#blackflag — Public Fediverse posts

45 years ago
Black Flag in the parking lot near their rehearsal space in the South Bay, May 1981

Photo by Ann Summa

#punk #punks #punkrock #hardcorepunk #blackflag #history #punkrockhistory

Assassin's Creed Black Flag Resynced incluye una búsqueda del tesoro real con un premio de medio millón de dólares

«Este proyecto es fruto de una colaboración con Unsolved Hunts, una empresa especializada en búsquedas del tesoro en la vida real que ya ofrece un conjunto similar de acertijos que conducen a una réplica, valorada en 250.000 euros, de la espada Excalibur del rey Arturo. Hay que pagar para acceder a las pistas; los paquetes del juego están disponibles a partir de 41 dólares. Si pagas más, obtendrás una versión física de las pistas y otros objetos, hasta llegar al pack Pirate Lord, que cuesta unos 240 dólares.

Aunque ya se pueden hacer reservas, el acceso completo no comenzará hasta el 9 de noviembre de 2026.»

[…]

https://es.ign.com/assassins-creed-black-flag-resynced/229452/assassins-creed-black-flag-resynced-incluye-una-busqueda-del-tesoro-real-con-un-premio-de-medio-mill

#AssassinsCreed #BlackFlag #TKZgaming

https://youtu.be/tmcJV6lsMzA
I Played 4 Hours Of Assassin's Creed Black Flag Resycned - The Good & Bad...

#BlackFlag #AssassinsCreed #Resynced #VideoGames #Ubisoft

https://www.europesays.com/uk/961601/ Arroganz – Death Doom Punks Review #2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #Entertainment #GermanMetal #GreenDay #Immolation #May26 #music #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords #UK #UnitedKingdom

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

🇺🇦 #NowPlaying on #KEXP's #MorningShow

Black Flag:
🎵 Rise Above

#BlackFlag

https://open.spotify.com/track/4kFfFe38CRVnTsakUTL4E4

🇺🇦 #NowPlaying on #KEXP's #MorningShow

Black Flag:
🎵 Rise Above

#BlackFlag

https://open.spotify.com/track/4kFfFe38CRVnTsakUTL4E4

🇺🇦 #NowPlaying on #KEXP's #MorningShow

Black Flag:
🎵 Rise Above

#BlackFlag

https://open.spotify.com/track/4kFfFe38CRVnTsakUTL4E4

🇺🇦 #NowPlaying on #KEXP's #MorningShow

Black Flag:
🎵 Rise Above

#BlackFlag

https://open.spotify.com/track/4kFfFe38CRVnTsakUTL4E4

I know people seem to hate multiplayer video games, but man, it sure is fun to hang out in a virtual world with your friends online. It is a total bummer that the new Assassin's Creed Black Flag Resynced is missing that feature from the original.

It took it from a must buy on day 1, to buy when I feel like it.

#BlackFlag #resynced #AssassinsCreed #VideoGames

43 years ago today
Black Flag at Backstage in Tucson, May 13, 1983.

Also on the bill ➡️ Meat Puppets, Conflict, Civil Death

Photos by Ed Arnaud

#punk #punks #punkrock #hardcorepunk #blackflag #history #punkrockhistory #otd

43 years ago today
Black Flag at Backstage in Tucson, May 13, 1983.

Also on the bill ➡️ Meat Puppets, Conflict, Civil Death

Photos by Ed Arnaud

#punk #punks #punkrock #hardcorepunk #blackflag #history #punkrockhistory #otd

43 years ago today
Black Flag at Backstage in Tucson, May 13, 1983.

Also on the bill ➡️ Meat Puppets, Conflict, Civil Death

Photos by Ed Arnaud

#punk #punks #punkrock #hardcorepunk #blackflag #history #punkrockhistory #otd

43 years ago today
Black Flag at Backstage in Tucson, May 13, 1983.

