#bass — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #bass, aggregated by home.social.
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Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
-
Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
-
Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
-
Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
-
Now Playing
✨ 💖💕🌹💐💖 💙💜💖🦋🌺💜🎼 🎶 🎸 Now playing Slipknot - Slipknot ギミチ - CD Mate Feed Kill Repeat Original Edition 🔥 🛍️ 🌑 🔔 44.1kHZ lossy Digital version 🎹 📚 📖 🎻🎻 🎼 🎶 ✨ 💖💕🌹💐💖 💙💜💖🦋
Digital Signal Path
- SBC Pi5 ARM SOC / Linux system X86
- UMC22 / Forte Digitizer Behringer [Out 0 1]
- Instrument Mixer {16 channel} [stable TRS OUT 0 1]
- Yamaha Mixing Console {stable TRS IN 0 1}
- Aux0 send Effect rack unit0 channel 0
- Aux1 send Effect rack unit0 channel 1
- Aux 0 return Master Bus channel 0
- Aux 1 return Master Bus channel 1
- Master faders {logarithmic eLog(x)}
- XLR output {channel 0 1}
- Headphone Amps 0 1 (4 channel x 2)
- 1/4" output 0 1
- 1/4" output 2 3 (monitor output)
- Yamaha StagePass Live mixer (8 channel) with feedback detection / eliminator 98 dB current SPL 125dB SPL ideal
- Floor monitors x 2
- Digitizer input 0 1
- DAW
log
uname -aZ
sources:
man uname(1)man flac(1)man moc(1)man ls(1)https://en.wikipedia.org/wiki/Slipknot_band
https://en.wikipedia.org/wiki/Metal
https://en.wikipedia.org/wiki/Heavy_metal_music
#NowPlaying #Music #Slipknot #Metal #Metal #Bass #electric #Retro #LegacyMusic #Music #metal #Digital #no #TV
- SBC Pi5 ARM SOC / Linux system X86
-
Spent a long time playing with a digital effects #bass pedal seeing what it can and can't do. Compression, reverb various presets for fingerstyle, slap, tapping etc. Can even simulate classic amps. Lovely bit of kit.
But tonight I tried to dial in "my perfect tone" using the "empty" setting, in theory the pedal isn't there.
Yup, guess what, got close with the pedal but as soon a I took it physically out of the circuit it sounded great. Software helps, to a limit. -
🔴 [ES/EN] EN VIVO 🔴
🚀 2010-2026 🎶
🔗 Twitch: https://twitch.tv/fungusdiamonds
🔗 Kick: https://kick.com/fungusdiamonds -
2 famous bassists who said Eddie invited them to join Van Halen
https://rockandrollgarage.com/2-famous-bassists-who-said-eddie-invited-them-to-join-van-halen/
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2 famous bassists who said Eddie invited them to join Van Halen
https://rockandrollgarage.com/2-famous-bassists-who-said-eddie-invited-them-to-join-van-halen/
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2 famous bassists who said Eddie invited them to join Van Halen
https://rockandrollgarage.com/2-famous-bassists-who-said-eddie-invited-them-to-join-van-halen/
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2 famous bassists who said Eddie invited them to join Van Halen
https://rockandrollgarage.com/2-famous-bassists-who-said-eddie-invited-them-to-join-van-halen/
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2 famous bassists who said Eddie invited them to join Van Halen
https://rockandrollgarage.com/2-famous-bassists-who-said-eddie-invited-them-to-join-van-halen/
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How do you describe the "first position" in the #bass ? What makes it identifiable as such ?
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Ich hab mir ein Bass-Buch von Alex Webster gekauft. Er empfiehlt darin sich Drunken Wisdom von Overkill anzuhören, als Beispiel für das Zusammenspiel von Bass und Gitarre als rhythm section.
Heißer Tipp 🤘🏻
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CW: Solutions To Problems, Fire, Blood
Playing the bass, discover a new weird buzz. Not coming from the pickup, the amp, it's... coming from the body of the bass? Is it shorting out? WTF.
Poke at it, discover a thin layer of peeled plastic has come up off the pickup, and at long range of motion on the low E, is getting touched, making a bizarre noise.
Do I want this noise? Maybe. Does it muck up what I'm currently (badly) playing? Very much so.
Squeeze my too-small-for-bass-guitar fingers under the strings. No blood yet. Maybe I can... index and ring finger together, grip it. It peels down onto the front face of the bass.
It is at this point I realize the bass, which I nabbed a while back, shipped with a protective peelable plastic, which *somehow* has been heat applied over the pickups, over the face of the bass, over everything.
I. Peel. The plastic.
Strings are in the way, I frowst about under them like a fox in a too-small wuzzy. There is a trivial but increasing flow of blood. I pause for a cloth and then a layer of super glue. There is no super glue in the house.
There is no styptic powder in the house.
I emit sounds of dubious intelligence – grunts – and proceed to go about my business anyway. Eventually, with some small consequence, the entire face of the base is clear of protective plastic. Like a newly skun phone-face, it looks much better. Excepting, I suppose, the slight smears of blood. A cleaning takes place, a disinfecting, during which I consider whether bass guitars might become contagious. And whether I’ve had enough sleep for this sort of thing or not.
Back to playing.
The buzz is worse. There are two new buzzes. I turn on the proper light and discover the grippers for the pickups have gripped the protective plastic some. I emit a further sound of dubious intelligence, waking the Big Smart Dog, who demands walkies. I’ve just cleaned this, I’m no longer a leaky mess, I’m not cramming my fingers in under there again.
Tweezers? Chop sticks? Wait.
Fire.
I take both the bass and the BSD outside. I use a stick lighter to burn the plastic, much to the disgust of the BSD, and emit yet another sound. I like to think this one is vaguely smarter than the others, but it’s still a grunt. The BSD grunts back.
We go for a walk, mostly with me playing the bass, but sometimes in the dark and narrow paths, the trees do too. Coming back in, I find my freshly beautified bass has experienced pine tar. I decide it adds character and resist setting it on fire.
* * *
-
CW: Solutions To Problems, Fire, Blood
Playing the bass, discover a new weird buzz. Not coming from the pickup, the amp, it's... coming from the body of the bass? Is it shorting out? WTF.
