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#electronica — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #electronica, aggregated by home.social.

  1. Club Furies Mix Series: Cintas Furiosas Present cat can do

    cat can do, the Canadian-born producer and DJ now based in Alicante, Spain, develops a sound where Acid sequences, live electro impulses, and echoes of emotional Detroit Techno converge into a deeply immersive sonic language. Since his recording debut in 2023, he has rapidly expanded his presence through releases on labels such as Diffuse Reality, Lett Records, Basse-cour, TUG Wave, and Insane Industry Recordings, shaping an identity rooted in physical energy, improvisation, and atmospheric sensitivity.

    https://clubfuries.com.mx/2026/04/04/cfp-cat-can-do-carara-our-perception-drss1375/

    His music operates through a logic that feels intensely physical without ever becoming linear or predictable. Grooves unfold through dense textures, acidic movements, and dreamlike soundscapes that seem to emerge slowly from beneath the surface of the mix. There is something profoundly human in the way the sound breathes and transforms: microscopic tensions, emotional layering, and subtle deviations that make each track feel as though it is discovering itself in real time. Here, rhythm is more than just propulsion for the dancefloor — it transforms into a form of moving thought.

    That same approach defines his work as a DJ. From his earliest performances in Vancouver to a recent four-hour set in Barcelona curated by Squaric of Diffuse Reality, cat can do has cultivated a practice where mixing and live interpretation become part of the same creative process. The decision to build long-form sessions entirely from original material reinforces a unique relationship with time itself: extended transitions, progressive tension, and a continuous sensation of movement between mental and physical states.

    Our mix series is called Cintas Furiosas — Furious Tapes. The concept draws inspiration from the Baseball Furies, the cult gang from The Warriors, and from Imperator Furiosa, the central figure of Mad Max: Fury Road and Furiosa: A Mad Max Saga. Both references converge around the same idea: intensity, displacement, and energy held in permanent tension. Each edition functions as a tape projecting a different kind of “furious sound” depending on the invited artist, expanding the concept toward new textures, velocities, and emotional states. This time, that fury takes on a particularly fluid and magnetic form through cat can do.

    https://soundcloud.com/clubfuriess/cfmx-cf-present-cat-can-do

    When I listened to the mix prepared for Furious Tapes, I couldn’t help thinking — perhaps through a completely personal association — about artistic processes where improvisation and structure stop existing as opposites. As if synthesizers, drum machines, and sequencers had somehow replaced oils, brushes, and old theories of harmony and octaves. Rather than serving as a substitution, it acts as a material continuation of the same creative impulse.

    Because something defines cat can do’s work: the sensation that the sound is simultaneously being imagined and discovered as it unfolds. Layers emerge, collide, and dissolve with a strange naturalness, as though the set itself were breathing autonomously. Luminous Acid, fractured grooves, electro pulses, and expansive atmospheres intertwine inside a narrative that never fully settles into place. Every transition opens new perceptual possibilities, slowly redirecting the journey toward unexpected territories.

    https://clubfuries.com.mx/2025/08/04/cfr-2025-9-cat-cat-can-do-detroit-knows-lett-records/

    More than a conventional DJ session, this Furious Tape becomes a window into the way cat can do conceptualizes movement, improvisation, and sonic space itself. A hypnotic current where machines and human sensitivity no longer oppose each other, but instead operate within the same electric, emotional, and deeply living flow.

    https://clubfuries.com.mx/2025/04/02/cfr-2025-5-cat-can-do-presents-acid-ave-by-insane-industry-recordings/

    Artist: can can do
    Country: Canada / Spain (Alicante)
    Technical requirements: Two CDJs.

    Upcoming gigs:
    – July 25th – Sunny High Club – Stuttgart, Germany
    – July 31st – Deep South Trip – Sougia, Crete, Greece

    Tracklist
    1. Unreleased
    2. In motion – In motion – Lett Records
    3. Unreleased
    4. Unreleased
    5. Unreleased
    6. Unreleased
    7. Unreleased
    8. Unreleased
    9. Unreleased
    10. Chord stutter – ACID AVE. – Insane Industry
    11. Unreleased
    12. M1 – M SERIES Vol. 2 – Diffuse Reality
    13. departure – Alaska II – Diffuse Reality
    14. Catsefrenik – Mad guys – Diffuse Reality
    15. how peacocks kiss – Alaska II – Diffuse Reality

