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#doommetal — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #doommetal, aggregated by home.social.

  1. Wave Mountain 14 + Yore + By Fire + Acid Arno +

    TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

    Saturday 10th October
    Wave Mountain presents a Drone Doom session

    Yore
    Doom metal
    https://yoredoom.bandcamp.com/

    By Fire
    Drone metal
    https://byfirebyfirebyfire.bandcamp.com/music

    Acid Arno
    https://acidarno.bandcamp.com/

    Location: Trxxxer, am schlesi, dm for info or ask a punk
    doors: 20:00

    Flyer: @_waldon

    Support your local storner, enjoy the trip!

    berlin.askapunk.de/event/wave-

  2. Desolate Pathway – Visions in Death Review By ClarkKent

    People have been imagining monsters as the harbingers of their doom for millennia. In Homer’s The Odyssey, men met their makers at the hands of creatures ranging from a man-eating cyclops to dangerously alluring sirens. The English epic poem, Beowulf, included the monstrous Grendel, who terrorized and ate townsfolk, and more than a thousand years later Bram Stoker would tell about a blood-sucking vampire, Count Dracula. Fears of worldwide annihilation eventually came in the form of Kaiju monsters and flesh-eating zombies. For the misery and despair these beings have wrought (at least on our imaginations), it’s only fitting that a band dabbling in epic doom takes on the theme of monsters and demons. England’s Desolate Pathway didn’t start out with an interest in this topic. They formed in 2014, focused on fantasy (2014’s Valley of the King) and mythology (2016’s Of Gods and Heroes). A decade later, on Visions in Death, they evoke the haunting beauty of monsters from a more romantic era.

    Desolate Pathway harken back to the old school epic doom of Candlemass, bring modern elements akin to Behölder, and mix in some gothic melancholy from My Dying Bride. They combine your typical funeral doom chuggery with elaborate and achingly beautiful lead riffs to achieve some of the most remarkable performances in doom this year. Visions in Death opens with its strongest cut, “Creeper,” which is catchy as hell, featuring a killer lead riff and a chorus that’s sure to infect your brain and make you belt out “Calling me, haunting me” until it infects your loved ones and eventually the world.1 The rest of the album doesn’t quite reach that level of catchiness, but there are plenty of other infectious numbers that’ll get you singing along about Lucifer (“Horrors of the Night”) and vampires (“The Dark Prince,” “Vampire’s Kiss”). There’s a level of poetry to the lyrics that heightens the emotional impact of the music.

    Konrad proves the heart of Visions in Death with his soulful croons and creative riffcrafting. His sudden emotional outpourings on guitar and the mic ensure this record will throw constant surprises your way. The lead riffs on “Creeper” never fail to give me goosebumps, and a gorgeous solo at the tail end of “Dark Prince” leaves me in awe every time I hear it. Vocally, Konrad doesn’t have your typical doom metal delivery, sounding more like Volbeat’s Michael Poulsen than any traditional doom vocalist,2 with a soulful delivery reminiscent of Isole’s Daniel Bryntse. Sparks of impassioned crooning often provide a lift as songs reach their conclusions—on “Dawn of Extinction,” Konrad belts out a stunner that left me feeling both ecstatic and melancholic. Desolate Pathway show a knack for such climactic payoffs, leading to lots of big feelings throughout the record.

    A weaker back half unfortunately keeps this from 4.0 territory. The instrumental “Angels without Words” is solid, but it’s missing the emotional oomph of Konrad’s voice. “Vampire’s Kiss” is also good, though it does play things safer and more subdued than the earlier tunes. An appreciable dip in production quality on the closing two songs does the most to weaken the overall impact, and Desolate Pathway’s usual tricks only go so far in redeeming these missteps. “Beasts of Doom” has a rather strong payoff as Konrad turns on the passion towards the end, but this doesn’t quite save the song from its muddy and loud production choices. Closer “Visions in Death” has a cavernous quality that sounds off, and this one never really pops off like the rest. More consistent mixing would have gone a long way towards pushing this to the next level.

