#portishead — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #portishead, aggregated by home.social.
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#Europa #Großbritannien #Portishead #Bristol
#Wiedereröffnung #Eisenbahnstrecke #Bahnen
Großbritannien - Die Wiedereröffnung der Strecke nach Portishead ist jetzt gesichert:
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Shock as four Bristol restaurants to close in major shake-up
Company blames ‘significant cost increases in the form of business rates and National Insurance’ William Telford Senior Reporter…
#Bristol #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #Britain #employment #GlastonburyFestival #GreatBritain #Hengrove #Portishead
https://www.europesays.com/uk/934892/ -
https://www.europesays.com/uk/934892/ Shock as four Bristol restaurants to close in major shake-up #Bristol #Britain #employment #England #GlastonburyFestival #GreatBritain #Hengrove #Portishead #UK #UnitedKingdom
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🏗️🛤️ Contracts have been signed to restore passenger rail services to #Portishead and Pill for the first time since 1964, marking a major milestone for the long-awaited scheme. Two new stations and around three miles of track will be built, with construction now under way and services expected to begin in winter 2028/29. The project, involving Morgan Sindall, Colas Rail and AmcoGiffen, will reconnect more than 50,000 people to the rail network. Backers say it will improve access to jobs, education and services while supporting economic growth across the West of #England. The line is also expected to cut travel times to #Bristol and ease road congestion. Funded by the Department for Transport and local authorities, the scheme is seen as a key step in strengthening regional transport links and encouraging sustainable development.
https://news.gwr.com/news/sixty-years-in-the-making-contracts-signed-to-bring-the-railway-back-to-portishead-and-pill -
Fury as promotion-chasing Portishead Town instead relegated by the FA
The club said they are ‘devastated’ over the decision Portishead Town FC’s home ground at Bristol Road in…
#Bristol #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #BristolLive #Britain #GrassrootsFootball #GreatBritain #Portishead
https://www.europesays.com/uk/922107/ -
https://www.europesays.com/uk/922107/ Fury as promotion-chasing Portishead Town instead relegated by the FA #Bristol #BristolLive #Britain #England #GrassrootsFootball #GreatBritain #Portishead #UK #UnitedKingdom
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🎧 Portishead | "Dummy" (1994) 🎧
The soundtrack of the The Studio of Love™ this morning is currently Portishead's 1994 album "Dummy", one of the greatest albums of the 90s.
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Soundtrack for walking through Bristol: Portishead
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🇺🇦 #NowPlaying on #KEXP's #Early
Portishead:
🎵 Hunter -
Portishead - Strangers
https://www.youtube.com/watch?v=HbSu2UM8kcQ
Ooh
Just set aside your fears of life
With the sole desire#Portishead #Strangers #TripHop #Live #Roseland #Music #Courage #RisingTide
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🇺🇦 #NowPlaying on #BBC6Music's #6MusicsJukebox
Portishead:
🎵 Glory Boxhttps://westfallmusic.bandcamp.com/track/portishead-glory-box-westfall-remix
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Portishead – Roads (Sultan & Tone Depth Remix)
Released in 2003 on rr1000
https://youtu.be/8_U5GPtu6ko?si=EZuTXXU276xDKuGX
#ProgressiveTrance #Trance #Electronic #MastoMusic #Portishead
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Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Foghazer – He Left the Temple Review By TymeBlack metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One niche of the black metalsphere, with neither a large sample size nor a large following, is black metal smashed hip-hop. Sure, some artists come to mind: Ghostemane, for one; then there’s what Zeal & Ardor is doing, as well as Déhà’s project NADDDIR, which melds flashes of black metal with trap beats and cloud rap.1 Tossing his spliff in the ashtray as it were is the mysterious Berliner, Foghazer, with his Hypnotic Dirge debut, He Left the Temple, an album comprised of nine, singularly titled tracks that cumulatively read “‘He’ ‘Left’ ‘The’ ‘Temple’ ‘And’ ‘Fog’ ‘Followed’ ‘Him’ ‘Out,”‘ and described by the artist as “low-visibility sound: slow beats, distorted memory and fog as both space and emotion.” Will Foghazer open the floodgates to a new sub-sub-sub-genre, or be just another basement-dwelling one-man band exiting his parents’ lowest-level ‘temple’ in a haze of pot smoke and lo-fi tuneage in search of munchies.
