#performance — Public Fediverse posts

RE: https://cosocial.ca/@rhempel/116650230030112969

For two decades I've been making that same point (below), also specifically for computational/algorithmic art. It's also been a key topic in many of my past workshops. More than just being about performance, data structure literacy (at least awareness of options) can be a powerful tool/help for expressing and actualizing ideas in the first place, especially for interactive situations (where using the right or wrong or no data structure can be a make-or-break in some situations).

Yet, most of the the time, I felt these efforts to encourage more attention on improving algorithmic literacy in the design/art world have mostly received disinterest or even active pushback (e.g. the classic "to learn how to drive you don't need to know how a combustion engine works" argumentation) etc.

In one of my roles last year, I was responsible for optimizing the performance of several art pieces by well known, celebrated "algorithmic artists" to allow their pieces to run at least with an "alright" frame rate on the company's chosen Android hardware (Snapdragon 8 based). Oftentimes the given code was extremely naive, unoptimized spaghetti and I managed to achieve 2-8x performance boosts. This is not to brag, but to illustrate the wider problem! If one's supposed expertise & claim to fame is "algorithmic art", then one should also strive a little (more) to become proficient in said medium. Good knowledge of data structures and at least a passing interest in performance & hardware are key attention points towards achieving that (in my view)...

The RAM and GPU price explosions will likely "encourage" a little more awareness in the future (not just for arty stuff)... Then again, mass slop coding is a strong counter force/movement... 🤷‍♂️

Also previously:

https://mastodon.thi.ng/@toxi/116323268206171198
https://mastodon.thi.ng/@toxi/115791275814738584
https://mastodon.thi.ng/@toxi/115791712519666535

#DataStructures #Performance #Optimization #AlgorithmicArt #AlgoApril

#Biohacking #Optimization #Enhancement #Nutrition #Performance #Energy #Recovery #Focus #Fitness #PeakPerformance (4/4)

iai-callgrind gives you deterministic, instruction-count benchmarks. The catch: it needs Valgrind, and Valgrind has zero Apple Silicon support.

Here's how I run them locally on an M-series Mac in a native arm64 container - seccomp trap and all.

#rust #rustlang #performance #benchmarking #applesilicon #valgrind

https://martinhicks.dev/articles/running-iai-callgrind-on-apple-silicon

A quick tip: don't try to last as long as possible. Pushing too hard spikes cortisol, which hurts your focus instead of helping it. 90 seconds done well is better than 5 minutes done poorly.

If you stick with this, you should notice sharper afternoon focus without needing any stimulants. Your brain handles it naturally. #Biohacking #PeakPerformance #Optimization #Productivity #Focus #Efficiency #Health #Wellness #Performance #Energy (3/3)

Pens & Pencils 3D Prop Package #Pbr #Props #Environment #Aaa #Optimization #Performance #Unity #Unrealengine #Sketchfab #Marmoset #Raytracedengines #AssetStore

https://u3dn.com/packages/pens-and-pencils-3d-prop-package-241127

Grow your #PostgreSQL, #opensource skills and grab a 20% discount on LPI exams at @pgdata2026, June 4–5 in Chicago.

Linux Professional Institute (LPI) is a Community Partner for this new #Postgres conference series exploring education, community-building, and academic outreach.

Learn more 🔗 https://lpi.org/sysr

See you there! 🐧👋

@prairie_postgres #LPI #pgdata #pgdata2026 #postgresql #opensource #linux #FOSS #prairiepostgres #postgres #performance #dba #sql #database #developers

If you only have 15 minutes, grab a small banana with a few almonds instead of skipping food entirely. If you drink coffee, have your espresso about 30 minutes before training for the best fat-burning effect.

You'll notice stronger performance, less fatigue after training, and faster recovery.

#Biohacking #Optimization #LifeHacks #Productivity #Focus #WorkoutMotivation #Energy #Performance #Fitness #Recovery (3/3)

https://www.europesays.com/it/512017/ Jill Biden: «Durante il dibattito con Trump temevo che Joe avesse un ictus» #bianca #biden #campagna #Cronaca #DalMondo #DalMondo #democratico #dibattito #donald #DonaldTrump #età #first #FirstLady #giugno #ictus #jill #JillBiden #joe #lady #Mondo #News #Notizie #performance #trump #UltimeNotizie #UltimeNotizieDiMondo #UltimeNotizie #UltimeNotizieDiMondo #World #WorldNews #WorldNews

If you were wondering who is using the Java Ahead of Time Cache already, the answer is Netflix:

https://www.youtube.com/watch?v=4kEh8hxAP4U

https://inside.java/2026/05/23/java-aot-in-production-at-netflix/

It is one of the reasons to their SLA success. Like when there is a major outage and they need to spin up thousands of instances somewhere else instantaneously.

