#socialdistortion — Public Fediverse posts

https://www.europesays.com/uk/961601/ Arroganz – Death Doom Punks Review #2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #Entertainment #GermanMetal #GreenDay #Immolation #May26 #music #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords #UK #UnitedKingdom

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Social Distortion – Born To Kill

Social Distortion – Born To Kill

Está de absolutamente todo mi gusto el regreso de Social Distortion. Un disco con esencia punk, bien rockero, pero también nostálgico y sensible por momentos. Además trae un cover de «Wicked Games», de Chris Isaak, que está bien bonito. 👌🏻

#SocialDistortion #Rock #ChrisIsaak

«Born To Kill» es el título del nuevo disco de Social Distortion, la banda neoyorquina de punk-rock. 15 años pasaron desde el anterior álbum «Hard Times and Nursery Rhymes».

https://album.link/s/1Ln4Uhw3DLQ0PZkpb7HJjC

#SocialDistortion #AlbumReleases #rel2026 #NewMusicFriday #ViernesDeMúsica #PunkRock #Música

«Born To Kill» es el título del nuevo disco de Social Distortion, la banda neoyorquina de punk-rock. 15 años pasaron desde el anterior álbum «Hard Times and Nursery Rhymes».

https://album.link/s/1Ln4Uhw3DLQ0PZkpb7HJjC

#SocialDistortion #AlbumReleases #rel2026 #NewMusicFriday #ViernesDeMúsica #PunkRock #Música

«Born To Kill» es el título del nuevo disco de Social Distortion, la banda neoyorquina de punk-rock. 15 años pasaron desde el anterior álbum «Hard Times and Nursery Rhymes».

https://album.link/s/1Ln4Uhw3DLQ0PZkpb7HJjC

#SocialDistortion #AlbumReleases #rel2026 #NewMusicFriday #ViernesDeMúsica #PunkRock #Música

«Born To Kill» es el título del nuevo disco de Social Distortion, la banda neoyorquina de punk-rock. 15 años pasaron desde el anterior álbum «Hard Times and Nursery Rhymes».

https://album.link/s/1Ln4Uhw3DLQ0PZkpb7HJjC

#SocialDistortion #AlbumReleases #rel2026 #NewMusicFriday #ViernesDeMúsica #PunkRock #Música

«Born To Kill» es el título del nuevo disco de Social Distortion, la banda neoyorquina de punk-rock. 15 años pasaron desde el anterior álbum «Hard Times and Nursery Rhymes».

https://album.link/s/1Ln4Uhw3DLQ0PZkpb7HJjC

#SocialDistortion #AlbumReleases #rel2026 #NewMusicFriday #ViernesDeMúsica #PunkRock #Música

Ein bekanntes Chris-Isaak-Cover: #WIckedGame.

Würde sagen, sehr tauglich für einen Pub-Abend an einem #TGIF.

https://www.youtube.com/watch?v=sb_Yiss_i_E

#SocialDistortion #RocknRoll #PunkRock

Ein bekanntes Chris-Isaak-Cover: #WIckedGame.

Würde sagen, sehr tauglich für einen Pub-Abend an einem #TGIF.

https://www.youtube.com/watch?v=sb_Yiss_i_E

#SocialDistortion #RocknRoll #PunkRock

Ein bekanntes Chris-Isaak-Cover: #WIckedGame.

Würde sagen, sehr tauglich für einen Pub-Abend an einem #TGIF.

https://www.youtube.com/watch?v=sb_Yiss_i_E

#SocialDistortion #RocknRoll #PunkRock

Ein bekanntes Chris-Isaak-Cover: #WIckedGame.

