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#pinkfloyd — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #pinkfloyd, aggregated by home.social.

  1. #Mastobada - nobody

    Nobody Home Pink Floyd ❤️

    "I've got electric light.
    And I've got second sight.
    And amazing powers of observation.
    And that is how I know
    When I try to get through
    On the telephone to you
    There'll be nobody home." 🎶

    youtube.com/watch?v=CM-N9d8cm-A

    @mastobada

    #PinkFloyd #TheWall

  2. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  3. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  4. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  5. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  6. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  7. #mastobada pont (bridge)

    Pink floyd - burning bridges

    Bridges burning glady, melting with the shadow
    flickering between the lines

    youtu.be/UXdBuLgfaLU

    Si peu de chansons en fin de semaine souvent, dommage

    #pinkfloyd #musique #music

  8. #mastobada pont (bridge)

    Pink floyd - burning bridges

    Bridges burning glady, melting with the shadow
    flickering between the lines

    youtu.be/UXdBuLgfaLU

    Si peu de chansons en fin de semaine souvent, dommage

    #pinkfloyd #musique #music

  9. #mastobada pont (bridge)

    Pink floyd - burning bridges

    Bridges burning glady, melting with the shadow
    flickering between the lines

    youtu.be/UXdBuLgfaLU

    #pinkfloyd #musique #music

  10. #mastobada pont (bridge)

    Pink floyd - burning bridges

    Bridges burning glady, melting with the shadow
    flickering between the lines

    youtu.be/UXdBuLgfaLU

    Si peu de chansons en fin de semaine souvent, dommage

    #pinkfloyd #musique #music

  11. Coffin Hunters – Cosmic Dawn Review By Grin Reaper

    I love album art you can hear, and fittingly, Coffin HuntersCosmic Dawn churns with a groovy, psychedelic fusion of hard rock and heavy metal that spills off the cover. Plus, how can I resist a sassy reaper rooted in a strawberry-lemonade backdrop featuring a gateway to an alternate dimension? Cosmic Dawn is Coffin Hunters’ third album in under a decade, and on their previous LPs the Los Angeles foursome dispensed reliable earworms with a rockin’ retro swagger. On Cosmic Dawn, the crew adds a healthy dollop of synth into their formula and dips their toes into acid rock waters. With a new twist on Coffin Hunters’ recipe, is this the Cosmic Dawn of a triumphant new era?

    While it’s clear that influences play a pivotal role in Coffin Hunters’ sound, it’s just as clear that the band works to establish an identity all their own. Debut The Fire Knight leaned heavily into throwback, traditional heavy metal and saw Coffin Hunters embracing bass-forward boogies and monster grooves that conjure the likes of Saxon, Jag Panzer, and Iron Maiden. Follow-up Wake the Dead shed the raw edges of The Fire Knight and adopted slicker riffs and a more polished production, even adding touches of southern flair recalling Molly Hatchet and some punchy bassmanship that reminds me of Mike Dirnt’s 90s Green Day contributions. On Cosmic Dawn, Coffin Hunters push their boundaries even further, fusing the synth stylings of The Doors and Uriah Heep into their collective personality and capping it with Floydian psychedelia. The sum total is an intriguing melting pot that incorporates seemingly disparate ingredients into a surprisingly cohesive dish.

    Over the last decade, Coffin Hunters has retained their core contributors while exploring ever-expanding shades of hard rock and heavy metal. Other than replacing original drummer Jorge Guzman in 2020 with Brennan Kunkel, Coffin Hunters boasts remarkable lineup stability, and you can hear the effortless give and take during their well-crafted arrangements. Guitarist Eric Harriman’s fuzzy crunch strums and swirls around Brian Crites’ bass, which punctuates compositions with often understated yet always alluring performances, particularly on “Skeleton Key” and the title track. Keyboards round out Cosmic Dawn’s instrumentation, making an indelible mark as they imbue each song with hooks embedded so deeply and central to the album’s character (“Isle of the Dead”) that I marvel how Coffin Hunters wrote two albums without them. Vocalist Sean Rivera delivers a solid performance as well, guiding listeners through the album’s eight tracks with his steady croon.

    Although Coffin Hunters nails most songwriting elements on Cosmic Dawn, evaluating the album in its entirety reveals a few cracks. Foremost is the lack of songwriting dynamics, as pacing and tempo consistency keep Cosmic Dawn’s forty-three minutes within too narrow a band and inhibit Coffin Hunters’ adventurousness. To be fair, “Last Nail in the Coffin” supplies an early downshift in pacing; however, it’s not enough to combat the uniformity that permeates the rest of the album. Even though most songs radiate head-bobbing energy on their own, strung together they too easily pass by in a pleasantly tame blur. Injecting a show-stopping moment or two that stretches the even-keeled energy into peaks and valleys would go a long way towards reinforcing Cosmic Dawn’s impact. Also, while Rivera’s vocals serve the music well enough, they tend to be a bit one-note and lack the bite of earlier albums. Exploring other styles, resurrecting The Fire Knight’s vocal grit, or bringing in a guest vocalist for a song or two would further aid Coffin Hunters in tackling Cosmic Dawn’s homogeneity.