And it is key to lower their resource usage. Money saving.

#Java #OpenJDK #Leyden #AOTCache #performance #optimization

If you were wondering who is using the Java Ahead of Time Cache already, the answer is Netflix:

https://www.youtube.com/watch?v=4kEh8hxAP4U

https://inside.java/2026/05/23/java-aot-in-production-at-netflix/

It is one of the reasons to their SLA success. Like when there is a major outage and they need to spin up thousands of instances somewhere else instantaneously.

And it is key to lower their resource usage. Money saving.

#Java #OpenJDK #Leyden #AOTCache #performance #optimization

If you were wondering who is using the Java Ahead of Time Cache already, the answer is Netflix:

https://www.youtube.com/watch?v=4kEh8hxAP4U

https://inside.java/2026/05/23/java-aot-in-production-at-netflix/

It is one of the reasons to their SLA success. Like when there is a major outage and they need to spin up thousands of instances somewhere else instantaneously.

And it is key to lower their resource usage. Money saving.

#Java #OpenJDK #Leyden #AOTCache #performance #optimization

If you were wondering who is using the Java Ahead of Time Cache already, the answer is Netflix:

https://www.youtube.com/watch?v=4kEh8hxAP4U

https://inside.java/2026/05/23/java-aot-in-production-at-netflix/

It is one of the reasons to their SLA success. Like when there is a major outage and they need to spin up thousands of instances somewhere else instantaneously.

And it is key to lower their resource usage. Money saving.

#Java #OpenJDK #Leyden #AOTCache #performance #optimization

If you were wondering who is using the Java Ahead of Time Cache already, the answer is Netflix:

https://www.youtube.com/watch?v=4kEh8hxAP4U

https://inside.java/2026/05/23/java-aot-in-production-at-netflix/

It is one of the reasons to their SLA success. Like when there is a major outage and they need to spin up thousands of instances somewhere else instantaneously.

And it is key to lower their resource usage. Money saving.

#Java #OpenJDK #Leyden #AOTCache #performance #optimization

Alibaba's #Qwen3.7-Max supposedly galloped for 35 hours on a mystery machine, impressively achieving a 10x speedup—because, apparently, #magic is now a benchmark in #tech 🧙‍♂️✨. Meanwhile, the rest of us are just trying to make #Excel run without crashing 😅.
https://firethering.com/alibaba-qwen3-7-max-autonomous-agent/ #Alibaba #speedup #performance #HackerNews #ngated

Alibaba's #Qwen3.7-Max supposedly galloped for 35 hours on a mystery machine, impressively achieving a 10x speedup—because, apparently, #magic is now a benchmark in #tech 🧙‍♂️✨. Meanwhile, the rest of us are just trying to make #Excel run without crashing 😅.
https://firethering.com/alibaba-qwen3-7-max-autonomous-agent/ #Alibaba #speedup #performance #HackerNews #ngated

Alibaba's #Qwen3.7-Max supposedly galloped for 35 hours on a mystery machine, impressively achieving a 10x speedup—because, apparently, #magic is now a benchmark in #tech 🧙‍♂️✨. Meanwhile, the rest of us are just trying to make #Excel run without crashing 😅.
https://firethering.com/alibaba-qwen3-7-max-autonomous-agent/ #Alibaba #speedup #performance #HackerNews #ngated

Alibaba's #Qwen3.7-Max supposedly galloped for 35 hours on a mystery machine, impressively achieving a 10x speedup—because, apparently, #magic is now a benchmark in #tech 🧙‍♂️✨. Meanwhile, the rest of us are just trying to make #Excel run without crashing 😅.
https://firethering.com/alibaba-qwen3-7-max-autonomous-agent/ #Alibaba #speedup #performance #HackerNews #ngated

Alibaba's #Qwen3.7-Max supposedly galloped for 35 hours on a mystery machine, impressively achieving a 10x speedup—because, apparently, #magic is now a benchmark in #tech 🧙‍♂️✨. Meanwhile, the rest of us are just trying to make #Excel run without crashing 😅.
https://firethering.com/alibaba-qwen3-7-max-autonomous-agent/ #Alibaba #speedup #performance #HackerNews #ngated

CSS vs. JavaScript:
Exploring the performance implications of different animation strategies

One of the most common questions around animation performance is whether JS-based animations are slower than CSS-based ones. Should we always strive to use CSS transitions, or is it OK to use JavaScript animation libraries?

