#gamma-ray — Public Fediverse posts

Kai Hansen has announced his new solo album Born With A Hammer, arriving in September via earMUSIC. New single "Feeding The Beast" is now available.

Details: https://metalinsider.net/video/kai-hansen-announces-solo-album-born-with-a-hammer

#KaiHansen #BornWithAHammer #Helloween #GammaRay #PowerMetal #HeavyMetal #earMUSIC #FeedingTheBeast

Kai Hansen has announced his new solo album Born With A Hammer, arriving in September via earMUSIC. New single "Feeding The Beast" is now available.

Details: https://metalinsider.net/video/kai-hansen-announces-solo-album-born-with-a-hammer

#KaiHansen #BornWithAHammer #Helloween #GammaRay #PowerMetal #HeavyMetal #earMUSIC #FeedingTheBeast

A mysterious gamma-ray stream comes from the Milky Way’s center. Could dark matter have something to do wit…

When you buy through links on our articles, Future and its syndication partners may earn a commission. Credit:…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Science #Darkmatter #galacticcenter #GammaRay
https://www.newsbeep.com/us/719470/

A mysterious gamma-ray stream comes from the Milky Way’s center. Could dark matter have something to do wit…

When you buy through links on our articles, Future and its syndication partners may earn a commission. Credit:…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Science #Darkmatter #galacticcenter #GammaRay
https://www.newsbeep.com/us/719470/

NASA’s Fermi Mission Reveals Related Supernova Remnants ✨

#Astrophysics #Fermi #Galaxy #GammaRay #Nebula #Space #Star #Supernova

▶️ 1 new picture from NASA (SVS) https://commons.wikimedia.org/wiki/File:NASA%E2%80%99s_Fermi_Mission_Reveals_Related_Supernova_Remnants_%28SVS15053_-_IC443_wide_X-ray_both_remnants_2160%29.jpg

NASA’s Fermi Mission Reveals Related Supernova Remnants ✨

#Astrophysics #Fermi #Galaxy #GammaRay #Nebula #Space #Star #Supernova

▶️ 1 new picture from NASA (SVS) https://commons.wikimedia.org/wiki/File:NASA%E2%80%99s_Fermi_Mission_Reveals_Related_Supernova_Remnants_%28SVS15053_-_IC443_wide_X-ray_both_remnants_2160%29.jpg

NASA’s Fermi Mission Reveals Related Supernova Remnants ✨

#Astrophysics #Fermi #Galaxy #GammaRay #Nebula #Space #Star #Supernova

▶️ 1 new picture from NASA (SVS) https://commons.wikimedia.org/wiki/File:NASA%E2%80%99s_Fermi_Mission_Reveals_Related_Supernova_Remnants_%28SVS15053_-_IC443_wide_X-ray_both_remnants_2160%29.jpg

NASA’s Fermi Mission Reveals Related Supernova Remnants ✨

#Astrophysics #Fermi #Galaxy #GammaRay #Nebula #Space #Star #Supernova

▶️ 1 new picture from NASA (SVS) https://commons.wikimedia.org/wiki/File:NASA%E2%80%99s_Fermi_Mission_Reveals_Related_Supernova_Remnants_%28SVS15053_-_IC443_wide_X-ray_both_remnants_2160%29.jpg

https://www.europesays.com/es/613857/ Kai Hansen de HELLOWEEN y GAMMA RAY anuncia «Born With A Hammer», su segundo disco en solitario #Entertainment #Entretenimiento #ES #España #GammaRay #HeavyMetal #helloween #KaiHansen #Music #Música #PowerMetal #Spain

https://www.europesays.com/es/549089/ Nueva caja de MÖTLEY CRÜE. Documental de GAMMA RAY. Mateus Asato en Madrid. #Entertainment #Entretenimiento #ES #España #GammaRay #MateusAsato #MÖTLEYCRÜE #Music #Música #Spain

That cosmic ray that doesn't destroy planets... but does turn your soul into pure power metal 🤘🏽🤘🏽🤘🏽🎸

Ese rayo cósmico que no destruye planetas… pero sí convierte tu alma en puro power metal 🤘🏽🤘🏽🎸🤘🏽
#heavymetal #gammaray #music #powermetal #vinyl

That cosmic ray that doesn't destroy planets... but does turn your soul into pure power metal 🤘🏽🤘🏽🤘🏽🎸

Ese rayo cósmico que no destruye planetas… pero sí convierte tu alma en puro power metal 🤘🏽🤘🏽🎸🤘🏽
#heavymetal #gammaray #music #powermetal #vinyl

That cosmic ray that doesn't destroy planets... but does turn your soul into pure power metal 🤘🏽🤘🏽🤘🏽🎸

Ese rayo cósmico que no destruye planetas… pero sí convierte tu alma en puro power metal 🤘🏽🤘🏽🎸🤘🏽
#heavymetal #gammaray #music #powermetal #vinyl

That cosmic ray that doesn't destroy planets... but does turn your soul into pure power metal 🤘🏽🤘🏽🤘🏽🎸

Ese rayo cósmico que no destruye planetas… pero sí convierte tu alma en puro power metal 🤘🏽🤘🏽🎸🤘🏽
#heavymetal #gammaray #music #powermetal #vinyl

https://www.europesays.com/at/95388/ Bassist Mat Sinner muss pausieren, Bein aufgeschlitzt #AT #Austria #Bassist #Bein #DirkSchlächter #Entertainment #GammaRay #MatSinner #Music #Musik #Österreich #Pause #PrimalFear #Unterhaltung

Testing the Wave-Particle Duality with Gamma Rays

https://fed.brid.gy/r/https://hackaday.com/2026/04/06/testing-the-wave-particle-duality-with-gamma-rays/

Testing the Wave-Particle Duality with Gamma Rays

https://web.brid.gy/r/https://hackaday.com/2026/04/06/testing-the-wave-particle-duality-with-gamma-rays/

Testing the Wave-Particle Duality with Gamma Rays

https://fed.brid.gy/r/https://hackaday.com/2026/04/06/testing-the-wave-particle-duality-with-gamma-rays/

Testing the Wave-Particle Duality with Gamma Rays

https://web.brid.gy/r/https://hackaday.com/2026/04/06/testing-the-wave-particle-duality-with-gamma-rays/

@scribblanitea @RolloTreadway Will the occasional #gammaRay escape do the #virtueSignalling part?

@scribblanitea @RolloTreadway Will the occasional #gammaRay escape do the #virtueSignalling part?

@scribblanitea @RolloTreadway Will the occasional #gammaRay escape do the #virtueSignalling part?

@scribblanitea @RolloTreadway Will the occasional #gammaRay escape do the #virtueSignalling part?

Anlässlich des heutigen 11. März dieser alte Song, der mich immer wieder vom Hocker reißt:
https://www.youtube.com/watch?v=y7tDhS3Hlao&list=RDy7tDhS3Hlao&start_radio=1

Das Intro der Studio-Version war bei uns der Opener der Disco am Samstag, die Erinnerung daran lindert die Erinnerung an den 11. März 2011.

#BirthControl #GammaRay

Anlässlich des heutigen 11. März dieser alte Song, der mich immer wieder vom Hocker reißt:
https://www.youtube.com/watch?v=y7tDhS3Hlao&list=RDy7tDhS3Hlao&start_radio=1

Das Intro der Studio-Version war bei uns der Opener der Disco am Samstag, die Erinnerung daran lindert die Erinnerung an den 11. März 2011.

#BirthControl #GammaRay

Anlässlich des heutigen 11. März dieser alte Song, der mich immer wieder vom Hocker reißt:
https://www.youtube.com/watch?v=y7tDhS3Hlao&list=RDy7tDhS3Hlao&start_radio=1

Das Intro der Studio-Version war bei uns der Opener der Disco am Samstag, die Erinnerung daran lindert die Erinnerung an den 11. März 2011.

#BirthControl #GammaRay

Anlässlich des heutigen 11. März dieser alte Song, der mich immer wieder vom Hocker reißt:
https://www.youtube.com/watch?v=y7tDhS3Hlao&list=RDy7tDhS3Hlao&start_radio=1

Das Intro der Studio-Version war bei uns der Opener der Disco am Samstag, die Erinnerung daran lindert die Erinnerung an den 11. März 2011.