Poke at it, discover a thin layer of peeled plastic has come up off the pickup, and at long range of motion on the low E, is getting touched, making a bizarre noise.
Do I want this noise? Maybe. Does it muck up what I'm currently (badly) playing? Very much so.
Squeeze my too-small-for-bass-guitar fingers under the strings. No blood yet. Maybe I can... index and ring finger together, grip it. It peels down onto the front face of the bass.
It is at this point I realize the bass, which I nabbed a while back, shipped with a protective peelable plastic, which *somehow* has been heat applied over the pickups, over the face of the bass, over everything.
I. Peel. The plastic.
Strings are in the way, I frowst about under them like a fox in a too-small wuzzy. There is a trivial but increasing flow of blood. I pause for a cloth and then a layer of super glue. There is no super glue in the house.
There is no styptic powder in the house.
I emit sounds of dubious intelligence – grunts – and proceed to go about my business anyway. Eventually, with some small consequence, the entire face of the base is clear of protective plastic. Like a newly skun phone-face, it looks much better. Excepting, I suppose, the slight smears of blood. A cleaning takes place, a disinfecting, during which I consider whether bass guitars might become contagious. And whether I’ve had enough sleep for this sort of thing or not.
Back to playing.
The buzz is worse. There are two new buzzes. I turn on the proper light and discover the grippers for the pickups have gripped the protective plastic some. I emit a further sound of dubious intelligence, waking the Big Smart Dog, who demands walkies. I’ve just cleaned this, I’m no longer a leaky mess, I’m not cramming my fingers in under there again.
Tweezers? Chop sticks? Wait.
Fire.
I take both the bass and the BSD outside. I use a stick lighter to burn the plastic, much to the disgust of the BSD, and emit yet another sound. I like to think this one is vaguely smarter than the others, but it’s still a grunt. The BSD grunts back.
We go for a walk, mostly with me playing the bass, but sometimes in the dark and narrow paths, the trees do too. Coming back in, I find my freshly beautified bass has experienced pine tar. I decide it adds character and resist setting it on fire.
* * *
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RE: https://sfba.social/@historyofpunkrock/117176680175512111
Lust for Life was release 49 years ago today so I decided to look up why they chose the cheesy photo for the album cover. It's not all that interesting really, but I saw an article about great opening bass lines:
https://faroutmagazine.co.uk/greatest-opening-bassline-in-history/
Spoiler Alert! The greatest opening bass line is from Cannonball by The Breeders. It's an interesting read about how that opening happened.
But Cannonball is an unusual song on The Last Splash because it's musically brilliant, very original, yet it sits on an otherwise pretty poor album.
Yes, the album has some other good songs but nothing of that calibre and in my opinion the album has too many dull songs on it.
If only they'd worked on the rest of the album as much as they did for Cannonball.
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The original by Hall and Oates is awesome already! Then Lake Street Dive came along and made it even more awesome with just vocals, a double bass, drums and a single(!) trumpet.
https://www.youtube.com/watch?v=89Oc1UE7SS4
#NowListening #Nowplaying #LakeStreetDive #RichGirl #DoubleBass #Bass #HallAndOates #Live #cover
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Cadans & Kracht - Threshold
Deep and dark-ish lab environment something vibes.
Big ups to Iciclehttps://www.youtube.com/watch?v=6Wfc5rZwK40
https://song.link/s/5VgrylPR01mTsOVn9Q6ImX#music #cadans #kracht #icicle #electronica #visionrecordings #breaks #bass
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https://www.europesays.com/at/326273/ Album-Kritik: Ariane Grande klingt auf „petal“ aufregend neu #Album #ArianaGrande #arrangiert #AT #Austria #bass #Entertainment #Gesang #klingt #Music #Musik #Öffentlichkeit #Österreich #Petal #Sensation #Unterhaltung
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CF Signals: Bane:9, Milan d’Oullins – 777 [Garage 83-C x La Grande Gudule x Armen Crew]
Following the legacy of Her Tentacles Sip My Mind, L’Ultime Ventouse, Panne Seiche, Bulot Rider, and Octo+, the aquatic territory’s most select collaboration returns with Krab Core. A magnificent various artists compilation, as varied as its title suggests, uniting once again the creative forces of this summer’s triple musical alliance. Between aquatic experiments, sonic drifts, and unhinged crustaceans, the artists plunge into a collective journey through uncharted and delightfully absurd waters. Available as a «pay-what-you-want» release on Bandcamp—alongside a super limited CD edition for dedicated collectors—the compilation features cover art by Billy Dogz.
At Club Furies, we are thrilled to be part of this major release with the exclusive Premiere of 777, a track by French producers Bane:9 and Milan d’Oullins. Rising from the depths of bass music and breakbeat, the piece deploys a mysterious, nostalgic, and electric sound design. Its architecture evokes a landscape submerged in cold shores and black sands, an environment where echoes of the past overlay time to emerge with an energy as subtle as it is potent.
https://soundcloud.com/clubfuriess/cfs-bane9-milan-doullins-garage-83-la-grande-gudule-armen-crew
The track’s narrative articulates through a rhythm and progression as delicate as it is patient. The sonic structure reveals itself as plastic and versatile, masterfully proving that the seams of high intensity can run along parallel rails. With 777, Bane:9, Milan d’Oullins, and this summer alliance sign a flawless sonic manifesto: proving that avant-garde electronic music reaches its apex when percussive complexity embraces cinematic drift and abyssal immersion.
https://clubfuries.com.mx/2026/04/24/cfp-n-trip-amplify-arm009/
Towards the denouement, the composition rejects any complacent resolution or traditional fading closure. The breakbeat drive cuts off abruptly mid-modular friction, leaving residual frequencies and the depth’s echo suspended in mid-air like an unfinished interference in the dark.
