#dire-straits — Public Fediverse posts

Where are you when the sun go down?

A5J175 1️⃣6️⃣3️⃣5️⃣ A good song a day keeps the doctor away 🎧

🔥 Dire Straits - So Far Away (1985) 🔥

https://music.youtube.com/watch?v=ZtdRdgHkUsU&si=UfJ0eOBOofLu7spD

#music #rockmusic #music1980s #nowlistening #September2026 #direstraits #musicchallenge #tuesday

Where are you when the sun go down?

A5J175 1️⃣6️⃣3️⃣5️⃣ A good song a day keeps the doctor away 🎧

🔥 Dire Straits - So Far Away (1985) 🔥

https://music.youtube.com/watch?v=ZtdRdgHkUsU&si=UfJ0eOBOofLu7spD

#music #rockmusic #music1980s #nowlistening #September2026 #direstraits #musicchallenge #tuesday

Where are you when the sun go down?

A5J175 1️⃣6️⃣3️⃣5️⃣ A good song a day keeps the doctor away 🎧

🔥 Dire Straits - So Far Away (1985) 🔥

https://music.youtube.com/watch?v=ZtdRdgHkUsU&si=UfJ0eOBOofLu7spD

#music #rockmusic #music1980s #nowlistening #September2026 #direstraits #musicchallenge #tuesday

Where are you when the sun go down?

A5J175 1️⃣6️⃣3️⃣5️⃣ A good song a day keeps the doctor away 🎧

🔥 Dire Straits - So Far Away (1985) 🔥

https://music.youtube.com/watch?v=ZtdRdgHkUsU&si=UfJ0eOBOofLu7spD

#music #rockmusic #music1980s #nowlistening #September2026 #direstraits #musicchallenge #tuesday

Where are you when the sun go down?

A5J175 1️⃣6️⃣3️⃣5️⃣ A good song a day keeps the doctor away 🎧

🔥 Dire Straits - So Far Away (1985) 🔥

https://music.youtube.com/watch?v=ZtdRdgHkUsU&si=UfJ0eOBOofLu7spD

#music #rockmusic #music1980s #nowlistening #September2026 #direstraits #musicchallenge #tuesday

Watch Mark Knopfler’s Intimate 2007 Meistersaal Concert in Berlin in Full

Mark Knopfler has played some enormous stages over the course of his career, but his 2007 performance inside…
#Germany #DE #Europe #EU #Europa #Berlin #BrothersInArms #DireStraits #DoneWithBonaparte #Donegan'sGone #KillToGetCrimson #LetItAllGo #MarkKnopfler #Meistersaal #PostcardsFromParaguay #Rudiger #TheFizzyAndTheStill #TrueLoveWillNeverFade
https://www.europesays.com/germany/90355/

https://www.europesays.com/dk/165524/ Watch Mark Knopfler’s Intimate 2007 Meistersaal Concert in Berlin in Full #berlin #BrothersInArms #DireStraits #DoneWithBonaparte #Donegan'sGone #Germany #KillToGetCrimson #LetItAllGo #MarkKnopfler #Meistersaal #PostcardsFromParaguay #Rüdiger #TheFizzyAndTheStill #TrueLoveWillNeverFade

The last time Jasmin Lempinen graced these storied pages, she was fronting a band of elders.1 As ‘Jess,’ Lempinen co-founded Jess and the Ancient Ones, singing on four albums for these under-heralded occult rockers from 2012–2021. So bewitching were the hippied strains of Second Psychedelic Coming: The Aquarius Tapes (2015) that Steel Druhm Circle—ensconced in a cloud of patchouli smoke—was all but forced to mint it with a rare 4.0.2 Shifting from fuzzy psych rock to jazzy noir rock à la Amy Winehouse, Lempinen released her first solo album, Under the Red Light Shine (2019), under the moniker Jess By The Lake, to positive reception. Long-awaited follow-up Human sees Lempinen leaving the Ancient Ones behind for good, squarely focusing on her solo career.3

