#dropkickmurphys — Public Fediverse posts

More for #InternationalWorkersDay

The Dropkick Murphys (a real working class band) singing Woody Guthrie's "All You Fonies (Bound to Lose)"

#DropkickMurphys #MayDay #Union

https://www.youtube.com/watch?v=kM2Cf6h0-rs

More for #InternationalWorkersDay

The Dropkick Murphys (a real working class band) singing Woody Guthrie's "All You Fonies (Bound to Lose)"

#DropkickMurphys #MayDay #Union

https://www.youtube.com/watch?v=kM2Cf6h0-rs

More for #InternationalWorkersDay

The Dropkick Murphys (a real working class band) singing Woody Guthrie's "All You Fonies (Bound to Lose)"

#DropkickMurphys #MayDay #Union

https://www.youtube.com/watch?v=kM2Cf6h0-rs

More for #InternationalWorkersDay

The Dropkick Murphys (a real working class band) singing Woody Guthrie's "All You Fonies (Bound to Lose)"

#DropkickMurphys #MayDay #Union

https://www.youtube.com/watch?v=kM2Cf6h0-rs

More for #InternationalWorkersDay

The Dropkick Murphys (a real working class band) singing Woody Guthrie's "All You Fonies (Bound to Lose)"

#DropkickMurphys #MayDay #Union

https://www.youtube.com/watch?v=kM2Cf6h0-rs

Chariots Overdrive – The End of Antiquity Review

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, …
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #Entertainment #GatesofHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #NWOBHM #PowerMetal #rancid #review #reviews #TheEndofAntiquity
https://www.newsbeep.com/us/609222/

Chariots Overdrive – The End of Antiquity Review

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, …
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #Entertainment #GatesofHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #NWOBHM #PowerMetal #rancid #review #reviews #TheEndofAntiquity
https://www.newsbeep.com/us/609222/

https://www.europesays.com/uk/921236/ Chariots Overdrive – The End of Antiquity Review #25 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #Entertainment #GatesOfHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #music #NWOBHM #PowerMetal #Rancid #Review #Reviews #TheEndOfAntiquity #UK #UnitedKingdom

Chariots Overdrive – The End of Antiquity Review

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture t…
#NewsBeep #News #Music #2.5 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #Entertainment #GatesofHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #NWOBHM #PowerMetal #Rancid #review #Reviews #TheEndofAntiquity #UK #UnitedKingdom
https://www.newsbeep.com/uk/552187/

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

#music #musik #musica #musique

#DropkickMurphys 🍀#WhoWillStandWithUs

https://m.youtube.com/watch?v=5BRHuiRyVEE&list=RD5BRHuiRyVEE&start_radio=1&pp=ygUpZHJvcCBraWNrIG11cnBoeXMsIHdobyB3aWxsIHN0YW5kIHdpdGggdXOgBwHSBwkJ0woBhyohjO8%3D

#WeAreTheRadio #pouetradio #SolidarityWithPalestineRadio 🇵🇸

#music #musik #musica #musique

#DropkickMurphys 🍀#WhoWillStandWithUs

https://m.youtube.com/watch?v=5BRHuiRyVEE&list=RD5BRHuiRyVEE&start_radio=1&pp=ygUpZHJvcCBraWNrIG11cnBoeXMsIHdobyB3aWxsIHN0YW5kIHdpdGggdXOgBwHSBwkJ0woBhyohjO8%3D

#WeAreTheRadio #pouetradio #SolidarityWithPalestineRadio 🇵🇸

Ted Tocks Covers

White Riot

Originally posted on April 8, 2018

On this day in 1977 The Clash released their self-titled debut album.

“All the power’s in the hands
Of people rich enough to buy it
While we walk the street
Too chicken to even try it”

#theclash #Cracker #DropkickMurphys

https://tedtockscovers.wordpress.com/2018/04/08/white-riot/

Ted Tocks Covers

White Riot

Originally posted on April 8, 2018

On this day in 1977 The Clash released their self-titled debut album.

“All the power’s in the hands
Of people rich enough to buy it
While we walk the street
Too chicken to even try it”

#theclash #Cracker #DropkickMurphys

https://tedtockscovers.wordpress.com/2018/04/08/white-riot/

Ted Tocks Covers

White Riot

Originally posted on April 8, 2018

On this day in 1977 The Clash released their self-titled debut album.

