#folkrock — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #folkrock, aggregated by home.social.
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Einige von euch Wissen ja, dass ich begeisterter Musiker mit meiner Band Gwendolin bin - und wir auch immer wieder in Graz spielen.
Würd mich natürlich freuen, wenn ich euch entweder beim Rocking the Cat in Kalsdorf beim Ferdinand Reloaded am 19.09. ab 16:30 oder beim Grieskram im Banki Music Garden im Rösselmühlpark am 26.09. um 19:30 begrüßen darf.
Schaut's vorbei! 🤘
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Recensioni ✍️
👤 Nina Winder
🔗 lind - Wild Love 6️⃣.5️⃣
🏠 2026 (Transgressive)
#️⃣ Folkrock Indierock Singersongwriter
L'accogliente esordio della cantautrice svedese, tra le sorprese dell'anno
a cura di Andrea Arcidiacono
#Ondarock #MusicianSky #MusicSky #Music -
🔴 LIVE NOW ON VORTEX
📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
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🎵 Yodelice - Scroll▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
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🎵 Phoebe Bridgers - I Can't Wait▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
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📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
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🎵 The Waterboys - The Whole of the Moon (2004 Remaster)▶️ Écouter / Listen : VorteX [Radio]
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The “incredibly heavy” 1970 song that stunned Ritchie Blackmore
Credit: Alamy Fri 11 September 2026 3:00, UK In the late 1990s, Leslie West, the former singer and…
#NewsBeep #News #Music #1970 #1970s #classicrock #DeepPurple #Entertainment #Folkrock #RitchieBlackmore #RockandRoll #UK #UnitedKingdom
https://www.newsbeep.com/uk/767050/ -
🔴 LIVE NOW ON VORTEX
📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
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🎵 Daughter - Party▶️ Écouter / Listen : VorteX [Radio]
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
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🎵 The HU - Horsemen▶️ Écouter / Listen : VorteX [Radio]
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
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🎵 The Lumineers - Ho Hey▶️ Écouter / Listen : VorteX [Radio]
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🔴 LIVE NOW ON VORTEX
📻 Vortex Abyss 🕳️ (Dark ambient, neofolk, shoegaze, immersive)
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🎵 Shoos Off - Dandelion▶️ Écouter / Listen : VorteX [Radio]
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📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
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🎵 Broken Records - Until the Earth Begins to Part▶️ Écouter / Listen : VorteX [Radio]
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🔴 LIVE NOW ON VORTEX
📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
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🎵 Cass McCombs - Not the Way▶️ Écouter / Listen : VorteX [Radio]
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🔴 LIVE NOW ON VORTEX
📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
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🎵 Tarnation - Your Thoughts and Mine▶️ Écouter / Listen : VorteX [Radio]
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https://youtu.be/bUmKUWzbDxg?is=dviI5s5SG4c13TB_
La meva #CançóDelDia per al dimarts 8 de setembre és aquesta de la #PaulaCole #Rockport #FolkRock #Pop #Soul #RnB #Balades #Cantautora 🤠!
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"Bridge over Troubled Water" is a song by the American #folkRock duo #SimonAndGarfunkel, released in January 1970 as the second single from their fifth and final studio album, #BridgeOverTroubledWater (1970). It was written by #PaulSimon and produced by Simon, #ArtGarfunkel and #RoyHalee. "Bridge over Troubled Water" features lead vocals by #ArtGarfunkel and a piano accompaniment influenced by #gospelMusic, with a "Wall of Sound"-style production.
https://www.youtube.com/watch?v=_9-yfeA2JZs -
Down To Earth
#jimmybuffett #downtoearth #70smusic #folkrock #gulfandwestern #music #musicsky #musiciansky #country #countryrock Jimmy's first album ... classic "Gulf and Western" ... is released on August 11, 1970. It's recorded in Nashville and is our intro to his acoustic folk, country rock and socially conscious storytelling. The album was a flop in terms of sales -- some say less than 500 copies got sold.