KRAB CORE
GARAGE 83-C x LA GRANDE GUDULE x ARMEN CREW
VARIOUS ARTISTCredits
Mastering: Simon Hamelin @ HDN Mastering
Track 17 Self-mastered
Artwork: Billy Dogz (www.instagram.com/billy_dogz/)Release Date: August 14, 2026
50 CD’s and Bandcamp Only: armencrewmusic.bandcamp.comTracklist
01 – bane:9, Milan d’Oullins – 777 – 5:32
02 – Akam Sector – Desafio de Embolada – 4:37
03 – Azogial – Me You – 5:24
04 – DJ 8.6 – Gudule Gonk – 4:40
05 – Jacques Satre – Lizards Games Stepper – 5:21
06 – DJ LM$ – Bug Me Out – 3:54
07 – Nyttes – Ominous Harvest – 5:54
08 – Oda Fiasco Bravo – Up and Fine – 5:05
09 – alombreducheval – Toto il est Bien – 8:16
10 – Pas de Pâquerette – Ouvrir les Côtés – 2:57
11 – eul Diap – Kulta Kuro – 8:40
12 – Gargantuan Grief & acheve – Pseudo-V – 4:10
13 – Force Rouge – Somewhere Over The Rainbow – 4:18
14 – DJ Padset – Revenge – 4:03
15 – Francis Cheval, Pickle Vick – La Soupe Aux Petits Choux – 3:14
16 – Zwoin – Ta Mère – 4:18
17 – reallyraw – Zehef – 2:38
18 – Lemon schaden x anodyna – Anhedonia – 3:50Bane:9
SoundCloud | Instagram | Bandcamp | Linktree
Milan d’Oullins
Garage 83-C
SoundCloud | Bandcamp | Instagram | Facebook
La Grande Gudule
Armen Crew
SoundCloud | Instagram | Facebook | Bandcamp
Club FuriesWebsite | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree
#Acid #ArmenCrew #Bane9 #Bass #Breakbeat #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #electro #Electronic #Electronica #France #Garage83C #KRABCORE #LaGrandeGudule #MilanDOullins #Premiere #premiereCF #PremiereClubFuries #techno -
NEVER LET 'EM TURN YOUR VOLUME DOWN!
Wait, who's sayin' that?
RADIO IRRTUM!
Ur favorite radio show (isn't it?).
——— ↓↓↓ Deutsch Version below unten ↓↓↓ ———
The next issue of #RadioIrrtum! will arrive this Saturday, 2026/08/01, 8:00pm UTC+2/Berlin time/CET. On Alex Berlin at DAB+ K12D in #Berlin/#Brandenburg + worldwide @ https://www.alex-berlin.de/radio-livestream .
A German language #radioShow exploring the sonic vastness of the #underground. Emitted transmissions may raise attention for new unheard #music. Don't worry about the #GermanLanguage aspect - this is about music!
All that with an amazing variety of genres like…
- #Vienna #Postpunk
- Cyber #Triphop
- #Plunderphonic Funk
- #Nashville electro #HyperClash
- #140 #Bristol #Bass
- #MechanicalTechno
- #ElektroJunk ¹)
- #ArtPunk
- #HarteKost from #Cologne
- noisy and in parts truly classical #GuitarDrones
*¹) Actually the name of an artist played which perfectly fits his style.*
This time I seriously focus on music from the fediverse so shout out to those Fedi artists and underground music experts:
- @[email protected]
- @[email protected] ²)
- @[email protected]
- @[email protected]
- @[email protected]
- @[email protected]
*²) Wasn't aware you are right here while recording the show, Graham. Just realized it. How amazing!!*
Besides: Lots of #creativeCommons content. Much isn't on #Spotify - in fact this is maybe the only Radio Show that activly advertises against them all the time!
Will post playlist + manuscript after the show here + gladly answer any questions on Sunday latest. CU all on Saturday! :)
——— ↑↑↑ English version above, the Deutsche welche jetzt ↓↓↓ ———
#Radio Irrtum! kommt näher → Samstag, 01.08., 20:00 @ Alex Berlin (DAB+ K.12D / Stream URL oben).
Also die seltsam funke(l)nde Radiosendung, in der planetenumfassende Weiten des musikalischen Untergrunds erforscht werden.
Mit:
- Pustpunk aus Wien
- Cyber Triphop
- Plunderphonic Funk
- Nashville electro HyperClash
- 140er Bristolbass
- Mechanical Techno
- Elektro Junk
- Art Punk
- Harte Kost aus Köln
- verrauschte, z.T. echt klassische Gitarrendrones
Diesmal richtig mit Schwerpunkt "Musik aus dem Fediverse" mit ganz vielen coolen #FediMusicians (s.o.).
Zudem: Anti Spotify Ads und Creative Commons Inhalte, yo!
Details in englisch oben, Playlist/Manuskript nach der Show hier drunter. Fragen einfach stellen – ich antworte!
Bis zur Sendung… vielleicht? :)
#fediArtists #musicRecommendation
Radio Irrtum! stands for: #NoAi / #NoAiInMusic -
#introduction time!
Hi, I'm Bea. I seem to be leading a highly squiggly life that's led me through a wild range of experiences, has, at this point been going on for Some Time, and fortunately shows no signs of stopping yet.
Currently, amongst other things, I'm a #coder, a #boater, a #music obsessive, and a #cat mama, plus I #parent a non-zero irrational number of other humans of various ages in this, my sandwich era.
I've also been a #soundEngineer, a #teacher, a professional #psychic, a #theatre technician, and so on. I'm a #Londoner, a lapsed #Glaswegian and a recovering #NewYorker.
I'd list more specifics, but honestly they change all the time; two of the rare constants in my life are #singing and #bass, though I'm increasingly surrounded by a constellation of strange instruments; physical and digital, musical and nautical.
I'm also a #vegan (for the animals) #trans shapeshifter practising #nonMonogamy, and am gay for girls of most genders and apparently now the occasional boy. If this feels like rubbing it in your face, feel free to move your face.
I have an overdeveloped sense of justice, but only compared to your average late capitalist human, and the kind of highly spicy brain you'd expect from, uh, well, all of the above.
I'm afraid things are likely only going to get weirder from here.
No TERFs, no SWERFs, no cops, no Tories (or any other forms of fascism).
Warning! contains multitudes!
-
#introduction time!
Hi, I'm Bea. I seem to be leading a highly squiggly life that's led me through a wild range of experiences, has, at this point been going on for Some Time, and fortunately shows no signs of stopping yet.
Currently, amongst other things, I'm a #coder, a #boater, a #music obsessive, and a #cat mama, plus I #parent a non-zero irrational number of other humans of various ages in this, my sandwich era.
