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#piano — Public Fediverse posts

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  1. Sight reader pianist extraordinaire is live.

    The other day she confessed that she hadn't felt well for 2 days, but that playing kept her mind off of it. The show must go on.

    youtube.com/watch?v=8sRzd3TRDZg

    #music #piano

  2. @classicalmusic
    25th August, at 18:00 hours GMT
    Bolzano Festival, RAI Radio 3 - LIVE

    MOZART arr Ferruccio Busoni: Fantasia in F minor K. 608.

    R.SCHUMANN arr Claude Debussy: Six Studies in Canon Form, Op. 56.

    MILHAUD: Scaramouche, Op. 165b.

    RACHMANINOV: Symphonic Dances, Op. 45a.

    Martha Argerich &
    Lilya Zilberstein, piano

    @Pierrette ?

    worldconcerthall.com/en/schedu

    #music #classic #piano #live

  3. HACKEDEPICIOTTO (DE) + GLICE

    OCCII, Friday, November 20 at 08:30 PM GMT+1

    Welcome back! HACKEDEPICIOTTO (Alexander Hacke & Danielle de Picciotto) + GLICE (Melle Kromhout & Ruben Braeken)

    HACKEDEPICCIOTTO (DE)
    Alexander Hacke (Einstürzende Neubauten) & Danielle De Picciotto (Love Parade, Crime & The City Solution)

    Both are legends within the underground of the music world. This will be the couple’s first visit to Amsterdam since the last one in 2022.

    HACKEDEPICIOTTO are Alexander Hacke and Danielle de Picciotto. Both are legends of their own making: Danielle de Picciotto moved to Berlin in 1987, to become the lead singer of the band „Space Cowboys“, the co-initiator of the Love Parade, a collaborator of the Ocean Club with Gudrun Gut, and Alexander’s partner in crime. Alexander Hacke is founding member and bass player of Einstürzende Neubauten. The artist couple, romantically married in 2006, has creatively interacted with countless international projects for almost 2 decades now besides regularly releasing their own compositions.

    Their live shows are, to put it mildly, intense. Danielle specializes in unusual instruments such as the Hurdy Gurdy, the auto harp and the cemence besides playing the violin and piano; Alexander is master of the bass, guitar and drums. Together they create beautiful, existentialistic, acoustic soundscapes, which roar and vibrate simultaneously leaving their audiences shaken but overjoyed.

    Danielle, author of two books, writes most of their lyrics, be it the poetic spoken word moments or the momentous choirs they compose together. Alexander Hacke, an excellent throat singer and vocalist, growls his grnarly, rumbling cries that float eerily over their nomadic desert drones, with screeching birds, bees or wild wind accompanying slow, heavy riffs that start as a whisper and end in a volcanic, rolling wave of apocalyptic frenzy. The collage of this mixed with melancholic, translucent harmonies, very heavy & low bass chords, and electronics are a mesmerizing universe of sound and emotion which has generated an ever growing group of enthusiastic listeners.

    https://hackedepicciotto.bandcamp.com/

    Glice is an Amsterdam-based noise duo that has been producing uncompromising, layered electronics since 2015. Using analog equipment and a keen ear for detail, Ruben Braeken and Melle Kromhout craft a sound that moves between hushed musique concrète and industrial noise, between abstract sonic experiments and moments of fragile melody—sometimes dark and ominous, at other times deceptively meditative.

    Following their critically acclaimed debut LIX (2015), Glice performed at festivals such as Rewire, Incubate and Unsound and released several cassette tapes. Braeken and Kromhout then travelled to Berlin to record the album CIELO (2017) with Alexander Hacke (Einstürzende Neubauten)—a next step in their sonic evolution, where post-industrial textures meet melodic development. This direction continued on the monumental double album PYRE (2021), co-produced by Lasse Marhaug.

    Exactly ten years after their debut, Glice returns in 2025 with ENVOI. Recorded during a series of concerts with Hackedepicciotto in 2022, this is the purest representation yet of their intense, disorienting live shows: four pieces that build tension layer by layer with distorted voices, piercing noise, rattling synths, fragments of melody, and deep drones.

    https://glice.bandcamp.com/

    Presale/door prices adjusted: our events are set up by volunteers in favour of supporting DIY touring acts, but it is getting ever more risky to plan and book events – please support the community and buy your tickets early! Presale closes 18.00 on day of the show.

    offbeat.amsterdam/event/hacked

  4. Akatsuki

    The Gang I had to look up 'Akatsuki'. Apparently, it's a fictional organisation of rogue ninja. It was originally a pacifist organisation aiming to bring peace to a warring nation. But its tactics have changed. It now hopes to bring about peace by building its own weapon of mass destruction, presumably to frighten the combatants into disbanding their armies and decommissioning their conventional weapons. Instead of "Stop waving those big sticks around", they now cry "We'll soon have a bigger […]

    crotchetyman.blog/2026/08/24/a

  5. @classicalmusic
    24. August 2026, 21:00 Uhr
    Turnübung à la Schnabel

    Brahms: Intermezzo, op. 117/1 (4. Juni 1947)
    Beethoven: Appassionata (11. April 1933)
    Beethoven: Klaviersonate, op. 49/2 (12. April 1933)
    Schubert: Impromptu D899/4 (7. und 8. Juni 1950)

    radioklassik.at/programm/sendu

    #music #classic #piano #doku #history

  6. @classicalmusic
    23.8., 20:00 Uhr
    Live im Schloss vor Husum

    Leopold Godowsky
    16 Studien über Etüden von Frédéric Chopin

    ca. 20.50 Konzertpause
    Emanuele Delucchi
    im Gespräch mit Ruth Jarre

    Sergej Ljapounow
    Sonate f-Moll op.27

    Emanuele Delucchi
    Toccata avanti le canzoni
    Ricercare V – Te lucis ante
    Valzer di Francesca