    cat can do

    SoundCloud | Instagram | Facebook

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Alicante #Canada #catCanDo #CFPremiere #CintasFuriosas #clubFuries #ClubFuriesPremiere #disco #Electrónica #electro #Electronic #Electronica #house #MixSeries #Premiere #premiereCF #PremiereClubFuries #Spain #techno
  2. Club Furies Mix Series: Cintas Furiosas Present cat can do

    cat can do, the Canadian-born producer and DJ now based in Alicante, Spain, develops a sound where Acid sequences, live electro impulses, and echoes of emotional Detroit Techno converge into a deeply immersive sonic language. Since his recording debut in 2023, he has rapidly expanded his presence through releases on labels such as Diffuse Reality, Lett Records, Basse-cour, TUG Wave, and Insane Industry Recordings, shaping an identity rooted in physical energy, improvisation, and atmospheric sensitivity.

    https://clubfuries.com.mx/2026/04/04/cfp-cat-can-do-carara-our-perception-drss1375/

    His music operates through a logic that feels intensely physical without ever becoming linear or predictable. Grooves unfold through dense textures, acidic movements, and dreamlike soundscapes that seem to emerge slowly from beneath the surface of the mix. There is something profoundly human in the way the sound breathes and transforms: microscopic tensions, emotional layering, and subtle deviations that make each track feel as though it is discovering itself in real time. Here, rhythm is more than just propulsion for the dancefloor — it transforms into a form of moving thought.

    That same approach defines his work as a DJ. From his earliest performances in Vancouver to a recent four-hour set in Barcelona curated by Squaric of Diffuse Reality, cat can do has cultivated a practice where mixing and live interpretation become part of the same creative process. The decision to build long-form sessions entirely from original material reinforces a unique relationship with time itself: extended transitions, progressive tension, and a continuous sensation of movement between mental and physical states.

    Our mix series is called Cintas Furiosas — Furious Tapes. The concept draws inspiration from the Baseball Furies, the cult gang from The Warriors, and from Imperator Furiosa, the central figure of Mad Max: Fury Road and Furiosa: A Mad Max Saga. Both references converge around the same idea: intensity, displacement, and energy held in permanent tension. Each edition functions as a tape projecting a different kind of “furious sound” depending on the invited artist, expanding the concept toward new textures, velocities, and emotional states. This time, that fury takes on a particularly fluid and magnetic form through cat can do.

    https://soundcloud.com/clubfuriess/cfmx-cf-present-cat-can-do

    When I listened to the mix prepared for Furious Tapes, I couldn’t help thinking — perhaps through a completely personal association — about artistic processes where improvisation and structure stop existing as opposites. As if synthesizers, drum machines, and sequencers had somehow replaced oils, brushes, and old theories of harmony and octaves. Rather than serving as a substitution, it acts as a material continuation of the same creative impulse.

    Because something defines cat can do’s work: the sensation that the sound is simultaneously being imagined and discovered as it unfolds. Layers emerge, collide, and dissolve with a strange naturalness, as though the set itself were breathing autonomously. Luminous Acid, fractured grooves, electro pulses, and expansive atmospheres intertwine inside a narrative that never fully settles into place. Every transition opens new perceptual possibilities, slowly redirecting the journey toward unexpected territories.

    https://clubfuries.com.mx/2025/08/04/cfr-2025-9-cat-cat-can-do-detroit-knows-lett-records/

    More than a conventional DJ session, this Furious Tape becomes a window into the way cat can do conceptualizes movement, improvisation, and sonic space itself. A hypnotic current where machines and human sensitivity no longer oppose each other, but instead operate within the same electric, emotional, and deeply living flow.

    https://clubfuries.com.mx/2025/04/02/cfr-2025-5-cat-can-do-presents-acid-ave-by-insane-industry-recordings/

    Artist: can can do
    Country: Canada / Spain (Alicante)
    Technical requirements: Two CDJs.

    Upcoming gigs:
    – July 25th – Sunny High Club – Stuttgart, Germany
    – July 31st – Deep South Trip – Sougia, Crete, Greece