#BirthControl #GammaRay

Prototype ComPair-2 Gamma-Ray Detectors Complete Thermal Vacuum Testing 🛰️

#AlgaeBlooms #Ast #Astrophysics #Balloon #GammaRay #GammaRayBurst #Heliophysics #Imaging

⏩ 3 new pictures and 2 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=13&user=OptimusPrimeBot&ilshowall=1&offset=20260227125830

Prototype ComPair-2 Gamma-Ray Detectors Complete Thermal Vacuum Testing 🛰️

#AlgaeBlooms #Ast #Astrophysics #Balloon #GammaRay #GammaRayBurst #Heliophysics #Imaging

⏩ 3 new pictures and 2 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=13&user=OptimusPrimeBot&ilshowall=1&offset=20260227125830

Prototype ComPair-2 Gamma-Ray Detectors Complete Thermal Vacuum Testing 🛰️

#AlgaeBlooms #Ast #Astrophysics #Balloon #GammaRay #GammaRayBurst #Heliophysics #Imaging

⏩ 3 new pictures and 2 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=13&user=OptimusPrimeBot&ilshowall=1&offset=20260227125830

Prototype ComPair-2 Gamma-Ray Detectors Complete Thermal Vacuum Testing 🛰️

#AlgaeBlooms #Ast #Astrophysics #Balloon #GammaRay #GammaRayBurst #Heliophysics #Imaging

⏩ 3 new pictures and 2 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=13&user=OptimusPrimeBot&ilshowall=1&offset=20260227125830

Returning with their over-the-top, moar is moar philosophy of fun and shred, on Outstanding Power Lovebites cooks up a sugarbomb so explosive it’ll blow your teeth out your earholes. Minted in 2016, Lovebites has been slinging their brand of power metal for a decade, dropping five full-lengths over that time.1 Outstanding Power marks the band’s fifth full-length release and the first since 2023’s Judgement Day, and these women from Tokyo used the intervening three years to cast a platter that shatters any illusion of restraint. With kicks and licks galore, does Lovebites cram in too much of a good thing, or can their latest LP stand the power?

Anyone unfamiliar with Lovebites can approximate their sound as an all-female version of Galneryus,2 although Lovebites is much more than a clone of a great band. Their full-length debut Awakening from Abyss dropped in 2017, with subsequent albums Clockwork Immortality and Electric Pentagram released in 2018 and 2020, respectively. Both follow-ups impressed, but nothing quite reached the heights of their debut until fourth album Judgement Day hit shelves in 2023. Introducing new bassist Fami,3 Judgement Day honed Lovebites’ attack to a lethal edge, and with even more time spent sharpening their craft, Outstanding Power cuts deeper than ever.

Outstanding Power by Lovebites

Lovebites’ stable lineup exudes an electrifying chemistry throughout Outstanding Power. Each component of the band’s auditory milieu complements the others, whether it’s the blazing guitar tandem of Midori and Miyako, Haruna’s meticulously mechanical drumming, or Fami’s low-end purr and incredibly hooky countermelodies. Musically, Lovebites has never been this exacting. From the calculated rhythms in “Silence the Void” to the galloping rolls in “Blazing Halo,” Haruna’s drumming goads songs with an unflappable urgency that’s simultaneously composed and tempestuous. Meanwhile, Fami’s bass flexes mondo swagger that recalls Geddy Lee’s aggressive plucks and twangs (“The Castaway”) as well as Flea-bitten flourishes (the intro to “Blazing Halo”). In fact, the bass’s expanded role on Outstanding Power defines what elevates the album above the rest of Lovebites’ already first-rate output. Besides trading vicious solos and captivating riffs with fellow axe-bearer Midori, Miyako supplies the keys, channeling duel-lead, arpeggiated runs à la Children of Bodom (“The Castaway”) as nimbly as she blankets moods with Sonata Arctica-informed synth and piano (“Eternally,” “One Will Remain”). Atop it all, singer Asami coos, belts, and wails with a voice that some may find an acquired taste with her heavy use of vibrato, but is powerful and unique. Overall, the songwriting on Outstanding Power synchronizes into lock-step bombast, where each track dazzles with its own fully-fleshed identity and laser-honed melodies.

Though not without fault, Outstanding Power unequivocally claims the top spot in Lovebites’ catalog (so far). No small part of this is thanks to Fami and Haruna, who bring the rhythm section to the fore with undeniable performances that match the high-flying axe-work besieging previous releases. The biggest strike against Outstanding Power is the album’s sixty-four-minute runtime, which the sharp songwriting mitigates with infectious melodies and perfectly executed instrumentation. Even Outstanding Power’s weakest cut, seven-minute ballad “Eternally,” contains good moments despite fumbling Lovebites’ momentum down the home stretch. Add in the surprisingly spacious mix4 that gives the band ample space to pop and you’ve got yourself a bona fide power metal classic on your hands.

Power metal presents a challenge to rate, as its natural optimism and oft-cheesy tropes can be at odds with what typically engenders high scores and opinions, and makes Outstanding Power the most difficult score I’ve assessed up to this point. Throughout, Lovebites exemplifies power metal ethos, unleashing high-octane shredded cheese with a flagrant nonchalance that is shamelessly irresistible. With Outstanding Power, Lovebites not only delivers their greatest achievement so far, but the best power metal release I’ve heard in over a year. Relentless riffs, grooves, and fills assail listeners with flamboyant moxie and technical ecstasy, defining an album I haven’t been able to put down since I got my grubby mitts on the damned thing. If fun won’t kill you, give Lovebites’ opus a spin. Or maybe give it a listen anyway, because what’s life without a little Love?

Rating: Great
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Napalm Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 18th, 2026

Maddog

Much to her chagrin, Thus Spoke and I share many things in common. Chief among them is our anaphylactic allergy to major scales; being the two resident vegans, we struggle with cheesy music.5 While this has made power metal a difficult subgenre, Lovebites is an exception. Our coverage of this Japanese juggernaut has been scarce, but I gave 2023’s Judgement Day a tempered positive filter review. Outstanding Power has the same foundation as Lovebites’ prior work, but with a beefier rhythm section, more variety, better riffs, hookier hooks, and more cohesive songwriting. It’s a fantastic record.

Outstanding Power is textbook power metal, in the same sense that Rust in Peace is textbook thrash. The centerpiece is Asami’s vocal performance, which is appropriately over-the-top but steps back to let the instruments shine. Lovebites’ most visible weapon is their dual-guitar assault. Across theatrical leads, deathy riffs, and unrestrained solos, guitarists Midori and Miyako display a mastery of melody. Even with such stiff competition, Lovebites’ rhythm section stands out. Fami’s bass plays every part it can, with blistering riffs, playful lines that recall a young Steve Harris, and explosive additions to choruses. Haruna’s drumming is a gem, especially when her lavish fills and opening salvos help stitch the album together. Both the bass and the drums peak when their respective musicians take the songwriting reins; Fami’s collaborative composition “Blazing Halo” features irresistible dueling bass and guitar solos, while Haruna’s “Forbidden Thirst” highlights her grooviest drum work. No member of Lovebites ever fades into obscurity.

Outstanding Power holds me rapt throughout. Across their hyperactive leads, 1980s virtuoso shredfests (“One Will Remain”), and fanciful Mark Knopfler-style (Dire Straits) joyrides (“Wheels on Fire”), guitarists Midori and Miyako don’t miss a beat. Their dominance becomes clearest when they join forces. Lovebites’ harmonies recall Iron Maiden, and the guitarists’ knack for separating and rejoining makes “The Castaway” an early contender for Song o’ the Year. Asami’s vocals aren’t bulletproof, particularly in her higher register. Still, the vocals and the guitars forge an ironclad alliance that raises Outstanding Power to new heights. The guitars’ imitation of the vocal shouts on “[Grin] Reaper’s Lullaby” makes me grin every time, while the orgiastic leads that accompany the final chorus of “Out of Control” remind me of Madonna’s classic “Burning Up.” Even the ballad “Eternally” is a triumph. While its vocal melodies are memorable, “Eternally” takes a cue from Gamma Ray’s “Lake of Tears” in delegating much of the heavy lifting to the weepy guitars. These ingredients make Outstanding Power a wellspring of enormous climaxes. The guitar solos are at once emotive and explosive (“The Eve of Change”), and each song ends with pizzazz (“Silence the Void”). In short, Outstanding Power is a goddamn pleasure.

Outstanding Power is such a spectacle that I can’t even begrudge its excess. I hear Sunburst in the chugging riffs of “Blazing Halo.” I hear Riot in the downright rowdy “Silence the Void.” I hear 1980s electronica interspersed with chest-thumping power metal in “The Eve of Change.” I hear Symphony X in the vocal melodies and the atmosphere of “Forbidden Thirst.” I hear Kryptos’ heavy metal revival in the rockin’ ruffian riffs of “Out of Control.” I hear blackened melodeath in the vicious “Reaper’s Lullaby,” contrasting with the heart-rending ballad “Eternally.” Most importantly, I hear Lovebites in every moment. All five band members sustain the album’s shifts while sticking to their signature styles. With its balance of variety and continuity, Outstanding Power feels half as long as its 64-minute runtime. Due to the album’s wide emotional range, I even grew to love its more upbeat tracks. Criticizing Lovebites for sounding cheerful seems akin to criticizing Monet because you don’t like yellow water lilies; sometimes flowers are yellow, you twit! Outstanding Power tries to do a lot, and it nails every piece.