I've also been a #soundEngineer, a #teacher, a professional #psychic, a #theatre technician, and so on. I'm a #Londoner, a lapsed #Glaswegian and a recovering #NewYorker.
I'd list more specifics, but honestly they change all the time; two of the rare constants in my life are #singing and #bass, though I'm increasingly surrounded by a constellation of strange instruments; physical and digital, musical and nautical.
I'm also a #vegan (for the animals) #trans shapeshifter practising #nonMonogamy, and am gay for girls of most genders and apparently now the occasional boy. If this feels like rubbing it in your face, feel free to move your face.
I have an overdeveloped sense of justice, but only compared to your average late capitalist human, and the kind of highly spicy brain you'd expect from, uh, well, all of the above.
I'm afraid things are likely only going to get weirder from here.
No TERFs, no SWERFs, no cops, no Tories (or any other forms of fascism).
Warning! contains multitudes!
-
#introduction time!
Hi, I'm Bea. I seem to be leading a highly squiggly life that's led me through a wild range of experiences, has, at this point been going on for Some Time, and fortunately shows no signs of stopping yet.
Currently, amongst other things, I'm a #coder, a #boater, a #music obsessive, and a #cat mama, plus I #parent a non-zero irrational number of other humans of various ages in this, my sandwich era.
I've also been a #soundEngineer, a #teacher, a professional #psychic, a #theatre technician, and so on. I'm a #Londoner, a lapsed #Glaswegian and a recovering #NewYorker.
I'd list more specifics, but honestly they change all the time; two of the rare constants in my life are #singing and #bass, though I'm increasingly surrounded by a constellation of strange instruments; physical and digital, musical and nautical.
I'm also a #vegan (for the animals) #trans shapeshifter practising #nonMonogamy, and am gay for girls of most genders and apparently now the occasional boy. If this feels like rubbing it in your face, feel free to move your face.
I have an overdeveloped sense of justice, but only compared to your average late capitalist human, and the kind of highly spicy brain you'd expect from, uh, well, all of the above.
I'm afraid things are likely only going to get weirder from here.
No TERFs, no SWERFs, no cops, no Tories (or any other forms of fascism).
Warning! contains multitudes!
-
#introduction time!
Hi, I'm Bea. I seem to be leading a highly squiggly life that's led me through a wild range of experiences, has, at this point been going on for Some Time, and fortunately shows no signs of stopping yet.
Currently, amongst other things, I'm a #coder, a #boater, a #music obsessive, and a #cat mama, plus I #parent a non-zero irrational number of other humans of various ages in this, my sandwich era.
I've also been a #soundEngineer, a #teacher, a professional #psychic, a #theatre technician, and so on. I'm a #Londoner, a lapsed #Glaswegian and a recovering #NewYorker.
I'd list more specifics, but honestly they change all the time; two of the rare constants in my life are #singing and #bass, though I'm increasingly surrounded by a constellation of strange instruments; physical and digital, musical and nautical.
I'm also a #vegan (for the animals) #trans shapeshifter practising #nonMonogamy, and am gay for girls of most genders and apparently now the occasional boy. If this feels like rubbing it in your face, feel free to move your face.
I have an overdeveloped sense of justice, but only compared to your average late capitalist human, and the kind of highly spicy brain you'd expect from, uh, well, all of the above.
I'm afraid things are likely only going to get weirder from here.
No TERFs, no SWERFs, no cops, no Tories (or any other forms of fascism).
Warning! contains multitudes!
-
#introduction time!
Hi, I'm Bea. I seem to be leading a highly squiggly life that's led me through a wild range of experiences, has, at this point been going on for Some Time, and fortunately shows no signs of stopping yet.
Currently, amongst other things, I'm a #coder, a #boater, a #music obsessive, and a #cat mama, plus I #parent a non-zero irrational number of other humans of various ages in this, my sandwich era.
I've also been a #soundEngineer, a #teacher, a professional #psychic, a #theatre technician, and so on. I'm a #Londoner, a lapsed #Glaswegian and a recovering #NewYorker.
I'd list more specifics, but honestly they change all the time; two of the rare constants in my life are #singing and #bass, though I'm increasingly surrounded by a constellation of strange instruments; physical and digital, musical and nautical.
I'm also a #vegan (for the animals) #trans shapeshifter practising #nonMonogamy, and am gay for girls of most genders and apparently now the occasional boy. If this feels like rubbing it in your face, feel free to move your face.
I have an overdeveloped sense of justice, but only compared to your average late capitalist human, and the kind of highly spicy brain you'd expect from, uh, well, all of the above.
I'm afraid things are likely only going to get weirder from here.
No TERFs, no SWERFs, no cops, no Tories (or any other forms of fascism).
Warning! contains multitudes!
-
CF Signals: Monotone – With U [tentapes]
The deconstruction of the contemporary club finds a field of absolute subversion within the hybridization of artistic identities. Monotone is the live electronic music project formed by Francesco Presotto and Kimi Recor—artists with extensive backgrounds under their monikers Ex.Hale and DRÆMINGS across imprints like Sonic Groove, Voidance, or Sumerian Records—whose proposal geographically oscillates between Venice and La Coruña. Joining forces, the duo deconstructs common compositional standards to erect a vision characterized by dark textures, atmospheric weight, and a distinctive ability to provoke a feeling of artistic and textural asphyxiation within the listener.
For the sixth release in the tentapes catalog, we welcome Monotone with Fictional Science, an immersive experience composed of four deeply emotional pieces blending field recordings and powerful low-end. The closing point and peak acceleration of this sonic universe concentrates on With U. The cut completes the release’s emotional circle in a definitive fashion, driving a continuous high energy from the start that drifts between the idyllic and the ineffable.
https://soundcloud.com/clubfuriess/cfs-monotone-with-u-tentapes
The track’s architecture manages tension with analog mastery, reaching sonic deltas that dip straight into silence—structural containment voids suspending the room’s breath—before forcefully reclaiming the flight previously undertaken. Altogether, it solidifies as one of the week’s most refined works, where sound design and physical force advance in flawless harmony.
Towards the denouement, the composition avoids complacent solutions; the structure interrupts its rhythmic drive abruptly mid-sonic effervescence, leaving the synths’ echo and emotion floating like an unfinished interference in the dark. With Fictional Science, Monotone and tentapes sign a sharp editorial stance: a manifesto proving that avant-garde live electronic music reaffirms itself when capable of jarring both the body and the psyche.