😉 https://www.joshwcomeau.com/animation/css-vs-javascript/

#css #javascript #webdesign #web #js #performance #webdev #animation #slow #fast #design #faster #animation #anim

CSS vs. JavaScript:
Exploring the performance implications of different animation strategies

One of the most common questions around animation performance is whether JS-based animations are slower than CSS-based ones. Should we always strive to use CSS transitions, or is it OK to use JavaScript animation libraries?

😉 https://www.joshwcomeau.com/animation/css-vs-javascript/

#css #javascript #webdesign #web #js #performance #webdev #animation #slow #fast #design #faster #animation #anim

CSS vs. JavaScript:
Exploring the performance implications of different animation strategies

One of the most common questions around animation performance is whether JS-based animations are slower than CSS-based ones. Should we always strive to use CSS transitions, or is it OK to use JavaScript animation libraries?

😉 https://www.joshwcomeau.com/animation/css-vs-javascript/

#css #javascript #webdesign #web #js #performance #webdev #animation #slow #fast #design #faster #animation #anim

CSS vs. JavaScript:
Exploring the performance implications of different animation strategies

One of the most common questions around animation performance is whether JS-based animations are slower than CSS-based ones. Should we always strive to use CSS transitions, or is it OK to use JavaScript animation libraries?

😉 https://www.joshwcomeau.com/animation/css-vs-javascript/

#css #javascript #webdesign #web #js #performance #webdev #animation #slow #fast #design #faster #animation #anim

CSS vs. JavaScript:
Exploring the performance implications of different animation strategies

One of the most common questions around animation performance is whether JS-based animations are slower than CSS-based ones. Should we always strive to use CSS transitions, or is it OK to use JavaScript animation libraries?

😉 https://www.joshwcomeau.com/animation/css-vs-javascript/

#css #javascript #webdesign #web #js #performance #webdev #animation #slow #fast #design #faster #animation #anim

Artist to Artist: Ali Chahrour

Felix Meritis, Saturday, June 13 at 03:30 PM GMT+2

Diana Al-Halabi & ghenwa abou fayad

How do you continue working when the reality of war finds itself next to your rehearsal space? What is it like to create art amidst destructive forces? And how does the current situation in Lebanon influence the work of Lebanese artists in The Netherlands? During this Artist to Artist, a collaboration between Felix Meritis and Holland Festival, three Lebanese artists discuss these questions and the importance of sharing stories that often remain in the background.

Lebanese artist Ali Chahrour is part of Holland Festival with his multidisciplinary dance performance When I Saw the Sea. In his work, he connects personal and collective stories with themes such as love and war. During this Artist to Artist he will be joined in conversation by cross-disciplinary artists Diana Al-Halabi and ghenwa abou fayad.

Line-up

Ali Chahrour

Dancer and choreographer Ali Chahrour (Beirut, 1989) has developed a unique movement language that breaks away from Western codes and models. This language reflects his cultural background and the political, social, and religious context in which he works. In an earlier series of performances, part of his “Death” trilogy, he brought funeral rituals to life, combining tradition with a sharp sense of modernity. He later began a new series centered on the theme of “love,” including Told by My Mother, which was presented at Holland Festival in 2025.

Chahrour’s work is characterized by a combination of lyrical poetry and intensely intertwined bodies. His performances have been presented at the Festival d’Avignon (2016, 2018, and 2022) as well as at numerous other festivals worldwide.

Diana Al-Halabi

Born in Lebanon in 1990, Diana Al-Halabi is a Rotterdam–Beirut–based interdisciplinary artist working primarily with film and painting. Through an intersectional feminist lens, her practice navigates the entanglement of the personal and the political, challenging top-down structures of power — from the patriarchal gaze and institutional violence to bureaucracy, settler colonialism, migration, and visa regimes. Her recent research, “Famine and Hunger Strikes: Decolonizing the Digestive System,” explores the politicization of the digestive system as a form of bottom-up resistance.