As I struggle to process this album, I’m reminded of Eldritch Elitist’s review of Imperial Circus Dead Decadence. Yes, Outstanding Power is self-indulgent; what’s your point? Lovebites paints their variegated image of power metal with five brushes and five million colors, and the result is astounding. It isn’t perfect, and the crushed master makes it harder to appreciate the album’s finer features. But Outstanding Power easily won over my shriveled heart. While major scales make me gag, these ones just feel like the crest of a wave. While I tend to balk at hour-long albums, this one goes by in a heartbeat. Power metal isn’t my usual fare, but Lovebites has created a masterwork.



Rating: 4.5/5.0

Returning with their over-the-top, moar is moar philosophy of fun and shred, on Outstanding Power Lovebites cooks up a sugarbomb so explosive it’ll blow your teeth out your earholes. Minted in 2016, Lovebites has been slinging their brand of power metal for a decade, dropping five full-lengths over that time.1 Outstanding Power marks the band’s fifth full-length release and the first since 2023’s Judgement Day, and these women from Tokyo used the intervening three years to cast a platter that shatters any illusion of restraint. With kicks and licks galore, does Lovebites cram in too much of a good thing, or can their latest LP stand the power?

Anyone unfamiliar with Lovebites can approximate their sound as an all-female version of Galneryus,2 although Lovebites is much more than a clone of a great band. Their full-length debut Awakening from Abyss dropped in 2017, with subsequent albums Clockwork Immortality and Electric Pentagram released in 2018 and 2020, respectively. Both follow-ups impressed, but nothing quite reached the heights of their debut until fourth album Judgement Day hit shelves in 2023. Introducing new bassist Fami,3 Judgement Day honed Lovebites’ attack to a lethal edge, and with even more time spent sharpening their craft, Outstanding Power cuts deeper than ever.

Outstanding Power by Lovebites

Lovebites’ stable lineup exudes an electrifying chemistry throughout Outstanding Power. Each component of the band’s auditory milieu complements the others, whether it’s the blazing guitar tandem of Midori and Miyako, Haruna’s meticulously mechanical drumming, or Fami’s low-end purr and incredibly hooky countermelodies. Musically, Lovebites has never been this exacting. From the calculated rhythms in “Silence the Void” to the galloping rolls in “Blazing Halo,” Haruna’s drumming goads songs with an unflappable urgency that’s simultaneously composed and tempestuous. Meanwhile, Fami’s bass flexes mondo swagger that recalls Geddy Lee’s aggressive plucks and twangs (“The Castaway”) as well as Flea-bitten flourishes (the intro to “Blazing Halo”). In fact, the bass’s expanded role on Outstanding Power defines what elevates the album above the rest of Lovebites’ already first-rate output. Besides trading vicious solos and captivating riffs with fellow axe-bearer Midori, Miyako supplies the keys, channeling duel-lead, arpeggiated runs à la Children of Bodom (“The Castaway”) as nimbly as she blankets moods with Sonata Arctica-informed synth and piano (“Eternally,” “One Will Remain”). Atop it all, singer Asami coos, belts, and wails with a voice that some may find an acquired taste with her heavy use of vibrato, but is powerful and unique. Overall, the songwriting on Outstanding Power synchronizes into lock-step bombast, where each track dazzles with its own fully-fleshed identity and laser-honed melodies.

Though not without fault, Outstanding Power unequivocally claims the top spot in Lovebites’ catalog (so far). No small part of this is thanks to Fami and Haruna, who bring the rhythm section to the fore with undeniable performances that match the high-flying axe-work besieging previous releases. The biggest strike against Outstanding Power is the album’s sixty-four-minute runtime, which the sharp songwriting mitigates with infectious melodies and perfectly executed instrumentation. Even Outstanding Power’s weakest cut, seven-minute ballad “Eternally,” contains good moments despite fumbling Lovebites’ momentum down the home stretch. Add in the surprisingly spacious mix4 that gives the band ample space to pop and you’ve got yourself a bona fide power metal classic on your hands.

Power metal presents a challenge to rate, as its natural optimism and oft-cheesy tropes can be at odds with what typically engenders high scores and opinions, and makes Outstanding Power the most difficult score I’ve assessed up to this point. Throughout, Lovebites exemplifies power metal ethos, unleashing high-octane shredded cheese with a flagrant nonchalance that is shamelessly irresistible. With Outstanding Power, Lovebites not only delivers their greatest achievement so far, but the best power metal release I’ve heard in over a year. Relentless riffs, grooves, and fills assail listeners with flamboyant moxie and technical ecstasy, defining an album I haven’t been able to put down since I got my grubby mitts on the damned thing. If fun won’t kill you, give Lovebites’ opus a spin. Or maybe give it a listen anyway, because what’s life without a little Love?

Rating: Great
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Napalm Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 18th, 2026

Maddog

Much to her chagrin, Thus Spoke and I share many things in common. Chief among them is our anaphylactic allergy to major scales; being the two resident vegans, we struggle with cheesy music.5 While this has made power metal a difficult subgenre, Lovebites is an exception. Our coverage of this Japanese juggernaut has been scarce, but I gave 2023’s Judgement Day a tempered positive filter review. Outstanding Power has the same foundation as Lovebites’ prior work, but with a beefier rhythm section, more variety, better riffs, hookier hooks, and more cohesive songwriting. It’s a fantastic record.

Outstanding Power is textbook power metal, in the same sense that Rust in Peace is textbook thrash. The centerpiece is Asami’s vocal performance, which is appropriately over-the-top but steps back to let the instruments shine. Lovebites’ most visible weapon is their dual-guitar assault. Across theatrical leads, deathy riffs, and unrestrained solos, guitarists Midori and Miyako display a mastery of melody. Even with such stiff competition, Lovebites’ rhythm section stands out. Fami’s bass plays every part it can, with blistering riffs, playful lines that recall a young Steve Harris, and explosive additions to choruses. Haruna’s drumming is a gem, especially when her lavish fills and opening salvos help stitch the album together. Both the bass and the drums peak when their respective musicians take the songwriting reins; Fami’s collaborative composition “Blazing Halo” features irresistible dueling bass and guitar solos, while Haruna’s “Forbidden Thirst” highlights her grooviest drum work. No member of Lovebites ever fades into obscurity.

Outstanding Power holds me rapt throughout. Across their hyperactive leads, 1980s virtuoso shredfests (“One Will Remain”), and fanciful Mark Knopfler-style (Dire Straits) joyrides (“Wheels on Fire”), guitarists Midori and Miyako don’t miss a beat. Their dominance becomes clearest when they join forces. Lovebites’ harmonies recall Iron Maiden, and the guitarists’ knack for separating and rejoining makes “The Castaway” an early contender for Song o’ the Year. Asami’s vocals aren’t bulletproof, particularly in her higher register. Still, the vocals and the guitars forge an ironclad alliance that raises Outstanding Power to new heights. The guitars’ imitation of the vocal shouts on “[Grin] Reaper’s Lullaby” makes me grin every time, while the orgiastic leads that accompany the final chorus of “Out of Control” remind me of Madonna’s classic “Burning Up.” Even the ballad “Eternally” is a triumph. While its vocal melodies are memorable, “Eternally” takes a cue from Gamma Ray’s “Lake of Tears” in delegating much of the heavy lifting to the weepy guitars. These ingredients make Outstanding Power a wellspring of enormous climaxes. The guitar solos are at once emotive and explosive (“The Eve of Change”), and each song ends with pizzazz (“Silence the Void”). In short, Outstanding Power is a goddamn pleasure.

Outstanding Power is such a spectacle that I can’t even begrudge its excess. I hear Sunburst in the chugging riffs of “Blazing Halo.” I hear Riot in the downright rowdy “Silence the Void.” I hear 1980s electronica interspersed with chest-thumping power metal in “The Eve of Change.” I hear Symphony X in the vocal melodies and the atmosphere of “Forbidden Thirst.” I hear Kryptos’ heavy metal revival in the rockin’ ruffian riffs of “Out of Control.” I hear blackened melodeath in the vicious “Reaper’s Lullaby,” contrasting with the heart-rending ballad “Eternally.” Most importantly, I hear Lovebites in every moment. All five band members sustain the album’s shifts while sticking to their signature styles. With its balance of variety and continuity, Outstanding Power feels half as long as its 64-minute runtime. Due to the album’s wide emotional range, I even grew to love its more upbeat tracks. Criticizing Lovebites for sounding cheerful seems akin to criticizing Monet because you don’t like yellow water lilies; sometimes flowers are yellow, you twit! Outstanding Power tries to do a lot, and it nails every piece.