    Visions in Death proves an astonishing return for a band that’s been out of the game for a decade. Desolate Pathway has also shown incredible growth in that span of time. Their first two albums were rougher around the edges and lacked the inspiration shown here. “Creeper” has made a strong case for my song of the year, and if Desolate Pathway continues to write tunes like that, they will prove themselves a band to keep an eye out for. If you love great riffs and soulful singing in your doom, don’t pass this one up.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Meuse Music
    Websites: Bandcamp | Facebook
    Releases Worldwide: September 25th, 2026

    #2026 #35 #Behölder #Candlemass #DesolatePathway #DoomMetal #EnglishMetal #EpicDoomMetal #HeavyMetal #Isole #MeuseMusic #MyDyingBride #Review #Reviews #Sep26 #VisionsInDeath #Volbeat
  3. Desolate Pathway – Visions in Death Review By ClarkKent

    People have been imagining monsters as the harbingers of their doom for millennia. In Homer’s The Odyssey, men met their makers at the hands of creatures ranging from a man-eating cyclops to dangerously alluring sirens. The English epic poem, Beowulf, included the monstrous Grendel, who terrorized and ate townsfolk, and more than a thousand years later Bram Stoker would tell about a blood-sucking vampire, Count Dracula. Fears of worldwide annihilation eventually came in the form of Kaiju monsters and flesh-eating zombies. For the misery and despair these beings have wrought (at least on our imaginations), it’s only fitting that a band dabbling in epic doom takes on the theme of monsters and demons. England’s Desolate Pathway didn’t start out with an interest in this topic. They formed in 2014, focused on fantasy (2014’s Valley of the King) and mythology (2016’s Of Gods and Heroes). A decade later, on Visions in Death, they evoke the haunting beauty of monsters from a more romantic era.

    Desolate Pathway harken back to the old school epic doom of Candlemass, bring modern elements akin to Behölder, and mix in some gothic melancholy from My Dying Bride. They combine your typical funeral doom chuggery with elaborate and achingly beautiful lead riffs to achieve some of the most remarkable performances in doom this year. Visions in Death opens with its strongest cut, “Creeper,” which is catchy as hell, featuring a killer lead riff and a chorus that’s sure to infect your brain and make you belt out “Calling me, haunting me” until it infects your loved ones and eventually the world.1 The rest of the album doesn’t quite reach that level of catchiness, but there are plenty of other infectious numbers that’ll get you singing along about Lucifer (“Horrors of the Night”) and vampires (“The Dark Prince,” “Vampire’s Kiss”). There’s a level of poetry to the lyrics that heightens the emotional impact of the music.

    Konrad proves the heart of Visions in Death with his soulful croons and creative riffcrafting. His sudden emotional outpourings on guitar and the mic ensure this record will throw constant surprises your way. The lead riffs on “Creeper” never fail to give me goosebumps, and a gorgeous solo at the tail end of “Dark Prince” leaves me in awe every time I hear it. Vocally, Konrad doesn’t have your typical doom metal delivery, sounding more like Volbeat’s Michael Poulsen than any traditional doom vocalist,2 with a soulful delivery reminiscent of Isole’s Daniel Bryntse. Sparks of impassioned crooning often provide a lift as songs reach their conclusions—on “Dawn of Extinction,” Konrad belts out a stunner that left me feeling both ecstatic and melancholic. Desolate Pathway show a knack for such climactic payoffs, leading to lots of big feelings throughout the record.

    A weaker back half unfortunately keeps this from 4.0 territory. The instrumental “Angels without Words” is solid, but it’s missing the emotional oomph of Konrad’s voice. “Vampire’s Kiss” is also good, though it does play things safer and more subdued than the earlier tunes. An appreciable dip in production quality on the closing two songs does the most to weaken the overall impact, and Desolate Pathway’s usual tricks only go so far in redeeming these missteps. “Beasts of Doom” has a rather strong payoff as Konrad turns on the passion towards the end, but this doesn’t quite save the song from its muddy and loud production choices. Closer “Visions in Death” has a cavernous quality that sounds off, and this one never really pops off like the rest. More consistent mixing would have gone a long way towards pushing this to the next level.

    Visions in Death proves an astonishing return for a band that’s been out of the game for a decade. Desolate Pathway has also shown incredible growth in that span of time. Their first two albums were rougher around the edges and lacked the inspiration shown here. “Creeper” has made a strong case for my song of the year, and if Desolate Pathway continues to write tunes like that, they will prove themselves a band to keep an eye out for. If you love great riffs and soulful singing in your doom, don’t pass this one up.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Meuse Music
    Websites: Bandcamp | Facebook
    Releases Worldwide: September 25th, 2026

    #2026 #35 #Behölder #Candlemass #DesolatePathway #DoomMetal #EnglishMetal #EpicDoomMetal #HeavyMetal #Isole #MeuseMusic #MyDyingBride #Review #Reviews #Sep26 #VisionsInDeath #Volbeat
  4. Desolate Pathway – Visions in Death Review By ClarkKent

    People have been imagining monsters as the harbingers of their doom for millennia. In Homer’s The Odyssey, men met their makers at the hands of creatures ranging from a man-eating cyclops to dangerously alluring sirens. The English epic poem, Beowulf, included the monstrous Grendel, who terrorized and ate townsfolk, and more than a thousand years later Bram Stoker would tell about a blood-sucking vampire, Count Dracula. Fears of worldwide annihilation eventually came in the form of Kaiju monsters and flesh-eating zombies. For the misery and despair these beings have wrought (at least on our imaginations), it’s only fitting that a band dabbling in epic doom takes on the theme of monsters and demons. England’s Desolate Pathway didn’t start out with an interest in this topic. They formed in 2014, focused on fantasy (2014’s Valley of the King) and mythology (2016’s Of Gods and Heroes). A decade later, on Visions in Death, they evoke the haunting beauty of monsters from a more romantic era.