“All the power’s in the hands
Of people rich enough to buy it
While we walk the street
Too chicken to even try it”

#theclash #Cracker #DropkickMurphys

https://tedtockscovers.wordpress.com/2018/04/08/white-riot/

Dropkick Murphys And Haywire 617 - New England Forever. Die Bostoner Lokalpatrioten Haywire 617 haben sich mit den Dropkick Murphys zusammengetan, die aus d......
#DropkickMurphys #Haywire617#Album #Hardcore #PostHardcore #Punk #PunkRock
https://www.musikblog.de/2026/03/dropkick-murphys-and-haywire-617-new-england-forever/

Dropkick Murphys And Haywire 617 - New England Forever. Die Bostoner Lokalpatrioten Haywire 617 haben sich mit den Dropkick Murphys zusammengetan, die aus d......
#DropkickMurphys #Haywire617#Album #Hardcore #PostHardcore #Punk #PunkRock
https://www.musikblog.de/2026/03/dropkick-murphys-and-haywire-617-new-england-forever/

Neue Split EP von Dropkick Murphys und Haywire 617: #dropkickmurphys #haywire617 #hardcore #punk #punkrock #ice : http://www.popmonitor.de/dropkick-murphys-haywire-617-new-england-forever/

Now THAT’S a fine little Irish ditty to sing along with … for St. Pat’s 2026

#dropkickmurphys #saintpatricksday

https://youtu.be/mSrDkRm7_78?si=yuMF_2yiOOFJumb-

Now THAT’S a fine little Irish ditty to sing along with … for St. Pat’s 2026

#dropkickmurphys #saintpatricksday

https://youtu.be/mSrDkRm7_78?si=yuMF_2yiOOFJumb-

Now THAT’S a fine little Irish ditty to sing along with … for St. Pat’s 2026

#dropkickmurphys #saintpatricksday

https://youtu.be/mSrDkRm7_78?si=yuMF_2yiOOFJumb-

Now THAT’S a fine little Irish ditty to sing along with … for St. Pat’s 2026

#dropkickmurphys #saintpatricksday

https://youtu.be/mSrDkRm7_78?si=yuMF_2yiOOFJumb-

#DropkickMurphys #TheGreenFieldsOf France

https://youtu.be/Kqba0IUdiBk?si=5s8rZK8d9YkCvrvR

#DropkickMurphys #TheGreenFieldsOf France

https://youtu.be/Kqba0IUdiBk?si=5s8rZK8d9YkCvrvR

#DropkickMurphys #TheGreenFieldsOf France

https://youtu.be/Kqba0IUdiBk?si=5s8rZK8d9YkCvrvR

#DropkickMurphys #TheGreenFieldsOf France

https://youtu.be/Kqba0IUdiBk?si=5s8rZK8d9YkCvrvR

#DropkickMurphys #TheGreenFieldsOf France

https://youtu.be/Kqba0IUdiBk?si=5s8rZK8d9YkCvrvR

#DropkickMurphys

"Dropkick Murphys proudly remain Boston’s rock ‘n’ roll underdogs turned champions. Since 1996, the boys have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (2021’s Turn Up That Dial, 11 Short Stories Of Pain & Glory, Signed and Sealed in Blood, Going Out In Style), along with 2005’s gold-selling The Warrior’s Code featuring the near double platinum classic 'I’m Shipping Up To Boston.' Whether you caught a legendary gig at The Rathskeller (The Rat) under Kenmore Square, found the band by taking the T to Newbury Comics to cop Do Or Die in ’98, discovered them in Martin Scorsese’s Academy Awardwinning The Departed, or saw ‘em throw down at Coachella (or one of hundreds of other festivals), you’ve become a part of their extended family. Dropkick Murphys’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents. In 2020, the band was one of the first to embrace streaming performances, starting with their Streaming Up From Boston St. Patrick’s Day virtual performance. It was followed by last year’s landmark Streaming Outta Fenway livestream, which drew more than 5.9 million viewers and held the #3 spot on Pollstar’s 'Top 2020 Livestreams' chart. Dropkick Murphys St. Patrick’s Day Stream 2021...Still Locked Down, was #1 on Pollstar’s Livestream chart for the week ending March 22, 2021, logging over 1 million views. Dropkick Murphys return September 30 with their first-ever all-acoustic album, This Machine Still Kills Fascists (Dummy Luck Music / [PIAS]), followed by their first-ever seated theater tour kicking off in late October. This Machine Still Kills Fascists breathes musical life into mostly unpublished lyrics by the legendary Woody Guthrie, curated for the band by Woody's daughter Nora Guthrie."

https://www.wickedlocal.com/things-to-do/events/medfordtranscript/?_evDiscoveryPath=/event/1244628s-dropkick-murphys-parking

