#streetlightmanifesto — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #streetlightmanifesto, aggregated by home.social.
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Traveling #PunkRock outdoor live #music #festival series cancelled after organizer's support of #DJT called into question, and boycotts initiated before #PunkInThePark dates in Pittsburgh PA; Orlando FL; and Vallejo, CA were pulled.
The two original remaining #DeadKennedys members who signed on to play said they were previously unaware of the promoter's support of the current President, but would perform anyway to honor their contract and not rip off ticket buyers.
Long estranged original DK vocalist Jello Biafra, who is no longer in the band stated "They’re taking the money $$$, and THEN pulling out?" he wrote in a statement to #Stereogum.
Other bands that were participating this year despite previous adverse #publicity included The Adicts & The Exploited from UK, #Fear, #LeftoverCrack, #AgnosticFront, The Queers, #Nekromantix, Manic Hispanic, Naked Aggression, Screeching Weasel and #Sissyfit.
#Punk In The Park had sucessfully managed many alt rock #concert events for several years before main organizer Cameron Collins' #Drumpf campaign donations became too large of a liability for acts that have in past participated in Brew Ha Ha Productions events. Last year #DropkickMurphys & #Dillinger4 jumped off the bill and made no secret their dissatisfaction with the promoter's #TrumpRegime support.
Previous #bands on fest stages run by the this promotor in past have included #RichKidsOnLSD #NOFX #StreetlightManifesto and #Pennywise at events like #PunkInDrublic, Summer Roots, Silverado Showdown, #CampAnarchy etc ...
https://www.brooklynvegan.com/punk-in-the-park-cancels-2026-edition-after-backlash/
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Traveling #PunkRock outdoor live #music #festival series cancelled after organizer's support of #DJT called into question, and boycotts initiated before #PunkInThePark dates in Pittsburgh PA; Orlando FL; and Vallejo, CA were pulled.
The two original remaining #DeadKennedys members who signed on to play said they were previously unaware of the promoter's support of the current President, but would perform anyway to honor their contract and not rip off ticket buyers.
Long estranged original DK vocalist Jello Biafra, who is no longer in the band stated "They’re taking the money $$$, and THEN pulling out?" he wrote in a statement to #Stereogum.
Other bands that were participating this year despite previous adverse #publicity included The Adicts & The Exploited from UK, #Fear, #LeftoverCrack, #AgnosticFront, The Queers, #Nekromantix, Manic Hispanic, Naked Aggression, Screeching Weasel and #Sissyfit.
#Punk In The Park had sucessfully managed many alt rock #concert events for several years before main organizer Cameron Collins' #Drumpf campaign donations became too large of a liability for acts that have in past participated in Brew Ha Ha Productions events. Last year #DropkickMurphys & #Dillinger4 jumped off the bill and made no secret their dissatisfaction with the promoter's #TrumpRegime support.
Previous #bands on fest stages run by the this promotor in past have included #RichKidsOnLSD #NOFX #StreetlightManifesto and #Pennywise at events like #PunkInDrublic, Summer Roots, Silverado Showdown, #CampAnarchy etc ...
https://www.brooklynvegan.com/punk-in-the-park-cancels-2026-edition-after-backlash/
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Traveling #PunkRock outdoor live #music #festival series cancelled after organizer's support of #DJT called into question, and boycotts initiated before #PunkInThePark dates in Pittsburgh PA; Orlando FL; and Vallejo, CA were pulled.
The two original remaining #DeadKennedys members who signed on to play said they were previously unaware of the promoter's support of the current President, but would perform anyway to honor their contract and not rip off ticket buyers.
Long estranged original DK vocalist Jello Biafra, who is no longer in the band stated "They’re taking the money $$$, and THEN pulling out?" he wrote in a statement to #Stereogum.
Other bands that were participating this year despite previous adverse #publicity included The Adicts & The Exploited from UK, #Fear, #LeftoverCrack, #AgnosticFront, The Queers, #Nekromantix, Manic Hispanic, Naked Aggression, Screeching Weasel and #Sissyfit.
#Punk In The Park had sucessfully managed many alt rock #concert events for several years before main organizer Cameron Collins' #Drumpf campaign donations became too large of a liability for acts that have in past participated in Brew Ha Ha Productions events. Last year #DropkickMurphys & #Dillinger4 jumped off the bill and made no secret their dissatisfaction with the promoter's #TrumpRegime support.