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Lád Cúig – Poemes de Destrucció
#Celtic #Punk #celtic #celticpunk #celticpunkrock #celticrock #folk #folkpunk #folkrock #punk #punkrock #punkrock #rock #ArenysDeMunt
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://ladcuig.bandcamp.com/album/poemes-de-destrucci -
Another Side of Bob Dylan
#bobdylan #dylan #orpheus #60smusic #folk #folkrock #anothersideofbobdylan #rock #rockmusic #music #musicsky #musiciansky August 8, 1964 ~ Orpheus releases his fourth album. It's different from his previous albums which didn't sit well with some of the tight-asses in the folky community. There weren't any "protest" songs ... but some inward, personal and surreal lyrics .. set Dylan up nicely for what was to follow.
https://robinbannks.com/2026/08/08/another-side-of-bob-dylan/
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Stamp Collecting is/was my son Lennon's band who released their album last night at their final show in #NorthPortland. Half the group is leaving for college. Obviously I have bias, but damn, they were so good! #Unwound fans take note.
#emo #experimentalmusic #folkrock #psychfolk #noiserock
https://stampcollecting.bandcamp.com/album/cardboard-television
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Lád Cúig – Lád Cúig
#Celtic #Punk #celticrock #folkpunk #folkrock #punkrock #ArenysDeMunt
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://ladcuig.bandcamp.com/album/l-d-c-ig-2 -
#JukeboxFridayNight #marketsandfairs #fairportconvention #shemovesthroughthefair #sandydenny #psychfolk #folkrock
Fairport Convention "She Moves Through the Fair"
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"Bridge over Troubled Water" is a song by the American #folkRock duo #SimonAndGarfunkel, released in January 1970 as the second single from their fifth and final studio album, #BridgeOverTroubledWater (1970). It was written by #PaulSimon and produced by Simon, #ArtGarfunkel and #RoyHalee. "Bridge over Troubled Water" features lead vocals by #ArtGarfunkel and a piano accompaniment influenced by #gospelMusic, with a "Wall of Sound"-style production.
https://www.youtube.com/watch?v=5-7ublizwZ0 -
Come see me with the Land Seeds tomorrow at 1pm in the St. Johns Square in N Portland. #folkrock #indiefolk #indiefolkrock #psychedelicfolk #psychfolk #newweirdamerica #familyband #trio #originalsongs #coversongs #acousticguitar #harmonica #bass #drums #singing #art #crafts #food
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https://youtu.be/3KkAMLthKQ8?si=n62vWaG3lwFxgYMw
La meva #CançóDelDia per al dimarts 19 de maig és aquesta de #TheGrassRoots #LA #FolkRock #BlueEyedSoul #PsychPop 🫐!
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Today's music:
CORTE DI LUNAS - E Gremio Terrae
#rock #FolkRock #CelticRock #italy #music #np #NowPlaying #MastoMusic
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"Bridge over Troubled Water" is a song by the American #folkRock duo #SimonAndGarfunkel, released in January 1970 as the second single from their fifth and final studio album, #BridgeOverTroubledWater (1970). It was written by #PaulSimon and produced by Simon, #ArtGarfunkel and #RoyHalee. "Bridge over Troubled Water" features lead vocals by Art Garfunkel and a piano accompaniment influenced by #gospelMusic, with a "#WallOfSound"-style production.
https://www.youtube.com/watch?v=WbAJRdbTDXg -
Stuck in the Filter: July 2025’s Angry Misses
By Kenstrosity
If you thought June was hot, you aren’t ready for what July has in store. The thin metallic walls of these flimsy ducts warp and soften as the sweltering environs continue to challenge the definition of “habitable.” But I must force my minions to continue their work, as this duty is sacred. Our ravenous appetites cannot be slaked without the supplementary sustenance the Filter brings!
Thankfully, we rescued just enough scraps to put together a meager spread. Enjoy in moderation!
Kenstrosity’s Blackened Buds
Echoes of Gloom // The Mind’s Eternal Storm [July 12th, 2025 – Self-Release]
Queensland isn’t my first thought when considering locales for atmospheric black metal. A genre so often built upon frigid tones and icy melodies feels incongruous to the heat and beastliness of the Australian landscape. Yet, one-man atmoblack act Echoes of Gloom persists. Masterminded by one Dan Elkin, Echoes of Gloom evokes a warm, muggy, and morose spirit with debut record The Mind’s Eternal Storm. But unlike many of the atmospheric persuasion, Echoes of Gloom also injects a classic heavy metal attack and a vaguely punky/folky twist into their formula to keep interest high (“Immortality Manifest,” “Throes of Bereavement I”). Furthermore, Echoes of Gloom weaponizes their energetic take on depressing atmoblack such that even as my head bounces to the riffy groove of surprisingly propulsive numbers like “The Wandering Moon” and “Great Malignant Towers of Delirium,” a palpable pall looms ever present, sapping all color from life as I witness this work. This in turn translates well to the long form, as demonstrated by the epic two-part “Throes of Bereavement” suite and ripping ten-minute closer “Wanderer of the Mind’s Eternal Storm,” boasting dynamics uncommon in the atmospheric field. In sum, if you’re the kind of metal fan that struggles with the airier side of the spectrum, The Mind’s Eternal Storm might be a good place to start.