#DropkickMurphys

"Dropkick Murphys proudly remain Boston’s rock ‘n’ roll underdogs turned champions. Since 1996, the boys have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (2021’s Turn Up That Dial, 11 Short Stories Of Pain & Glory, Signed and Sealed in Blood, Going Out In Style), along with 2005’s gold-selling The Warrior’s Code featuring the near double platinum classic 'I’m Shipping Up To Boston.' Whether you caught a legendary gig at The Rathskeller (The Rat) under Kenmore Square, found the band by taking the T to Newbury Comics to cop Do Or Die in ’98, discovered them in Martin Scorsese’s Academy Awardwinning The Departed, or saw ‘em throw down at Coachella (or one of hundreds of other festivals), you’ve become a part of their extended family. Dropkick Murphys’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents. In 2020, the band was one of the first to embrace streaming performances, starting with their Streaming Up From Boston St. Patrick’s Day virtual performance. It was followed by last year’s landmark Streaming Outta Fenway livestream, which drew more than 5.9 million viewers and held the #3 spot on Pollstar’s 'Top 2020 Livestreams' chart. Dropkick Murphys St. Patrick’s Day Stream 2021...Still Locked Down, was #1 on Pollstar’s Livestream chart for the week ending March 22, 2021, logging over 1 million views. Dropkick Murphys return September 30 with their first-ever all-acoustic album, This Machine Still Kills Fascists (Dummy Luck Music / [PIAS]), followed by their first-ever seated theater tour kicking off in late October. This Machine Still Kills Fascists breathes musical life into mostly unpublished lyrics by the legendary Woody Guthrie, curated for the band by Woody's daughter Nora Guthrie."

https://www.wickedlocal.com/things-to-do/events/medfordtranscript/?_evDiscoveryPath=/event/1244628s-dropkick-murphys-parking

#DropkickMurphys

"Dropkick Murphys proudly remain Boston’s rock ‘n’ roll underdogs turned champions. Since 1996, the boys have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (2021’s Turn Up That Dial, 11 Short Stories Of Pain & Glory, Signed and Sealed in Blood, Going Out In Style), along with 2005’s gold-selling The Warrior’s Code featuring the near double platinum classic 'I’m Shipping Up To Boston.' Whether you caught a legendary gig at The Rathskeller (The Rat) under Kenmore Square, found the band by taking the T to Newbury Comics to cop Do Or Die in ’98, discovered them in Martin Scorsese’s Academy Awardwinning The Departed, or saw ‘em throw down at Coachella (or one of hundreds of other festivals), you’ve become a part of their extended family. Dropkick Murphys’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents. In 2020, the band was one of the first to embrace streaming performances, starting with their Streaming Up From Boston St. Patrick’s Day virtual performance. It was followed by last year’s landmark Streaming Outta Fenway livestream, which drew more than 5.9 million viewers and held the #3 spot on Pollstar’s 'Top 2020 Livestreams' chart. Dropkick Murphys St. Patrick’s Day Stream 2021...Still Locked Down, was #1 on Pollstar’s Livestream chart for the week ending March 22, 2021, logging over 1 million views. Dropkick Murphys return September 30 with their first-ever all-acoustic album, This Machine Still Kills Fascists (Dummy Luck Music / [PIAS]), followed by their first-ever seated theater tour kicking off in late October. This Machine Still Kills Fascists breathes musical life into mostly unpublished lyrics by the legendary Woody Guthrie, curated for the band by Woody's daughter Nora Guthrie."

https://www.wickedlocal.com/things-to-do/events/medfordtranscript/?_evDiscoveryPath=/event/1244628s-dropkick-murphys-parking

#DropkickMurphys

"Dropkick Murphys proudly remain Boston’s rock ‘n’ roll underdogs turned champions. Since 1996, the boys have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (2021’s Turn Up That Dial, 11 Short Stories Of Pain & Glory, Signed and Sealed in Blood, Going Out In Style), along with 2005’s gold-selling The Warrior’s Code featuring the near double platinum classic 'I’m Shipping Up To Boston.' Whether you caught a legendary gig at The Rathskeller (The Rat) under Kenmore Square, found the band by taking the T to Newbury Comics to cop Do Or Die in ’98, discovered them in Martin Scorsese’s Academy Awardwinning The Departed, or saw ‘em throw down at Coachella (or one of hundreds of other festivals), you’ve become a part of their extended family. Dropkick Murphys’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents. In 2020, the band was one of the first to embrace streaming performances, starting with their Streaming Up From Boston St. Patrick’s Day virtual performance. It was followed by last year’s landmark Streaming Outta Fenway livestream, which drew more than 5.9 million viewers and held the #3 spot on Pollstar’s 'Top 2020 Livestreams' chart. Dropkick Murphys St. Patrick’s Day Stream 2021...Still Locked Down, was #1 on Pollstar’s Livestream chart for the week ending March 22, 2021, logging over 1 million views. Dropkick Murphys return September 30 with their first-ever all-acoustic album, This Machine Still Kills Fascists (Dummy Luck Music / [PIAS]), followed by their first-ever seated theater tour kicking off in late October. This Machine Still Kills Fascists breathes musical life into mostly unpublished lyrics by the legendary Woody Guthrie, curated for the band by Woody's daughter Nora Guthrie."