As I struggle to process this album, I’m reminded of Eldritch Elitist’s review of Imperial Circus Dead Decadence. Yes, Outstanding Power is self-indulgent; what’s your point? Lovebites paints their variegated image of power metal with five brushes and five million colors, and the result is astounding. It isn’t perfect, and the crushed master makes it harder to appreciate the album’s finer features. But Outstanding Power easily won over my shriveled heart. While major scales make me gag, these ones just feel like the crest of a wave. While I tend to balk at hour-long albums, this one goes by in a heartbeat. Power metal isn’t my usual fare, but Lovebites has created a masterwork.



Rating: 4.5/5.0

Returning with their over-the-top, moar is moar philosophy of fun and shred, on Outstanding Power Lovebites cooks up a sugarbomb so explosive it’ll blow your teeth out your earholes. Minted in 2016, Lovebites has been slinging their brand of power metal for a decade, dropping five full-lengths over that time.1 Outstanding Power marks the band’s fifth full-length release and the first since 2023’s Judgement Day, and these women from Tokyo used the intervening three years to cast a platter that shatters any illusion of restraint. With kicks and licks galore, does Lovebites cram in too much of a good thing, or can their latest LP stand the power?

Anyone unfamiliar with Lovebites can approximate their sound as an all-female version of Galneryus,2 although Lovebites is much more than a clone of a great band. Their full-length debut Awakening from Abyss dropped in 2017, with subsequent albums Clockwork Immortality and Electric Pentagram released in 2018 and 2020, respectively. Both follow-ups impressed, but nothing quite reached the heights of their debut until fourth album Judgement Day hit shelves in 2023. Introducing new bassist Fami,3 Judgement Day honed Lovebites’ attack to a lethal edge, and with even more time spent sharpening their craft, Outstanding Power cuts deeper than ever.

Outstanding Power by Lovebites

Lovebites’ stable lineup exudes an electrifying chemistry throughout Outstanding Power. Each component of the band’s auditory milieu complements the others, whether it’s the blazing guitar tandem of Midori and Miyako, Haruna’s meticulously mechanical drumming, or Fami’s low-end purr and incredibly hooky countermelodies. Musically, Lovebites has never been this exacting. From the calculated rhythms in “Silence the Void” to the galloping rolls in “Blazing Halo,” Haruna’s drumming goads songs with an unflappable urgency that’s simultaneously composed and tempestuous. Meanwhile, Fami’s bass flexes mondo swagger that recalls Geddy Lee’s aggressive plucks and twangs (“The Castaway”) as well as Flea-bitten flourishes (the intro to “Blazing Halo”). In fact, the bass’s expanded role on Outstanding Power defines what elevates the album above the rest of Lovebites’ already first-rate output. Besides trading vicious solos and captivating riffs with fellow axe-bearer Midori, Miyako supplies the keys, channeling duel-lead, arpeggiated runs à la Children of Bodom (“The Castaway”) as nimbly as she blankets moods with Sonata Arctica-informed synth and piano (“Eternally,” “One Will Remain”). Atop it all, singer Asami coos, belts, and wails with a voice that some may find an acquired taste with her heavy use of vibrato, but is powerful and unique. Overall, the songwriting on Outstanding Power synchronizes into lock-step bombast, where each track dazzles with its own fully-fleshed identity and laser-honed melodies.

Though not without fault, Outstanding Power unequivocally claims the top spot in Lovebites’ catalog (so far). No small part of this is thanks to Fami and Haruna, who bring the rhythm section to the fore with undeniable performances that match the high-flying axe-work besieging previous releases. The biggest strike against Outstanding Power is the album’s sixty-four-minute runtime, which the sharp songwriting mitigates with infectious melodies and perfectly executed instrumentation. Even Outstanding Power’s weakest cut, seven-minute ballad “Eternally,” contains good moments despite fumbling Lovebites’ momentum down the home stretch. Add in the surprisingly spacious mix4 that gives the band ample space to pop and you’ve got yourself a bona fide power metal classic on your hands.

Power metal presents a challenge to rate, as its natural optimism and oft-cheesy tropes can be at odds with what typically engenders high scores and opinions, and makes Outstanding Power the most difficult score I’ve assessed up to this point. Throughout, Lovebites exemplifies power metal ethos, unleashing high-octane shredded cheese with a flagrant nonchalance that is shamelessly irresistible. With Outstanding Power, Lovebites not only delivers their greatest achievement so far, but the best power metal release I’ve heard in over a year. Relentless riffs, grooves, and fills assail listeners with flamboyant moxie and technical ecstasy, defining an album I haven’t been able to put down since I got my grubby mitts on the damned thing. If fun won’t kill you, give Lovebites’ opus a spin. Or maybe give it a listen anyway, because what’s life without a little Love?

Rating: Great
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Napalm Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 18th, 2026

Maddog

Much to her chagrin, Thus Spoke and I share many things in common. Chief among them is our anaphylactic allergy to major scales; being the two resident vegans, we struggle with cheesy music.5 While this has made power metal a difficult subgenre, Lovebites is an exception. Our coverage of this Japanese juggernaut has been scarce, but I gave 2023’s Judgement Day a tempered positive filter review. Outstanding Power has the same foundation as Lovebites’ prior work, but with a beefier rhythm section, more variety, better riffs, hookier hooks, and more cohesive songwriting. It’s a fantastic record.

Outstanding Power is textbook power metal, in the same sense that Rust in Peace is textbook thrash. The centerpiece is Asami’s vocal performance, which is appropriately over-the-top but steps back to let the instruments shine. Lovebites’ most visible weapon is their dual-guitar assault. Across theatrical leads, deathy riffs, and unrestrained solos, guitarists Midori and Miyako display a mastery of melody. Even with such stiff competition, Lovebites’ rhythm section stands out. Fami’s bass plays every part it can, with blistering riffs, playful lines that recall a young Steve Harris, and explosive additions to choruses. Haruna’s drumming is a gem, especially when her lavish fills and opening salvos help stitch the album together. Both the bass and the drums peak when their respective musicians take the songwriting reins; Fami’s collaborative composition “Blazing Halo” features irresistible dueling bass and guitar solos, while Haruna’s “Forbidden Thirst” highlights her grooviest drum work. No member of Lovebites ever fades into obscurity.

Outstanding Power holds me rapt throughout. Across their hyperactive leads, 1980s virtuoso shredfests (“One Will Remain”), and fanciful Mark Knopfler-style (Dire Straits) joyrides (“Wheels on Fire”), guitarists Midori and Miyako don’t miss a beat. Their dominance becomes clearest when they join forces. Lovebites’ harmonies recall Iron Maiden, and the guitarists’ knack for separating and rejoining makes “The Castaway” an early contender for Song o’ the Year. Asami’s vocals aren’t bulletproof, particularly in her higher register. Still, the vocals and the guitars forge an ironclad alliance that raises Outstanding Power to new heights. The guitars’ imitation of the vocal shouts on “[Grin] Reaper’s Lullaby” makes me grin every time, while the orgiastic leads that accompany the final chorus of “Out of Control” remind me of Madonna’s classic “Burning Up.” Even the ballad “Eternally” is a triumph. While its vocal melodies are memorable, “Eternally” takes a cue from Gamma Ray’s “Lake of Tears” in delegating much of the heavy lifting to the weepy guitars. These ingredients make Outstanding Power a wellspring of enormous climaxes. The guitar solos are at once emotive and explosive (“The Eve of Change”), and each song ends with pizzazz (“Silence the Void”). In short, Outstanding Power is a goddamn pleasure.

Outstanding Power is such a spectacle that I can’t even begrudge its excess. I hear Sunburst in the chugging riffs of “Blazing Halo.” I hear Riot in the downright rowdy “Silence the Void.” I hear 1980s electronica interspersed with chest-thumping power metal in “The Eve of Change.” I hear Symphony X in the vocal melodies and the atmosphere of “Forbidden Thirst.” I hear Kryptos’ heavy metal revival in the rockin’ ruffian riffs of “Out of Control.” I hear blackened melodeath in the vicious “Reaper’s Lullaby,” contrasting with the heart-rending ballad “Eternally.” Most importantly, I hear Lovebites in every moment. All five band members sustain the album’s shifts while sticking to their signature styles. With its balance of variety and continuity, Outstanding Power feels half as long as its 64-minute runtime. Due to the album’s wide emotional range, I even grew to love its more upbeat tracks. Criticizing Lovebites for sounding cheerful seems akin to criticizing Monet because you don’t like yellow water lilies; sometimes flowers are yellow, you twit! Outstanding Power tries to do a lot, and it nails every piece.