Witchyre // Witchy Forest Dance Contest [July 14th, 2025 – Self-Release]
Germany’s Witchyre answer a question nobody asked but everyone should: what would happen if black metal and dance music joined forces? With debut LP Witchy Forest Dance Contest, we get to experience this mad alchemy firsthand, and it is an absolute joy! The staunchly anti-fascist Witchyre take the raw sound everyone knows and pumps it full of groove, bounce, and uninhibited fun for a raucous 46 minutes. Evoking equal parts Darude and Darkthrone, bangers like “Let There be Light…,” “Witchy Forest Dance Party,” and “Lost in a Dream” burst with infectious energy that feels demonic and exuberant at the same time. The raw production of the metallic elements shouldn’t work with the glossy sheen of electronic doots, but Witchyre’s often pop-punky song structure that develops as these divergent aesthetics collide adeptly bridges the gap (“Spirits Twirling,” “The Vampire Witch,” “Dragon’s Breath”). My main gripe is that even at a reasonable 46 minutes, each song feels a bit bloated, and some dance elements feel recycled in multiple places (“The Spirits Robbed My Mind”). But don’t let that scare you away. Witchyre is a delightful little deviation from convention fit for fans of Curta’n Wall and Old Nick, and everyone should give it a whirl just for fun!
Owlswald’s Hidden Hoots
Sheev // Ate’s Alchemist [July 11th, 2025 – Ripple Music]
While stoner can be hit-or-miss, Ripple Music often delivers the goods. And with Berlin’s Sheev, they can add another notch to their sativa-flavored belt. Since 2017, the four-piece has been brewing their unique, progressive-infused stoner rock sound. On their second full-length, Ate’s Alchemist, Sheev doubles down on their sonic elixir, with a throwback prog-rock vibe that evokes the likes of Yes and Jethro Tull, but with heavy doses of grunge, jam and modern rock. Vocalist Nitzan Sheps’ provides a stripped-down and authentic performance, sounding like a cross between Muse’s Matt Bellamy and Alice in Chains’ Layne Staley. The rhythm section is particularly great here. Drummer Philipp Vogt’s kit work is exceptionally musical, with intricate cymbal patterns on tracks like “Elephant Trunk,” “Cul De Sac,” and “King Mustard II” that fuel deep-pocket grooves. He also provides Tool-like syncopated rhythms on tracks like “Tüdelüt” and “Henry” that lock with bassist Joshan Chaudhary. Chaudhary’s bass playing is rare in its prominence and clarity in the mix. He maintains a tight pocket while also venturing out regularly with nimbler, adventurous flurries that highlight his technical skill. Yeah, a couple of the longer songs get a little lost, but the album is packed with killer musicianship and vocal hooks that stick with you, so it barely matters. Overall, Sheev has delivered a solid record that I’ll be spinning a lot—and you should too.
Dephosphorus // Planetoktonos [July 18th, 2025 – Selfmadegod Records/7 Degrees Records/Nerve Altar]
Space…the final grind-tier. On their fifth album, Planetoktonos (“Planetkiller”), Greek astro-grind quartet Dephosphorus rejects normal grind classifications and instead annihilates worlds with a brutal, interstellar collision of grind, blackened death, and hardcore. Taking inspiration from the harsh sci-fi of James S.A. Corey’s The Expanse, Planetoktonos is a relentless twenty-eight-minute assault—a sonic asteroid belt of thick, menacing distortion and time-warped drumming that channels Dephosphorus’ raw, furious energy. “The Triumph of Science and Reason” and “After the Holocaust” attack with the ruthless speed of Nasum while others, such as “The Kinetics of a Superintelligence Explosion,” “Hunting for Dyson Spheres,” and “Calculating Infinity,” punctuate sludgy aggression with razor-sharp, shredding passages reminiscent of early Mastodon that offer contrasting technical and rhythmic hostility. Vocalist Panos Agoros’ despairing howls are a particular highlight, full of a gravelly, blackened urgency that sounds the alarm for an interplanetary attack. Gang vocals on tracks like “Living in a Metastable Universe” and “The Kinetics of a Superintelligence Explosion” add extra weight to his frantic performance, proving Dephosphorus can incinerate worlds and still have a blast doing it. Raw, intense, and violent, Planetokonos is a must-listen for fans seeking Remission-era energy.