    Desolate Pathway harken back to the old school epic doom of Candlemass, bring modern elements akin to Behölder, and mix in some gothic melancholy from My Dying Bride. They combine your typical funeral doom chuggery with elaborate and achingly beautiful lead riffs to achieve some of the most remarkable performances in doom this year. Visions in Death opens with its strongest cut, “Creeper,” which is catchy as hell, featuring a killer lead riff and a chorus that’s sure to infect your brain and make you belt out “Calling me, haunting me” until it infects your loved ones and eventually the world.1 The rest of the album doesn’t quite reach that level of catchiness, but there are plenty of other infectious numbers that’ll get you singing along about Lucifer (“Horrors of the Night”) and vampires (“The Dark Prince,” “Vampire’s Kiss”). There’s a level of poetry to the lyrics that heightens the emotional impact of the music.

    Konrad proves the heart of Visions in Death with his soulful croons and creative riffcrafting. His sudden emotional outpourings on guitar and the mic ensure this record will throw constant surprises your way. The lead riffs on “Creeper” never fail to give me goosebumps, and a gorgeous solo at the tail end of “Dark Prince” leaves me in awe every time I hear it. Vocally, Konrad doesn’t have your typical doom metal delivery, sounding more like Volbeat’s Michael Poulsen than any traditional doom vocalist,2 with a soulful delivery reminiscent of Isole’s Daniel Bryntse. Sparks of impassioned crooning often provide a lift as songs reach their conclusions—on “Dawn of Extinction,” Konrad belts out a stunner that left me feeling both ecstatic and melancholic. Desolate Pathway show a knack for such climactic payoffs, leading to lots of big feelings throughout the record.

    A weaker back half unfortunately keeps this from 4.0 territory. The instrumental “Angels without Words” is solid, but it’s missing the emotional oomph of Konrad’s voice. “Vampire’s Kiss” is also good, though it does play things safer and more subdued than the earlier tunes. An appreciable dip in production quality on the closing two songs does the most to weaken the overall impact, and Desolate Pathway’s usual tricks only go so far in redeeming these missteps. “Beasts of Doom” has a rather strong payoff as Konrad turns on the passion towards the end, but this doesn’t quite save the song from its muddy and loud production choices. Closer “Visions in Death” has a cavernous quality that sounds off, and this one never really pops off like the rest. More consistent mixing would have gone a long way towards pushing this to the next level.

    Visions in Death proves an astonishing return for a band that’s been out of the game for a decade. Desolate Pathway has also shown incredible growth in that span of time. Their first two albums were rougher around the edges and lacked the inspiration shown here. “Creeper” has made a strong case for my song of the year, and if Desolate Pathway continues to write tunes like that, they will prove themselves a band to keep an eye out for. If you love great riffs and soulful singing in your doom, don’t pass this one up.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Meuse Music
    Websites: Bandcamp | Facebook
    Releases Worldwide: September 25th, 2026

    #2026 #35 #Behölder #Candlemass #DesolatePathway #DoomMetal #EnglishMetal #EpicDoomMetal #HeavyMetal #Isole #MeuseMusic #MyDyingBride #Review #Reviews #Sep26 #VisionsInDeath #Volbeat
  5. Desolate Pathway – Visions in Death Review By ClarkKent

    People have been imagining monsters as the harbingers of their doom for millennia. In Homer’s The Odyssey, men met their makers at the hands of creatures ranging from a man-eating cyclops to dangerously alluring sirens. The English epic poem, Beowulf, included the monstrous Grendel, who terrorized and ate townsfolk, and more than a thousand years later Bram Stoker would tell about a blood-sucking vampire, Count Dracula. Fears of worldwide annihilation eventually came in the form of Kaiju monsters and flesh-eating zombies. For the misery and despair these beings have wrought (at least on our imaginations), it’s only fitting that a band dabbling in epic doom takes on the theme of monsters and demons. England’s Desolate Pathway didn’t start out with an interest in this topic. They formed in 2014, focused on fantasy (2014’s Valley of the King) and mythology (2016’s Of Gods and Heroes). A decade later, on Visions in Death, they evoke the haunting beauty of monsters from a more romantic era.

