#heavymetal — Public Fediverse posts

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AI interpretatie van Helloween's Havy Metal Is the Law. In 3 formaten. #heavymetal #powermetal #helloween #music #AIart

With the definitive Anthrax ranking done and dusted (I mean my ranking), I finally get my ape ears on the entirety of their 12th album, Cursum Perficio (Latin for “I finish the journey”). It’s been a long wait for something new from the band too, since For All Kings came out over 10 years ago in what now seems like an entirely different world. In the span of time that’s passed since then, both Slayer and Megadeth closed up shop, the world suffered a pandemic that forever changed the way societies function, and Metallica dropped an album that nobody really loved as they too likely headed toward a final exit. For all intents and purposes, that makes Anthrax the last band standing from the Big Four. How many expected this outcome back when Thrax was dropping duds like We’ve Come for You All and Vol. 8? I certainly wouldn’t have bet on them in a survivor pool, but here we are. Looking back, the smart money probably should have been on the little band from Queens, since For All Kings smoked anything the Big Four members released in ages. But can Anthrax pull another rabbit out of their magic hat so late in their career? Based on that wild cover art, they seem to be telegraphing that rabbits will be forthcoming. With the same lineup as last time, let’s hope they can still make the fur fly.

Cursum Perficio revisits various eras of their career while also offering new wrinkles and at least one big surprise. After moody intro “Persistence of Memory,” they drop a big, emotional number called “The Long Goodbye,” highlighting the horrors of dementia. It’s a grim, unsettling song that easily could have fit on Persistence of Time, and the lyrics resonate emotionally and really harsh your mellow. Thankfully, this Debbie Downer is immediately followed by the traditional Thrax tune “It’s for the Kids,” which is more upbeat and punk-thrashy.1 Even more classically Thraxified is “Everybody’s Got a Plan,” which is the most New York song I’ve heard since Biohazard’s last brainless release. The chorus will stick in your brainpan and torment you for days. The classic gang shouts are back everything feels like 1988 all over again. Then comes the song that will divide listeners the most. Yes, “The Edge of Perfection” features trem riffs, blast beats, and atmo-black elements. I admit I was put off by it on first spin, but in the context of the album, it’s a cool changeup. It’s a grower of a song, and though it’s maybe a minute or so too long, it has a weird addictive quality that grows with consumption. It also shows olde dawgs can learn new tricks in the fullness of time. I don’t necessarily need more Blackthrax in my life, but I kinda like what we got here.

The first half of Cursum is pretty righteous, but it’s a somewhat front-loaded album. Good things do appear on the album’s back half, though. “Infectious” is like Anthrax trying to write a song that would fit on Load, and they pretty much nail it. There’s a cool, laid-back rock swagger here with a simple grinding riff. The lyrics reference Stephen King’s The Stand to make for a nice callback to “Among the Living,” and this one is a simple but stealthy grower. “NYC 93” is a rowdy, punky ode to life in the Big Apple back in the crazy 90s, and it’s hard to hear this and not think that Anthrax stole it from Overkill. If so, Bobby Blitz is gonna beat somebody’s ass for this. The last third of Cursum is good, and no song falls flat, but nothing will blow your doors off either. The title track is catchy but about 2 minutes too long, and it gets pretty repetitive by the end. The rest of the material is shockingly bloat-free, so that’s a big win. At 53-plus minutes, it feels like a track could be dropped, but no cut screams to be dumped.

I’d heard mixed reviews about how Joey sounded on the album, but to my ears he does fine. His voice has changed over the decades as one would expect, but he still sounds strong and clear and, well, like Joey! His delivery reminds me of his Persistence of Time days on some tracks, and on others more like his rougher, grittier performance on Worship Music. He can still bring it and command the room, and that’s impressive after so long in the game. Legendary thrash axe Scott Ian and newish addition Jonathan Donais offer a plethora of classic Thrax riffs while also dabbling in prog, groove rock, and, of course, they veer into atmo-black darkness. Charlie Benante is his usual sick beast on the kit and Frank Bello joins him to form one of the best backlines in thrash history. Everyone sounds good, and the material feels lively, fresh and vital. That in and of itself is a win for a band in their 4th decade of existence.

With most members of Anthrax in their 60s and many of their contemporaries aging out of the speed circuit, there will inevitably come a time when these guys just don’t want to thrash anymore. They’ve been claiming this is not their last album, but if it is, they went out on a good note and did their legacy proud. Cursum Perficio may not reach the same highs as For All Kings, but it’s a very good album from a band that’s been written off so many times over the years. Rabbits have been pulled, so all hail the survivors of the Big Four tontine!

