#rancid — Public Fediverse posts

I'm a huge fan of candy bars packed with nuts but will gladly also eat the healthier, nut-forward ones that one might find in the checkout-aisle at REI. What I've noticed, sadly, is that the healthier bars almost always have rancid nuts; candy bars almost never do. Is that because candy bars sell so fast, but health bars sit on shelves for years before selling? Or do health-bar makers just buy rancid nuts and hope people don't notice? Or maybe encasing nut fillings in chocolate protects the contents from oxidation??? #food #candy #nuts #rancid #chemistry

Chariots Overdrive – The End of Antiquity Review

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, …
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #Entertainment #GatesofHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #NWOBHM #PowerMetal #rancid #review #reviews #TheEndofAntiquity
https://www.newsbeep.com/us/609222/

Chariots Overdrive – The End of Antiquity Review

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, …
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #Entertainment #GatesofHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #NWOBHM #PowerMetal #rancid #review #reviews #TheEndofAntiquity
https://www.newsbeep.com/us/609222/

https://www.europesays.com/uk/921236/ Chariots Overdrive – The End of Antiquity Review #25 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #Entertainment #GatesOfHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #music #NWOBHM #PowerMetal #Rancid #Review #Reviews #TheEndOfAntiquity #UK #UnitedKingdom

Chariots Overdrive – The End of Antiquity Review

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture t…
#NewsBeep #News #Music #2.5 #2026 #AmericanMetal #Apr26 #BlackSabbath #ChariotsOverdrive #DeadKennedys #DropkickMurphys #Entertainment #GatesofHellRecords #HeavyMetal #IronMaiden #JudasPriest #ManillaRoad #MegatonSword #Motörhead #NWOBHM #PowerMetal #Rancid #review #Reviews #TheEndofAntiquity #UK #UnitedKingdom
https://www.newsbeep.com/uk/552187/

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

Manilla Road, Motörhead, and Megaton Sword walk into a bar—Lemmy’s pick, if that helps you picture the place. Someone yells, “cops outside!” The word “cops” clears the room faster than napalm ever could. Stampede. The bands are swept up in the deluge of bodies, bewildered and sweaty. Amidst the chaos, several shuffle into a nearby van. Driving off, they realize that 1) these aren’t their bandmates, 2) this is Di’Anno-era Iron Maiden’s van with their keys and all their equipment left inside, and 3) they picked up Dropkick Murphys somewhere along the way. If this hypothetical group decided to run with it, they would sound like Chariots Overdrive. Hailing from Beijing, China, and currently residing in Atlanta, Georgia, these adherents of the NWoBHM sound old as dirt on their debut, The End of Antiquity, injecting fantastical lyricism inspired by Chinese history and folklore into their mix. But can this van/chariot go the distance, or has this ride seen its last mile?

The End of Antiquity is driven by allegiance to metal in the purest form, and Chariots Overdrive wield it with punk-like tenacity. Speed and belligerence rule The End of Antiquity, embodied in the full-band gang vocals of “Marching Maniacs” and the Dead Kennedys-like discordance of “Parasite.” The belts and snarls singer G.H.Z uses on “A Taikonautic Alchemist” and “Chariots Overdrive”1 would fit as well with Rancid as they do here, and their guitars and bass evoke the aforementioned early Maiden years in the punkish bite (“The End of Antiquity”). Bassist Z.Z.Y lays down aggressively clicky, highly melodic lines across The End of Antiquity, giving Chariots Overdrive a burly-yet-catchy streak akin to Steve Harris’ playing and bolstering G.H.Z and Y.Z’s gnarly dual guitars and W.R.C’s punchy drums into a full-bodied declaration of victory. Chariots Overdrive feel rooted in the simple joy of throwing ragers with the boys, and The End of Antiquity is, if nothing else, a rager.

Chariots Overdrive don’t overcomplicate anything, which is a boon and bane to The End of Antiquity. Most songs play around simple melodies over two to four chords. Guitar solos aren’t flashy on The End of Antiquity, but they’re incisive. When the outcome is exhilarating like “Chariots Overdrive” or Judas Priest-levels of catchy like “Marching Maniacs,” it’s hard to argue. But it also puts the onus of The End of Antiquity’s success on Chariot Overdrive’s performances, which can falter. G.H.Z isn’t a powerhouse vocalist and sounds downright rough at times, especially where Chariot Overdrive attempt harmonization, such as the chorus of “A Taikonautic Alchemist.” It also means that, despite the album’s lean runtime, The End of Antiquity sounds somewhat exhausted by the time “Nomadic Warfare” and the title track appear, as their hooks are comparatively weaker to the rest of the record. I’m all for simplifying something for the sake of effectiveness, but what’s left has to be as tight as you can make it. In this regard, Chariots Overdrive can improve.