    Tracklist
    1. Unreleased
    2. In motion – In motion – Lett Records
    3. Unreleased
    4. Unreleased
    5. Unreleased
    6. Unreleased
    7. Unreleased
    8. Unreleased
    9. Unreleased
    10. Chord stutter – ACID AVE. – Insane Industry
    11. Unreleased
    12. M1 – M SERIES Vol. 2 – Diffuse Reality
    13. departure – Alaska II – Diffuse Reality
    14. Catsefrenik – Mad guys – Diffuse Reality
    15. how peacocks kiss – Alaska II – Diffuse Reality

    cat can do

    SoundCloud | Instagram | Facebook

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Alicante #Canada #catCanDo #CFPremiere #CintasFuriosas #clubFuries #ClubFuriesPremiere #disco #Electrónica #electro #Electronic #Electronica #house #MixSeries #Premiere #premiereCF #PremiereClubFuries #Spain #techno
  3. Club Furies Mix Series: Cintas Furiosas Present cat can do

    cat can do, the Canadian-born producer and DJ now based in Alicante, Spain, develops a sound where Acid sequences, live electro impulses, and echoes of emotional Detroit Techno converge into a deeply immersive sonic language. Since his recording debut in 2023, he has rapidly expanded his presence through releases on labels such as Diffuse Reality, Lett Records, Basse-cour, TUG Wave, and Insane Industry Recordings, shaping an identity rooted in physical energy, improvisation, and atmospheric sensitivity.

    https://clubfuries.com.mx/2026/04/04/cfp-cat-can-do-carara-our-perception-drss1375/

    His music operates through a logic that feels intensely physical without ever becoming linear or predictable. Grooves unfold through dense textures, acidic movements, and dreamlike soundscapes that seem to emerge slowly from beneath the surface of the mix. There is something profoundly human in the way the sound breathes and transforms: microscopic tensions, emotional layering, and subtle deviations that make each track feel as though it is discovering itself in real time. Here, rhythm is more than just propulsion for the dancefloor — it transforms into a form of moving thought.

    That same approach defines his work as a DJ. From his earliest performances in Vancouver to a recent four-hour set in Barcelona curated by Squaric of Diffuse Reality, cat can do has cultivated a practice where mixing and live interpretation become part of the same creative process. The decision to build long-form sessions entirely from original material reinforces a unique relationship with time itself: extended transitions, progressive tension, and a continuous sensation of movement between mental and physical states.

    Our mix series is called Cintas Furiosas — Furious Tapes. The concept draws inspiration from the Baseball Furies, the cult gang from The Warriors, and from Imperator Furiosa, the central figure of Mad Max: Fury Road and Furiosa: A Mad Max Saga. Both references converge around the same idea: intensity, displacement, and energy held in permanent tension. Each edition functions as a tape projecting a different kind of “furious sound” depending on the invited artist, expanding the concept toward new textures, velocities, and emotional states. This time, that fury takes on a particularly fluid and magnetic form through cat can do.

    https://soundcloud.com/clubfuriess/cfmx-cf-present-cat-can-do

    When I listened to the mix prepared for Furious Tapes, I couldn’t help thinking — perhaps through a completely personal association — about artistic processes where improvisation and structure stop existing as opposites. As if synthesizers, drum machines, and sequencers had somehow replaced oils, brushes, and old theories of harmony and octaves. Rather than serving as a substitution, it acts as a material continuation of the same creative impulse.

    Because something defines cat can do’s work: the sensation that the sound is simultaneously being imagined and discovered as it unfolds. Layers emerge, collide, and dissolve with a strange naturalness, as though the set itself were breathing autonomously. Luminous Acid, fractured grooves, electro pulses, and expansive atmospheres intertwine inside a narrative that never fully settles into place. Every transition opens new perceptual possibilities, slowly redirecting the journey toward unexpected territories.

    https://clubfuries.com.mx/2025/08/04/cfr-2025-9-cat-cat-can-do-detroit-knows-lett-records/

    More than a conventional DJ session, this Furious Tape becomes a window into the way cat can do conceptualizes movement, improvisation, and sonic space itself. A hypnotic current where machines and human sensitivity no longer oppose each other, but instead operate within the same electric, emotional, and deeply living flow.

    https://clubfuries.com.mx/2025/04/02/cfr-2025-5-cat-can-do-presents-acid-ave-by-insane-industry-recordings/

    Artist: can can do
    Country: Canada / Spain (Alicante)
    Technical requirements: Two CDJs.