    In the end, Coffin Hunters winningly conjures the echoes of earlier generations. Their commitment to bringing the past into the present reminds me of what I love about Lynx’s Trinity of Suns and, to a lesser extent, Chalice and Owl’s releases from earlier this year. Unfortunately, Cosmic Dawn sticks too closely to its core sound over its runtime, leeching memorability through the back half. Even so, Coffin Hunters wholehearted embrace of keyboards is cause for celebration, as they add delightfully retro textures and cement a gnarly identity for the band. With a stronger emphasis on songwriting and performance diversity their next time around, Coffin Hunters might just strike gold.

    Rating: Good
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Bitter End Records
    Websites: Bandcamp | Facebook | Instagram
    Releases Worldwide: July 17th, 2026

    #2026 #30 #AmericanMetal #BitterEndRecords #Chalice #CoffinHunters #CosmicDawn #GreenDay #HardRock #HeavyMetal #IronMaiden #JagPanzer #Jul26 #Lynx #MollyHatchet #Owl #PinkFloyd #Review #Reviews #Saxon #TheDoors #UriahHeap
  12. On 14 July 1982: Musical film adaptation of " #PinkFloyd - The Wall," directed by Alan Parker, starring #BobGeldof, and written by #RogerWaters, premieres at the Empire, Leicester Square in London.

  13. On 14 July 1982: Musical film adaptation of " #PinkFloyd - The Wall," directed by Alan Parker, starring #BobGeldof, and written by #RogerWaters, premieres at the Empire, Leicester Square in London.

  14. On 14 July 1982: Musical film adaptation of " #PinkFloyd - The Wall," directed by Alan Parker, starring #BobGeldof, and written by #RogerWaters, premieres at the Empire, Leicester Square in London.

  15. On 14 July 1982: Musical film adaptation of " #PinkFloyd - The Wall," directed by Alan Parker, starring #BobGeldof, and written by #RogerWaters, premieres at the Empire, Leicester Square in London.

  16. On 14 July 1982: Musical film adaptation of " #PinkFloyd - The Wall," directed by Alan Parker, starring #BobGeldof, and written by #RogerWaters, premieres at the Empire, Leicester Square in London.

  17. Finally came all the way back from the past with this Rock& Roll Hall of Fame inductee highlights List by year! )

    #classOf25 #Outkast #Soundgarden (so fresh and so black hole son; OR black hole so fresh and so clean clean) {did both} no phish though : ( webisjericho.com/rock-roll-hal
    #classOf24 #OzzyOsbourne #ATCQ (AwardTrain (collab of A Tribe Called Quest's award tour and crazy train?)
    #classOf23 #RATM #BernieTaupin(Rage against the machine: Tiny Dancer Won't Do What They Tell Her)(Rally 'Round Your Family, with a ... "This Song's For You")*
    #classOf22 #DollyParton #Eminem (workin' 9 to 8mile)
    #classOf21 #JayZ #FooFighters (Numb Everlong)(Kyle's version is: it's a hard knock monkey wrench) did Kyle's version
    (\/toot next - file saved on linux and warpinAtored to android)
    #classOf20 #NIN #NotoriousBIG NineInchNailsChristopherWallace ("your words they hypnotize me"
    or "sometimes words hypnotize me"HypnOser (nin mentions hypnotize in closer)
    #classOf19 #Radiohead #TheCure(Ok FriYayTor "Smitter, lappier, more reductive")
    #classOf18 #BonJovi #TheCars(OhHo it'sLivin (combo of oh ho its Magic { youtu.be/E0Kv6vxZwL8 } and Livin on a Prayer)
    #classOf17 #PearlJam #2Pac(Given2Eyez)
    #classOf16 #NWA #SteveMiller(JokeDaPolice?FukDaJoker : nope) (FukDaMorrice nope Luck da Morrice)
    #classOf15 #JoanJett #GreenDay(Welcome to Reputation)
    #classOf14 #Nirvana #Kiss(i was made for smells like teen spiritX)(smells were made for lovin u babay)
    #classOf13 #Rush
    #classOf12 #BeastieBoys #RHCP
    #classOf11 #AliceCooper
    #classOf10 #Abba
    #classOf09 #RunDMC
    #classOf08 #Madonna (Mama filled tha Breach)
    #classOf07 #REM (fusing my decision)
    --2025 begins^
    #classOf06 #SexPistols
    #classOf05 #U2
    #classOf04 #ZZTop
    #classOf03 #ACDC
    #classOf02 #Ramones
    #classOf01 #Queen
    #classOf00 #EarthWindAndFire
    #classOf99 #BillyJoel (? suggested Vienna but what i came up with sounds nothing like it, then made #EastWest)
    #classOf98 #TheMommasAndThePoppas
    #classOf97 #Jackson5
    #classOf96 #PinkFloyd
    #classOf95 #NeilYoung
    #classOf94 #BobMarley
    #classOf93 #TheDoors
    #classOf92 #JimiHendrix
    #classOf91 #TinaTurner
    #classOf90 #LouisArmstrong
    #classOf89 #StevieWonder
    #classOf88 #Beatles
    #classOf87 #BBKing
    #classOf86 #ChuckBerry