What Chariots Overdrive need is a more refined identity. Like early Iron Maiden, Chariots Overdrive seem to strive towards a dirty-yet-sophisticated sound and theming, evidenced by the fingerstyle guitar and serene bass-and-piano interludes of “Where Dust Reigns” and “Sunken Throb,”2 but these instrumentals’ moods aren’t matched or mirrored by the rest of the album and feel tacked-on as a result. The standout, 12-minute song “A Bizarre Pilgrimage to the Cubik Mansion” hints at what Chariots Overdrive can do, as the band navigates artfully between Motörhead’s hyped-up rock n’ roll and Black Sabbathian gloomy doom.3 But the track buckles a bit under its weight by the end and feels done a few minutes before it’s over. Chariots Overdrive are engaging by grit and energy, but without a solid grasp on what exactly they are doing, The End of Antiquity can only be a fun-but-flawed work when taken as a whole.

The End of Antiquity has some flaws, but I still like where the Chariots Overdrive van is going. If you like any of the bands mentioned above it’s a safe bet you’ll get something out of this. There’s obvious chemistry between the band, and their debut has plenty of good moments throughout that are both fun in the present and hint towards a stronger future. I don’t want Chariots Overdrive to give up on what they’re doing, but if they can merge their punk hooliganism with the finesse they aspire towards in the next album, it’ll be a hit. There’s a lot of highway ahead, but this chariot’s got tread to spare yet.

Rating: Mixed
DR: 84 | Format Reviewed: 320 kbps MP3
Label: Gates of Hell Records
Websites: chariotsoverdrive.bandcamp.com | facebook.com/chariotsoverdrive
Releases Worldwide: April 3rd, 20265

32 years ago
Photoshoot by Rancid, San Diego, California, March 1994

From left to right: Matt Freeman, Brett Reed, Tim Armstrong, Lars Frederiksen.

Photo: Martyn Goodacre

#punk #punks #punkrock #hardcorepunk #skapunk #rancid #punklegends #punkrockhistory

Some #Rancid things #punk #PunkRock

https://open.spotify.com/track/4OGibpu4PR4nbTSz3S79SB #Rancid

Tune Tuesday has the theme of Implode or Explode this week.

Rancid "Time Bomb"

https://www.youtube.com/watch?v=GvIBOlyAViU

https://song.link/s/56hwcJKj0M40A3qdhV3177

#TuneTuesday #ImplodeOrExplode #Rancid

https://open.spotify.com/track/74iLBeNOAZAwgmTe2O9nCd

#Rancid #punk

https://open.spotify.com/track/62FIiSJicF2Z5ycIlEPnW1 #timtimebomb #rancid

https://www.europesays.com/nl/76889/ Killed by Deaf – A Punk Tribute to Motörhead #Amusement #AntiNowhereLeague #Dutch #Entertainment #fear #gbh #lagwagon #lemmy #LoveCanal #motörhead #MurhpysLaw #Murphy’sLaw #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NL #Pennywise #rancid #slaugterhouse #SoldiersOfDestruction #TheBronx #TheCasualties #TheDamned #WisdomInChains

Happy Birthday Tim Armstrong, singer/guitarist for the punk rock band Rancid, born on this day in 1965, Albany, California

Rancid - Roots Radical - Live at Summer Sonic 2001

#punk #punks #punkrock #timarmstrong #rancid #history #punkrockhistory #otd

Happy Birthday Tim Armstrong, member of Operation Ivy, singer/guitarist for the punk rock band Rancid and hip hop/punk rock supergroup Transplants, born on this day in 1965, Albany, California

#punk #punks #punkrock #timarmstrong #rancid #operationivy #transplants #history #punkrockhistory #otd

https://open.spotify.com/track/5Yljkq4TrBgDpwPRZcMgh4 #rancid

Thursday FIve List week is Gunpowder Treason.

Valley Lights "Bonfire"
https://song.link/us/i/1706856940

Dynamic Duo "Fireworks"
https://song.link/us/i/1619747169

Tinashe "Treason"
https://song.link/s/0HVcgx0BfhS5cjLrFl3Tmc

Method Man, Redman "Fire Ina Hole"
https://song.link/s/1lDRBZiJFXmatzxF8vjuJK

Rancid "Gunshot"
https://song.link/s/62CzERzs6O8mVCK2zfAXQ8

#ThursdayFiveList #GunpowderTreason #DynamicDuo #ValleyLights #Tinashe #MethodMan #Redman #Rancid

OPERATION IVY
Energy
2010 U.S. reissue

Another classic blast from my adolescent past.

