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#deadkennedys — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #deadkennedys, aggregated by home.social.

  1. Fresh Fruit for Rotting Vegetables

    #deadkennedys #freshfruitforrottingvegetables #punk #hardcore #hardcorepunk #rockmusic #music #musicsky #musiciansky The landmark debut album from Dead Kennedys is released September 2, 1980 and the San Francisco hardcore punk pioneers turned the music scene on its proverbial ears. Fresh Fruit broke the mold for punk. It wasn't like the UK or New York punk with its three chord structure -- it stood out by blending aggressive,…

    robinbannks.com/2026/09/02/fre

  2. Fresh Fruit for Rotting Vegetables

    #deadkennedys #freshfruitforrottingvegetables #punk #hardcore #hardcorepunk #rockmusic #music #musicsky #musiciansky The landmark debut album from Dead Kennedys is released September 2, 1980 and the San Francisco hardcore punk pioneers turned the music scene on its proverbial ears. Fresh Fruit broke the mold for punk. It wasn't like the UK or New York punk with its three chord structure -- it stood out by blending aggressive,…

    robinbannks.com/2026/09/02/fre

  3. Fresh Fruit for Rotting Vegetables

    #deadkennedys #freshfruitforrottingvegetables #punk #hardcore #hardcorepunk #rockmusic #music #musicsky #musiciansky The landmark debut album from Dead Kennedys is released September 2, 1980 and the San Francisco hardcore punk pioneers turned the music scene on its proverbial ears. Fresh Fruit broke the mold for punk. It wasn't like the UK or New York punk with its three chord structure -- it stood out by blending aggressive,…

    robinbannks.com/2026/09/02/fre

  4. Fresh Fruit for Rotting Vegetables

    #deadkennedys #freshfruitforrottingvegetables #punk #hardcore #hardcorepunk #rockmusic #music #musicsky #musiciansky The landmark debut album from Dead Kennedys is released September 2, 1980 and the San Francisco hardcore punk pioneers turned the music scene on its proverbial ears. Fresh Fruit broke the mold for punk. It wasn't like the UK or New York punk with its three chord structure -- it stood out by blending aggressive,…

    robinbannks.com/2026/09/02/fre

  5. Fresh Fruit for Rotting Vegetables

    #deadkennedys #freshfruitforrottingvegetables #punk #hardcore #hardcorepunk #rockmusic #music #musicsky #musiciansky The landmark debut album from Dead Kennedys is released September 2, 1980 and the San Francisco hardcore punk pioneers turned the music scene on its proverbial ears. Fresh Fruit broke the mold for punk. It wasn't like the UK or New York punk with its three chord structure -- it stood out by blending aggressive,…

    robinbannks.com/2026/09/02/fre

  6. Released 46 years ago today

    Fresh Fruit for Rotting Vegetables, the debut studio album by the American punk rock band Dead Kennedys, featuring the track Holiday in Cambodia

    Dead Kennedys - Holiday In Cambodia (Live In France)

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  7. Released 46 years ago today

    Fresh Fruit for Rotting Vegetables, the debut studio album by the American punk rock band Dead Kennedys, featuring the track Holiday in Cambodia

    Dead Kennedys - Holiday In Cambodia (Live In France)

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  8. Released 46 years ago today

    Fresh Fruit for Rotting Vegetables, the debut studio album by the American punk rock band Dead Kennedys, featuring the track Holiday in Cambodia

    Dead Kennedys - Holiday In Cambodia (Live In France)

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  9. Released 46 years ago today

    Fresh Fruit for Rotting Vegetables, the debut studio album by the American punk rock band Dead Kennedys, featuring the track Holiday in Cambodia

    Dead Kennedys - Holiday In Cambodia (Live In France)

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  10. Released 46 years ago today

    Fresh Fruit for Rotting Vegetables, the debut studio album by the American punk rock band Dead Kennedys, featuring the track Holiday in Cambodia

    Dead Kennedys - Holiday In Cambodia (Live In France)

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  11. 46 years ago today

    Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys, released on this day in 1980.

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  12. 46 years ago today

    Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys, released on this day in 1980.