    Desolate Pathway harken back to the old school epic doom of Candlemass, bring modern elements akin to Behölder, and mix in some gothic melancholy from My Dying Bride. They combine your typical funeral doom chuggery with elaborate and achingly beautiful lead riffs to achieve some of the most remarkable performances in doom this year. Visions in Death opens with its strongest cut, “Creeper,” which is catchy as hell, featuring a killer lead riff and a chorus that’s sure to infect your brain and make you belt out “Calling me, haunting me” until it infects your loved ones and eventually the world.1 The rest of the album doesn’t quite reach that level of catchiness, but there are plenty of other infectious numbers that’ll get you singing along about Lucifer (“Horrors of the Night”) and vampires (“The Dark Prince,” “Vampire’s Kiss”). There’s a level of poetry to the lyrics that heightens the emotional impact of the music.

    Konrad proves the heart of Visions in Death with his soulful croons and creative riffcrafting. His sudden emotional outpourings on guitar and the mic ensure this record will throw constant surprises your way. The lead riffs on “Creeper” never fail to give me goosebumps, and a gorgeous solo at the tail end of “Dark Prince” leaves me in awe every time I hear it. Vocally, Konrad doesn’t have your typical doom metal delivery, sounding more like Volbeat’s Michael Poulsen than any traditional doom vocalist,2 with a soulful delivery reminiscent of Isole’s Daniel Bryntse. Sparks of impassioned crooning often provide a lift as songs reach their conclusions—on “Dawn of Extinction,” Konrad belts out a stunner that left me feeling both ecstatic and melancholic. Desolate Pathway show a knack for such climactic payoffs, leading to lots of big feelings throughout the record.

    A weaker back half unfortunately keeps this from 4.0 territory. The instrumental “Angels without Words” is solid, but it’s missing the emotional oomph of Konrad’s voice. “Vampire’s Kiss” is also good, though it does play things safer and more subdued than the earlier tunes. An appreciable dip in production quality on the closing two songs does the most to weaken the overall impact, and Desolate Pathway’s usual tricks only go so far in redeeming these missteps. “Beasts of Doom” has a rather strong payoff as Konrad turns on the passion towards the end, but this doesn’t quite save the song from its muddy and loud production choices. Closer “Visions in Death” has a cavernous quality that sounds off, and this one never really pops off like the rest. More consistent mixing would have gone a long way towards pushing this to the next level.

    Visions in Death proves an astonishing return for a band that’s been out of the game for a decade. Desolate Pathway has also shown incredible growth in that span of time. Their first two albums were rougher around the edges and lacked the inspiration shown here. “Creeper” has made a strong case for my song of the year, and if Desolate Pathway continues to write tunes like that, they will prove themselves a band to keep an eye out for. If you love great riffs and soulful singing in your doom, don’t pass this one up.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Meuse Music
    Websites: Bandcamp | Facebook
    Releases Worldwide: September 25th, 2026

    #2026 #35 #Behölder #Candlemass #DesolatePathway #DoomMetal #EnglishMetal #EpicDoomMetal #HeavyMetal #Isole #MeuseMusic #MyDyingBride #Review #Reviews #Sep26 #VisionsInDeath #Volbeat
  6. Wave Mountain 14 + Yore + By Fire + Acid Arno +

    TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

    Saturday 10th October
    Wave Mountain presents a Drone Doom session

    Yore
    Doom metal
    https://yoredoom.bandcamp.com/

    By Fire
    Drone metal
    https://byfirebyfirebyfire.bandcamp.com/music

    Acid Arno
    https://acidarno.bandcamp.com/

    Location: Trxxxer, am schlesi, dm for info or ask a punk
    doors: 20:00

    Flyer: @_waldon

    Support your local storner, enjoy the trip!

    berlin.askapunk.de/event/wave-

  7. Wave Mountain 14 + Yore + By Fire + Acid Arno +

    TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

    Saturday 10th October
    Wave Mountain presents a Drone Doom session

    Yore
    Doom metal
    https://yoredoom.bandcamp.com/

    By Fire
    Drone metal
    https://byfirebyfirebyfire.bandcamp.com/music

    Acid Arno
    https://acidarno.bandcamp.com/

    Location: Trxxxer, am schlesi, dm for info or ask a punk
    doors: 20:00

    Flyer: @_waldon

    Support your local storner, enjoy the trip!

