#folkrock — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #folkrock, aggregated by home.social.
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📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
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🎵 Broken Records - Until the Earth Begins to Part▶️ Écouter / Listen : VorteX [Radio]
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Ronnie Van Zant’s 1977 X-rated attack on Neil Young
Credit: Far Out / MCA Records / Analog Originals Wed 9 September 2026 1:00, UK Rock and roll…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #1970 #1970s #1977 #America #CivilRightsMovement #Entertainment #feud #FolkRock #LynyrdSkynyrd #NeilYoung #SouthernRock
https://www.newsbeep.com/us/841391/ -
Ronnie Van Zant’s 1977 X-rated attack on Neil Young
Credit: Far Out / MCA Records / Analog Originals Wed 9 September 2026 1:00, UK Rock and roll…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #1970 #1970s #1977 #America #CivilRightsMovement #Entertainment #feud #FolkRock #LynyrdSkynyrd #NeilYoung #SouthernRock
https://www.newsbeep.com/us/841391/ -
Ronnie Van Zant’s 1977 X-rated attack on Neil Young
Credit: Far Out / MCA Records / Analog Originals Wed 9 September 2026 1:00, UK Rock and roll…
#NewsBeep #News #Music #1970 #1970s #1977 #America #CivilRightsMovement #Entertainment #Feud #Folkrock #LynyrdSkynyrd #NeilYoung #SouthernRock #UK #UnitedKingdom
https://www.newsbeep.com/uk/764628/ -
https://www.europesays.com/uk/1194356/ Ronnie Van Zant’s 1977 X-rated attack on Neil Young #1970 #1970s #1977 #america #CivilRightsMovement #Entertainment #feud #FolkRock #LynyrdSkynyrd #music #NeilYoung #SouthernRock #UK #UnitedKingdom
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📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
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🎵 Lisa Germano - Electrified▶️ Écouter / Listen : VorteX [Radio]
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📻 Vortex Night ⛓️ (Industrial metal)
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📻 Vortex Night ⛓️ (Industrial metal)
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📻 Vortex Night ⛓️ (Industrial metal)
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🎵 Yodelice - Freaks▶️ Écouter / Listen : VorteX [Radio]
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📻 Vortex Night ⛓️ (Industrial metal)
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🎵 Yodelice - Freaks▶️ Écouter / Listen : VorteX [Radio]
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📻 Vortex Night ⛓️ (Industrial metal)
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🎵 Yodelice - Freaks▶️ Écouter / Listen : VorteX [Radio]
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📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
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🎵 Declan McKenna - Mulholland's Dinner and Wine▶️ Écouter / Listen : VorteX [Radio]
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"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
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📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
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🎵 Cass McCombs - New Earth▶️ Écouter / Listen : VorteX [Radio]
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📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
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📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
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📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
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Free download codes:
The B Roads - Nowhere Fast
"A middle age, middle England, Post Rock, Jazz Folk Road trip."
#indierock #indiefolk #altrock #folkrock #postrock #altcountrycrossover #alternativejazz #rootsandamericana #music
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https://www.europesays.com/ie/670086/ Who was the best guest performer at The Band’s ‘Last Waltz’? #1970s #1978 #BobDylan #ClassicRock #ConcertFilm #Éire #Entertainment #FolkRock #IE #Ireland #MartinScorsese #Music #Rock #RonnieWood #TheBand #TheLastWaltz #VanMorrison
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Blues For Allah
#gratefuldead #bluesforallah #70srock #folkrock #progressiverock #psychedelicrock #rock #rockmusic #music #musicsky #musiciansky #jerrygarcia #donnajeangodchaux #mickeyhart #billkreutzmann #philleash #bobweir #keithgodchaux September 1, 1975 ~ The Grateful Dead release Blues For Allah. It's a highly experimental record -- even for the Dead -- that blends progressive rock, jazz fusion, and Middle Eastern musical influences. It is also the first album to…
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Slow Turning
#JohnHiatt #slowturning #80srock #americana #folkrock #singersongwriters #rock #rockmusic #music #musicsky #musiciansky The 9th album from John Hiatt -- released on August 30, 1988. It is one of his most critically acclaimed and successful albums and is considered an Americana classic. John gets help from The Goners ... his frequent back-up band that includes guitarist Sonny Landreth, who helped craft the album's signature sound. Slow Turning ... it's like…
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It is such a crime that Miss Misery had to compete against one of the most iconic movie songs of all time, cause any other Oscars I think Elliott Smith would have won deservingly.