If Moderator2 and Portishead got down and “black metal” dirty with Burzum in some hole in the wall no-tell motel, the offspring of that union would sound like Foghazer. Eschewing nearly all vocals, He Left the Temple employs trip-hoppy drum beats with occasional blasts and jazz fills, moody-smooth bass lines, and eerily plucked or Filosofem-level reverb-drenched guitars to armor the majority of its aural palette.3 Toss in some scratchy, Portishead-style turntablism, operatic female soprano warblings, Master Boot Record-type bleepity-bloops (“He,” “Followed”) amidst other random sounds, and you’ve got the gist of what’s happening here. He Left the Temple strikes a decent cinematic chord, evoking a lo-res film noir experience that, at least in my mind’s movie, follows Foghazer and his gang of corpse-painted black metal beatniks as they roam the harsh streets of an “every-city” looking for trouble.
He Left The Temple by Foghazer
Laid-back and gloomy, Foghazer does a good job of setting a mood; He Left the Temple would serve equally well as a lounge-lizard soundtrack looping endlessly in an edgy, urban underground cigar-and-whiskey bar as it would a score for some Werner Herzog black metal remake of the movie Kids. “Left” has a slow, eerie build that transitions from creepy, singular guitar plucks to a double-bass rolling foundation that supports some nice, melodic riff patterns. “Fog” is another standout; its trippy bass line and trap beats trade punches with passages of doomy tremolos and double bass rolls, and had me thinking, ‘this is what Darkthrone might sound like if they took a stab at this kind of thing.’ There were many moments where I found myself slipping comfortably into the groove that Foghazer was laying down, my rollin’-through-Oslo-in-my-tricked-out-hearse head bob in full effect. Unfortunately, not all of the fog in the temple envelops completely.
There is a dark thread of similitude running through nearly all of He Left the Temple that impacted my overall experience. Foghazer rinses and repeats his compositional formula such that, if you were to cycle through the first five seconds of every track from “He” to “Fog,” each begins in much the same way, which cumulatively has a hypnotizing effect that takes you out of what’s happening more than it draws you in. I kept checking the track number every so often to see if I’d mistakenly played the same song over again. The other demerit I must levy against He Left the Temple occurs when Foghazer leans heaviest into his black metal. “Temple” is the most glaring example of this as it begins pensively, with some brooding bass tones and spindly guitar plucks before settling into its trip-hop beat section, which gets rudely interrupted at the 1:25 mark by an obnoxious blast beat that continuously pulses under those creepy guitars. This track also contains Foghazer’s only vocals, which, for us, is a blessing in disguise since I find his particular brand of shriek rather grating.
There’s some cool stuff going on in He Left the Temple, but this is nothing that’s going to put Foghazer on the map. I appreciate the groove and mood he’s able to create at times, but as a mostly instrumental album, the lack of any additional engaging dynamics left me wanting more from Foghazer. As it stands, He Left the Temple makes for some entertaining background music, but not much more.
Rating: 2.5/5.0
#25 #2026 #BlackMetal #Darkthrone #Foghazer #Germany #HeLeftTheTemple #HypnoticDirgeRecords #Mar26 #Moderator #Portishead #Review #TripHop
DR: 6 | Format Reviewed: 192kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Instagram
Releases Worldwide: March 27th, 2026 -
Network Rail wants my shed, says neighbour of new station https://www.allforgardening.com/1699501/network-rail-wants-my-shed-says-neighbour-of-new-station/ #garden #gardening #GardeningIreland #NetworkRail #NorthSomersetCouncil #Portishead
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#CloseTheDoor #Terranova #MassiveAttack #Tricky #Portishead – I still think #triphop is often #fantastic. #Terranova will probably always remain an insider's tip. #music youtu.be/WqLErRoF6HE
Close The Door -
2026 Hey Siri Songs - Day 88
"Hey Siri. Play Glory Box by Portishead."