https://www.wickedlocal.com/things-to-do/events/medfordtranscript/?_evDiscoveryPath=/event/1244628s-dropkick-murphys-parking

Metal En Route (03/10-03/15) Now We’re Really Going Off the Rails, Rivetheads: Katatonia, Dropkick Murphys, & more:

#Concerts #Events #MetalEnRoute #Katatonia #DropkickMurphys

Link: https://metalinsider.net/touring/metal-en-route-03-10-03-15-now-were-really-going-off-the-rails-rivetheads-katatonia-dropkick-murphys-more

Metal En Route (03/10-03/15) Now We’re Really Going Off the Rails, Rivetheads: Katatonia, Dropkick Murphys, & more:

#Concerts #Events #MetalEnRoute #Katatonia #DropkickMurphys

Link: https://metalinsider.net/touring/metal-en-route-03-10-03-15-now-were-really-going-off-the-rails-rivetheads-katatonia-dropkick-murphys-more

The fundraiser near Alex Pretti’s memorial yesterday was a lot of fun. I’d say there were at least 2,000 people there for #DropkickMurphys.

The entire show is on YouTube. There’s a link at https://abolishice.live/. Also, please donate there if you can.

#Music #ICE #Minneapolis

The fundraiser near Alex Pretti’s memorial yesterday was a lot of fun. I’d say there were at least 2,000 people there for #DropkickMurphys.

The entire show is on YouTube. There’s a link at https://abolishice.live/. Also, please donate there if you can.

#Music #ICE #Minneapolis

The fundraiser near Alex Pretti’s memorial yesterday was a lot of fun. I’d say there were at least 2,000 people there for #DropkickMurphys.

The entire show is on YouTube. There’s a link at https://abolishice.live/. Also, please donate there if you can.

#Music #ICE #Minneapolis

The fundraiser near Alex Pretti’s memorial yesterday was a lot of fun. I’d say there were at least 2,000 people there for #DropkickMurphys.

The entire show is on YouTube. There’s a link at https://abolishice.live/. Also, please donate there if you can.

#Music #ICE #Minneapolis

The fundraiser near Alex Pretti’s memorial yesterday was a lot of fun. I’d say there were at least 2,000 people there for #DropkickMurphys.

The entire show is on YouTube. There’s a link at https://abolishice.live/. Also, please donate there if you can.

#Music #ICE #Minneapolis

LIVE: MASSIVE PROTEST Concert Against Trump ERUPTS in Minneapolis - https://www.youtube.com/live/4SZOUtCf0tk?si=nS_z4THVYgAOVOo4 #ProtestConcert #USProtests #DropkickMurphys #DumpTrump #Minneapolis #Minnesota #Music

LIVE: MASSIVE PROTEST Concert Against Trump ERUPTS in Minneapolis - https://www.youtube.com/live/4SZOUtCf0tk?si=nS_z4THVYgAOVOo4 #ProtestConcert #USProtests #DropkickMurphys #DumpTrump #Minneapolis #Minnesota #Music

LIVE: MASSIVE PROTEST Concert Against Trump ERUPTS in Minneapolis - https://www.youtube.com/live/4SZOUtCf0tk?si=nS_z4THVYgAOVOo4 #ProtestConcert #USProtests #DropkickMurphys #DumpTrump #Minneapolis #Minnesota #Music

LIVE: MASSIVE PROTEST Concert Against Trump ERUPTS in Minneapolis - https://www.youtube.com/live/4SZOUtCf0tk?si=nS_z4THVYgAOVOo4 #ProtestConcert #USProtests #DropkickMurphys #DumpTrump #Minneapolis #Minnesota #Music

LIVE: MASSIVE PROTEST Concert Against Trump ERUPTS in Minneapolis - https://www.youtube.com/live/4SZOUtCf0tk?si=nS_z4THVYgAOVOo4 #ProtestConcert #USProtests #DropkickMurphys #DumpTrump #Minneapolis #Minnesota #Music

#dropkickmurphys are performing a fundraiser for #minneapolis on Friday. #news #Politics

#dropkickmurphys are performing a fundraiser for #minneapolis on Friday. #news #Politics

#dropkickmurphys are performing a fundraiser for #minneapolis on Friday. #news #Politics