    ORBA:
    yip.pe/CKAAAAAA4HAAAAAHHA4HAQA

    @music #music #weeklyBeats #song #sketch #bonkWave #musodon #Artiphon #Orba #inspiredBy #rrhof #classOf25 #Outkast #Soundgarden

  18. #Erfolgreich​e #Konzept​alben aufzunehmen, war eines der Markenzeichen von #PinkFloyd. Ein besonders opulentes Exemplar erschien heute vor 45 Jahren. Wir erzählen seine Geschichte im Artikel des Tages dwds.de/wb/roter%20Faden

  19. I’ve been a Prog Rock fan since I first discovered Rush in 1981. I was 10 years old and most of what Prog bands did went way over my head, but there was something about Rush that clicked with me. Not long after it was Yes. Then Pink Floyd. Then Genesis. Then King Crimson. And so on and so on.

    The 1980’s though, were a pretty dark time for Prog. First we had Asia, which included members of Yes, King Crimson, and Emerson Lake and Palmer, releasing their very commercial, radio friendly, MTV orientated first record which blew away the album and singles charts in 1982. Then a year later we had Yes releasing 90125 in similar financially friendly fashion. Genesis had descended into a hellish pop music abyss by then as well (though there was still good in them if you were able to look past the chart topping crap), and while it would take a few years for them to catch up, even Pink Floyd released a pretty radio friendly record. Rush and King Crimson both morphed into an 80’s sound without really caving into the pop music world, at least not to my ears. I get the impression that Robert Fripp was trying to bend pop music to his own personal will (if anyone could have done it, it was him) while Rush just kept making Rush sounding records that happened to embrace 80’s technology (arguably to their detriment, but also maybe arguably to their benefit).

    In other words, prog rock in the 70’s was awesome. Prog rock in the 80’s was… less awesome (though still better than almost anything else… except for some specific Genesis songs [looking at you, Illegal Alien and Invisible Touch]).

    But there was one question that I never asked myself, or anyone else for that matter… did I miss anyone? Were there any other bands that I should have been listening to that I wasn’t?

    Apparently the answer is yes, yes there was.

    Marillion.

    Well, there were probably 20-30 bands that I should have listened to but never did (Gentle Giant and Camel come to mind, but not Jethro Tull. Fuck Jethro Tull. I can’t stand that friggin’ band), but I don’t know why Marillion never came up. I think it might be as simple as they were not very big in the United States. They apparently were huge in the UK for a little while at least, and I was actually paying attention to the industry as a whole at that time (their biggest record came out in 1985, the same year as Power Windows by Rush, which I bought the minute it hit the record store shelves). Was that the only reason I never listened to them?

    I have been aware of them for ages, of course. Was I aware of them before the internet? If it really was a regional (US vs UK) thing that kept me from them, then the internet would have been what put them on my radar. Recently they have been showing up in a bunch of places online where I happened to have been looking. A few months ago I made a note to check them out on a streaming service somewhere. I don’t recall what made me want to do that, but it was something. I didn’t do it until this past weekend though. Their guitar player was a guest on That Pedal Show and I figured I should at least listen to their biggest record, Misplaced Childhood, before I watched it. I did. I liked it. I thought the record had a sort of 70’s Genesis vibe to it. It was very 80’s, but not in a bad way (and me calling something “very 80’s” is usually meant as a negative).

    I thought they dated back to the early 70’s like all of the more important prog bands but no, their first album was in 1982 or 83 (according to the two minutes I spent digging around wikipedia). I think if I had known about them at that time I probably would have gone completely off the deep end for them. They would have been a legit prog band that wasn’t devolving into a commercial/pop shadow of their former selves the way most of the prog acts from the 70s did. I knew they had two singers and that the changing of singers sort of mark different eras of the band, but I didn’t realize the first singer left as quickly as he did (after the forth album).

    Yesterday I googled “list of best albums by Marillion” and found one random site that ranked them from worst to best. I listened to the 4-5 “best” albums on the list during the work day and liked most of what I heard, though I have to admit I wasn’t listening all that closely because, ya know, work.

    I guess the point of this post is to get myself to accept that while I am a total prog rock snob, there are still a lot of things I don’t know about. Maybe it’s time to start taking advantage of streaming music services (ick) and start digging into the catalogs of some of those bands. Just not Jethro Tull or Dream Theater. I fucking hate both of those bands.

    https://robertjames1971.blog/2024/07/23/i-missed-them-completely/

    #70SRock #80SRock #artRock #englishProgRock #englishProgressiveRock #englishRock #fandom #geekRock #genesis #KingCrimson #marillion #Music #musicFan #nerdRock #PinkFloyd #progRock #progRockMusic #progressiveRock #progressiveRockMusic #rockHistory #rockMusic #Rush #Yes