#motorhead — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #motorhead, aggregated by home.social.
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Hollywood Vampires have released a live performance of “Ace Of Spades,” the second single from their upcoming live album At Montreux Jazz Festival.
Details: https://metalinsider.net/video/hollywood-vampires-release-live-ace-of-spades-video
#HollywoodVampires #AceOfSpades #Motörhead #LemmyKilmister #AliceCooper #JohnnyDepp #JoePerry #MontreuxJazzFestival
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pronti per #headbang selvaggio !?!?
quando le cover sono fatte bene....https://furiousrecords.bandcamp.com/track/los-l-gers-rock-out
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pronti per #headbang selvaggio !?!?
quando le cover sono fatte bene....https://furiousrecords.bandcamp.com/track/los-l-gers-rock-out
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Ruyned – Profanum Sacrificium Review By Grin ReaperI’ve been on a bit of a thrash bender in June, and Ruyned will conclude this month’s kick for ol’ Grin. The Romanian trio sends me deep into the heart of July with turbocharged, high-octane riffing and a moderate case of whiplash. Profanum Sacrificium, Ruyned’s sophomore LP, plays thrash the way the olde school intended—at furious speeds with the subtlety of an uppercut to the jawbone. My elevator pitch for Ruyned is, ‘Midnight but faster,’ yet the crew also channels Kill ‘Em All-era Metallica and a stripped-down Hellripper. With blistering paces in all the right places, does Profanum Sacrificium satisfy listeners’ need for speed?
Profanum Sacrificium is a tale of two halves, covering a pair of narrative arcs that relate accounts of violence and death. The front-end scorches with instantaneous shots of adrenaline and describes the heinous depravity of the Vampire of Düsseldorf. “Speedchain” and “Sex’n Speed” reek of OG Metallica, where “Hit the Lights” seems a major inspiration for both “Speedchain”‘s thunderous opening as well as the primary hook in “Sex’n Speed.” “Sex Commander 666” sprints into Motörhead territory, opening with a solo that Fast Eddie Clark would approve of before slinking into a funky swagger that reminds me of “Love Me Like a Reptile.” Where Ruyned plays a touch too close to influence on the first two, “Sex Commander 666” exudes a freshness that hints at touchstones without plaguing me with questions of where I’ve heard a riff before. Meanwhile, “Orgasm Through Death” slows proceedings down appreciably, with Bogdan Mateescu’s tortured, blackened rasps guiding listeners through a plodding march that amplifies the drama.
The second half of Profanum Sacrificium shifts to a separate narrative, describing centuries-long witch hunts from post-medieval Europe steeped in folklore and flames. Musically, this pulls Ruyned away from the straightforward ragers that define Profanum Sacrificium’s first half and into darker, more novel waters. The most immediate difference is that more time gets dedicated to instrumentation on the back half, with two instrumentals and less vocal focus towards the ends of tracks “Malleus Maleficarum” and “Witches Gallöw.” Originality flares here as well, where the instrumentation is reminiscent of bands like Bütcher and Toxic Holocaust, but the songs don’t blur with comparisons. “Profanum Sacrificium,” “Malleus Maleficarum,” and “Witches Gallöw” could pass for decade-old Kreator B-sides sung by Tapping the Vein-era Tom Angelripper, boasting snappy melodic riffing supported by Mihai Marinescu’s machine-gun blast drums and Tiberiu Olescher’s mid-range bass attack.
In all, Ruyned zips through half an hour of breakneck thrash with enough energy and grit that it’s unerringly easy to enjoy despite some bumps along the way. Even before I discovered Profanum Sacrificium’s two narrative arcs, the musical split between them stood out. While each half succeeds on its own, together they present a whole too disjointed to flourish without an interceding mixer. Ruyned’s instrumentals also undercut Profanum Sacrificium’s potential, where the three of them total four-and-a-half minutes of fluff. The remainder of Profanum Sacrificium barely contains enough meat to qualify for LP status, leaving the album longing for another well-developed song or two rather than three throwaway tracks.1 Still, the rest of the album supplies plenty of good thrashing, and with a little more consideration to songwriting cohesion, Ruyned possesses the pizzazz to set barns ablaze their next time out.