Tyme’s Tattered Treats
Mortual // Altars of Brutality [July 4th, 2025 – Nuclear Winter Records]
From the fetid rainforests of Costa Rica, San Jose’s Mortual dropped their sneaky good death metal debut, Altar of Brutality, on Independence Day this year. Free of frills and fuckery, Justin Corpse and Master Killer—both have guitar, bass, and vocal credits here—go for the jugular, providing swarms of riffs entrenched in filthy, Floridian swamp waters and powdered with Jersey grit. Solo work comes fast, squealy, and furious as if graduated from the Azagthothian school of shred (“Dominion of Eternal Blasphemy,” “Skeletal Vortex”), as hints of early Deicide lurk within the chugging chunks of “Altar of Brutality” and whiffs of early Monstrosity float amongst the speedier nooks and crannies of “Divine Monstrosity.”1 Incantationally cavernous, the vocals fit the OSDM mold to a tee, sitting spaciously fat and happy within Dan Lowndes’ great mix and master, which consequently draws out a bestial bass sound that permeates the entirety of Altar of Brutality with low-end menace. Chalo’s (Chemicide) drum performance warrants particular note, as, from the opening tom roll of “Mortuary Rites,” he proceeds to bash skulls throughout Altar of Brutality’s swift thirty-five-minute runtime with a brutal blitz of double-kicking and blast-beating kit abuse. Embodying a DIY work ethic that imbues these tracks with youthful energy and a wealth of death metal character, Mortual aren’t looking to reinvent the wheel as much as they’d like to crush you under its meaty treads, over and over again.
Stomach // Low Demon [July 18th, 2025 – Self-Release]
Droney, doomy, sweaty, and sludgy as fuck, Stomach’s blast furnace second album, Low Demon, is the antithesis of summer-fun metal. Hailing from Geneva, Illinois, Stomach is drummer/vocalist John Hoffman (Weekend Nachos) and guitarist Adam Tomlinson (Sick/Tired, Sea of Shit), who capably carry out their cacophonous work in such a way as to defy the fact that they’re only a duo.2 At volume, and believe me, you’ll want to crank this fucker to eleven, Low Demon will have you retching up all that light beer you drank by the pool and crying for yer mom, as “Dredged” oozes, rib-rattling from the speakers, a continuous, four-and-a-half-minute chord-layered exercise in exponentially applied tonal pressure. With five tracks spanning just over forty-three minutes, there’s not a lot on Low Demon that’s in a hurry, and aside from sections of up-tempo doom riffs (“Get Through Winter”) and some downright grindery (“Oscillate”) offering respite from the otherwise crushing wall of sound, listening to Stomach is akin to being waterboarded with molasses. Heavy influences from Earth, Sunn O))), Crossed Out, and Grief—whose Come to Grief stands as a sludge staple—form the basis for much of Stomach’s sound, and while Primitive Man and Hell draw apt comparisons as well, I’m guessing you know what you’re getting into by now. Maniacally cinematic and far from light-hearted, Stomach’s Low Demon was everything I didn’t think I needed during this hot and humid-as-an-armpit-in-hell summer.
