#queensryche — Public Fediverse posts

Enroll Crimson Glory in Vacation Bible School, and you get Sacred Warrior. Releasing a string of high-quality, God-honoring prog-power from ’88 to ’91, Sacred Warrior shredded and wailed in seriously glorious fashion on underground hits like Wicked Generation and Master’s Command1, led by the guitar heroics of band leader Jonathan Johnson. But as dust returns to dust, the band burned out quickly, releasing one record in 2013 and, most recently, a single in 2019. However, these dry bones are back up and kicking. Sacred Warrior alumni Johnson, vocalist Erik Schilling, bassist Steve Watkins, and newcomer drummer Michael Feighan (Whitecross) have regrouped under the name Glory of Kings, brandishing their debut album Roots of the Past. Claiming to explore “history, identity, and the enduring influence of the past on the present,” can Glory of Kings reclaim the past glories of Sacred Warrior?

Roots of the Past reaches deep into classic prog metal, offering a solid grounding for Glory of Kings’ debut. Fans of the classic Sacred Warrior sound should find GoK a worthy successor, though they’ve toned down their idolatry of Crimson Glory in favor of a wider array of genre/era touchstones. Roots of the Past boasts a dramatic, yet muscle-bound approach to riffcraft akin to Savatage (“Fairy Tales”), while vocally these Kings took notes from Queensrÿche’s usual operations. It’s not hard to hear Schilling’s crooning on “Mindwar” or the title track and picture a less-washed Geoff Tate there. These Roots draw from slightly fresher influences as well. The calm plucking and grooves of “The Mystery” recalls the softer sides of Symphony X and Pain of Salvation, while the harmonic riffage and layered vocals of “See You in Paradise” evoke Brave New World-era Iron Maiden. None of this is cutting edge, but Roots of the Past shows signs of life in Glory of Kings.2

Unfortunately, Roots of the Past is often a strained and low-energy exaltation. Though Johnson’s capacity for shredding remains untouched (“The Waiting Game,” “Foreshadows”), Roots’ lethargic and muddy compositions feel mechanical, especially in the back half. Songs like “Occam’s Razor” and “The Waiting Game” lack sharp hooks or compelling progressions, made worse by sluggish tempos. Roots’ pacing is also hamstrung by Glory of Kings’ insistence on interludes, interjecting bog-standard movie trailer scores (“Gathering Storm,” “Transcendence”) and “oriental” desert music (“Foreshadows”3) before they can string a couple good songs together and build some momentum. Worst of all, Schilling sounds strained and limited as a vocalist, his voice wavering on the longer phrases (“Mindwar”) and stretched on the higher ones (“The Waiting Game”). All this contributes to a feeling that Roots of the Past isn’t as catchy or exciting as it ought to be, and that Glory of Kings isn’t as potent here as they could be.

Now, the burning question: What kind of Christian metal is this? Is Glory of Kings preachy? Yes, very. Besides the title track, Roots of the Past doesn’t really broach history as much as topical, generic Evangelical talking points. Embracing the mystery of God (“The Mystery”), the promise of Heaven (“See You in Paradise”), the need for repentance now (“The Waiting Game”); Glory of Kings ain’t hiding it under a bush here. This isn’t inherently an issue. Bands like Theocracy and Wytch Hazel have achieved widespread acclaim and connection beyond the Christian world while remaining loud and proud in their faith.4 Where Glory of Kings’ lyrical bent becomes a problem is where they engage in tedious Us-vs-Them dynamics. “Mindwar” and “Fairy Tales” hint at it, but “Occam’s Razor” engages in whole-hog, Facebook-rant tirades against secular science as being willfully ignorant of their One Truth.5 If it wasn’t clear before, it’s obvious afterwards that Roots of the Past is more concerned with proselytizing than anything authentically artistic. I doubt its potential in speaking to anyone outside GoK’s worldview.6

There’s lots of prog-power worse than what Glory of Kings offer on Roots of the Past, but it’s hard to get excited about it whether you buy into Christianity or not. Sacred Warrior could get self-righteous and Bible-thumping too, but their music was vital and electrifying; Roots of the Past is not. Too much of it feels paint-by-the-numbers and tired to merit the sermonizing. If you’re dying for some new prog-power or for a new Sacred Warrior record, give it a listen, for sure. Glory of Kings can spin some metal miracles on occasion, but don’t expect a life-altering transformation from Roots of the Past. Or maybe do. “Mysterious Ways” and all that.