After several listens through Profanum Sacrificium, I’m convinced Ruyned can write first-class thrash. Rapidfire riffs and blackened edges give Ruyned a sense of familiarity, and if they can take care to push further away from genre greats and commit to more unified songwriting, they’ll menace listeners with an all-killer fusillade next time. Until then, Profanum Sacrificium serves as a fun diversion when time doesn’t allow for a longer dive, but it ultimately doesn’t threaten what other acts have done in the space this year.
Rating: Good
#2026 #BlackenedThrashMetal #Bütcher #Hellripper #Jun26 #Kreator #Metallica #Midnight #Motörhead #OsmoseProductions #ProfanumSacrificium #Review #Reviews #RomanianMetal #Ruyned #ThrashMetal #ToxicHolocaust
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Osmose Productions
Websites: Bandcamp | Facebook
Releases Worldwide: June 26th, 2026 -
Ruyned – Profanum Sacrificium Review By Grin ReaperI’ve been on a bit of a thrash bender in June, and Ruyned will conclude this month’s kick for ol’ Grin. The Romanian trio sends me deep into the heart of July with turbocharged, high-octane riffing and a moderate case of whiplash. Profanum Sacrificium, Ruyned’s sophomore LP, plays thrash the way the olde school intended—at furious speeds with the subtlety of an uppercut to the jawbone. My elevator pitch for Ruyned is, ‘Midnight but faster,’ yet the crew also channels Kill ‘Em All-era Metallica and a stripped-down Hellripper. With blistering paces in all the right places, does Profanum Sacrificium satisfy listeners’ need for speed?
Profanum Sacrificium is a tale of two halves, covering a pair of narrative arcs that relate accounts of violence and death. The front-end scorches with instantaneous shots of adrenaline and describes the heinous depravity of the Vampire of Düsseldorf. “Speedchain” and “Sex’n Speed” reek of OG Metallica, where “Hit the Lights” seems a major inspiration for both “Speedchain”‘s thunderous opening as well as the primary hook in “Sex’n Speed.” “Sex Commander 666” sprints into Motörhead territory, opening with a solo that Fast Eddie Clark would approve of before slinking into a funky swagger that reminds me of “Love Me Like a Reptile.” Where Ruyned plays a touch too close to influence on the first two, “Sex Commander 666” exudes a freshness that hints at touchstones without plaguing me with questions of where I’ve heard a riff before. Meanwhile, “Orgasm Through Death” slows proceedings down appreciably, with Bogdan Mateescu’s tortured, blackened rasps guiding listeners through a plodding march that amplifies the drama.
The second half of Profanum Sacrificium shifts to a separate narrative, describing centuries-long witch hunts from post-medieval Europe steeped in folklore and flames. Musically, this pulls Ruyned away from the straightforward ragers that define Profanum Sacrificium’s first half and into darker, more novel waters. The most immediate difference is that more time gets dedicated to instrumentation on the back half, with two instrumentals and less vocal focus towards the ends of tracks “Malleus Maleficarum” and “Witches Gallöw.” Originality flares here as well, where the instrumentation is reminiscent of bands like Bütcher and Toxic Holocaust, but the songs don’t blur with comparisons. “Profanum Sacrificium,” “Malleus Maleficarum,” and “Witches Gallöw” could pass for decade-old Kreator B-sides sung by Tapping the Vein-era Tom Angelripper, boasting snappy melodic riffing supported by Mihai Marinescu’s machine-gun blast drums and Tiberiu Olescher’s mid-range bass attack.
In all, Ruyned zips through half an hour of breakneck thrash with enough energy and grit that it’s unerringly easy to enjoy despite some bumps along the way. Even before I discovered Profanum Sacrificium’s two narrative arcs, the musical split between them stood out. While each half succeeds on its own, together they present a whole too disjointed to flourish without an interceding mixer. Ruyned’s instrumentals also undercut Profanum Sacrificium’s potential, where the three of them total four-and-a-half minutes of fluff. The remainder of Profanum Sacrificium barely contains enough meat to qualify for LP status, leaving the album longing for another well-developed song or two rather than three throwaway tracks.1 Still, the rest of the album supplies plenty of good thrashing, and with a little more consideration to songwriting cohesion, Ruyned possesses the pizzazz to set barns ablaze their next time out.
