home.social

#riot — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #riot, aggregated by home.social.

  1. Today I provided medical support at the ‘Defend Renewable Energy!’ demonstration. It was a colourful, sunny and generally relaxed event.

    Would you like to support me? paypal.me/RescuebikesSani

    #DemonstrationParamedic #Riotmedic #MedicalBicycle #Riot #Protest #FridaysForFuture #RenewableEnergy #EnergyTransition

  2. Today I provided medical support at the ‘Defend Renewable Energy!’ demonstration. It was a colourful, sunny and generally relaxed event.

    Would you like to support me? paypal.me/RescuebikesSani

    #DemonstrationParamedic #Riotmedic #MedicalBicycle #Riot #Protest #FridaysForFuture #RenewableEnergy #EnergyTransition

  3. Today I provided medical support at the ‘Defend Renewable Energy!’ demonstration. It was a colourful, sunny and generally relaxed event.

    Would you like to support me? paypal.me/RescuebikesSani

    #DemonstrationParamedic #Riotmedic #MedicalBicycle #Riot #Protest #FridaysForFuture #RenewableEnergy #EnergyTransition

  4. Today I provided medical support at the ‘Defend Renewable Energy!’ demonstration. It was a colourful, sunny and generally relaxed event.

    Would you like to support me? paypal.me/RescuebikesSani

    #DemonstrationParamedic #Riotmedic #MedicalBicycle #Riot #Protest #FridaysForFuture #RenewableEnergy #EnergyTransition

  5. Today I provided medical support at the ‘Defend Renewable Energy!’ demonstration. It was a colourful, sunny and generally relaxed event.

    Would you like to support me? paypal.me/RescuebikesSani

    #DemonstrationParamedic #Riotmedic #MedicalBicycle #Riot #Protest #FridaysForFuture #RenewableEnergy #EnergyTransition

  6. wacoca.com/games/1355701/ ASCII.jp:ライアットゲームズ、基本プレイ無料の2v2格闘ゲーム『2XKO』に新チャンピオン「アカリ」が4月8日より登場!オフィシャルシングル 「Get it」feat.Nina Utashiroも公開 ##GAMING #2XKO #esports #eスポーツ #Game #GameNews #games #GamingNews #Riot #あかり #ゲーミング #ゲーム #ゲーム攻略 #ゲーム最新情報 #リーグオブレジェンド #格闘ゲーム

  7. wacoca.com/games/1355701/ ASCII.jp:ライアットゲームズ、基本プレイ無料の2v2格闘ゲーム『2XKO』に新チャンピオン「アカリ」が4月8日より登場!オフィシャルシングル 「Get it」feat.Nina Utashiroも公開 ##GAMING #2XKO #esports #eスポーツ #Game #GameNews #games #GamingNews #Riot #あかり #ゲーミング #ゲーム #ゲーム攻略 #ゲーム最新情報 #リーグオブレジェンド #格闘ゲーム

  8. Civil war is coming soon to America.

    The fall of the USA is required to establish the New World Order. Most are blinded by the spell that has been cast.

    AI-generated video....

    john1126.com/725

    #AI #AIVideo #prophecy #USA #war #riot #NWO #witchcraft #Satanism

  9. Civil war is coming soon to America.

    The fall of the USA is required to establish the New World Order. Most are blinded by the spell that has been cast.

    AI-generated video....

    john1126.com/725

    #AI #AIVideo #prophecy #USA #war #riot #NWO #witchcraft #Satanism

  10. Civil war is coming soon to America.

    The fall of the USA is required to establish the New World Order. Most are blinded by the spell that has been cast.

    AI-generated video....

    john1126.com/725

    #AI #AIVideo #prophecy #USA #war #riot #NWO #witchcraft #Satanism

  11. Civil war is coming soon to America.

    The fall of the USA is required to establish the New World Order. Most are blinded by the spell that has been cast.

    AI-generated video....

    john1126.com/725

    #AI #AIVideo #prophecy #USA #war #riot #NWO #witchcraft #Satanism

  12. Cruel Force – Haneda Review By Holdeneye

    Evolution. It’s one of those principles that seems to undergird just about every aspect of existence in this universe. As students of our most favorite of genres, we often speak about the “evolution of heavy metal” and how it has birthed a plethora of subgenres of varying degrees of viability. While some of these subgenres carry enough useful traits to become long-lasting pillars in the monument of heavy metal, others seem to serve the role of transitional forms or “missing links” between more well-known styles. Case in point: speed metal. Often seen as a momentary stop on metal’s journey from traditional to thrash, relatively few bands have built a career on speed alone. Acts who start with speed metal (many early thrash bands and power metal bands, especially) often incorporate other elements or transition to something else entirely. While this may be the general trend in metal’s history, Germany’s Cruel Force says, “Fuck that.”

