#leftovercrack — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #leftovercrack, aggregated by home.social.
-
Traveling #PunkRock outdoor live #music #festival series cancelled after organizer's support of #DJT called into question, and boycotts initiated before #PunkInThePark dates in Pittsburgh PA; Orlando FL; and Vallejo, CA were pulled.
The two original remaining #DeadKennedys members who signed on to play said they were previously unaware of the promoter's support of the current President, but would perform anyway to honor their contract and not rip off ticket buyers.
Long estranged original DK vocalist Jello Biafra, who is no longer in the band stated "They’re taking the money $$$, and THEN pulling out?" he wrote in a statement to #Stereogum.
Other bands that were participating this year despite previous adverse #publicity included The Adicts & The Exploited from UK, #Fear, #LeftoverCrack, #AgnosticFront, The Queers, #Nekromantix, Manic Hispanic, Naked Aggression, Screeching Weasel and #Sissyfit.
#Punk In The Park had sucessfully managed many alt rock #concert events for several years before main organizer Cameron Collins' #Drumpf campaign donations became too large of a liability for acts that have in past participated in Brew Ha Ha Productions events. Last year #DropkickMurphys & #Dillinger4 jumped off the bill and made no secret their dissatisfaction with the promoter's #TrumpRegime support.
Previous #bands on fest stages run by the this promotor in past have included #RichKidsOnLSD #NOFX #StreetlightManifesto and #Pennywise at events like #PunkInDrublic, Summer Roots, Silverado Showdown, #CampAnarchy etc ...
https://www.brooklynvegan.com/punk-in-the-park-cancels-2026-edition-after-backlash/
-
Traveling #PunkRock outdoor live #music #festival series cancelled after organizer's support of #DJT called into question, and boycotts initiated before #PunkInThePark dates in Pittsburgh PA; Orlando FL; and Vallejo, CA were pulled.
The two original remaining #DeadKennedys members who signed on to play said they were previously unaware of the promoter's support of the current President, but would perform anyway to honor their contract and not rip off ticket buyers.
Long estranged original DK vocalist Jello Biafra, who is no longer in the band stated "They’re taking the money $$$, and THEN pulling out?" he wrote in a statement to #Stereogum.
Other bands that were participating this year despite previous adverse #publicity included The Adicts & The Exploited from UK, #Fear, #LeftoverCrack, #AgnosticFront, The Queers, #Nekromantix, Manic Hispanic, Naked Aggression, Screeching Weasel and #Sissyfit.
#Punk In The Park had sucessfully managed many alt rock #concert events for several years before main organizer Cameron Collins' #Drumpf campaign donations became too large of a liability for acts that have in past participated in Brew Ha Ha Productions events. Last year #DropkickMurphys & #Dillinger4 jumped off the bill and made no secret their dissatisfaction with the promoter's #TrumpRegime support.
Previous #bands on fest stages run by the this promotor in past have included #RichKidsOnLSD #NOFX #StreetlightManifesto and #Pennywise at events like #PunkInDrublic, Summer Roots, Silverado Showdown, #CampAnarchy etc ...
https://www.brooklynvegan.com/punk-in-the-park-cancels-2026-edition-after-backlash/
-
Traveling #PunkRock outdoor live #music #festival series cancelled after organizer's support of #DJT called into question, and boycotts initiated before #PunkInThePark dates in Pittsburgh PA; Orlando FL; and Vallejo, CA were pulled.
The two original remaining #DeadKennedys members who signed on to play said they were previously unaware of the promoter's support of the current President, but would perform anyway to honor their contract and not rip off ticket buyers.
Long estranged original DK vocalist Jello Biafra, who is no longer in the band stated "They’re taking the money $$$, and THEN pulling out?" he wrote in a statement to #Stereogum.
Other bands that were participating this year despite previous adverse #publicity included The Adicts & The Exploited from UK, #Fear, #LeftoverCrack, #AgnosticFront, The Queers, #Nekromantix, Manic Hispanic, Naked Aggression, Screeching Weasel and #Sissyfit.
#Punk In The Park had sucessfully managed many alt rock #concert events for several years before main organizer Cameron Collins' #Drumpf campaign donations became too large of a liability for acts that have in past participated in Brew Ha Ha Productions events. Last year #DropkickMurphys & #Dillinger4 jumped off the bill and made no secret their dissatisfaction with the promoter's #TrumpRegime support.