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast
Websites: anthrax.com | facebook.com/anthrax | instagram.com/anthrax
Releases Worldwide: September 18th, 2026

With the definitive Anthrax ranking done and dusted (I mean my ranking), I finally get my ape ears on the entirety of their 12th album, Cursum Perficio (Latin for “I finish the journey”). It’s been a long wait for something new from the band too, since For All Kings came out over 10 years ago in what now seems like an entirely different world. In the span of time that’s passed since then, both Slayer and Megadeth closed up shop, the world suffered a pandemic that forever changed the way societies function, and Metallica dropped an album that nobody really loved as they too likely headed toward a final exit. For all intents and purposes, that makes Anthrax the last band standing from the Big Four. How many expected this outcome back when Thrax was dropping duds like We’ve Come for You All and Vol. 8? I certainly wouldn’t have bet on them in a survivor pool, but here we are. Looking back, the smart money probably should have been on the little band from Queens, since For All Kings smoked anything the Big Four members released in ages. But can Anthrax pull another rabbit out of their magic hat so late in their career? Based on that wild cover art, they seem to be telegraphing that rabbits will be forthcoming. With the same lineup as last time, let’s hope they can still make the fur fly.

Cursum Perficio revisits various eras of their career while also offering new wrinkles and at least one big surprise. After moody intro “Persistence of Memory,” they drop a big, emotional number called “The Long Goodbye,” highlighting the horrors of dementia. It’s a grim, unsettling song that easily could have fit on Persistence of Time, and the lyrics resonate emotionally and really harsh your mellow. Thankfully, this Debbie Downer is immediately followed by the traditional Thrax tune “It’s for the Kids,” which is more upbeat and punk-thrashy.1 Even more classically Thraxified is “Everybody’s Got a Plan,” which is the most New York song I’ve heard since Biohazard’s last brainless release. The chorus will stick in your brainpan and torment you for days. The classic gang shouts are back everything feels like 1988 all over again. Then comes the song that will divide listeners the most. Yes, “The Edge of Perfection” features trem riffs, blast beats, and atmo-black elements. I admit I was put off by it on first spin, but in the context of the album, it’s a cool changeup. It’s a grower of a song, and though it’s maybe a minute or so too long, it has a weird addictive quality that grows with consumption. It also shows olde dawgs can learn new tricks in the fullness of time. I don’t necessarily need more Blackthrax in my life, but I kinda like what we got here.

The first half of Cursum is pretty righteous, but it’s a somewhat front-loaded album. Good things do appear on the album’s back half, though. “Infectious” is like Anthrax trying to write a song that would fit on Load, and they pretty much nail it. There’s a cool, laid-back rock swagger here with a simple grinding riff. The lyrics reference Stephen King’s The Stand to make for a nice callback to “Among the Living,” and this one is a simple but stealthy grower. “NYC 93” is a rowdy, punky ode to life in the Big Apple back in the crazy 90s, and it’s hard to hear this and not think that Anthrax stole it from Overkill. If so, Bobby Blitz is gonna beat somebody’s ass for this. The last third of Cursum is good, and no song falls flat, but nothing will blow your doors off either. The title track is catchy but about 2 minutes too long, and it gets pretty repetitive by the end. The rest of the material is shockingly bloat-free, so that’s a big win. At 53-plus minutes, it feels like a track could be dropped, but no cut screams to be dumped.

I’d heard mixed reviews about how Joey sounded on the album, but to my ears he does fine. His voice has changed over the decades as one would expect, but he still sounds strong and clear and, well, like Joey! His delivery reminds me of his Persistence of Time days on some tracks, and on others more like his rougher, grittier performance on Worship Music. He can still bring it and command the room, and that’s impressive after so long in the game. Legendary thrash axe Scott Ian and newish addition Jonathan Donais offer a plethora of classic Thrax riffs while also dabbling in prog, groove rock, and, of course, they veer into atmo-black darkness. Charlie Benante is his usual sick beast on the kit and Frank Bello joins him to form one of the best backlines in thrash history. Everyone sounds good, and the material feels lively, fresh and vital. That in and of itself is a win for a band in their 4th decade of existence.

With most members of Anthrax in their 60s and many of their contemporaries aging out of the speed circuit, there will inevitably come a time when these guys just don’t want to thrash anymore. They’ve been claiming this is not their last album, but if it is, they went out on a good note and did their legacy proud. Cursum Perficio may not reach the same highs as For All Kings, but it’s a very good album from a band that’s been written off so many times over the years. Rabbits have been pulled, so all hail the survivors of the Big Four tontine!

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast
Websites: anthrax.com | facebook.com/anthrax | instagram.com/anthrax
Releases Worldwide: September 18th, 2026

With the definitive Anthrax ranking done and dusted (I mean my ranking), I finally get my ape ears on the entirety of their 12th album, Cursum Perficio (Latin for “I finish the journey”). It’s been a long wait for something new from the band too, since For All Kings came out over 10 years ago in what now seems like an entirely different world. In the span of time that’s passed since then, both Slayer and Megadeth closed up shop, the world suffered a pandemic that forever changed the way societies function, and Metallica dropped an album that nobody really loved as they too likely headed toward a final exit. For all intents and purposes, that makes Anthrax the last band standing from the Big Four. How many expected this outcome back when Thrax was dropping duds like We’ve Come for You All and Vol. 8? I certainly wouldn’t have bet on them in a survivor pool, but here we are. Looking back, the smart money probably should have been on the little band from Queens, since For All Kings smoked anything the Big Four members released in ages. But can Anthrax pull another rabbit out of their magic hat so late in their career? Based on that wild cover art, they seem to be telegraphing that rabbits will be forthcoming. With the same lineup as last time, let’s hope they can still make the fur fly.