Al-Halabi’s work spans film and painting, with her 2022 film, “The Disaster Cannot Be Contained,” screening at international festivals, including IFFR, and winning Best Short Film in the national competition at the Beirut Shorts International Film Festival. In 2023, she received the IFFR RTM PITCH Award for her short film “The Battle of Empty Stomachs,” which premiered at IFFR 2024, Raindance Film Festival (UK), and Blackstar Film Festival (USA).

ghenwa (noiré) abou fayad

ghenwa (noiré) abou fayad is a Lebanese cross-disciplinary artist, performer, and installation practitioner. Their work explores the politics of language, oral history, and repetition through sound, storytelling, and improvisation. Using an electro-acoustic setup, ghenwa plays the bouzouqi, sings, and plays the synths to weave together socio-political narratives, memory, and everyday survival, often treating performance as a living archive shaped by embodied experience.

Their practice extends into collaborative and pedagogical formats, including projects such as Hacked Orchestra which she initiated then collaborated on with Hackers & Designers (2024) – which , a collaboration with Hackers and Designers culminating in a sonic presentation at the Muziekgebouw, they facilitated the Insurgent Learning Workshop (2024), and later co-lead Voice as Legacy: Tracing the Unwritten (Sonic Acts x SALWA Foundation, 2025).

Their ongoing sound research uses a dactylo (Arabic typewriter) as an instrument, investigating the gendered history of typing as feminized labor and its sonic potential. At the moment, ghenwa is working on producing their first debut EP entitled ‘daken – sombre’.

https://offbeat.amsterdam/event/artist-to-artist-ali-chahrour

Contemporary instrumental music from Brazil by Santos Latif González Trio

Teatro Munganga, Saturday, July 4 at 07:00 PM GMT+2

https://offbeat.amsterdam/event/contemporary-instrumental-music-from-brazil-by-santos-latif-gonzalez-trio

TEMPERATURA

Grond, Thursday, June 11 at 08:30 PM GMT+2

20:30 (doors: 20:00) Tickets online: regular €10 / discount €7 – at the door: €12,5/€7,5*

Thursday 11 June, TEMPERATURA presents Futuro Ancestrale, the electro-acoustic project led by Giuseppe Doronzo. On stage with him, Andy Moor, Yannis Kyriakides, and Frank Rosaly.

Futuro Ancestrale, returns with Elsewhen, a bold new chapter blending ancestral music cultures with the electronic music realm. Fusing microtonal textures, meditative drones, post-rock energy, and fearless improvisation, the project crafts a hypnotic sonic ritual inspired by traditions from Ethiopia, Lesotho, and Persia. Following their critically acclaimed 2024 debut—praised by JazzWise, All About Jazz, and the Europe Jazz Media Chart—Elsewhen expands the group’s visionary language into new territories of trance, folklore, and experimental sound. The album will be out on June 19 on a joint release via   Unsounds and Tora Records.

_____________ TEMPERATURA is a contemporary music concert series, improvisation hub, and everything in between, initiated by composers/performers J. Veličković and F. Konstantinidou. The series focuses on contemporary music from the Netherlands and beyond, aiming to bring together its diverse expressions. 

* If you wish to attend but can’t afford our entry fee, please send us an email to temperatura.amsterdam (at) gmail (dot) com and we ‘ll make sure you can join us.

https://offbeat.amsterdam/event/temperatura-12

🎬 Cavia in Concert: The General (1926) with live score by the Joost Buis Trio 🎶 at Nassaukerk

Filmhuis Cavia, Friday, June 19 at 08:00 PM GMT+2

After becoming an instant classic with its first two sold out editions, Cavia in Concert, our series of film and music performances organized in the amazing hall of the Nassaukerk in collaboration with Podium Nassau, comes back once again before the summer break.

In this edition, taking place during the celebrations for the Nassaukerk’s 100th anniversary, we bring you another legendary film from 1926: The General, by Buster Keaton! 

After initially becoming a bust and a big setback in Keaton’s career, The General has been reevaluated and is now considered one of the most significant films of the silent era.

