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#pinkfloyd — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #pinkfloyd, aggregated by home.social.

  1. @jzb So, both are "Atom Heart Mother". The cow is the album, the other one is a from Lush with the same name: lush.com/uk/en/p/atom-heart-mo A nice surprise from someone who know what music I like 🥰

  2. #Mastobada - nobody

    Nobody Home Pink Floyd ❤️

    "I've got electric light.
    And I've got second sight.
    And amazing powers of observation.
    And that is how I know
    When I try to get through
    On the telephone to you
    There'll be nobody home." 🎶

    youtube.com/watch?v=CM-N9d8cm-A

    @mastobada

    #PinkFloyd #TheWall

  3. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  4. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  5. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  6. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  7. On 6 Sep 1943: #RogerWaters, English #rockbassist and vocalist ( #PinkFloyd, 1964-85, 2005 - "Another Brick in the Wall"), born in Cambridge, England.
    #HappyBirthday #83 ⋆✴︎˚。⋆ 🎂 ༘⋆

  8. #mastobada pont (bridge)

    Pink floyd - burning bridges

    Bridges burning glady, melting with the shadow
    flickering between the lines

    youtu.be/UXdBuLgfaLU

    Si peu de chansons en fin de semaine souvent, dommage

    #pinkfloyd #musique #music

  9. #mastobada pont (bridge)

    Pink floyd - burning bridges

    Bridges burning glady, melting with the shadow
    flickering between the lines

    youtu.be/UXdBuLgfaLU

    Si peu de chansons en fin de semaine souvent, dommage

    #pinkfloyd #musique #music

  10. #mastobada pont (bridge)

    Pink floyd - burning bridges

    Bridges burning glady, melting with the shadow
    flickering between the lines

    youtu.be/UXdBuLgfaLU

    #pinkfloyd #musique #music

  11. #mastobada pont (bridge)

    Pink floyd - burning bridges

    Bridges burning glady, melting with the shadow
    flickering between the lines

    youtu.be/UXdBuLgfaLU

    Si peu de chansons en fin de semaine souvent, dommage

    #pinkfloyd #musique #music

  12. Finsterforst – Still Review By Grin Reaper

    Home to cuckoo clocks, namesake gateaux,1 and Bollenhüte, Germany’s Schwarzwald (Black Forest) has functioned as folklore fodder for centuries. Ever since dropping debut EP Wiege der Finsternis, Finsterforst has mined their homeland for inspiration, and after five albums they’re Still at it. Though only three years removed from 2023’s EP Jenseits, Still is Finsterforst’s first proper album in seven years.2 If this is your Finsterfirst time experiencing the band’s wares, Finsterforst revels in long-form folk compositions that conjure the stateliness and beauty of nature, and on Still these Germaniacs deliver another generous portion of real-deal, certified folk magic. After so much time walking through the woods, does Still forge a better path, or has Finsterforst lost their way?

    Fans of Finsterforst’s recent work should be pleased with Still, as the distinctly Deutsch niche they’ve carved out persists with a twist of noble melancholy. To mein ears, Still plays like folk/black metal garnished with Neue Deutsche Härte accents as they merge seismic riffs and sustained synths with atmospheric textures, cinematic orchestrations, and a staggering tonal depth. Early Finsterforst leaned heavily into folksy fun, where jaunty accordion leads and spirited bass punches draw comparisons to Korpiklaani and Turisas. As Finsterforst evolved, song lengths ballooned, and they pushed further into realms of mood and emotional swells. While vestiges of their early sound remain, Finsterforst now hews much closer to the likes of Moonsorrow, although instead of basking in the wintry waters of Scandinavian paganism, this German septet reveres the temperate charms of an enchanted wood.