Cursum Perficio revisits various eras of their career while also offering new wrinkles and at least one big surprise. After moody intro “Persistence of Memory,” they drop a big, emotional number called “The Long Goodbye,” highlighting the horrors of dementia. It’s a grim, unsettling song that easily could have fit on Persistence of Time, and the lyrics resonate emotionally and really harsh your mellow. Thankfully, this Debbie Downer is immediately followed by the traditional Thrax tune “It’s for the Kids,” which is more upbeat and punk-thrashy.1 Even more classically Thraxified is “Everybody’s Got a Plan,” which is the most New York song I’ve heard since Biohazard’s last brainless release. The chorus will stick in your brainpan and torment you for days. The classic gang shouts are back everything feels like 1988 all over again. Then comes the song that will divide listeners the most. Yes, “The Edge of Perfection” features trem riffs, blast beats, and atmo-black elements. I admit I was put off by it on first spin, but in the context of the album, it’s a cool changeup. It’s a grower of a song, and though it’s maybe a minute or so too long, it has a weird addictive quality that grows with consumption. It also shows olde dawgs can learn new tricks in the fullness of time. I don’t necessarily need more Blackthrax in my life, but I kinda like what we got here.

The first half of Cursum is pretty righteous, but it’s a somewhat front-loaded album. Good things do appear on the album’s back half, though. “Infectious” is like Anthrax trying to write a song that would fit on Load, and they pretty much nail it. There’s a cool, laid-back rock swagger here with a simple grinding riff. The lyrics reference Stephen King’s The Stand to make for a nice callback to “Among the Living,” and this one is a simple but stealthy grower. “NYC 93” is a rowdy, punky ode to life in the Big Apple back in the crazy 90s, and it’s hard to hear this and not think that Anthrax stole it from Overkill. If so, Bobby Blitz is gonna beat somebody’s ass for this. The last third of Cursum is good, and no song falls flat, but nothing will blow your doors off either. The title track is catchy but about 2 minutes too long, and it gets pretty repetitive by the end. The rest of the material is shockingly bloat-free, so that’s a big win. At 53-plus minutes, it feels like a track could be dropped, but no cut screams to be dumped.

I’d heard mixed reviews about how Joey sounded on the album, but to my ears he does fine. His voice has changed over the decades as one would expect, but he still sounds strong and clear and, well, like Joey! His delivery reminds me of his Persistence of Time days on some tracks, and on others more like his rougher, grittier performance on Worship Music. He can still bring it and command the room, and that’s impressive after so long in the game. Legendary thrash axe Scott Ian and newish addition Jonathan Donais offer a plethora of classic Thrax riffs while also dabbling in prog, groove rock, and, of course, they veer into atmo-black darkness. Charlie Benante is his usual sick beast on the kit and Frank Bello joins him to form one of the best backlines in thrash history. Everyone sounds good, and the material feels lively, fresh and vital. That in and of itself is a win for a band in their 4th decade of existence.

With most members of Anthrax in their 60s and many of their contemporaries aging out of the speed circuit, there will inevitably come a time when these guys just don’t want to thrash anymore. They’ve been claiming this is not their last album, but if it is, they went out on a good note and did their legacy proud. Cursum Perficio may not reach the same highs as For All Kings, but it’s a very good album from a band that’s been written off so many times over the years. Rabbits have been pulled, so all hail the survivors of the Big Four tontine!

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast
Websites: anthrax.com | facebook.com/anthrax | instagram.com/anthrax
Releases Worldwide: September 18th, 2026

With the definitive Anthrax ranking done and dusted (I mean my ranking), I finally get my ape ears on the entirety of their 12th album, Cursum Perficio (Latin for “I finish the journey”). It’s been a long wait for something new from the band too, since For All Kings came out over 10 years ago in what now seems like an entirely different world. In the span of time that’s passed since then, both Slayer and Megadeth closed up shop, the world suffered a pandemic that forever changed the way societies function, and Metallica dropped an album that nobody really loved as they too likely headed toward a final exit. For all intents and purposes, that makes Anthrax the last band standing from the Big Four. How many expected this outcome back when Thrax was dropping duds like We’ve Come for You All and Vol. 8? I certainly wouldn’t have bet on them in a survivor pool, but here we are. Looking back, the smart money probably should have been on the little band from Queens, since For All Kings smoked anything the Big Four members released in ages. But can Anthrax pull another rabbit out of their magic hat so late in their career? Based on that wild cover art, they seem to be telegraphing that rabbits will be forthcoming. With the same lineup as last time, let’s hope they can still make the fur fly.

