home.social

#ambient — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #ambient, aggregated by home.social.

  1. Old review.

    THE ORB - Moonbuilding 2703 AD

    emcritic.blogspot.com/2016/05/

    I feel like there was a time when everyone was talking about this record. Then The Orb released more buzz-worthy records after, and, well... Still a solid session regardless.

    #ElectronicMusic #DubTechno #TechHouse #Ambient

  2. On 28 May 2001, Four Tet released his second album, "Pause".

    Evolving his free-form jazz foundation to a deeper, more introspective sound, he proved that DJ culture still has plenty to offer.

    "Pause it not something you put on to dance to or do the housework by. It’s better for putting in your car and cruising around through the twilight hours of morning, or just sitting and contemplating the universe to."

    04. Parks

    #FourTet #Folktronic #Ambient

  3. Free download codes:

    Scare in a Box - The Narrowcasted Haunting

    "When a transmission antenna was installed in a graveyard, a new channel began broadcasting..."

    getmusic.fm/l/p28IUP

    #ambient #darkambient #noise #lofi #atmospheric #eerie #spooky #analoghorror #creepy #unsettlingatmosphere #music

  4. Recensioni ✍️ 👤 Eluvium 📈 36 👥 76.7K 🔗 Virga III 7️⃣ 📅 15-5-2026 🏠 2026 (Temporary residence ltd.) #️⃣ Ambient Ambientdrone Luce e commozione tornano ad irradiarsi dal verbo ambient di Matthew Cooper a cura di Peppe Trotta #Ondarock #MusicianSky #MusicSky #Music

    Virga III - Album by Eluvium |...

  5. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
    ──────────────
    🎵 Nils Petter Molvær - Khmer

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #NilsPetterMolvær #Jazz #Ambient #90s

  6. Ce samedi à 21h CET je participerai au International Drone Day avec Radio Prague, mon groupe d’origine (premiers concerts en 1982). Concert en ligne dans Second Life et probablement sur Twitch

    diaspora.psyco.fr/posts/12497542
    #drone #dronemusic #experimental #electronic #improv #ambient #meditation #secondlife #concert

  7. float sessions: deep listening (#1)

    ßpace, Saturday, May 30 at 06:30 PM GMT+2

    A concert series co-curated by iterative ßpace, Augmented Research & Umpolen

    In the era of perpetual sensory overload, Float Sessions dedicates itself to a practice that has regained considerable value in recent years — listening as an active form of perception that extends far beyond the act of merely hearing. The series invites audiences not to passively consume sound, but to actively follow its depths — as an immersive practice suspended between concentration, openness and transcendence.

    Across three evenings, iterative ßpace, Augmented Research and Umpolen present a collaborative programme offering a broad snapshot of post-ambient practices — spanning the space between the unpredictable character of field recordings and carefully curated DJ sets to initiate an introspective process of multidimensional depth.

    dates: May 30 · June 7 · June 14, 2026

    location:
    fritz-erler-straße 7
    76133 karlsruhe

    keepkarlsruheboring.org/event/

  8. 🔗 Virga III 7️⃣ 🏠 2026 (Temporary residence ltd.) #️⃣ Ambient Ambientdrone Luce e commozione tornano ad irradiarsi dal verbo ambient di Matthew Cooper a cura di Peppe Trotta #Ondarock #MusicianSky #MusicSky #Music

  9. New #Faircamp Release: "Daydream: Maladaptive"

    Gear: ASM Hydrasynth Desktop; Roland MV-1, SP-404; C&G Organelle. Copyright (C) 2026 Flock of Nazguls. License CC BY-NC-SA. No AI.

    #music #newrelease #NHAM #electronicmusic #ambient #notambient

    flockofnazguls.com/daydream-ma

  10. New #Faircamp Release: "Daydream: Maladaptive"

    Gear: ASM Hydrasynth Desktop; Roland MV-1, SP-404; C&G Organelle. Copyright (C) 2026 Flock of Nazguls. License CC BY-NC-SA. No AI.

    #music #newrelease #NHAM #electronicmusic #ambient #notambient

    flockofnazguls.com/daydream-ma

  11. New #Faircamp Release: "Daydream: Maladaptive"

    Gear: ASM Hydrasynth Desktop; Roland MV-1, SP-404; C&G Organelle. Copyright (C) 2026 Flock of Nazguls. License CC BY-NC-SA. No AI.

    #music #newrelease #NHAM #electronicmusic #ambient #notambient

    flockofnazguls.com/daydream-ma

  12. New #Faircamp Release: "Daydream: Maladaptive"

    Gear: ASM Hydrasynth Desktop; Roland MV-1, SP-404; C&G Organelle. Copyright (C) 2026 Flock of Nazguls. License CC BY-NC-SA. No AI.

    #music #newrelease #NHAM #electronicmusic #ambient #notambient

    flockofnazguls.com/daydream-ma

  13. New #Faircamp Release: "Daydream: Maladaptive"

    Gear: ASM Hydrasynth Desktop; Roland MV-1, SP-404; C&G Organelle. Copyright (C) 2026 Flock of Nazguls. License CC BY-NC-SA. No AI.

    #music #newrelease #NHAM #electronicmusic #ambient #notambient

    flockofnazguls.com/daydream-ma

  14. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
    ──────────────
    🎵 Lisa Gerrard; Patrick Cassidy - Immortal Memory

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #LisaGerrard #Neoclassical #Ambient #2000s

  15. New #Faircamp Release: "Daydream: Maladaptive"

    Gear: ASM Hydrasynth Desktop; Roland MV-1, SP-404; C&G Organelle. Copyright (C) 2026 Flock of Nazguls. License CC BY-NC-SA. No AI.

    Cover Image Source: archive.org/download/lang-metr

    #music #newrelease #NHAM #electronicmusic #ambient #notambient

    flockofnazguls.com/daydream-ma

  16. Continuing with my personal #MoersAftermath I'd like to point folks interested in #ambient / #noise/ #experimental #music to Lilja María Ásmundsdóttir.

    I attended her performance at #MoersFestival2026.

    This young lady from Iceland combines self-made and/or modified instruments with #AbletonLive, visual performance and other fancyness.

    Here's an excerpt of one of her works: vimeo.com/259598897 (I didn't know #Vimeo wasn't dead yet.)

    Oh, and yes of course, she's got that stuff on #Bandcamp, too: liljamaria.bandcamp.com

    #MoersFestival #Moers #ExperimentalMusic #AmbientMusic #NoiseMusic #LiljaMaríaÁsmundsdóttir #LiljaMaría #Hulda #LightSculpture #nielsotunes #musik

  17. A Forest Called Mulu – Special Guest

    A cinematic trip-hop & ambient mix built from slow, evolving textures, soft pulses, and deep nocturnal atmosphere. It unfolds like drifting through a dark, living forest where sound replaces light.

    alltriphop.com/2026/05/a-fores
    #TripHop #Ambient #Downtempo #ElectronicMusic #CinematicMusic #DarkAmbient #Soundscape #Experimental #Chillout

  18. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  19. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  20. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  21. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  22. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  23. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
    ──────────────
    🎵 Dr Chrispy - Zero Gravity

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #DrChrispy #Electro #Ambient #2020s

  24. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Night 🚀 (Krautrock & space rock)
    ──────────────
    🎵 ORB - Immortal Tortoise

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #ORB #Ambient #Experimental #2000s