home.social

#drone — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #drone, aggregated by home.social.

  1. #LATVIA RAMPS UP DEFENSE AFTER #UKRAINIAN #DRONE INCURSION: Latvia is reinforcing its 400-kilometer border with #Russia and #Belarus by deploying tactical teams equipped with 10-km radius “killer drones”, Reuters reported. reuters.com/business/aerospace

  2. Sometimes it's the little things

    When the stupid #UkraineWar is over #Ukraine will have to reckon with #heritage, #culture, and #architecture #Russia has destroyed out of #hate

    Here's a story in pictures of one 1800s door at 13 Sechenova St in #Odesa. Damaged in a 2025 #drone strike. The work of a local #restoration #NGO called 1,000 Doors

    1,000 X 1,000 more stories of painstaking handiwork, salvage, recovery, #conservation and #preservation to come for Ukraine

    1000doors.org/en

    1/2

  3. Sometimes it's the little things

    When the stupid #UkraineWar is over #Ukraine will have to reckon with #heritage, #culture, and #architecture #Russia has destroyed out of #hate

    Here's a story in pictures of one 1800s door at 13 Sechenova St in #Odesa. Damaged in a 2025 #drone strike. The work of a local #restoration #NGO called 1,000 Doors

    1,000 X 1,000 more stories of painstaking handiwork, salvage, recovery, #conservation and #preservation to come for Ukraine

    1000doors.org/en

    1/2

  4. Sometimes it's the little things

    When the stupid #UkraineWar is over #Ukraine will have to reckon with #heritage, #culture, and #architecture #Russia has destroyed out of #hate

    Here's a story in pictures of one 1800s door at 13 Sechenova St in #Odesa. Damaged in a 2025 #drone strike. The work of a local #restoration #NGO called 1,000 Doors

    1,000 X 1,000 more stories of painstaking handiwork, salvage, recovery, #conservation and #preservation to come for Ukraine

    1000doors.org/en

    1/2

  5. Sometimes it's the little things

    When the stupid #UkraineWar is over #Ukraine will have to reckon with #heritage, #culture, and #architecture #Russia has destroyed out of #hate

    Here's a story in pictures of one 1800s door at 13 Sechenova St in #Odesa. Damaged in a 2025 #drone strike. The work of a local #restoration #NGO called 1,000 Doors

    1,000 X 1,000 more stories of painstaking handiwork, salvage, recovery, #conservation and #preservation to come for Ukraine

    1000doors.org/en

    1/2

  6. Russians Taken Captive By The AFU Told Of A "drone Meat Grinder"

    " Many of them did not see Ukrainian soldiers - only UAVs and explosions.

    The British newspaper The Telegraph published a report from a camp for Russian prisoners of war in western Ukraine. The journalist spoke to dozens of soldiers, many of whom admitted that they went to the front not because of ideology, but to escape poverty, prison or hopelessness (translated by Charter97.org). "

    charter97.org/en/news/2026/5/2

    #WarOfAggression #Europa #Ukraine #drone #UAV #PoW #Krasnodar #camp #poverty #prison #AirDefense #warfare #army #war #Russia #WarCriminal #invaders #occupiers
    #перемогаYкраїни

  7. Don't mess with Ukraine ❗

    Ukrainian drone operators completely wrecked NATO drill scenario, Politico reports

    " Seventeen soldiers against two dozen tanks — and the Swedes had to start all over again

    During exercises in Sweden, Ukrainian drone operators were so effective at destroying a simulated enemy that part of the scenario had to be restarted three times, Politico reports. "

    newsukraine.rbc.ua/news/ukrain

    #WarOfAggression #Europa #Ukraine #Sweden #NATO #tanks #drone #airbase #AirDefense #warfare #army #war #Russia #WarCriminal #invaders #occupiers
    #перемогаYкраїни

  8. Ce samedi à 21h CET je participerai au International Drone Day avec Radio Prague, mon groupe d’origine (premiers concerts en 1982). Concert en ligne dans Second Life et probablement sur Twitch

    diaspora.psyco.fr/posts/12497542
    #drone #dronemusic #experimental #electronic #improv #ambient #meditation #secondlife #concert

  9. "Russia has passed a law allowing its central bank and other financial institutions to operate defence systems and arm staff to ward off #drone attacks"

    *without govt involvement*

    *the banks pay for it*

    Hmm

    1. #Russia admits its air defense is degraded. It can't protect vital assets

    2. "You pay for it" is admitting financial strain

    3. I think allowing independent paramilitaries in a society with deepening anger won't work out very well for the #Kremlin

    tvpworld.com/93480519/russias-

    #UkraineWar

  10. 🧵 Yet another way to #drone… feeding a #YamahaPSR 36 via an #octaver by #tcElectronics into a #SomaCosmos.

    This is perhaps the most stupid and most shitty #synthesizer I own and it's fun. In fact, most people would not even dare to call it a synthesizer. Its drums are poor samples, but its “digital synthesizer” actually is a very stripped-down and noisy #DX7 that even allows for some sound tweaking!