Previous #bands on fest stages run by the this promotor in past have included #RichKidsOnLSD #NOFX #StreetlightManifesto and #Pennywise at events like #PunkInDrublic, Summer Roots, Silverado Showdown, #CampAnarchy etc ...
https://www.brooklynvegan.com/punk-in-the-park-cancels-2026-edition-after-backlash/
-
Leftöver Crack / Citizen Fish / Witch Hunt / the Offbeats
Bands Leftöver Crack Citizen Fish Witch Hunt the Offbeats Venue - Venue name: The Magic Stick - Address: 4120 Woodward Ave, Detroit, MI - Date: Thurs. March 15 - Time: 7:00PM - Admission: All Ages -
Leftover Crack – White Guilt Atrocity Quilt 7″ (SBÄM)
Things have been a bit quiet lately in a crack rock steady world, but just when you think the old guard might be settling into the shadows, Leftover Crack returns, reminding everyone why they’ve been one of the greatest in the gutter-punk underground for decades. Packing two tracks of pure, undiluted spirit, this red vinyl proves that even with a refreshed lineup, the band hasn’t lost an ounce of the rawness or aggression that made them legends of NYC punk rock underground. If you’ve been following the trajectory of this band, you know they don’t do things by halves. This 7” captures a fascinating moment in their evolution, a new and improved sound that carries every single element that fans have obsessed over since the early 2000s. It’s a tight, focused, and incredibly heavy experience that stays relevant without abandoning the dirt that made you famous.
The A-side features “White Guilt Atrocity Quilt,” a song characterised by a modern anarcho-punk sound. Instead of relying solely on the typical high-speed thrash, the band opts for a powerful, mid-tempo stomp that lends the music a massive, physical presence. There’s this incredible theme delivered on the guitars that feels almost Slayer-alike in its dark, metallic precision. It’s an aggressive, chugging theme that elevates the punk foundation to new heights. The guitars shine throughout, balancing those heavy, bone-crunching riffs with catchy themes and even the occasional progressive leads. It’s a sophisticated approach to songwriting, proving that Leftover Crack are not afraid to flex their technical muscles. It’s nearly mindblowing how those instrumentations cut through the mix with such precision and finesse. The dual vocal impact packs a lot of punch. The interplay between male and female voices adds layers of harmony and raw intensity, perfectly capturing the anarcho-punk message. It feels communal and loud at the same time, making this composition even more aggressive, powerful, and meaningful. The rhythm section sounds absolutely massive. You’ll notice how the basslines deliver a layer of warmth and depth to the mid-tempo stomp. The drums keep the pace with relentless steadiness, providing a powerful anchor and allowing the guitars to experiment with those progressive leads without the song losing dynamics.
Then you flip the record, and you’re hit with “Brad Sabbath.” If the A-side was a look into the band’s modern evolution, the B-side is a glorious tip of the cap to the classic Leftover Crack sound. This is a fine piece of sonic artistry that moves with a dark, brooding intent. The band handles those slow, chuggy, and incredibly heavy segments with a mastery that honestly goes beyond comprehension. This song crawls under your skin, using dark melodic themes to create an atmosphere of heavy, existential dread. “Brad Sabbath” exemplifies how those sludge-infused moments are often their most powerful. The way the guitars transition from those heavy, chugging riffs into haunting melodies immediately blows your ears off. The vocals pair perfectly with the instrumentation, adapting to the slower tempo with a soulful delivery, making this song an instant standout in their massive discography. It’s an emotional and sonic journey packed into just a few minutes of vinyl, proving that the band can be just as effective when they slow things down as they are when they’re screaming at full throttle. This 7” is a mandatory addition to the collection of every true Leftover Crack fan. It represents a band that has been through the wringer and come out the other side with their vision intact and their sound sharper than ever. The production is excellent, allowing the complexity of the bass and the intricacies of the drumming to shine through, even amidst the heavy guitar distortion. As you peel back the layers of the dual vocals and the progressive guitar experiments, this 7” will force you to spin it over and over again.