Würde sagen, sehr tauglich für einen Pub-Abend an einem #TGIF.

https://www.youtube.com/watch?v=sb_Yiss_i_E

#SocialDistortion #RocknRoll #PunkRock

Aus aktuellem Anlass…. Congrats, @mikeness
Vinyldonnerstag: @socialdistortion – Born to Kill (2026 🇺🇸)

#vinyldonnerstag #semmehorcht #vinylthursday #vinylmatinee #BornToKill #socialdistortion #borntokill #mikeness #punkrock #americanpunk #rocknroll #punk #epitaphrecords #orangecounty #ocpunk #vinyl #vinylcollection #vinylcollector #nowspinning #nowspinningonvinyl #spinningvinyl #vinyllove #vinylcommunity #recordcollection #lp #33rpm #turntable #plattenliebe #schallplatte #rockvinyl

Recensie: Social Distortion – Born To Kill ★★★★
https://writteninmusic.com/albumrecensie/social-distortion-born-to-kill/

#Music #Rock #SocialDistortion #Epitaph

Happy Birthday Mike Ness, band leader of Social Distortion, born April 3, 1962 in Lynn, Massachusetts

Social Distortion - Ring of Fire (Live DVD

#punk #punks #punkrock #punklegend #mikeness #socialdistortion #punkrockhistory #otd

Ultrabomb (Hüsker Dü, Soul Asylum, Adolescents) drop 'Artificial Stars' from upcoming The Bridges That We Burn album

https://www.thepunksite.com/news/ultrabomb-drop-artificial-stars-from-upcoming-the-bridges-that-we-burn-album/

#music #PunkRock #AltRock #UltraBomb #HuskerDu #SoulAsylum #SocialDistortion #AgentOrange

Ultrabomb (Hüsker Dü, Soul Asylum, Adolescents) drop 'Artificial Stars' from upcoming The Bridges That We Burn album

https://www.thepunksite.com/news/ultrabomb-drop-artificial-stars-from-upcoming-the-bridges-that-we-burn-album/

#music #PunkRock #AltRock #UltraBomb #HuskerDu #SoulAsylum #SocialDistortion #AgentOrange

Ultrabomb (Hüsker Dü, Soul Asylum, Adolescents) drop 'Artificial Stars' from upcoming The Bridges That We Burn album

https://www.thepunksite.com/news/ultrabomb-drop-artificial-stars-from-upcoming-the-bridges-that-we-burn-album/

#music #PunkRock #AltRock #UltraBomb #HuskerDu #SoulAsylum #SocialDistortion #AgentOrange

Ultrabomb (Hüsker Dü, Soul Asylum, Adolescents) drop 'Artificial Stars' from upcoming The Bridges That We Burn album

https://www.thepunksite.com/news/ultrabomb-drop-artificial-stars-from-upcoming-the-bridges-that-we-burn-album/

#music #PunkRock #AltRock #UltraBomb #HuskerDu #SoulAsylum #SocialDistortion #AgentOrange

Ultrabomb (Hüsker Dü, Soul Asylum, Adolescents) drop 'Artificial Stars' from upcoming The Bridges That We Burn album

https://www.thepunksite.com/news/ultrabomb-drop-artificial-stars-from-upcoming-the-bridges-that-we-burn-album/

#music #PunkRock #AltRock #UltraBomb #HuskerDu #SoulAsylum #SocialDistortion #AgentOrange

New Social D record next year (May 2026, no day announced yet)-- their first in 15 years. I've always kinda had a soft spot for the D. Hearing some of the new songs they've been playing live and I dig em. Supposedly the first single will come out next month (January).

I assume these will be on the record.

"Tonight" live in 2022: https://youtu.be/cSjkeP7sd2Q

"No Way Out" live this year, 2025: https://youtu.be/rJAzA2tSBg4

#SocialDistortion #SocialD #2026Records #2026Albums #MikeNess

The Best Music Books of 2025

https://web.brid.gy/r/https://www.rollingstone.com/music/music-lists/best-music-books-2025-1235484147/

I haven't listen to this record in 30 years or so. So many #goodmemories attached to it.

#SocialDistortion #punkrock #punk

https://open.spotify.com/album/46nX6hzuIb6wEia7OQ2viS?si=Io0C66pBQKWHzFNexeTu4w

43 years ago
Social Distortion 6/18/1982 Florentine Gardens.