    Formed back in the late aughts as a blackened thrash/speed metal band, Cruel Force regrouped after a long hiatus, reinventing themselves as a pure and simple speed metal band with 2023’s Dawn of the Axe, an album that impressed me enough to earn a spot on my list of honorable mentions for that year. Well, if that was the dawn of the axe, 2026’s Haneda is the reign of the axe, an axe that has been meticulously honed and polished to the point of being as beautiful as it is lethal. I’d suggest doing a proper warmup before pressing play on the embedded “Whips-A-Swinging,” because severe neck damage is all but inevitable.

    Haneda by CRUEL FORCE

    In fact, Haneda should have come with a warning from the surgeon general stating something like, “May cause permanent stank face. May cause carpal tunnel syndrome secondary to excessive involuntary air guitar. May cause the user to run through walls, laugh maniacally at inappropriate times, or punch strangers in the face. Do not use while operating motor vehicles, as dangerous and irreversible acceleration has occurred. User may also feel the urge to destroy said vehicle with their bare hands, Street Fighter style.” And that’s just my experience with the record these maniacs have produced. Guitarist Slaughter absolutely lives up to his name, slaying all before him with unbelievable rhythm skills and classic metal leads, while Spider’s fingers crawl across his bass fretboard in an effort to keep up. Carnivore feasts, delivering a timeless, thrashy vocal performance that suits the music oh so well, but MVP honors go to drummer GG Alex, whose incessant fills have managed to become a hallmark of Cruel Force’s sound.

    The prospect of 42 minutes of speed metal probably doesn’t sound all that special or exciting, but in Cruel Force’s capable hands, Haneda has managed to transcend the genre’s ham-fisted, beer-guzzling stereotype to create something truly special. The compositions are incredible, ranging from 4-minute rippers like “Whips-A-Swinging,” “Savage Gods,” “Sword of Iron,” and “Black Talon,” stretching into more complex work like “Warlords” or the album’s instrumental centerpiece “Crystal Skull,” and finishing in grand fashion with the epic, 9-minute, Song o’ the Year-frontrunning title track. Every song features wild, yet somehow graceful transitions and killer grooves, and the production is simply beautiful, proving that an album can sound authentically old and brutal while simultaneously feeling cultured and refined. I’m honestly still in shock from how hard this album hit me; what on first listen felt like just a really good speed metal album has revealed itself to be utterly excellent.

    To finish my musings on evolution, Haneda sounds like a handful of speed metal bands become isolated on an island that drifted away from mainland Metal millions of years ago (let’s call this island ‘Metalgascar’) and whose progeny have spent the intervening time adapting and mutating without any other external musical influence. Where mainland Metal achieved heaviness through ever more extreme vocalization, down-tuning, and genre bastardization, Metalgascar developed its heaviness through ever-increasing speed and compositional quality. Far from being some hunched-over figure towards the beginning of heavy metal’s March of Progress, speed metal, in the form of Cruel Force, has achieved its final form, becoming Homo deus, the Übermensch, the Gigachad, or as the kids say these days, “he’s him” (or “she’s her,” or “they’re them,” if you prefer). This fantastic record will undoubtedly be on my year-end list (if not atop it), because I doubt that 2026 can produce something that’s more quintessentially metal.

    Rating: 4.5/5.0
    DR: 9 | Format Reviewed: 320 kbps mp3
    Label: Shadow Kingdom Records
    Websites: cruelforce.bandcamp.com | facebook.com/cruelforce
    Releases Worldwide: March 27th, 2026

    #2026 #45 #CruelForce #Exciter #GermanMetal #Haneda #HeavyMetal #JudasPriest #Mar26 #Review #Reviews #Riot #RiotV #ShadowKingdomRecords #Slayer #SpeedMetal #ThrashMetal
  13. Cruel Force – Haneda Review By Holdeneye

    Evolution. It’s one of those principles that seems to undergird just about every aspect of existence in this universe. As students of our most favorite of genres, we often speak about the “evolution of heavy metal” and how it has birthed a plethora of subgenres of varying degrees of viability. While some of these subgenres carry enough useful traits to become long-lasting pillars in the monument of heavy metal, others seem to serve the role of transitional forms or “missing links” between more well-known styles. Case in point: speed metal. Often seen as a momentary stop on metal’s journey from traditional to thrash, relatively few bands have built a career on speed alone. Acts who start with speed metal (many early thrash bands and power metal bands, especially) often incorporate other elements or transition to something else entirely. While this may be the general trend in metal’s history, Germany’s Cruel Force says, “Fuck that.”