After several listens through Profanum Sacrificium, I’m convinced Ruyned can write first-class thrash. Rapidfire riffs and blackened edges give Ruyned a sense of familiarity, and if they can take care to push further away from genre greats and commit to more unified songwriting, they’ll menace listeners with an all-killer fusillade next time. Until then, Profanum Sacrificium serves as a fun diversion when time doesn’t allow for a longer dive, but it ultimately doesn’t threaten what other acts have done in the space this year.
Rating: Good
#2026 #BlackenedThrashMetal #Bütcher #Hellripper #Jun26 #Kreator #Metallica #Midnight #Motörhead #OsmoseProductions #ProfanumSacrificium #Review #Reviews #RomanianMetal #Ruyned #ThrashMetal #ToxicHolocaust
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Osmose Productions
Websites: Bandcamp | Facebook
Releases Worldwide: June 26th, 2026 -
#music #radio #zoo #Hellraiser #Motörhead
Рок на хвилях радіо Зоопарк: https://music.youtube.com/watch?v=1M4FG1UXH5wА тут музикальний канал Радіо Зоопарк з усіма треками, які виходять кожен день: https://tinyurl.com/signal-music-wave
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#music #radio #zoo #Hellraiser #Motörhead
Рок на хвилях радіо Зоопарк: https://music.youtube.com/watch?v=1M4FG1UXH5wА тут музикальний канал Радіо Зоопарк з усіма треками, які виходять кожен день: https://tinyurl.com/signal-music-wave
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Realeasd today 16th July 2007
"Better Motörhead Than Dead, Live At Hammersmith ".
The entire recording of the concert of their 30th anniversary show at the Hammersmith Apollo in London on 16 June 2005.
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Realeasd today 16th July 2007
"Better Motörhead Than Dead, Live At Hammersmith ".
The entire recording of the concert of their 30th anniversary show at the Hammersmith Apollo in London on 16 June 2005.
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Remembering Michael Richard Burston , aka Würzel ♠️, who died today 9th July 2011
"I knew deep down that the only thing I would really be happy doing was playing rock'n'roll,"
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Remembering Michael Richard Burston , aka Würzel ♠️, who died today 9th July 2011
"I knew deep down that the only thing I would really be happy doing was playing rock'n'roll,"
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Motörhead "Heroes" (David Bowie Cover)
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Motörhead "Heroes" (David Bowie Cover)
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This is a fun 4-disc live set.
Artist: Motörhead
Album: Better Motorhead Than Dead: Live At Hammersmith (2007)
Release: 2019 reissue
Region: Europe
Label: Murder One – BMGCAT374QLP -
#Motorhead - In the Name of Tragedy (Inferno, 2004)
#JukeboxFridayNight #PowerPlay
https://www.youtube.com/watch?v=Zn_s31suuJc&list=PLWZJmtzkDrcQtgXa_E-vMmKFMshLZ0Lkq&index=10
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#Motorhead - In the Name of Tragedy (Inferno, 2004)
#JukeboxFridayNight #PowerPlay
https://www.youtube.com/watch?v=Zn_s31suuJc&list=PLWZJmtzkDrcQtgXa_E-vMmKFMshLZ0Lkq&index=10
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For reasons I just checked on which (ex)member of #Motörhead are still alive
Mikkey Dee, Lucas Fox, Pete Gill and Brian "Robbo" Robertson.
3 drummers and one guitar.
Lesson learned: play drums, live longer.
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For reasons I just checked on which (ex)member of #Motörhead are still alive
Mikkey Dee, Lucas Fox, Pete Gill and Brian "Robbo" Robertson.
3 drummers and one guitar.
Lesson learned: play drums, live longer.