I, like most, got to Operation Ivy by working backwards from Rancid.
This album was played a billion times during our house parties and basement punk shows.

And as severely misguided punk skater kids, we’d put songs from it on to mixtapes that we’d give to hot punk girls we wanted.

I still prefer the first three Rancid records over Energy, but again, the nostalgia and love of that time keeps me coming back to it.

#vinyl #vinylrecords #vinylcommunity #vinylcollection #retro #vintage #art #music #punk #punkrock #operationivy #Rancid #1980s #80s #80sMusic

Rancid unleash cover of Motörhead’s 'Sex and Death'

https://consequence.net/2025/10/rancid-motorhead-sex-and-death-cover-stream/

#music #PunkRock #metal #Rancid #motorhead

Rancid (punk rock/US) reprend le 'Sex & Death' de Motörhead qui apparaitra au tracklisting de 'Killed By Deaf : a Tribute to Motorhead' à sortir le 31 octobre : https://youtu.be/M8JP1fw3HJ4?si=hMKDmh9nsInZrMSg
#rancid #motorhead #cover #newmusic #musicnews #newsingle #nowplaying #nowlistening #nowspinning #musicvideo #nowwatching

Rancid Cover “Sex And Death” For Punk Tribute To Motörhead

Rancid have released their blistering cover of “Sex and Death,” the final preview of Killed By Deaf – A Punk Tribute to Motörhead, arriving October 31 via BMG Recordings. The 14-track compilation celebrates Motörhead’s legacy through punk’s fiercest voices, including Pennywise, GBH, Lagwagon, The Bronx, FEAR, and Slaughterhouse. Lars Frederiksen described “Sex and Death” as “Motörhead doing the Ramones”, a perfect fit for Rancid’s style. The album also includes a never-before-heard version of The Damned’s “Neat Neat Neat” featuring Lemmy himself. Killed By Deaf will be available digitally, on CD, and vinyl. Pre-orders are open now via BMG.

https://youtu.be/M8JP1fw3HJ4?si=a3W1l7A-xbuMMYsT

#HARDROCK #METAL #MOTORHEAD #MUSIC #NEWS #PUNKROCK #RANCID #ROCK #ROCKNROLL

This week's Thursday Five List theme is Zen and Motorcycles. I was worried I wouldn't be able to find 5 songs, but I managed.

Remi Wolf "Motorcycle"
https://song.link/us/i/1736025964

OOHYO "Motorcycle"
https://song.link/us/i/1553270653

Rancid "Motorcycle Ride"
https://song.link/us/i/1485041044

Petey Pablo "Get On Dis Motorcycle"
https://song.link/us/i/271453210

The-Dream "Yamaha"
https://song.link/us/i/1443102465

#ThursdayFiveList #ZenAndMotorcycles #RemiWolf #Oohyo #Rancid #PeteyPablo #TheDream

31 years ago today
Tim Armstrong with Rancid at Wetlands (Preserve), New York City, September 25, 1994.

Photo by BJ Papas

#punk #punks #punkrock #timarmstrong #rancid #history #punkrockhistory #otd

Motörhead punk tribute album features Rancid, Pennywise, and unearthed collab with The Damned

https://consequence.net/2025/09/motorhead-punk-tribute-album/

#music #punk #metal #motorhead #Rancid #Pennywise #TheDamned

Punk Rock History (@punkrockhistory.bsky.social)

https://bsky.app/profile/punkrockhistory.bsky.social/post/3lxmbfbz4ps2e

> Happy Birthday Lars Erik Dapelloaka aka Lars Frederiksen, guitarist and vocalist for the punk rock band Rancid, frontman of Lars Frederiksen and the Bastards and the Old Firm Casual, born on this day in 1971, Campbell, California #punk #punks #skapunkrock #rancid #history #punkrockhistory #otd

Hör schon den ganzen Nachmittag #rancid und muss mich immer wieder zwingen, mir den Rest der Musik auch anzuhören... #mattfreeman is einfach der beste (punk) #bassist ever! (change my mind - I dare you)

Hör schon den ganzen Nachmittag #rancid und muss mich immer wieder zwingen, mir den Rest der Musik auch anzuhören... #mattfreeman is einfach der beste (punk) #bassist ever! (change my mind - I dare you)

Hör schon den ganzen Nachmittag #rancid und muss mich immer wieder zwingen, mir den Rest der Musik auch anzuhören... #mattfreeman is einfach der beste (punk) #bassist ever! (change my mind - I dare you)