And yet, Jess By The Lake searches for something even older in her continuing aquatic retreat. As Lempinen herself describes it, Human serves as ‘an analog counterattack’ against ‘disposable, soulless, plastic, mindless output,’ ‘unashamedly pay[ing] homage to…the traditions of rock music.’ Joined by original drummer Marianne Heikkinen, Lempinen plays electric guitar and a Rhodes piano, beyond her central role as vocalist. New to Jess By The Lake are guitarist Sampo Leksis and bassist Oliver Karttunen, who help Lempinen give voice to earthy classic rock in the tradition of Big Brother and the Holding Company and early CCR. Also forming the album’s traditionalism is its analog production: Human was recorded on magnetic tape in the summer of 2023 at Höyrybaari in Lapinlahti, Finland, by Tommi Saikkonen and Leksis (who also mixed the album). A review of another album might have relegated these recording details to the footnotes, or not mentioned them at all. But given Lempinen’s motivations and aspirations for Human, it only seems right to specify the time, place, and conditions of the album’s creation. One thing you can’t say about Jess By The Lake’s sophomore album is that it sounds plastic—it’s organic and crackling, fully alive.

As with Jess and the Ancient Ones, Lempinen is the star of Jess By The Lake, and her performance on Human engrosses with affecting dynamism. ‘My own voice finally sounded familiar and authentic,’ she explains, when it was recorded analog for the new album. While undoubtedly authentic, comparing Lempinen’s voice to familiar artists will prove helpful. If Under the Red Light Shine saw her primarily channelling Amy Winehouse, on its follow-up, she lets her Joplin flag fly. Opening the album with a screeching wail, “Jaleihou” sees Lempinen showing off her falsettos and even dipping into some quasi-yodels. On the more delicate side of the spectrum, “Lovely Boy” contains some gorgeous harmonies, undergirded by the twinkling warmth of the Rhodes. Tracks like “Falling Under” and “The Shame” fully capture Lempinen’s range, starting off subdued and sultry before letting loose with some powerfully distorted head voice. A section here and there fell flat for me (the chorus of “Wanderin Kind”), but overall, the vocals on Human are as rawly human as they get.

The Lake deserves credit as well—it’s more than just a backing band. As guitarist, Leksis delivers a smattering of simple-yet-unshakeable blues riffs (“Jaleihou”) and on-the-money solos (“Sister”). Bass/drum combo Karttunen and Heikkinen proceed into the foreground when needed, whether to provide delicately bumpin’ grooves (“Lovely Boy”) or busier supporting fills (“Alice,” “Holy Grove”). As a unit, Lempinen, Leksis, Karttunen, and Heikkinen deal in straightforward, time-tested songwriting. Still, there’s enough character to keep things interesting. “How Could You Tell?” is one such song, slowly picking up the pace before a peppery ending reminiscent of Dire Straits (without the guitar noodling). The sonically muffled “Holy Groves” also adds pleasant variety, coming off as an artsy post-rock capper for Human.

I must admit I miss Lempinen’s collaboration with the Ancient Ones. But I also applaud her decision to go solo, and Human signifies a bold new chapter for Jess By The Lake. While Under the Red Light Shine was more immediately sticky, Lempinen’s sophomore effort shines for its combination of sonic authenticity and classic songcraft. In 2026, any musician embracing organic recording processes deserves our attention, and if the music is good, deserves even more of it. Jess By The Lake fits both these bills—check out Human, especially if you’re yearning for the rockin’ tunes and tones of yesteryear.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: September 11th, 2026

The last time Jasmin Lempinen graced these storied pages, she was fronting a band of elders.1 As ‘Jess,’ Lempinen co-founded Jess and the Ancient Ones, singing on four albums for these under-heralded occult rockers from 2012–2021. So bewitching were the hippied strains of Second Psychedelic Coming: The Aquarius Tapes (2015) that Steel Druhm Circle—ensconced in a cloud of patchouli smoke—was all but forced to mint it with a rare 4.0.2 Shifting from fuzzy psych rock to jazzy noir rock à la Amy Winehouse, Lempinen released her first solo album, Under the Red Light Shine (2019), under the moniker Jess By The Lake, to positive reception. Long-awaited follow-up Human sees Lempinen leaving the Ancient Ones behind for good, squarely focusing on her solo career.3