SBAM Records has done a great job with the presentation, too. It’s a collector’s item that actually has the musical substance to back up its visual appeal. Whether you’re a fan of their old-school crack rock steady days or you’ve been following their more experimental turns over the years, White Guilt Atrocity Quilt offers something for everyone. It’s aggressive, it’s melodic, it’s technically impressive, and most importantly, it’s honest. Leftover Crack has successfully updated their sound without losing their soul, proving that age and experience only make the bite sharper. Do not miss this one. Head over to SBAM Records, grab the red 7” record, and turn it up until the walls shake.
#ANARCHOPUNK #LEFTOVERCRACK #MUSIC #PUNKROCK #REVIEWS #SBAMRECORDS #SKA
-
Leftover Crack – White Guilt Atrocity Quilt 7″ (SBÄM)
Things have been a bit quiet lately in a crack rock steady world, but just when you think the old guard might be settling into the shadows, Leftover Crack returns, reminding everyone why they’ve been one of the greatest in the gutter-punk underground for decades. Packing two tracks of pure, undiluted spirit, this red vinyl proves that even with a refreshed lineup, the band hasn’t lost an ounce of the rawness or aggression that made them legends of NYC punk rock underground. If you’ve been following the trajectory of this band, you know they don’t do things by halves. This 7” captures a fascinating moment in their evolution, a new and improved sound that carries every single element that fans have obsessed over since the early 2000s. It’s a tight, focused, and incredibly heavy experience that stays relevant without abandoning the dirt that made you famous.
The A-side features “White Guilt Atrocity Quilt,” a song characterised by a modern anarcho-punk sound. Instead of relying solely on the typical high-speed thrash, the band opts for a powerful, mid-tempo stomp that lends the music a massive, physical presence. There’s this incredible theme delivered on the guitars that feels almost Slayer-alike in its dark, metallic precision. It’s an aggressive, chugging theme that elevates the punk foundation to new heights. The guitars shine throughout, balancing those heavy, bone-crunching riffs with catchy themes and even the occasional progressive leads. It’s a sophisticated approach to songwriting, proving that Leftover Crack are not afraid to flex their technical muscles. It’s nearly mindblowing how those instrumentations cut through the mix with such precision and finesse. The dual vocal impact packs a lot of punch. The interplay between male and female voices adds layers of harmony and raw intensity, perfectly capturing the anarcho-punk message. It feels communal and loud at the same time, making this composition even more aggressive, powerful, and meaningful. The rhythm section sounds absolutely massive. You’ll notice how the basslines deliver a layer of warmth and depth to the mid-tempo stomp. The drums keep the pace with relentless steadiness, providing a powerful anchor and allowing the guitars to experiment with those progressive leads without the song losing dynamics.
Then you flip the record, and you’re hit with “Brad Sabbath.” If the A-side was a look into the band’s modern evolution, the B-side is a glorious tip of the cap to the classic Leftover Crack sound. This is a fine piece of sonic artistry that moves with a dark, brooding intent. The band handles those slow, chuggy, and incredibly heavy segments with a mastery that honestly goes beyond comprehension. This song crawls under your skin, using dark melodic themes to create an atmosphere of heavy, existential dread. “Brad Sabbath” exemplifies how those sludge-infused moments are often their most powerful. The way the guitars transition from those heavy, chugging riffs into haunting melodies immediately blows your ears off. The vocals pair perfectly with the instrumentation, adapting to the slower tempo with a soulful delivery, making this song an instant standout in their massive discography. It’s an emotional and sonic journey packed into just a few minutes of vinyl, proving that the band can be just as effective when they slow things down as they are when they’re screaming at full throttle. This 7” is a mandatory addition to the collection of every true Leftover Crack fan. It represents a band that has been through the wringer and come out the other side with their vision intact and their sound sharper than ever. The production is excellent, allowing the complexity of the bass and the intricacies of the drumming to shine through, even amidst the heavy guitar distortion. As you peel back the layers of the dual vocals and the progressive guitar experiments, this 7” will force you to spin it over and over again.
SBAM Records has done a great job with the presentation, too. It’s a collector’s item that actually has the musical substance to back up its visual appeal. Whether you’re a fan of their old-school crack rock steady days or you’ve been following their more experimental turns over the years, White Guilt Atrocity Quilt offers something for everyone. It’s aggressive, it’s melodic, it’s technically impressive, and most importantly, it’s honest. Leftover Crack has successfully updated their sound without losing their soul, proving that age and experience only make the bite sharper. Do not miss this one. Head over to SBAM Records, grab the red 7” record, and turn it up until the walls shake.
