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#bass — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #bass, aggregated by home.social.

  1. Spent a long time playing with a digital effects #bass pedal seeing what it can and can't do. Compression, reverb various presets for fingerstyle, slap, tapping etc. Can even simulate classic amps. Lovely bit of kit.
    But tonight I tried to dial in "my perfect tone" using the "empty" setting, in theory the pedal isn't there.
    Yup, guess what, got close with the pedal but as soon a I took it physically out of the circuit it sounded great. Software helps, to a limit.

  2. How do you describe the "first position" in the #bass ? What makes it identifiable as such ?

  3. Ich hab mir ein Bass-Buch von Alex Webster gekauft. Er empfiehlt darin sich Drunken Wisdom von Overkill anzuhören, als Beispiel für das Zusammenspiel von Bass und Gitarre als rhythm section.

    Heißer Tipp 🤘🏻

    youtube.com/watch?v=gKkTy7OH1Nk

    #Bass #Metal

  4. CW: Solutions To Problems, Fire, Blood

    Playing the bass, discover a new weird buzz. Not coming from the pickup, the amp, it's... coming from the body of the bass? Is it shorting out? WTF.

    Poke at it, discover a thin layer of peeled plastic has come up off the pickup, and at long range of motion on the low E, is getting touched, making a bizarre noise.

    Do I want this noise? Maybe. Does it muck up what I'm currently (badly) playing? Very much so.

    Squeeze my too-small-for-bass-guitar fingers under the strings. No blood yet. Maybe I can... index and ring finger together, grip it. It peels down onto the front face of the bass.

    It is at this point I realize the bass, which I nabbed a while back, shipped with a protective peelable plastic, which *somehow* has been heat applied over the pickups, over the face of the bass, over everything.

    I. Peel. The plastic.

    Strings are in the way, I frowst about under them like a fox in a too-small wuzzy. There is a trivial but increasing flow of blood. I pause for a cloth and then a layer of super glue. There is no super glue in the house.

    There is no styptic powder in the house.

    I emit sounds of dubious intelligence – grunts – and proceed to go about my business anyway. Eventually, with some small consequence, the entire face of the base is clear of protective plastic. Like a newly skun phone-face, it looks much better. Excepting, I suppose, the slight smears of blood. A cleaning takes place, a disinfecting, during which I consider whether bass guitars might become contagious. And whether I’ve had enough sleep for this sort of thing or not.

    Back to playing.

    The buzz is worse. There are two new buzzes. I turn on the proper light and discover the grippers for the pickups have gripped the protective plastic some. I emit a further sound of dubious intelligence, waking the Big Smart Dog, who demands walkies. I’ve just cleaned this, I’m no longer a leaky mess, I’m not cramming my fingers in under there again.

    Tweezers? Chop sticks? Wait.

    Fire.

    I take both the bass and the BSD outside. I use a stick lighter to burn the plastic, much to the disgust of the BSD, and emit yet another sound. I like to think this one is vaguely smarter than the others, but it’s still a grunt. The BSD grunts back.

    We go for a walk, mostly with me playing the bass, but sometimes in the dark and narrow paths, the trees do too. Coming back in, I find my freshly beautified bass has experienced pine tar. I decide it adds character and resist setting it on fire.

    * * *

    #bass #guitar #HowToNot #buzz

  5. CW: Solutions To Problems, Fire, Blood

    Playing the bass, discover a new weird buzz. Not coming from the pickup, the amp, it's... coming from the body of the bass? Is it shorting out? WTF.

    Poke at it, discover a thin layer of peeled plastic has come up off the pickup, and at long range of motion on the low E, is getting touched, making a bizarre noise.

    Do I want this noise? Maybe. Does it muck up what I'm currently (badly) playing? Very much so.

    Squeeze my too-small-for-bass-guitar fingers under the strings. No blood yet. Maybe I can... index and ring finger together, grip it. It peels down onto the front face of the bass.

    It is at this point I realize the bass, which I nabbed a while back, shipped with a protective peelable plastic, which *somehow* has been heat applied over the pickups, over the face of the bass, over everything.

    I. Peel. The plastic.

    Strings are in the way, I frowst about under them like a fox in a too-small wuzzy. There is a trivial but increasing flow of blood. I pause for a cloth and then a layer of super glue. There is no super glue in the house.

    There is no styptic powder in the house.