Famously described by Orson Welles as "the greatest comedy ever made, the greatest Civil War film ever made, and perhaps the greatest film ever made”, The General tells the story of the Great Locomotive Chase, an episode out of the American Civil War. This contributed to its controversial status, representing an example of American cinema’s fascination with the American Confederacy. Still, the film is universally celebrated as one of the greatest examples of comedy in the history of film.

The film was chosen by Joost Buis, improvisational trombonist and lap guitarist, who has been at the forefront of Amsterdam’s jazz scene since the 1980s, and who now is among the leading musicians of the Zaal 100’s legendary Jazz Café. And Zaal 100 is exactly where the ensemble who will be performing the film formed. 

Headed by Joost Buis, legendary trombonist and bandleader who has made his mark in the Amsterdam improvisation scene for the past 40 years, the group is also composed by Kristján Martinsson, who will be at the piano, and Yung-Tuan Ku, at the percussions. Bringing together the mix of structure and improvisation typical of the Amsterdam improvisation and jazz music scene, they are bound to give us the right mood to celebrate the 100 years of Nassaukerk and the whole creative community of the Staatsliedenbuurt.

All and all, come to church with us and make sure not to miss this event for the ages!


Tickets: €8 (or Cineville)
Available for pre-sale HERE.

The event will NOT take place in Filmhuis Cavia, but in the Nassaukerk: De Wittenkade 111.

Doors & bar open at 19:15, film starts at 20:00. 
 

https://offbeat.amsterdam/event/cavia-in-concert-the-general-1926-with-live-score-by-the-joost-buis-trio-at-nassaukerk

🎬 Cavia in Concert: The General (1926) with live score by the Joost Buis Trio 🎶 at Nassaukerk

Filmhuis Cavia, Friday, June 19 at 08:00 PM GMT+2

After becoming an instant classic with its first two sold out editions, Cavia in Concert, our series of film and music performances organized in the amazing hall of the Nassaukerk in collaboration with Podium Nassau, comes back once again before the summer break.

In this edition, taking place during the celebrations for the Nassaukerk’s 100th anniversary, we bring you another legendary film from 1926: The General, by Buster Keaton! 

After initially becoming a bust and a big setback in Keaton’s career, The General has been reevaluated and is now considered one of the most significant films of the silent era.

Famously described by Orson Welles as "the greatest comedy ever made, the greatest Civil War film ever made, and perhaps the greatest film ever made”, The General tells the story of the Great Locomotive Chase, an episode out of the American Civil War. This contributed to its controversial status, representing an example of American cinema’s fascination with the American Confederacy. Still, the film is universally celebrated as one of the greatest examples of comedy in the history of film.

The film was chosen by Joost Buis, improvisational trombonist and lap guitarist, who has been at the forefront of Amsterdam’s jazz scene since the 1980s, and who now is among the leading musicians of the Zaal 100’s legendary Jazz Café. And Zaal 100 is exactly where the ensemble who will be performing the film formed. 

Headed by Joost Buis, legendary trombonist and bandleader who has made his mark in the Amsterdam improvisation scene for the past 40 years, the group is also composed by Kristján Martinsson, who will be at the piano, and Yung-Tuan Ku, at the percussions. Bringing together the mix of structure and improvisation typical of the Amsterdam improvisation and jazz music scene, they are bound to give us the right mood to celebrate the 100 years of Nassaukerk and the whole creative community of the Staatsliedenbuurt.

All and all, come to church with us and make sure not to miss this event for the ages!


Tickets: €8 (or Cineville)
Available for pre-sale HERE.

The event will NOT take place in Filmhuis Cavia, but in the Nassaukerk: De Wittenkade 111.

Doors & bar open at 19:15, film starts at 20:00. 
 

https://offbeat.amsterdam/event/cavia-in-concert-the-general-1926-with-live-score-by-the-joost-buis-trio-at-nassaukerk

https://blog.gslin.org/archives/2026/05/28/13052/mysql-%e4%b8%8a%e7%9a%84-tidesdb/

MySQL 上的 TidesDB

#database #db #mariadb #mysql #performance #rdbms #sql #tidesdb #tidesql #write #writing

https://blog.gslin.org/archives/2026/05/28/13052/mysql-%e4%b8%8a%e7%9a%84-tidesdb/

MySQL 上的 TidesDB

#database #db #mariadb #mysql #performance #rdbms #sql #tidesdb #tidesql #write #writing

https://blog.gslin.org/archives/2026/05/28/13052/mysql-%e4%b8%8a%e7%9a%84-tidesdb/