Label: tentapes
Artist: Monotone
Title: Fictional Science
Catalogue: TNTPS006
W&P Ana Artalejo Moreno & Francesco Presotto
Master Ravi RaisaRelease Date: July 23, 2026
Support & Buy: BandcampTracklist
1. Deep Forest Dream
2. Endless
3. Fictional Science
4. With UMonotone
SoundCloud | Instagram | Linktree
tentapes
SoundCloud | Instagram | Bandcamp | YouTube | Linktree
Club Furies
Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree
#Bass #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #electro #Electronic #Electronica #Experimental #Italy #LaCoruna #Monotone #Premiere #premiereCF #PremiereClubFuries #Spain #techno #tentapes #UKGarage #Venezia -
Update on my #Bass.
It is obviously now mine, as I have irrevocably marked it.
Why not the usual phrase coined by Woody Guthrie? I feel it’s important to first deal with the fascists in my head that are making me think badly, before I start worrying about anything outside of myself.
-
Gorilla Drive by Safari Pedals 🎛️
Preamp/overdrive w/ germanium circuit, smooth sat, tone tilt, blend, auto gain, phase flip💻 Mac/Win (AU/VST3/AAX)
🎁 FREE (reg. $39.99) w/ code: BPB-Gorilla100 (Limited copies available!)
🔗 LINK IN BIO#freeplugin #safariaudio #overdrive #saturation #preamp #guitar #bass #drums
-
Free download codes:
Tel Quel - Decaying Lull
"When the noise fractures, what’s left is the lull—a crumbling five-track descent into ambient drift."
#ambient #industrial #idm #downtempo #cinematic #soundscape #bass #dubstep #postindustrial #chillout #fieldrecording #music
-
SONG OF THE WEEK “Night Garden” https://johnnyjblairsingeratlarge.bandcamp.com/track/night-garden-3
#nightgarden #johnnyjblair #psychedelic #cubanjazz #poprock #Caribbean #cruiseship #bass #groove #leemay #gardening #donaldfagen #crime #ericbiondo #beyondo #mikegarson #davidbowie #piano #xavierfrancis
-
Ugritone launches Controlled Bass and Vocal Mayhem channel strip plugins https://rekkerd.org/ugritone-launches-controlled-bass-and-vocal-mayhem-channel-strip-plugins/
-
I did a thing!
A music video actually. Accomplishing my new track.
Ich und meine Fedies
In English: "Me 'n my fedies". It's a praise for all the kewl beings in the Fediverse (the "Fedies" :) ). You all make this wonderful place what it is, so therefore this track is for you :)
I was thinking about making an English version as well, but I simply cannot affort the time at the moment. Sorry about that, hope you'll like it anyway.
I mean, it's maybe the first German Language #Bonkwave track, or am I wrong? However I cannot rule out that it's in fact #noBonkwave . Not sure here.
Here is the video (Peertube exclusive btw.):
- https://video.ploud.fr/w/oCwqrThLDGPwmydea7hice
#ownMusic #Bass #Trap #Berlin #fediArtists #musicRecommendations #fediMusicians -
So Kinners - is soweit!
Mein die nmi! Track zur Huldigung der Menschen im Fediverse ist raus:
ICH UND MEINE FEDIES!
Mit VIDEO! Exklusiv auf Peertube!
Video haben @tunda und ich gedeixelt!
Eigentlich wollte ich nur die Hintergrundmusik für ein Teaser-Invite machen — für das "Fedi am See"-Camp im August (bis Ende Mai könnt Ihr Euch noch anmelden! Siehe Profil von @fediamsee )… aber am Ende ist ein kompletter Track entstanden.
Der hier:
Viel Spaß! :)
#ownMusic #Bass #Trap #Berlin #creativeCommons #musikVideo #fedimusicians #fediartists
-
Photo of the Day 25th May 2026.
[…]https://madcam.co.uk/2026/05/25/photo-of-the-day-25th-may-2026/
-
Did you ever happen to sit on a table richly set with various yummy pieces of food but didn't know what to pick?
I'll set up this table in a musical way for ya all in
RADIO IRRTUM!
and guide you through the picking process ;)
--- ↓↓↓ Deutsch Version below unten ↓↓↓ ---
The next issue of #RadioIrrtum! will arrive this Saturday, 2026/05/09, 8:00pm UTC+2/Berlin time/CET. On Alex Berlin at DAB+ K12D in #Berlin/Brandenburg and worldwide @ https://www.alex-berlin.de/radio-livestream .
A German language #radioShow exploring the sonic vastness of the #underground. Emitted transmissions may raise attention for new unheard #music. Don't worry about the #GermanLanguage aspect - this is about #music!
So what yummy music pieces are there? Something from...
- #neojazz
- #Bonkwave (or, well, maybe not?)
- dragging #triphop.py #Beatz
- Neo Cut Up #Turntablelism or call it #PlunderPhonics from Berlin
- innovative #Bristol #Bass
- dark #EBM Techno
- Glitchy #IDM Beatz from various sources
- #MusiqueConcrete based on recordings of animal #BoneFlutes
- A quieter hefty and large #Punk section will be there
- also #Trombone #Jazz
I will discuss various topics like the mysterious musical vibe place which exists independent of time + space. Or the danger of falling victim to a lust killer and suddenly die – especially in spring 🌺 .
Besides, there will be lots of #CreativeCommons content, cuz music wants 2b free. Lots of tracks played aren't on #Spotify - yes, this is not a music industry friendly place. And most important: I've got the cutest #FediArtists there are, if I may say that - like @[email protected] , @[email protected] or @[email protected] (under construction at da mo).
I'll post playlist + manuscript later here. Having questions? I'll gladly answer. Just ask. CU all on Saturday! :)
--- ↑↑↑ English version above, the Deutsche welche jetzt ↓↓↓ ---
Radio Irrtum! kommt näher → Samstag, 09.05., 20:00 isses soweit auf Alex Berlin (DAB+ K.12D / Stream URL oben).
Also die seltsam funke(ln)de Radiosendung, in der planetenumfassende Weiten des musikalischen Untergrunds erforscht werden.