Cursum Perficio revisits various eras of their career while also offering new wrinkles and at least one big surprise. After moody intro “Persistence of Memory,” they drop a big, emotional number called “The Long Goodbye,” highlighting the horrors of dementia. It’s a grim, unsettling song that easily could have fit on Persistence of Time, and the lyrics resonate emotionally and really harsh your mellow. Thankfully, this Debbie Downer is immediately followed by the traditional Thrax tune “It’s for the Kids,” which is more upbeat and punk-thrashy.1 Even more classically Thraxified is “Everybody’s Got a Plan,” which is the most New York song I’ve heard since Biohazard’s last brainless release. The chorus will stick in your brainpan and torment you for days. The classic gang shouts are back everything feels like 1988 all over again. Then comes the song that will divide listeners the most. Yes, “The Edge of Perfection” features trem riffs, blast beats, and atmo-black elements. I admit I was put off by it on first spin, but in the context of the album, it’s a cool changeup. It’s a grower of a song, and though it’s maybe a minute or so too long, it has a weird addictive quality that grows with consumption. It also shows olde dawgs can learn new tricks in the fullness of time. I don’t necessarily need more Blackthrax in my life, but I kinda like what we got here.

The first half of Cursum is pretty righteous, but it’s a somewhat front-loaded album. Good things do appear on the album’s back half, though. “Infectious” is like Anthrax trying to write a song that would fit on Load, and they pretty much nail it. There’s a cool, laid-back rock swagger here with a simple grinding riff. The lyrics reference Stephen King’s The Stand to make for a nice callback to “Among the Living,” and this one is a simple but stealthy grower. “NYC 93” is a rowdy, punky ode to life in the Big Apple back in the crazy 90s, and it’s hard to hear this and not think that Anthrax stole it from Overkill. If so, Bobby Blitz is gonna beat somebody’s ass for this. The last third of Cursum is good, and no song falls flat, but nothing will blow your doors off either. The title track is catchy but about 2 minutes too long, and it gets pretty repetitive by the end. The rest of the material is shockingly bloat-free, so that’s a big win. At 53-plus minutes, it feels like a track could be dropped, but no cut screams to be dumped.

I’d heard mixed reviews about how Joey sounded on the album, but to my ears he does fine. His voice has changed over the decades as one would expect, but he still sounds strong and clear and, well, like Joey! His delivery reminds me of his Persistence of Time days on some tracks, and on others more like his rougher, grittier performance on Worship Music. He can still bring it and command the room, and that’s impressive after so long in the game. Legendary thrash axe Scott Ian and newish addition Jonathan Donais offer a plethora of classic Thrax riffs while also dabbling in prog, groove rock, and, of course, they veer into atmo-black darkness. Charlie Benante is his usual sick beast on the kit and Frank Bello joins him to form one of the best backlines in thrash history. Everyone sounds good, and the material feels lively, fresh and vital. That in and of itself is a win for a band in their 4th decade of existence.

With most members of Anthrax in their 60s and many of their contemporaries aging out of the speed circuit, there will inevitably come a time when these guys just don’t want to thrash anymore. They’ve been claiming this is not their last album, but if it is, they went out on a good note and did their legacy proud. Cursum Perficio may not reach the same highs as For All Kings, but it’s a very good album from a band that’s been written off so many times over the years. Rabbits have been pulled, so all hail the survivors of the Big Four tontine!

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast
Websites: anthrax.com | facebook.com/anthrax | instagram.com/anthrax
Releases Worldwide: September 18th, 2026

With the definitive Anthrax ranking done and dusted (I mean my ranking), I finally get my ape ears on the entirety of their 12th album, Cursum Perficio (Latin for “I finish the journey”). It’s been a long wait for something new from the band too, since For All Kings came out over 10 years ago in what now seems like an entirely different world. In the span of time that’s passed since then, both Slayer and Megadeth closed up shop, the world suffered a pandemic that forever changed the way societies function, and Metallica dropped an album that nobody really loved as they too likely headed toward a final exit. For all intents and purposes, that makes Anthrax the last band standing from the Big Four. How many expected this outcome back when Thrax was dropping duds like We’ve Come for You All and Vol. 8? I certainly wouldn’t have bet on them in a survivor pool, but here we are. Looking back, the smart money probably should have been on the little band from Queens, since For All Kings smoked anything the Big Four members released in ages. But can Anthrax pull another rabbit out of their magic hat so late in their career? Based on that wild cover art, they seem to be telegraphing that rabbits will be forthcoming. With the same lineup as last time, let’s hope they can still make the fur fly.