MySQL 上的 TidesDB

#database #db #mariadb #mysql #performance #rdbms #sql #tidesdb #tidesql #write #writing

https://blog.gslin.org/archives/2026/05/28/13052/mysql-%e4%b8%8a%e7%9a%84-tidesdb/

MySQL 上的 TidesDB

#database #db #mariadb #mysql #performance #rdbms #sql #tidesdb #tidesql #write #writing

https://blog.gslin.org/archives/2026/05/28/13052/mysql-%e4%b8%8a%e7%9a%84-tidesdb/

MySQL 上的 TidesDB

#database #db #mariadb #mysql #performance #rdbms #sql #tidesdb #tidesql #write #writing

Red Light Jazz: late night concert with the Christopher Pérez Quintet

Contra, Sunday, June 7 at 11:00 PM GMT+2

Cristopher Pérez is a jazz saxophonist trained at the Escola Superior de Música de Catalunya (ESMUC), where he completed his higher studies under the guidance of prominent musicians from the European scene. This year, he is furthering his education by pursuing a Master’s degree in Jazz Performance at the Conservatorium van Amsterdam, one of Europe’s leading institutions.

He has received several awards at both national and international levels. He is the winner of the First Prize from Juventudes Musicales de España with his personal project, the Cristopher Pérez Quartet, and he is also a member of the second ensemble ever to be awarded in the history of that same competition, consolidating his career both as a soloist and as an ensemble musician. Internationally, he was awarded Best Soloist (non-CVA category) at the prestigious Keep an Eye Jazz Award, held in the Netherlands.

Cristopher stands out for a personal, expressive, and constantly evolving voice, reflected both in his performance and his compositions, always seeking new languages within contemporary jazz.

https://offbeat.amsterdam/event/red-light-jazz-late-night-concert-with-the-christopher-perez-quintet

Matrix Multiplications on GPUs Run Faster When Given "Predictable" Data

https://www.thonking.ai/p/strangely-matrix-multiplications

#HackerNews #MatrixMultiplication #GPU #Performance #PredictableData #TechInnovation #AIResearch

Expected Results: One session is enough to clear mental fog, sharpen attention, and boost creative energy. A measurable improvement in just 25 minutes. #Biohacking #QuickWin #PeakPerformance #Productivity #Focus #Energy #Health #Performance #MentalClarity #FastResults (4/4)

#Biohacking #PeakPerformance #Optimization #Productivity #Focus #Efficiency #Health #Wellness #Performance #Energy (4/4)

Sleep. If you want to get the most from your pre-workout meal, aim for 7 to 8 hours of solid rest the night before. Being short on sleep hurts your performance more than a slightly off meal plan.

Most people notice better focus and more consistent energy almost right away.

#Biohacking #PreWorkoutNutrition #PeakPerformance #SleepScience #Productivity #Energy #Optimization #Performance #Fitness #Wellness (3/3)

Could you share the content you'd like me to work with? Once I have that, I can transform it into a clear, natural, and engaging social media post that fits your needs. #Biohacking #PeakPerformance #Optimization #Productivity #Focus #Efficiency #Health #Wellness #Performance #Energy (1/1)

Could you share the content you'd like me to work with? Once I have that, I can transform it into a clear, natural, and engaging social media post that fits your needs. #Biohacking #PeakPerformance #Optimization #Productivity #Focus #Efficiency #Health #Wellness #Performance #Energy (1/1)

Could you share the content you'd like me to work with? Once I have that, I can transform it into a clear, natural, and engaging social media post that fits your needs. #Biohacking #PeakPerformance #Optimization #Productivity #Focus #Efficiency #Health #Wellness #Performance #Energy (1/1)

Could you share the content you'd like me to work with? Once I have that, I can transform it into a clear, natural, and engaging social media post that fits your needs. #Biohacking #PeakPerformance #Optimization #Productivity #Focus #Efficiency #Health #Wellness #Performance #Energy (1/1)

Once you align training with your body’s rhythm, you’ll build strength more easily, bounce back quicker, and notice steadier energy throughout the day. No tricks—just timing.

#Biohacking #CircadianRhythm #PeakPerformance #Productivity #Focus #Efficiency #Health #Fitness #Performance #Energy (3/3)

Fall asleep 10-15 minutes faster. Wake up feeling more restored within 2 weeks. Notice improved HRV scores showing better autonomic recovery.