Mit:
- neojazz
- Bonkwave
- Beatz (triphoppy, cut up etc.)
- Bristol Bass
- dark EBM Techno
- IDM Glitches
- Musique Concrete mit Tierknochenflöteneinfluss
- ner großen heftigen Punk-Sektion
- Improvisiertem Posaunenjazz
Zudem werden interessante Themen behandelt, wie der geheimnisvolle musikalische Vibe Space. Oder die Gefahr – gerade jetzt im Frühling – plötzlich zu sterben, weil man Opfer eines Lustmordes wurde ⚰. Viele Sachen davon gibz nich auf Spotify, und Fediartists sind auch dabei (s.o.), und Creative Commons wird hier groß geschrieben. Yo.
Details in englisch oben, Playlist/Manuskript nach der Show hier drunter. Fragen einfach stellen – ich antworte!
Bis zur Sendung… vielleicht? :)
#fediArtists #musicRecommendation #NoBonkwave?
Radio Irrtum! stands for: #NoAi / #NoAiInMusic -
Dark Flower is out now Dark Heart Recordings Future Garage label
A new future garage / post-dubstep track built on a 2-step groove and an aggressive Reese bassline.
Atmospheric on the surface, dark underneath.
Inspired by a black lily — beauty growing from darkness.
If you're into Burial or deeper UK bass vibes, this one's for you.
🎧 All links: https://ffm.to/patros15-dark-flower #futuregarage #postdubstep #ukgarage #ukbass #newmusic #newsong #song #bass #dubstep #dark #deep #art #fyp #vibe #tune #music -
The All Seeing Hand – Sand To Glass
#DrumsTurntables #Electronic #Experimental #Noise #PostPunk #bass #drone #drumming #gravity #synth #throatsinging #trains #Wellington
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://the-all-seeing-hand.bandcamp.com/album/sand-to-glass -
Mein #Squier Jaguar (Medium Scale) #Bass hat gestern am Ende der Probe einfach den Geist aufgegeben. Tot. Kein Ton mit egal welchem Kabel an welchem Verstärker.
Das schräge dabei: Wenn ich ihn ans Boss Stimmgerät anschließe, bekommt dieses offenbar ein Signal, ich kann stimmen und es reagiert sofort auf Änderungen der Stimmung.. 😳
Hat jemand so ein Verhalten schon mal erlebt? Kann mir das null erklären, höchstens damit, dass das Signal so schwach ist, dass es für das Stimmgerät gerade noch reicht, aber nicht für einen #Verstärker? -
Yamaha
Japan Technology
Many of you only know Yamaha from a few of their skillsets.
Yes I said skillsets not products.
Yamaha has specialists in many fields
They create wonderful things in the fields of
- Music
- instruments
- woodwinds
- brass
- trumpet
- tuba
- saxophone
- bass
- alto
- tenor
- sopraan
- sopranino
- strings
- Bass Guitars
- acoustic
- electric
- Guitars
- violins
- ContraBass
- cello
- recorders
- Audio
- tape decks (Pro Open Reel)
- turntables
- cassette decks
- radios
- receivers
- transceivers
- Pro Audio
- Mixing console
- multiple channel
- from 8 to 32 analog
- FOH mixing console
- stage mixing console
- compressor
- limiter
- equalizer
- microphones
- dynamic
- condenser
- PA speakers
- passive
- active
- floor monitors
- FOH speaker systems (full sets)
- passive
- active
- subwoofer
- studio monitor
- amplifiers
- class B
- class D
- Bass guitar enclosures
- Bass amp heads
- guitar enclosures
- guitar amp heads
- Display systems
- [data]
- Mechanics
- engines
- motorcycles
- RD 400 2 stroke Daytona
- mopeds
With the subjects I just mentioned I only covered the surface of what Yamaha specialists can produce with their skillsets
If you purchase a Yamaha Grand Piano, Yamaha goes so far that when you've chosen it (in person!) they deliver install, secure and tune your grand piano, so your experience is similar to what their musicians and technical building experts have (had) when building and playing the Grand.
Yamaha has perfectionists who live and work by the principle of Kysen. They will tune and tweak their sublime work so it becomes even more sublime. Yamaha specialists gurus and experts do this in all fields that Yamaha is in.
Images & photographs
As you see I've included photographs of an 8 channel Yamaha portable mixing system, designed for micro live performance, with a build in two channel class D amplifier, and a set of dual driver speakers / monitors, which I use when I need balanced physical PA speaker output, that my sets of headphones cannot produce, in the studio, simply because the physics in combination with the acoustics prohibits such output.
The system is tuned to the space, thus is small.
It delivers a balanced flat sound up to 90dB of SPL in the this closed real world setting, if needed (though that is rare)
This level has been measured (and is regularly done). I do this to make sure I don't overload my ears with dB thus damaging my precious engineering organsYamaha in my personal and Pro live
Yamaha plays an important role in my professional PA live.
- I have mixing consoles made by them, which blow all others just plain out of the water, when I chose those Yamaha consoles.Note 1
- microphones
- dynamic
- condenser
- speaker systems
- full range
- monitors (floor)
- subwoofers
In my musical live Yamaha plays an important role too. I have instruments ranging from the humble recorder to
- string instruments
- brass
- many others, too many to specify here
Note 1
Naturally I have specialized mixers from other brands which do an excellent job. Yamaha does not make those, so I have no fields of comparable parametersZ
#Yamaha #instruments #technology #mathematics #physics #brass #trumpet #trombone #saxophone #alt #tenor #bass #sopranino #sopraan #string #piano #bass #cello #doublebass #woodwinds #flute #Audio #PA #console #mixer #speaker #passive #active #amp #compressor #limiter #eq #equalizer #parametric #graphic #analog #digital 🎶 ##Retro #Legacy #current #Analog
-
Yamaha
Japan Technology
Many of you only know Yamaha from a few of their skillsets.
Yes I said skillsets not products.