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Slow Train Coming
#dylan #slowtraincoming #70srock #americana #bobdylan #orpheus #folk #folkrock #rock #rockmusic #music #musicsky #musiciansky Orpheus releases Slow Train Coming on August 20, 1979. Like many of his albums, it's controversial among fans. Dylan lays his personal faith on the line which doesn't sit well with many of his tight-ass fans. But the album also welcomes many new fans to the work of Orpheus. He wins a Grammy for best male vocal performance and…
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Ten Songs With … The Mountain Goats
“Ten Songs With…” is a new, irregular series of posts in which I explore the music of a group or artist I like but am only familiar with a small portion of their catalog. Unlike my previous Deep Dives series this will be more focused, limited to highlighting – yep, you guessed it – ten songs.
Ten Songs With … The Mountain Goats
I became aware of The Mountain Goats around 15 years ago, and am familiar with several songs the band has released over the past couple of decades. But I was surprised to learn that The Mountain Goats have been recording since 1991, and have released 24 studio albums – plus live albums, compilations, EPs, singles, cassettes, and limited releases. This was going to be a challenging catalog to explore!
The Mountain Goats are essentially a project of John Darnielle, born in Indiana, raised in California, and now based in North Carolina. While Darnielle attended Pitzer College from 1991 to 1995, he released his first recordings as The Mountain Goats. Many early recordings were just Darnielle and his guitar, but he was joined by Rachel Ware on bass and vocals from 1992 to 1996. Peter Hughes joined for a brief stint on bass and vocals in 1996, and then returned to play with the band from 2002 to 2024. The other two long-time members of the band are Jon Wurster, drummer since 2007, and Matt Douglas, a multi-instrumentalist and vocalist since 2015. Numerous other musicians and collaborators have contributed to The Mountain Goats sound live and in the studio.
The first decade of The Mountain Goats drew on Darnielle’s urgency to record songs as soon as possible by playing them straight into a tape recorder. While Darnielle returns to this “lo-fi” style from time to time, since the release of Tallahassee in 2002, albums by The Mountain Goats are typically recorded in a professional studio with a full band. Tallahassee was also the first album released on a major label, 4AD. The Mountain Goats later recorded with Merge Records for 15 years. Since 2025, new releases by The Mountain Goats are independently released on their own Cadmean Dawn label.
Darnielle is known as a talented lyricist with a literary style. Many songs are autobiographical and confessional, including stories of growing up with an abusive stepfather (on the album The Sunset Tree) and his addiction to methamphetamine just after high school (We Shall All Be Healed). A recurring theme across his works include song cycles about the dysfunctional “Alpha” couple, who argue in character through the song lyrics. Darnielle has also created concept albums based on his various interests such as the Bible (The Life of the World to Come), professional wrestling (Beat the Champ), and goth culture and music (Goths).
To prepare for this post, I searched for lists of “Best Albums” made by fans of The Mountain Goats, making a composite list. From this list, I chose to give a close listen to the ten albums that seemed most essential (see below) as well as various singles and playlists of the bands best songs. From this project I made my list of Ten Song, albeit it seems to only scratch the surface of The Mountain Goats’ outpout.
1994 Zopilote Machine
1995 Sweden
1997 Full Force Galesburg
2000 The Coroner’s Gambit
2002 All Hail West Texas
2002 Tallahassee
2005 The Sunset Tree
2008 Heretic Pride
2012 Transcendental Youth
2017 GothsMy Ten Songs
“Alpha Incipiens” – Zopilote Machine (1994)
“No Children” – Tallahassee (2002)
“Alpha Rats Nest” – Tallahassee (2002)
“This Year” – The Sunset Tree (2005)
“Dance Music” – The Sunset Tree (2005)
“Amy aka Spent Gladiator 1” – Transcendental Youth (2012)
“The Legend of Chavo Guerrero” – Beat the Champ (2015)
“Rain in Soho” – Goths (2017)
“Training Montage” – Bleed Out (2022)
“Rocks in My Pockets” – Through This Fire Across from Peter Balkan (2025)
Have you listened to The Mountain Goats? If so, let me know your favorite songs in the comments.