    From its outset, Still conjures the ethereal beauty of nature and merges it with crushing might and overwhelming pathos. Opener “Obduktion” kicks off with an airy lead before dropping the hammer with meticulously crafted riffs and synth accents that remind me of Rammstein and Eisbrecher. Yet Still doesn’t dramatically shift Finsterforst’s songwriting towards Neue Deutsche Härte—this facet has been a part of their sound for years. Rather, Finsterforst adopts a less-is-moar philosophy that makes the parallels stand out more starkly. For instance, “Stille Nacht” begins with a riff that recalls Rammstein’s “Mein Teil,” driving momentum with thick ‘n’ beefy muscle. Both “Knie Nieder” and “Herbstwanderung” expertly blend the heavy with the tender, and “Fels” glistens with acoustic guitar underpinning vocalist Olli Berlin’s mesmerizing vocals. And it’s here that Finsterforst unfetters their most potent weapon. Berlin’s vocals give me goosebumps each playthrough, and his impassioned barks and sonorous cleans proffer varied deliveries throughout Still. Yet more than that, they supply the perfect counterpoint to Finsterforst’s soundscape as the outfit maneuvers between impassioned discharges and reverb-saturated refrains supported by gorgeous choral elements and brassy orchestrations. Still captures Finsterforst at their most subtle and stripped down, where laying their arrangements bare exposes naked splendor.

    Despite the extreme runtime of Still, Finsterforst retools their approach to make it more accessible. In his review of Mach Dich Frei, El Cuervo identified the record’s length as cumbersome taken all at once, even if the individual tracks succeeded. On Still, the songs boast more palatable lengths than LPs past, and here only final original track, “Leere” overstays its welcome at twenty-four minutes.3 The two covers at the end, Immortal’s “Beyond the North Waves” and Pink Floyd’s “Another Brick in the Wall, Pt. II” commendably adapt versions of the songs to Finsterforst’s own style, yet push the runtime an extra fourteen minutes that otherwise would have delivered the band’s most succinct album to date. More positively, the production has improved since Mach Dich Frei and Zerfall, and even though the DR score only suggests a modest improvement, Still sounds better than any of the band’s other recent output.

    In a month with few highlights, Finsterforst’s Still shines as a welcome bright spot. Dynamic songwriting, masterful command of tension, and inspired performances litter the album. Finsterforst addresses past offenses by adding depth to the mix and demonstrating more economical songwriting song-by-song, even though Still’s overall length perpetuates Finsterforst’s reputation for bloat. Regardless, I often find myself lost in Still’s woods without caring about how long the walk is, as the sights along the way are unequivocally worth the stroll.

    Rating: Very Good
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: AOP Records
    Websites: Website | Bandcamp | Facebook
    Releases Worldwide: July 31st, 2026

    #2026 #35 #AOPRecords #AtmosphericBlackMetal #BlackFolkMetal #BlackMetal #Eisbrecher #Finsterforst #FolkMetal #GermanMetal #Immortal #Jul26 #Korpiklaani #Moonsorrow #PinkFloyd #Rammstein #Review #Reviews #Still #Turisas
  13. Coffin Hunters – Cosmic Dawn Review By Grin Reaper

    I love album art you can hear, and fittingly, Coffin HuntersCosmic Dawn churns with a groovy, psychedelic fusion of hard rock and heavy metal that spills off the cover. Plus, how can I resist a sassy reaper rooted in a strawberry-lemonade backdrop featuring a gateway to an alternate dimension? Cosmic Dawn is Coffin Hunters’ third album in under a decade, and on their previous LPs the Los Angeles foursome dispensed reliable earworms with a rockin’ retro swagger. On Cosmic Dawn, the crew adds a healthy dollop of synth into their formula and dips their toes into acid rock waters. With a new twist on Coffin Hunters’ recipe, is this the Cosmic Dawn of a triumphant new era?

    While it’s clear that influences play a pivotal role in Coffin Hunters’ sound, it’s just as clear that the band works to establish an identity all their own. Debut The Fire Knight leaned heavily into throwback, traditional heavy metal and saw Coffin Hunters embracing bass-forward boogies and monster grooves that conjure the likes of Saxon, Jag Panzer, and Iron Maiden. Follow-up Wake the Dead shed the raw edges of The Fire Knight and adopted slicker riffs and a more polished production, even adding touches of southern flair recalling Molly Hatchet and some punchy bassmanship that reminds me of Mike Dirnt’s 90s Green Day contributions. On Cosmic Dawn, Coffin Hunters push their boundaries even further, fusing the synth stylings of The Doors and Uriah Heep into their collective personality and capping it with Floydian psychedelia. The sum total is an intriguing melting pot that incorporates seemingly disparate ingredients into a surprisingly cohesive dish.