And yet, Jess By The Lake searches for something even older in her continuing aquatic retreat. As Lempinen herself describes it, Human serves as ‘an analog counterattack’ against ‘disposable, soulless, plastic, mindless output,’ ‘unashamedly pay[ing] homage to…the traditions of rock music.’ Joined by original drummer Marianne Heikkinen, Lempinen plays electric guitar and a Rhodes piano, beyond her central role as vocalist. New to Jess By The Lake are guitarist Sampo Leksis and bassist Oliver Karttunen, who help Lempinen give voice to earthy classic rock in the tradition of Big Brother and the Holding Company and early CCR. Also forming the album’s traditionalism is its analog production: Human was recorded on magnetic tape in the summer of 2023 at Höyrybaari in Lapinlahti, Finland, by Tommi Saikkonen and Leksis (who also mixed the album). A review of another album might have relegated these recording details to the footnotes, or not mentioned them at all. But given Lempinen’s motivations and aspirations for Human, it only seems right to specify the time, place, and conditions of the album’s creation. One thing you can’t say about Jess By The Lake’s sophomore album is that it sounds plastic—it’s organic and crackling, fully alive.

As with Jess and the Ancient Ones, Lempinen is the star of Jess By The Lake, and her performance on Human engrosses with affecting dynamism. ‘My own voice finally sounded familiar and authentic,’ she explains, when it was recorded analog for the new album. While undoubtedly authentic, comparing Lempinen’s voice to familiar artists will prove helpful. If Under the Red Light Shine saw her primarily channelling Amy Winehouse, on its follow-up, she lets her Joplin flag fly. Opening the album with a screeching wail, “Jaleihou” sees Lempinen showing off her falsettos and even dipping into some quasi-yodels. On the more delicate side of the spectrum, “Lovely Boy” contains some gorgeous harmonies, undergirded by the twinkling warmth of the Rhodes. Tracks like “Falling Under” and “The Shame” fully capture Lempinen’s range, starting off subdued and sultry before letting loose with some powerfully distorted head voice. A section here and there fell flat for me (the chorus of “Wanderin Kind”), but overall, the vocals on Human are as rawly human as they get.

The Lake deserves credit as well—it’s more than just a backing band. As guitarist, Leksis delivers a smattering of simple-yet-unshakeable blues riffs (“Jaleihou”) and on-the-money solos (“Sister”). Bass/drum combo Karttunen and Heikkinen proceed into the foreground when needed, whether to provide delicately bumpin’ grooves (“Lovely Boy”) or busier supporting fills (“Alice,” “Holy Grove”). As a unit, Lempinen, Leksis, Karttunen, and Heikkinen deal in straightforward, time-tested songwriting. Still, there’s enough character to keep things interesting. “How Could You Tell?” is one such song, slowly picking up the pace before a peppery ending reminiscent of Dire Straits (without the guitar noodling). The sonically muffled “Holy Groves” also adds pleasant variety, coming off as an artsy post-rock capper for Human.

I must admit I miss Lempinen’s collaboration with the Ancient Ones. But I also applaud her decision to go solo, and Human signifies a bold new chapter for Jess By The Lake. While Under the Red Light Shine was more immediately sticky, Lempinen’s sophomore effort shines for its combination of sonic authenticity and classic songcraft. In 2026, any musician embracing organic recording processes deserves our attention, and if the music is good, deserves even more of it. Jess By The Lake fits both these bills—check out Human, especially if you’re yearning for the rockin’ tunes and tones of yesteryear.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: September 11th, 2026

The last time Jasmin Lempinen graced these storied pages, she was fronting a band of elders.1 As ‘Jess,’ Lempinen co-founded Jess and the Ancient Ones, singing on four albums for these under-heralded occult rockers from 2012–2021. So bewitching were the hippied strains of Second Psychedelic Coming: The Aquarius Tapes (2015) that Steel Druhm Circle—ensconced in a cloud of patchouli smoke—was all but forced to mint it with a rare 4.0.2 Shifting from fuzzy psych rock to jazzy noir rock à la Amy Winehouse, Lempinen released her first solo album, Under the Red Light Shine (2019), under the moniker Jess By The Lake, to positive reception. Long-awaited follow-up Human sees Lempinen leaving the Ancient Ones behind for good, squarely focusing on her solo career.3