Rating: Mixed
DR: 7 | Format Reviewed: 256 kbps MP3
Label: Roxx Records
Websites: facebook.com/GloryOfKingsBand | gloryofkingsband.bandcamp.com
Releases Worldwide: August 14th, 20267

Enroll Crimson Glory in Vacation Bible School, and you get Sacred Warrior. Releasing a string of high-quality, God-honoring prog-power from ’88 to ’91, Sacred Warrior shredded and wailed in seriously glorious fashion on underground hits like Wicked Generation and Master’s Command1, led by the guitar heroics of band leader Jonathan Johnson. But as dust returns to dust, the band burned out quickly, releasing one record in 2013 and, most recently, a single in 2019. However, these dry bones are back up and kicking. Sacred Warrior alumni Johnson, vocalist Erik Schilling, bassist Steve Watkins, and newcomer drummer Michael Feighan (Whitecross) have regrouped under the name Glory of Kings, brandishing their debut album Roots of the Past. Claiming to explore “history, identity, and the enduring influence of the past on the present,” can Glory of Kings reclaim the past glories of Sacred Warrior?

Roots of the Past reaches deep into classic prog metal, offering a solid grounding for Glory of Kings’ debut. Fans of the classic Sacred Warrior sound should find GoK a worthy successor, though they’ve toned down their idolatry of Crimson Glory in favor of a wider array of genre/era touchstones. Roots of the Past boasts a dramatic, yet muscle-bound approach to riffcraft akin to Savatage (“Fairy Tales”), while vocally these Kings took notes from Queensrÿche’s usual operations. It’s not hard to hear Schilling’s crooning on “Mindwar” or the title track and picture a less-washed Geoff Tate there. These Roots draw from slightly fresher influences as well. The calm plucking and grooves of “The Mystery” recalls the softer sides of Symphony X and Pain of Salvation, while the harmonic riffage and layered vocals of “See You in Paradise” evoke Brave New World-era Iron Maiden. None of this is cutting edge, but Roots of the Past shows signs of life in Glory of Kings.2

Unfortunately, Roots of the Past is often a strained and low-energy exaltation. Though Johnson’s capacity for shredding remains untouched (“The Waiting Game,” “Foreshadows”), Roots’ lethargic and muddy compositions feel mechanical, especially in the back half. Songs like “Occam’s Razor” and “The Waiting Game” lack sharp hooks or compelling progressions, made worse by sluggish tempos. Roots’ pacing is also hamstrung by Glory of Kings’ insistence on interludes, interjecting bog-standard movie trailer scores (“Gathering Storm,” “Transcendence”) and “oriental” desert music (“Foreshadows”3) before they can string a couple good songs together and build some momentum. Worst of all, Schilling sounds strained and limited as a vocalist, his voice wavering on the longer phrases (“Mindwar”) and stretched on the higher ones (“The Waiting Game”). All this contributes to a feeling that Roots of the Past isn’t as catchy or exciting as it ought to be, and that Glory of Kings isn’t as potent here as they could be.

Now, the burning question: What kind of Christian metal is this? Is Glory of Kings preachy? Yes, very. Besides the title track, Roots of the Past doesn’t really broach history as much as topical, generic Evangelical talking points. Embracing the mystery of God (“The Mystery”), the promise of Heaven (“See You in Paradise”), the need for repentance now (“The Waiting Game”); Glory of Kings ain’t hiding it under a bush here. This isn’t inherently an issue. Bands like Theocracy and Wytch Hazel have achieved widespread acclaim and connection beyond the Christian world while remaining loud and proud in their faith.4 Where Glory of Kings’ lyrical bent becomes a problem is where they engage in tedious Us-vs-Them dynamics. “Mindwar” and “Fairy Tales” hint at it, but “Occam’s Razor” engages in whole-hog, Facebook-rant tirades against secular science as being willfully ignorant of their One Truth.5 If it wasn’t clear before, it’s obvious afterwards that Roots of the Past is more concerned with proselytizing than anything authentically artistic. I doubt its potential in speaking to anyone outside GoK’s worldview.6

There’s lots of prog-power worse than what Glory of Kings offer on Roots of the Past, but it’s hard to get excited about it whether you buy into Christianity or not. Sacred Warrior could get self-righteous and Bible-thumping too, but their music was vital and electrifying; Roots of the Past is not. Too much of it feels paint-by-the-numbers and tired to merit the sermonizing. If you’re dying for some new prog-power or for a new Sacred Warrior record, give it a listen, for sure. Glory of Kings can spin some metal miracles on occasion, but don’t expect a life-altering transformation from Roots of the Past. Or maybe do. “Mysterious Ways” and all that.