Also on the bill ➡️ Meat Puppets, Conflict, Civil Death

Photos by Ed Arnaud

#punk #punks #punkrock #hardcorepunk #blackflag #history #punkrockhistory #otd

43 years ago today
Black Flag at Backstage in Tucson, May 13, 1983.

Also on the bill ➡️ Meat Puppets, Conflict, Civil Death

Photos by Ed Arnaud

#punk #punks #punkrock #hardcorepunk #blackflag #history #punkrockhistory #otd

42 years ago
Black Flag on their tour bus, May 1984
Greg Ginn, Bill Stevenson, Kira Roessler and Henry Rollins

Photo by Ann Summa

#punk #punks #punkrock #blackflag #hardcorepunk #history #punkrockhistory

Black Flag Resynced Overhauls Parkour, Combat, Stealth

https://fullcleared.com/news/black-flag-resynced-overhauls-parkour-combat-stealth/

#gaming #gamingnews #videogames #blackflag #assassinscreed

Black Flag Resynced remakes my favorite Assassin’s Creed game
One of the best Assassin's Creed games gets a major overhaul
https://www.sidequesting.com/2026/04/black-flag-resynced-remakes-my-favorite-assassins-creed-game/
#News #AssassinsCreed #BlackFlag #BlackFlagResynced #resynced #ubisoft

The SideQuest LIVE April 23, 2026: HUGE Xbox changes and ASSASSIN’S CREED is BACK!
A TREMENDOUS episode as we talk about the MASSIVE Xbox and Game Pass changes and the return of Assassin's Creed: Black Flag!
https://www.sidequesting.com/2026/04/the-sidequest-live-april-23-2026-huge-xbox-changes-and-assassins-creed-is-back/
#Podcasts #TheSideQuest #AssassinsCreed #BlackFlag #MousePiForHire #podcast #pragmata #replaced #resynched #sidequest #SideQuestLIVE #xbox

The SideQuest LIVE April 23, 2026: HUGE Xbox changes and ASSASSIN’S CREED is BACK!
A TREMENDOUS episode as we talk about the MASSIVE Xbox and Game Pass changes and the return of Assassin's Creed: Black Flag!
https://www.sidequesting.com/2026/04/the-sidequest-live-april-23-2026-huge-xbox-changes-and-assassins-creed-is-back/
#Podcasts #TheSideQuest #AssassinsCreed #BlackFlag #MousePiForHire #podcast #pragmata #replaced #resynched #sidequest #SideQuestLIVE #xbox

https://www.europesays.com/ro/164886/ Black Flag Resynced e aproape de lansare si poate fi comandat deja! #BlackFlag #joc #RO #Română #Romania #Romanian #Technology #tehnologie #Xbox

Assassin’s Creed Black Flag Resynced Sets Sail on July 9

https://fullcleared.com/news/assassins-creed-black-flag-resynced-sets-sail-on-july-9/

#gaming #gamingnews #videogames #acbfr #blackflag

#Ubisoft is doing a remake of #BlackFlag? I mean… I don’t trust them to do a good job. The game has been fun, but it has aged a lot.

The later games were not that entertaining and what they have done with most recent games (especially fighting and content bloat) just doesn’t resonate with me.

Assassin’s Creed Black Flag Resynced Gets Its Big Reveal April 23

https://fullcleared.com/news/assassins-creed-black-flag-resynced-gets-its-big-reveal-april-23/

#gaming #gamingnews #videogames #ubisoft #assassinscreed #blackflag

Mike Mills erzählt von seiner Kindheit in Kalifornien, aber eigentlich von viel mehr: Von Müttern, die keine klassischen Mütter sind. Von den Frauen, die ihn geprägt haben. Und von einer Zeit, die sich noch nicht entscheiden konnte, ob sie schon modern ist oder doch noch ein Echo der Vergangenheit. (ARD, Wh.)

Mike Mills erzählt von seiner Kindheit in Kalifornien, aber eigentlich von viel mehr: Von Müttern, die keine klassischen Mütter sind. Von den Frauen, die ihn geprägt haben. Und von einer Zeit, die sich noch nicht entscheiden konnte, ob sie schon modern ist oder doch noch ein Echo der Vergangenheit. (ARD, Wh.)