    berlin.askapunk.de/event/wave-

  8. Wave Mountain 14 + Yore + By Fire + Acid Arno +

    TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

    Saturday 10th October
    Wave Mountain presents a Drone Doom session

    Yore
    Doom metal
    https://yoredoom.bandcamp.com/

    By Fire
    Drone metal
    https://byfirebyfirebyfire.bandcamp.com/music

    Acid Arno
    https://acidarno.bandcamp.com/

    Location: Trxxxer, am schlesi, dm for info or ask a punk
    doors: 20:00

    Flyer: @_waldon

    Support your local storner, enjoy the trip!

    berlin.askapunk.de/event/wave-

  9. Wave Mountain 14 + Yore + By Fire + Acid Arno +

    TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

    Saturday 10th October
    Wave Mountain presents a Drone Doom session

    Yore
    Doom metal
    https://yoredoom.bandcamp.com/

    By Fire
    Drone metal
    https://byfirebyfirebyfire.bandcamp.com/music

    Acid Arno
    https://acidarno.bandcamp.com/

    Location: Trxxxer, am schlesi, dm for info or ask a punk
    doors: 20:00

    Flyer: @_waldon

    Support your local storner, enjoy the trip!

    berlin.askapunk.de/event/wave-

  10. MONDO DRAG (+ EARLY MOODS) | NEUE ZUKUNFT - BERLIN

    Neue Zukunft, Thursday, October 8 at 07:00 PM GMT+2

    MONDO DRAG

    SPECIAL GUEST: EARLY MOODS

    08.10.2026 - Neue Zukunft

    Doors: 19:00 | Start: 20:00

    Tickets: https://www.greyzone-tickets.de/produkte/1322

    Two of the most exciting names in today's heavy rock underground are joining forces: San Francisco's Mondo Drag and Los Angeles' Early Moods bring two distinct yet perfectly complementary sounds to the stage, delivering an unforgettable night of psychedelic rock, vintage heavy metal and crushing doom.

    Following an eight-year break between albums, Mondo Drag return with Through the Hourglass—their most ambitious and personal record to date. Blending mesmerizing organ work, progressive songwriting and psychedelic textures, the band explores themes of loss, time and renewal while staying true to the cosmic sound that has earned them a devoted following.

    Joining them are Early Moods, one of the fastest-rising bands in the new wave of traditional doom and heavy metal. Their acclaimed sophomore album A Sinner's Past combines the spirit of early '70s proto-metal, massive Sabbath-inspired riffs and timeless melodies with the energy of a young band that has already shared stages with legends like Candlemass and Pentagram.

    berlin.askapunk.de/event/mondo

  11. MONDO DRAG (+ EARLY MOODS) | NEUE ZUKUNFT - BERLIN

    Neue Zukunft, Thursday, October 8 at 07:00 PM GMT+2

    MONDO DRAG

    SPECIAL GUEST: EARLY MOODS

    08.10.2026 - Neue Zukunft

    Doors: 19:00 | Start: 20:00

    Tickets: https://www.greyzone-tickets.de/produkte/1322

    Two of the most exciting names in today's heavy rock underground are joining forces: San Francisco's Mondo Drag and Los Angeles' Early Moods bring two distinct yet perfectly complementary sounds to the stage, delivering an unforgettable night of psychedelic rock, vintage heavy metal and crushing doom.

    Following an eight-year break between albums, Mondo Drag return with Through the Hourglass—their most ambitious and personal record to date. Blending mesmerizing organ work, progressive songwriting and psychedelic textures, the band explores themes of loss, time and renewal while staying true to the cosmic sound that has earned them a devoted following.

    Joining them are Early Moods, one of the fastest-rising bands in the new wave of traditional doom and heavy metal. Their acclaimed sophomore album A Sinner's Past combines the spirit of early '70s proto-metal, massive Sabbath-inspired riffs and timeless melodies with the energy of a young band that has already shared stages with legends like Candlemass and Pentagram.

    berlin.askapunk.de/event/mondo

  12. MONDO DRAG (+ EARLY MOODS) | NEUE ZUKUNFT - BERLIN

    Neue Zukunft, Thursday, October 8 at 07:00 PM GMT+2

    MONDO DRAG

    SPECIAL GUEST: EARLY MOODS

    08.10.2026 - Neue Zukunft

    Doors: 19:00 | Start: 20:00

    Tickets: https://www.greyzone-tickets.de/produkte/1322

    Two of the most exciting names in today's heavy rock underground are joining forces: San Francisco's Mondo Drag and Los Angeles' Early Moods bring two distinct yet perfectly complementary sounds to the stage, delivering an unforgettable night of psychedelic rock, vintage heavy metal and crushing doom.