#Nite #HomePod #Music #Portishead
Apple Music: https://music.apple.com/gb/album/glory-box/1440653096?i=1440653206
Spotify: https://open.spotify.com/track/3Ty7OTBNSigGEpeW2PqcsC
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Big week ahead for Bristol buses, as timetables change and kids go free again
A number of new routes will be introduced, with others cancelled or amended A Citylines bus pictured in…
#Bristol #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #BristolCityCentre #Britain #buses #FirstGroup #Fishponds #GreatBritain #Hengrove #Nailsea #NorthSomerset #Portishead #SouthGloucestershire #Southmead #StGeorge #Traffic&Travel
https://www.europesays.com/uk/859918/ -
https://www.europesays.com/uk/859918/ Big week ahead for Bristol buses, as timetables change and kids go free again #Bristol #BristolCityCentre #Britain #buses #England #FirstGroup #Fishponds #GreatBritain #Hengrove #Nailsea #NorthSomerset #Portishead #SouthGloucestershire #Southmead #StGeorge #Traffic&Travel #UK #UnitedKingdom
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🇺🇦 #NowPlaying on #BBC6Music's #SteveLamacq
Portishead:
🎵 Sour Timeshttps://tiedrecords.bandcamp.com/track/portishead-sour-times-rhythm-box-edit
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🇺🇦 #NowPlaying on #BBC6Music's #CillianMurphysLimitedEdition
Portishead:
🎵 Undenied -
Portishead Soundtrack Acne Studios Runway Show With Two Classic Tracks
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The lock gates at Portishead stand open under a hard grey sky, with dark water held still between stone walls. Where time waits for the next tide.
#photography #photo #Portishead #Marina #Locks #Winter #Water #Stillness #bristolChannel
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Low tide in the Bristol Channel. Mud, water and sky fold into one dark plane, while cranes and wind turbines hold the far edge.
The land lies exposed, and industry waits at the horizon; the tide goes out, but the mark we leave does not.
#photography #BristolChannel #Portishead #Monochrome #Estuary #LandscapePhotography #NorthSomerset
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The cheapest and most expensive postcodes to buy a home in Bristol
The difference is more than £400,000 Cullen Willis and David Dubas-Fisher 11:26, 07 Feb 2026 Estate agent boards…
#Bristol #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #Avonmouth #Bedminster #Bishopston #Brislington #BristolCityCentre #Britain #Clevedon #Clifton #Easton #Filton #GreatBritain #Hanham #Hengrove #Portishead #Redland
https://www.europesays.com/uk/748482/ -
https://www.europesays.com/uk/748482/ The cheapest and most expensive postcodes to buy a home in Bristol #Avonmouth #Bedminster #Bishopston #Brislington #Bristol #BristolCityCentre #Britain #Clevedon #Clifton #Easton #England #Filton #GreatBritain #Hanham #Hengrove #Portishead #Redland #UK #UnitedKingdom
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Bristol cop sent ‘heinous’ sex texts detailing how he wanted to choke and beat woman
Officer admitted messages made him look like a ‘heinous thug’ File image of SnapChat app on mobile phone(Image:…
#Bristol #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #AvonandSomersetConstabulary #Britain #Crime #GreatBritain #Knowle #KnowleWest #Politics #Portishead #Snapchat
https://www.europesays.com/uk/740346/ -
https://www.europesays.com/uk/740346/ Bristol cop sent ‘heinous’ sex texts detailing how he wanted to choke and beat woman #AvonAndSomersetConstabulary #Bristol #Britain #Crime #England #GreatBritain #Knowle #KnowleWest #Politics #Portishead #Snapchat #UK #UnitedKingdom
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zeit, nochmal #portishead #dummy zu hören. Was für ein Album.