Mike Ness, Dennis Danell and Brent Liles

📸Alison Braun

#punk #punks #punkrock #punklegends #socialdistortion #mikeness #dennisdanell #brentliles #punkrockhistoy

A “live” tune this evening on deck from a band with one of the best names EVER.
#MusicOfMastodon
#90sAltRock
#SomewhereBetweenHeavenAndHell
#SocialDistortion

Some people like to gamble,
But you, you always lose.
Some people like to rock 'n' roll,
You're always singin' the blues
You gotta nasty disposition,
No one really knows the reason why,
You gotta bad, bad reputation,
Gonna hang your head down and cry

https://m.youtube.com/watch?v=1_m-wPRwCcU

Happy Birthday to Mike Ness, American guitarist, vocalist, and chief songwriter for the punk rock band Social Distortion, born on this day in 1962, Lynn, Massachusetts

Photo by Alison Braun

#punk #punks #punkrock #mikeness #socialdistortion #history #punkrockhistory #otd

Ahhhhh it's #spotifywrapped time again 🔥
#spotify #punk #classical #music @punk #rancid #propagandhi #TimTimebomb #chopin #SocialDistortion #dateline NBC #48hours #murdersheet

43 years ago
Social Distortion at the Cuckoo's Nest, Costa Mesa, California, 1981

Photos by Edward Colver

#punk #punks #punkrock #oldschoolpunk #punklegends #socialdistortion #mikeness #history #punkrockhistory

Happy Birthday to Mike Ness, American guitarist, vocalist, and chief songwriter for the punk rock band Social Distortion, born on this day in 1962, Lynn, Massachusetts

Photo by Alison Braun

#punk #punks #punkrock #mikeness #socialdistortion #history #punkrockhistory #otd

@historyofpunkrock Mike Ness remastered this for its 40th anniversary and it sounds better than ever.
https://music.apple.com/us/album/mommys-little-monster/1440941612
#socialdistortion #mikeness #punkrock

#TheMetalDogArticleList
#BLABBERMOUTH
SOCIAL DISTORTION's MIKE NESS Opens Up About His Cancer Battle: 'It's Been Hell'
Mike Ness, who revealed a diagnosis of tonsil cancer in June, offered an update on his progress in a new interview with Matt Pinfield of 95.5 KLOS's "New & Approved" show.

https://blabbermouth.net/news/social-distortions-mike-ness-opens-up-about-his-cancer-battle-its-been-hell

#SocialDistortion
#MikeNess
#CancerBattle
#HealthJourney
#Positivity
#HealthTips
#BeYourOwnHero
#SurroundYourselfWithLove
#FindWhat

#TheMetalDogArticleList
#BraveWords
SOCIAL DISTORTION's MIKE NESS Tells PROFESSOR OF ROCK How He Was Homeless, In And Out Of Jail, Then Came Back With Two Gold Records; Video

https://bravewords.com/news/social-distortion-s-mike-ness-tells-professor-of-rock-how-he-was-homeless-in-and-out-of-jail-then-came-back-with-two-gold-records-video

#SocialDistortion
#MikeNess
#Homeless
#Jail
#GoldRecords
#RocknRollDreams
#RiseUp
#StayPositive
#NeverGiveUp
#FightOn
#GrowthMindset

#TheMetalDogArticleList
#BLABBERMOUTH
SOCIAL DISTORTION Vocalist MIKE NESS Diagnosed With Tonsil Cancer
Legendary punks SOCIAL DISTORTION have postponed their previously announced North American headlining tour due to the stage-one tonsil cancer diagnosis of vocalist Mike Ness. As he recovers from a recent surgery, the band is also temporarily halting....

https://blabbermouth.net/news/social-distortion-vocalist-mike-ness-diagnosed-with-tonsil-cancer

#TonsilCancer
#MikeNess
#SocialDistortion
#HealthNews
#CancerAwareness
#CancerTreatment
#MedicalUpdates
#GetChecked

I remember the day #KurtCobain died so clearly. It was April 5, 1994; I was a senior at #NorthwesternUniversity.