And yet, Jess By The Lake searches for something even older in her continuing aquatic retreat. As Lempinen herself describes it, Human serves as ‘an analog counterattack’ against ‘disposable, soulless, plastic, mindless output,’ ‘unashamedly pay[ing] homage to…the traditions of rock music.’ Joined by original drummer Marianne Heikkinen, Lempinen plays electric guitar and a Rhodes piano, beyond her central role as vocalist. New to Jess By The Lake are guitarist Sampo Leksis and bassist Oliver Karttunen, who help Lempinen give voice to earthy classic rock in the tradition of Big Brother and the Holding Company and early CCR. Also forming the album’s traditionalism is its analog production: Human was recorded on magnetic tape in the summer of 2023 at Höyrybaari in Lapinlahti, Finland, by Tommi Saikkonen and Leksis (who also mixed the album). A review of another album might have relegated these recording details to the footnotes, or not mentioned them at all. But given Lempinen’s motivations and aspirations for Human, it only seems right to specify the time, place, and conditions of the album’s creation. One thing you can’t say about Jess By The Lake’s sophomore album is that it sounds plastic—it’s organic and crackling, fully alive.

As with Jess and the Ancient Ones, Lempinen is the star of Jess By The Lake, and her performance on Human engrosses with affecting dynamism. ‘My own voice finally sounded familiar and authentic,’ she explains, when it was recorded analog for the new album. While undoubtedly authentic, comparing Lempinen’s voice to familiar artists will prove helpful. If Under the Red Light Shine saw her primarily channelling Amy Winehouse, on its follow-up, she lets her Joplin flag fly. Opening the album with a screeching wail, “Jaleihou” sees Lempinen showing off her falsettos and even dipping into some quasi-yodels. On the more delicate side of the spectrum, “Lovely Boy” contains some gorgeous harmonies, undergirded by the twinkling warmth of the Rhodes. Tracks like “Falling Under” and “The Shame” fully capture Lempinen’s range, starting off subdued and sultry before letting loose with some powerfully distorted head voice. A section here and there fell flat for me (the chorus of “Wanderin Kind”), but overall, the vocals on Human are as rawly human as they get.

The Lake deserves credit as well—it’s more than just a backing band. As guitarist, Leksis delivers a smattering of simple-yet-unshakeable blues riffs (“Jaleihou”) and on-the-money solos (“Sister”). Bass/drum combo Karttunen and Heikkinen proceed into the foreground when needed, whether to provide delicately bumpin’ grooves (“Lovely Boy”) or busier supporting fills (“Alice,” “Holy Grove”). As a unit, Lempinen, Leksis, Karttunen, and Heikkinen deal in straightforward, time-tested songwriting. Still, there’s enough character to keep things interesting. “How Could You Tell?” is one such song, slowly picking up the pace before a peppery ending reminiscent of Dire Straits (without the guitar noodling). The sonically muffled “Holy Groves” also adds pleasant variety, coming off as an artsy post-rock capper for Human.

I must admit I miss Lempinen’s collaboration with the Ancient Ones. But I also applaud her decision to go solo, and Human signifies a bold new chapter for Jess By The Lake. While Under the Red Light Shine was more immediately sticky, Lempinen’s sophomore effort shines for its combination of sonic authenticity and classic songcraft. In 2026, any musician embracing organic recording processes deserves our attention, and if the music is good, deserves even more of it. Jess By The Lake fits both these bills—check out Human, especially if you’re yearning for the rockin’ tunes and tones of yesteryear.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: September 11th, 2026

The last time Jasmin Lempinen graced these storied pages, she was fronting a band of elders.1 As ‘Jess,’ Lempinen co-founded Jess and the Ancient Ones, singing on four albums for these under-heralded occult rockers from 2012–2021. So bewitching were the hippied strains of Second Psychedelic Coming: The Aquarius Tapes (2015) that Steel Druhm Circle—ensconced in a cloud of patchouli smoke—was all but forced to mint it with a rare 4.0.2 Shifting from fuzzy psych rock to jazzy noir rock à la Amy Winehouse, Lempinen released her first solo album, Under the Red Light Shine (2019), under the moniker Jess By The Lake, to positive reception. Long-awaited follow-up Human sees Lempinen leaving the Ancient Ones behind for good, squarely focusing on her solo career.3