As I struggle to process this album, I’m reminded of Eldritch Elitist’s review of Imperial Circus Dead Decadence. Yes, Outstanding Power is self-indulgent; what’s your point? Lovebites paints their variegated image of power metal with five brushes and five million colors, and the result is astounding. It isn’t perfect, and the crushed master makes it harder to appreciate the album’s finer features. But Outstanding Power easily won over my shriveled heart. While major scales make me gag, these ones just feel like the crest of a wave. While I tend to balk at hour-long albums, this one goes by in a heartbeat. Power metal isn’t my usual fare, but Lovebites has created a masterwork.



Rating: 4.5/5.0

Returning with their over-the-top, moar is moar philosophy of fun and shred, on Outstanding Power Lovebites cooks up a sugarbomb so explosive it’ll blow your teeth out your earholes. Minted in 2016, Lovebites has been slinging their brand of power metal for a decade, dropping five full-lengths over that time.1 Outstanding Power marks the band’s fifth full-length release and the first since 2023’s Judgement Day, and these women from Tokyo used the intervening three years to cast a platter that shatters any illusion of restraint. With kicks and licks galore, does Lovebites cram in too much of a good thing, or can their latest LP stand the power?

Anyone unfamiliar with Lovebites can approximate their sound as an all-female version of Galneryus,2 although Lovebites is much more than a clone of a great band. Their full-length debut Awakening from Abyss dropped in 2017, with subsequent albums Clockwork Immortality and Electric Pentagram released in 2018 and 2020, respectively. Both follow-ups impressed, but nothing quite reached the heights of their debut until fourth album Judgement Day hit shelves in 2023. Introducing new bassist Fami,3 Judgement Day honed Lovebites’ attack to a lethal edge, and with even more time spent sharpening their craft, Outstanding Power cuts deeper than ever.

Outstanding Power by Lovebites

Lovebites’ stable lineup exudes an electrifying chemistry throughout Outstanding Power. Each component of the band’s auditory milieu complements the others, whether it’s the blazing guitar tandem of Midori and Miyako, Haruna’s meticulously mechanical drumming, or Fami’s low-end purr and incredibly hooky countermelodies. Musically, Lovebites has never been this exacting. From the calculated rhythms in “Silence the Void” to the galloping rolls in “Blazing Halo,” Haruna’s drumming goads songs with an unflappable urgency that’s simultaneously composed and tempestuous. Meanwhile, Fami’s bass flexes mondo swagger that recalls Geddy Lee’s aggressive plucks and twangs (“The Castaway”) as well as Flea-bitten flourishes (the intro to “Blazing Halo”). In fact, the bass’s expanded role on Outstanding Power defines what elevates the album above the rest of Lovebites’ already first-rate output. Besides trading vicious solos and captivating riffs with fellow axe-bearer Midori, Miyako supplies the keys, channeling duel-lead, arpeggiated runs à la Children of Bodom (“The Castaway”) as nimbly as she blankets moods with Sonata Arctica-informed synth and piano (“Eternally,” “One Will Remain”). Atop it all, singer Asami coos, belts, and wails with a voice that some may find an acquired taste with her heavy use of vibrato, but is powerful and unique. Overall, the songwriting on Outstanding Power synchronizes into lock-step bombast, where each track dazzles with its own fully-fleshed identity and laser-honed melodies.

Though not without fault, Outstanding Power unequivocally claims the top spot in Lovebites’ catalog (so far). No small part of this is thanks to Fami and Haruna, who bring the rhythm section to the fore with undeniable performances that match the high-flying axe-work besieging previous releases. The biggest strike against Outstanding Power is the album’s sixty-four-minute runtime, which the sharp songwriting mitigates with infectious melodies and perfectly executed instrumentation. Even Outstanding Power’s weakest cut, seven-minute ballad “Eternally,” contains good moments despite fumbling Lovebites’ momentum down the home stretch. Add in the surprisingly spacious mix4 that gives the band ample space to pop and you’ve got yourself a bona fide power metal classic on your hands.

Power metal presents a challenge to rate, as its natural optimism and oft-cheesy tropes can be at odds with what typically engenders high scores and opinions, and makes Outstanding Power the most difficult score I’ve assessed up to this point. Throughout, Lovebites exemplifies power metal ethos, unleashing high-octane shredded cheese with a flagrant nonchalance that is shamelessly irresistible. With Outstanding Power, Lovebites not only delivers their greatest achievement so far, but the best power metal release I’ve heard in over a year. Relentless riffs, grooves, and fills assail listeners with flamboyant moxie and technical ecstasy, defining an album I haven’t been able to put down since I got my grubby mitts on the damned thing. If fun won’t kill you, give Lovebites’ opus a spin. Or maybe give it a listen anyway, because what’s life without a little Love?

Rating: Great
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Napalm Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 18th, 2026

Maddog

Much to her chagrin, Thus Spoke and I share many things in common. Chief among them is our anaphylactic allergy to major scales; being the two resident vegans, we struggle with cheesy music.5 While this has made power metal a difficult subgenre, Lovebites is an exception. Our coverage of this Japanese juggernaut has been scarce, but I gave 2023’s Judgement Day a tempered positive filter review. Outstanding Power has the same foundation as Lovebites’ prior work, but with a beefier rhythm section, more variety, better riffs, hookier hooks, and more cohesive songwriting. It’s a fantastic record.

Outstanding Power is textbook power metal, in the same sense that Rust in Peace is textbook thrash. The centerpiece is Asami’s vocal performance, which is appropriately over-the-top but steps back to let the instruments shine. Lovebites’ most visible weapon is their dual-guitar assault. Across theatrical leads, deathy riffs, and unrestrained solos, guitarists Midori and Miyako display a mastery of melody. Even with such stiff competition, Lovebites’ rhythm section stands out. Fami’s bass plays every part it can, with blistering riffs, playful lines that recall a young Steve Harris, and explosive additions to choruses. Haruna’s drumming is a gem, especially when her lavish fills and opening salvos help stitch the album together. Both the bass and the drums peak when their respective musicians take the songwriting reins; Fami’s collaborative composition “Blazing Halo” features irresistible dueling bass and guitar solos, while Haruna’s “Forbidden Thirst” highlights her grooviest drum work. No member of Lovebites ever fades into obscurity.

Outstanding Power holds me rapt throughout. Across their hyperactive leads, 1980s virtuoso shredfests (“One Will Remain”), and fanciful Mark Knopfler-style (Dire Straits) joyrides (“Wheels on Fire”), guitarists Midori and Miyako don’t miss a beat. Their dominance becomes clearest when they join forces. Lovebites’ harmonies recall Iron Maiden, and the guitarists’ knack for separating and rejoining makes “The Castaway” an early contender for Song o’ the Year. Asami’s vocals aren’t bulletproof, particularly in her higher register. Still, the vocals and the guitars forge an ironclad alliance that raises Outstanding Power to new heights. The guitars’ imitation of the vocal shouts on “[Grin] Reaper’s Lullaby” makes me grin every time, while the orgiastic leads that accompany the final chorus of “Out of Control” remind me of Madonna’s classic “Burning Up.” Even the ballad “Eternally” is a triumph. While its vocal melodies are memorable, “Eternally” takes a cue from Gamma Ray’s “Lake of Tears” in delegating much of the heavy lifting to the weepy guitars. These ingredients make Outstanding Power a wellspring of enormous climaxes. The guitar solos are at once emotive and explosive (“The Eve of Change”), and each song ends with pizzazz (“Silence the Void”). In short, Outstanding Power is a goddamn pleasure.

Outstanding Power is such a spectacle that I can’t even begrudge its excess. I hear Sunburst in the chugging riffs of “Blazing Halo.” I hear Riot in the downright rowdy “Silence the Void.” I hear 1980s electronica interspersed with chest-thumping power metal in “The Eve of Change.” I hear Symphony X in the vocal melodies and the atmosphere of “Forbidden Thirst.” I hear Kryptos’ heavy metal revival in the rockin’ ruffian riffs of “Out of Control.” I hear blackened melodeath in the vicious “Reaper’s Lullaby,” contrasting with the heart-rending ballad “Eternally.” Most importantly, I hear Lovebites in every moment. All five band members sustain the album’s shifts while sticking to their signature styles. With its balance of variety and continuity, Outstanding Power feels half as long as its 64-minute runtime. Due to the album’s wide emotional range, I even grew to love its more upbeat tracks. Criticizing Lovebites for sounding cheerful seems akin to criticizing Monet because you don’t like yellow water lilies; sometimes flowers are yellow, you twit! Outstanding Power tries to do a lot, and it nails every piece.