I had no classes that day. I woke up, showered, and put on combat boots, brown linen pants, black t shirt & my #SocialDistortion Skelly hat.

(Why I recall my outfit I have no idea.)

I heard on the radio that they ‘found a body' in Cobain's house & didn't think much of it. I figured somebody had OD'd and maybe it was him - but prolly not because he should be happy with his phenomenal success, no?

I walked over to a friends' apartment. We were hanging out & drinking MGD when the real news came out. We were stunned.

I have no recollection what the rest of the day was like, what we talked about or anything. I wish he'd gotten the help he needed.

Photo by Adam Jones.

#RIPKurtCobain #POSSE

https://whatwasidoingagain.com/interests/music/kurt-cobain/

Happy Birthday to Mike Ness, American guitarist, vocalist, and chief songwriter for the punk rock band Social Distortion, born on this day in 1962, Lynn, Massachusetts

Photo by Corbis

#punk #punks #punkrock #mikeness #socialdistortion #history #punkrockhistory #otd

I've seen #SocialDistortion play live 14 times since discovering them as a teen ✌ I had a massive crush on #MikeNess for years 😍

Sick Boy 🎶🤘🎸🎵
https://youtu.be/3erFX7ZrWvM

#music #Youtube #MusicVideo #RecommendedMusic #MusicFromMyYouth #nineties #Punk #SkatePunk #OiOiOi #MusicIGrewUpWith #concertVid #LivePerformance #GenX

Mike Ness of Social Distortion in 1982. Photo by Corbis

#punk #punks #punkrock #mikeness #socialdistortion #history #punkrockhistory 🐘

@lmolen #SocialDistortion are great - I was just ripping off one of their riffs on a song of my own earlier 😂 Forgot about #X too! I’m a fan of #TheMenzingers but never got on with the voice in #TheLawrenceArms (which I know is sacrilege to some!) Maybe I just haven’t heard the right album. Which one do you recommend of theirs?

@lmolen #SocialDistortion are great - I was just ripping off one of their riffs on a song of my own earlier 😂 Forgot about #X too! I’m a fan of #TheMenzingers but never got on with the voice in #TheLawrenceArms (which I know is sacrilege to some!) Maybe I just haven’t heard the right album. Which one do you recommend of theirs?

@lmolen #SocialDistortion are great - I was just ripping off one of their riffs on a song of my own earlier 😂 Forgot about #X too! I’m a fan of #TheMenzingers but never got on with the voice in #TheLawrenceArms (which I know is sacrilege to some!) Maybe I just haven’t heard the right album. Which one do you recommend of theirs?

@Authenticdmckee This is a great list! I'd add old-school punkers #SocialDistortion, #Descendents and #X, poppier stuff like #TheLawrenceArms and #TheMenzingers, and newer sounds from #Grade2.

@Authenticdmckee This is a great list! I'd add old-school punkers #SocialDistortion, #Descendents and #X, poppier stuff like #TheLawrenceArms and #TheMenzingers, and newer sounds from #Grade2.

@Authenticdmckee This is a great list! I'd add old-school punkers #SocialDistortion, #Descendents and #X, poppier stuff like #TheLawrenceArms and #TheMenzingers, and newer sounds from #Grade2.

More #introduction time. What is your favorite type of #Music?

The artists I listen to the most are #PinkFloyd of course, #RogerWaters, #NatalieMerchant, and #LanaDelRey.

My favorite types include:

#ProgRock, #SpaceRock - #DavidBowie, #Rush

#AltRock - #Nirvana, #ViolentFemmes, #10000Maniacs

#PunkRock, #FolkPunk - #SocialDistortion #BadReligion, #FloggingMolly, #DropkickMurphys

#TripHop - #MassiveAttack, #Portishead, #ChineseMan

#Folk - #BobDylan, #LeonardCohen