    Upcoming gigs:
    – July 25th – Sunny High Club – Stuttgart, Germany
    – July 31st – Deep South Trip – Sougia, Crete, Greece

    Tracklist
    1. Unreleased
    2. In motion – In motion – Lett Records
    3. Unreleased
    4. Unreleased
    5. Unreleased
    6. Unreleased
    7. Unreleased
    8. Unreleased
    9. Unreleased
    10. Chord stutter – ACID AVE. – Insane Industry
    11. Unreleased
    12. M1 – M SERIES Vol. 2 – Diffuse Reality
    13. departure – Alaska II – Diffuse Reality
    14. Catsefrenik – Mad guys – Diffuse Reality
    15. how peacocks kiss – Alaska II – Diffuse Reality

    cat can do

    SoundCloud | Instagram | Facebook

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Alicante #Canada #catCanDo #CFPremiere #CintasFuriosas #clubFuries #ClubFuriesPremiere #disco #Electrónica #electro #Electronic #Electronica #house #MixSeries #Premiere #premiereCF #PremiereClubFuries #Spain #techno
  4. Club Furies Mix Series: Cintas Furiosas Present cat can do

    cat can do, the Canadian-born producer and DJ now based in Alicante, Spain, develops a sound where Acid sequences, live electro impulses, and echoes of emotional Detroit Techno converge into a deeply immersive sonic language. Since his recording debut in 2023, he has rapidly expanded his presence through releases on labels such as Diffuse Reality, Lett Records, Basse-cour, TUG Wave, and Insane Industry Recordings, shaping an identity rooted in physical energy, improvisation, and atmospheric sensitivity.

    https://clubfuries.com.mx/2026/04/04/cfp-cat-can-do-carara-our-perception-drss1375/

    His music operates through a logic that feels intensely physical without ever becoming linear or predictable. Grooves unfold through dense textures, acidic movements, and dreamlike soundscapes that seem to emerge slowly from beneath the surface of the mix. There is something profoundly human in the way the sound breathes and transforms: microscopic tensions, emotional layering, and subtle deviations that make each track feel as though it is discovering itself in real time. Here, rhythm is more than just propulsion for the dancefloor — it transforms into a form of moving thought.

    That same approach defines his work as a DJ. From his earliest performances in Vancouver to a recent four-hour set in Barcelona curated by Squaric of Diffuse Reality, cat can do has cultivated a practice where mixing and live interpretation become part of the same creative process. The decision to build long-form sessions entirely from original material reinforces a unique relationship with time itself: extended transitions, progressive tension, and a continuous sensation of movement between mental and physical states.

    Our mix series is called Cintas Furiosas — Furious Tapes. The concept draws inspiration from the Baseball Furies, the cult gang from The Warriors, and from Imperator Furiosa, the central figure of Mad Max: Fury Road and Furiosa: A Mad Max Saga. Both references converge around the same idea: intensity, displacement, and energy held in permanent tension. Each edition functions as a tape projecting a different kind of “furious sound” depending on the invited artist, expanding the concept toward new textures, velocities, and emotional states. This time, that fury takes on a particularly fluid and magnetic form through cat can do.

    https://soundcloud.com/clubfuriess/cfmx-cf-present-cat-can-do

    When I listened to the mix prepared for Furious Tapes, I couldn’t help thinking — perhaps through a completely personal association — about artistic processes where improvisation and structure stop existing as opposites. As if synthesizers, drum machines, and sequencers had somehow replaced oils, brushes, and old theories of harmony and octaves. Rather than serving as a substitution, it acts as a material continuation of the same creative impulse.

    Because something defines cat can do’s work: the sensation that the sound is simultaneously being imagined and discovered as it unfolds. Layers emerge, collide, and dissolve with a strange naturalness, as though the set itself were breathing autonomously. Luminous Acid, fractured grooves, electro pulses, and expansive atmospheres intertwine inside a narrative that never fully settles into place. Every transition opens new perceptual possibilities, slowly redirecting the journey toward unexpected territories.

    https://clubfuries.com.mx/2025/08/04/cfr-2025-9-cat-cat-can-do-detroit-knows-lett-records/

    More than a conventional DJ session, this Furious Tape becomes a window into the way cat can do conceptualizes movement, improvisation, and sonic space itself. A hypnotic current where machines and human sensitivity no longer oppose each other, but instead operate within the same electric, emotional, and deeply living flow.

    https://clubfuries.com.mx/2025/04/02/cfr-2025-5-cat-can-do-presents-acid-ave-by-insane-industry-recordings/

    Artist: can can do
    Country: Canada / Spain (Alicante)
    Technical requirements: Two CDJs.