Yamaha has specialists in many fields
They create wonderful things in the fields of
- Music
- instruments
- woodwinds
- brass
- trumpet
- tuba
- saxophone
- bass
- alto
- tenor
- sopraan
- sopranino
- strings
- Bass Guitars
- acoustic
- electric
- Guitars
- violins
- ContraBass
- cello
- recorders
- Audio
- tape decks (Pro Open Reel)
- turntables
- cassette decks
- radios
- receivers
- transceivers
- Pro Audio
- Mixing console
- multiple channel
- from 8 to 32 analog
- FOH mixing console
- stage mixing console
- compressor
- limiter
- equalizer
- microphones
- dynamic
- condenser
- PA speakers
- passive
- active
- floor monitors
- FOH speaker systems (full sets)
- passive
- active
- subwoofer
- studio monitor
- amplifiers
- class B
- class D
- Bass guitar enclosures
- Bass amp heads
- guitar enclosures
- guitar amp heads
- Display systems
- [data]
- Mechanics
- engines
- motorcycles
- RD 400 2 stroke Daytona
- mopeds
With the subjects I just mentioned I only covered the surface of what Yamaha specialists can produce with their skillsets
If you purchase a Yamaha Grand Piano, Yamaha goes so far that when you've chosen it (in person!) they deliver install, secure and tune your grand piano, so your experience is similar to what their musicians and technical building experts have (had) when building and playing the Grand.
Yamaha has perfectionists who live and work by the principle of Kysen. They will tune and tweak their sublime work so it becomes even more sublime. Yamaha specialists gurus and experts do this in all fields that Yamaha is in.
Images & photographs
As you see I've included photographs of an 8 channel Yamaha portable mixing system, designed for micro live performance, with a build in two channel class D amplifier, and a set of dual driver speakers / monitors, which I use when I need balanced physical PA speaker output, that my sets of headphones cannot produce, in the studio, simply because the physics in combination with the acoustics prohibits such output.
The system is tuned to the space, thus is small.
It delivers a balanced flat sound up to 90dB of SPL in the this closed real world setting, if needed (though that is rare)
This level has been measured (and is regularly done). I do this to make sure I don't overload my ears with dB thus damaging my precious engineering organsYamaha in my personal and Pro live
Yamaha plays an important role in my professional PA live.
- I have mixing consoles made by them, which blow all others just plain out of the water, when I chose those Yamaha consoles.Note 1
- microphones
- dynamic
- condenser
- speaker systems
- full range
- monitors (floor)
- subwoofers
In my musical live Yamaha plays an important role too. I have instruments ranging from the humble recorder to
- string instruments
- brass
- many others, too many to specify here
Note 1
Naturally I have specialized mixers from other brands which do an excellent job. Yamaha does not make those, so I have no fields of comparable parametersZ
#Yamaha #instruments #technology #mathematics #physics #brass #trumpet #trombone #saxophone #alt #tenor #bass #sopranino #sopraan #string #piano #bass #cello #doublebass #woodwinds #flute #Audio #PA #console #mixer #speaker #passive #active #amp #compressor #limiter #eq #equalizer #parametric #graphic #analog #digital 🎶 ##Retro #Legacy #current #Analog
-
Yamaha
Japan Technology
Many of you only know Yamaha from a few of their skillsets.
Yes I said skillsets not products.
Yamaha has specialists in many fields
They create wonderful things in the fields of
- Music
- instruments
- woodwinds
- brass
- trumpet
- tuba
- saxophone
- bass
- alto
- tenor
- sopraan
- sopranino
- strings
- Bass Guitars
- acoustic
- electric
- Guitars
- violins
- ContraBass
- cello
- recorders
- Audio
- tape decks (Pro Open Reel)
- turntables
- cassette decks
- radios
- receivers
- transceivers
- Pro Audio
- Mixing console
- multiple channel
- from 8 to 32 analog
- FOH mixing console
- stage mixing console
- compressor
- limiter
- equalizer
- microphones
- dynamic
- condenser
- PA speakers
- passive
- active
- floor monitors
- FOH speaker systems (full sets)
- passive
- active
- subwoofer
- studio monitor
- amplifiers
- class B
- class D
- Bass guitar enclosures
- Bass amp heads
- guitar enclosures
- guitar amp heads
- Display systems
- [data]
- Mechanics
- engines
- motorcycles
- RD 400 2 stroke Daytona
- mopeds
With the subjects I just mentioned I only covered the surface of what Yamaha specialists can produce with their skillsets
If you purchase a Yamaha Grand Piano, Yamaha goes so far that when you've chosen it (in person!) they deliver install, secure and tune your grand piano, so your experience is similar to what their musicians and technical building experts have (had) when building and playing the Grand.
Yamaha has perfectionists who live and work by the principle of Kysen. They will tune and tweak their sublime work so it becomes even more sublime. Yamaha specialists gurus and experts do this in all fields that Yamaha is in.
Images & photographs
As you see I've included photographs of an 8 channel Yamaha portable mixing system, designed for micro live performance, with a build in two channel class D amplifier, and a set of dual driver speakers / monitors, which I use when I need balanced physical PA speaker output, that my sets of headphones cannot produce, in the studio, simply because the physics in combination with the acoustics prohibits such output.
The system is tuned to the space, thus is small.
It delivers a balanced flat sound up to 90dB of SPL in the this closed real world setting, if needed (though that is rare)
This level has been measured (and is regularly done). I do this to make sure I don't overload my ears with dB thus damaging my precious engineering organsYamaha in my personal and Pro live
Yamaha plays an important role in my professional PA live.
- I have mixing consoles made by them, which blow all others just plain out of the water, when I chose those Yamaha consoles.Note 1
- microphones
- dynamic
- condenser
- speaker systems
- full range
- monitors (floor)
- subwoofers
In my musical live Yamaha plays an important role too. I have instruments ranging from the humble recorder to
- string instruments
- brass
- many others, too many to specify here
Note 1
Naturally I have specialized mixers from other brands which do an excellent job. Yamaha does not make those, so I have no fields of comparable parametersZ
#Yamaha #instruments #technology #mathematics #physics #brass #trumpet #trombone #saxophone #alt #tenor #bass #sopranino #sopraan #string #piano #bass #cello #doublebass #woodwinds #flute #Audio #PA #console #mixer #speaker #passive #active #amp #compressor #limiter #eq #equalizer #parametric #graphic #analog #digital 🎶 ##Retro #Legacy #current #Analog
-
Yamaha
Japan Technology
Many of you only know Yamaha from a few of their skillsets.
Yes I said skillsets not products.