    Following an eight-year break between albums, Mondo Drag return with Through the Hourglass—their most ambitious and personal record to date. Blending mesmerizing organ work, progressive songwriting and psychedelic textures, the band explores themes of loss, time and renewal while staying true to the cosmic sound that has earned them a devoted following.

    Joining them are Early Moods, one of the fastest-rising bands in the new wave of traditional doom and heavy metal. Their acclaimed sophomore album A Sinner's Past combines the spirit of early '70s proto-metal, massive Sabbath-inspired riffs and timeless melodies with the energy of a young band that has already shared stages with legends like Candlemass and Pentagram.

    berlin.askapunk.de/event/mondo

  13. MONDO DRAG (+ EARLY MOODS) | NEUE ZUKUNFT - BERLIN

    Neue Zukunft, Thursday, October 8 at 07:00 PM GMT+2

    MONDO DRAG

    SPECIAL GUEST: EARLY MOODS

    08.10.2026 - Neue Zukunft

    Doors: 19:00 | Start: 20:00

    Tickets: https://www.greyzone-tickets.de/produkte/1322

    Two of the most exciting names in today's heavy rock underground are joining forces: San Francisco's Mondo Drag and Los Angeles' Early Moods bring two distinct yet perfectly complementary sounds to the stage, delivering an unforgettable night of psychedelic rock, vintage heavy metal and crushing doom.

    Following an eight-year break between albums, Mondo Drag return with Through the Hourglass—their most ambitious and personal record to date. Blending mesmerizing organ work, progressive songwriting and psychedelic textures, the band explores themes of loss, time and renewal while staying true to the cosmic sound that has earned them a devoted following.

    Joining them are Early Moods, one of the fastest-rising bands in the new wave of traditional doom and heavy metal. Their acclaimed sophomore album A Sinner's Past combines the spirit of early '70s proto-metal, massive Sabbath-inspired riffs and timeless melodies with the energy of a young band that has already shared stages with legends like Candlemass and Pentagram.

    berlin.askapunk.de/event/mondo

  14. THRONEHAMMER (+ YORE) | ALBUM RELEASE | NEUE ZUKUNFT - Berlin

    Neue Zukunft, Thursday, October 1 at 07:00 PM GMT+2

    THRONEHAMMER

    Support: Yore

    01.10.2026 - NEUE ZUKUNFT

    DOORS: 7PM / START: 8PM

    TICKETS: https://www.greyzone-tickets.de/produkte/1234

    Thronehammer ist eine Doom-Metal-Band mit Mitgliedern aus Deutschland und Großbritannien. Ihr Sound ist schwer, episch und stark von klassischem Doom geprägt – langsame Riffs, monumentale Atmosphäre und düstere Fantasy-Themen. Seit ihrem Debüt stehen Thronehammer für kompromisslose Heaviness und eine klare Verbeugung vor den Wurzeln des Genres.

    berlin.askapunk.de/event/thron

  15. THRONEHAMMER (+ YORE) | ALBUM RELEASE | NEUE ZUKUNFT - Berlin

    Neue Zukunft, Thursday, October 1 at 07:00 PM GMT+2

    THRONEHAMMER

    Support: Yore

    01.10.2026 - NEUE ZUKUNFT

    DOORS: 7PM / START: 8PM

    TICKETS: https://www.greyzone-tickets.de/produkte/1234

    Thronehammer ist eine Doom-Metal-Band mit Mitgliedern aus Deutschland und Großbritannien. Ihr Sound ist schwer, episch und stark von klassischem Doom geprägt – langsame Riffs, monumentale Atmosphäre und düstere Fantasy-Themen. Seit ihrem Debüt stehen Thronehammer für kompromisslose Heaviness und eine klare Verbeugung vor den Wurzeln des Genres.

    berlin.askapunk.de/event/thron

  16. THRONEHAMMER (+ YORE) | ALBUM RELEASE | NEUE ZUKUNFT - Berlin

    Neue Zukunft, Thursday, October 1 at 07:00 PM GMT+2

    THRONEHAMMER

    Support: Yore

    01.10.2026 - NEUE ZUKUNFT

    DOORS: 7PM / START: 8PM

    TICKETS: https://www.greyzone-tickets.de/produkte/1234

    Thronehammer ist eine Doom-Metal-Band mit Mitgliedern aus Deutschland und Großbritannien. Ihr Sound ist schwer, episch und stark von klassischem Doom geprägt – langsame Riffs, monumentale Atmosphäre und düstere Fantasy-Themen. Seit ihrem Debüt stehen Thronehammer für kompromisslose Heaviness und eine klare Verbeugung vor den Wurzeln des Genres.