    I emit sounds of dubious intelligence – grunts – and proceed to go about my business anyway. Eventually, with some small consequence, the entire face of the base is clear of protective plastic. Like a newly skun phone-face, it looks much better. Excepting, I suppose, the slight smears of blood. A cleaning takes place, a disinfecting, during which I consider whether bass guitars might become contagious. And whether I’ve had enough sleep for this sort of thing or not.

    Back to playing.

    The buzz is worse. There are two new buzzes. I turn on the proper light and discover the grippers for the pickups have gripped the protective plastic some. I emit a further sound of dubious intelligence, waking the Big Smart Dog, who demands walkies. I’ve just cleaned this, I’m no longer a leaky mess, I’m not cramming my fingers in under there again.

    Tweezers? Chop sticks? Wait.

    Fire.

    I take both the bass and the BSD outside. I use a stick lighter to burn the plastic, much to the disgust of the BSD, and emit yet another sound. I like to think this one is vaguely smarter than the others, but it’s still a grunt. The BSD grunts back.

    We go for a walk, mostly with me playing the bass, but sometimes in the dark and narrow paths, the trees do too. Coming back in, I find my freshly beautified bass has experienced pine tar. I decide it adds character and resist setting it on fire.

    * * *

    #bass #guitar #HowToNot #buzz

  6. In This Episode You'll Learn

    ・Why low frequencies are essential to Angine de Poitrine's sound
    ・How Khn combines guitar and bass on one double-neck instrument
    ・Why bass can make microtonal music easier to physically follow

    #AngineDePoitrine
    #MicrotonalMusic
    #Bass

    youtu.be/cad9CaQ2k-o

    The Bass That Makes Angine de ...

  7. #Bass #LowFrequency #Psychoacoustics

    人間はなぜ低音に快感を覚えるのか。その理由を、耳だけではなく身体・脳・進化・音楽文化という複数の視点から読み解く

    monumental-movement.jp/column-why-b...

    【コラム】 Why Bass Feels Good|低音はな...

  8. CF Signals: Bane:9, Milan d’Oullins – 777 [Garage 83-C x La Grande Gudule x Armen Crew]

    Following the legacy of Her Tentacles Sip My Mind, L’Ultime Ventouse, Panne Seiche, Bulot Rider, and Octo+, the aquatic territory’s most select collaboration returns with Krab Core. A magnificent various artists compilation, as varied as its title suggests, uniting once again the creative forces of this summer’s triple musical alliance. Between aquatic experiments, sonic drifts, and unhinged crustaceans, the artists plunge into a collective journey through uncharted and delightfully absurd waters. Available as a «pay-what-you-want» release on Bandcamp—alongside a super limited CD edition for dedicated collectors—the compilation features cover art by Billy Dogz.

    https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

    At Club Furies, we are thrilled to be part of this major release with the exclusive Premiere of 777, a track by French producers Bane:9 and Milan d’Oullins. Rising from the depths of bass music and breakbeat, the piece deploys a mysterious, nostalgic, and electric sound design. Its architecture evokes a landscape submerged in cold shores and black sands, an environment where echoes of the past overlay time to emerge with an energy as subtle as it is potent.

    https://soundcloud.com/clubfuriess/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew

    The track’s narrative articulates through a rhythm and progression as delicate as it is patient. The sonic structure reveals itself as plastic and versatile, masterfully proving that the seams of high intensity can run along parallel rails. With 777, Bane:9, Milan d’Oullins, and this summer alliance sign a flawless sonic manifesto: proving that avant-garde electronic music reaches its apex when percussive complexity embraces cinematic drift and abyssal immersion.

    https://clubfuries.com.mx/2026/04/24/cfp-n-trip-amplify-arm009/

    Towards the denouement, the composition rejects any complacent resolution or traditional fading closure. The breakbeat drive cuts off abruptly mid-modular friction, leaving residual frequencies and the depth’s echo suspended in mid-air like an unfinished interference in the dark.