#ANARCHOPUNK #LEFTOVERCRACK #MUSIC #PUNKROCK #REVIEWS #SBAMRECORDS #SKA
-
Leftover Crack – White Guilt Atrocity Quilt 7″ (SBÄM)
Things have been a bit quiet lately in a crack rock steady world, but just when you think the old guard might be settling into the shadows, Leftover Crack returns, reminding everyone why they’ve been one of the greatest in the gutter-punk underground for decades. Packing two tracks of pure, undiluted spirit, this red vinyl proves that even with a refreshed lineup, the band hasn’t lost an ounce of the rawness or aggression that made them legends of NYC punk rock underground. If you’ve been following the trajectory of this band, you know they don’t do things by halves. This 7” captures a fascinating moment in their evolution, a new and improved sound that carries every single element that fans have obsessed over since the early 2000s. It’s a tight, focused, and incredibly heavy experience that stays relevant without abandoning the dirt that made you famous.
The A-side features “White Guilt Atrocity Quilt,” a song characterised by a modern anarcho-punk sound. Instead of relying solely on the typical high-speed thrash, the band opts for a powerful, mid-tempo stomp that lends the music a massive, physical presence. There’s this incredible theme delivered on the guitars that feels almost Slayer-alike in its dark, metallic precision. It’s an aggressive, chugging theme that elevates the punk foundation to new heights. The guitars shine throughout, balancing those heavy, bone-crunching riffs with catchy themes and even the occasional progressive leads. It’s a sophisticated approach to songwriting, proving that Leftover Crack are not afraid to flex their technical muscles. It’s nearly mindblowing how those instrumentations cut through the mix with such precision and finesse. The dual vocal impact packs a lot of punch. The interplay between male and female voices adds layers of harmony and raw intensity, perfectly capturing the anarcho-punk message. It feels communal and loud at the same time, making this composition even more aggressive, powerful, and meaningful. The rhythm section sounds absolutely massive. You’ll notice how the basslines deliver a layer of warmth and depth to the mid-tempo stomp. The drums keep the pace with relentless steadiness, providing a powerful anchor and allowing the guitars to experiment with those progressive leads without the song losing dynamics.
Then you flip the record, and you’re hit with “Brad Sabbath.” If the A-side was a look into the band’s modern evolution, the B-side is a glorious tip of the cap to the classic Leftover Crack sound. This is a fine piece of sonic artistry that moves with a dark, brooding intent. The band handles those slow, chuggy, and incredibly heavy segments with a mastery that honestly goes beyond comprehension. This song crawls under your skin, using dark melodic themes to create an atmosphere of heavy, existential dread. “Brad Sabbath” exemplifies how those sludge-infused moments are often their most powerful. The way the guitars transition from those heavy, chugging riffs into haunting melodies immediately blows your ears off. The vocals pair perfectly with the instrumentation, adapting to the slower tempo with a soulful delivery, making this song an instant standout in their massive discography. It’s an emotional and sonic journey packed into just a few minutes of vinyl, proving that the band can be just as effective when they slow things down as they are when they’re screaming at full throttle. This 7” is a mandatory addition to the collection of every true Leftover Crack fan. It represents a band that has been through the wringer and come out the other side with their vision intact and their sound sharper than ever. The production is excellent, allowing the complexity of the bass and the intricacies of the drumming to shine through, even amidst the heavy guitar distortion. As you peel back the layers of the dual vocals and the progressive guitar experiments, this 7” will force you to spin it over and over again.
SBAM Records has done a great job with the presentation, too. It’s a collector’s item that actually has the musical substance to back up its visual appeal. Whether you’re a fan of their old-school crack rock steady days or you’ve been following their more experimental turns over the years, White Guilt Atrocity Quilt offers something for everyone. It’s aggressive, it’s melodic, it’s technically impressive, and most importantly, it’s honest. Leftover Crack has successfully updated their sound without losing their soul, proving that age and experience only make the bite sharper. Do not miss this one. Head over to SBAM Records, grab the red 7” record, and turn it up until the walls shake.