Mike Mills erzählt von seiner Kindheit in Kalifornien, aber eigentlich von viel mehr: Von Müttern, die keine klassischen Mütter sind. Von den Frauen, die ihn geprägt haben. Und von einer Zeit, die sich noch nicht entscheiden konnte, ob sie schon modern ist oder doch noch ein Echo der Vergangenheit. (ARD, Wh.)

Mike Mills erzählt von seiner Kindheit in Kalifornien, aber eigentlich von viel mehr: Von Müttern, die keine klassischen Mütter sind. Von den Frauen, die ihn geprägt haben. Und von einer Zeit, die sich noch nicht entscheiden konnte, ob sie schon modern ist oder doch noch ein Echo der Vergangenheit. (ARD, Wh.)

Mike Mills erzählt von seiner Kindheit in Kalifornien, aber eigentlich von viel mehr: Von Müttern, die keine klassischen Mütter sind. Von den Frauen, die ihn geprägt haben. Und von einer Zeit, die sich noch nicht entscheiden konnte, ob sie schon modern ist oder doch noch ein Echo der Vergangenheit. (ARD, Wh.)

FR - "De toute façon c’est bizarre un drapeau. C’est quoi le délire de respecter un truc qui se dresse que quand le vent tourne ? >.<'" (un.e internaute, sans doute de gauche)

EN - "Anyway, it's weird, a flag. What's the point of respecting something that only goes up when the wind changes ? >.<' " (an internet user, probably left-wing)

#redFlag #whiteFlag #blackFlag #noFlag #prisEnFlag #quote #microtrottoirdesinternets #revuedepresse #excelArt #powerDot #pixelosophy #animinimalist #textotonal #publicDomain #creativeCommons

 [ 👊 ] #punchline from commonsources

src: Pastèque et Avocat - insta: @pastequeetavocat - Twitch: pastequeetavocat

Der einzige Weg, mit #Angst umzugehen, ist, ihr direkt ins #Gesicht zu sehen.
(Henry #Rollins)
#psychotHHerapie #Zitat #Zitate #Mut #Wachstum #HenryRollins #BlackFlag

https://www.jangoeritz.de/zitate

Glimpse from The Underground: Terrorborn and Nightmare is live in stores!

Embody terror itself in your Black Flag games with this horror-themed lineage and heritage combo. #BlackFlag #TTRPG

Monthly members get this PDF for free!

Store: https://undergroundoracle.com/products/glimpse-from-the-underground-terrorborn-and-nightmare
Dthru: https://www.drivethrurpg.com/en/product/540059/glimpse-from-the-underground-terrorborn-and-nightmare?affiliate_id=797908

Glimpse from The Underground: Terrorborn and Nightmare is live in stores!

Embody terror itself in your Black Flag games with this horror-themed lineage and heritage combo. #BlackFlag #TTRPG

Monthly members get this PDF for free!

Store: https://undergroundoracle.com/products/glimpse-from-the-underground-terrorborn-and-nightmare
Dthru: https://www.drivethrurpg.com/en/product/540059/glimpse-from-the-underground-terrorborn-and-nightmare?affiliate_id=797908

1983 Black Flag Commercial With Michael Vale (Fred from the Dunkin Donuts ads) and Mary Jo Catlett (Sponge Bob, Serial Mom, Different Strokes).
.
#BlackFlag #Commercial #MichaelVale #MaryJoCatlett #Commercials #VintageTVCommercial #RoachSpray #PestControl #Retro #TelevisionCommercial #Vintage

1983 Black Flag Commercial With Michael Vale (Fred from the Dunkin Donuts ads) and Mary Jo Catlett (Sponge Bob, Serial Mom, Different Strokes).
.
#BlackFlag #Commercial #MichaelVale #MaryJoCatlett #Commercials #VintageTVCommercial #RoachSpray #PestControl #Retro #TelevisionCommercial #Vintage

Released 42 years ago

"My War", Black Flag's second studio album.