#SleepBiohack #AthleteRecovery #BreathworkForPerformance #MentalClarity #Biohacking #PeakPerformance #Optimization #Productivity #Focus #Efficiency #Health #Wellness #Performance #Energy #Recovery (3/3)

Introducing DoomBench - Can Your Data Stack Run DOOM? https://lobste.rs/s/nkafrw #databases #performance
https://cedardb.com/blog/doombench/

Our next #JCON2026 session is live: 'When #ORM Becomes OMG: #Performance Pitfalls in JPA and Friends' with Jos Roseboom

#JPA makes #database interaction feel almost magical—until your app grinds to a halt. In this talk, we’ll take a tour …

Grab your coffee and hit play: https://youtu.be/RjnXUFyXlno

Erotic Poetry Night

Tolhuistuin, Thursday, June 18 at 07:30 PM GMT+2

By popular demand, Eroticly Yours returns to Paradiso with another Erotic Poetry Night: an evening designed to awaken the senses through poetry, storytelling, music, and performance art, all centered around the erotic.

From tender to explicit, from fantasy to the everyday, from toys and self-pleasure to burning desire, from dates gone wrong (or wonderfully right), to erotic fashion, kink, fetishes, and slow kisses – the world of the erotic is as rich as it is diverse. Guests are invited to come alone, with friends, or with a date, and experience performances by a wide range of local and international artists offering their unique take on what erotica can mean.

Paradiso and the organizers believe artists deserve fair pay, and that art should remain accessible. A limited number of solidarity tickets are available for those who wish to attend but cannot currently afford a ticket. These can be requested—no questions asked—by emailing [email protected].

https://offbeat.amsterdam/event/erotic-poetry-night-2

Art Market by Local Gr0up & Ganok – Fundraiser for Ukraine

Plantage Dok, Saturday, May 30 at 01:00 PM GMT+2

On May 30, Local Gr0up & Ganok are taking over Plantage Dokhuis for a full-day fundraising art market for Ukraine.

From 13:00 onwards, Dokzaal will host a curated market with 30+ independent artists, designers and local brands, alongside film screening, hair workshop, music performances and an exposition throughout the day.

Ukrainian vegan food by Monday Kitchen collective (Ukraine/Berlin) will be served all day in the café area, with a special dinner menu between 18:00–20:00 🌞

Programma:

14:00–15:00 Hair Workshop by Tois Hair on the second floor

15:30–16:30 “Landslide” screening by Oleksii Radynski + panel discussion about unconventional art spaces.

17:00–22:30 DJs & live performances at the basement stage by:

Dmytro Tentiuk (live)

Denver

p0brediabla (live)

baby ganoush

divo

Exposition by Adela Wagner will be presented during the event.

Entry is donation-based (5€+ suggested).

All donations will be reported and transferred to support medical and humanitarian aid initiatives in Ukraine 🤍🇺🇦

https://offbeat.amsterdam/event/art-market-by-local-gr0up-and-ganok-fundraiser-for-ukraine

Art Market by Local Gr0up & Ganok – Fundraiser for Ukraine

Plantage Dok, Saturday, May 30 at 01:00 PM GMT+2

On May 30, Local Gr0up & Ganok are taking over Plantage Dokhuis for a full-day fundraising art market for Ukraine.

From 13:00 onwards, Dokzaal will host a curated market with 30+ independent artists, designers and local brands, alongside film screening, hair workshop, music performances and an exposition throughout the day.

Ukrainian vegan food by Monday Kitchen collective (Ukraine/Berlin) will be served all day in the café area, with a special dinner menu between 18:00–20:00 🌞

Programma:

14:00–15:00 Hair Workshop by Tois Hair on the second floor

15:30–16:30 “Landslide” screening by Oleksii Radynski + panel discussion about unconventional art spaces.

17:00–22:30 DJs & live performances at the basement stage by:

Dmytro Tentiuk (live)

Denver

p0brediabla (live)

baby ganoush

divo

Exposition by Adela Wagner will be presented during the event.

Entry is donation-based (5€+ suggested).

All donations will be reported and transferred to support medical and humanitarian aid initiatives in Ukraine 🤍🇺🇦

https://offbeat.amsterdam/event/art-market-by-local-gr0up-and-ganok-fundraiser-for-ukraine