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Nieuws: Motörhead – Kiss Of Death (20th Anniversary Edition)
https://writteninmusic.com/nieuws/motorhead-kiss-of-death-20th-anniversary-edition/ -
My brother got me some awesome Motörhead gifts! He sent me the 2026 Steven Wilson Remix CD box set and a Lemmy figure. I already had the vinyl edition of the remix, but the CD box set includes so much more, including outtakes and an Atmos/surround mix.
Artist: Motörhead
Album: On Parole (1979)
Release: 2026 Steven Wilson Remix, CD/Blu-ray box set
Region: Europe
Label: Parlophone – 5021732623461 -
27th June 1981 Motörhead are No1 in the UK album charts with
" No Sleep 'till Hammersmith" -
27th June 1981 Motörhead are No1 in the UK album charts with
" No Sleep 'till Hammersmith" -
William Shatner may be bringing his heavy metal project to the stage. Meanwhile, legendary drummer Mikkey Dee joins the album on a cover of Judas Priest's "Living After Midnight."
Details: https://metalinsider.net/news/william-shatner-eyes-live-heavy-metal-stage-production
#WilliamShatner #HeavyMetal #MikkeyDee #Motörhead #Scorpions #JudasPriest
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Today I am enjoying a Father's Day gift from my wife! It includes four shows from the same tour. I really wish they had included "I'll Be Your Sister" on one of them.
Artist: Motörhead
Album: No Sleep 'til Hammersmith (1981)
Release: 2021 deluxe CD box set, remastered
Region: Europe
Label: BMG – BMGCAT476QCD -
RE: https://mastodon.world/@Long_live_rock_n_roll/116724583231493632
I still haven't been able to listen to this album.
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RE: https://mastodon.world/@Long_live_rock_n_roll/116724583231493632
I still haven't been able to listen to this album.
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"Clean Your Clock" Released today 10th June 2016
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"Clean Your Clock" Released today 10th June 2016
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Gozu – Gozu VI Review By Creeping Ivy
In my continuing exploration of Boston bands, the promo pit exhaled the latest from a stoner stalwart. Gozu have been dispensing their hybrid strain of stoner rock/metal since 2007, with riffmeisters Marc Gaffney (vocals, guitar) and Doug Sherman (lead guitar) serving as the only consistent members. Current bassist Joseph Grotto joined Gozu for Revival (2016), and Seth Botos began helming the drums on Remedy (2023), the band’s most recent output. Since their move to Metal Blade Records for Equilibrium (2018), Gozu have increasingly poppified their sound as Gaffney grows into a more versatile vocalist. Still, these Boston veterans haven’t abandoned their identity; catchy choruses sweeten a familiar beanpot of droney riffs. Also intact is their tongue-in-cheek humor; this is a band that named a song “Charles Bronson Pinchot” in 2012 and another “Tom Cruise Control” in 2023. As the first Gozu album to be covered on AMG, Gozu VI will achieve ‘wicked pissah’ status by continuing the band’s trend of refining their sound while maintaining their signature charm.
On the stoner continuum, Gozu veers closer to rock than metal while straddling the line. Indeed, this Boston quartet pack Clutch’s shuffling grooves (“Corinthian Leatherface”), Corrosion of Conformity’s bluesy dirges (“Midnight Express”), and Motörhead’s straight-ahead speed (“Banacek”) into their musical chamber. Gaffney and Sherman’s simple yet satisfying riffs hit listeners by way of production as warm and fuzzy as a Bay State bruin. Sometimes, the riffing is just as ferocious. On the excellently titled (and almost certainly referential) “Gimme the Lute,” fretboard gymnastics mingle with driving chugs and soupy sludge that feels more metallic than geological. Though new to the Gozu crew, Grotto and Botos form a serviceable rhythm section that doesn’t necessarily shine, but that understands the assignment: let the riffs (and vocals) pop. Avoiding the monotony of stoner metal and the banality of stoner rock, Gozu VI strikes a salutary balance.