Rating: Mixed
DR: 7 | Format Reviewed: 256 kbps MP3
Label: Roxx Records
Websites: facebook.com/GloryOfKingsBand | gloryofkingsband.bandcamp.com
Releases Worldwide: August 14th, 20267

Enroll Crimson Glory in Vacation Bible School, and you get Sacred Warrior. Releasing a string of high-quality, God-honoring prog-power from ’88 to ’91, Sacred Warrior shredded and wailed in seriously glorious fashion on underground hits like Wicked Generation and Master’s Command1, led by the guitar heroics of band leader Jonathan Johnson. But as dust returns to dust, the band burned out quickly, releasing one record in 2013 and, most recently, a single in 2019. However, these dry bones are back up and kicking. Sacred Warrior alumni Johnson, vocalist Erik Schilling, bassist Steve Watkins, and newcomer drummer Michael Feighan (Whitecross) have regrouped under the name Glory of Kings, brandishing their debut album Roots of the Past. Claiming to explore “history, identity, and the enduring influence of the past on the present,” can Glory of Kings reclaim the past glories of Sacred Warrior?

Roots of the Past reaches deep into classic prog metal, offering a solid grounding for Glory of Kings’ debut. Fans of the classic Sacred Warrior sound should find GoK a worthy successor, though they’ve toned down their idolatry of Crimson Glory in favor of a wider array of genre/era touchstones. Roots of the Past boasts a dramatic, yet muscle-bound approach to riffcraft akin to Savatage (“Fairy Tales”), while vocally these Kings took notes from Queensrÿche’s usual operations. It’s not hard to hear Schilling’s crooning on “Mindwar” or the title track and picture a less-washed Geoff Tate there. These Roots draw from slightly fresher influences as well. The calm plucking and grooves of “The Mystery” recalls the softer sides of Symphony X and Pain of Salvation, while the harmonic riffage and layered vocals of “See You in Paradise” evoke Brave New World-era Iron Maiden. None of this is cutting edge, but Roots of the Past shows signs of life in Glory of Kings.2

Unfortunately, Roots of the Past is often a strained and low-energy exaltation. Though Johnson’s capacity for shredding remains untouched (“The Waiting Game,” “Foreshadows”), Roots’ lethargic and muddy compositions feel mechanical, especially in the back half. Songs like “Occam’s Razor” and “The Waiting Game” lack sharp hooks or compelling progressions, made worse by sluggish tempos. Roots’ pacing is also hamstrung by Glory of Kings’ insistence on interludes, interjecting bog-standard movie trailer scores (“Gathering Storm,” “Transcendence”) and “oriental” desert music (“Foreshadows”3) before they can string a couple good songs together and build some momentum. Worst of all, Schilling sounds strained and limited as a vocalist, his voice wavering on the longer phrases (“Mindwar”) and stretched on the higher ones (“The Waiting Game”). All this contributes to a feeling that Roots of the Past isn’t as catchy or exciting as it ought to be, and that Glory of Kings isn’t as potent here as they could be.

Now, the burning question: What kind of Christian metal is this? Is Glory of Kings preachy? Yes, very. Besides the title track, Roots of the Past doesn’t really broach history as much as topical, generic Evangelical talking points. Embracing the mystery of God (“The Mystery”), the promise of Heaven (“See You in Paradise”), the need for repentance now (“The Waiting Game”); Glory of Kings ain’t hiding it under a bush here. This isn’t inherently an issue. Bands like Theocracy and Wytch Hazel have achieved widespread acclaim and connection beyond the Christian world while remaining loud and proud in their faith.4 Where Glory of Kings’ lyrical bent becomes a problem is where they engage in tedious Us-vs-Them dynamics. “Mindwar” and “Fairy Tales” hint at it, but “Occam’s Razor” engages in whole-hog, Facebook-rant tirades against secular science as being willfully ignorant of their One Truth.5 If it wasn’t clear before, it’s obvious afterwards that Roots of the Past is more concerned with proselytizing than anything authentically artistic. I doubt its potential in speaking to anyone outside GoK’s worldview.6

There’s lots of prog-power worse than what Glory of Kings offer on Roots of the Past, but it’s hard to get excited about it whether you buy into Christianity or not. Sacred Warrior could get self-righteous and Bible-thumping too, but their music was vital and electrifying; Roots of the Past is not. Too much of it feels paint-by-the-numbers and tired to merit the sermonizing. If you’re dying for some new prog-power or for a new Sacred Warrior record, give it a listen, for sure. Glory of Kings can spin some metal miracles on occasion, but don’t expect a life-altering transformation from Roots of the Past. Or maybe do. “Mysterious Ways” and all that.