#ANARCHOPUNK #LEFTOVERCRACK #MUSIC #PUNKROCK #REVIEWS #SBAMRECORDS #SKA
-
Leftover Crack – White Guilt Atrocity Quilt 7″ (SBÄM)
Things have been a bit quiet lately in a crack rock steady world, but just when you think the old guard might be settling into the shadows, Leftover Crack returns, reminding everyone why they’ve been one of the greatest in the gutter-punk underground for decades. Packing two tracks of pure, undiluted spirit, this red vinyl proves that even with a refreshed lineup, the band hasn’t lost an ounce of the rawness or aggression that made them legends of NYC punk rock underground. If you’ve been following the trajectory of this band, you know they don’t do things by halves. This 7” captures a fascinating moment in their evolution, a new and improved sound that carries every single element that fans have obsessed over since the early 2000s. It’s a tight, focused, and incredibly heavy experience that stays relevant without abandoning the dirt that made you famous.
The A-side features “White Guilt Atrocity Quilt,” a song characterised by a modern anarcho-punk sound. Instead of relying solely on the typical high-speed thrash, the band opts for a powerful, mid-tempo stomp that lends the music a massive, physical presence. There’s this incredible theme delivered on the guitars that feels almost Slayer-alike in its dark, metallic precision. It’s an aggressive, chugging theme that elevates the punk foundation to new heights. The guitars shine throughout, balancing those heavy, bone-crunching riffs with catchy themes and even the occasional progressive leads. It’s a sophisticated approach to songwriting, proving that Leftover Crack are not afraid to flex their technical muscles. It’s nearly mindblowing how those instrumentations cut through the mix with such precision and finesse. The dual vocal impact packs a lot of punch. The interplay between male and female voices adds layers of harmony and raw intensity, perfectly capturing the anarcho-punk message. It feels communal and loud at the same time, making this composition even more aggressive, powerful, and meaningful. The rhythm section sounds absolutely massive. You’ll notice how the basslines deliver a layer of warmth and depth to the mid-tempo stomp. The drums keep the pace with relentless steadiness, providing a powerful anchor and allowing the guitars to experiment with those progressive leads without the song losing dynamics.
Then you flip the record, and you’re hit with “Brad Sabbath.” If the A-side was a look into the band’s modern evolution, the B-side is a glorious tip of the cap to the classic Leftover Crack sound. This is a fine piece of sonic artistry that moves with a dark, brooding intent. The band handles those slow, chuggy, and incredibly heavy segments with a mastery that honestly goes beyond comprehension. This song crawls under your skin, using dark melodic themes to create an atmosphere of heavy, existential dread. “Brad Sabbath” exemplifies how those sludge-infused moments are often their most powerful. The way the guitars transition from those heavy, chugging riffs into haunting melodies immediately blows your ears off. The vocals pair perfectly with the instrumentation, adapting to the slower tempo with a soulful delivery, making this song an instant standout in their massive discography. It’s an emotional and sonic journey packed into just a few minutes of vinyl, proving that the band can be just as effective when they slow things down as they are when they’re screaming at full throttle. This 7” is a mandatory addition to the collection of every true Leftover Crack fan. It represents a band that has been through the wringer and come out the other side with their vision intact and their sound sharper than ever. The production is excellent, allowing the complexity of the bass and the intricacies of the drumming to shine through, even amidst the heavy guitar distortion. As you peel back the layers of the dual vocals and the progressive guitar experiments, this 7” will force you to spin it over and over again.
SBAM Records has done a great job with the presentation, too. It’s a collector’s item that actually has the musical substance to back up its visual appeal. Whether you’re a fan of their old-school crack rock steady days or you’ve been following their more experimental turns over the years, White Guilt Atrocity Quilt offers something for everyone. It’s aggressive, it’s melodic, it’s technically impressive, and most importantly, it’s honest. Leftover Crack has successfully updated their sound without losing their soul, proving that age and experience only make the bite sharper. Do not miss this one. Head over to SBAM Records, grab the red 7” record, and turn it up until the walls shake.
#ANARCHOPUNK #LEFTOVERCRACK #MUSIC #PUNKROCK #REVIEWS #SBAMRECORDS #SKA
-
Leftover Crack – White Guilt Atrocity Quilt 7″ (SBÄM)
Things have been a bit quiet lately in a crack rock steady world, but just when you think the old guard might be settling into the shadows, Leftover Crack returns, reminding everyone why they’ve been one of the greatest in the gutter-punk underground for decades. Packing two tracks of pure, undiluted spirit, this red vinyl proves that even with a refreshed lineup, the band hasn’t lost an ounce of the rawness or aggression that made them legends of NYC punk rock underground. If you’ve been following the trajectory of this band, you know they don’t do things by halves. This 7” captures a fascinating moment in their evolution, a new and improved sound that carries every single element that fans have obsessed over since the early 2000s. It’s a tight, focused, and incredibly heavy experience that stays relevant without abandoning the dirt that made you famous.