Cursum Perficio revisits various eras of their career while also offering new wrinkles and at least one big surprise. After moody intro “Persistence of Memory,” they drop a big, emotional number called “The Long Goodbye,” highlighting the horrors of dementia. It’s a grim, unsettling song that easily could have fit on Persistence of Time, and the lyrics resonate emotionally and really harsh your mellow. Thankfully, this Debbie Downer is immediately followed by the traditional Thrax tune “It’s for the Kids,” which is more upbeat and punk-thrashy.1 Even more classically Thraxified is “Everybody’s Got a Plan,” which is the most New York song I’ve heard since Biohazard’s last brainless release. The chorus will stick in your brainpan and torment you for days. The classic gang shouts are back everything feels like 1988 all over again. Then comes the song that will divide listeners the most. Yes, “The Edge of Perfection” features trem riffs, blast beats, and atmo-black elements. I admit I was put off by it on first spin, but in the context of the album, it’s a cool changeup. It’s a grower of a song, and though it’s maybe a minute or so too long, it has a weird addictive quality that grows with consumption. It also shows olde dawgs can learn new tricks in the fullness of time. I don’t necessarily need more Blackthrax in my life, but I kinda like what we got here.

The first half of Cursum is pretty righteous, but it’s a somewhat front-loaded album. Good things do appear on the album’s back half, though. “Infectious” is like Anthrax trying to write a song that would fit on Load, and they pretty much nail it. There’s a cool, laid-back rock swagger here with a simple grinding riff. The lyrics reference Stephen King’s The Stand to make for a nice callback to “Among the Living,” and this one is a simple but stealthy grower. “NYC 93” is a rowdy, punky ode to life in the Big Apple back in the crazy 90s, and it’s hard to hear this and not think that Anthrax stole it from Overkill. If so, Bobby Blitz is gonna beat somebody’s ass for this. The last third of Cursum is good, and no song falls flat, but nothing will blow your doors off either. The title track is catchy but about 2 minutes too long, and it gets pretty repetitive by the end. The rest of the material is shockingly bloat-free, so that’s a big win. At 53-plus minutes, it feels like a track could be dropped, but no cut screams to be dumped.

I’d heard mixed reviews about how Joey sounded on the album, but to my ears he does fine. His voice has changed over the decades as one would expect, but he still sounds strong and clear and, well, like Joey! His delivery reminds me of his Persistence of Time days on some tracks, and on others more like his rougher, grittier performance on Worship Music. He can still bring it and command the room, and that’s impressive after so long in the game. Legendary thrash axe Scott Ian and newish addition Jonathan Donais offer a plethora of classic Thrax riffs while also dabbling in prog, groove rock, and, of course, they veer into atmo-black darkness. Charlie Benante is his usual sick beast on the kit and Frank Bello joins him to form one of the best backlines in thrash history. Everyone sounds good, and the material feels lively, fresh and vital. That in and of itself is a win for a band in their 4th decade of existence.

With most members of Anthrax in their 60s and many of their contemporaries aging out of the speed circuit, there will inevitably come a time when these guys just don’t want to thrash anymore. They’ve been claiming this is not their last album, but if it is, they went out on a good note and did their legacy proud. Cursum Perficio may not reach the same highs as For All Kings, but it’s a very good album from a band that’s been written off so many times over the years. Rabbits have been pulled, so all hail the survivors of the Big Four tontine!

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nuclear Blast
Websites: anthrax.com | facebook.com/anthrax | instagram.com/anthrax
Releases Worldwide: September 18th, 2026

#CurrentlyListeningTo Green Lung - Necropolitan #HeavyMetal #DoomMetal #StonerMetal #OccultRock 🇬🇧

#CurrentlyListeningTo Green Lung - Necropolitan #HeavyMetal #DoomMetal #StonerMetal #OccultRock 🇬🇧

#CurrentlyListeningTo Green Lung - Necropolitan #HeavyMetal #DoomMetal #StonerMetal #OccultRock 🇬🇧

#CurrentlyListeningTo Green Lung - Necropolitan #HeavyMetal #DoomMetal #StonerMetal #OccultRock 🇬🇧

🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Metallica - Lux Æterna

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
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#VortexWave #Metallica #HeavyMetal #ThrashMetal #2020s

The PRP 🤘 Fervence Unveil Music Video For “Ascension”: The second single from their upcoming Metal Blade debut.

The post Fervence Unveil Music Video For “Ascension” appeared first on Theprp.com. http://dlvr.it/TVX795 LinkInBio for More 🤘 #ThePRP #HeavyMetal #Metal

The PRP 🤘 Wolves At The Gate’s New Single “Letterkills” Has Debuted: Co-produced by Spiritbox's Josh Gilbert.

The post Wolves At The Gate’s New Single “Letterkills” Has Debuted appeared first on Theprp.com. http://dlvr.it/TVX78T LinkInBio for More 🤘 #ThePRP #HeavyMetal #Metal

The PRP 🤘 Dredg’s 20th Anniversary Edition Of “Catch Without Arms” Will Feature System Of A Down’s Serj Tankian On A Bonus Track: One of five bonus tracks scheduled for this new version.

The post Dredg’s 20th Anniversary Edition Of “Catch Without Arms” Will Feature System Of A Down’s Serj Tankian On A Bonus Track appeared first on Theprp.com. http://dlvr.it/TVX5Mt LinkInBio for More 🤘 #ThePRP #HeavyMetal #Metal

The PRP 🤘 Deadsy’s Elijah Blue Allman Indicted On Criminal Mischief Charge, Awaiting Competency Hearing Following Pair Of 2026 Arrests: Thus far, Allman has plead not guilty to the various charges.