In his role as vocalist, Gaffney elevates Gozu by displaying a varied arsenal of skills. His voice recalls Neil Fallon of Clutch but with a grunge coloring that’s more nose than chin (think Weiland, not Vedder). Gaffney’s choruses shift between nimble croons suiting the livelier tracks (“Corinthian Leatherface”) and diaphragm-ed belts fitting the doomier cuts (“Midnight Express”). Throughout the album, he tucks falsetto harmonies into his main lines, blending major and minor tonality in a manner akin to Soundgarden and Stone Temple Pilots. ”Corner Lariat” stands as Gaffney’s most ambitious and arresting performance, threading tender verses through a big, wistful chorus, broaching power ballad territory. Not every verse and chorus on Gozu VI knocks it out of Fenway, but enough do to give Gozu a pure listenability that most stoner acts do not possess.
At 8 tracks in 46 minutes, Gozu VI mostly delivers a cohesive album experience. “Corinthian Leatherface” gets this Boston Tea Party started strong, effortlessly tossing energetic riffs and sugary hooks off the side of the Stoner Ship in a rebellious yet controlled demonstration.1 From there, the album intermittently slows down, culminating with the pensive power of “Corner Lariat.” This is a solid run of tracks, though “Killer Khan” comes off as a bit redundant (and has some ham-fisted profanities). “Banacek” picks the pace back up, adding a unique freneticism to the album via interplay between Gaffney’s chunky power chords and Sherman’s wild shredding. Closing out the album is a scattershot three-track run. “Gimme the Lute” doles out some of the finest riffwork on Gozu VI, but “They Did Know Karate”2 suffers from bloat, while closer “Corvette Summer” anticlimactically fades out.
Gozu VI is, undoubtedly, a pissah. Gaffney, Sherman, and crew are pros who know how to produce high-quality jams built around strong riffs and vocal hooks. Stoner rock/metal proves a challenging paradigm within which to produce truly standout material, but Gozu come as close as I could imagine with their sixth LP. There’s nothing really innovative about Gozu VI, but there’s also nothing terribly wrong with it, and a lot to enjoy. While I hesitate to qualify their latest offering as ‘wicked,’ I don’t at all hesitate to recommend Gozu VI to anyone looking for a familiar, fun time.
Rating: 3.0/5.0
#2026 #30 #BlacklightMediaRecords #Clutch #CorrosionOfConformity #Gozu #GozuVI #May26 #MetalBladeRecords #Motörhead #Review #Reviews #Soundgarden #StoneTemplePilots #StonerMetal #StonerRock #USMetal
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records | Blacklight Media Records
Websites: Official | Bandcamp | Facebook | Instagram
Releases Worldwide: May 15th, 2026 -
Gozu – Gozu VI Review By Creeping Ivy
In my continuing exploration of Boston bands, the promo pit exhaled the latest from a stoner stalwart. Gozu have been dispensing their hybrid strain of stoner rock/metal since 2007, with riffmeisters Marc Gaffney (vocals, guitar) and Doug Sherman (lead guitar) serving as the only consistent members. Current bassist Joseph Grotto joined Gozu for Revival (2016), and Seth Botos began helming the drums on Remedy (2023), the band’s most recent output. Since their move to Metal Blade Records for Equilibrium (2018), Gozu have increasingly poppified their sound as Gaffney grows into a more versatile vocalist. Still, these Boston veterans haven’t abandoned their identity; catchy choruses sweeten a familiar beanpot of droney riffs. Also intact is their tongue-in-cheek humor; this is a band that named a song “Charles Bronson Pinchot” in 2012 and another “Tom Cruise Control” in 2023. As the first Gozu album to be covered on AMG, Gozu VI will achieve ‘wicked pissah’ status by continuing the band’s trend of refining their sound while maintaining their signature charm.
On the stoner continuum, Gozu veers closer to rock than metal while straddling the line. Indeed, this Boston quartet pack Clutch’s shuffling grooves (“Corinthian Leatherface”), Corrosion of Conformity’s bluesy dirges (“Midnight Express”), and Motörhead’s straight-ahead speed (“Banacek”) into their musical chamber. Gaffney and Sherman’s simple yet satisfying riffs hit listeners by way of production as warm and fuzzy as a Bay State bruin. Sometimes, the riffing is just as ferocious. On the excellently titled (and almost certainly referential) “Gimme the Lute,” fretboard gymnastics mingle with driving chugs and soupy sludge that feels more metallic than geological. Though new to the Gozu crew, Grotto and Botos form a serviceable rhythm section that doesn’t necessarily shine, but that understands the assignment: let the riffs (and vocals) pop. Avoiding the monotony of stoner metal and the banality of stoner rock, Gozu VI strikes a salutary balance.
