#classicalmusic — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #classicalmusic, aggregated by home.social.
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Anthony Hopkins on mortality, music's dark side and its healing power
By Ria AndrianiSir Anthony Hopkins opens up about music’s transcendental power, overcoming impostor syndrome, playing Hannibal Lecter and why “life is one long, long goodbye”.
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The Song of Hiawatha review – Rafael Payare reveals the riches of Coleridge-Taylor’s hit cantata
By Michael DownesUsher Hall, EdinburghFestival director Nicola Benedetti’s bold programming of these once-popular Victorian cantatas paid off with a crisp chorus and strong soloists tautly conducted
#Classicalmusic #Culture #Music #Edinburghfestival2026 #Edinburghfestival #Opera #TheGuardian #MichaelDownes
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Aigul Akhmetshina: Mujer Fatal album review – classy and sensual in music from Bizet to Britten and Bernstein
By Clive PagetAkhmetshina/Pappano(Decca)The mezzo-soprano lends supple and elegant voice to opera arias and musical party pieces that explore womanhood
https://www.theguardian.com/music/2026/aug/20/aigul-akhmetshina-mujer-fatal-album-review
#Classicalmusic #Opera #Music #AntonioPappano #Culture #TheGuardian #ClivePaget
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📚El significado de la ópera
✍️ Christopher Wintle¿Qué significa realmente una ópera cuando se apagan las luces y comienza la música? Wintle parte de esa pregunta para desmontar la idea de que basta con conocer el argumento o reconocer una melodía. Su recorrido atraviesa historia, dramaturgia, psicología y análisis musical para descubrir las decisiones que sostienen algunas de las obras fundamentales del repertorio.
https://www.revistamercurio.es/2026/08/20/libros-de-la-semana-205/
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Tríos con piano desde el Festival Internacional Pau Casals
- DVORÁK: Trío para piano núm. 4 en mi menor, op. 90, “Dumky”
- SCHUBERT: Trío para piano núm. 2 en mi bemol mayor, D. 929Marie-Elisabeth Hecker, violonchelo
Martin Helmchen, piano
Antje Weithass, violín14 de julio de 2026. Auditorio Pau Casals de El Vendrell, Tarragona.
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In Verona’s Arena tonight, for an immersive performance of Vivaldi’s Four Seasons.
Quite a performance; strongly recommended. -
Organ Recital »Tempus fugit« by Ute Gremmel-Geuchen
https://betweendrafts.com/justdrafts/2026/08/19/organ-recital-tempus-fugit-by-ute-gremmel-geuchen/
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María Dueñas y la Orquesta Filarmónica de Munich
WAGNER: Obertura del “El holandés errante”
BRUCH: Concierto para violín núm. 1 en sol menor, op. 26
VECSEY: Valse Triste
FELIX MENDELSSOHN: Sinfonía núm. 3 en la menor, op. 56, “Escocesa”
FELIX MENDELSSOHN: Canción de Góndola venecianaOrquesta Filarmónica de Munich
Lahav Shani, dirección
María Dueñas, violín12 de julio de 2026, Odeonsplatz, Munich, Alemania
#classicalmusic #concert #violin
https://www.rtve.es/play/audios/concierto-de-verano/maria-duenas-orq-fil-munich-plaza-odeon-munich-19-08-26/17195304/ -
‘You’ll be sorry you told me this!’: the 98-year-old composer who gets musicians – even bassoonists - on their feet
By Tom ServiceScotland’s Thea Musgrave is still writing radical music with perambulatory soloists and a message of hopefulness. Her latest work, for bassoonist Amy Harman, comes to the Proms this weekend
https://www.theguardian.com/music/2026/aug/19/thea-musgrave-composer-proms-classical-music
#Music #Classicalmusic #Culture #Proms2026 #TheGuardian #TomService
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The Rake’s Progress review – a young cast packed with promise do Stravinsky’s dance with the devil proud
By Alexandra CoghlanBattersea Arts Centre, LondonThe staging is awkward and balance is an issue at points, but the singers of British Youth Opera are consistently impressive
#Opera #Classicalmusic #Culture #Music #BatterseaArtsCentre #Stage #TheGuardian #AlexandraCoghlan
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Ukrainian Freedom Orchestra/Wilson review – white-hot intensity as Verdi Reqiuem shakes St Paul’s vast dome
By Flora WillsonSt Paul’s Cathedral, LondonElemental roars and full-frontal vocal expressivity as the UFO focuses on a mission bigger than a good performance
#Classicalmusic #Culture #Music #Ukraine #TheGuardian #FloraWillson
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Came across a great composition quote:
"Our society unfortunately doesn’t trust women’s talents yet, and our colleagues would rather not notice, or hear, the music [we write], even if it can equal or sometimes even excel in its ideas and
originality some of their frequently poor productions… Someone told me I must die first in order to gain fame! But I don’t feel like dying yet. And I prefer to justify my posthumous fame by writing a
greater number of compositions first."-- Anna Maria Klechniowska, as quoted in Lindstedt, “Why Are Our Women Composers So Little Known?" (2019).
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Opera for the Dead and ocean-inspired works shine at Art Music Awards
By Ria AndrianiThe 2026 Art Music Awards has celebrated a culture of experimentation, collaboration and women composers in Australia. Here are all the winners.
https://www.abc.net.au/news/2026-08-19/art-music-awards-2026-winners-finalists/107004944
#MusicAwards #AustralianComposers #ClassicalMusic #Jazz #OperaandMusicalTheatre #RiaAndriani
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#GaetanoBrunetti 1744 - 1798
#ViolaSonata in D major (1789)
I. Allegro moderato
II. Larghetto sostenuto
III. Rondeau. Allegretto#PabloDePedroCano #Viola
#LorenzoMeseguerLuján #Cello
#SamuelMaíllo #Harpsichord -
#DarioCastello 1602 -1631
Sonata X
Sonate concertate in stil moderno, libro primo, 1621#MusicaMaestrale -
#CourtneyKuroda and #ChristineWilkinsonBeckman #Violin
#MaxFuller #Cello
#HidekiYamaya #Theorbo#musik #music #musique #musica #Castello #classicalmusic
#baroquemusic
https://www.youtube.com/watch?v=g6kM70YV4TE -
#FlorencePrice 1887 - 1953
Symphony No. 3 in C Minor (1938)
#YaleSymphonyOrchestra
#ToshiyukiShimada,#classicalmusic #modernistmusic
#womencomposers #musik #music #musique #musica #Price -
Wolfgang Amadeus Mozart (1756-1793)
Violin Concerto No.5 in A-Major KV.219 "Turkish"Ilva Eigus, violin
Kevin Griffiths, direction
Empyrean OrchestraTonhalle Zürich
10.03.2026