    Formed back in the late aughts as a blackened thrash/speed metal band, Cruel Force regrouped after a long hiatus, reinventing themselves as a pure and simple speed metal band with 2023’s Dawn of the Axe, an album that impressed me enough to earn a spot on my list of honorable mentions for that year. Well, if that was the dawn of the axe, 2026’s Haneda is the reign of the axe, an axe that has been meticulously honed and polished to the point of being as beautiful as it is lethal. I’d suggest doing a proper warmup before pressing play on the embedded “Whips-A-Swinging,” because severe neck damage is all but inevitable.

    Haneda by CRUEL FORCE

    In fact, Haneda should have come with a warning from the surgeon general stating something like, “May cause permanent stank face. May cause carpal tunnel syndrome secondary to excessive involuntary air guitar. May cause the user to run through walls, laugh maniacally at inappropriate times, or punch strangers in the face. Do not use while operating motor vehicles, as dangerous and irreversible acceleration has occurred. User may also feel the urge to destroy said vehicle with their bare hands, Street Fighter style.” And that’s just my experience with the record these maniacs have produced. Guitarist Slaughter absolutely lives up to his name, slaying all before him with unbelievable rhythm skills and classic metal leads, while Spider’s fingers crawl across his bass fretboard in an effort to keep up. Carnivore feasts, delivering a timeless, thrashy vocal performance that suits the music oh so well, but MVP honors go to drummer GG Alex, whose incessant fills have managed to become a hallmark of Cruel Force’s sound.

    The prospect of 42 minutes of speed metal probably doesn’t sound all that special or exciting, but in Cruel Force’s capable hands, Haneda has managed to transcend the genre’s ham-fisted, beer-guzzling stereotype to create something truly special. The compositions are incredible, ranging from 4-minute rippers like “Whips-A-Swinging,” “Savage Gods,” “Sword of Iron,” and “Black Talon,” stretching into more complex work like “Warlords” or the album’s instrumental centerpiece “Crystal Skull,” and finishing in grand fashion with the epic, 9-minute, Song o’ the Year-frontrunning title track. Every song features wild, yet somehow graceful transitions and killer grooves, and the production is simply beautiful, proving that an album can sound authentically old and brutal while simultaneously feeling cultured and refined. I’m honestly still in shock from how hard this album hit me; what on first listen felt like just a really good speed metal album has revealed itself to be utterly excellent.

    To finish my musings on evolution, Haneda sounds like a handful of speed metal bands become isolated on an island that drifted away from mainland Metal millions of years ago (let’s call this island ‘Metalgascar’) and whose progeny have spent the intervening time adapting and mutating without any other external musical influence. Where mainland Metal achieved heaviness through ever more extreme vocalization, down-tuning, and genre bastardization, Metalgascar developed its heaviness through ever-increasing speed and compositional quality. Far from being some hunched-over figure towards the beginning of heavy metal’s March of Progress, speed metal, in the form of Cruel Force, has achieved its final form, becoming Homo deus, the Übermensch, the Gigachad, or as the kids say these days, “he’s him” (or “she’s her,” or “they’re them,” if you prefer). This fantastic record will undoubtedly be on my year-end list (if not atop it), because I doubt that 2026 can produce something that’s more quintessentially metal.