    berlin.askapunk.de/event/thron

  17. THRONEHAMMER (+ YORE) | ALBUM RELEASE | NEUE ZUKUNFT - Berlin

    Neue Zukunft, Thursday, October 1 at 07:00 PM GMT+2

    THRONEHAMMER

    Support: Yore

    01.10.2026 - NEUE ZUKUNFT

    DOORS: 7PM / START: 8PM

    TICKETS: https://www.greyzone-tickets.de/produkte/1234

    Thronehammer ist eine Doom-Metal-Band mit Mitgliedern aus Deutschland und Großbritannien. Ihr Sound ist schwer, episch und stark von klassischem Doom geprägt – langsame Riffs, monumentale Atmosphäre und düstere Fantasy-Themen. Seit ihrem Debüt stehen Thronehammer für kompromisslose Heaviness und eine klare Verbeugung vor den Wurzeln des Genres.

    berlin.askapunk.de/event/thron

  18. @NoRestfortheWicked have you tried the new Kongh album yet, "Dissolved in Time"?
    It's really good, YOB vibes in the best way possible, I very much love this one!

    #sludge #doommetal

  19. @NoRestfortheWicked have you tried the new Kongh album yet, "Dissolved in Time"?
    It's really good, YOB vibes in the best way possible, I very much love this one!

    #sludge #doommetal

  20. Tomorrow, in Köln and this makes me super sad, got downgraded the venue. So it's gonna be at MTC, very cosy ;)

    Come and see this amazing woman and her band live!

    King Woman "Morning Star"
    youtube.com/watch?v=tk-rxh1xmKs

    #MusicWomenWednesday #doommetal #sludgemetal

  21. Tomorrow, in Köln and this makes me super sad, got downgraded the venue. So it's gonna be at MTC, very cosy ;)

    Come and see this amazing woman and her band live!

    King Woman "Morning Star"
    youtube.com/watch?v=tk-rxh1xmKs

    #MusicWomenWednesday #doommetal #sludgemetal

  22. Tomorrow, in Köln and this makes me super sad, got downgraded the venue. So it's gonna be at MTC, very cosy ;)

    Come and see this amazing woman and her band live!

    King Woman "Morning Star"
    youtube.com/watch?v=tk-rxh1xmKs

    #MusicWomenWednesday #doommetal #sludgemetal

  23. zeug [dronepunk/Berlin] x vold [stoner doom/Berlin]

    Kantine am Berghain, Friday, October 30 at 07:00 PM GMT+1

    HOUSEMEISTER FUNDRAISER.

    On the 30th of October, zeug are coming back to Kantine am Berghain.
    This time the dronepunk trio hits the stage in their most stripped-down, visceral shape. The band drops the first live taste of their upcoming album 'Housemeister'.

    Three people relentlessly swimming against the current, transforming anxiety and feedback into piercing orchestrated noise pieces.

    Every ticket and merch sale of this gig directly funds the mixing, mastering, and vinyl pressing of the upcoming LP.
    All merch of the band will be offered at special sale prices only at the show!

    The heavy power duo VOLD opens the night.
    vold are the East Berlin backyard storm. Two heads, one guitar, drums, and an intense wall of sound. Navigating the tension between blues, psychedelic rock, and pure, jam-driven doom. 

    A fundraiser show for independent sonic survival. Help the collective to press the vinyl & dive head-first into the noise.

    The party is over, and even the janitor has left the building.

    berlin.askapunk.de/event/zeug-

  24. zeug [dronepunk/Berlin] x vold [stoner doom/Berlin]

    Kantine am Berghain, Friday, October 30 at 07:00 PM GMT+1

    HOUSEMEISTER FUNDRAISER.

    On the 30th of October, zeug are coming back to Kantine am Berghain.
    This time the dronepunk trio hits the stage in their most stripped-down, visceral shape. The band drops the first live taste of their upcoming album 'Housemeister'.

    Three people relentlessly swimming against the current, transforming anxiety and feedback into piercing orchestrated noise pieces.

    Every ticket and merch sale of this gig directly funds the mixing, mastering, and vinyl pressing of the upcoming LP.
    All merch of the band will be offered at special sale prices only at the show!

    The heavy power duo VOLD opens the night.
    vold are the East Berlin backyard storm. Two heads, one guitar, drums, and an intense wall of sound. Navigating the tension between blues, psychedelic rock, and pure, jam-driven doom. 

    A fundraiser show for independent sonic survival. Help the collective to press the vinyl & dive head-first into the noise.

    The party is over, and even the janitor has left the building.

    berlin.askapunk.de/event/zeug-

  25. zeug [dronepunk/Berlin] x vold [stoner doom/Berlin]

    Kantine am Berghain, Friday, October 30 at 07:00 PM GMT+1

    HOUSEMEISTER FUNDRAISER.