Previous #bands on fest stages run by the this promotor in past have included #RichKidsOnLSD #NOFX #StreetlightManifesto and #Pennywise at events like #PunkInDrublic, Summer Roots, Silverado Showdown, #CampAnarchy etc ...
https://www.brooklynvegan.com/punk-in-the-park-cancels-2026-edition-after-backlash/
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#BostonWeekend Fri ROCK/PUNK/3RD WAVE SKA Streetlight Manifesto! First album in 12 years - https://youtu.be/SOqenYis1iQ https://roadrunnerboston.com/events/detail/?event_id=933888
3/x #BostonMusic #Boston #Roadrunner #StreetlightManifesto #ska #SkaPunk -
Found out late last night that there was a new Streetlight Manifesto album released like a month ago. Woke up this morning to learn that it has been delayed indefinitely. 😂
How extremely Streetlight of you guys.
#ska #streetlightmanifesto -
Hey y'all! Imma be up at the #SlightlyStoopid & #Iration show on Friday night #Marymoor
Then again at #StreetlightManifesto #ShowboxSoDo on Sunday.If you're into those things like I'm into those things, come say hi! #LiveMusic #Ska #ReggaeDub #IslandMusic
I present like the second amendment, but I'm a big teddy bear. Promise. I'm trying to coin the term griz-Ally Bear. Pretty sure that probably means something different in the scene... Oh well!
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Tomas Kalnoky couldn't record new material for a decade because he was missing his magic hat. Everyone was trying to explain he wrote those songs himself, but he wouldn't hear it. Finally they gave him a convincing replica.
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Seven minutes long? Starts out with one horn droning while the other horns go bonkers?
Yup. Looks like Streetlight is back.
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🎷 Una de las mejores bandas del universo, Streetlight Manifesto, publicó música nueva por primera vez en más de 10 años.
🎺 Tres temas nuevos de su próximo disco "The Place Behind The Stars", disponible en el otoño del hemisferio norte de este año (🤞)
TE-MA-ZOS
🎧 Enormous: https://www.youtube.com/watch?v=zODS4-AzkoA
🎧 Everything to Everyone: https://www.youtube.com/watch?v=5EHXxnj6mB8
🎧 Imagine This: https://www.youtube.com/watch?v=WM-XoOhDEY0 -
It's happening! New album by Streetlight Manifesto!!!!!!
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Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way
From On Mysticism: The Experience of Ecstasy by Simon Critchley, loc 214: [my emphasis]
By “music” here, I simply mean the music that you love, popular music, unpopular music, the music that made you feel most alive when you first heard it and which you cherish for a lifetime. And there is more sweet music we can hear if we keep our ears open, music which allows access to many more lifetimes than we have at our disposal. Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way. There is a mysticism in the experience of music, a godless mysticism if you like, which operates in the realm of the senses and which resonates within us and beyond us. Sensate ecstasy. My intuition – it is nothing more than that – is that music, common, shared, everyday music, low or high or somewhere in between, is able, at its best, to describe how we feel and to allow us to feel something more.
Which immediately made me think back to discovering ska punk in my early 20s, specifically the almost overwhelming sense of being alive which this music did (and sometimes still can) provoke in me. The ecstasy, to use Critchley’s term, clearly depended on being a pit though which simply stopped feeling safe once I got glasses 🤓😢
https://www.youtube.com/watch?v=WXGInUeE_Zw&list=RDWXGInUeE_Zw&start_radio=1
https://www.youtube.com/watch?v=ruFP5hHe-T4
#capdown #drive #music #mysticism #simonCritchley #skaPunk #streetlightManifesto
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Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way
From On Mysticism: The Experience of Ecstasy by Simon Critchley, loc 214: [my emphasis]
By “music” here, I simply mean the music that you love, popular music, unpopular music, the music that made you feel most alive when you first heard it and which you cherish for a lifetime. And there is more sweet music we can hear if we keep our ears open, music which allows access to many more lifetimes than we have at our disposal. Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way. There is a mysticism in the experience of music, a godless mysticism if you like, which operates in the realm of the senses and which resonates within us and beyond us. Sensate ecstasy. My intuition – it is nothing more than that – is that music, common, shared, everyday music, low or high or somewhere in between, is able, at its best, to describe how we feel and to allow us to feel something more.
Which immediately made me think back to discovering ska punk in my early 20s, specifically the almost overwhelming sense of being alive which this music did (and sometimes still can) provoke in me. The ecstasy, to use Critchley’s term, clearly depended on being a pit though which simply stopped feeling safe once I got glasses 🤓😢
https://www.youtube.com/watch?v=WXGInUeE_Zw&list=RDWXGInUeE_Zw&start_radio=1
https://www.youtube.com/watch?v=ruFP5hHe-T4
#capdown #drive #music #mysticism #simonCritchley #skaPunk #streetlightManifesto
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Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way
From On Mysticism: The Experience of Ecstasy by Simon Critchley, loc 214: [my emphasis]
By “music” here, I simply mean the music that you love, popular music, unpopular music, the music that made you feel most alive when you first heard it and which you cherish for a lifetime. And there is more sweet music we can hear if we keep our ears open, music which allows access to many more lifetimes than we have at our disposal. Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way. There is a mysticism in the experience of music, a godless mysticism if you like, which operates in the realm of the senses and which resonates within us and beyond us. Sensate ecstasy. My intuition – it is nothing more than that – is that music, common, shared, everyday music, low or high or somewhere in between, is able, at its best, to describe how we feel and to allow us to feel something more.