    Upcoming gigs:
    – July 25th – Sunny High Club – Stuttgart, Germany
    – July 31st – Deep South Trip – Sougia, Crete, Greece

    Tracklist
    1. Unreleased
    2. In motion – In motion – Lett Records
    3. Unreleased
    4. Unreleased
    5. Unreleased
    6. Unreleased
    7. Unreleased
    8. Unreleased
    9. Unreleased
    10. Chord stutter – ACID AVE. – Insane Industry
    11. Unreleased
    12. M1 – M SERIES Vol. 2 – Diffuse Reality
    13. departure – Alaska II – Diffuse Reality
    14. Catsefrenik – Mad guys – Diffuse Reality
    15. how peacocks kiss – Alaska II – Diffuse Reality

    cat can do

    SoundCloud | Instagram | Facebook

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Alicante #Canada #catCanDo #CFPremiere #CintasFuriosas #clubFuries #ClubFuriesPremiere #disco #Electrónica #electro #Electronic #Electronica #house #MixSeries #Premiere #premiereCF #PremiereClubFuries #Spain #techno
  5. Club Furies Mix Series: Cintas Furiosas Present cat can do

    cat can do, the Canadian-born producer and DJ now based in Alicante, Spain, develops a sound where Acid sequences, live electro impulses, and echoes of emotional Detroit Techno converge into a deeply immersive sonic language. Since his recording debut in 2023, he has rapidly expanded his presence through releases on labels such as Diffuse Reality, Lett Records, Basse-cour, TUG Wave, and Insane Industry Recordings, shaping an identity rooted in physical energy, improvisation, and atmospheric sensitivity.

    https://clubfuries.com.mx/2026/04/04/cfp-cat-can-do-carara-our-perception-drss1375/

    His music operates through a logic that feels intensely physical without ever becoming linear or predictable. Grooves unfold through dense textures, acidic movements, and dreamlike soundscapes that seem to emerge slowly from beneath the surface of the mix. There is something profoundly human in the way the sound breathes and transforms: microscopic tensions, emotional layering, and subtle deviations that make each track feel as though it is discovering itself in real time. Here, rhythm is more than just propulsion for the dancefloor — it transforms into a form of moving thought.

    That same approach defines his work as a DJ. From his earliest performances in Vancouver to a recent four-hour set in Barcelona curated by Squaric of Diffuse Reality, cat can do has cultivated a practice where mixing and live interpretation become part of the same creative process. The decision to build long-form sessions entirely from original material reinforces a unique relationship with time itself: extended transitions, progressive tension, and a continuous sensation of movement between mental and physical states.

    Our mix series is called Cintas Furiosas — Furious Tapes. The concept draws inspiration from the Baseball Furies, the cult gang from The Warriors, and from Imperator Furiosa, the central figure of Mad Max: Fury Road and Furiosa: A Mad Max Saga. Both references converge around the same idea: intensity, displacement, and energy held in permanent tension. Each edition functions as a tape projecting a different kind of “furious sound” depending on the invited artist, expanding the concept toward new textures, velocities, and emotional states. This time, that fury takes on a particularly fluid and magnetic form through cat can do.

    https://soundcloud.com/clubfuriess/cfmx-cf-present-cat-can-do

    When I listened to the mix prepared for Furious Tapes, I couldn’t help thinking — perhaps through a completely personal association — about artistic processes where improvisation and structure stop existing as opposites. As if synthesizers, drum machines, and sequencers had somehow replaced oils, brushes, and old theories of harmony and octaves. Rather than serving as a substitution, it acts as a material continuation of the same creative impulse.

    Because something defines cat can do’s work: the sensation that the sound is simultaneously being imagined and discovered as it unfolds. Layers emerge, collide, and dissolve with a strange naturalness, as though the set itself were breathing autonomously. Luminous Acid, fractured grooves, electro pulses, and expansive atmospheres intertwine inside a narrative that never fully settles into place. Every transition opens new perceptual possibilities, slowly redirecting the journey toward unexpected territories.

    https://clubfuries.com.mx/2025/08/04/cfr-2025-9-cat-cat-can-do-detroit-knows-lett-records/

    More than a conventional DJ session, this Furious Tape becomes a window into the way cat can do conceptualizes movement, improvisation, and sonic space itself. A hypnotic current where machines and human sensitivity no longer oppose each other, but instead operate within the same electric, emotional, and deeply living flow.

    https://clubfuries.com.mx/2025/04/02/cfr-2025-5-cat-can-do-presents-acid-ave-by-insane-industry-recordings/

    Artist: can can do
    Country: Canada / Spain (Alicante)
    Technical requirements: Two CDJs.