    Over the last decade, Coffin Hunters has retained their core contributors while exploring ever-expanding shades of hard rock and heavy metal. Other than replacing original drummer Jorge Guzman in 2020 with Brennan Kunkel, Coffin Hunters boasts remarkable lineup stability, and you can hear the effortless give and take during their well-crafted arrangements. Guitarist Eric Harriman’s fuzzy crunch strums and swirls around Brian Crites’ bass, which punctuates compositions with often understated yet always alluring performances, particularly on “Skeleton Key” and the title track. Keyboards round out Cosmic Dawn’s instrumentation, making an indelible mark as they imbue each song with hooks embedded so deeply and central to the album’s character (“Isle of the Dead”) that I marvel how Coffin Hunters wrote two albums without them. Vocalist Sean Rivera delivers a solid performance as well, guiding listeners through the album’s eight tracks with his steady croon.

    Although Coffin Hunters nails most songwriting elements on Cosmic Dawn, evaluating the album in its entirety reveals a few cracks. Foremost is the lack of songwriting dynamics, as pacing and tempo consistency keep Cosmic Dawn’s forty-three minutes within too narrow a band and inhibit Coffin Hunters’ adventurousness. To be fair, “Last Nail in the Coffin” supplies an early downshift in pacing; however, it’s not enough to combat the uniformity that permeates the rest of the album. Even though most songs radiate head-bobbing energy on their own, strung together they too easily pass by in a pleasantly tame blur. Injecting a show-stopping moment or two that stretches the even-keeled energy into peaks and valleys would go a long way towards reinforcing Cosmic Dawn’s impact. Also, while Rivera’s vocals serve the music well enough, they tend to be a bit one-note and lack the bite of earlier albums. Exploring other styles, resurrecting The Fire Knight’s vocal grit, or bringing in a guest vocalist for a song or two would further aid Coffin Hunters in tackling Cosmic Dawn’s homogeneity.

    In the end, Coffin Hunters winningly conjures the echoes of earlier generations. Their commitment to bringing the past into the present reminds me of what I love about Lynx’s Trinity of Suns and, to a lesser extent, Chalice and Owl’s releases from earlier this year. Unfortunately, Cosmic Dawn sticks too closely to its core sound over its runtime, leeching memorability through the back half. Even so, Coffin Hunters wholehearted embrace of keyboards is cause for celebration, as they add delightfully retro textures and cement a gnarly identity for the band. With a stronger emphasis on songwriting and performance diversity their next time around, Coffin Hunters might just strike gold.

    Rating: Good
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Bitter End Records
    Websites: Bandcamp | Facebook | Instagram
    Releases Worldwide: July 17th, 2026

    #2026 #30 #AmericanMetal #BitterEndRecords #Chalice #CoffinHunters #CosmicDawn #GreenDay #HardRock #HeavyMetal #IronMaiden #JagPanzer #Jul26 #Lynx #MollyHatchet #Owl #PinkFloyd #Review #Reviews #Saxon #TheDoors #UriahHeap
  14. Pink Floyd in surround sound. Super Audio CD /SACD. High resolution format of the past and are still being made. These (and DVDA) are as awesome as vinyl records are for analog but are digital's peak. #pinkfloyd #sacd #dvdaudio #dvda #superaudiocd #SurroundSound #music

  15. #TBT #CurrentlyWatching They're pretty much unknown here in USA, but the Shadows were a huge influence on multiple generations of British rock'n'roll from the Beatles to Black Sabbath and beyond. They seem like hella nice people too. Cheers! 🎵 🎶 🇬🇧 👍 😁 #TheShadows #HankMarvin #BruceWelch #TheBeatles #TheWho #PinkFloyd #CliffRichard #BlackSabbath #BritPop #BritRock #ClassicPop #ClassicRock #RockAndRoll #Music #Guitar youtube.com/watch?v=k3QZb9ikL_