home.social

#bass — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #bass, aggregated by home.social.

  1. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  2. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  3. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  4. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  5. Now Playing

    ✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋

    Digital Signal Path

    • SBC Pi5 ARM SOC / Linux system X86
    • UMC22 / Forte Digitizer Behringer [Out 0 1]
    • Instrument Mixer {16 channel} [stable TRS OUT 0 1]
    • Yamaha Mixing Console {stable TRS IN 0 1}
    • Aux0 send Effect rack unit0 channel 0
    • Aux1 send Effect rack unit0 channel 1
    • Aux 0 return Master Bus channel 0
    • Aux 1 return Master Bus channel 1
    • Master faders {logarithmic eLog(x)}
    • XLR output {channel 0 1}
    • Headphone Amps 0 1 (4 channel x 2)
    • 1/4" output 0 1
    • 1/4" output 2 3 (monitor output)
    • Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
    • Floor monitors x 2
    • Digitizer input 0 1
    • DAW

    log

    uname -a

    Z

    sources:

    man uname(1)

    man flac(1)

    man moc(1)

    man ls(1)

    en.wikipedia.org/wiki/Slipknot

    en.wikipedia.org/wiki/Metal

    en.wikipedia.org/wiki/Heavy_me

    #NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV

  6. Spent a long time playing with a digital effects #bass pedal seeing what it can and can't do. Compression, reverb various presets for fingerstyle, slap, tapping etc. Can even simulate classic amps. Lovely bit of kit.
    But tonight I tried to dial in "my perfect tone" using the "empty" setting, in theory the pedal isn't there.
    Yup, guess what, got close with the pedal but as soon a I took it physically out of the circuit it sounded great. Software helps, to a limit.

  7. How do you describe the "first position" in the #bass ? What makes it identifiable as such ?

  8. Ich hab mir ein Bass-Buch von Alex Webster gekauft. Er empfiehlt darin sich Drunken Wisdom von Overkill anzuhören, als Beispiel für das Zusammenspiel von Bass und Gitarre als rhythm section.

    Heißer Tipp 🤘🏻

    youtube.com/watch?v=gKkTy7OH1Nk

    #Bass #Metal

  9. CW: Solutions To Problems, Fire, Blood

    Playing the bass, discover a new weird buzz. Not coming from the pickup, the amp, it's... coming from the body of the bass? Is it shorting out? WTF.

    Poke at it, discover a thin layer of peeled plastic has come up off the pickup, and at long range of motion on the low E, is getting touched, making a bizarre noise.

    Do I want this noise? Maybe. Does it muck up what I'm currently (badly) playing? Very much so.

    Squeeze my too-small-for-bass-guitar fingers under the strings. No blood yet. Maybe I can... index and ring finger together, grip it. It peels down onto the front face of the bass.

    It is at this point I realize the bass, which I nabbed a while back, shipped with a protective peelable plastic, which *somehow* has been heat applied over the pickups, over the face of the bass, over everything.

    I. Peel. The plastic.

    Strings are in the way, I frowst about under them like a fox in a too-small wuzzy. There is a trivial but increasing flow of blood. I pause for a cloth and then a layer of super glue. There is no super glue in the house.

    There is no styptic powder in the house.

    I emit sounds of dubious intelligence – grunts – and proceed to go about my business anyway. Eventually, with some small consequence, the entire face of the base is clear of protective plastic. Like a newly skun phone-face, it looks much better. Excepting, I suppose, the slight smears of blood. A cleaning takes place, a disinfecting, during which I consider whether bass guitars might become contagious. And whether I’ve had enough sleep for this sort of thing or not.

    Back to playing.

    The buzz is worse. There are two new buzzes. I turn on the proper light and discover the grippers for the pickups have gripped the protective plastic some. I emit a further sound of dubious intelligence, waking the Big Smart Dog, who demands walkies. I’ve just cleaned this, I’m no longer a leaky mess, I’m not cramming my fingers in under there again.

    Tweezers? Chop sticks? Wait.

    Fire.