The post Deadsy’s Elijah Blue Allman Indicted On Criminal Mischief Charge, Awaiting Competency Hearing Following Pair Of 2026 Arrests appeared first on Theprp.com. http://dlvr.it/TVX5MT LinkInBio for More 🤘 #ThePRP #HeavyMetal #Metal

https://www.europesays.com/at/401437/ Iron Maiden: Steve Harris vermisst den engen Kontakt zu Fans #AdrianSmith #AT #Austria #BRITISHLION #BruceDickinson #DaveMurray #DavidHawkins #Entertainment #GrahameLeslie #HeavyMetal #IronMaiden #JanickGers #Music #Musik #NickoMcBrain #Österreich #RichardTaylor #SimonDawson #SteveHarris #Unterhaltung

Loudwire🤘 11 Most Played Cover Songs During Metallica Concerts: Metallica frequently include cover songs on their setlists. But which ones have they played the most? Continue reading… http://dlvr.it/TVX40Q LinkInBio for more 🤘 #loudwire #heavymetal #metal

NextMosh 🤘 Moonspell drop off Cradle of Filth tour due to visa issues, Blackbraid added: The upcoming run includes Worm and Black Satellite

Source http://dlvr.it/TVX3s1 👀 Bio Link 4 More 🤘 #Metal #HeavyMetal #NextMosh

NextMosh 🤘 Pain of Truth announce 2027 European and UK tour: In support of their upcoming self-titled album

Source http://dlvr.it/TVX3rK 👀 Bio Link 4 More 🤘 #Metal #HeavyMetal #NextMosh

The PRP 🤘 Kingdom Of Giants Unveil New Album “Usurper”, Premiere “Reign” Music Video: With vocalist Dana Willax at the helm.

The post Kingdom Of Giants Unveil New Album “Usurper”, Premiere “Reign” Music Video appeared first on Theprp.com. http://dlvr.it/TVX3R5 LinkInBio for More 🤘 #ThePRP #HeavyMetal #Metal

The PRP 🤘 Hear The Ocean Welcome Tangerine Dream On New Track “Milk Of My Dreams”: A pulsing new collaboration.

The post Hear The Ocean Welcome Tangerine Dream On New Track “Milk Of My Dreams” appeared first on Theprp.com. http://dlvr.it/TVX3QX LinkInBio for More 🤘 #ThePRP #HeavyMetal #Metal

No Clean Singing 🤘 PLÈVRE – CITÉ MOUROIR: (Andy Synn takes a journey through a dying city with France’s Plèvre) This… is not the review I was supposed to be posting today. No, that review will now be coming next week, due to the fact that – just as I was coming to the end of the writing process – I was approached [...]

The post PLÈVRE – CITÉ MOUROIR appeared first on NO CLEAN SINGING. http://dlvr.it/TVX2zH 👀 Bio Link 4 More 🤘 #Metal #HeavyMetal #NoCleanSinging