Killjoy’s Flutes of Fancy
Braia // Vertentes de lá e cá [July 10th, 2025 – Self-Release]
Bruno Maia is one of the most inventive and hardworking musicians that I know of. Best known for the whimsical Celtic folk metal of Tuatha de Danann, he also has his own folk rock side project, Braia. Vertentes de lá e cá explores the rich history and culture of the Minas Gerais state in his native country, Brazil.3 Bursting with more sweetness than a ripe mango, Vertentes de lá e cá sports a huge diversity of musical styles and instruments. A combination of flute, viola, and acoustic guitar forms the backbone of most of the songs, like the Irish jigs in “Vertentes” or the flitting melodies of “Princesa do Sul.” My ears also detect accordion (“O Cururu do Ingaí”), saxophone (“Serra das Letras”), harmonica (“Hipólita”), banjo (“Carrancas”), and spacey synth effects (“Pagode Mouro”). That last one might sound out of place, but it makes more sense after learning of the local tales of extraterrestrial encounters. Maia sings in only two of the twelve tracks (“Emboabas” and “Rei do Campo Grande”), but all 41 minutes should be engaging enough for listeners who are typically unmoved by instrumental music. Though thematically focused on one specific location, Vertentes de lá e cá deserves to be heard by the entire world.
Storchi // By Far Away [July 25th, 2025 – Self-Release]
I would guess that the “experimental” tag causes some degree of trepidation within most listeners. However, occasionally an artist executes a fresh new vision so confidently that I can’t help but wonder if it’s secretly been around for a long time. Storchi, an instrumental prog group from Kabri, Israel, utilizes a flute in creative ways. Its bright, jazzy demeanor almost functions as a substitute for a vocalist in terms of expressiveness and personality. The Middle Eastern flair combined with modest electronic elements reminds me of Hugo Kant’s flute-heavy multicultural trip-hop. The chunky palm-muted guitar and bass borrow the best aspects of djent alongside eccentrically dynamic drum tempos. There is premeditation amidst the chaos, though. The triplet tracks “Far,” “Further,” and “Furthest” scattered throughout By Far Away each offer a unique rendition of the same core flute tune. “Lagoona” and “Smoky” make good use of melodic reprisals at the very end to neatly close the loop on what might have otherwise felt like more disjointed songs. Despite frequent and abrupt stylistic shifts, Storchi manages to make the 31-minute runtime of By Far Away feel more enjoyable than jolting. Flute fanatics should take note.
ClarkKent’s Addictive Addition
Daron Malakian and Scars on Broadway // Addicted to the Violence [July 19th, 2025 – Scarred for Life]
Since System of a Down disbanded, guitarist Daron Malakian has gone on to release 3 full-length albums under the moniker Scars on Broadway between 2008 and 2025. This spinoff project has proven Malakian to be the oddball of the group, and this goofiness hasn’t mellowed since SOAD’s debut released 27 years ago. The energetic set of tunes on Addicted to the Violence mixes nu-metal, groove rock, and pop with plenty of synths to create some fun and catchy beats. Sure, you have to delve through some baffling lyrics,4 such as when Malakian sings that there’s “a tiger that’s riding on your back / And it’s singing out ‘Rawr! Rawr!'” (“Killing Spree”). Malakian also turns to the familiar theme of drug addiction that he and Serj have explored from “Sugar” to “Heroine” to “Chemicals.”5 This time around, it’s “Satan Hussein,” where he mixes Quaaludes and Vicodin with Jesus Christ. To offset the repetition within songs, Malakian has the sense to mix things up. There’s the nu-metal cuts of “Satan Hussein” and “Destroy the Power,” featuring energetic vocalizations and grooves, but there’s also a lot of pop (“You Destroy You”). The riffs may not be as wild or creative as times past, but Addicted to the Violence makes use of a variety of instruments that keep things fresh, from an organ (“Done Me Wrong”) to a mandolin (“You Destroy You”) to some sweet synth solos. There’s even a brief saxophone appearance to conclude the album. Yes, I know exactly what you’re thinking: “This sounds awesome!”