And yet, Jess By The Lake searches for something even older in her continuing aquatic retreat. As Lempinen herself describes it, Human serves as ‘an analog counterattack’ against ‘disposable, soulless, plastic, mindless output,’ ‘unashamedly pay[ing] homage to…the traditions of rock music.’ Joined by original drummer Marianne Heikkinen, Lempinen plays electric guitar and a Rhodes piano, beyond her central role as vocalist. New to Jess By The Lake are guitarist Sampo Leksis and bassist Oliver Karttunen, who help Lempinen give voice to earthy classic rock in the tradition of Big Brother and the Holding Company and early CCR. Also forming the album’s traditionalism is its analog production: Human was recorded on magnetic tape in the summer of 2023 at Höyrybaari in Lapinlahti, Finland, by Tommi Saikkonen and Leksis (who also mixed the album). A review of another album might have relegated these recording details to the footnotes, or not mentioned them at all. But given Lempinen’s motivations and aspirations for Human, it only seems right to specify the time, place, and conditions of the album’s creation. One thing you can’t say about Jess By The Lake’s sophomore album is that it sounds plastic—it’s organic and crackling, fully alive.

As with Jess and the Ancient Ones, Lempinen is the star of Jess By The Lake, and her performance on Human engrosses with affecting dynamism. ‘My own voice finally sounded familiar and authentic,’ she explains, when it was recorded analog for the new album. While undoubtedly authentic, comparing Lempinen’s voice to familiar artists will prove helpful. If Under the Red Light Shine saw her primarily channelling Amy Winehouse, on its follow-up, she lets her Joplin flag fly. Opening the album with a screeching wail, “Jaleihou” sees Lempinen showing off her falsettos and even dipping into some quasi-yodels. On the more delicate side of the spectrum, “Lovely Boy” contains some gorgeous harmonies, undergirded by the twinkling warmth of the Rhodes. Tracks like “Falling Under” and “The Shame” fully capture Lempinen’s range, starting off subdued and sultry before letting loose with some powerfully distorted head voice. A section here and there fell flat for me (the chorus of “Wanderin Kind”), but overall, the vocals on Human are as rawly human as they get.

The Lake deserves credit as well—it’s more than just a backing band. As guitarist, Leksis delivers a smattering of simple-yet-unshakeable blues riffs (“Jaleihou”) and on-the-money solos (“Sister”). Bass/drum combo Karttunen and Heikkinen proceed into the foreground when needed, whether to provide delicately bumpin’ grooves (“Lovely Boy”) or busier supporting fills (“Alice,” “Holy Grove”). As a unit, Lempinen, Leksis, Karttunen, and Heikkinen deal in straightforward, time-tested songwriting. Still, there’s enough character to keep things interesting. “How Could You Tell?” is one such song, slowly picking up the pace before a peppery ending reminiscent of Dire Straits (without the guitar noodling). The sonically muffled “Holy Groves” also adds pleasant variety, coming off as an artsy post-rock capper for Human.

I must admit I miss Lempinen’s collaboration with the Ancient Ones. But I also applaud her decision to go solo, and Human signifies a bold new chapter for Jess By The Lake. While Under the Red Light Shine was more immediately sticky, Lempinen’s sophomore effort shines for its combination of sonic authenticity and classic songcraft. In 2026, any musician embracing organic recording processes deserves our attention, and if the music is good, deserves even more of it. Jess By The Lake fits both these bills—check out Human, especially if you’re yearning for the rockin’ tunes and tones of yesteryear.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: September 11th, 2026

The last time Jasmin Lempinen graced these storied pages, she was fronting a band of elders.1 As ‘Jess,’ Lempinen co-founded Jess and the Ancient Ones, singing on four albums for these under-heralded occult rockers from 2012–2021. So bewitching were the hippied strains of Second Psychedelic Coming: The Aquarius Tapes (2015) that Steel Druhm Circle—ensconced in a cloud of patchouli smoke—was all but forced to mint it with a rare 4.0.2 Shifting from fuzzy psych rock to jazzy noir rock à la Amy Winehouse, Lempinen released her first solo album, Under the Red Light Shine (2019), under the moniker Jess By The Lake, to positive reception. Long-awaited follow-up Human sees Lempinen leaving the Ancient Ones behind for good, squarely focusing on her solo career.3

