperion #Ihsahn #Mantar #Mayhem #Mistur #MorningStarHeresyRecords #Review #Reviews #TaninIver
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Today's #coffee is #Hyperion's Ariel Funez Natural! They don't mention it anywhere for some reason, but despite being labeled as natural, these beans go through a 24-hour #anaerobic ferment, which really brings out the flavour! ☕⏳️✨
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Today's #coffee is #Hyperion's Ariel Funez Natural! They don't mention it anywhere for some reason, but despite being labeled as natural, these beans go through a 24-hour #anaerobic ferment, which really brings out the flavour! ☕⏳️✨
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Today's #coffee is #Hyperion's Ariel Funez Natural! They don't mention it anywhere for some reason, but despite being labeled as natural, these beans go through a 24-hour #anaerobic ferment, which really brings out the flavour! ☕⏳️✨
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Today's #coffee is #Hyperion's Ariel Funez Natural! They don't mention it anywhere for some reason, but despite being labeled as natural, these beans go through a 24-hour #anaerobic ferment, which really brings out the flavour! ☕⏳️✨
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Today's #coffee is #Hyperion's Ariel Funez Natural! They don't mention it anywhere for some reason, but despite being labeled as natural, these beans go through a 24-hour #anaerobic ferment, which really brings out the flavour! ☕⏳️✨
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4/🧵
> = already here in the US
w/484K:
>EG.6.1.1 (Hyp)
FL.30 (Hyp)No 486P
>FW.1.1 (XBB.1.28)
CK.1.1.1 (BA.5.2.24 extention)
>JH* (BA.5.3.1 extention)#COVID #COVID19 #COVIDvariants #COVIDclans
#Hyperion #Centaurus #EG516 #Kraken #XBB -
3/ 🧵
aaaand then we'll have:
FLlip:
>HK.3 (Hyp)
>JG.3 (Hyp)FLip+452R
>DV.7.1 (Cent)Also:
>EG.5.1.6* (Hyp)
>HV.1 (Hyp)Recombo FLip:
>XCH (Kraken+Hyp?Arc?)
>XCM (Arx+Cent)
>XCL (Krak?+XBB.1.22)Mixes:
>GA.4.1 (XBB.1.17)
>GS.4.1 (XBB.2.3.11)
>JE.1 (XBB.2.3.3.1)
FL.1.5.2 (Hyp)
XBB.1.16.24
>XBB.1.16.15
>GL1* (XAY.1.1.1)
>GJ.1.2 (XBB.2.3.3)#COVID #COVID19 #COVIDvariants #COVIDclans
#Hyperion #Centaurus #HV1 #EG516 #Kraken -
back on my bullshit...
#Chemex #Hyperion #Korilakkuma #Rilakkuma #MugsOfMastodon #dreamy
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back on my bullshit...
#Chemex #Hyperion #Korilakkuma #Rilakkuma #MugsOfMastodon #dreamy
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back on my bullshit...
#Chemex #Hyperion #Korilakkuma #Rilakkuma #MugsOfMastodon #dreamy
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back on my bullshit...
#Chemex #Hyperion #Korilakkuma #Rilakkuma #MugsOfMastodon #dreamy
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back on my bullshit...
#Chemex #Hyperion #Korilakkuma #Rilakkuma #MugsOfMastodon #dreamy
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Coming up at Noon Central Time today, session 65 of the Worlds of Speculative Fiction series, starting with a video premiere and live interactive chat, followed by a Zoom session!
https://youtu.be/2dbg9CWfYYs
#Simmons #ScienceFiction #Hyperion #Video #Worldbuilding #AI #Humanity #Philosophy -
The first 3 #Foundation books, in publishing order. By #Asimov.
The #Mote in God's Eye vol 1+2. By #Niven and #Pournelle. -
Les opérateurs AvosLocker revendiquent une attaque informatique à l'encontre de 🇺🇸 Emtec, Inc (
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