Rating: Mixed
DR: 7 | Format Reviewed: 256 kbps MP3
Label: Roxx Records
Websites: facebook.com/GloryOfKingsBand | gloryofkingsband.bandcamp.com
Releases Worldwide: August 14th, 20267

Enroll Crimson Glory in Vacation Bible School, and you get Sacred Warrior. Releasing a string of high-quality, God-honoring prog-power from ’88 to ’91, Sacred Warrior shredded and wailed in seriously glorious fashion on underground hits like Wicked Generation and Master’s Command1, led by the guitar heroics of band leader Jonathan Johnson. But as dust returns to dust, the band burned out quickly, releasing one record in 2013 and, most recently, a single in 2019. However, these dry bones are back up and kicking. Sacred Warrior alumni Johnson, vocalist Erik Schilling, bassist Steve Watkins, and newcomer drummer Michael Feighan (Whitecross) have regrouped under the name Glory of Kings, brandishing their debut album Roots of the Past. Claiming to explore “history, identity, and the enduring influence of the past on the present,” can Glory of Kings reclaim the past glories of Sacred Warrior?

Roots of the Past reaches deep into classic prog metal, offering a solid grounding for Glory of Kings’ debut. Fans of the classic Sacred Warrior sound should find GoK a worthy successor, though they’ve toned down their idolatry of Crimson Glory in favor of a wider array of genre/era touchstones. Roots of the Past boasts a dramatic, yet muscle-bound approach to riffcraft akin to Savatage (“Fairy Tales”), while vocally these Kings took notes from Queensrÿche’s usual operations. It’s not hard to hear Schilling’s crooning on “Mindwar” or the title track and picture a less-washed Geoff Tate there. These Roots draw from slightly fresher influences as well. The calm plucking and grooves of “The Mystery” recalls the softer sides of Symphony X and Pain of Salvation, while the harmonic riffage and layered vocals of “See You in Paradise” evoke Brave New World-era Iron Maiden. None of this is cutting edge, but Roots of the Past shows signs of life in Glory of Kings.2

Unfortunately, Roots of the Past is often a strained and low-energy exaltation. Though Johnson’s capacity for shredding remains untouched (“The Waiting Game,” “Foreshadows”), Roots’ lethargic and muddy compositions feel mechanical, especially in the back half. Songs like “Occam’s Razor” and “The Waiting Game” lack sharp hooks or compelling progressions, made worse by sluggish tempos. Roots’ pacing is also hamstrung by Glory of Kings’ insistence on interludes, interjecting bog-standard movie trailer scores (“Gathering Storm,” “Transcendence”) and “oriental” desert music (“Foreshadows”3) before they can string a couple good songs together and build some momentum. Worst of all, Schilling sounds strained and limited as a vocalist, his voice wavering on the longer phrases (“Mindwar”) and stretched on the higher ones (“The Waiting Game”). All this contributes to a feeling that Roots of the Past isn’t as catchy or exciting as it ought to be, and that Glory of Kings isn’t as potent here as they could be.

Now, the burning question: What kind of Christian metal is this? Is Glory of Kings preachy? Yes, very. Besides the title track, Roots of the Past doesn’t really broach history as much as topical, generic Evangelical talking points. Embracing the mystery of God (“The Mystery”), the promise of Heaven (“See You in Paradise”), the need for repentance now (“The Waiting Game”); Glory of Kings ain’t hiding it under a bush here. This isn’t inherently an issue. Bands like Theocracy and Wytch Hazel have achieved widespread acclaim and connection beyond the Christian world while remaining loud and proud in their faith.4 Where Glory of Kings’ lyrical bent becomes a problem is where they engage in tedious Us-vs-Them dynamics. “Mindwar” and “Fairy Tales” hint at it, but “Occam’s Razor” engages in whole-hog, Facebook-rant tirades against secular science as being willfully ignorant of their One Truth.5 If it wasn’t clear before, it’s obvious afterwards that Roots of the Past is more concerned with proselytizing than anything authentically artistic. I doubt its potential in speaking to anyone outside GoK’s worldview.6

There’s lots of prog-power worse than what Glory of Kings offer on Roots of the Past, but it’s hard to get excited about it whether you buy into Christianity or not. Sacred Warrior could get self-righteous and Bible-thumping too, but their music was vital and electrifying; Roots of the Past is not. Too much of it feels paint-by-the-numbers and tired to merit the sermonizing. If you’re dying for some new prog-power or for a new Sacred Warrior record, give it a listen, for sure. Glory of Kings can spin some metal miracles on occasion, but don’t expect a life-altering transformation from Roots of the Past. Or maybe do. “Mysterious Ways” and all that.