And yet, Jess By The Lake searches for something even older in her continuing aquatic retreat. As Lempinen herself describes it, Human serves as ‘an analog counterattack’ against ‘disposable, soulless, plastic, mindless output,’ ‘unashamedly pay[ing] homage to…the traditions of rock music.’ Joined by original drummer Marianne Heikkinen, Lempinen plays electric guitar and a Rhodes piano, beyond her central role as vocalist. New to Jess By The Lake are guitarist Sampo Leksis and bassist Oliver Karttunen, who help Lempinen give voice to earthy classic rock in the tradition of Big Brother and the Holding Company and early CCR. Also forming the album’s traditionalism is its analog production: Human was recorded on magnetic tape in the summer of 2023 at Höyrybaari in Lapinlahti, Finland, by Tommi Saikkonen and Leksis (who also mixed the album). A review of another album might have relegated these recording details to the footnotes, or not mentioned them at all. But given Lempinen’s motivations and aspirations for Human, it only seems right to specify the time, place, and conditions of the album’s creation. One thing you can’t say about Jess By The Lake’s sophomore album is that it sounds plastic—it’s organic and crackling, fully alive.

As with Jess and the Ancient Ones, Lempinen is the star of Jess By The Lake, and her performance on Human engrosses with affecting dynamism. ‘My own voice finally sounded familiar and authentic,’ she explains, when it was recorded analog for the new album. While undoubtedly authentic, comparing Lempinen’s voice to familiar artists will prove helpful. If Under the Red Light Shine saw her primarily channelling Amy Winehouse, on its follow-up, she lets her Joplin flag fly. Opening the album with a screeching wail, “Jaleihou” sees Lempinen showing off her falsettos and even dipping into some quasi-yodels. On the more delicate side of the spectrum, “Lovely Boy” contains some gorgeous harmonies, undergirded by the twinkling warmth of the Rhodes. Tracks like “Falling Under” and “The Shame” fully capture Lempinen’s range, starting off subdued and sultry before letting loose with some powerfully distorted head voice. A section here and there fell flat for me (the chorus of “Wanderin Kind”), but overall, the vocals on Human are as rawly human as they get.

The Lake deserves credit as well—it’s more than just a backing band. As guitarist, Leksis delivers a smattering of simple-yet-unshakeable blues riffs (“Jaleihou”) and on-the-money solos (“Sister”). Bass/drum combo Karttunen and Heikkinen proceed into the foreground when needed, whether to provide delicately bumpin’ grooves (“Lovely Boy”) or busier supporting fills (“Alice,” “Holy Grove”). As a unit, Lempinen, Leksis, Karttunen, and Heikkinen deal in straightforward, time-tested songwriting. Still, there’s enough character to keep things interesting. “How Could You Tell?” is one such song, slowly picking up the pace before a peppery ending reminiscent of Dire Straits (without the guitar noodling). The sonically muffled “Holy Groves” also adds pleasant variety, coming off as an artsy post-rock capper for Human.

I must admit I miss Lempinen’s collaboration with the Ancient Ones. But I also applaud her decision to go solo, and Human signifies a bold new chapter for Jess By The Lake. While Under the Red Light Shine was more immediately sticky, Lempinen’s sophomore effort shines for its combination of sonic authenticity and classic songcraft. In 2026, any musician embracing organic recording processes deserves our attention, and if the music is good, deserves even more of it. Jess By The Lake fits both these bills—check out Human, especially if you’re yearning for the rockin’ tunes and tones of yesteryear.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: September 11th, 2026

If you want to listen to a solid rock song, listen to Solid Rock.

🎵 Solid Rock by Dire Straits
💿 Making Movies, 1980
▶️ https://song.link/y/67bIRyqCcrM

#TomsMusic #NowPlaying #DireStraits

If you want to listen to a solid rock song, listen to Solid Rock.

🎵 Solid Rock by Dire Straits
💿 Making Movies, 1980
▶️ https://song.link/y/67bIRyqCcrM

#TomsMusic #NowPlaying #DireStraits

If you want to listen to a solid rock song, listen to Solid Rock.

🎵 Solid Rock by Dire Straits
💿 Making Movies, 1980
▶️ https://song.link/y/67bIRyqCcrM

#TomsMusic #NowPlaying #DireStraits

If you want to listen to a solid rock song, listen to Solid Rock.

🎵 Solid Rock by Dire Straits
💿 Making Movies, 1980
▶️ https://song.link/y/67bIRyqCcrM

#TomsMusic #NowPlaying #DireStraits

If you want to listen to a solid rock song, listen to Solid Rock.