    I found this thing by accident when my wife and I were invited to play at an event, and it turned out there wasn't anything like the piano they had promised, but there was such a PSR and a mini guitar amp. I was so intrigued I kept watching the used market for months until I found one for not even the price of the flight case surrounding it.

    I really love high end audio, but I think one also has to get over this and go back to “whatever works” – there's so much fun to be had.

    Follow me on Bandcamp, there's gonna be a release including this later this year. nielsonaut.bandcamp.com

    #yamaha #recording

  11. 🧵 Yet another way to #drone… feeding a #YamahaPSR 36 via an #octaver by #tcElectronics into a #SomaCosmos.

    This is perhaps the most stupid and most shitty #synthesizer I own and it's fun. In fact, most people would not even dare to call it a synthesizer. Its drums are poor samples, but its “digital synthesizer” actually is a very stripped-down and noisy #DX7 that even allows for some sound tweaking!

    I found this thing by accident when my wife and I were invited to play at an event, and it turned out there wasn't anything like the piano they had promised, but there was such a PSR and a mini guitar amp. I was so intrigued I kept watching the used market for months until I found one for not even the price of the flight case surrounding it.

    I really love high end audio, but I think one also has to get over this and go back to “whatever works” – there's so much fun to be had.

    Follow me on Bandcamp, there's gonna be a release including this later this year. nielsonaut.bandcamp.com

    #yamaha #recording

  12. 🧵 Yet another way to #drone… feeding a #YamahaPSR 36 via an #octaver by #tcElectronics into a #SomaCosmos.

    This is perhaps the most stupid and most shitty #synthesizer I own and it's fun. In fact, most people would not even dare to call it a synthesizer. Its drums are poor samples, but its “digital synthesizer” actually is a very stripped-down and noisy #DX7 that even allows for some sound tweaking!

    I found this thing by accident when my wife and I were invited to play at an event, and it turned out there wasn't anything like the piano they had promised, but there was such a PSR and a mini guitar amp. I was so intrigued I kept watching the used market for months until I found one for not even the price of the flight case surrounding it.

    I really love high end audio, but I think one also has to get over this and go back to “whatever works” – there's so much fun to be had.

    Follow me on Bandcamp, there's gonna be a release including this later this year. nielsonaut.bandcamp.com

    #yamaha #recording

  13. 🧵 Yet another way to #drone… feeding a #YamahaPSR 36 via an #octaver by #tcElectronics into a #SomaCosmos.

    This is perhaps the most stupid and most shitty #synthesizer I own and it's fun. In fact, most people would not even dare to call it a synthesizer. Its drums are poor samples, but its “digital synthesizer” actually is a very stripped-down and noisy #DX7 that even allows for some sound tweaking!

    I found this thing by accident when my wife and I were invited to play at an event, and it turned out there wasn't anything like the piano they had promised, but there was such a PSR and a mini guitar amp. I was so intrigued I kept watching the used market for months until I found one for not even the price of the flight case surrounding it.

    I really love high end audio, but I think one also has to get over this and go back to “whatever works” – there's so much fun to be had.

    Follow me on Bandcamp, there's gonna be a release including this later this year. nielsonaut.bandcamp.com

    #yamaha #recording

  14. 🧵 Yet another way to #drone… feeding a #YamahaPSR 36 via an #octaver by #tcElectronics into a #SomaCosmos.

    This is perhaps the most stupid and most shitty #synthesizer I own and it's fun. In fact, most people would not even dare to call it a synthesizer. Its drums are poor samples, but its “digital synthesizer” actually is a very stripped-down and noisy #DX7 that even allows for some sound tweaking!

    I found this thing by accident when my wife and I were invited to play at an event, and it turned out there wasn't anything like the piano they had promised, but there was such a PSR and a mini guitar amp. I was so intrigued I kept watching the used market for months until I found one for not even the price of the flight case surrounding it.

    I really love high end audio, but I think one also has to get over this and go back to “whatever works” – there's so much fun to be had.

    Follow me on Bandcamp, there's gonna be a release including this later this year. nielsonaut.bandcamp.com

    #yamaha #recording

  15. Strike On The Headquarters Of The Black Sea Fleet Air Force: New Details

    " The building in Sevastopol was almost completely burned out.

    As a result of an attack on the night of May 27, the headquarters of the Air Force of the Russian Black Sea Fleet on Nikolai Gogol Street in Sevastopol, in temporarily occupied Crimea, burned almost completely. "

    charter97.org/en/news/2026/5/2

    #WarOfAggression #Europa #Ukraine #Crimea #BlackSea #fleet #drone #AirForce #Simferopol #AirDefense #warfare #army #war #Russia #WarCriminal #invaders #occupiers
    #перемогаYкраїни

  16. Strike On The Headquarters Of The Black Sea Fleet Air Force: New Details

    " The building in Sevastopol was almost completely burned out.

