#pinkfloyd — Public Fediverse posts

@snowgaze

If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
-- Pink Floyd in "Pigs On The Wing (Part 1)"

https://www.youtube.com/watch?v=GfRWTg61W24

#music #pinkfloyd #lyrics

@snowgaze

If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
-- Pink Floyd in "Pigs On The Wing (Part 1)"

https://www.youtube.com/watch?v=GfRWTg61W24

#music #pinkfloyd #lyrics

@snowgaze

If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
-- Pink Floyd in "Pigs On The Wing (Part 1)"

https://www.youtube.com/watch?v=GfRWTg61W24

#music #pinkfloyd #lyrics

@snowgaze

If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
-- Pink Floyd in "Pigs On The Wing (Part 1)"

https://www.youtube.com/watch?v=GfRWTg61W24

#music #pinkfloyd #lyrics

@snowgaze

If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
-- Pink Floyd in "Pigs On The Wing (Part 1)"

https://www.youtube.com/watch?v=GfRWTg61W24

#music #pinkfloyd #lyrics

"Wish You Were Here" by Pink Floyd, released this day in 1975.
#PinkFloyd #WishYouWereHere

"Wish You Were Here" by Pink Floyd, released this day in 1975.
#PinkFloyd #WishYouWereHere

"Wish You Were Here" by Pink Floyd, released this day in 1975.
#PinkFloyd #WishYouWereHere

"Wish You Were Here" by Pink Floyd, released this day in 1975.
#PinkFloyd #WishYouWereHere

Oh, by the way — which one’s pink?

#pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

https://robinbannks.com/2026/09/12/oh-by-the-way-which-ones-pink/

Oh, by the way — which one’s pink?

#pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

https://robinbannks.com/2026/09/12/oh-by-the-way-which-ones-pink/

Oh, by the way — which one’s pink?

#pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

https://robinbannks.com/2026/09/12/oh-by-the-way-which-ones-pink/

Oh, by the way — which one’s pink?

#pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

https://robinbannks.com/2026/09/12/oh-by-the-way-which-ones-pink/

Oh, by the way — which one’s pink?

#pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

https://robinbannks.com/2026/09/12/oh-by-the-way-which-ones-pink/

#TopArtists #TheBeatles #ElvisPresley #BillyJoel #JamesTaylor #ElectricLightOrchestra #EltonJohn #HueyLewisAndTheNews #PinkFloyd #SteelyDan #UnitedStatesMarineBand #EarthWindAndFire #GlenGray #HenryMancini #Madonna #NeilDiamond #PhilCollins #SimonAndGarfunkel #ChuckBerry #EricClapton #ErichKunzel #CincinnatiPops ⋆.˚✮🎧✮˚.⋆

#TopArtists #TheBeatles #ElvisPresley #BillyJoel #JamesTaylor #ElectricLightOrchestra #EltonJohn #HueyLewisAndTheNews #PinkFloyd #SteelyDan #UnitedStatesMarineBand #EarthWindAndFire #GlenGray #HenryMancini #Madonna #NeilDiamond #PhilCollins #SimonAndGarfunkel #ChuckBerry #EricClapton #ErichKunzel #CincinnatiPops ⋆.˚✮🎧✮˚.⋆

#TopArtists #TheBeatles #ElvisPresley #BillyJoel #JamesTaylor #ElectricLightOrchestra #EltonJohn #HueyLewisAndTheNews #PinkFloyd #SteelyDan #UnitedStatesMarineBand #EarthWindAndFire #GlenGray #HenryMancini #Madonna #NeilDiamond #PhilCollins #SimonAndGarfunkel #ChuckBerry #EricClapton #ErichKunzel #CincinnatiPops ⋆.˚✮🎧✮˚.⋆

#TopArtists #TheBeatles #ElvisPresley #BillyJoel #JamesTaylor #ElectricLightOrchestra #EltonJohn #HueyLewisAndTheNews #PinkFloyd #SteelyDan #UnitedStatesMarineBand #EarthWindAndFire #GlenGray #HenryMancini #Madonna #NeilDiamond #PhilCollins #SimonAndGarfunkel #ChuckBerry #EricClapton #ErichKunzel #CincinnatiPops ⋆.˚✮🎧✮˚.⋆

#TopArtists #TheBeatles #ElvisPresley #BillyJoel #JamesTaylor #ElectricLightOrchestra #EltonJohn #HueyLewisAndTheNews #PinkFloyd #SteelyDan #UnitedStatesMarineBand #EarthWindAndFire #GlenGray #HenryMancini #Madonna #NeilDiamond #PhilCollins #SimonAndGarfunkel #ChuckBerry #EricClapton #ErichKunzel #CincinnatiPops ⋆.˚✮🎧✮˚.⋆

Scott Lawlor – Revelations From The Lightest Side Of The Secret Moon
#Ambient #ProgressiveRock #avantgard #darkambient #drone #electronic #meditation #pinkfloyd #psychadelic #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/revelations-from-the-lightest-side-of-the-secret-moon

Scott Lawlor – Revelations From The Lightest Side Of The Secret Moon
#Ambient #ProgressiveRock #avantgard #darkambient #drone #electronic #meditation #pinkfloyd #psychadelic #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/revelations-from-the-lightest-side-of-the-secret-moon

Scott Lawlor – Revelations From The Lightest Side Of The Secret Moon
#Ambient #ProgressiveRock #avantgard #darkambient #drone #electronic #meditation #pinkfloyd #psychadelic #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/revelations-from-the-lightest-side-of-the-secret-moon

Scott Lawlor – Revelations From The Lightest Side Of The Secret Moon
#Ambient #ProgressiveRock #avantgard #darkambient #drone #electronic #meditation #pinkfloyd #psychadelic #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/revelations-from-the-lightest-side-of-the-secret-moon

Scott Lawlor – Revelations From The Lightest Side Of The Secret Moon
#Ambient #ProgressiveRock #avantgard #darkambient #drone #electronic #meditation #pinkfloyd #psychadelic #spacemusic #Albuquerque
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://scottlawlor.bandcamp.com/album/revelations-from-the-lightest-side-of-the-secret-moon

Showing my housemate The Wall, because she's never seen it..

#Music #PinkFloyd #TheWall

Showing my housemate The Wall, because she's never seen it..

#Music #PinkFloyd #TheWall

Showing my housemate The Wall, because she's never seen it..

#Music #PinkFloyd #TheWall

Showing my housemate The Wall, because she's never seen it..

#Music #PinkFloyd #TheWall

Showing my housemate The Wall, because she's never seen it..

#Music #PinkFloyd #TheWall

Pink Floyd
Not Now, John
(The Final Cut, 1982)

Not now, John, we've got to get on with the film show
Hollywood waits at the end of the rainbow
Who cares what it's about as long as the kids go

<https://youtu.be/ajvk1CFIM1M>

Vocals: Gilmour _and_ Waters.

#FridayMusic
#PinkFloyd

Pink Floyd
Not Now, John
(The Final Cut, 1982)

Not now, John, we've got to get on with the film show
Hollywood waits at the end of the rainbow
Who cares what it's about as long as the kids go

<https://youtu.be/ajvk1CFIM1M>

Vocals: Gilmour _and_ Waters.

#FridayMusic
#PinkFloyd

Pink Floyd
Not Now, John
(The Final Cut, 1982)

Not now, John, we've got to get on with the film show
Hollywood waits at the end of the rainbow
Who cares what it's about as long as the kids go

<https://youtu.be/ajvk1CFIM1M>

Vocals: Gilmour _and_ Waters.

#FridayMusic
#PinkFloyd

Pink Floyd
Not Now, John
(The Final Cut, 1982)

Not now, John, we've got to get on with the film show
Hollywood waits at the end of the rainbow
Who cares what it's about as long as the kids go

<https://youtu.be/ajvk1CFIM1M>

Vocals: Gilmour _and_ Waters.

#FridayMusic
#PinkFloyd

Pink Floyd
Not Now, John
(The Final Cut, 1982)

Not now, John, we've got to get on with the film show
Hollywood waits at the end of the rainbow
Who cares what it's about as long as the kids go

<https://youtu.be/ajvk1CFIM1M>

Vocals: Gilmour _and_ Waters.

#FridayMusic
#PinkFloyd

The Fletcher Memorial Home 🏘
#PinkFloyd
https://www.youtube.com/watch?v=ZLllFMF-OkQ

The Fletcher Memorial Home 🏘
#PinkFloyd
https://www.youtube.com/watch?v=ZLllFMF-OkQ

The Fletcher Memorial Home 🏘
#PinkFloyd
https://www.youtube.com/watch?v=ZLllFMF-OkQ

The Fletcher Memorial Home 🏘
#PinkFloyd
https://www.youtube.com/watch?v=ZLllFMF-OkQ

The Fletcher Memorial Home 🏘
#PinkFloyd
https://www.youtube.com/watch?v=ZLllFMF-OkQ

I love album art you can hear, and fittingly, Coffin Hunters’ Cosmic Dawn churns with a groovy, psychedelic fusion of hard rock and heavy metal that spills off the cover. Plus, how can I resist a sassy reaper rooted in a strawberry-lemonade backdrop featuring a gateway to an alternate dimension? Cosmic Dawn is Coffin Hunters’ third album in under a decade, and on their previous LPs the Los Angeles foursome dispensed reliable earworms with a rockin’ retro swagger. On Cosmic Dawn, the crew adds a healthy dollop of synth into their formula and dips their toes into acid rock waters. With a new twist on Coffin Hunters’ recipe, is this the Cosmic Dawn of a triumphant new era?

While it’s clear that influences play a pivotal role in Coffin Hunters’ sound, it’s just as clear that the band works to establish an identity all their own. Debut The Fire Knight leaned heavily into throwback, traditional heavy metal and saw Coffin Hunters embracing bass-forward boogies and monster grooves that conjure the likes of Saxon, Jag Panzer, and Iron Maiden. Follow-up Wake the Dead shed the raw edges of The Fire Knight and adopted slicker riffs and a more polished production, even adding touches of southern flair recalling Molly Hatchet and some punchy bassmanship that reminds me of Mike Dirnt’s 90s Green Day contributions. On Cosmic Dawn, Coffin Hunters push their boundaries even further, fusing the synth stylings of The Doors and Uriah Heep into their collective personality and capping it with Floydian psychedelia. The sum total is an intriguing melting pot that incorporates seemingly disparate ingredients into a surprisingly cohesive dish.

Over the last decade, Coffin Hunters has retained their core contributors while exploring ever-expanding shades of hard rock and heavy metal. Other than replacing original drummer Jorge Guzman in 2020 with Brennan Kunkel, Coffin Hunters boasts remarkable lineup stability, and you can hear the effortless give and take during their well-crafted arrangements. Guitarist Eric Harriman’s fuzzy crunch strums and swirls around Brian Crites’ bass, which punctuates compositions with often understated yet always alluring performances, particularly on “Skeleton Key” and the title track. Keyboards round out Cosmic Dawn’s instrumentation, making an indelible mark as they imbue each song with hooks embedded so deeply and central to the album’s character (“Isle of the Dead”) that I marvel how Coffin Hunters wrote two albums without them. Vocalist Sean Rivera delivers a solid performance as well, guiding listeners through the album’s eight tracks with his steady croon.

Although Coffin Hunters nails most songwriting elements on Cosmic Dawn, evaluating the album in its entirety reveals a few cracks. Foremost is the lack of songwriting dynamics, as pacing and tempo consistency keep Cosmic Dawn’s forty-three minutes within too narrow a band and inhibit Coffin Hunters’ adventurousness. To be fair, “Last Nail in the Coffin” supplies an early downshift in pacing; however, it’s not enough to combat the uniformity that permeates the rest of the album. Even though most songs radiate head-bobbing energy on their own, strung together they too easily pass by in a pleasantly tame blur. Injecting a show-stopping moment or two that stretches the even-keeled energy into peaks and valleys would go a long way towards reinforcing Cosmic Dawn’s impact. Also, while Rivera’s vocals serve the music well enough, they tend to be a bit one-note and lack the bite of earlier albums. Exploring other styles, resurrecting The Fire Knight’s vocal grit, or bringing in a guest vocalist for a song or two would further aid Coffin Hunters in tackling Cosmic Dawn’s homogeneity.

In the end, Coffin Hunters winningly conjures the echoes of earlier generations. Their commitment to bringing the past into the present reminds me of what I love about Lynx’s Trinity of Suns and, to a lesser extent, Chalice and Owl’s releases from earlier this year. Unfortunately, Cosmic Dawn sticks too closely to its core sound over its runtime, leeching memorability through the back half. Even so, Coffin Hunters wholehearted embrace of keyboards is cause for celebration, as they add delightfully retro textures and cement a gnarly identity for the band. With a stronger emphasis on songwriting and performance diversity their next time around, Coffin Hunters might just strike gold.

Rating: Good
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Bitter End Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 17th, 2026

Dal Vivo: Le notti che hanno cambiato la musica

@podcast

questo sembra interessante.

cinque live leggendari, da Dalla e De Gregori, a Bob Marley, Madonna, Pink Floyd e Nirvana
https://podcastindex.org/podcast/7957565

#podcast #dalla #DeGregori #bobmarley #Madonna #pinkfloyd #nirvana

Of all metal’s subgenres, doom remains one of the most welcoming to outside influences, often stretching its boundaries past lethargic, downtuned tempos of despair and dread. Spanish duo TodoMal1 embody that openness completely, drawing from a wide spectrum of styles to shape their unique blend of progressive doom. Formed by multi‑instrumentalists Christopher B. Wildman (Jade (live), ex-Asgaroth) and composer/producer Javier Fernández Milla (ex-Asgaroth), Ultracrepidarian (2021) and With a Greater Good (2023) pushed at the edges of classic doom with a big, cinematic approach rooted in the grandeur of Candlemass and the cosmic blues of Pink Floyd. Graveyards of Joy, their third record, closes the trilogy and marks their first expansion into a five-piece recording and live ensemble, joined by drummer Javier “Bud” Martínez (Jade), guitarist Javier Félez (ex-Teitanblood), and vocalist/keyboardist Cecilia Tallo (ex-Maud the Moth). And their contributions help unlock TodoMal’s most ambitious and articulate record to date.

Graveyards of Joy finds TodoMal pushing their sound into more progressive territories, with their immersive strain of atmospheric doom feeling far more melodic and balanced than their previous work. Juxtaposing processional tones with airy, luminous passages in a way that resists categorization, each song on Graveyards of Joy is incredibly dense yet no less urgent. “Mare Ignis” could have come straight from a Devin Townsend record, elevated by an expressive, gothic shimmer and reverb-drenched textures, while “Misericordiah” offers a moment of pure acoustic beauty before “Unholy” snaps back with brooding gothic rock heaviness and bright, pop-minded sensibility. Tallo’s lush choral backdrops (“Mare Ignis”), coupled with orchestral elements like horns (“Point of Coalescence,” “Mare Ignis”), violins (“Misericordiah”), Hammond-esque synths (“For Mercy”) and piano (“Graveyards of Joy,” “Lucid Nightmare”), create soaring, hook-laden melodies with an ethereal, dreamlike quality that lets the heavily layered arrangements feel deceptively lighter than they are, even in the face of Martinez’s thunderous drums, Felez’s chunky riffing and the record’s saturating production.

TodoMal excel at balancing darkness and light, constantly offsetting heaviness with melody and atmosphere. “Lucid Nightmare” leans into melodic allure without losing heft, pairing resonant guitars with Tallo’s bright piano and choral layers, while “Point of Coalescence” contrasts ominous horns and crushing riffs against airy vocals that keep the song from ever feeling too oppressive. The guitar work on Graveyards of Joy favors big, expressive solos and memorable phrasing, emphasizing emotional lift over technicality and adding another dimension to TodoMal’s cinematic, textured identity. “Deliverance” delivers the record’s most dynamic moment, moving from delicate acoustics into a massive, emotional swell, while “Humanised Gods” distills their approach into a punchy, hook- and synth-laden standout. Across Graveyards of Joy, TodoMal uses melody, orchestration, and texture to let the material surface for air before pulling you back into its darker depths.

Wildman’s vocal performance is one of Graveyards of Joy’s defining highlights, channeling a tone that lands somewhere between Jón Aldará’s (Iotunn, Barren Earth) soaring melodicism and Robert Smith’s (The Cure) emotive, gothic inflection. Instead of leaning into brutality, Wildman avoids growling entirely, opting for an indie-tinged, gothic rock delivery that softens and reshapes TodoMal’s traditional doom foundation. “For Mercy” evidences the full reach of his character, with an untethered vocal line floating above an upbeat acoustic guitar that initially feels awkward but quickly captures my admiration with its off-kilter charm. The track recalls the Violent Femmes in many respects and shows the breadth of the group’s influences. The duo also leans heavily on background harmonies and choral passages to amplify the material’s emotional weight, creating a soundscape that reveals new nuances with each listen. The production reinforces this, feeling enveloping and bright, and the concise runtime—aside from the sprawling “Deliverance” and the similarly lengthy closer—ultimately strengthens the record’s pacing.

Graveyards of Joy pulls all of its many ingredients into a layered, multifaceted whole that grows more rewarding with every listen. TodoMal’s twist on doom may feel occasionally strange, but it’s insanely stylish and unmistakably their own. It’s the kind of take that makes genre labels feel irrelevant because there is no denying this is simply great music. A couple of longer tracks could stand a trim, and a few endings land a bit abruptly, but those small quibbles fade quickly. What stays with you instead is the album’s accessibility, scope, and immensity. TodoMal may mean “all wrong,” yet Graveyards of Joy is anything but.

Rating: Great!
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Season of Mist
Websites: todomalband.bandcamp.com | facebook.com/todomalofficial
Releases Worldwide: July 3rd, 2026

Cobra303 – Pink Floyd - Another Brick In The Wall, Part Two (Cobra303 Reacid)
#303 #Electronic #London #acid #acidhouse #disco #ebm #electro #free #freedownload #nudisco #pinkfloyd #tb303 #UnitedKingdom
CC BY (#CreativeCommons Attribution) #ccmusic
https://cobra303.bandcamp.com/album/pink-floyd-another-brick-in-the-wall-part-two-cobra303-reacid

BBC Radio have recently released a bunch of plays by #TomStoppard, so I've been listening to them.

He's clearly a big #PinkFloyd fan -- one of them (Darkside) is basically set to Dark Side of the Moon as a soundtrack. The whole thing. In order.

The one I'm listening to right now has Syd Barrett as an important (but off-stage) character.

This realisation makes it now less surprising that the intro to the film of Rosencrantz and Guildensterm is set to "Seamus" from Meddle...

P̲i̲nk̲ ̲F̲lo̲y̲d ̲-̲ ̲U̲mma̲g̲u̲mma̲

https://www.youtube.com/watch?v=xOerkHz6UYE

0:02 Astronomy Domine 8:32 Careful With That Axe, Eugene 17:26 Set The Controls For The Heart Of The Sun 26:38 A Saucerful Of Secrets 29:55 Second Part 32:55 Third Part 33:46 Close Part 39:23 Sysyphus Part One 40:30 Part Two 44:01 Part Three 45:51 Part Four 49:04 Pandemonium 51:42 Closing 52:53 Grantchester Meadows 59:36 Transition Part 1:00:16 Severals Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict 1:05:18 Narrow Way Part One 1:08:44 Part Two 1:11:37 Part Three 1:17:35 Grand Viziers Garden Party Entrance 1:18:35 Entertaimnent 1:24:47 Drum solos 1:25:41 Exit 1:26:18 End

#MUSIK #PinkFloyd #Ummagumma

https://open.substack.com/pub/blairproductions32/p/time-travelers-turntable-3-musical?r=98j2k&utm_campaign=post&utm_medium=web&showWelcomeOnShare=false #donnajeangodchaux #gratefuldead #jerrygarcia #roywood #electriclightorchestra #ELO #themove #cheaptrick #toddrundgren #pinkfloyd #davegilmour #davidgilmour #slideguitar #psychedelic #ummagumma #johnnyjblair

Mes écoutes de la semaine du 20 Octobre 2025

#AddNToX, #Alcatraz, #ArcadeFire, #Archive, #Artús, #AlainBashung, #BertrandBetsch, #BlackRebelMotorcycleClub, #Brassy, #TheCharlatans, #Clogs, #DaftPunk, #AlabasterDeplume, #EinstuerzendeNeubauten, #EnsembleNistNah, #FantômeJosepha, #BrigitteFontaine, #JanaIrmert, #7038634357, #EikoIshibashi, #JimORourke, #Katerine, #LandOfKush, #JérômeMinière, #Ø, #Perio, #PinkFloyd, #Prolapse, #JackRose, #Tortoise, #Various, #VéroniqueVincent, #AksakMaboulwithTheHoneymoonKillers

#music #record

Mes écoutes de la semaine du 06 October 2025 :

#DominiqueA, #BenniHemmHemm, #BertrandBetsch, #BoardsOfCanada, #Clogs, #RobertoDelgado, #TheDurianBrothers, #EnsembleSkalectrik, #LaFresto, #GastrDelSol, #Gnod, #WhiteHills, #CharbelHaber #JosephGhosn #FadiTabbal, #TheHouseOfLove, #Hydroplane, #RobertMazurek #ExplodingStarOrchestra, #GetatchewMekuria #TheEx, #Guests, #JérômeMinière, #Ø, #OhSees, #Perio, #PinkFloyd, #BenoitPioulard, #JamesPlotkin, #PaalNilssenLove, #Pram, #SixOrgansOfAdmittance, #Sparks, #Spunk, #Vainio, #Vigroux, #Various, #IannisXenakis

#music #record

Just messing around #pinkfloyd #ummagumma #hunterxhunter

Mes écoutes de la semaine du 08 Septembre 2025 :

#AerialM, #Anadol, #Anadol, #MarieKlock, #AphexTwin, #ApparatOrganQuartet, #Bablicon, #KarlBartos, #RomainBaudoin, #Bauhaus, #BossaBosa, #CapsulesDiscobole, #PascalComelade, #CulDeSac, #DeadCanDance, #TheDivineComedy, #Exhaust, #FlyPanAm, #FolkDevils, #LaFresto, #Hyperculte, #JackieOMotherfucker, #Katerine, #LucrateMilk, #GaryNuman, #PianoMagic, #PinkFloyd, #RienVirgule, #Stereolab, #Tortoise, #TubewayArmy, #UCM, #Various

#music #record