Which immediately made me think back to discovering ska punk in my early 20s, specifically the almost overwhelming sense of being alive which this music did (and sometimes still can) provoke in me. The ecstasy, to use Critchley’s term, clearly depended on being a pit though which simply stopped feeling safe once I got glasses 🤓😢
https://www.youtube.com/watch?v=WXGInUeE_Zw&list=RDWXGInUeE_Zw&start_radio=1
https://www.youtube.com/watch?v=ruFP5hHe-T4
#capdown #drive #music #mysticism #simonCritchley #skaPunk #streetlightManifesto
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Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way
From On Mysticism: The Experience of Ecstasy by Simon Critchley, loc 214: [my emphasis]
By “music” here, I simply mean the music that you love, popular music, unpopular music, the music that made you feel most alive when you first heard it and which you cherish for a lifetime. And there is more sweet music we can hear if we keep our ears open, music which allows access to many more lifetimes than we have at our disposal. Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way. There is a mysticism in the experience of music, a godless mysticism if you like, which operates in the realm of the senses and which resonates within us and beyond us. Sensate ecstasy. My intuition – it is nothing more than that – is that music, common, shared, everyday music, low or high or somewhere in between, is able, at its best, to describe how we feel and to allow us to feel something more.
Which immediately made me think back to discovering ska punk in my early 20s, specifically the almost overwhelming sense of being alive which this music did (and sometimes still can) provoke in me. The ecstasy, to use Critchley’s term, clearly depended on being a pit though which simply stopped feeling safe once I got glasses 🤓😢
https://www.youtube.com/watch?v=WXGInUeE_Zw&list=RDWXGInUeE_Zw&start_radio=1
https://www.youtube.com/watch?v=ruFP5hHe-T4
#capdown #drive #music #mysticism #simonCritchley #skaPunk #streetlightManifesto
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Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way
From On Mysticism: The Experience of Ecstasy by Simon Critchley, loc 214: [my emphasis]
By “music” here, I simply mean the music that you love, popular music, unpopular music, the music that made you feel most alive when you first heard it and which you cherish for a lifetime. And there is more sweet music we can hear if we keep our ears open, music which allows access to many more lifetimes than we have at our disposal. Music can grip us with the energy of a religious conversion. Once it is heard, one never experiences the world in quite the same way. There is a mysticism in the experience of music, a godless mysticism if you like, which operates in the realm of the senses and which resonates within us and beyond us. Sensate ecstasy. My intuition – it is nothing more than that – is that music, common, shared, everyday music, low or high or somewhere in between, is able, at its best, to describe how we feel and to allow us to feel something more.
Which immediately made me think back to discovering ska punk in my early 20s, specifically the almost overwhelming sense of being alive which this music did (and sometimes still can) provoke in me. The ecstasy, to use Critchley’s term, clearly depended on being a pit though which simply stopped feeling safe once I got glasses 🤓😢
https://www.youtube.com/watch?v=WXGInUeE_Zw&list=RDWXGInUeE_Zw&start_radio=1
https://www.youtube.com/watch?v=ruFP5hHe-T4
#capdown #drive #music #mysticism #simonCritchley #skaPunk #streetlightManifesto
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For some reason, after a good decade of listening to Streetlight Manifesto, I only just now started listening to Toh Kay's Streetlight Lullabies album. Did not expect to like it this much!
So how will we fight?
All we have is logic
and love on our sideAnd when we fall
We will fall together
No one will catch us
So we will catch ourselveshttps://tohkay.bandcamp.com/track/we-will-fall-together
#StreetlightManifesto #Music #WeWillFallTogether #Ska #Punk #SkaPunk #Lullaby #AcousticGuitar #TohKay #TomasKalnoky
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Recordatorio que escuchar Streetlight Manifesto hace bien para el alma
https://www.youtube.com/watch?v=A-UTPKL-UGY -
Excited about this one! 🔥
Everything Goes Numb - #streetlightmanifesto #vinyl #whatimlisteningto #ska
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For your viewing pleasure, #StreetLightManifesto performs We Will Fall Together. It's a bit like ska-punk with a dose of klezmer thrown in and the chaos dial turned all the way up.
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Streetlight Manifesto put on a great show at the beautiful Royal Oak Theatre in #detroit a few weeks ago. There’s something cool about seeing high energy music in an old theatre. #streetlightmanifesto #michigan #ska #punk