Previous Ten Songs With…:
#FolkRock #indieFolk #indieRock #Music #TenSongsWith #TheMountainGoats -
Listening to the new Phoebe Bridgers this morning. So far I like it but not as much as any of her albums that came before (including Boygenius and Better Oblivion Community Center) but I still have a handful of songs to change my mind. It uses a lot of electronic manipulation which I'm meh about. I've wanted to like this one more than I do but I've still saved the vast majority of songs to my master playlist so its like good.
#phoebebridgers #folk #folkrock #indiefolk #indie #indierock #synthpop
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Punisher
#PhoebeBridgers #punisher #2020rock #contemporaryfolk #folkrock #emo #indiefolk #indierock #rock #rockmusic #music #musicsky #musiciansky Phoebe releases her critically acclaimed sophomore album on June 18, 2020 ... This one confirmed what we already knew from her first album -- Phoebe Bridgers is one of her generation's most vivid and devastating lyricists, blending indi-folk with ethereal dream pop. I mean .. look at the album cover.
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Albion – It Was In The Month of May I Review By Mystikus HugebeardSorry, but I can’t resist: It was in the month of May that I sat down to review the newest album by the British folk-rockers Albion, titled It Was In The Month of May I.1 This gaggle of self-declared whippersnappers blew this reviewer away with their 2024 album Lakesongs of Elbid. What started as an unassuming filter piece grew on me more and more to the point it made my (and my co-conspirator Killjoy’s) end-of-year list. Albion’s timeless, joyful folk-rock music has enjoyed constant rotations in the Hugebeard tower since then, and so a new album has been a hotly anticipated affair. Now that it’s in our hands, has Albion continued their trend for quality?
For those unfamiliar with Albion, they play a flute-heavy, wistful sort of progressive folk-rock that draws an obvious comparison to Jethro Tull and reminds me a great deal of Big Big Train. For those a little more familiar, it’s worth mentioning that It Was In The Month of May has somewhat toned down the already limited metal crunch that graced Lakesongs of Elbid. Rest assured, this is no criticism, as this album remains energetic and adventurous in all the right ways. The opening prelude, “Mis Mai,” followed by the first true foray into the album’s essence, “The Green Knight,” demonstrate Albion’s sonic strengths right out of the gates. “Mis Mai” highlights the dulcet pipes of Joe Parrish-James as he lathers the song’s Welsh lyrics in decadent velvet, while “The Green Knight” starts the album in usual Albion fashion with grandiose flute melodies explored atop galloping guitar strumming.
What I love about Albion’s music, and what they maintain in It Was In The Month of May, is a sense of effortlessness. The music is fun, it’s accessible, it’s breezy, it’s comfortably warm and full of well-crafted little moments so crisp and yet so obvious it almost makes you wonder how no one else thought of it first. The pub-rock verse of “Down With The Hero” and the epic call-and-response between the flutes and guitars in the middle of “Calan Mai” come especially to mind. In the album’s longer songs, Albion are quite eager to just let the music run free through the meadow in spacious explorations of riffs and solos, but it never feels aimless. The melodies of “The Green Knight” and “Eldest” in particular see the guitars and flutes bounce merrily along in an endless up-and-down like the rolling hills stretching before you as you prepare for adventure. The closer, “Calan Mai,” is the longest at ten minutes, but even at its most unrestrained, the song’s melodies wield graceful finality in a way that always feels satisfying.
It Was In The Month of May is almost 20 minutes shorter than its predecessor, Lakesongs, which makes for an overall cleaner listening experience. However, the album’s pacing does waver a little by over-saturating the latter half with lower-energy tunes. I really quite love “Hymn to Elbereth,” as it has this gently twisting nature to it that happily makes me think of Glass Hammer, but it’s misplaced between the otherwise pleasantly acoustic “She Is The River” and the ballad “Cherry Hill,” making for an overly languid sequence of songs. “Cherry Hill” in particular leans a bit too heavily on chorus repetition for its six-minute runtime. Still, the album ends on the right note with “Calan Mai,” and there are no other noteworthy structural issues or damaging patterns affecting the album. However, I simply must mention the “la-da-da’s” and “doo-do-do’s” in the chorus of “Down With The Hero.” I don’t mind vocalizations at all and they work perfectly well as little interstitial passages like in “Eldest,” but I find it to be a heavily misguided choice for them to carry the chorus of the album’s most upbeat song.