As I struggle to process this album, I’m reminded of Eldritch Elitist’s review of Imperial Circus Dead Decadence. Yes, Outstanding Power is self-indulgent; what’s your point? Lovebites paints their variegated image of power metal with five brushes and five million colors, and the result is astounding. It isn’t perfect, and the crushed master makes it harder to appreciate the album’s finer features. But Outstanding Power easily won over my shriveled heart. While major scales make me gag, these ones just feel like the crest of a wave. While I tend to balk at hour-long albums, this one goes by in a heartbeat. Power metal isn’t my usual fare, but Lovebites has created a masterwork.



Rating: 4.5/5.0

NASA's Roman Space Telescope Parts and Assembly ✨🛰️

#4K #Animation #Ast #Astrophysics #BlackHole #Blazar #Galaxy #GammaRay

⏩ 3 new pictures and 2 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=9&user=OptimusPrimeBot&ilshowall=1&offset=20260221125744

NASA's Roman Space Telescope Parts and Assembly ✨🛰️

#4K #Animation #Ast #Astrophysics #BlackHole #Blazar #Galaxy #GammaRay

⏩ 3 new pictures and 2 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=9&user=OptimusPrimeBot&ilshowall=1&offset=20260221125744

NASA's Roman Space Telescope Parts and Assembly ✨🛰️

#4K #Animation #Ast #Astrophysics #BlackHole #Blazar #Galaxy #GammaRay

⏩ 3 new pictures and 2 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=9&user=OptimusPrimeBot&ilshowall=1&offset=20260221125744

NASA's Roman Space Telescope Parts and Assembly ✨🛰️

#4K #Animation #Ast #Astrophysics #BlackHole #Blazar #Galaxy #GammaRay

⏩ 3 new pictures and 2 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=9&user=OptimusPrimeBot&ilshowall=1&offset=20260221125744

Battering Ram – Time Masters Review

Occasionally, pet projects can take a very long time to gestate into something more serious and tangible. Spain’s…
#NewsBeep #News #Music #2.5 #2026 #Anthrax #BatteringRam #Entertainment #GammaRay #HeavyMetal #IronSavior #Jan26 #Paladin #PowerMetal #review #Reviews #SelfReleased #SpanishMetal #technicalthrashmetal #ThrashMetal #TimeMasters #UK #UnitedKingdom
https://www.newsbeep.com/uk/386431/

https://www.europesays.com/es/356333/ GAMMA RAY viaja al pasado con Ralf Scheepers al frente y mejora el videoclip de este clásico del Power Metal #Entertainment #Entretenimiento #ES #España #GammaRay #HeavyMetal #KaiHansen #Music #Música #PowerMetal #RalfScheepers #Spain #VídeosMusicales

Milky Way Easter Eggs

This artist’s concept visualizes gamma-ray bubbles discovered by NASA’s Fermi Gamma-Ray Space Telescope. From end to end, the bubbles extend 50,000 light-years, or roughly half of the Milky Way’s diameter. Hints of the bubbles’ edges were first observed in X-rays (blue) by ROSAT, a Germany-led mission operating in the 1990s. The gamma rays mapped by Fermi (magenta) extend much farther from the galaxy’s plane.

#astronomy
#MilkyWay
#GammaRay
#NASA

Milky Way Easter Eggs

This artist’s concept visualizes gamma-ray bubbles discovered by NASA’s Fermi Gamma-Ray Space Telescope. From end to end, the bubbles extend 50,000 light-years, or roughly half of the Milky Way’s diameter. Hints of the bubbles’ edges were first observed in X-rays (blue) by ROSAT, a Germany-led mission operating in the 1990s. The gamma rays mapped by Fermi (magenta) extend much farther from the galaxy’s plane.

#astronomy
#MilkyWay
#GammaRay
#NASA

Milky Way Easter Eggs

This artist’s concept visualizes gamma-ray bubbles discovered by NASA’s Fermi Gamma-Ray Space Telescope. From end to end, the bubbles extend 50,000 light-years, or roughly half of the Milky Way’s diameter. Hints of the bubbles’ edges were first observed in X-rays (blue) by ROSAT, a Germany-led mission operating in the 1990s. The gamma rays mapped by Fermi (magenta) extend much farther from the galaxy’s plane.

#astronomy
#MilkyWay
#GammaRay
#NASA

Milky Way Easter Eggs

This artist’s concept visualizes gamma-ray bubbles discovered by NASA’s Fermi Gamma-Ray Space Telescope. From end to end, the bubbles extend 50,000 light-years, or roughly half of the Milky Way’s diameter. Hints of the bubbles’ edges were first observed in X-rays (blue) by ROSAT, a Germany-led mission operating in the 1990s. The gamma rays mapped by Fermi (magenta) extend much farther from the galaxy’s plane.

#astronomy
#MilkyWay
#GammaRay
#NASA

NASA’s Fermi Spots Young Star Cluster Blowing Gamma-Ray Bubbles ✨

#Ast #Astrophysics #CosmicRays #DarkMatter #Fermi #Galaxy #GammaRay #Infographic

⏩ 3 new pictures and 3 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=27&user=OptimusPrimeBot&ilshowall=1&offset=20251219130254

NASA’s Fermi Spots Young Star Cluster Blowing Gamma-Ray Bubbles ✨

#Ast #Astrophysics #CosmicRays #DarkMatter #Fermi #Galaxy #GammaRay #Infographic

⏩ 3 new pictures and 3 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=27&user=OptimusPrimeBot&ilshowall=1&offset=20251219130254

NASA’s Fermi Spots Young Star Cluster Blowing Gamma-Ray Bubbles ✨

#Ast #Astrophysics #CosmicRays #DarkMatter #Fermi #Galaxy #GammaRay #Infographic

⏩ 3 new pictures and 3 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=27&user=OptimusPrimeBot&ilshowall=1&offset=20251219130254

NASA’s Fermi Spots Young Star Cluster Blowing Gamma-Ray Bubbles ✨

#Ast #Astrophysics #CosmicRays #DarkMatter #Fermi #Galaxy #GammaRay #Infographic

⏩ 3 new pictures and 3 new videos from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=27&user=OptimusPrimeBot&ilshowall=1&offset=20251219130254

Black Hole Eats Star: The Longest GRB Ever Seen ✨

#Ast #Astrophysics #BlackHole #GammaRay #GammaRayBurst #Space #Star #Supernova

⏩ 1 new picture and 1 new video from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=13&user=OptimusPrimeBot&ilshowall=1&offset=20251209130200

Black Hole Eats Star: The Longest GRB Ever Seen ✨

#Ast #Astrophysics #BlackHole #GammaRay #GammaRayBurst #Space #Star #Supernova

⏩ 1 new picture and 1 new video from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=13&user=OptimusPrimeBot&ilshowall=1&offset=20251209130200

Black Hole Eats Star: The Longest GRB Ever Seen ✨

#Ast #Astrophysics #BlackHole #GammaRay #GammaRayBurst #Space #Star #Supernova

⏩ 1 new picture and 1 new video from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=13&user=OptimusPrimeBot&ilshowall=1&offset=20251209130200

Black Hole Eats Star: The Longest GRB Ever Seen ✨

#Ast #Astrophysics #BlackHole #GammaRay #GammaRayBurst #Space #Star #Supernova

⏩ 1 new picture and 1 new video from NASA (SVS) https://commons.wikimedia.org/wiki/Special:ListFiles?limit=13&user=OptimusPrimeBot&ilshowall=1&offset=20251209130200

Watch a black hole fall into a star and then blow up

It’s the greatest cosmic murder mystery of the year: How did a black hole destroy a star—and what…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Science #blackhole #FermiTelescope #GammaRay #Gammaraybursts #star #supermassiveblackhole
https://www.newsbeep.com/us/337874/

Watch a black hole fall into a star and then blow up

It’s the greatest cosmic murder mystery of the year: How did a black hole destroy a star—and what…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Science #blackhole #FermiTelescope #GammaRay #Gammaraybursts #star #supermassiveblackhole
https://www.newsbeep.com/us/337874/

Weekly Update from the Open Journal of Astrophysics – 29/11/2025

It’s Saturday again, so it’s time for the usual update of the week’s new papers at the Open Journal of Astrophysics. Publishing this week was interrupted by the Thanksgiving holiday in the United States, which meant there were no arXiv announcements yesterday. Nevertheless, since the last update we have published another four papers, which brings the number in Volume 8 (2025) up to 184, and the total so far published by OJAp up to 419.