    I take both the bass and the BSD outside. I use a stick lighter to burn the plastic, much to the disgust of the BSD, and emit yet another sound. I like to think this one is vaguely smarter than the others, but it’s still a grunt. The BSD grunts back.

    We go for a walk, mostly with me playing the bass, but sometimes in the dark and narrow paths, the trees do too. Coming back in, I find my freshly beautified bass has experienced pine tar. I decide it adds character and resist setting it on fire.

    * * *

    #bass #guitar #HowToNot #buzz

  10. CW: Solutions To Problems, Fire, Blood

    Playing the bass, discover a new weird buzz. Not coming from the pickup, the amp, it's... coming from the body of the bass? Is it shorting out? WTF.

    Poke at it, discover a thin layer of peeled plastic has come up off the pickup, and at long range of motion on the low E, is getting touched, making a bizarre noise.

    Do I want this noise? Maybe. Does it muck up what I'm currently (badly) playing? Very much so.

    Squeeze my too-small-for-bass-guitar fingers under the strings. No blood yet. Maybe I can... index and ring finger together, grip it. It peels down onto the front face of the bass.

    It is at this point I realize the bass, which I nabbed a while back, shipped with a protective peelable plastic, which *somehow* has been heat applied over the pickups, over the face of the bass, over everything.

    I. Peel. The plastic.

    Strings are in the way, I frowst about under them like a fox in a too-small wuzzy. There is a trivial but increasing flow of blood. I pause for a cloth and then a layer of super glue. There is no super glue in the house.

    There is no styptic powder in the house.

    I emit sounds of dubious intelligence – grunts – and proceed to go about my business anyway. Eventually, with some small consequence, the entire face of the base is clear of protective plastic. Like a newly skun phone-face, it looks much better. Excepting, I suppose, the slight smears of blood. A cleaning takes place, a disinfecting, during which I consider whether bass guitars might become contagious. And whether I’ve had enough sleep for this sort of thing or not.

    Back to playing.

    The buzz is worse. There are two new buzzes. I turn on the proper light and discover the grippers for the pickups have gripped the protective plastic some. I emit a further sound of dubious intelligence, waking the Big Smart Dog, who demands walkies. I’ve just cleaned this, I’m no longer a leaky mess, I’m not cramming my fingers in under there again.

    Tweezers? Chop sticks? Wait.

    Fire.

    I take both the bass and the BSD outside. I use a stick lighter to burn the plastic, much to the disgust of the BSD, and emit yet another sound. I like to think this one is vaguely smarter than the others, but it’s still a grunt. The BSD grunts back.

    We go for a walk, mostly with me playing the bass, but sometimes in the dark and narrow paths, the trees do too. Coming back in, I find my freshly beautified bass has experienced pine tar. I decide it adds character and resist setting it on fire.

    * * *

    #bass #guitar #HowToNot #buzz

  11. RE: sfba.social/@historyofpunkrock

    Lust for Life was release 49 years ago today so I decided to look up why they chose the cheesy photo for the album cover. It's not all that interesting really, but I saw an article about great opening bass lines:

    faroutmagazine.co.uk/greatest-

    Spoiler Alert! The greatest opening bass line is from Cannonball by The Breeders. It's an interesting read about how that opening happened.

    But Cannonball is an unusual song on The Last Splash because it's musically brilliant, very original, yet it sits on an otherwise pretty poor album.

    Yes, the album has some other good songs but nothing of that calibre and in my opinion the album has too many dull songs on it.

    If only they'd worked on the rest of the album as much as they did for Cannonball.

    #IggyPop #TheBreeders #Bass

  12. Did you know that a certain percentage of people trying to get stoned actually change into a stone being - irreversible?
    For more worrying doomer facts, don't hesitate to tune into a new very drug-free issue of…

    RADIO IRRTUM!

    --- ↓↓↓ Deutsch Version below unten ↓↓↓ ---

    The next issue of #RadioIrrtum! will arrive this Saturday, 2026/08/29, 8:00pm UTC+2/Berlin time/CET. On Alex Berlin at DAB+ K12D in #Berlin/Brandenburg and worldwide @ https://www.alex-berlin.de/radio-livestream .