The A-side features “White Guilt Atrocity Quilt,” a song characterised by a modern anarcho-punk sound. Instead of relying solely on the typical high-speed thrash, the band opts for a powerful, mid-tempo stomp that lends the music a massive, physical presence. There’s this incredible theme delivered on the guitars that feels almost Slayer-alike in its dark, metallic precision. It’s an aggressive, chugging theme that elevates the punk foundation to new heights. The guitars shine throughout, balancing those heavy, bone-crunching riffs with catchy themes and even the occasional progressive leads. It’s a sophisticated approach to songwriting, proving that Leftover Crack are not afraid to flex their technical muscles. It’s nearly mindblowing how those instrumentations cut through the mix with such precision and finesse. The dual vocal impact packs a lot of punch. The interplay between male and female voices adds layers of harmony and raw intensity, perfectly capturing the anarcho-punk message. It feels communal and loud at the same time, making this composition even more aggressive, powerful, and meaningful. The rhythm section sounds absolutely massive. You’ll notice how the basslines deliver a layer of warmth and depth to the mid-tempo stomp. The drums keep the pace with relentless steadiness, providing a powerful anchor and allowing the guitars to experiment with those progressive leads without the song losing dynamics.
Then you flip the record, and you’re hit with “Brad Sabbath.” If the A-side was a look into the band’s modern evolution, the B-side is a glorious tip of the cap to the classic Leftover Crack sound. This is a fine piece of sonic artistry that moves with a dark, brooding intent. The band handles those slow, chuggy, and incredibly heavy segments with a mastery that honestly goes beyond comprehension. This song crawls under your skin, using dark melodic themes to create an atmosphere of heavy, existential dread. “Brad Sabbath” exemplifies how those sludge-infused moments are often their most powerful. The way the guitars transition from those heavy, chugging riffs into haunting melodies immediately blows your ears off. The vocals pair perfectly with the instrumentation, adapting to the slower tempo with a soulful delivery, making this song an instant standout in their massive discography. It’s an emotional and sonic journey packed into just a few minutes of vinyl, proving that the band can be just as effective when they slow things down as they are when they’re screaming at full throttle. This 7” is a mandatory addition to the collection of every true Leftover Crack fan. It represents a band that has been through the wringer and come out the other side with their vision intact and their sound sharper than ever. The production is excellent, allowing the complexity of the bass and the intricacies of the drumming to shine through, even amidst the heavy guitar distortion. As you peel back the layers of the dual vocals and the progressive guitar experiments, this 7” will force you to spin it over and over again.
SBAM Records has done a great job with the presentation, too. It’s a collector’s item that actually has the musical substance to back up its visual appeal. Whether you’re a fan of their old-school crack rock steady days or you’ve been following their more experimental turns over the years, White Guilt Atrocity Quilt offers something for everyone. It’s aggressive, it’s melodic, it’s technically impressive, and most importantly, it’s honest. Leftover Crack has successfully updated their sound without losing their soul, proving that age and experience only make the bite sharper. Do not miss this one. Head over to SBAM Records, grab the red 7” record, and turn it up until the walls shake.
#ANARCHOPUNK #LEFTOVERCRACK #MUSIC #PUNKROCK #REVIEWS #SBAMRECORDS #SKA
-
-
-
A loud start to the week
#LeftöverCrack #DaysNDaze - Bedbugs And Beyond
https://www.youtube.com/watch?v=c_K5FwDDscE -
A loud start to the week
#LeftöverCrack #DaysNDaze - Bedbugs And Beyond
https://www.youtube.com/watch?v=c_K5FwDDscE -
A loud start to the week
#LeftöverCrack #DaysNDaze - Bedbugs And Beyond
https://www.youtube.com/watch?v=c_K5FwDDscE -
CW: So ya wanna be a cop?
-
CW: So ya wanna be a cop?
-
CW: So ya wanna be a cop?
-
CW: So ya wanna be a cop?