Rating: Mixed
DR: 7 | Format Reviewed: 256 kbps MP3
Label: Roxx Records
Websites: facebook.com/GloryOfKingsBand | gloryofkingsband.bandcamp.com
Releases Worldwide: August 14th, 20267

Ted Tocks Covers

Silent Lucidity

Originally posted February 18/23

Revisiting a Ted Tocks Covers feature from over three years ago. Edited to include a very important new version wth a strong message.

“There’s a place I like to hide
A doorway that I run through in the night
Relax child, you were there
But only didn’t realize and you were scared
It’s a place where you will learn
To face your fears, retrace the years
And ride the whims of your mind”

#Queensryche

https://tedtockscovers.wordpress.com/2023/02/18/silent-lucidity-a-song-that-has-touched-a-lot-of-people-musicislife-tedtockscovers-queensryche-chrisdegarmo-geofftate-headline-gregorian-fleesh-mikemasse/

Ted Tocks Covers

Silent Lucidity

Originally posted February 18/23

Revisiting a Ted Tocks Covers feature from over three years ago. Edited to include a very important new version wth a strong message.

“There’s a place I like to hide
A doorway that I run through in the night
Relax child, you were there
But only didn’t realize and you were scared
It’s a place where you will learn
To face your fears, retrace the years
And ride the whims of your mind”

#Queensryche

https://tedtockscovers.wordpress.com/2023/02/18/silent-lucidity-a-song-that-has-touched-a-lot-of-people-musicislife-tedtockscovers-queensryche-chrisdegarmo-geofftate-headline-gregorian-fleesh-mikemasse/

Ted Tocks Covers

Silent Lucidity

Originally posted February 18/23

Revisiting a Ted Tocks Covers feature from over three years ago. Edited to include a very important new version wth a strong message.

“There’s a place I like to hide
A doorway that I run through in the night
Relax child, you were there
But only didn’t realize and you were scared
It’s a place where you will learn
To face your fears, retrace the years
And ride the whims of your mind”

#Queensryche

https://tedtockscovers.wordpress.com/2023/02/18/silent-lucidity-a-song-that-has-touched-a-lot-of-people-musicislife-tedtockscovers-queensryche-chrisdegarmo-geofftate-headline-gregorian-fleesh-mikemasse/

Silent Lucidity 📳
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Silent Lucidity 📳
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Silent Lucidity 📳
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Silent Lucidity 📳
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Silent Lucidity 📳
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

https://www.europesays.com/be-nl/119040/ Progressieve headliners op dag twee van Into the Grave #1914 #Amusement #BE #België #Belgium #CrimsonGlory #doodseskader #Entertainment #EstherTLam #friesland #InsanityAlert #insomnium #IntoTheGrave #itg #Leeuwarden #LoudNoise #mastodon #Music #Muziek #novelization #opia #queensrÿche #StatePower #TheBrowning #TheNarrator #warfield #WingsOfSteel

https://www.europesays.com/nl/282095/ Progressieve headliners op dag twee van Into the Grave #1914 #Amusement #CrimsonGlory #doodseskader #Dutch #Entertainment #EstherTLam #friesland #InsanityAlert #insomnium #IntoTheGrave #itg #LEEUWARDEN #LoudNoise #mastodon #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NL #novelization #opia #queensrÿche #StatePower #TheBrowning #TheNarrator #warfield #WingsOfSteel

After listening to the Operation Mindcrime records, I wanted to spin this other concept album. It has only been released on CD.

Artist: Queensrÿche
Album: American Soldier (2006)
Release: Original pressing
Region: US
Label: Rhino Records – R2 517967

#nowspinning #cd #queensryche #geofftate

After listening to the Operation Mindcrime records, I wanted to spin this other concept album. It has only been released on CD.

Artist: Queensrÿche
Album: American Soldier (2006)
Release: Original pressing
Region: US
Label: Rhino Records – R2 517967

#nowspinning #cd #queensryche #geofftate

After listening to the Operation Mindcrime records, I wanted to spin this other concept album. It has only been released on CD.

Artist: Queensrÿche
Album: American Soldier (2006)
Release: Original pressing
Region: US
Label: Rhino Records – R2 517967

#nowspinning #cd #queensryche #geofftate

After listening to the Operation Mindcrime records, I wanted to spin this other concept album. It has only been released on CD.