🎵 Solid Rock by Dire Straits
💿 Making Movies, 1980
▶️ https://song.link/y/67bIRyqCcrM

#TomsMusic #NowPlaying #DireStraits

listening to #DireStraits

https://albumwhale.com/albums/51409

listening to #DireStraits

https://albumwhale.com/albums/51409

listening to #DireStraits

https://albumwhale.com/albums/51409

listening to #DireStraits

https://albumwhale.com/albums/51409

listening to #DireStraits

https://albumwhale.com/albums/51409

"Money for Nothing" is a song by the British #rock band #DireStraits, the second track on their fifth studio album #BrothersInArms (1985). It was released as the album's second single on 28 June 1985 through #VertigoRecords. The song's lyrics are written from the point of view of two working-class men watching music videos and commenting on what they see. The song features a guest appearance by #Sting, who sings the signature #falsetto introduction.
https://www.youtube.com/watch?v=ZC1Pdsppch4

"Money for Nothing" is a song by the British #rock band #DireStraits, the second track on their fifth studio album #BrothersInArms (1985). It was released as the album's second single on 28 June 1985 through #VertigoRecords. The song's lyrics are written from the point of view of two working-class men watching music videos and commenting on what they see. The song features a guest appearance by #Sting, who sings the signature #falsetto introduction.
https://www.youtube.com/watch?v=ZC1Pdsppch4

"Money for Nothing" is a song by the British #rock band #DireStraits, the second track on their fifth studio album #BrothersInArms (1985). It was released as the album's second single on 28 June 1985 through #VertigoRecords. The song's lyrics are written from the point of view of two working-class men watching music videos and commenting on what they see. The song features a guest appearance by #Sting, who sings the signature #falsetto introduction.
https://www.youtube.com/watch?v=ZC1Pdsppch4

"Money for Nothing" is a song by the British #rock band #DireStraits, the second track on their fifth studio album #BrothersInArms (1985). It was released as the album's second single on 28 June 1985 through #VertigoRecords. The song's lyrics are written from the point of view of two working-class men watching music videos and commenting on what they see. The song features a guest appearance by #Sting, who sings the signature #falsetto introduction.
https://www.youtube.com/watch?v=ZC1Pdsppch4

"Money for Nothing" is a song by the British #rock band #DireStraits, the second track on their fifth studio album #BrothersInArms (1985). It was released as the album's second single on 28 June 1985 through #VertigoRecords. The song's lyrics are written from the point of view of two working-class men watching music videos and commenting on what they see. The song features a guest appearance by #Sting, who sings the signature #falsetto introduction.
https://www.youtube.com/watch?v=ZC1Pdsppch4

listening to #DireStraits

https://albumwhale.com/albums/59050

listening to #DireStraits

https://albumwhale.com/albums/59050

listening to #DireStraits

https://albumwhale.com/albums/59050

listening to #DireStraits

https://albumwhale.com/albums/59050

listening to #DireStraits

https://albumwhale.com/albums/59050

It’s Knopfler time on deck. The critters in the yard don’t mind. 😉 Although the fox I just saw scoot across the yard mighta been a little freaked out. I really should get a trail cam.
#MusicOfMastodon
#70sRock
#DireStraits
#NorthernWayOfLife
#SavinItUpForFridayNight

https://m.youtube.com/watch?v=xZatdZ_bqOc&ra=m

It’s Knopfler time on deck. The critters in the yard don’t mind. 😉 Although the fox I just saw scoot across the yard mighta been a little freaked out. I really should get a trail cam.
#MusicOfMastodon
#70sRock
#DireStraits
#NorthernWayOfLife
#SavinItUpForFridayNight

https://m.youtube.com/watch?v=xZatdZ_bqOc&ra=m

It’s Knopfler time on deck. The critters in the yard don’t mind. 😉 Although the fox I just saw scoot across the yard mighta been a little freaked out. I really should get a trail cam.
#MusicOfMastodon
#70sRock
#DireStraits
#NorthernWayOfLife
#SavinItUpForFridayNight

https://m.youtube.com/watch?v=xZatdZ_bqOc&ra=m

It’s Knopfler time on deck. The critters in the yard don’t mind. 😉 Although the fox I just saw scoot across the yard mighta been a little freaked out. I really should get a trail cam.
#MusicOfMastodon
#70sRock
#DireStraits
#NorthernWayOfLife
#SavinItUpForFridayNight

https://m.youtube.com/watch?v=xZatdZ_bqOc&ra=m

It’s Knopfler time on deck. The critters in the yard don’t mind. 😉 Although the fox I just saw scoot across the yard mighta been a little freaked out. I really should get a trail cam.
#MusicOfMastodon
#70sRock
#DireStraits
#NorthernWayOfLife
#SavinItUpForFridayNight

https://m.youtube.com/watch?v=xZatdZ_bqOc&ra=m

Song: On every street
Artist: #DireStraits
Album: On every street
Year: 1991
Genre: #SoftRock