Here's the title track from Moose Lodge (more info at the beginning of the clip)

FLAG – "My War" Live at the Redondo Beach Moose Lodge (April 18, 2013)

#punk #punks #punkrock #blackflag #mywar #history #punkrockhistory

43 years ago today
Black Flag and Minutemen support by Neigheist and Frantix, Rainbow Music Hall, Denver Colorado, March 20, 1983.

#punk #punks #punkrock #hardcorepunk #blackflag #minutemen #history #punkrockhistory #otd

43 years ago today
Black Flag and Minutemen support by Neigheist and Frantix, Rainbow Music Hall, Denver Colorado, March 20, 1983.

#punk #punks #punkrock #hardcorepunk #blackflag #minutemen #history #punkrockhistory #otd

43 years ago today
Black Flag and Minutemen support by Neigheist and Frantix, Rainbow Music Hall, Denver Colorado, March 20, 1983.

#punk #punks #punkrock #hardcorepunk #blackflag #minutemen #history #punkrockhistory #otd

43 years ago today
Black Flag and Minutemen support by Neigheist and Frantix, Rainbow Music Hall, Denver Colorado, March 20, 1983.

#punk #punks #punkrock #hardcorepunk #blackflag #minutemen #history #punkrockhistory #otd

43 years ago today
Black Flag and Minutemen support by Neigheist and Frantix, Rainbow Music Hall, Denver Colorado, March 20, 1983.

#punk #punks #punkrock #hardcorepunk #blackflag #minutemen #history #punkrockhistory #otd

42 years ago
My War is the second studio album by American punk band Black Flag, released in March 1984.

Because of the slower B-side, the album had a major impact on the development of sludge metal and grunge

#punk #punks #punkrock #blackflag #mywar #history #punkrockhistory

The black flag stands for everyone (including the bad guys) or for no one (if you prefer nihilism).
The six or seven-striped flag does not stand for free love—which would be nice—nor for peace, which would also be nice. Not even for Thomas Müntzer’s Peasants’ War.
Rather, it stands for a limited number of privileged groups. Every national flag (which is a symbol of #chauvinism) is more open-hearted and tolerant. #blackflag #anarchy #nato

The black flag stands for everyone (including the bad guys) or for no one (if you prefer nihilism).
The six or seven-striped flag does not stand for free love—which would be nice—nor for peace, which would also be nice. Not even for Thomas Müntzer’s Peasants’ War.
Rather, it stands for a limited number of privileged groups. Every national flag (which is a symbol of #chauvinism) is more open-hearted and tolerant. #blackflag #anarchy #nato

Ich mag Songs mit einem guten #Schlagzeugintro - wohl wissend, dass es #Geschmackssache ist. ☺️

Aber #SongForTheDead von #QueensOfTheStoneAge gehört auf jeden Fall in meine #BestSongIntro Liste.

#DaveGrohl hat sich da von #BlackFlag|s #SlipItIn inspirieren lassen, aber ganz klar was eigenes daraus gemacht. Und dann noch #MarkLanegan|s Stimme! ❤️

Hier mal eine Live Version:

https://www.youtube.com/watch?v=dOsmG-sufNc&t=1

#qotsa #JoshHomme

Ich mag Songs mit einem guten #Schlagzeugintro - wohl wissend, dass es #Geschmackssache ist. ☺️

Aber #SongForTheDead von #QueensOfTheStoneAge gehört auf jeden Fall in meine #BestSongIntro Liste.

#DaveGrohl hat sich da von #BlackFlag|s #SlipItIn inspirieren lassen, aber ganz klar was eigenes daraus gemacht. Und dann noch #MarkLanegan|s Stimme! ❤️

Hier mal eine Live Version:

https://www.youtube.com/watch?v=dOsmG-sufNc&t=1

#qotsa #JoshHomme