Hör schon den ganzen Nachmittag #rancid und muss mich immer wieder zwingen, mir den Rest der Musik auch anzuhören... #mattfreeman is einfach der beste (punk) #bassist ever! (change my mind - I dare you)

https://open.spotify.com/track/6supVRxL7Jq5fefXJWsoi7 #oldfriend #TimTimebomb #Rancid #punk

https://open.spotify.com/track/6supVRxL7Jq5fefXJWsoi7 #oldfriend #TimTimebomb #Rancid #punk

https://open.spotify.com/track/6supVRxL7Jq5fefXJWsoi7 #oldfriend #TimTimebomb #Rancid #punk

https://open.spotify.com/track/6supVRxL7Jq5fefXJWsoi7 #oldfriend #TimTimebomb #Rancid #punk

https://open.spotify.com/track/6supVRxL7Jq5fefXJWsoi7 #oldfriend #TimTimebomb #Rancid #punk

#Punkrock ist die #Idee, dass du dir, wenn du hart arbeitest und intensiv lebst, einen #Platz in der #Welt schaffen kannst.
(Tim #Armstrong)
#psychotHHerapie #Zitat #Zitate #Punk #Rancid #TimArmstrong

https://www.jangoeritz.de/zitate

https://open.spotify.com/track/1qXBjEZ0u3FWRtDfqI3mTT #TimTimebomb #Rancid #Radio Radio is my favorite Rancid song, and this version is so good #punk #PunkRock @punk

Ahhhhh it's #spotifywrapped time again 🔥
#spotify #punk #classical #music @punk #rancid #propagandhi #TimTimebomb #chopin #SocialDistortion #dateline NBC #48hours #murdersheet

Writing a #introduction for my favorite person, I would love him to find his people & enjoy this place with me. Follow him pls! @Cooey He is a dad, #Taurus from #VancouverIsland . He is a #timber framer, who loves to laugh and joke. Has a heart of gold. He loves #grunge and #punk #music his favorites are #Nirvana #Soundgarden #Audioslave #Rancid #Pixies #ChrisCornell he loves #Fender #guitars , #horror #CaptianSpalding #fishing #burnouts #hiking and most of all he loves #Leafs #hockey @Cooey

#Punkrock ist die #Idee, dass du dir, wenn du hart arbeitest und intensiv lebst, einen #Platz in der #Welt schaffen kannst.
(Tim #Armstrong)
#psychotHHerapie #Zitat #Zitate #Punk #Rancid #TimArmstrong

https://www.jangoeritz.de/zitate

https://open.spotify.com/track/1tfXsmVNXpv089VNmjhHao from the new D.O.A. tribute album #rancid #waitingforyou #DOA #punk #music #punkrock

30 years ago today
Tim Armstrong with Rancid at Wetlands (Preserve), New York City, September 25, 1994.

Photo by BJ Papas

#punk #punks #punkrock #timarmstrong #rancid #history #punkrockhistory #otd

#Punkrock ist die #Idee, dass du dir, wenn du hart arbeitest und intensiv lebst, einen #Platz in der #Welt schaffen kannst.
(Tim #Armstrong)
#psychotHHerapie #Zitat #Zitate #Punk #Rancid #TimArmstrong

https://www.jangoeritz.de/zitate

#Punkrock ist die #Idee, dass du dir, wenn du hart arbeitest und intensiv lebst, einen #Platz in der #Welt schaffen kannst.
(Tim #Armstrong)
#psychotHHerapie #Zitat #Zitate #Punk #Rancid #TimArmstrong

https://www.jangoeritz.de/zitate

#Punkrock ist die #Idee, dass du dir, wenn du hart arbeitest und intensiv lebst, einen #Platz in der #Welt schaffen kannst.
(Tim #Armstrong)
#psychotHHerapie #Zitat #Zitate #Punk #Rancid #TimArmstrong

https://www.jangoeritz.de/zitate

This post is one of those...if ya know ya know...kind of posts. Enjoy, even if you don't know. :)

Who’s Punk?! What’s the Score?!...Songs #18/25: Ruby Soho by Rancid, Drain the Blood by The Distillers and No One Knows by Queens of the Stone Age. https://tommacinneswriter.com/2024/02/16/whos-punk-whats-the-score-songs-18-25-ruby-soho-by-rancid-drain-the-blood-by-the-distillers-and-no-one-knows-by-queens-of-the-stone-age/ #DrainTheBlood, #NoOneKnows, #Punk, #QueensOfTheStoneAge, #Rancid, #RubySoho, #TheDistillers, #WhosPunk?!WhatsTheScore?!

Circle Jerks are recording new music... with help from Rancid's Tim Armstrong!

https://www.punktuationmag.com/circle-jerks-new-music-rancid-tim-armstrong/

#music #punk #punkrock #hardcorepunk #punkhardcore #CircleJerks #KeithMorris #GregHetson #TimArmstrong #Rancid