#2025 #7DegreesRecords #AddictedToTheViolence #AliceInChains #AltarsOfBrutality #AmericanMetal #AteSAlchemist #AtmosphericBlackMetal #AustralianMetal #BlackMetal #BlackenedDeathMetal #Braia #BrazilianMetal #ByFarAway #Chemicide #CostaRicanMetal #CrossedOut #CurtaNWall #Dance #Darkthrone #DaronMalakianAndScarsOnBroadway #Darude #DeathMetal #Deathgrind #Deicide #Dephosphorus #Doom #DoomMetal #Drone #Earth #EchoesOfGloom #EDM #ExperimentalMetal #FolkMetal #FolkRock #GermanMetal #Gindcore #GreekMetal #Grief #GrooveMetal #Hardcore #Hell #HugoKant #InstrumentalMetal #IsraeliMetal #JethroTull #Jul25 #LowDemon #Mastodon #MelodicBlackMetal #Monstrosity #Mortual #Muse #Nasum #NerveAltar #NuMetal #NuclearWinterRecords #OldNick #Planetoktonos #PopMetal #PrimitiveMan #ProgressiveMetal #RawBlackMetal #Review #Reviews #RippleMusic #ScarredForLife #SeaOfShit #SelfRelease #SelfmadegodRecords #Sheev #SickTired #Sludge #SludgeMetal #Stomach #StonerDoom #StonerMetal #Storchi #StuckInTheFilter #StuckInTheFilter2025 #SunnO_ #SystemOfADown #TheMindSEternalStorm #Tool #TuathaDeDanann #VertentesDeLáECá #WeekendNachos #WitchyForestDanceContest #Witchyre #Yes
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New #review today: "#Phoenyx was a San Francisco band of the late 80s that was apparently quite popular in local Irish pubs as well as creatively anachronistic festivals. They released the album Keepers of the Flame in 1991 in a small run of CDs, which quickly sold out, but then the band broke up and the album disappeared into obscurity and the realm of high-price collector’s items. Fast forward 35 years, and it’s now available again." #ExposeOnline #FolkRock #CelticRock http://expose.org/index.php/articles/display/phoenyx-keepers-of-the-flame-2.html
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HAPPY BIRTHDAY to the British-born mega-talented multi-instrumentalist singer-songwriter John Ford.
https://www.youtube.com/watch?v=0JI5r_8AbKs
#johnford #strawbs #themonks #hudsonford #multiinstrumentalist #singersongwriter #johnnyjblair #birthday #progrock #folkrock #artrock #newwave #ianlloyd #rickwakeman #ritchieblackmore
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Free download codes:
João Victor de Medeiros Leite - The Singles of Imagination!
"I wanted to post some singles from my new album 'Dreams of an Imaginary Place' so you can get a taste of the album until it's released!"
#experimental #pop #folk #dreampop #synthpop #folkrock #ambience #psychedelicfolk #psychedelicpop #midimusic #psychedelia #music
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"Bridge over Troubled Water" is a song by the American #folkRock duo #SimonAndGarfunkel, released in January 1970 as the second single from their fifth studio album, #BridgeOverTroubledWater (1970). It was written by #PaulSimon and produced by Simon, #ArtGarfunkel and #RoyHalee. "Bridge over Troubled Water" features lead vocals by Art Garfunkel and a piano accompaniment influenced by #gospelMusic, with a "#WallOfSound"-style production.
https://www.youtube.com/watch?v=Ro1Yqbal-Bo -
https://recordsalbums.com/crosby-stills-nash-young-vinyl-records-albums-lps/1324-crosby-stills-nash-young-so-far-vinyl-lp-record-for-sale.html Crosby Stills Nash Young - So Far Vinyl LP #DavidCrosby #GrahamNash #StephenStills #NeilYoung #Crosby #Stills #Nash #Young #SoFar #FolkRock #Folk #Rock #FolkMusic #RockMusic #FolkRockMusic #Vinyl #Records #Albums #LPs
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I mentioned Belgian multi-instrumentalist and singer Wim De Busser's project KING DICK last December in the post linked above this one, when he released single 'Romantic Love Shrine' (GREAT song) from his LP coming later this year.
And now King Dick just released a second single, 'Trolling My Feelings', and of course it's just as damn good. This one's on YouTube, not Bandcamp. Really looking forward to this LP.
https://www.youtube.com/watch?v=nVDPYDTIxvA
A side note, I thought of the song because it amused me that it's exactly 4:20 long, as @nic noticed about The Cardigans' cover of Iron Man. Represent.
#KingDick #BelgianBands #BelgianArtists #Belgium #weird #FolkRock #indie #IndieMusic @skullvalanche @wendigo
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Gordon
In the realm of music, Gordie Tapp was the first Canadian Gordon who made it big. He was in the country field. Indeed, he was a regular on the country show, Hee Haw. He only had a couple hits because he was more of an entertainer, emcee, broadcaster and writer.
Gordon Lightfoot is the most famous Canadian Gordon musician. With mega hits like Sundown and If You Could Read My Mind, Lightfoot was known world wide and had a huge fan base. Was he folk, country, or rock? No one could really tell but he didn’t need to say, he was just a singer/songwriter that wheedled his way into the hearts and minds of many people.