In his role as vocalist, Gaffney elevates Gozu by displaying a varied arsenal of skills. His voice recalls Neil Fallon of Clutch but with a grunge coloring that’s more nose than chin (think Weiland, not Vedder). Gaffney’s choruses shift between nimble croons suiting the livelier tracks (“Corinthian Leatherface”) and diaphragm-ed belts fitting the doomier cuts (“Midnight Express”). Throughout the album, he tucks falsetto harmonies into his main lines, blending major and minor tonality in a manner akin to Soundgarden and Stone Temple Pilots. ”Corner Lariat” stands as Gaffney’s most ambitious and arresting performance, threading tender verses through a big, wistful chorus, broaching power ballad territory. Not every verse and chorus on Gozu VI knocks it out of Fenway, but enough do to give Gozu a pure listenability that most stoner acts do not possess.
At 8 tracks in 46 minutes, Gozu VI mostly delivers a cohesive album experience. “Corinthian Leatherface” gets this Boston Tea Party started strong, effortlessly tossing energetic riffs and sugary hooks off the side of the Stoner Ship in a rebellious yet controlled demonstration.1 From there, the album intermittently slows down, culminating with the pensive power of “Corner Lariat.” This is a solid run of tracks, though “Killer Khan” comes off as a bit redundant (and has some ham-fisted profanities). “Banacek” picks the pace back up, adding a unique freneticism to the album via interplay between Gaffney’s chunky power chords and Sherman’s wild shredding. Closing out the album is a scattershot three-track run. “Gimme the Lute” doles out some of the finest riffwork on Gozu VI, but “They Did Know Karate”2 suffers from bloat, while closer “Corvette Summer” anticlimactically fades out.
Gozu VI is, undoubtedly, a pissah. Gaffney, Sherman, and crew are pros who know how to produce high-quality jams built around strong riffs and vocal hooks. Stoner rock/metal proves a challenging paradigm within which to produce truly standout material, but Gozu come as close as I could imagine with their sixth LP. There’s nothing really innovative about Gozu VI, but there’s also nothing terribly wrong with it, and a lot to enjoy. While I hesitate to qualify their latest offering as ‘wicked,’ I don’t at all hesitate to recommend Gozu VI to anyone looking for a familiar, fun time.
Rating: 3.0/5.0
#2026 #30 #BlacklightMediaRecords #Clutch #CorrosionOfConformity #Gozu #GozuVI #May26 #MetalBladeRecords #Motörhead #Review #Reviews #Soundgarden #StoneTemplePilots #StonerMetal #StonerRock #USMetal
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records | Blacklight Media Records
Websites: Official | Bandcamp | Facebook | Instagram
Releases Worldwide: May 15th, 2026 -
🇺🇦 #NowPlaying on #BBC6Music's #HuwStephens
Motörhead:
🎵 Ace Of Spadeshttps://undersideforever.bandcamp.com/track/underside-band-cover-motorhead-ace-of-spades
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🇺🇦 #NowPlaying on #BBC6Music's #HuwStephens
Motörhead:
🎵 Ace Of Spadeshttps://undersideforever.bandcamp.com/track/underside-band-cover-motorhead-ace-of-spades
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CW: Decapitated head.
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@SergKoren the Ace of Spades is what matters 🤘 #motorhead
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@SergKoren the Ace of Spades is what matters 🤘 #motorhead
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You don't have to speed it up a bit to understand where #Lemmy from #Motörhead got his inspiration from… #Beatles live in 1964…
9:00 in for example…
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You don't have to speed it up a bit to understand where #Lemmy from #Motörhead got his inspiration from… #Beatles live in 1964…
9:00 in for example…