    A German language #radioShow exploring the sonic vastness of the #underground. Emitted transmissions may raise attention for new unheard #music. Don't worry about the #GermanLanguage aspect - this is about #music!

    This time we'll have...

    - phunky live (recorded) NeoJazz
    - sometimes quite tricky #Beatmaker stuff
    - Brazilian 140s #Halftime #Bass
    - Rough British Bass Beasts
    - #LiquidDnB
    - #Psychedelic Stoner #DoomMetal
    - #BlackGaze #Doom
    - #Hardcore
    - several forms of #Punk
    - and #Acappella #SurfMusic

    I've got lots of electronic or sample based music within the last issues, a bit too much perhaps. So this time we'll have a cut: 50% will be electronic/sample based mostly - but the other half is completely handmade, with a surprising lot of pure dooooomy metal, 🤟 yes!

    All that with lots of #CreativeCommons content, cuz music wants 2b free. Also many tracks played aren't on #Spotify - cannot bash 'em enough. And most important: We've got outstanding #FediArtists in it, like @[email protected], @[email protected] or @[email protected] . Thanks for making the Fediverse such a nice n cozy diverse space of culture!

    I'll post playlist + manuscript later here. Having questions? I'll gladly answer. Just ask. CU all on Saturday! :)

    And now: LET'S CHANGE INTO STONE!

    --- ↑↑↑ English version above, the Deutsche welche jetzt ↓↓↓ ---

    Radio Irrtum! kommt näher → Samstag, 29.08.26, 20:00 isses soweit auf Alex Berlin (DAB+ K.12D / Stream URL oben).

    Also die seltsam funke(ln)de Radiosendung, in der planetenumfassende Weiten des musikalischen Untergrunds erforscht werden.

    Mit:

    - Live (aufgenommenem) NeoJazz
    - tricky Beatmaker Zeugs
    - 140er/Halftime Bass
    - Rough Bass
    - Liquid DnB
    - Psychedelic Stoner Doom
    - Black Gaze Doom
    - Hardcore
    - Riot Punk
    - Egg Punk
    - und Acapella Surf Musik

    50% cooles Studiogefrickel, 50% pures verdoomtes Handgefertigtes!

    Viel der gespielten Musik ist nicht bei Spotify zu finden, es gibt Creative Commons Inhalte und Musikprojekte direkt aus dem Fediverse sind auch am Start (s.o.).

    Details in englisch oben, Playlist/Manuskript nach der Show hier drunter. Fragen einfach stellen – ich antworte!

    Bis zur Sendung… vielleicht? :)

    #fediArtists #musicRecommendation
    Radio Irrtum! stands for: #NoAi / #NoAiInMusic / #NoDrugs
  13. Noise Block 15

    online, Saturday, August 22 at 07:00 PM UTC

    Noise Block are back after a sweaty summer hiatus with more underground bass goodness.

    Expect an hour of dubious b2b beats from Eziman and ENOENT.

    freestreamers.btfree.org/event

  14. ENOENT LIVE // KERNEL PANIC

    online, Saturday, July 18 at 06:00 PM UTC

    ENOENT // KERNEL PANIC

    The world may be in disarray but the beats don't stop.

    Play it loud or not at all.

    @[email protected]

    freestreamers.btfree.org/event

  15. ENOENT LIVE // KERNEL PANIC

    online, Wednesday, July 8 at 06:00 PM UTC

    ENOENT // KERNEL PANIC

    The world may be in disarray but the beats don't stop.

    Play it loud or not at all.

    freestreamers.btfree.org/event

  16. Noise Block 14

    online, Friday, May 15 at 08:00 PM UTC

    Noise Block gets settled in with more underground bass goodness.

    Expect an hour of dubious b2b beats from Eziman and ENOENT.

    freestreamers.btfree.org/event

  17. i figured out that you can derive the melodic minor scale by sharping the 7th degree of the Dorian mode! that realization inspired this little chord progression, which i decided to put on a reggaeton beat because one of my friends told me he has been really into reggaeton lately :) this one is just for fun, but who knows... it could work as a jam

    soundgasm.net/u/katchwreck/mel

    #Dorian #musicTheory #music #diatonic #melodicMinor #reggaeton #bass #guitar #wah

  18. A Stór (Irish for "my treasure") is a piece for marimba, piano, and fretless bass. It’s inspired by Piazzolla and dedicated to Tiziana.