    Upcoming gigs:
    – July 25th – Sunny High Club – Stuttgart, Germany
    – July 31st – Deep South Trip – Sougia, Crete, Greece

    Tracklist
    1. Unreleased
    2. In motion – In motion – Lett Records
    3. Unreleased
    4. Unreleased
    5. Unreleased
    6. Unreleased
    7. Unreleased
    8. Unreleased
    9. Unreleased
    10. Chord stutter – ACID AVE. – Insane Industry
    11. Unreleased
    12. M1 – M SERIES Vol. 2 – Diffuse Reality
    13. departure – Alaska II – Diffuse Reality
    14. Catsefrenik – Mad guys – Diffuse Reality
    15. how peacocks kiss – Alaska II – Diffuse Reality

    cat can do

    SoundCloud | Instagram | Facebook

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Alicante #Canada #catCanDo #CFPremiere #CintasFuriosas #clubFuries #ClubFuriesPremiere #disco #Electrónica #electro #Electronic #Electronica #house #MixSeries #Premiere #premiereCF #PremiereClubFuries #Spain #techno
  6. Nunca esperé que Dagny le echara el ronzal a un sonido tan esquinadillo, lo digo por, dentro de ser pop que busca sonar y llegar a las masas, lo rasposo en general de la producción. También de las temáticas, como esa Dancefloor Erotica, el otro single, tan asimilable a la Slayyyter más puta, donde pide cuerpos abiertamente.

    Tiene pinchitos. Puntillas.

    Más todavía cuando la noruega viene de una etapa con un pop melódico precioso y lleno de luces de colores, de canciones de cantar en el coche achicando los viajes. Y ahora, ¡puf!, cambio de etapa, giro de timón a una pista de baile cuya oscuridad solo rompen los focos, acercándose a Agnes.

    Yo sigo escuchando canciones del anterior trabajo, Somebody's Baby, por el vigor de sus melodías, con este está por ver, porque está por escuchar. Hay ganas.
    youtube.com/watch?v=G_4K2sbeyA
    youtube.com/watch?v=0HM1xZolkPE
    #popazo #music #musica #nowplaying #pop #album #dagny #dancefloorerotica #disco #single #singles #sencillo #song #songs #edm #electronic #electronica #synth #synthpop #electropop #norway #europop #closetdiscoqueen

  7. Nunca esperé que Dagny le echara el ronzal a un sonido tan esquinadillo, lo digo por, dentro de ser pop que busca sonar y llegar a las masas, lo rasposo en general de la producción. También de las temáticas, como esa Dancefloor Erotica, el otro single, tan asimilable a la Slayyyter más puta, donde pide cuerpos abiertamente.

    Tiene pinchitos. Puntillas.

    Más todavía cuando la noruega viene de una etapa con un pop melódico precioso y lleno de luces de colores, de canciones de cantar en el coche achicando los viajes. Y ahora, ¡puf!, cambio de etapa, giro de timón a una pista de baile cuya oscuridad solo rompen los focos, acercándose a Agnes.

    Yo sigo escuchando canciones del anterior trabajo, Somebody's Baby, por el vigor de sus melodías, con este está por ver, porque está por escuchar. Hay ganas.
    youtube.com/watch?v=G_4K2sbeyA
    youtube.com/watch?v=0HM1xZolkPE
    #popazo #music #musica #nowplaying #pop #album #dagny #dancefloorerotica #disco #single #singles #sencillo #song #songs #edm #electronic #electronica #synth #synthpop #electropop #norway #europop #closetdiscoqueen

  8. Nunca esperé que Dagny le echara el ronzal a un sonido tan esquinadillo, lo digo por, dentro de ser pop que busca sonar y llegar a las masas, lo rasposo en general de la producción. También de las temáticas, como esa Dancefloor Erotica, el otro single, tan asimilable a la Slayyyter más puta, donde pide cuerpos abiertamente.

    Tiene pinchitos. Puntillas.

    Más todavía cuando la noruega viene de una etapa con un pop melódico precioso y lleno de luces de colores, de canciones de cantar en el coche achicando los viajes. Y ahora, ¡puf!, cambio de etapa, giro de timón a una pista de baile cuya oscuridad solo rompen los focos, acercándose a Agnes.

    Yo sigo escuchando canciones del anterior trabajo, Somebody's Baby, por el vigor de sus melodías, con este está por ver, porque está por escuchar. Hay ganas.
    youtube.com/watch?v=G_4K2sbeyA
    youtube.com/watch?v=0HM1xZolkPE
    #popazo #music #musica #nowplaying #pop #album #dagny #dancefloorerotica #disco #single #singles #sencillo #song #songs #edm #electronic #electronica #synth #synthpop #electropop #norway #europop #closetdiscoqueen

  9. On 27 May 2016, Gold Panda released his third album, "Good Luck and Do Your Best", heavily inspired by his travels across Japan.