    Rating: 4.5/5.0
    DR: 9 | Format Reviewed: 320 kbps mp3
    Label: Shadow Kingdom Records
    Websites: cruelforce.bandcamp.com | facebook.com/cruelforce
    Releases Worldwide: March 27th, 2026

    #2026 #45 #CruelForce #Exciter #GermanMetal #Haneda #HeavyMetal #JudasPriest #Mar26 #Review #Reviews #Riot #RiotV #ShadowKingdomRecords #Slayer #SpeedMetal #ThrashMetal
  14. CryptoSlate's new model shows Bitcoin miners need BTC above US$ 74,000 to break even on power costs alone. When adding operating expenses, total mining costs exceed US$ 100,000, revealing three distinct profitability layers for US miners. cryptoslate.com/new-model-prov #Blockchain #Crypto #Mining #Riot

  15. Lovebites – Outstanding Power Review By Grin Reaper

    Returning with their over-the-top, moar is moar philosophy of fun and shred, on Outstanding Power Lovebites cooks up a sugarbomb so explosive it’ll blow your teeth out your earholes. Minted in 2016, Lovebites has been slinging their brand of power metal for a decade, dropping five full-lengths over that time.1 Outstanding Power marks the band’s fifth full-length release and the first since 2023’s Judgement Day, and these women from Tokyo used the intervening three years to cast a platter that shatters any illusion of restraint. With kicks and licks galore, does Lovebites cram in too much of a good thing, or can their latest LP stand the power?

    Anyone unfamiliar with Lovebites can approximate their sound as an all-female version of Galneryus,2 although Lovebites is much more than a clone of a great band. Their full-length debut Awakening from Abyss dropped in 2017, with subsequent albums Clockwork Immortality and Electric Pentagram released in 2018 and 2020, respectively. Both follow-ups impressed, but nothing quite reached the heights of their debut until fourth album Judgement Day hit shelves in 2023. Introducing new bassist Fami,3 Judgement Day honed Lovebites’ attack to a lethal edge, and with even more time spent sharpening their craft, Outstanding Power cuts deeper than ever.

    Outstanding Power by Lovebites

    Lovebites’ stable lineup exudes an electrifying chemistry throughout Outstanding Power. Each component of the band’s auditory milieu complements the others, whether it’s the blazing guitar tandem of Midori and Miyako, Haruna’s meticulously mechanical drumming, or Fami’s low-end purr and incredibly hooky countermelodies. Musically, Lovebites has never been this exacting. From the calculated rhythms in “Silence the Void” to the galloping rolls in “Blazing Halo,” Haruna’s drumming goads songs with an unflappable urgency that’s simultaneously composed and tempestuous. Meanwhile, Fami’s bass flexes mondo swagger that recalls Geddy Lee’s aggressive plucks and twangs (“The Castaway”) as well as Flea-bitten flourishes (the intro to “Blazing Halo”). In fact, the bass’s expanded role on Outstanding Power defines what elevates the album above the rest of Lovebites’ already first-rate output. Besides trading vicious solos and captivating riffs with fellow axe-bearer Midori, Miyako supplies the keys, channeling duel-lead, arpeggiated runs à la Children of Bodom (“The Castaway”) as nimbly as she blankets moods with Sonata Arctica-informed synth and piano (“Eternally,” “One Will Remain”). Atop it all, singer Asami coos, belts, and wails with a voice that some may find an acquired taste with her heavy use of vibrato, but is powerful and unique. Overall, the songwriting on Outstanding Power synchronizes into lock-step bombast, where each track dazzles with its own fully-fleshed identity and laser-honed melodies.

    Though not without fault, Outstanding Power unequivocally claims the top spot in Lovebites’ catalog (so far). No small part of this is thanks to Fami and Haruna, who bring the rhythm section to the fore with undeniable performances that match the high-flying axe-work besieging previous releases. The biggest strike against Outstanding Power is the album’s sixty-four-minute runtime, which the sharp songwriting mitigates with infectious melodies and perfectly executed instrumentation. Even Outstanding Power’s weakest cut, seven-minute ballad “Eternally,” contains good moments despite fumbling Lovebites’ momentum down the home stretch. Add in the surprisingly spacious mix4 that gives the band ample space to pop and you’ve got yourself a bona fide power metal classic on your hands.

    Power metal presents a challenge to rate, as its natural optimism and oft-cheesy tropes can be at odds with what typically engenders high scores and opinions, and makes Outstanding Power the most difficult score I’ve assessed up to this point. Throughout, Lovebites exemplifies power metal ethos, unleashing high-octane shredded cheese with a flagrant nonchalance that is shamelessly irresistible. With Outstanding Power, Lovebites not only delivers their greatest achievement so far, but the best power metal release I’ve heard in over a year. Relentless riffs, grooves, and fills assail listeners with flamboyant moxie and technical ecstasy, defining an album I haven’t been able to put down since I got my grubby mitts on the damned thing. If fun won’t kill you, give Lovebites’ opus a spin. Or maybe give it a listen anyway, because what’s life without a little Love?