The first paper this week is “A theoretical prediction for the dipole in nearby distances using cosmography” by Hayley J. Macpherson (U. Chicago, USA) and Asta Heinesen (Niels Bohr Institute, Denmark). This was published on Monday 24th November 2025 in the folder Cosmology and Nongalactic Astrophysics. It presents a method to predict the dipole in luminosity distances that arises due to nearby inhomogeneities to leading-order correction to the standard isotropic distance-redshift law. Incidentally, I wrote about a talk by one of the authors here.

The overlay is here:

You can find the officially accepted version on arXiv here and the Fediverse announcement is here:

Open Journal of Astrophysics

@[email protected]

New Publication at the Open Journal of Astrophysics: "A theoretical prediction for the dipole in nearby distances using cosmography" by Hayley J Macpherson (U. Chicago, USA) and Asta Heinesen (Niels Bohr Institute, Denmark)

https://doi.org/10.33232/001c.150319

The second paper of the week is “A Targeted Gamma-Ray Search of Five Prominent Galaxy Merger Systems with 17 years of Fermi-LAT Data” by Siddhant Manna and Shantanu Desai (IIT Hyderabad Kandi, India). This one was published on Tuesday November 25th 2025 in the folder marked High-Energy Astrophysical Phenomena. It describes a search for gamma-ray emission in Fermi-LAT data from five merging galaxy systems with marginal detections for two of them

The overlay is here:

You can find the official version of this one on arXiv here. The federated announcement on Mastodon is here:

Next one up is “Metallicity fluctuation statistics in the interstellar medium and young stars – II. Elemental cross-correlations and the structure of chemical abundance space” by Mark R. Krumholz (ANU, Australia), Yuan-Sen Ting (Ohio State U., USA), Zefeng Li (Durham U., UK), Chuhan Zhang (ANU), Jennifer Mead (Columbia U., USA) and Melissa K. Ness (ANU). This was published in the folder Astrophysics of Galaxies on Wednesday November 26th. It presents an extended stochastically-forced diffusion model for the chemical evolution of galaxies, making quantitative predictions for the degree of correlation in abundance patterns in both gas and young stars.

The overlay is here:

You can find the official accepted version on arXiv here. The fediverse announcement is here:

Open Journal of Astrophysics

@[email protected]

New Publication at the Open Journal of Astrophysics: "Metallicity fluctuation statistics in the interstellar medium and young stars – II. Elemental cross-correlations and the structure of chemical abundance space" by Mark R. Krumholz (ANU, Australia), Yuan-Sen Ting (Ohio State U., USA), Zefeng Li (Durham U., UK), Chuhan Zhang (ANU), Jennifer Mead (Columbia U., USA) and Melissa K. Ness (ANU)

https://doi.org/10.33232/001c.150356

The fourth and final paper of the week is “Simulating realistic Lyman-alpha emitting galaxies including the effect of radiative transfer” by Hasti Khoraminezhad & Shun Saito (Missouri Institute of Science & Technology, USA), Max Gronke (U. Heidelberg, Germany) and Chris Byrohl (MPA Garching, Germany). An empirical model for Lyman-alpha emitters (LAEs) which provides predictions for the halo occupation distributions and relationship between luminosity and halo mass, including the distribution of satellite LAEs. It was published on Thursday November 27th 2025 in the folder Astrophysics of Galaxies.

The overlay is here:

You can find the official published version on arXiv here. The Fediverse announcement follows:

Open Journal of Astrophysics

@[email protected]

New Publication at the Open Journal of Astrophysics: "Simulating realistic Lyman-alpha emitting galaxies including the effect of radiative transfer" by Hasti Khoraminezhad & Shun Saito (Missouri Institute of Science & Technology, USA), Max Gronke (U. Heidelberg, Germany) and Chris Byrohl (MPA Garching, Germany)

https://doi.org/10.33232/001c.151254

And that concludes the update for this week. I will do another next Saturday.

#arxiv250701095v3 #arxiv250714572v2 #arxiv250716707v2 #arxiv250806232v2 #astrophysicsOfGalaxies #chemicalAbundances #cosmography #cosmology #cosmologyAndNongalacticAstrophysics #diamondOpenAccess #diamondOpenAccessPublishing #fermiLat #galaxyMergers #gammaRay #highEnergyAstrophysicalPhenomena #lymanAlphaEmitters #metallicity #openAccess #openAccessPublishing #openJournalOfAstrophysics #theOpenJournalOfAstrophysics

Aquilla – Sentinels of New Dawn Review

By Baguette of Bodom

The Polish metal scene is much better known around these parts for its bludgeoning death metal than for classic metal worship, and Aquilla is looking to change that. Formed in Warsaw in 2015, their debut Mankind’s Odyssey was unleashed on the masses in 2022, delivering NWoBHM with a dose of ”80s–’90s speed/power metal influence. Sophomore album Sentinels of New Dawn promises a similar but more epic brand of sci-fi thunder. With a couple EPs and a full-length already under their belt, how does Aquilla navigate this set of space war stories?

Aquilla’s authentic sound immediately makes it clear they’re not messing around. Since the last time they heeded the call, they’ve been through some lineup shifts, vocalist Captain Paradox and rhythm guitarist Jaspar de Phaser both joining in 2023. The resulting shift in sound is both obvious and a major positive. Captain Paradox is the star of the show, his vocals thoroughly combining the best of the ’80s and wailing wild and free like Kai Hansen (Helloween debut, Gamma Ray) or Michael Knoblich (Scanner debut). But the speed and power metal elements in Sentinels of New Dawn don’t stop at the vocals, they are firmly present in the dueling guitar work of Jaspar de Phaser and Kris Invader as well (“Creed of Fire,” “Technocrats’ Tyranny”). The bouncy and varied drum patterns, together with an ’80s Helloween-coated bass performance (“Technocrats’ Tyranny”), round out the rock-solid, energetic foundation of the album.

The greatest strength of Sentinels of New Dawn is its potent, to-the-point songwriting. Mankind’s Odyssey was at times charming, but had a fairly narrow scope and often forgot the ‘speed’ half of speed metal. Here, Aquilla dedicate much more of the album’s runtime to an all-gas, no-brakes approach, something sorely missing from many others of its kind. The record has plenty of tricks up its sleeve, with dual-harmonized NWoBHM leads (“Plunder & Steel,” “Mountains of Black Sleep”) and fun classic-sounding gang vocals (“Plunder & Steel”) increasing the anthemic factor further. But the band also shows songwriting maturity and variety by dipping into Queensrÿchean melodic segments (“Mountains of Black Sleep,” “Battalion 31”). While the combination isn’t seamless—the middle of the album unevenly packed with most of the slower bits—it suits Aquilla well and makes for an entertaining and multifaceted album. Furthermore, relying less on Iron Maiden worship and being more German speed/power metal-informed (“Creed of Fire,” “Battalion 31”) has improved their songcraft significantly. As a result, it feels like the band has now found their element and figured out their sound, combining aspects of old and new(er).

Aquilla is having fun, and it translates into a frenetic and inspired album. At just under 50 minutes—45 minutes omitting the intro and outro—Sentinels is a brisk and empowering experience. Even the 10-minute epic “The Prophet” flies by; a great combination of an Iron Maiden and Gamma Ray epic, with the second half having some of the best and most triumphant guitars of the bunch. The dramatic intro and synthy outro fit in oddly well, too, neither one overstaying its welcome. That being said, there are still some quirks to iron out. The harsh vocals at the start of “The Curse of Mercurion” aren’t too damaging, but they are a rough listen and feel unnecessary. “Bound to Be King,” though competent, lacks a hook that the other barn burners feature. Nevertheless, every song here is a good time at least, and many of them show signs of brilliance at best.

Sentinels of New Dawn shows a young band developing into form. Aquilla is here to kick ass and take names, and their mix of old and new is lively and exciting to listen to. The songwriting has made major strides in the span of three years; their speed and energy has only grown, and the Polish metal scene is all the richer and more varied for it. I hope Aquilla fleshes out their craft even further for the next one—with this lineup, they’re on the cusp of greatness.