It Was In The Month of May is warm, adventurous, inviting, and once again, and I simply cannot stress this enough, extraordinarily British. While this album never gripped me quite like Lakesongs of Elbid did, the final word on this review is nevertheless one of eager positivity. Albion is a band I tend to think of no matter the musical flavor I’m looking for, and It Was In The Month of May only furthers that trend. This is music that is just so pleasant to listen to, no matter the day, and there are some damn good bangers to be found here for any fan of folk, British rock, or prog.
Rating: Good!
DR: 8 | Format Reviewed: FLAC
Label: Self-Release
Websites: official | facebook | bandcamp
Releases Worldwide: May 26th, 2026Killjoy
In the year 2021, I unexpectedly became acquainted with the debut EP of a very special folk rock group from England. The potential that Albion showed on Pryderi was immediately obvious, and I longed for more. My wish was granted in 2024 by the whopping 70-minute full-length debut Lakesongs of Elbid, for which my esteemed colleague (and now review partner), Mystikus Hugebeard, wrote a splendid filter piece. Albion has wasted no time since then, here to regale our ears again with cheery tunes. It Was in the Month of May seeks to honor the magical time of year when spring sunsets and will soon cede to warmer temperatures.
Albion’s music is wholesome for the soul, whispering to the part of human consciousness that yearns for carefree meadows and being in nature. They primarily achieve this through the exquisite pairing of flute and guitars (both acoustic and electric). This, of course, invites comparisons to Jethro Tull,2 although Albion perhaps hews a bit closer to folk music. Take, for example, the beautiful acoustic guitar fingerpicking and Welsh singing3 in “Mis Mai.” Further, Albion plays a more modernized style of rock than Jethro Tull. “Down with the Hero” is a rousing, ultra-catchy pub rock number and the guitarwork in “The Green Knight” is elaborate, sounding like a slightly slower and proggier Dark Forest. The way that Albion harmoniously blends the old with the new is genuinely refreshing.
It Was in the Month of May similarly succeeds in striking a balance between humble and epic. In both the quiet and upbeat moments, there is an air of unassuming regality. Therefore, it makes perfect sense that Albion composed a pair of songs about Tolkien’s characters Tom Bombadil and his wife, Goldberry. “Eldest (Tom Bombadil)” contains gorgeous guitar and flute swells evoking endless verdant hillsides, as well as a Celtic folk-influenced jig reminiscent of Tuatha de Danann or Braia. “She Is the River (Goldberry)” is entirely acoustic and percussion-less (save for hand claps), with sunny guitar strumming and pleasantly poetic lyrics. Continuing with Tolkien subject matters, “Hymn to Elbereth” features vocal harmonization by Joe and Rhiannon Parrish-James which is as fair as the elves who Frodo, Sam, and Pippin overheard singing these very words in The Fellowship of the Ring. Rhiannon adds her voice to Joe’s at various other times throughout the record, and I would love to hear her take center stage in the future.
Overall, It Was in the Month of May is sharper and more focused than its predecessor. As much as I loved Lakesongs of Elbid, opening with a 9-and-a-half minute instrumental track didn’t help it find its footing. “The Green Knight,” the first full song here, isn’t much shorter but its structure is more disciplined, never wavering from its gallant, galloping theme. The other 8+ minute songs, “Eldest (Tom Bombadil)” and “Calan Mai,” also mostly justify their lengths, although the latter feels a bit meandering towards the end. But the larger issue with “Calan Mai” has to do with the track that precedes it. “Cherry Hill (Maya II)” hits like a lullaby, which might have been okay if it were 3 minutes instead of 6, so it ends up stifling the momentum leading into the ornate concluding track. I do appreciate that, with a total runtime of 52 minutes, It Was in the Month of May is easier to listen to in one sitting.
It Was in the Month of May is great for drifting away and forgetting one’s troubles for a while. The uplifting compositions are easy on the ears while offering bountiful details to uncover during return visits. “Cherry Hill (Maya II)” is the main thing holding it back from unqualified greatness. That said, if Albion continues refining their songcraft at this pace, the next album will surely shatter our score safety counter. So, kick back and enjoy time outside with loved ones. It Was in the Month of May is an excellent way to ring in summer in the Northern Hemisphere.