    Rating: Great
    DR: 7 | Format Reviewed: 256 kbps mp3
    Label: Napalm Records
    Websites: Bandcamp | Facebook
    Releases Worldwide: February 18th, 2026

    Maddog

    Much to her chagrin, Thus Spoke and I share many things in common. Chief among them is our anaphylactic allergy to major scales; being the two resident vegans, we struggle with cheesy music.5 While this has made power metal a difficult subgenre, Lovebites is an exception. Our coverage of this Japanese juggernaut has been scarce, but I gave 2023’s Judgement Day a tempered positive filter review. Outstanding Power has the same foundation as Lovebites’ prior work, but with a beefier rhythm section, more variety, better riffs, hookier hooks, and more cohesive songwriting. It’s a fantastic record.

    Outstanding Power is textbook power metal, in the same sense that Rust in Peace is textbook thrash. The centerpiece is Asami’s vocal performance, which is appropriately over-the-top but steps back to let the instruments shine. Lovebites’ most visible weapon is their dual-guitar assault. Across theatrical leads, deathy riffs, and unrestrained solos, guitarists Midori and Miyako display a mastery of melody. Even with such stiff competition, Lovebites’ rhythm section stands out. Fami’s bass plays every part it can, with blistering riffs, playful lines that recall a young Steve Harris, and explosive additions to choruses. Haruna’s drumming is a gem, especially when her lavish fills and opening salvos help stitch the album together. Both the bass and the drums peak when their respective musicians take the songwriting reins; Fami’s collaborative composition “Blazing Halo” features irresistible dueling bass and guitar solos, while Haruna’s “Forbidden Thirst” highlights her grooviest drum work. No member of Lovebites ever fades into obscurity.

    Outstanding Power holds me rapt throughout. Across their hyperactive leads, 1980s virtuoso shredfests (“One Will Remain”), and fanciful Mark Knopfler-style (Dire Straits) joyrides (“Wheels on Fire”), guitarists Midori and Miyako don’t miss a beat. Their dominance becomes clearest when they join forces. Lovebites’ harmonies recall Iron Maiden, and the guitarists’ knack for separating and rejoining makes “The Castaway” an early contender for Song o’ the Year. Asami’s vocals aren’t bulletproof, particularly in her higher register. Still, the vocals and the guitars forge an ironclad alliance that raises Outstanding Power to new heights. The guitars’ imitation of the vocal shouts on “[Grin] Reaper’s Lullaby” makes me grin every time, while the orgiastic leads that accompany the final chorus of “Out of Control” remind me of Madonna’s classic “Burning Up.” Even the ballad “Eternally” is a triumph. While its vocal melodies are memorable, “Eternally” takes a cue from Gamma Ray’s “Lake of Tears” in delegating much of the heavy lifting to the weepy guitars. These ingredients make Outstanding Power a wellspring of enormous climaxes. The guitar solos are at once emotive and explosive (“The Eve of Change”), and each song ends with pizzazz (“Silence the Void”). In short, Outstanding Power is a goddamn pleasure.

    Outstanding Power is such a spectacle that I can’t even begrudge its excess. I hear Sunburst in the chugging riffs of “Blazing Halo.” I hear Riot in the downright rowdy “Silence the Void.” I hear 1980s electronica interspersed with chest-thumping power metal in “The Eve of Change.” I hear Symphony X in the vocal melodies and the atmosphere of “Forbidden Thirst.” I hear Kryptos’ heavy metal revival in the rockin’ ruffian riffs of “Out of Control.” I hear blackened melodeath in the vicious “Reaper’s Lullaby,” contrasting with the heart-rending ballad “Eternally.” Most importantly, I hear Lovebites in every moment. All five band members sustain the album’s shifts while sticking to their signature styles. With its balance of variety and continuity, Outstanding Power feels half as long as its 64-minute runtime. Due to the album’s wide emotional range, I even grew to love its more upbeat tracks. Criticizing Lovebites for sounding cheerful seems akin to criticizing Monet because you don’t like yellow water lilies; sometimes flowers are yellow, you twit! Outstanding Power tries to do a lot, and it nails every piece.