"I don't know why it is I'm still on the case
It's a ravenous town
And you still refuse to be traced
Seems to me such a waste
And every victory has a taste that's bittersweet
And it's your face I'm looking for on every street"

https://www.youtube.com/watch?v=AQkD9hP-jww

Full playlist here:
https://open.spotify.com/playlist/6hlEBFbE1qBWI95kbALD1M?si=d8eed7e8afd74dce
https://youtube.com/playlist?list=PLAFxPuhOACrWemAB3ohGsEB-ifJ7gerCJ&si=UxczbsdLRx_6NUNk

So Far Away 🚀
#DireStraits
https://www.youtube.com/watch?v=7gf3khUmEnI

So Far Away 🚀
#DireStraits
https://www.youtube.com/watch?v=7gf3khUmEnI

So Far Away 🚀
#DireStraits
https://www.youtube.com/watch?v=7gf3khUmEnI

So Far Away 🚀
#DireStraits
https://www.youtube.com/watch?v=7gf3khUmEnI

So Far Away 🚀
#DireStraits
https://www.youtube.com/watch?v=7gf3khUmEnI

Dire Straits kan vara farligt välpolerat, men sedan kommer en gitarrton och allt är förlåtet.

#Musik #DireStraits

O guitarrista que Mark Knopfler cita como um dos melhores que já ouviu

https://fed.brid.gy/r/https://rollingstone.com.br/musica/mark-knopfler-guitarrista-cita-como-um-dos-melhores-que-ja-ouviu/

#music #musicsky
#direstraits
#breakingkindsongs
https://www.youtube.com/watch?v=UGB-ALSwNGQ

#music #musicsky
#direstraits
#breakingkindsongs
https://www.youtube.com/watch?v=UGB-ALSwNGQ

#music #musicsky
#direstraits
#breakingkindsongs
https://www.youtube.com/watch?v=UGB-ALSwNGQ

#music #musicsky
#direstraits
#breakingkindsongs
https://www.youtube.com/watch?v=UGB-ALSwNGQ

#music #musicsky
#direstraits
#breakingkindsongs
https://www.youtube.com/watch?v=UGB-ALSwNGQ

Money For Nothing 💰
#DireStraits
https://www.youtube.com/watch?v=_zOjRlVpAOQ

Money For Nothing 💰
#DireStraits
https://www.youtube.com/watch?v=_zOjRlVpAOQ

Money For Nothing 💰
#DireStraits
https://www.youtube.com/watch?v=_zOjRlVpAOQ

Money For Nothing 💰
#DireStraits
https://www.youtube.com/watch?v=_zOjRlVpAOQ

Money For Nothing 💰
#DireStraits
https://www.youtube.com/watch?v=_zOjRlVpAOQ

Happy Birthday to Mark Knopfler born on this day in 1949.

#MarkKnopfler
#DireStraits

Happy Birthday to Mark Knopfler born on this day in 1949.

#MarkKnopfler
#DireStraits

On Aug 12, 1949: #MarkKnopfler, British singer-songwriter, guitarist ( #DireStraits - "Walk Of Life"; "Sultans Of Swing"; The Notting Hillbillies), and film score composer (Local Hero; Princess Bride), born in Glasgow, Scotland.
#HappyBirthday #77 °❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･

On Aug 12, 1949: #MarkKnopfler, British singer-songwriter, guitarist ( #DireStraits - "Walk Of Life"; "Sultans Of Swing"; The Notting Hillbillies), and film score composer (Local Hero; Princess Bride), born in Glasgow, Scotland.
#HappyBirthday #77 °❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･

On Aug 12, 1949: #MarkKnopfler, British singer-songwriter, guitarist ( #DireStraits - "Walk Of Life"; "Sultans Of Swing"; The Notting Hillbillies), and film score composer (Local Hero; Princess Bride), born in Glasgow, Scotland.
#HappyBirthday #77 °❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･