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  13. 46 years ago today

    Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys, released on this day in 1980.

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  14. 46 years ago today

    Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys, released on this day in 1980.

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  15. 46 years ago today

    Fresh Fruit for Rotting Vegetables is the debut studio album by the American punk rock band Dead Kennedys, released on this day in 1980.

    #punk #punks #punkrock #FreshFruitforRottingVegetables #deadkennedys #history #punkrockhistory #otd

  16. every time I read something citing Franco "Bifo" Berardi, I mistake him for Jello Biafra and I can't get this association out of my head

    #Marxism #Autonomism #deadKennedys #books

  17. Chariots Overdrive – The End of Antiquity Review By Andy-War-Hall

    Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

    The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

    Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

    What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

    The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

    Rating: Mixed
    DR: 84 | Format Reviewed: 320 kbps MP3
    Label: Gates of Hell Records
    Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
    Releases Worldwide: April 3rd, 20265

    #25 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #GatesOfHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #NWOBHM #PowerMetal #Rancid #Review #Reviews #TheEndOfAntiquity
  18. #RipDHPeligro
    In memory Darren Henley aka D. H. Peligro, American punk rock musician, drummer for the Dead Kennedys and along with a brief stint drummer for Red Hot Chili Peppers, died a year ago today

    #punk #punkrock #deadkennedys #dhpeligro #history #punkrockhistory #otd

  19. Los patrullero incinerados tras los disturbios de la White Night Riot en San Francisco y que ilustran la tapa de #FreshFruitForRottingVegetables representan a la perfección el inceniario contenido del debut discográfico de los #DeadKennedys publicado un día como el de hoy pero de 1980. El estridente y veloz sonido surf y rockabilly despedido de la guitarra de East Bay Ray junto al oscuro sarcasmo y cinismo de las letras político sociales de Jello Biafra colaboraron para caracterizar a la entonces incipiente escena hardcore del oeste de EEUU. Un disco que en su contenido lírico lejos de perder actualidad está más vigente que nunca a pesar de loa 43 años que han transcurrido.
    #EfemeridesRock

  20. Los patrullero incinerados tras los disturbios de la White Night Riot en San Francisco y que ilustran la tapa de #FreshFruitForRottingVegetables representan a la perfección el inceniario contenido del debut discográfico de los #DeadKennedys publicado un día como el de hoy pero de 1980. El estridente y veloz sonido surf y rockabilly despedido de la guitarra de East Bay Ray junto al oscuro sarcasmo y cinismo de las letras político sociales de Jello Biafra colaboraron para caracterizar a la entonces incipiente escena hardcore del oeste de EEUU. Un disco que en su contenido lírico lejos de perder actualidad está más vigente que nunca a pesar de loa 43 años que han transcurrido.
    #EfemeridesRock

  21. Los patrullero incinerados tras los disturbios de la White Night Riot en San Francisco y que ilustran la tapa de #FreshFruitForRottingVegetables representan a la perfección el inceniario contenido del debut discográfico de los #DeadKennedys publicado un día como el de hoy pero de 1980. El estridente y veloz sonido surf y rockabilly despedido de la guitarra de East Bay Ray junto al oscuro sarcasmo y cinismo de las letras político sociales de Jello Biafra colaboraron para caracterizar a la entonces incipiente escena hardcore del oeste de EEUU. Un disco que en su contenido lírico lejos de perder actualidad está más vigente que nunca a pesar de loa 43 años que han transcurrido.
    #EfemeridesRock

  22. Los patrullero incinerados tras los disturbios de la White Night Riot en San Francisco y que ilustran la tapa de #FreshFruitForRottingVegetables representan a la perfección el inceniario contenido del debut discográfico de los #DeadKennedys publicado un día como el de hoy pero de 1980. El estridente y veloz sonido surf y rockabilly despedido de la guitarra de East Bay Ray junto al oscuro sarcasmo y cinismo de las letras político sociales de Jello Biafra colaboraron para caracterizar a la entonces incipiente escena hardcore del oeste de EEUU. Un disco que en su contenido lírico lejos de perder actualidad está más vigente que nunca a pesar de loa 43 años que han transcurrido.
    #EfemeridesRock