    As I struggle to process this album, I’m reminded of Eldritch Elitist’s review of Imperial Circus Dead Decadence. Yes, Outstanding Power is self-indulgent; what’s your point? Lovebites paints their variegated image of power metal with five brushes and five million colors, and the result is astounding. It isn’t perfect, and the crushed master makes it harder to appreciate the album’s finer features. But Outstanding Power easily won over my shriveled heart. While major scales make me gag, these ones just feel like the crest of a wave. While I tend to balk at hour-long albums, this one goes by in a heartbeat. Power metal isn’t my usual fare, but Lovebites has created a masterwork.

    

    Rating: 4.5/5.0

    #2026 #40 #45 #ChildrenOfBodom #DireStraits #Feb26 #Galneryus #GammaRay #HeavyMetal #ImperialCircusDeadDecadence #IronMaiden #JapaneseMetal #Kryptos #Lovebites #NapalmRecords #OutstandingPower #PowerMetal #Review #Reviews #Riot #RiotV #SonataArctica #Sunburst #SymphonyX
  16. Guess #ProjectL took the literal L.

    riotgames.com/en/news/an-updat

    #Riot laid off half studio (80~ guys) to keep the game "sustainable". That's corpo speak to say the game is dead and frozen.

    Not surprising after a decade of development, and low numbers after their release 3 weeks ago, and the niche nature of a fighting gaming.

    Wonder what's next to keep pursuing the #LiveService carrot. A Battle Royale?

    #Videogames #Gaming #Games #RiotGames #LeagueOfLegends #LoL #FightingGame

  17. A quotation from Shakespeare

    Grant them removed, and grant that this your noise
    Hath chid down all the majesty of England;
    Imagine that you see the wretched strangers,
    Their babies at their backs and their poor luggage,
    Plodding tooth ports and costs for transportation,
    And that you sit as kings in your desires,
    Authority quite silent by your brawl,
    And you in ruff of your opinions clothed;
    What had you got? I’ll tell you. You had taught
    How insolence and strong hand should prevail,
    How order should be quelled; and by this pattern
    Not one of you should live an aged man,
    For other ruffians, as their fancies wrought,
    With self same hand, self reasons, and self right,
    Would shark on you, and men like ravenous fishes
    Would feed on one another.

    William Shakespeare (1564-1616) English dramatist and poet
    Sir Thomas More, Act 2, sc. 4, l. 55ff (c. 1592)

    More about this quote: wist.info/shakespeare-william/…

    #quote #quotes #quotation #qotd #shakespeare #williamshakespeare #anarchy #breakingthelaw #conflict #foreigners #immigration #insecurity #lawbreaking #lawlessness #mob #mobrule #mobviolence #riot #socialcontract #violence #xenophobia

  18. (1/3) Hello everyone,
    I am active as a Riotmedic. This means that I provide medical services at demonstrations, events, and actions of the left-wing movement. I am usually not alone, I work together with other Riotmedics from various collectives in Germany. The spectrum of topics includes #climatechange, #antifascism, intersectional #feminism, and more.

    #Riotmedic #Riot #Protest #intersectionalfeminism

  19. (1/3) Hello everyone,
    I am active as a Riotmedic. This means that I provide medical services at demonstrations, events, and actions of the left-wing movement. I am usually not alone, I work together with other Riotmedics from various collectives in Germany. The spectrum of topics includes #climatechange, #antifascism, intersectional #feminism, and more.

    #Riotmedic #Riot #Protest #intersectionalfeminism

  20. (1/3) Hello everyone,
    I am active as a Riotmedic. This means that I provide medical services at demonstrations, events, and actions of the left-wing movement. I am usually not alone, I work together with other Riotmedics from various collectives in Germany. The spectrum of topics includes #climatechange, #antifascism, intersectional #feminism, and more.

    #Riotmedic #Riot #Protest #intersectionalfeminism

  21. (1/3) Hello everyone,
    I am active as a Riotmedic. This means that I provide medical services at demonstrations, events, and actions of the left-wing movement. I am usually not alone, I work together with other Riotmedics from various collectives in Germany. The spectrum of topics includes #climatechange, #antifascism, intersectional #feminism, and more.

    #Riotmedic #Riot #Protest #intersectionalfeminism

  22. (1/3) Hello everyone,
    I am active as a Riotmedic. This means that I provide medical services at demonstrations, events, and actions of the left-wing movement. I am usually not alone, I work together with other Riotmedics from various collectives in Germany. The spectrum of topics includes #climatechange, #antifascism, intersectional #feminism, and more.

    #Riotmedic #Riot #Protest #intersectionalfeminism