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#classicalmusic — Public Fediverse posts

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  1. Anthony Hopkins on mortality, music's dark side and its healing power
    By Ria Andriani

    Sir Anthony Hopkins opens up about music’s transcendental power, overcoming impostor syndrome, playing Hannibal Lecter and why “life is one long, long goodbye”.

    abc.net.au/news/2026-08-21/han

    #ClassicalMusic #Music #Media #RiaAndriani

  2. The Song of Hiawatha review – Rafael Payare reveals the riches of Coleridge-Taylor’s hit cantata
    By Michael Downes

    Usher Hall, EdinburghFestival director Nicola Benedetti’s bold programming of these once-popular Victorian cantatas paid off with a crisp chorus and strong soloists tautly conducted

    theguardian.com/music/2026/aug

    #Classicalmusic #Culture #Music #Edinburghfestival2026 #Edinburghfestival #Opera #TheGuardian #MichaelDownes

  3. Aigul Akhmetshina: Mujer Fatal album review – classy and sensual in music from Bizet to Britten and Bernstein
    By Clive Paget

    Akhmetshina/Pappano(Decca)The mezzo-soprano lends supple and elegant voice to opera arias and musical party pieces that explore womanhood

    theguardian.com/music/2026/aug

    #Classicalmusic #Opera #Music #AntonioPappano #Culture #TheGuardian #ClivePaget

  4. 📚El significado de la ópera
    ✍️ Christopher Wintle

    ¿Qué significa realmente una ópera cuando se apagan las luces y comienza la música? Wintle parte de esa pregunta para desmontar la idea de que basta con conocer el argumento o reconocer una melodía. Su recorrido atraviesa historia, dramaturgia, psicología y análisis musical para descubrir las decisiones que sostienen algunas de las obras fundamentales del repertorio.

    @classicalmusic

    #opera #classicalmusic

    revistamercurio.es/2026/08/20/

  5. Tríos con piano desde el Festival Internacional Pau Casals

    - DVORÁK: Trío para piano núm. 4 en mi menor, op. 90, “Dumky”
    - SCHUBERT: Trío para piano núm. 2 en mi bemol mayor, D. 929

    Marie-Elisabeth Hecker, violonchelo
    Martin Helmchen, piano
    Antje Weithass, violín

    14 de julio de 2026. Auditorio Pau Casals de El Vendrell, Tarragona.

    @classicalmusic

    #classicalmusic #concert #PianoTrio

    rtve.es/play/audios/concierto-

  6. In Verona’s Arena tonight, for an immersive performance of Vivaldi’s Four Seasons.
    Quite a performance; strongly recommended.

    #classicalmusic

  7. María Dueñas y la Orquesta Filarmónica de Munich

    WAGNER: Obertura del “El holandés errante”
    BRUCH: Concierto para violín núm. 1 en sol menor, op. 26
    VECSEY: Valse Triste
    FELIX MENDELSSOHN: Sinfonía núm. 3 en la menor, op. 56, “Escocesa”
    FELIX MENDELSSOHN: Canción de Góndola veneciana

    Orquesta Filarmónica de Munich
    Lahav Shani, dirección
    María Dueñas, violín

    12 de julio de 2026, Odeonsplatz, Munich, Alemania

    @classicalmusic

    #classicalmusic #concert #violin
    rtve.es/play/audios/concierto-

  8. ‘You’ll be sorry you told me this!’: the 98-year-old composer who gets musicians – even bassoonists - on their feet
    By Tom Service

    Scotland’s Thea Musgrave is still writing radical music with perambulatory soloists and a message of hopefulness. Her latest work, for bassoonist Amy Harman, comes to the Proms this weekend

    theguardian.com/music/2026/aug

    #Music #Classicalmusic #Culture #Proms2026 #TheGuardian #TomService

  9. The Rake’s Progress review – a young cast packed with promise do Stravinsky’s dance with the devil proud
    By Alexandra Coghlan

    Battersea Arts Centre, LondonThe staging is awkward and balance is an issue at points, but the singers of British Youth Opera are consistently impressive

    theguardian.com/music/2026/aug

    #Opera #Classicalmusic #Culture #Music #BatterseaArtsCentre #Stage #TheGuardian #AlexandraCoghlan

  10. Ukrainian Freedom Orchestra/Wilson review – white-hot intensity as Verdi Reqiuem shakes St Paul’s vast dome
    By Flora Willson

    St Paul’s Cathedral, LondonElemental roars and full-frontal vocal expressivity as the UFO focuses on a mission bigger than a good performance

    theguardian.com/music/2026/aug

    #Classicalmusic #Culture #Music #Ukraine #TheGuardian #FloraWillson

  11. Came across a great composition quote:

    "Our society unfortunately doesn’t trust women’s talents yet, and our colleagues would rather not notice, or hear, the music [we write], even if it can equal or sometimes even excel in its ideas and
    originality some of their frequently poor productions… Someone told me I must die first in order to gain fame! But I don’t feel like dying yet. And I prefer to justify my posthumous fame by writing a
    greater number of compositions first."

    -- Anna Maria Klechniowska, as quoted in Lindstedt, “Why Are Our Women Composers So Little Known?" (2019).

    #composition #ClassicalMusic #Music #WomenAndMusic #Gender

  12. Opera for the Dead and ocean-inspired works shine at Art Music Awards
    By Ria Andriani

    The 2026 Art Music Awards has celebrated a culture of experimentation, collaboration and women composers in Australia. Here are all the winners.

    abc.net.au/news/2026-08-19/art

    #MusicAwards #AustralianComposers #ClassicalMusic #Jazz #OperaandMusicalTheatre #RiaAndriani

  13. Wolfgang Amadeus Mozart (1756-1793)
    Violin Concerto No.5 in A-Major KV.219 "Turkish"

    Ilva Eigus, violin
    Kevin Griffiths, direction
    Empyrean Orchestra

    Tonhalle Zürich
    10.03.2026

    @classicalmusic

    #classicalmusic #concert #violin

    youtu.be/POaPRTL7fuM?is=J-IoAa