Gord Deppe is the main songwriter and singer/guitarist for the Canadian rock band The Spoons. They had the hits Nova Heart, Romantic Traffic and Those Old Emotions. He’s also been known to play guitar for Flock of Seagulls.
Gord Downie was the lead singer and lyricist for the Canadian rock band The Tragically Hip. He led the band through most of their existence and even put out some of his own solo work. He died tragically in 2017 of terminal brain cancer.
Probably all you non Canadians figure that there must be a lot of Canadian Gordons since so many are successful musicians. But that’s just not true. I’ve lived my whole 57 years in Canada and have just personally known 1 Gordon. He was a teacher of mine.
So this famous Canadian musician thing that the Gordons have is a statistical anomaly.
In the very early nineties, the Canadian rock band the Bare Naked Ladies seemed to be doing everything right. Their shock name got the attention of nearly everyone, they had two lead singers and had an album’s worth of songs including 4 or 5 that were ear worms. All they needed was a good album title and perhaps they could guarantee success.
They decided to play it conservatively and went with the name Gordon, simply based on how popular Canadians named Gordon seemed to be in pop. They contrived themselves into a successful release and the rest is history for the band.
#country #earWorms #famousCanadianMusicians #FlockOfSeagulls #folkRock #GordDeppe #GordDownie #GordieTapp #GordonLightfoot #HeeHaw #IfYouCouldReadMyMind #NovaHeart #RomanticTraffic #statisticalAnomaly #Sundown #theBareNakedLadies #theSpoons #theTragicallyHip #ThoseOldEmotions
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Harry Chapin - Verities & Balderdash LP Vinyl Record https://recordsalbums.com/harry-chapin-vinyl-records-albums-lps/3156-harry-chapin-verities-balderdash-lp-vinyl-record-for-sale.html #HarryChapin #Verities #Balderdash #HarryChapinVinyl #HarryChapinRecords #HarryChapinAlbums #HarryChapinLPs #HarryChapinRecord #HarryChapinAlbum #HarryChapinLP #Folk #FolkMusic #FolkRock #FolkMusician #FolkMusicians #FolkSongs #FolkSong #Sale #Selling #Vinyl #Records #Albums #LPs #Record #Album #LP
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Roy Orbison | Jerry Lee Lewis | Johnny Cash - Class Of \'55 LP Vinyl Record https://recordsalbums.com/roy-orbison-vinyl-records-albums-lps/8549-jerry-lee-lewis-roy-orbison-johnny-cash-class-of-55-lp-vinyl-record-for-sale.html #RoyOrbison #Orbison #Roy #JerryLeeLewis #JerryLee #JohnnyCash #CarlPerkins #Perkins #Cash #Johnny #RockNRoll #RockNRollVinyl #RockNRollRecords #RockNRollAlbums #RockNRollLPs #Rock #CountryRock #FolkRock #Entertainment #Vinyl #Records #Albums #LPS
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MusikBlog präsentiert Munich Rocks! 2024 – Teil 4
#Americana #BluesRock #Country #FolkRock #HipHop #IndiePop #MusikBlogNewcomer #News #NNDW #FREAK #Levin #Midge’sPocket
https://www.musikblog.de/2024/06/musikblog-praesentiert-munich-rocks-2024-teil-4/ -
New #review today: "On this new #SultansOfString album, the group has a variety of collaborators from #FirstNations, #Métis, and #Inuit peoples. These range from the #CountryRock of #CrystalShawanda to the #FolkRock of #LeelaGilday and #LeanneTaneton to the more mainstream country of #TheNorthSound to the #katajjaq (traditional Inuit throat singing) of #KendraTagoona and #TracySarazin to the distinctive fiddle techniques of the #MétisFiddlerQuartet." #ExposeOnline http://expose.org/index.php/articles/display/sultans-of-string-walking-through-the-fire-2.html
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Had an old (well, actually, compared to me, he's young 😆 ) co-worker stop by yesterday's gig - was kind enough to send me this snip/verse from "Dress Rehearsal"
(had to downsize the file to post..)I'm much more comfortable throwing out harmonica fills from from the shadows as a sideman, but if you want folks to hear your own songs... #songwriter #FenderJaguar #SupportLocalMusic #americana #FolkRock