Rating: Very Good!
DR: 6 | Format Reviewed: 320kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: October 31st, 2025

#2025 #35 #Aquilla #GammaRay #HeavyMetal #Helloween #HighRollerRecords #IronMaiden #NWOBHM #Oct25 #PolishMetal #PowerMetal #Queensryche #Review #Reviews #Scanner #SentinelsOfNewDawn #SpeedMetal

Aquilla – Sentinels of New Dawn Review

By Baguette of Bodom

The Polish metal scene is much better known around these parts for its bludgeoning death metal than for classic metal worship, and Aquilla is looking to change that. Formed in Warsaw in 2015, their debut Mankind’s Odyssey was unleashed on the masses in 2022, delivering NWoBHM with a dose of ”80s–’90s speed/power metal influence. Sophomore album Sentinels of New Dawn promises a similar but more epic brand of sci-fi thunder. With a couple EPs and a full-length already under their belt, how does Aquilla navigate this set of space war stories?

Aquilla’s authentic sound immediately makes it clear they’re not messing around. Since the last time they heeded the call, they’ve been through some lineup shifts, vocalist Captain Paradox and rhythm guitarist Jaspar de Phaser both joining in 2023. The resulting shift in sound is both obvious and a major positive. Captain Paradox is the star of the show, his vocals thoroughly combining the best of the ’80s and wailing wild and free like Kai Hansen (Helloween debut, Gamma Ray) or Michael Knoblich (Scanner debut). But the speed and power metal elements in Sentinels of New Dawn don’t stop at the vocals, they are firmly present in the dueling guitar work of Jaspar de Phaser and Kris Invader as well (“Creed of Fire,” “Technocrats’ Tyranny”). The bouncy and varied drum patterns, together with an ’80s Helloween-coated bass performance (“Technocrats’ Tyranny”), round out the rock-solid, energetic foundation of the album.

The greatest strength of Sentinels of New Dawn is its potent, to-the-point songwriting. Mankind’s Odyssey was at times charming, but had a fairly narrow scope and often forgot the ‘speed’ half of speed metal. Here, Aquilla dedicate much more of the album’s runtime to an all-gas, no-brakes approach, something sorely missing from many others of its kind. The record has plenty of tricks up its sleeve, with dual-harmonized NWoBHM leads (“Plunder & Steel,” “Mountains of Black Sleep”) and fun classic-sounding gang vocals (“Plunder & Steel”) increasing the anthemic factor further. But the band also shows songwriting maturity and variety by dipping into Queensrÿchean melodic segments (“Mountains of Black Sleep,” “Battalion 31”). While the combination isn’t seamless—the middle of the album unevenly packed with most of the slower bits—it suits Aquilla well and makes for an entertaining and multifaceted album. Furthermore, relying less on Iron Maiden worship and being more German speed/power metal-informed (“Creed of Fire,” “Battalion 31”) has improved their songcraft significantly. As a result, it feels like the band has now found their element and figured out their sound, combining aspects of old and new(er).

Aquilla is having fun, and it translates into a frenetic and inspired album. At just under 50 minutes—45 minutes omitting the intro and outro—Sentinels is a brisk and empowering experience. Even the 10-minute epic “The Prophet” flies by; a great combination of an Iron Maiden and Gamma Ray epic, with the second half having some of the best and most triumphant guitars of the bunch. The dramatic intro and synthy outro fit in oddly well, too, neither one overstaying its welcome. That being said, there are still some quirks to iron out. The harsh vocals at the start of “The Curse of Mercurion” aren’t too damaging, but they are a rough listen and feel unnecessary. “Bound to Be King,” though competent, lacks a hook that the other barn burners feature. Nevertheless, every song here is a good time at least, and many of them show signs of brilliance at best.

Sentinels of New Dawn shows a young band developing into form. Aquilla is here to kick ass and take names, and their mix of old and new is lively and exciting to listen to. The songwriting has made major strides in the span of three years; their speed and energy has only grown, and the Polish metal scene is all the richer and more varied for it. I hope Aquilla fleshes out their craft even further for the next one—with this lineup, they’re on the cusp of greatness.

Rating: Very Good!
DR: 6 | Format Reviewed: 320kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: October 31st, 2025

#2025 #35 #Aquilla #GammaRay #HeavyMetal #Helloween #HighRollerRecords #IronMaiden #NWOBHM #Oct25 #PolishMetal #PowerMetal #Queensryche #Review #Reviews #Scanner #SentinelsOfNewDawn #SpeedMetal

Aquilla – Sentinels of New Dawn Review

By Baguette of Bodom

The Polish metal scene is much better known around these parts for its bludgeoning death metal than for classic metal worship, and Aquilla is looking to change that. Formed in Warsaw in 2015, their debut Mankind’s Odyssey was unleashed on the masses in 2022, delivering NWoBHM with a dose of ”80s–’90s speed/power metal influence. Sophomore album Sentinels of New Dawn promises a similar but more epic brand of sci-fi thunder. With a couple EPs and a full-length already under their belt, how does Aquilla navigate this set of space war stories?

Aquilla’s authentic sound immediately makes it clear they’re not messing around. Since the last time they heeded the call, they’ve been through some lineup shifts, vocalist Captain Paradox and rhythm guitarist Jaspar de Phaser both joining in 2023. The resulting shift in sound is both obvious and a major positive. Captain Paradox is the star of the show, his vocals thoroughly combining the best of the ’80s and wailing wild and free like Kai Hansen (Helloween debut, Gamma Ray) or Michael Knoblich (Scanner debut). But the speed and power metal elements in Sentinels of New Dawn don’t stop at the vocals, they are firmly present in the dueling guitar work of Jaspar de Phaser and Kris Invader as well (“Creed of Fire,” “Technocrats’ Tyranny”). The bouncy and varied drum patterns, together with an ’80s Helloween-coated bass performance (“Technocrats’ Tyranny”), round out the rock-solid, energetic foundation of the album.

The greatest strength of Sentinels of New Dawn is its potent, to-the-point songwriting. Mankind’s Odyssey was at times charming, but had a fairly narrow scope and often forgot the ‘speed’ half of speed metal. Here, Aquilla dedicate much more of the album’s runtime to an all-gas, no-brakes approach, something sorely missing from many others of its kind. The record has plenty of tricks up its sleeve, with dual-harmonized NWoBHM leads (“Plunder & Steel,” “Mountains of Black Sleep”) and fun classic-sounding gang vocals (“Plunder & Steel”) increasing the anthemic factor further. But the band also shows songwriting maturity and variety by dipping into Queensrÿchean melodic segments (“Mountains of Black Sleep,” “Battalion 31”). While the combination isn’t seamless—the middle of the album unevenly packed with most of the slower bits—it suits Aquilla well and makes for an entertaining and multifaceted album. Furthermore, relying less on Iron Maiden worship and being more German speed/power metal-informed (“Creed of Fire,” “Battalion 31”) has improved their songcraft significantly. As a result, it feels like the band has now found their element and figured out their sound, combining aspects of old and new(er).

Aquilla is having fun, and it translates into a frenetic and inspired album. At just under 50 minutes—45 minutes omitting the intro and outro—Sentinels is a brisk and empowering experience. Even the 10-minute epic “The Prophet” flies by; a great combination of an Iron Maiden and Gamma Ray epic, with the second half having some of the best and most triumphant guitars of the bunch. The dramatic intro and synthy outro fit in oddly well, too, neither one overstaying its welcome. That being said, there are still some quirks to iron out. The harsh vocals at the start of “The Curse of Mercurion” aren’t too damaging, but they are a rough listen and feel unnecessary. “Bound to Be King,” though competent, lacks a hook that the other barn burners feature. Nevertheless, every song here is a good time at least, and many of them show signs of brilliance at best.

Sentinels of New Dawn shows a young band developing into form. Aquilla is here to kick ass and take names, and their mix of old and new is lively and exciting to listen to. The songwriting has made major strides in the span of three years; their speed and energy has only grown, and the Polish metal scene is all the richer and more varied for it. I hope Aquilla fleshes out their craft even further for the next one—with this lineup, they’re on the cusp of greatness.

Rating: Very Good!
DR: 6 | Format Reviewed: 320kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: October 31st, 2025

#2025 #35 #Aquilla #GammaRay #HeavyMetal #Helloween #HighRollerRecords #IronMaiden #NWOBHM #Oct25 #PolishMetal #PowerMetal #Queensryche #Review #Reviews #Scanner #SentinelsOfNewDawn #SpeedMetal

Pulsars or dark matter? The Milky Way’s central glow just got more puzzling

For over a decade, a dim but persistent glow near the center of the Milky Way has confused…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Physics #Astronomy #Cosmology #Darkmatter #GammaRay #MilkyWay #Research #Science #SpaceNews
https://www.newsbeep.com/us/241284/