#ThursdayFiveList #ElementsAndCompounds

Visigoth - Steel and Silver
https://song.link/s/3fUxAW6NYaDnpt1kwKxpV3

Symfonia - I Walk in Neon
https://song.link/i/1298865573

Pathfinder - Fifth Element
https://song.link/i/1421972273

Lady Beast - Inner Alchemist
https://song.link/i/1787840916

Falconer - Lord of the Blacksmiths
https://song.link/i/56580563

#NowPlaying #Music #Metal #HeavyMetal #PowerMetal

#ThursdayFiveList #ElementsAndCompounds

Visigoth - Steel and Silver
https://song.link/s/3fUxAW6NYaDnpt1kwKxpV3

Symfonia - I Walk in Neon
https://song.link/i/1298865573

Pathfinder - Fifth Element
https://song.link/i/1421972273

Lady Beast - Inner Alchemist
https://song.link/i/1787840916

Falconer - Lord of the Blacksmiths
https://song.link/i/56580563

#NowPlaying #Music #Metal #HeavyMetal #PowerMetal

#ThursdayFiveList #ElementsAndCompounds

Visigoth - Steel and Silver
https://song.link/s/3fUxAW6NYaDnpt1kwKxpV3

Symfonia - I Walk in Neon
https://song.link/i/1298865573

Pathfinder - Fifth Element
https://song.link/i/1421972273

Lady Beast - Inner Alchemist
https://song.link/i/1787840916

Falconer - Lord of the Blacksmiths
https://song.link/i/56580563

#NowPlaying #Music #Metal #HeavyMetal #PowerMetal

#ThursdayFiveList #ElementsAndCompounds

Visigoth - Steel and Silver
https://song.link/s/3fUxAW6NYaDnpt1kwKxpV3

Symfonia - I Walk in Neon
https://song.link/i/1298865573

Pathfinder - Fifth Element
https://song.link/i/1421972273

Lady Beast - Inner Alchemist
https://song.link/i/1787840916

Falconer - Lord of the Blacksmiths
https://song.link/i/56580563

#NowPlaying #Music #Metal #HeavyMetal #PowerMetal

#ThursdayFiveList #ElementsAndCompounds

Visigoth - Steel and Silver
https://song.link/s/3fUxAW6NYaDnpt1kwKxpV3

Symfonia - I Walk in Neon
https://song.link/i/1298865573

Pathfinder - Fifth Element
https://song.link/i/1421972273

Lady Beast - Inner Alchemist
https://song.link/i/1787840916

Falconer - Lord of the Blacksmiths
https://song.link/i/56580563

#NowPlaying #Music #Metal #HeavyMetal #PowerMetal

Louder Sound 🤘 How a Bruce Hornsby song about deep-seated racism in the South became an unlikely No.1 with an unexpected afterlife. "It was a complete fluke. Nobody thought it was gonna be anything": The Way It Is was inspired by Bruce Hornsby's home town of Williamsburg, Virginia – and enjoyed a second life with Tupac Shakur http://dlvr.it/TVX1QQ LinkInBio for More 🤘 #LouderSound #heavymetal #metal

The PRP 🤘 Anthrax Launch “Cursum Perficio” Music Video Featuring London May Of Samhain: London did not escape unharmed.

The post Anthrax Launch “Cursum Perficio” Music Video Featuring London May Of Samhain appeared first on Theprp.com. http://dlvr.it/TVX1MT LinkInBio for More 🤘 #ThePRP #HeavyMetal #Metal

Metal Blade Video 🤘 Fervence - Ascension (Official Video): Buy here: http://www.metalblade.com/fervence
Directed by Tom Flynn
Actress: EXXARIO

“Ascension” is the newest single from Texas-based progressive metalcore practitioners, FERVENCE. The track appears on the band’s impending new full-length, Constructs, set to drop on October 16th through Metal Blade Records.

Comments founding guitarist Trent Odneal, “‘Ascension’… http://dlvr.it/TVX10B LinkInBio for More 🤘 #MetalBladeRecords #HeavyMetal #Metal

Metal Blade Video 🤘 Fervence's new track, "Ascension" is now playing!: Fervence's new album, 'Constructs' out October 16th!
Pre-order your copy HERE: https://www.metalblade.com/fervence/ http://dlvr.it/TVX0zM LinkInBio for More 🤘 #MetalBladeRecords #HeavyMetal #Metal

Decibel Magazine 🤘 Track Premiere: Molly McGuire – “Take Me Home”: Molly McGuire are sharing “Take Me Home,” the latest track from their forthcoming album Disaster in Reverse, out October 2. Check it out here. https://www.youtube.com/watch?v=fAgXB1-BTY0 Three decades after the release of their acclaimed album Lime, Kansas City’s Molly McGuire are returning with Disaster in Reverse, a new full-length album arriving October 2. The… http://dlvr.it/TVX0tP LinkInBio for More 🤘 #DecibelMagazine #Metal #HeavyMetal

No Clean Singing 🤘 AN NCS PREMIERE: ORB (OCCULT RENEGADE BASTARDS) — “FIRST FROST”: (written by Islander) Today we help spread the word about a new Philadelphia-based band — a new band, but formed by people who aren’t newcomers to heavy music. The name of the band is ORB (which stands for Occult Renegade Bastards), and it’s the joint effort of vocalist Lord Gourd (aka Lord Klauf from Morgul [...]

The post AN NCS… http://dlvr.it/TVX0jf 👀 Bio Link 4 More 🤘 #Metal #HeavyMetal #NoCleanSinging

No Clean Singing 🤘 AN NCS INTERVIEW: ILLWIND: (This past July Personal Records released a fine debut album [for which we did a premiere] by the Peruvian band Illwind, whose lineup was forged from members of some top South American bands such as Reino Ermitaño, Cobra, Arcada, and Argul. The album provided the impetus for our Comrade Aleks to re-connect with Illwind’s Marcos [...]

The post AN NCS INTERVIEW: ILLWIND… http://dlvr.it/TVX0jF 👀 Bio Link 4 More 🤘 #Metal #HeavyMetal #NoCleanSinging

The Beast 🤘 Day 40, First World Appetite, Cthulhu Dreamt, Nomadic Narwhal, Broadslab, Iron Wings, Riftpatrol, and Eaten By Sharks - Featured In Decibel! - @thebeast: FOR IMMEDIATE RELEASE

METAL DEVASTATION PR CLIENTS FEATURED IN DECIBEL MAGAZINE ISSUE 264

Eight Current MDPR Clients Featured in the Monthly Recommendations Ad, While Former Client Accursed Womb Also Earns Album Review Coverage

September 17, 2026… http://dlvr.it/TVX0Qn LinkInBio for More 🤘 #TheBeast #HeavyMetal #Metal