Rating: 3.5/5.0
#2026 #30 #35 #Albion #BigBigTrain #Braia #BritishMetal #DarkForest #FolkMetal #FolkRock #GlassHammer #ItWasInTheMonthOfMayI #JethroTull #LakesongsOfElbid #May26 #ProgressiveRock #Pryderi #Review #Reviews #TuathaDeDanann -
A music break for sanity's sake. #music #singersongwriter #altrock #punkblues #artrock #indie #folkrock #avantrock #grunge
https://youtu.be/WuJE40OBt48?si=PKOSBA95R-0TBGoV -
"Ho Hey" is a song by American #folkRock band #theLumineers. It was released on June 4, 2012, as the lead single from their self-titled debut studio album (2012). The music video was released on March 11, 2012. "Ho Hey" reached number one for 18 non-consecutive weeks on the #Billboard #RockSongs chart, as well as two weeks in the top spot on the Billboard #AlternativeSongs chart and eight weeks in the top spot on the #AdultPopSongs chart.
https://www.youtube.com/watch?v=qQz-4vdVJLM -
"Ho Hey" is a song by American #folkRock band #theLumineers. It was released on June 4, 2012, as the lead single from their self-titled debut studio album (2012). The music video was released on March 11, 2012. "Ho Hey" reached number one for 18 non-consecutive weeks on the #Billboard #RockSongs chart, as well as two weeks in the top spot on the Billboard #AlternativeSongs chart and eight weeks in the top spot on the #AdultPopSongs chart.
https://www.youtube.com/watch?v=R6UqE6JzNLA -
With Ronnie's role with the Faces now just a memory, the co-founder of both that group and its predecessor the Small Faces, was now striding out into new territory...
#ClassicRock #RockMusic #70sMusic #MusicHistory #UKCharts #1970s #RetroMusic #BritishRock #RockHistory #Vinyl #SmallFaces #RonnieLane #SlimChance #HowCome #FacesBand #ModRock #FolkRock
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The Songs of Leonard Cohen
Released on December 27, 1967 -- the debut album. Listen to the Songs of Leonard Cohen on Amazon Music ... #leonardcohen #songsofleonardcohen #folkmusic #folkrock #contemporaryfolk #music #musicsky #musiciansky
http://robinbannks.com/2025/12/27/the-songs-of-leonard-cohen/
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Nathan Maingard – In The Shadows
#CapeTown #Devotional #Folk #UnitedKingdom #altfolk #folk #folkrock #lyrical #meaningful #medicinemusic #philosophical #spiritual #spiritualsongsofhealing #transformation #uk
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://nathanmaingard.bandcamp.com/album/in-the-shadows -
"Ho Hey" is a song by American #folkRock band #theLumineers. It was released on June 4, 2012, as the lead single from their self-titled debut studio album (2012). The music video was released on March 11, 2012. "Ho Hey" reached number one for 18 non-consecutive weeks on the #Billboard #RockSongs chart, as well as two weeks in the top spot on the Billboard #AlternativeSongs chart and eight weeks in the top spot on the #AdultPopSongs chart.
https://www.youtube.com/watch?v=R6UqE6JzNLA -
Happy birthday, PJ …
Listen to my PJ Harvey playlist on Amazon Music ... #pjharvey #birthday #altrock #alternativerock #punkblues #artrock #indierock #folkrock #avantrock #grunge #rock #rockmusic #music #musicsky #musiciansky
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Stuck in the Filter: July 2025’s Angry Misses
By Kenstrosity
If you thought June was hot, you aren’t ready for what July has in store. The thin metallic walls of these flimsy ducts warp and soften as the sweltering environs continue to challenge the definition of “habitable.” But I must force my minions to continue their work, as this duty is sacred. Our ravenous appetites cannot be slaked without the supplementary sustenance the Filter brings!
Thankfully, we rescued just enough scraps to put together a meager spread. Enjoy in moderation!
Kenstrosity’s Blackened Buds
Echoes of Gloom // The Mind’s Eternal Storm [July 12th, 2025 – Self-Release]
Queensland isn’t my first thought when considering locales for atmospheric black metal. A genre so often built upon frigid tones and icy melodies feels incongruous to the heat and beastliness of the Australian landscape. Yet, one-man atmoblack act Echoes of Gloom persists. Masterminded by one Dan Elkin, Echoes of Gloom evokes a warm, muggy, and morose spirit with debut record The Mind’s Eternal Storm. But unlike many of the atmospheric persuasion, Echoes of Gloom also injects a classic heavy metal attack and a vaguely punky/folky twist into their formula to keep interest high (“Immortality Manifest,” “Throes of Bereavement I”). Furthermore, Echoes of Gloom weaponizes their energetic take on depressing atmoblack such that even as my head bounces to the riffy groove of surprisingly propulsive numbers like “The Wandering Moon” and “Great Malignant Towers of Delirium,” a palpable pall looms ever present, sapping all color from life as I witness this work. This in turn translates well to the long form, as demonstrated by the epic two-part “Throes of Bereavement” suite and ripping ten-minute closer “Wanderer of the Mind’s Eternal Storm,” boasting dynamics uncommon in the atmospheric field. In sum, if you’re the kind of metal fan that struggles with the airier side of the spectrum, The Mind’s Eternal Storm might be a good place to start.