Artist: Queensrÿche
Album: American Soldier (2006)
Release: Original pressing
Region: US
Label: Rhino Records – R2 517967

#nowspinning #cd #queensryche #geofftate

#nowplaying
#queensryche - #operationmindcrime
sensationelles, fast 40 jahre altes #album
aus meiner Sicht ein Muss für jeden freund der etwas härteren Gangart 😉👋🤘
https://youtu.be/4zLo_pYAEoI?si=0qgzhwOqMfsR_MRc

🔥 ¡Hoy es martes de Grito Primal! 🔥

En el Programa 17, celebramos los 40 años de dos joyas imprescindibles del hard & heavy: "A Kind of Magic" de #Queen y "Rage For Order" de #Queensrÿche. ¡Un especial imperdible para los fanáticos del rock y el metal! 🤘⚡

🕙 Martes 10:00 y 22:00 hrs. por http://rockaxis.fm 📻

🎙️ Conduce: @CrissAxis

@QueenWillRock / @queensryche

🐦🔗 https://farside.link/x.com/rockaxisoficial/status/2082103786886275213#m

🔥 ¡Hoy es martes de Grito Primal! 🔥

En el Programa 17, celebramos los 40 años de dos joyas imprescindibles del hard & heavy: "A Kind of Magic" de #Queen y "Rage For Order" de #Queensrÿche. ¡Un especial imperdible para los fanáticos del rock y el metal! 🤘⚡

🕙 Martes 10:00 y 22:00 hrs. por http://rockaxis.fm 📻

🎙️ Conduce: @CrissAxis

@QueenWillRock / @queensryche

🐦🔗 https://farside.link/x.com/rockaxisoficial/status/2082103786886275213#m

These newer Queensrÿche albums are very good! This is their latest album and it closes with a cover of Billy Idol's "Rebel Yell".

Artist: Queensrÿche
Album: Digital Noise Alliance (2022)
Release: Original pressing
Region: US
Label: Century Media – 19658737041

#nowspinning #vinyl #queensryche

These newer Queensrÿche albums are very good! This is their latest album and it closes with a cover of Billy Idol's "Rebel Yell".

Artist: Queensrÿche
Album: Digital Noise Alliance (2022)
Release: Original pressing
Region: US
Label: Century Media – 19658737041

#nowspinning #vinyl #queensryche

These newer Queensrÿche albums are very good! This is their latest album and it closes with a cover of Billy Idol's "Rebel Yell".

Artist: Queensrÿche
Album: Digital Noise Alliance (2022)
Release: Original pressing
Region: US
Label: Century Media – 19658737041

#nowspinning #vinyl #queensryche

These newer Queensrÿche albums are very good! This is their latest album and it closes with a cover of Billy Idol's "Rebel Yell".

Artist: Queensrÿche
Album: Digital Noise Alliance (2022)
Release: Original pressing
Region: US
Label: Century Media – 19658737041

#nowspinning #vinyl #queensryche

I'm continuing my playthrough of Queensrÿche's back catalog with the second Operation: Mindcrime album.

Artist: Queensrÿche
Album: Operation: Mindcrime II (2006)
Release: Original pressing
Region: US
Label: Rhino Records (2) – R1 73306

#nowspinning #vinyl #queensryche #geofftate

I'm continuing my playthrough of Queensrÿche's back catalog with the second Operation: Mindcrime album.

Artist: Queensrÿche
Album: Operation: Mindcrime II (2006)
Release: Original pressing
Region: US
Label: Rhino Records (2) – R1 73306

#nowspinning #vinyl #queensryche #geofftate

I'm continuing my playthrough of Queensrÿche's back catalog with the second Operation: Mindcrime album.

Artist: Queensrÿche
Album: Operation: Mindcrime II (2006)
Release: Original pressing
Region: US
Label: Rhino Records (2) – R1 73306

#nowspinning #vinyl #queensryche #geofftate

I'm continuing my playthrough of Queensrÿche's back catalog with the second Operation: Mindcrime album.

Artist: Queensrÿche
Album: Operation: Mindcrime II (2006)
Release: Original pressing
Region: US
Label: Rhino Records (2) – R1 73306

#nowspinning #vinyl #queensryche #geofftate

Wenn man mitten in der Arbeitswoche nach #Frankfurt zu einem Gig fährt, dann ist klar: Es muss etwas Besonderes sein. #Queensrÿche sind etwas Besonderes, und unterstreichen das auch weiterhin in ihrem Karriere-Spätsommer.

https://www.gig-blog.net/2026/06/22/queensryche-rivers-of-nihil-17-06-2026-batschkapp-frankfurt/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #RiversOfNihil #Batschkapp #Metal #ProgressiveMetal