    Carl Maria von Weber (Bearbeitung: Leopold Godowsky)
    Aufforderung zum Tanz op.65

    Emanuele Delucchi, Klavier

    deutschlandfunkkultur.de/progr

    #music #classic #piano #live

  7. Judith Jáuregui interpreta Gershwin amb la BMB

    - George Gershwin: Concert piano en Fa.
    - Elisenda Fábregas: Càntic d'exaltació.
    - León Duran: "Bodas de sangre", Poema escènic sobre la tragèdia de Federico García Lorca.

    Judith Jauregui, piano
    Banda Municipal de Barcelona (BMB)
    Dir.: José Rafael Pascual-Vilaplana.

    19 d'octubre del 2025. Sala Pau Casals. L'Auditori de Barcelona.

    @classicalmusic

    #classicalmusic #concert #piano

    3cat.cat/3cat/judith-jauregui-

  8. @classicalmusic
    23rd August, at 18:00 hours GMT
    Husum Castle - LIVE

    Leopold GODOWKSY: 16 Studies on Etudes by Frédéric Chopin.

    Sergei LYAPUNOV: Sonata in F minor, Op. 27.

    Emanuele DELUCCHI: Toccata avanti le canzoni Ricercare V – Te lucis ante Valzer di Francesca.

    WEBER arr. Leopold Godowsky: Invitation to the Dance, Op. 65.

    Emanuele Delucchi, piano

    worldconcerthall.com/en/schedu
    20:00 Uhr
    deutschlandfunkkultur.de/progr

    #music #classic #piano #live

  9. @classicalmusic
    23.08.2026, 03:30h
    Live From Aspen

    HAYDN: Piano Sonata in C major, Hob. XVI/50
    SCHUBERT: Drei Klavierstücke, D. 946
    ---
    CHAMINADE: Thème varié, op. 89
    SKRYABIN: Prelude in G-flat major, op. 16, no. 3
    SHOSTAKOVICH: Prelude in C-sharp minor, op. 34, no. 10
    PROKOFIEV: Prelude in C major, op. 12, no. 7
    RACHMANINOFF: Prelude in G major, op. 32, no. 5
    CHOPIN: Andante spianato et Grande polonaise brillante, op. 22

    Anton Nel

    youtube.com/watch?v=MhIj7wfxiqk

    #music #classic #piano #live

  10. How to Enjoy Practicing Again

    Every musician experiences seasons when practice feels exciting—and seasons when it feels like a chore. Losing motivation doesn’t mean you’ve lost your passion. More often, it means your routine needs a fresh approach.

    As a music instructor and mentor, I’ve seen students rediscover their love for music after making a few intentional changes. The goal isn’t simply to practice more—it’s to practice in a way that keeps you engaged, challenged, and inspired.

    Here are a few practical ways to make practice enjoyable again.

    1. Remember Why You Started

    Think back to what first inspired you to learn music. Was it a song that moved you, a musician you admired, or the joy of making music?

    Reconnecting with your purpose can reignite your passion.

    2. Set Small, Achievable Goals

    Trying to master everything at once can become overwhelming.

    Instead, focus on one objective at a time: learn a new chord progression, master a difficult passage, improve your rhythm, memorize one verse of a song.

    Small victories build momentum and keep you motivated.

    3. Add Variety to Your Practice

    Avoid doing the same routine every day.

    Mix your sessions by including: technique exercises, ear training, sight-reading, improvisation, learning a favourite song, playing or singing with backing tracks or other musicians.

    Variety keeps practice fresh and enjoyable.

    4. Celebrate Progress

    Don’t focus only on how far you still have to go. Take time to appreciate how much you’ve already improved.

    Record yourself occasionally and compare your progress over time. Growth is often easier to hear when you look back.

    5. Practice with Others

    Music is meant to be shared. Join a choir, play or sing in a band, rehearse with friends, or participate in group lessons. Making music with others often renews enthusiasm and builds confidence.

    6. Create a Consistent Routine

    You don’t need to practice for hours every day.

    Even 20–30 minutes of focused practice can produce remarkable progress when done consistently. A sustainable routine is far more effective than occasional marathon sessions.

    7. Be Patient with Yourself

    Some days will feel productive, while others may not. That’s part of learning.

    Don’t let one difficult practice session discourage you. Progress is measured over weeks and months, not by a single day.

    Conclusion

    The joy of music isn’t found only in reaching your goals—it’s found in the journey of becoming better with every practice session.

    When you practice with purpose, curiosity, and consistency, the routine becomes more than an obligation. It becomes an opportunity to grow, create, and discover new possibilities.

    Fall in love with the process, and the results will follow.

    Reflection

    What one change could you make this week that would make your practice sessions more enjoyable and more meaningful?

    “The musicians who enjoy the journey are the ones who stay long enough to discover how far their dedication can take them. Learn to love the process, and excellence will become a natural result.” — Victor Adenola

    #art #band #bands #BenefitsOfPlayingAMusicalInstrument #choir #dailyprompt #dailyprompt1928 #drum #guitar #music #MusicLessons #musicalinstruments #musicians #musicperformance #musicproduction #Passion #performance #piano #practicing #rehearsals #saxophone