    As a result of an attack on the night of May 27, the headquarters of the Air Force of the Russian Black Sea Fleet on Nikolai Gogol Street in Sevastopol, in temporarily occupied Crimea, burned almost completely. "

    charter97.org/en/news/2026/5/2

    #WarOfAggression #Europa #Ukraine #Crimea #BlackSea #fleet #drone #AirForce #Simferopol #AirDefense #warfare #army #war #Russia #WarCriminal #invaders #occupiers
    #перемогаYкраїни

  17. Strike On The Headquarters Of The Black Sea Fleet Air Force: New Details

    " The building in Sevastopol was almost completely burned out.

    As a result of an attack on the night of May 27, the headquarters of the Air Force of the Russian Black Sea Fleet on Nikolai Gogol Street in Sevastopol, in temporarily occupied Crimea, burned almost completely. "

    charter97.org/en/news/2026/5/2

    #WarOfAggression #Europa #Ukraine #Crimea #BlackSea #fleet #drone #AirForce #Simferopol #AirDefense #warfare #army #war #Russia #WarCriminal #invaders #occupiers
    #перемогаYкраїни

  18. Strike On The Headquarters Of The Black Sea Fleet Air Force: New Details

    " The building in Sevastopol was almost completely burned out.

    As a result of an attack on the night of May 27, the headquarters of the Air Force of the Russian Black Sea Fleet on Nikolai Gogol Street in Sevastopol, in temporarily occupied Crimea, burned almost completely. "

    charter97.org/en/news/2026/5/2

    #WarOfAggression #Europa #Ukraine #Crimea #BlackSea #fleet #drone #AirForce #Simferopol #AirDefense #warfare #army #war #Russia #WarCriminal #invaders #occupiers
    #перемогаYкраїни

  19. Strike On The Headquarters Of The Black Sea Fleet Air Force: New Details

    " The building in Sevastopol was almost completely burned out.

    As a result of an attack on the night of May 27, the headquarters of the Air Force of the Russian Black Sea Fleet on Nikolai Gogol Street in Sevastopol, in temporarily occupied Crimea, burned almost completely. "

    charter97.org/en/news/2026/5/2

    #WarOfAggression #Europa #Ukraine #Crimea #BlackSea #fleet #drone #AirForce #Simferopol #AirDefense #warfare #army #war #Russia #WarCriminal #invaders #occupiers
    #перемогаYкраїни

  20. LIVE: Latvia hosts Drone Summit with European defense officials

    Latvian Prime Minister Evika Silina and defense officials from the Netherlands, UK, and Ukraine will hold a press briefing at the Drone Summit 2026, focusing on cooperation in drone technology and security. #latvia #dronesummit #defense #drone #technology #weapons #uk #ukraine #netherlands #live #Reuters #News Keep up with the latest news from around the world:

    fllics.com/en/video/live-latvi

  21. thoughts.pivic.com/one-leg-one

    Listen to One Leg One Eye's new album, 'Crone'. Imagine Irish folk tones destroyed through the Earth, guttural song, synths, Indian instruments, hypnotic song and a mesmerising holistic feel, and you still need to hear this because my words don't do this album justice.

    One Leg One Eye is made up of Ian Lynch of brilliant Irish band Lankum.

    #music #MusicTips #OneLegOneEye #Ireland #drone #folk #IanLynch #Lankum

  22. thoughts.pivic.com/one-leg-one

    Listen to One Leg One Eye's new album, 'Crone'. Imagine Irish folk tones destroyed through the Earth, guttural song, synths, Indian instruments, hypnotic song and a mesmerising holistic feel, and you still need to hear this because my words don't do this album justice.

    One Leg One Eye is made up of Ian Lynch of brilliant Irish band Lankum.

    #music #MusicTips #OneLegOneEye #Ireland #drone #folk #IanLynch #Lankum

  23. thoughts.pivic.com/one-leg-one

    Listen to One Leg One Eye's new album, 'Crone'. Imagine Irish folk tones destroyed through the Earth, guttural song, synths, Indian instruments, hypnotic song and a mesmerising holistic feel, and you still need to hear this because my words don't do this album justice.

    One Leg One Eye is made up of Ian Lynch of brilliant Irish band Lankum.

    #music #MusicTips #OneLegOneEye #Ireland #drone #folk #IanLynch #Lankum

  24. thoughts.pivic.com/one-leg-one

    Listen to One Leg One Eye's new album, 'Crone'. Imagine Irish folk tones destroyed through the Earth, guttural song, synths, Indian instruments, hypnotic song and a mesmerising holistic feel, and you still need to hear this because my words don't do this album justice.

    One Leg One Eye is made up of Ian Lynch of brilliant Irish band Lankum.

    #music #MusicTips #OneLegOneEye #Ireland #drone #folk #IanLynch #Lankum

  25. thoughts.pivic.com/one-leg-one

    Listen to One Leg One Eye's new album, 'Crone'. Imagine Irish folk tones destroyed through the Earth, guttural song, synths, Indian instruments, hypnotic song and a mesmerising holistic feel, and you still need to hear this because my words don't do this album justice.

    One Leg One Eye is made up of Ian Lynch of brilliant Irish band Lankum.

    #music #MusicTips #OneLegOneEye #Ireland #drone #folk #IanLynch #Lankum

  26. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  27. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  28. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  29. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  30. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno