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#pinkfloyd — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #pinkfloyd, aggregated by home.social.

  1. @snowgaze

    If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
    -- Pink Floyd in "Pigs On The Wing (Part 1)"

    youtube.com/watch?v=GfRWTg61W24

    #music #pinkfloyd #lyrics

  2. @snowgaze

    If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
    -- Pink Floyd in "Pigs On The Wing (Part 1)"

    youtube.com/watch?v=GfRWTg61W24

    #music #pinkfloyd #lyrics

  3. @snowgaze

    If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
    -- Pink Floyd in "Pigs On The Wing (Part 1)"

    youtube.com/watch?v=GfRWTg61W24

    #music #pinkfloyd #lyrics

  4. @snowgaze

    If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
    -- Pink Floyd in "Pigs On The Wing (Part 1)"

    youtube.com/watch?v=GfRWTg61W24

    #music #pinkfloyd #lyrics

  5. @snowgaze

    If you didn't care what happened to me and I didn't care for you, we would zigzag our way through the boredom and pain, occasionally glancing up through the rain, wondering which of the buggers to blame and watching for pigs on the wing.
    -- Pink Floyd in "Pigs On The Wing (Part 1)"

    youtube.com/watch?v=GfRWTg61W24

    #music #pinkfloyd #lyrics

  6. "Wish You Were Here" by Pink Floyd, released this day in 1975.
    #PinkFloyd #WishYouWereHere

  7. "Wish You Were Here" by Pink Floyd, released this day in 1975.
    #PinkFloyd #WishYouWereHere

  8. "Wish You Were Here" by Pink Floyd, released this day in 1975.
    #PinkFloyd #WishYouWereHere

  9. "Wish You Were Here" by Pink Floyd, released this day in 1975.
    #PinkFloyd #WishYouWereHere

  10. Oh, by the way — which one’s pink?

    #pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

    robinbannks.com/2026/09/12/oh-

  11. Oh, by the way — which one’s pink?

    #pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

    robinbannks.com/2026/09/12/oh-

  12. Oh, by the way — which one’s pink?

    #pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

    robinbannks.com/2026/09/12/oh-

  13. Oh, by the way — which one’s pink?

    #pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

    robinbannks.com/2026/09/12/oh-

  14. Oh, by the way — which one’s pink?

    #pinkfloyd #wishyouwerehere #70srock #classicrock #davidgilmour #nickmason #richardwright #rogerwaters #rock #rockmusic #music #musicsky #musiciansky Pink Floyd's Wish You Were Here is released on September 12, 1975. It's Gilmour and Wright's fav Pink Floyd album. During the recording sessions at Abbey Road Studios, a notably overweight and unrecognizable Sid Barrett made a surprise visit. Some band members, including his childhood…

    robinbannks.com/2026/09/12/oh-

  15. Pink Floyd
    Not Now, John
    (The Final Cut, 1982)

    Not now, John, we've got to get on with the film show
    Hollywood waits at the end of the rainbow
    Who cares what it's about as long as the kids go

    <youtu.be/ajvk1CFIM1M>

    Vocals: Gilmour _and_ Waters.

    #FridayMusic
    #PinkFloyd

  16. Pink Floyd
    Not Now, John
    (The Final Cut, 1982)

    Not now, John, we've got to get on with the film show
    Hollywood waits at the end of the rainbow
    Who cares what it's about as long as the kids go

    <youtu.be/ajvk1CFIM1M>

    Vocals: Gilmour _and_ Waters.

    #FridayMusic
    #PinkFloyd

  17. Pink Floyd
    Not Now, John
    (The Final Cut, 1982)

    Not now, John, we've got to get on with the film show
    Hollywood waits at the end of the rainbow
    Who cares what it's about as long as the kids go

    <youtu.be/ajvk1CFIM1M>

    Vocals: Gilmour _and_ Waters.

    #FridayMusic
    #PinkFloyd

  18. Pink Floyd
    Not Now, John
    (The Final Cut, 1982)

    Not now, John, we've got to get on with the film show
    Hollywood waits at the end of the rainbow
    Who cares what it's about as long as the kids go

    <youtu.be/ajvk1CFIM1M>

    Vocals: Gilmour _and_ Waters.

    #FridayMusic
    #PinkFloyd

  19. Pink Floyd
    Not Now, John
    (The Final Cut, 1982)

    Not now, John, we've got to get on with the film show
    Hollywood waits at the end of the rainbow
    Who cares what it's about as long as the kids go

    <youtu.be/ajvk1CFIM1M>

    Vocals: Gilmour _and_ Waters.

    #FridayMusic
    #PinkFloyd

  20. Released yesterday 39 years ago:

    🇬🇧 Pink Floyd "A Momentary Lapse of Reason" – 1987

    First studio album following Roger Waters’ departure. David Gilmour and Nick Mason reconvened Pink Floyd, with Richard Wright returning to the fold, and the album deliberately moved away from the political and conceptual approach that had dominated the Waters era...

    #pinkfloyd #progressiverock #artrock #psychedelicrock #rock #vinyl #music #vinylrecords #nowspinning #nowlistening

  21. Yes - 1971-1979 Bootlegs Collection - 16 Shows

    t.me/media_yura15cbx/475
    Genesis - Bootlegs Collection 1970-2009 (36 альбомов + 5CD Box Set)
    #Genesis - #Bootlegs Collection

    t.me/media_yura15cbx/467
    Pink Floyd bootlegs
    #Pink Floyd #bootlegs #Pink Floyd bootlegs

    t.me/media_yura15cbx/464
    Подборка варганной музыки .mp3

    t.me/media_yura15cbx/463
    Led Zeppelin bootlegs, 900Gb
    #Led Zeppelin #bootlegs, #900Gb

    t.me/media_yura15cbx/452
    90-e mp3 60-e mp3 50-e mp3 40-e mp3

    t.me/media_yura15cbx/456
    _Eurodance mp3
    #Eurodance #mp3

    t.me/media_yura15cbx/457
    Urban Jazz mp3
    #Urban Jazz #mp3

    VA - Sonic Seducer Cold Hands Seduction Vol. 1-216 + EPs (254 релиза) - 1999-2020

    t.me/media_yura15cbx/543
    Фильмы кинематографически странных государств. Не таких странных как кндр, но всё равно не обычных.
    #кино #фильмы странных стран видео #cinema #movies #video #кіно #фільми #відео #cine #películas #vídeo di #film #cinematografici

    t.me/media_yura15cbx/542
    North korea movies
    #North korea movies
    фильмы производства #КНДР.

    t.me/media_yura15cbx/534
    Crosby, Stills Nash & Young Discography (1969-2008)

    t.me/media_yura15cbx/514
    post-grunge

    t.me/media_yura15cbx/507
    Jimi Hendrix Live
    #Jimi Hendrix

    t.me/media_yura15cbx/500
    Ozzy Osbourne

    t.me/media_yura15cbx/489
    Poland metal, Польща метал, польский металл, Polska metal, Польша

    t.me/media_yura15cbx/491
    Black Sabbath #Bootlegs & #Demos

    t.me/media_yura15cbx/485
    ACDC - #Bootleg Collection (145 albums), 1974-2011

    CHICAGO BLUES SESSION - Wolf Records
    lossless ape flac

    t.me/media_yura15cbx/577
    Humphrey Bogart
    #old movies #старые фильмы

    t.me/media_yura15cbx/568
    _Canterbury Scene
    #Canterbury Scene
    lossless ape flac

    t.me/media_yura15cbx/570
    Camel
    #Camel
    lossless ape flac

    t.me/media_yura15cbx/564
    Electric Light Orchestra - Studio Discography - 1971-2015
    lossless ape flac

    t.me/media_yura15cbx/562
    Emerson, Lake & Palmer (ELP) Discography
    #Emerson, #Lake & #Palmer (#ELP) #Discography
    lossless ape flac

    t.me/media_yura15cbx/553
    AUTECHRE
    #AUTECHRE
    lossless ape flac

    t.me/media_yura15cbx/555
    Brian Eno
    #Brian Eno
    lossless ape flac

    _Urban Blues
    lossless ape flack

    t.me/media_yura15cbx/600
    _Detroit Blues
    #Detroit Blues
    lossless ape flack

    t.me/media_yura15cbx/596
    _Louisiana Blues
    #Louisiana Blues
    lossless ape flack

    t.me/media_yura15cbx/594
    _Acoustic Blues
    #Acoustic Blues
    lossless ape flack

    t.me/media_yura15cbx/592
    _Texas Blues
    #Texas Blues
    #lossless #ape #flack #blues #music #блюз #музыка

    t.me/media_yura15cbx/589
    VA – Good Whiskey Blues (Blues Paradise series, Volumes 1-18) (2002)
    lossless ape flack

    t.me/media_yura15cbx/586
    _Chicago Blues
    #Chicago Blues
    lossless ape flac

  22. RE: toot.community/@openculture/11

    A rather unexpected collaboration -
    Salvador Dali and Walt Disney.

    I didn't know that Alan Parsons recorded those clocks for the tune "Time" by Pink Floyd used here as the soundtrack.

    #pinkfloyd #waltdisney #salvadordali #time #animated #animated_shorts

  23. Dal Vivo: Le notti che hanno cambiato la musica

    @podcast

    questo sembra interessante.

    cinque live leggendari, da Dalla e De Gregori, a Bob Marley, Madonna, Pink Floyd e Nirvana
    podcastindex.org/podcast/79575

    #podcast #dalla #DeGregori #bobmarley #Madonna #pinkfloyd #nirvana

  24. Illwind – The Unfolding at the End of Light Review By ClarkKent

    Sometimes a new band starts up and chooses a godawful name—like Illwind. I’m not just referring to associations with flatulence either—though that certainly doesn’t help. It’s just a difficult name to research, especially for a band with such a small web presence. Google will direct you to the Radiohead song, “Ill Wind,” or a 1960s psychedelic band from Boston called Ill Wind, among other surprisingly numerous use cases for the term “ill wind.” In fact, I began to have some doubts the band was real, but further research shows they do have a label (Personal Records) as well as a list of band members who have a history in Peruvian bands like Arcada, Argul, and Cobra.1 Having established this as a legitimate act with some experienced musicians, the final piece of the puzzle to solve is whether Illwind’s debut album, The Unfolding at the End of Light, is any good.

    Illwind is a stoner doom outfit that creatively blends genres in some pretty groovy ways. Epic opener “Crimson Skies” gives you the first hint that things aren’t what they seem on the surface. After the song opens with the slow, plodding pace of funeral doom, vocalist Marcos Coifman’s baritone upends expectations by calling to mind the epic tones of Sorcerer and Visigoth. The funeral doom transforms into classic stoner doom with hints of Black Sabbath before ending on a series of elaborate guitar solos that have the spirit of ’70s rock acts like Lynyrd Skynyrd and the psychedelia of Pink Floyd and Blood Incantation. That The Unfolding at the End of Light ends on a cover by The Stooges, “I Wanna Be Your Dog,” tells us that Illwind doesn’t exactly have modernity in mind, and yet what they have crafted sounds fresh and sometimes exciting.

    At heart, this is a work of stoner doom, with a plodding, relaxed pace and enough reverb on the guitar to give off the genre’s usual chill vibes. Illwind aims for exploration, falling securely in the school of Windhand, YOB, and Black Sabbath. They’re in no hurry, but they also don’t hold back the hooks. The guitars from Mauricio Guerrero hit all the right notes, providing distinctive stoner riffs from one song to another. And just when the tracks are about to hit their quota of stoner, he and fellow guitarist Andrés Rhor get creative with solos that transport you to another time and place like Bill and Ted stepping into a magic phone booth. It’s no hallucination if you see their solos come to life—they breathe and grow and take over a tune in a way that can be exhilarating.

    How much you enjoy this depends on your level of tolerance of the stoner doom genre itself. Illwind are at their best when they go off the stoner script. The main issue is their stoner stuff can be a bit generic. This is especially true of some of the longer songs, like “God of Sleep” and the thirteen-minute “Lucifer’s Mule,” which grow repetitive. It works best in smaller doses: “Portal” and “Wanderer,” both around five minutes, provide the perfect amount of stoner riffs before breaking into the classic-sounding solos. Coifman’s voice, similarly, is good in doses, but over time his monotonous delivery adds to a feeling of stagnancy. Admittedly, though, when he opens up “Lucifer’s Mule” by singing “Tell me Lucifer” in his best impression of Ozzy, it’s a highlight of the record.

    The Unfolding at the End of Light proves a good debut for a band whose members have experience in a mix of genres, from black metal to heavy metal to stoner doom. As innovative as Illwind proves to be in blending several old school genres, they’re not quite so innovative in their base genre of stoner doom. They write and play some good stuff, and with some refined songwriting, they could perfect their blend of genres or even give their stoner riffs a little more pizzazz. In the end, though, I think Illwind achieve success. This is a chill record with some outstanding moments that will have you stop and just say, “Whoa.”

    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Personal Records
    Website: Bandcamp
    Releases Worldwide: July 3rd 2026

    #2026 #30 #Arcada #Argul #BlackSabbath #BloodIncantation #Cobra #DoomMetal #EpicMetal #IllWind #Illwind #Jul26 #LynyrdSkynyrd #PersonalRecords #PeruvianMetal #PinkFloyd #Radiohead #Review #Reviews #Sorcerer #StonerDoom #StonerMetal #TheStooges #TheUnfoldingAtTheEndOfLight #Visigoth #Windhand #YOB
  25. TodoMal – Graveyards of Joy Review By Owlswald

    Of all metal’s subgenres, doom remains one of the most welcoming to outside influences, often stretching its boundaries past lethargic, downtuned tempos of despair and dread. Spanish duo TodoMal1 embody that openness completely, drawing from a wide spectrum of styles to shape their unique blend of progressive doom. Formed by multi‑instrumentalists Christopher B. Wildman (Jade (live), ex-Asgaroth) and composer/producer Javier Fernández Milla (ex-Asgaroth), Ultracrepidarian (2021) and With a Greater Good (2023) pushed at the edges of classic doom with a big, cinematic approach rooted in the grandeur of Candlemass and the cosmic blues of Pink Floyd. Graveyards of Joy, their third record, closes the trilogy and marks their first expansion into a five-piece recording and live ensemble, joined by drummer Javier “Bud” Martínez (Jade), guitarist Javier Félez (ex-Teitanblood), and vocalist/keyboardist Cecilia Tallo (ex-Maud the Moth). And their contributions help unlock TodoMal’s most ambitious and articulate record to date.

    Graveyards of Joy finds TodoMal pushing their sound into more progressive territories, with their immersive strain of atmospheric doom feeling far more melodic and balanced than their previous work. Juxtaposing processional tones with airy, luminous passages in a way that resists categorization, each song on Graveyards of Joy is incredibly dense yet no less urgent. “Mare Ignis” could have come straight from a Devin Townsend record, elevated by an expressive, gothic shimmer and reverb-drenched textures, while “Misericordiah” offers a moment of pure acoustic beauty before “Unholy” snaps back with brooding gothic rock heaviness and bright, pop-minded sensibility. Tallo’s lush choral backdrops (“Mare Ignis”), coupled with orchestral elements like horns (“Point of Coalescence,” “Mare Ignis”), violins (“Misericordiah”), Hammond-esque synths (“For Mercy”) and piano (“Graveyards of Joy,” “Lucid Nightmare”), create soaring, hook-laden melodies with an ethereal, dreamlike quality that lets the heavily layered arrangements feel deceptively lighter than they are, even in the face of Martinez’s thunderous drums, Felez’s chunky riffing and the record’s saturating production.

    TodoMal excel at balancing darkness and light, constantly offsetting heaviness with melody and atmosphere. “Lucid Nightmare” leans into melodic allure without losing heft, pairing resonant guitars with Tallo’s bright piano and choral layers, while “Point of Coalescence” contrasts ominous horns and crushing riffs against airy vocals that keep the song from ever feeling too oppressive. The guitar work on Graveyards of Joy favors big, expressive solos and memorable phrasing, emphasizing emotional lift over technicality and adding another dimension to TodoMal’s cinematic, textured identity. “Deliverance” delivers the record’s most dynamic moment, moving from delicate acoustics into a massive, emotional swell, while “Humanised Gods” distills their approach into a punchy, hook- and synth-laden standout. Across Graveyards of Joy, TodoMal uses melody, orchestration, and texture to let the material surface for air before pulling you back into its darker depths.

    Wildman’s vocal performance is one of Graveyards of Joy’s defining highlights, channeling a tone that lands somewhere between Jón Aldará’s (Iotunn, Barren Earth) soaring melodicism and Robert Smith’s (The Cure) emotive, gothic inflection. Instead of leaning into brutality, Wildman avoids growling entirely, opting for an indie-tinged, gothic rock delivery that softens and reshapes TodoMal’s traditional doom foundation. “For Mercy” evidences the full reach of his character, with an untethered vocal line floating above an upbeat acoustic guitar that initially feels awkward but quickly captures my admiration with its off-kilter charm. The track recalls the Violent Femmes in many respects and shows the breadth of the group’s influences. The duo also leans heavily on background harmonies and choral passages to amplify the material’s emotional weight, creating a soundscape that reveals new nuances with each listen. The production reinforces this, feeling enveloping and bright, and the concise runtime—aside from the sprawling “Deliverance” and the similarly lengthy closer—ultimately strengthens the record’s pacing.

    Graveyards of Joy pulls all of its many ingredients into a layered, multifaceted whole that grows more rewarding with every listen. TodoMal’s twist on doom may feel occasionally strange, but it’s insanely stylish and unmistakably their own. It’s the kind of take that makes genre labels feel irrelevant because there is no denying this is simply great music. A couple of longer tracks could stand a trim, and a few endings land a bit abruptly, but those small quibbles fade quickly. What stays with you instead is the album’s accessibility, scope, and immensity. TodoMal may mean “all wrong,” yet Graveyards of Joy is anything but.

    Rating: Great!
    DR: 8 | Format Reviewed: 320 kb/s mp3
    Label: Season of Mist
    Websites: todomalband.bandcamp.com | facebook.com/todomalofficial
    Releases Worldwide: July 3rd, 2026

    #2026 #40 #Asgaroth #BarrenEarth #Candlemass #DevinTownsend #DoomMetal #GraveyardsOfJoy #Iotunn #Jade #Jul26 #MaudTheMoth #PinkFloyd #ProgressiveMetal #Review #Reviews #SeasonOfMist #SpanishMetal #Teitanblood #TheCure #TodoMal #ViolentFemmes