Wenn man mitten in der Arbeitswoche nach #Frankfurt zu einem Gig fährt, dann ist klar: Es muss etwas Besonderes sein. #Queensrÿche sind etwas Besonderes, und unterstreichen das auch weiterhin in ihrem Karriere-Spätsommer.

https://www.gig-blog.net/2026/06/22/queensryche-rivers-of-nihil-17-06-2026-batschkapp-frankfurt/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #RiversOfNihil #Batschkapp #Metal #ProgressiveMetal

Wenn man mitten in der Arbeitswoche nach #Frankfurt zu einem Gig fährt, dann ist klar: Es muss etwas Besonderes sein. #Queensrÿche sind etwas Besonderes, und unterstreichen das auch weiterhin in ihrem Karriere-Spätsommer.

https://www.gig-blog.net/2026/06/22/queensryche-rivers-of-nihil-17-06-2026-batschkapp-frankfurt/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #RiversOfNihil #Batschkapp #Metal #ProgressiveMetal

I found the CD version of this album to be noticeably lacking in bass. Apparently, it's a common complaint, and the audiophiles recommend the vinyl edition featuring the 2021 remaster. Well, I guess I got lucky!

Artist: Queensrÿche
Album: Operation: Mindcrime (1988)
Release: 2022 vinyl reissue (2021 remaster)
Region: USA & Canada
Label: Capitol Records – 7714039

#nowspinning #vinyl #queensryche #geofftate

I found the CD version of this album to be noticeably lacking in bass. Apparently, it's a common complaint, and the audiophiles recommend the vinyl edition featuring the 2021 remaster. Well, I guess I got lucky!

Artist: Queensrÿche
Album: Operation: Mindcrime (1988)
Release: 2022 vinyl reissue (2021 remaster)
Region: USA & Canada
Label: Capitol Records – 7714039

#nowspinning #vinyl #queensryche #geofftate

I found the CD version of this album to be noticeably lacking in bass. Apparently, it's a common complaint, and the audiophiles recommend the vinyl edition featuring the 2021 remaster. Well, I guess I got lucky!

Artist: Queensrÿche
Album: Operation: Mindcrime (1988)
Release: 2022 vinyl reissue (2021 remaster)
Region: USA & Canada
Label: Capitol Records – 7714039

#nowspinning #vinyl #queensryche #geofftate

I found the CD version of this album to be noticeably lacking in bass. Apparently, it's a common complaint, and the audiophiles recommend the vinyl edition featuring the 2021 remaster. Well, I guess I got lucky!

Artist: Queensrÿche
Album: Operation: Mindcrime (1988)
Release: 2022 vinyl reissue (2021 remaster)
Region: USA & Canada
Label: Capitol Records – 7714039

#nowspinning #vinyl #queensryche #geofftate

https://www.europesays.com/es/645797/ QUEENSRŸCHE – AVULSED – Piorno Rock. – WWW.RAFABASA.COM #AVULSED #Entertainment #Entretenimiento #ES #España #Music #Música #PiornoRock #QUEENSRŸCHE #Spain

Silent Lucidity 🤫
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Silent Lucidity 🤫
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Silent Lucidity 🤫
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Silent Lucidity 🤫
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Silent Lucidity 🤫
#Queensrÿche
https://www.youtube.com/watch?v=jhat-xUQ6dw

Ted Tocks Covers

Happy Independence Day!

The Top Ten Ted Tocks featuring American artists and a bonus song. Enjoy some quality music from #warrenzevon #johnprine #bobbiegentry #neildiamond #Queensryche #leadbelly #ramjam #JerryJeffWalker #tinytim #LotteLenya #redhotchilipeppers and #bobbydarin plus a whole lot more.

Have a grateful day!

#musicislife

https://tedtockscovers.wordpress.com/2026/07/04/happy-independence-day-its-time-to-leave-this-town-musicislife-tedtockscovers-usa250/

Ted Tocks Covers

Happy Independence Day!

The Top Ten Ted Tocks featuring American artists and a bonus song. Enjoy some quality music from #warrenzevon #johnprine #bobbiegentry #neildiamond #Queensryche #leadbelly #ramjam #JerryJeffWalker #tinytim #LotteLenya #redhotchilipeppers and #bobbydarin plus a whole lot more.

Have a grateful day!

#musicislife

https://tedtockscovers.wordpress.com/2026/07/04/happy-independence-day-its-time-to-leave-this-town-musicislife-tedtockscovers-usa250/

Ted Tocks Covers

Happy Independence Day!

The Top Ten Ted Tocks featuring American artists and a bonus song. Enjoy some quality music from #warrenzevon #johnprine #bobbiegentry #neildiamond #Queensryche #leadbelly #ramjam #JerryJeffWalker #tinytim #LotteLenya #redhotchilipeppers and #bobbydarin plus a whole lot more.

Have a grateful day!

#musicislife

https://tedtockscovers.wordpress.com/2026/07/04/happy-independence-day-its-time-to-leave-this-town-musicislife-tedtockscovers-usa250/

https://www.europesays.com/es/636513/ QUEENSRŸCHE están ya haciendo maquetas. Nuevo miembro en DOBLE ESFERA. Phil Anselmo confirma el disco de DOWN. #DOBLEESFERA #down #Entertainment #Entretenimiento #ES #España #Music #Música #PhilAnselmo #QUEENSRŸCHE #Spain

I'm enjoying more Geoff Tate-era Queensrÿche today. This was their first full-length album. A classic.

Artist: Queensrÿche
Album: The Warning (1984)
Release: 2026 reissue
Region: US
Label: Capitol Records – 00199957387453

#nowspinning #vinyl #queensryche #progressivemetal #geofftate

I'm enjoying more Geoff Tate-era Queensrÿche today. This was their first full-length album. A classic.

Artist: Queensrÿche
Album: The Warning (1984)
Release: 2026 reissue
Region: US
Label: Capitol Records – 00199957387453

#nowspinning #vinyl #queensryche #progressivemetal #geofftate

I'm enjoying more Geoff Tate-era Queensrÿche today. This was their first full-length album. A classic.

Artist: Queensrÿche
Album: The Warning (1984)
Release: 2026 reissue
Region: US
Label: Capitol Records – 00199957387453

#nowspinning #vinyl #queensryche #progressivemetal #geofftate

I'm enjoying more Geoff Tate-era Queensrÿche today. This was their first full-length album. A classic.

Artist: Queensrÿche
Album: The Warning (1984)
Release: 2026 reissue
Region: US
Label: Capitol Records – 00199957387453

#nowspinning #vinyl #queensryche #progressivemetal #geofftate

New post: Classic Cover: Kurt Deimer ft. Geoff Tate – “Silent Lucidity” (original by Queensrÿche) https://moshville.co.uk/feature/classic-covers/2026/06/classic-cover-kurt-deimer-ft-geoff-tate-silent-lucidity-original-by-queensryche/ #GeoffTate #KurtDeimer #Queensrÿche

New post: Classic Cover: Kurt Deimer ft. Geoff Tate – “Silent Lucidity” (original by Queensrÿche) https://moshville.co.uk/feature/classic-covers/2026/06/classic-cover-kurt-deimer-ft-geoff-tate-silent-lucidity-original-by-queensryche/ #GeoffTate #KurtDeimer #Queensrÿche

New post: Classic Cover: Kurt Deimer ft. Geoff Tate – “Silent Lucidity” (original by Queensrÿche) https://moshville.co.uk/feature/classic-covers/2026/06/classic-cover-kurt-deimer-ft-geoff-tate-silent-lucidity-original-by-queensryche/ #GeoffTate #KurtDeimer #Queensrÿche

The latest from Geoff Tate, part three of Operation Mindcrime.

Artist: Geoff Tate
Album: Operation: Mindcrime III (2026)
Release: Original pressing
Region: US
Label: n/a (independently released)

#nowspinning #vinyl #queensryche #progressivemetal #geofftate

The latest from Geoff Tate, part three of Operation Mindcrime.

Artist: Geoff Tate
Album: Operation: Mindcrime III (2026)
Release: Original pressing
Region: US
Label: n/a (independently released)

#nowspinning #vinyl #queensryche #progressivemetal #geofftate

The latest from Geoff Tate, part three of Operation Mindcrime.

Artist: Geoff Tate
Album: Operation: Mindcrime III (2026)
Release: Original pressing
Region: US
Label: n/a (independently released)

#nowspinning #vinyl #queensryche #progressivemetal #geofftate

The latest from Geoff Tate, part three of Operation Mindcrime.

Artist: Geoff Tate
Album: Operation: Mindcrime III (2026)
Release: Original pressing
Region: US
Label: n/a (independently released)

#nowspinning #vinyl #queensryche #progressivemetal #geofftate

#Queensrÿche – Revolution Calling Lyrics | Genius Lyrics
https://genius.com/Queensryche-revolution-calling-lyrics

#Queensrÿche – Revolution Calling Lyrics | Genius Lyrics
https://genius.com/Queensryche-revolution-calling-lyrics

#Queensrÿche – Revolution Calling Lyrics | Genius Lyrics
https://genius.com/Queensryche-revolution-calling-lyrics