    KRAB CORE
    GARAGE 83-C x LA GRANDE GUDULE x ARMEN CREW
    VARIOUS ARTIST

    Credits
    Mastering: Simon Hamelin @ HDN Mastering
    Track 17 Self-mastered
    Artwork: Billy Dogz (www.instagram.com/billy_dogz/)

    Release Date: August 14, 2026
    50 CD’s and Bandcamp Only: armencrewmusic.bandcamp.com

    Tracklist
    01 – bane:9, Milan d’Oullins – 777 – 5:32
    02 – Akam Sector – Desafio de Embolada – 4:37
    03 – Azogial – Me You – 5:24
    04 – DJ 8.6 – Gudule Gonk – 4:40
    05 – Jacques Satre – Lizards Games Stepper – 5:21
    06 – DJ LM$ – Bug Me Out – 3:54
    07 – Nyttes – Ominous Harvest – 5:54
    08 – Oda Fiasco Bravo – Up and Fine – 5:05
    09 – alombreducheval – Toto il est Bien – 8:16
    10 – Pas de Pâquerette – Ouvrir les Côtés – 2:57
    11 – eul Diap – Kulta Kuro – 8:40
    12 – Gargantuan Grief & acheve – Pseudo-V – 4:10
    13 – Force Rouge – Somewhere Over The Rainbow – 4:18
    14 – DJ Padset – Revenge – 4:03
    15 – Francis Cheval, Pickle Vick – La Soupe Aux Petits Choux – 3:14
    16 – Zwoin – Ta Mère – 4:18
    17 – reallyraw – Zehef – 2:38
    18 – Lemon schaden x anodyna – Anhedonia – 3:50

    Bane:9

    SoundCloud | Instagram | Bandcamp | Linktree

    Milan d’Oullins

    SoundCloud

    Garage 83-C

    SoundCloud | Bandcamp | Instagram | Facebook

    La Grande Gudule

    SoundCloud

    Armen Crew

    SoundCloud | Instagram | Facebook | Bandcamp
    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Acid #ArmenCrew #Bane9 #Bass #Breakbeat #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #electro #Electronic #Electronica #France #Garage83C #KRABCORE #LaGrandeGudule #MilanDOullins #Premiere #premiereCF #PremiereClubFuries #techno
  9. CF Signals: Monotone – With U [tentapes]

    The deconstruction of the contemporary club finds a field of absolute subversion within the hybridization of artistic identities. Monotone is the live electronic music project formed by Francesco Presotto and Kimi Recor—artists with extensive backgrounds under their monikers Ex.Hale and DRÆMINGS across imprints like Sonic Groove, Voidance, or Sumerian Records—whose proposal geographically oscillates between Venice and La Coruña. Joining forces, the duo deconstructs common compositional standards to erect a vision characterized by dark textures, atmospheric weight, and a distinctive ability to provoke a feeling of artistic and textural asphyxiation within the listener.

    For the sixth release in the tentapes catalog, we welcome Monotone with Fictional Science, an immersive experience composed of four deeply emotional pieces blending field recordings and powerful low-end. The closing point and peak acceleration of this sonic universe concentrates on With U. The cut completes the release’s emotional circle in a definitive fashion, driving a continuous high energy from the start that drifts between the idyllic and the ineffable.

    https://soundcloud.com/clubfuriess/cfs-monotone-with-u-tentapes

    The track’s architecture manages tension with analog mastery, reaching sonic deltas that dip straight into silence—structural containment voids suspending the room’s breath—before forcefully reclaiming the flight previously undertaken. Altogether, it solidifies as one of the week’s most refined works, where sound design and physical force advance in flawless harmony.

    Towards the denouement, the composition avoids complacent solutions; the structure interrupts its rhythmic drive abruptly mid-sonic effervescence, leaving the synths’ echo and emotion floating like an unfinished interference in the dark. With Fictional Science, Monotone and tentapes sign a sharp editorial stance: a manifesto proving that avant-garde live electronic music reaffirms itself when capable of jarring both the body and the psyche.

    Label: tentapes
    Artist: Monotone
    Title: Fictional Science
    Catalogue: TNTPS006
    W&P Ana Artalejo Moreno & Francesco Presotto
    Master Ravi Raisa

    Release Date: July 23, 2026
    Support & Buy: Bandcamp

    Tracklist
    1. Deep Forest Dream
    2. Endless
    3. Fictional Science
    4. With U

    Monotone

    SoundCloud | Instagram | Linktree

    tentapes

    SoundCloud | Instagram | Bandcamp | YouTube | Linktree

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Bass #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #electro #Electronic #Electronica #Experimental #Italy #LaCoruna #Monotone #Premiere #premiereCF #PremiereClubFuries #Spain #techno #tentapes #UKGarage #Venezia
  10. Syviin vesiin: Nyt kyllä Meshell Ndegeocello liikkuu bassogroovessa niin syvissä vesissä että 🔥❤️ #time #layback #bass #jazz

    Greasy G tekijältä Joshua Redm...

  11. Oh, nice. New BASSMATTER exclusive album just dropped: a live show from 2016 with Jah Wobble's Invaders of the Heart and Bill Laswell. Something great to listen to while editing. #Music #Bass #BillLaswell #JahWobble

    billlaswell.bandcamp.com/bassm

  12. #FortnightFridayMusic
    Nov 29 2024
    The prompt is Creation

    Axiom Dub: Mysteries of Creation 1996

    It must have been pretty soon after I came to appreciate #RootsReggae that I found its deeper, spacier sibling, #dub - hell, just flip the 7” or let the 12” run, and there’s the dub version. THIS was the shit; it still is for me.

    I think it was one night while listening to #WZBC, #BostonCollege's radio station, that I got my first taste of this Axiom Dub #compilation.

    #BillLaswell, wielder of massively heavy #bass, created the Axiom label for his own projects, but also released work by some other artists of his ilk. What he created with this compilation was my portal to a whole new world of sound.

    Familiar names like #SlyAndRobbie and #JahWobble mingled with newer players on the scene #SubDub and #DJSpooky; yes, dub #reggae was here, but also new sounds, like a more #electronic-based #BrokenBeat sound, #ambient's skittery cousin #Illbient.

    youtube.com/watch?v=yXvFTYAHnW

  13. moezine.com/1087639/ Vaundy – 怪獣の花唄 – replica – Bass Cover 弾いてみた TAB Vaundy – 怪獣の花唄 – replica – Bass Cover 弾いてみた TAB ✅楽譜ダウンロード・リクエスト Bass TAB Download ⇒ Bass Tracks Download ⇒ Green Machine Maruyama さん リクエストありがとうございます(^^) ✅曲のリクエストはこちらから! https://www.patreon… #4弦 #5弦 #announcer #bass #Basscover #cover #drum #guitar #jpop #music #saitohironobu #TAB #vaundy #アナ #アナ美人 #ギター #ベース #女子アナ #女子アナ美人 #弾いてみた #怪獣の花唄Replica #楽譜 #歌ってみた #演奏してみた #玉木碧 #譜面 #踊ってみた #音楽

  14. Your #dailybach:
    924 (after Little Prelude in C, BWV 924)
    Dieter Ilg, Rainer Böhm, Patrice Héral

    His music transcends baroque, classical, old or new. Eternally inspiring beyond the genre boundaries. Hard rock, pop, jazz… artists draw from Bach’s genius until this day.
    Our playlist: bach.club/dailybach

    #classical #music #classicalmusic #art #artist #musician #bach #playlistlive #listeningtomusic @classicalmusic @baroquemusic @jazz #jazz #piano #bass #drums

  15. Your #dailybach:
    924 (after Little Prelude in C, BWV 924)
    Dieter Ilg, Rainer Böhm, Patrice Héral

    His music transcends baroque, classical, old or new. Eternally inspiring beyond the genre boundaries. Hard rock, pop, jazz… artists draw from Bach’s genius until this day.
    Our playlist: bach.club/dailybach

    #classical #music #classicalmusic #art #artist #musician #bach #playlistlive #listeningtomusic @classicalmusic @baroquemusic @jazz #jazz #piano #bass #drums

  16. Your #dailybach:
    924 (after Little Prelude in C, BWV 924)
    Dieter Ilg, Rainer Böhm, Patrice Héral

    His music transcends baroque, classical, old or new. Eternally inspiring beyond the genre boundaries. Hard rock, pop, jazz… artists draw from Bach’s genius until this day.
    Our playlist: bach.club/dailybach

    #classical #music #classicalmusic #art #artist #musician #bach #playlistlive #listeningtomusic @classicalmusic @baroquemusic @jazz #jazz #piano #bass #drums

  17. Your #dailybach:
    924 (after Little Prelude in C, BWV 924)
    Dieter Ilg, Rainer Böhm, Patrice Héral

    His music transcends baroque, classical, old or new. Eternally inspiring beyond the genre boundaries. Hard rock, pop, jazz… artists draw from Bach’s genius until this day.
    Our playlist: bach.club/dailybach

    #classical #music #classicalmusic #art #artist #musician #bach #playlistlive #listeningtomusic @classicalmusic @baroquemusic @jazz #jazz #piano #bass #drums