Yamaha has specialists in many fields
They create wonderful things in the fields of
- Music
- instruments
- woodwinds
- brass
- trumpet
- tuba
- saxophone
- bass
- alto
- tenor
- sopraan
- sopranino
- strings
- Bass Guitars
- acoustic
- electric
- Guitars
- violins
- ContraBass
- cello
- recorders
- Audio
- tape decks (Pro Open Reel)
- turntables
- cassette decks
- radios
- receivers
- transceivers
- Pro Audio
- Mixing console
- multiple channel
- from 8 to 32 analog
- FOH mixing console
- stage mixing console
- compressor
- limiter
- equalizer
- microphones
- dynamic
- condenser
- PA speakers
- passive
- active
- floor monitors
- FOH speaker systems (full sets)
- passive
- active
- subwoofer
- studio monitor
- amplifiers
- class B
- class D
- Bass guitar enclosures
- Bass amp heads
- guitar enclosures
- guitar amp heads
- Display systems
- [data]
- Mechanics
- engines
- motorcycles
- RD 400 2 stroke Daytona
- mopeds
With the subjects I just mentioned I only covered the surface of what Yamaha specialists can produce with their skillsets
If you purchase a Yamaha Grand Piano, Yamaha goes so far that when you've chosen it (in person!) they deliver install, secure and tune your grand piano, so your experience is similar to what their musicians and technical building experts have (had) when building and playing the Grand.
Yamaha has perfectionists who live and work by the principle of Kysen. They will tune and tweak their sublime work so it becomes even more sublime. Yamaha specialists gurus and experts do this in all fields that Yamaha is in.
Images & photographs
As you see I've included photographs of an 8 channel Yamaha portable mixing system, designed for micro live performance, with a build in two channel class D amplifier, and a set of dual driver speakers / monitors, which I use when I need balanced physical PA speaker output, that my sets of headphones cannot produce, in the studio, simply because the physics in combination with the acoustics prohibits such output.
The system is tuned to the space, thus is small.
It delivers a balanced flat sound up to 90dB of SPL in the this closed real world setting, if needed (though that is rare)
This level has been measured (and is regularly done). I do this to make sure I don't overload my ears with dB thus damaging my precious engineering organsYamaha in my personal and Pro live
Yamaha plays an important role in my professional PA live.
- I have mixing consoles made by them, which blow all others just plain out of the water, when I chose those Yamaha consoles.Note 1
- microphones
- dynamic
- condenser
- speaker systems
- full range
- monitors (floor)
- subwoofers
In my musical live Yamaha plays an important role too. I have instruments ranging from the humble recorder to
- string instruments
- brass
- many others, too many to specify here
Note 1
Naturally I have specialized mixers from other brands which do an excellent job. Yamaha does not make those, so I have no fields of comparable parametersZ
#Yamaha #instruments #technology #mathematics #physics #brass #trumpet #trombone #saxophone #alt #tenor #bass #sopranino #sopraan #string #piano #bass #cello #doublebass #woodwinds #flute #Audio #PA #console #mixer #speaker #passive #active #amp #compressor #limiter #eq #equalizer #parametric #graphic #analog #digital 🎶 ##Retro #Legacy #current #Analog
-
Yamaha
Japan Technology
Many of you only know Yamaha from a few of their skillsets.
Yes I said skillsets not products.
Yamaha has specialists in many fields
They create wonderful things in the fields of
- Music
- instruments
- woodwinds
- brass
- trumpet
- tuba
- saxophone
- bass
- alto
- tenor
- sopraan
- sopranino
- strings
- Bass Guitars
- acoustic
- electric
- Guitars
- violins
- ContraBass
- cello
- recorders
- Audio
- tape decks (Pro Open Reel)
- turntables
- cassette decks
- radios
- receivers
- transceivers
- Pro Audio
- Mixing console
- multiple channel
- from 8 to 32 analog
- FOH mixing console
- stage mixing console
- compressor
- limiter
- equalizer
- microphones
- dynamic
- condenser
- PA speakers
- passive
- active
- floor monitors
- FOH speaker systems (full sets)
- passive
- active
- subwoofer
- studio monitor
- amplifiers
- class B
- class D
- Bass guitar enclosures
- Bass amp heads
- guitar enclosures
- guitar amp heads
- Display systems
- [data]
- Mechanics
- engines
- motorcycles
- RD 400 2 stroke Daytona
- mopeds
With the subjects I just mentioned I only covered the surface of what Yamaha specialists can produce with their skillsets
If you purchase a Yamaha Grand Piano, Yamaha goes so far that when you've chosen it (in person!) they deliver install, secure and tune your grand piano, so your experience is similar to what their musicians and technical building experts have (had) when building and playing the Grand.
Yamaha has perfectionists who live and work by the principle of Kysen. They will tune and tweak their sublime work so it becomes even more sublime. Yamaha specialists gurus and experts do this in all fields that Yamaha is in.
Images & photographs
As you see I've included photographs of an 8 channel Yamaha portable mixing system, designed for micro live performance, with a build in two channel class D amplifier, and a set of dual driver speakers / monitors, which I use when I need balanced physical PA speaker output, that my sets of headphones cannot produce, in the studio, simply because the physics in combination with the acoustics prohibits such output.
The system is tuned to the space, thus is small.
It delivers a balanced flat sound up to 90dB of SPL in the this closed real world setting, if needed (though that is rare)
This level has been measured (and is regularly done). I do this to make sure I don't overload my ears with dB thus damaging my precious engineering organsYamaha in my personal and Pro live
Yamaha plays an important role in my professional PA live.
- I have mixing consoles made by them, which blow all others just plain out of the water, when I chose those Yamaha consoles.Note 1
- microphones
- dynamic
- condenser
- speaker systems
- full range
- monitors (floor)
- subwoofers
In my musical live Yamaha plays an important role too. I have instruments ranging from the humble recorder to
- string instruments
- brass
- many others, too many to specify here
Note 1
Naturally I have specialized mixers from other brands which do an excellent job. Yamaha does not make those, so I have no fields of comparable parametersZ
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When the mind disconnects, the body carries on.
"Depersonalization" combines future garage beats with a sense of inner distance.
A tension that never completely lets up.
All links: https://ffm.to/patros15-depersonalization
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