    "Just as we embrace greener fields and sunny beaches, it moves from darker and sharper sounds to more warmth and melody-driven influences."

    - “I was embarrassed about making happy music at the poppier end of electronic music, but that’s what I ended up making — I can guide it, but it’s always going to sound like me.”

    02. In My Car

    #GoldPanda #Downbeat #Electronica

  10. On 27 May 2016, Gold Panda released his third album, "Good Luck and Do Your Best", heavily inspired by his travels across Japan.

    "Just as we embrace greener fields and sunny beaches, it moves from darker and sharper sounds to more warmth and melody-driven influences."

    - “I was embarrassed about making happy music at the poppier end of electronic music, but that’s what I ended up making — I can guide it, but it’s always going to sound like me.”

    02. In My Car

    #GoldPanda #Downbeat #Electronica

  11. On 27 May 2016, Gold Panda released his third album, "Good Luck and Do Your Best", heavily inspired by his travels across Japan.

    "Just as we embrace greener fields and sunny beaches, it moves from darker and sharper sounds to more warmth and melody-driven influences."

    - “I was embarrassed about making happy music at the poppier end of electronic music, but that’s what I ended up making — I can guide it, but it’s always going to sound like me.”

    02. In My Car

    #GoldPanda #Downbeat #Electronica

  12. On 27 May 2016, Gold Panda released his third album, "Good Luck and Do Your Best", heavily inspired by his travels across Japan.

    "Just as we embrace greener fields and sunny beaches, it moves from darker and sharper sounds to more warmth and melody-driven influences."

    - “I was embarrassed about making happy music at the poppier end of electronic music, but that’s what I ended up making — I can guide it, but it’s always going to sound like me.”

    02. In My Car

    #GoldPanda #Downbeat #Electronica

  13. On 27 May 2016, Gold Panda released his third album, "Good Luck and Do Your Best", heavily inspired by his travels across Japan.

    "Just as we embrace greener fields and sunny beaches, it moves from darker and sharper sounds to more warmth and melody-driven influences."

    - “I was embarrassed about making happy music at the poppier end of electronic music, but that’s what I ended up making — I can guide it, but it’s always going to sound like me.”

    02. In My Car

    #GoldPanda #Downbeat #Electronica

  14. youtu.be/q9-Fk5DBG4A
    A simple melody growing up, spiced with some experimental rythm, my way to do electronica music with my modular synth Hope you will enjoy this..
    A new album is on the way, my sista Kathy is working on a painting for the art cover..no computer or IA involved...
    #electronicmusic #experimentalmusic #modularsynth #creation #electronica

  15. CF Signals: Inez Akker – No Pretzels Today [Equal]

    There are collaborations in contemporary techno that function through aesthetic compatibility, and others that operate through something far rarer: the controlled friction between two distinct sensibilities that ultimately strengthen each other. EQUAL014 clearly belongs to the latter category. The release brings together Fractious, a long-established figure within raw and hypnotic UK techno, and Inez Akker, the Spanish-rooted, Amsterdam-based artist whose approach to groove and emotional tension has been quietly solidifying within the Dutch underground scene since 2018.

    On one side, Fractious contributes the architecture of sustained pressure that has defined releases on labels such as Special Series, KD RAW, and RAW WORX — modulated synthesizers that seem to slide beneath the skin and percussion that advances like perfectly calibrated industrial machinery. On the other, Inez Akker introduces a different dimension altogether: one centered on internal groove propulsion, hypnotic storytelling, and a way of constructing movement that avoids immediate impact in favor of gradual psychological immersion. What makes the release compelling is that neither language attempts to overpower the other. Its strength emerges precisely from that unstable balance.

    Within that dialogue, “No Pretzels Today” stands out as a perfect demonstration of Akker’s sonic sophistication. The track opens with a vibration that feels simultaneously piercing and velvet-like, as though its roughest frequencies had been carefully refined into tactile surfaces. Everything unfolds with almost architectural precision: the percussion never crashes into the mix aggressively, but instead settles slowly into a warm and deeply absorbing texture.

    https://soundcloud.com/clubfuriess/cfs-inez-akker-no-pretzels-today-equal014

    The hypnotic induction develops gradually, delicately, almost invisibly. Nothing feels abrupt or forced; trance emerges like a silent infiltration of body and perception. Grooves move patiently while subtle modulations continuously reshape the internal space of the track, expanding it toward increasingly deep and abstract territories. There is an ongoing sensation of temporal distortion, as though the track itself were bending linear time through repetition and sustained tension.