The Beast 🤘 PHENOMY ANNOUNCES NEW SINGLE “DEATH MAY DIE” FOR OCTOBER 2, 2026 - @thebeast: FOR IMMEDIATE RELEASE

PHENOMY ANNOUNCES NEW SINGLE “DEATH MAY DIE” FOR OCTOBER 2, 2026

Lebanese metal band draws on destruction, survival, and the possibility of resurrection with a powerful new single

LEBANON | September 2026 | Lebanese metal band Phenomy will release their new single “Death May Die” on October 2, 2026… http://dlvr.it/TVX0Pt LinkInBio for More 🤘 #TheBeast #HeavyMetal #Metal

https://www.europesays.com/fr/1192779/ « Les Foudres 2026 » : La cérémonie dédiée au metal français dévoile sa deuxième édition #Bataclan #cérémonie #Culture #Divertissement #Entertainment #FR #France #France4 #HeavyMetal #Hellfest #Metal #Music #musique #Récompense

Listening to different eras of Bathory this morning. Started with a #vikingmetal album then went to their first album which was an early example of #blackmetal Might fuck around and listen to one of their albums from their brief thrash era in the 90s too.

#metal #heavymetal

Listening to different eras of Bathory this morning. Started with a #vikingmetal album then went to their first album which was an early example of #blackmetal Might fuck around and listen to one of their albums from their brief thrash era in the 90s too.

#metal #heavymetal

Listening to different eras of Bathory this morning. Started with a #vikingmetal album then went to their first album which was an early example of #blackmetal Might fuck around and listen to one of their albums from their brief thrash era in the 90s too.

#metal #heavymetal

Listening to different eras of Bathory this morning. Started with a #vikingmetal album then went to their first album which was an early example of #blackmetal Might fuck around and listen to one of their albums from their brief thrash era in the 90s too.

#metal #heavymetal

Listening to different eras of Bathory this morning. Started with a #vikingmetal album then went to their first album which was an early example of #blackmetal Might fuck around and listen to one of their albums from their brief thrash era in the 90s too.

#metal #heavymetal

Loudwire🤘 Biohazard's Evan Seinfeld Discusses Fitness, Health + New Music: Biohazard's Evan Seinfeld reflects on his band's latest album and discusses his journey toward physical and mental wellness — and how that's inspired new music. Continue reading… http://dlvr.it/TVWzZr LinkInBio for more 🤘 #loudwire #heavymetal #metal

NextMosh 🤘 Nile and Coroner announce 2027 U.S. co-headlining tour: Featuring support from Sun Abstruct

Source http://dlvr.it/TVWzRN 👀 Bio Link 4 More 🤘 #Metal #HeavyMetal #NextMosh

Louder Sound 🤘 “Before our first show, I thought I was going to die!” The new issue of Metal Hammer features Nightwish on the cover: Celebrating their 30th anniversary, Nightwish are on the cover of Metal Hammer http://dlvr.it/TVWz05 LinkInBio for More 🤘 #LouderSound #heavymetal #metal

https://www.europesays.com/be-fr/255469/ « Les Foudres 2026 » : La cérémonie dédiée au metal français dévoile sa deuxième édition #Bataclan #BE #BEFr #Belgique #Belgium #Cérémonie #Culture #Divertissement #Entertainment #France4 #HeavyMetal #Hellfest #METAL #Music #Musique #récompense

Metal Underground 🤘 Thrash Titans Forbidden Join 70k Of Metal Lineup Along With Scar Symmetry, Visions Of Atlantis and Visceral Disgorge: One of the original Bay Area thrash titans Forbidden just hopped on board the 70,000 Tons Of Metal lineup along with Scar Symmetry, Visions Of Atlantis and Visceral Disgorge. The high seas will be a thrash metal haven during this years' festival!

Joining them will be melodic… http://dlvr.it/TVWyYD LinkInBio for More 🤘 #metalunderground #heavymetal #metal

Metal Underground 🤘 Perpetual Gravity Premiere New Single & Music Video "Deathwish to Humanity": French death metal outfit Perpetual Gravity premiere a new single and music video titled "Deathwish to Humanity", streaming via YouTube and Spotify for you now below.

Read More/Discuss on Metal Underground.com http://dlvr.it/TVWyXk LinkInBio for More 🤘 #metalunderground #heavymetal #metal

The Beast 🤘 PORTALS OF THE TOMB GUARD UNLEASH THE DARK WORLD OF KURIO WITH NEW ALBUM SEASONS OF HELL - @thebeast: FOR IMMEDIATE RELEASE

PORTALS OF THE TOMB GUARD UNLEASH THE DARK WORLD OF KURIO WITH NEW ALBUM SEASONS OF HELL

Heavy Metal Outfit Explores Demonic Realms, Afterlife Concepts and the Dark Corridors of Humanity on New Full-Length Album

Heavy metal outfit Portals of the Tomb Guard officially open the… http://dlvr.it/TVWy0N LinkInBio for More 🤘 #TheBeast #HeavyMetal #Metal