    On the 30th of October, zeug are coming back to Kantine am Berghain.
    This time the dronepunk trio hits the stage in their most stripped-down, visceral shape. The band drops the first live taste of their upcoming album 'Housemeister'.

    Three people relentlessly swimming against the current, transforming anxiety and feedback into piercing orchestrated noise pieces.

    Every ticket and merch sale of this gig directly funds the mixing, mastering, and vinyl pressing of the upcoming LP.
    All merch of the band will be offered at special sale prices only at the show!

    The heavy power duo VOLD opens the night.
    vold are the East Berlin backyard storm. Two heads, one guitar, drums, and an intense wall of sound. Navigating the tension between blues, psychedelic rock, and pure, jam-driven doom. 

    A fundraiser show for independent sonic survival. Help the collective to press the vinyl & dive head-first into the noise.

    The party is over, and even the janitor has left the building.

    berlin.askapunk.de/event/zeug-

  26. zeug [dronepunk/Berlin] x vold [stoner doom/Berlin]

    Kantine am Berghain, Friday, October 30 at 07:00 PM GMT+1

    HOUSEMEISTER FUNDRAISER.

    On the 30th of October, zeug are coming back to Kantine am Berghain.
    This time the dronepunk trio hits the stage in their most stripped-down, visceral shape. The band drops the first live taste of their upcoming album 'Housemeister'.

    Three people relentlessly swimming against the current, transforming anxiety and feedback into piercing orchestrated noise pieces.

    Every ticket and merch sale of this gig directly funds the mixing, mastering, and vinyl pressing of the upcoming LP.
    All merch of the band will be offered at special sale prices only at the show!

    The heavy power duo VOLD opens the night.
    vold are the East Berlin backyard storm. Two heads, one guitar, drums, and an intense wall of sound. Navigating the tension between blues, psychedelic rock, and pure, jam-driven doom. 

    A fundraiser show for independent sonic survival. Help the collective to press the vinyl & dive head-first into the noise.

    The party is over, and even the janitor has left the building.

    berlin.askapunk.de/event/zeug-

  27. Calyss + rýr

    K-Keller, Friday, October 2 at 08:00 PM GMT+2

    Run With The Devil presents: Calyss https://calyss.bandcamp.com/ + rýr https://ryrpostmetal.bandcamp.com/music @ K-Keller / Kastanienallee | Doors: 20:00 | donation based | Post-Metal, Doom| 🚭

    berlin.askapunk.de/event/calys

  28. Calyss + rýr

    K-Keller, Friday, October 2 at 08:00 PM GMT+2

    Run With The Devil presents: Calyss https://calyss.bandcamp.com/ + rýr https://ryrpostmetal.bandcamp.com/music @ K-Keller / Kastanienallee | Doors: 20:00 | donation based | Post-Metal, Doom| 🚭

    berlin.askapunk.de/event/calys

  29. Calyss + rýr

    K-Keller, Friday, October 2 at 08:00 PM GMT+2

    Run With The Devil presents: Calyss https://calyss.bandcamp.com/ + rýr https://ryrpostmetal.bandcamp.com/music @ K-Keller / Kastanienallee | Doors: 20:00 | donation based | Post-Metal, Doom| 🚭

    berlin.askapunk.de/event/calys

  30. Calyss + rýr

    K-Keller, Friday, October 2 at 08:00 PM GMT+2

    Run With The Devil presents: Calyss https://calyss.bandcamp.com/ + rýr https://ryrpostmetal.bandcamp.com/music @ K-Keller / Kastanienallee | Doors: 20:00 | donation based | Post-Metal, Doom| 🚭

    berlin.askapunk.de/event/calys

  31. Eyehategod - Blank (remastered 2007)

    Ascolta Blank (remastered 2007) di Eyehategod su tutte le principali app musicali usando questo link 🎧 link.deezer.com/s/34x4BaGKVJsy

    #doommetal #metalmusic #mastoradio

  32. Eyehategod - Blank (remastered 2007)

    Ascolta Blank (remastered 2007) di Eyehategod su tutte le principali app musicali usando questo link 🎧 link.deezer.com/s/34x4BaGKVJsy

    #doommetal #metalmusic #mastoradio

  33. Nadja - Thaumogenesis

    Ascolta Thaumogenesis di Nadja su tutte le principali app musicali usando questo link 🎧 deezer.com/track/1984607797

    Un brano solo, un'ora circa di musica metal meditativa. Sintetizzatori, fuzz, batteria pigra.

    #doommetal #metalmusic #meditation #mastoradio