    Then something even stranger begins to happen: the track opens perceptual fractures. Near Rosen-Einsteinian bridges slowly emerge between metallic layers, warm pulsations, and suspended resonances. Reality itself seems to reorganize around the groove — not through chaos, but through an extraordinarily refined hypnotic precision. “No Pretzels Today” does not seek impact through excess or violence; its power comes precisely from the opposite: absolute control, sensory depth, and a dark elegance that lingers long after the sound has faded.

    Without exaggeration, this is one of the most finely constructed tracks we have encountered in recent weeks.

    Artists: Fractious, Inez Akker
    Label: Equal
    Catalogue: EQUAL014

    Pre-Order: May 15, 2026
    Exclusive: May 29, 2026
    Release Date: June 12, 2026
    Support & Buy: Bandcamp

    Tracklist:
    1. Inez Akker – In need of novacaine
    2. Fractious – Conspicious
    3. Inez Akker – No pretzels today
    4. Fractious – Death of Truth

    Inez Akker

    SoundCloud | Instagram

    Fractious

    SoundCloud | Instagram

    Equal

    Website | SoundCloud | Instagram | Bandcamp

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Amsterdam #Berghain #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #Electronic #Electronica #Equal #Germany #GrooveTechno #HardGroove #HynoticTechno #InezAkker #MinimalTechno #Netherlands #Premiere #premiereCF #PremiereClubFuries #Spenge #techno
  16. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  17. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  18. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  19. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  20. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  21. ### 🎬⚡ #Cinematic #Electronica version
    Cinematic electronica with deep #pulsating #bass, atmospheric #synth #textures, slow driving #electronic #rhythms and dystopian immersive atmosphere

    #Primitive #reorganised – Cinematic Electronica Song | #My #Original #Lyrics, My #Voice ( #Suno)

    youtube.com/watch?v=GVo3h8AJTOc

  22. ~~~~~PHOTAY~~~~~
    Sonntag 7. Juni 2026
    Beginn: 17:30, Einlass: 16:30
    Jena Trafo

    Evan Shornstein (Photay) ist bekannt für seine physikalischen Klangwelten die an deinem Ohr kitzeln und viel Spaß machen. Das ist eins von den Konzerten bei dem ihr in 20 Jahren sagen könnt: "Damals hat der noch in ganz kleinen clubs gespielt und Ich war dabei".

    Support: Ben Haviour
    Vor dem Konzert und in der Pause gibt es die Möglichkeit an eure Ohren angepassten Gehörschutz machen zu lassen. Das bedeutet aber nicht, dass das Konzert zu laut wird!
    10000volt.de/2026/06/07/photay/

    #jena #weimar #erfurt #livemusik #electronica #sounds #livegig #trafo #music #musik #konzert

  23. ~~~~~PHOTAY~~~~~
    Sonntag 7. Juni 2026
    Beginn: 17:30, Einlass: 16:30
    Jena Trafo

    Evan Shornstein (Photay) ist bekannt für seine physikalischen Klangwelten die an deinem Ohr kitzeln und viel Spaß machen. Das ist eins von den Konzerten bei dem ihr in 20 Jahren sagen könnt: "Damals hat der noch in ganz kleinen clubs gespielt und Ich war dabei".

    Support: Ben Haviour
    Vor dem Konzert und in der Pause gibt es die Möglichkeit an eure Ohren angepassten Gehörschutz machen zu lassen. Das bedeutet aber nicht, dass das Konzert zu laut wird!
    10000volt.de/2026/06/07/photay/

    #jena #weimar #erfurt #livemusik #electronica #sounds #livegig #trafo #music #musik #konzert

  24. ~~~~~PHOTAY~~~~~
    Sonntag 7. Juni 2026
    Beginn: 17:30, Einlass: 16:30
    Jena Trafo

    Evan Shornstein (Photay) ist bekannt für seine physikalischen Klangwelten die an deinem Ohr kitzeln und viel Spaß machen. Das ist eins von den Konzerten bei dem ihr in 20 Jahren sagen könnt: "Damals hat der noch in ganz kleinen clubs gespielt und Ich war dabei".

    Support: Ben Haviour
    Vor dem Konzert und in der Pause gibt es die Möglichkeit an eure Ohren angepassten Gehörschutz machen zu lassen. Das bedeutet aber nicht, dass das Konzert zu laut wird!
    10000volt.de/2026/06/07/photay/

    #jena #weimar #erfurt #livemusik #electronica #sounds #livegig #trafo #music #musik #konzert