    The bass I used here is a 1960s Höfner 182 that I’ve had since the 90s. A friend removed its frets and painted it black, and I recently updated the pickups. Do you like its sound? ^_^

    eidon.bandcamp.com/track/a-st-

    #AntiRadio #newmusic #music #bass #fretlessbass

  19. ☘️☘️☘️ 🎶 ☠️💚 ☘️☘️☘️

    AS HEARD ON TV: "Our version of "Sleepy Maggie" is used in "The Black Donnellys" pilot. About 7 minutes into the show there's a bar scene --"Sleepy Maggie" plays throughout the scene.

    The tune is a Mad Maggiefied version of a traditional reel.

    Watch the scene: youtu.be/PaSEnf0jFMw

    #theMadMaggies #Music #Joy
    #Accordion #Guitar #Bass
    #Drums #Trumpet #Trombone
    #Tuba #Sax
    #IrishMusic #SaintPatricksDay

  20. ☘️☘️☘️ 🎶 ☠️💚 ☘️☘️☘️

    Live at Lagunitas Brewing Company

    This is a sea-faring adventure, a celtic/pop/swing hybrid, a rousing tale of plucky Sally Duggan.

    youtu.be/WhAAfXNFyzY

    #theMadMaggies #Music #Joy
    #Accordion #Guitar #Bass
    #Drums #Trumpet #Trombone
    #Tuba #Clarinet #Sax
    #IrishMusic #SaintPatricksDay

  21. ☘️☘️☘️ 🎶 ☠️💚 ☘️☘️☘️

    Mad Mags asked Wally Sound to let his dub spirit and sensibility run wild. The result is very pleasing! Take a trad hornpipe and add some Jamaican Dub stylings. Call it a tribute to the long history of Irish in the Carribean. 🙂

    themadmaggies.bandcamp.com/tra

    #theMadMaggies #Music #Joy
    #Accordion #Guitar #Bass
    #Drums #Trumpet #Trombone
    #Tuba #Whistles #Sax
    #IrishMusic #SaintPatricksDay #Jamaica #Dub

  22. ☘️☘️☘️ 🎶 ☠️💚 ☘️☘️☘️

    Drunken Sailor's Hornpipe -- NO.
    Not that tune.

    This is a 5 part hornpipe -- mad maggiefied, of course.

    Ya gotta love the bass clarinet ...

    themadmaggies.bandcamp.com/tra

    #theMadMaggies #Music #Joy
    #Accordion #Guitar #Bass
    #Drums #Trumpet #Trombone
    #Tuba #Whistles #Sax #BassClarinet
    #IrishMusic #SaintPatricksDay

  23. ENOENT LIVE // KERNEL PANIC 5

    online, Saturday, February 14 at 09:00 PM UTC

    ENOENT // KERNEL PANIC

    The world may be in disarray but the beats don't stop.

    Play it loud or not at all.

    freestreamers.btfree.org/event

  24. ENOENT LIVE // KERNEL PANIC 4

    online, Saturday, February 7 at 09:00 PM UTC

    ENOENT // KERNEL PANIC

    The world may be in disarray but the beats don't stop.

    Play it loud or not at all.

    freestreamers.btfree.org/event

  25. ENOENT LIVE // KERNEL PANIC 3

    online, Saturday, January 31 at 09:00 PM UTC

    ENOENT // KERNEL PANIC

    The world may be in disarray but the beats don't stop.

    Play it loud or not at all.

    freestreamers.btfree.org/event

  26. ENOENT LIVE // KERNEL PANIC 2

    online, Friday, January 23 at 11:00 PM UTC

    ENOENT // KERNEL PANIC

    The world may be in disarray but the beats don't stop.

    Play it loud or not at all.

    freestreamers.btfree.org/event