Witchyre // Witchy Forest Dance Contest [July 14th, 2025 – Self-Release]
Germany’s Witchyre answer a question nobody asked but everyone should: what would happen if black metal and dance music joined forces? With debut LP Witchy Forest Dance Contest, we get to experience this mad alchemy firsthand, and it is an absolute joy! The staunchly anti-fascist Witchyre take the raw sound everyone knows and pumps it full of groove, bounce, and uninhibited fun for a raucous 46 minutes. Evoking equal parts Darude and Darkthrone, bangers like “Let There be Light…,” “Witchy Forest Dance Party,” and “Lost in a Dream” burst with infectious energy that feels demonic and exuberant at the same time. The raw production of the metallic elements shouldn’t work with the glossy sheen of electronic doots, but Witchyre’s often pop-punky song structure that develops as these divergent aesthetics collide adeptly bridges the gap (“Spirits Twirling,” “The Vampire Witch,” “Dragon’s Breath”). My main gripe is that even at a reasonable 46 minutes, each song feels a bit bloated, and some dance elements feel recycled in multiple places (“The Spirits Robbed My Mind”). But don’t let that scare you away. Witchyre is a delightful little deviation from convention fit for fans of Curta’n Wall and Old Nick, and everyone should give it a whirl just for fun!
Owlswald’s Hidden Hoots
Sheev // Ate’s Alchemist [July 11th, 2025 – Ripple Music]
While stoner can be hit-or-miss, Ripple Music often delivers the goods. And with Berlin’s Sheev, they can add another notch to their sativa-flavored belt. Since 2017, the four-piece has been brewing their unique, progressive-infused stoner rock sound. On their second full-length, Ate’s Alchemist, Sheev doubles down on their sonic elixir, with a throwback prog-rock vibe that evokes the likes of Yes and Jethro Tull, but with heavy doses of grunge, jam and modern rock. Vocalist Nitzan Sheps’ provides a stripped-down and authentic performance, sounding like a cross between Muse’s Matt Bellamy and Alice in Chains’ Layne Staley. The rhythm section is particularly great here. Drummer Philipp Vogt’s kit work is exceptionally musical, with intricate cymbal patterns on tracks like “Elephant Trunk,” “Cul De Sac,” and “King Mustard II” that fuel deep-pocket grooves. He also provides Tool-like syncopated rhythms on tracks like “Tüdelüt” and “Henry” that lock with bassist Joshan Chaudhary. Chaudhary’s bass playing is rare in its prominence and clarity in the mix. He maintains a tight pocket while also venturing out regularly with nimbler, adventurous flurries that highlight his technical skill. Yeah, a couple of the longer songs get a little lost, but the album is packed with killer musicianship and vocal hooks that stick with you, so it barely matters. Overall, Sheev has delivered a solid record that I’ll be spinning a lot—and you should too.
Dephosphorus // Planetoktonos [July 18th, 2025 – Selfmadegod Records/7 Degrees Records/Nerve Altar]
Space…the final grind-tier. On their fifth album, Planetoktonos (“Planetkiller”), Greek astro-grind quartet Dephosphorus rejects normal grind classifications and instead annihilates worlds with a brutal, interstellar collision of grind, blackened death, and hardcore. Taking inspiration from the harsh sci-fi of James S.A. Corey’s The Expanse, Planetoktonos is a relentless twenty-eight-minute assault—a sonic asteroid belt of thick, menacing distortion and time-warped drumming that channels Dephosphorus’ raw, furious energy. “The Triumph of Science and Reason” and “After the Holocaust” attack with the ruthless speed of Nasum while others, such as “The Kinetics of a Superintelligence Explosion,” “Hunting for Dyson Spheres,” and “Calculating Infinity,” punctuate sludgy aggression with razor-sharp, shredding passages reminiscent of early Mastodon that offer contrasting technical and rhythmic hostility. Vocalist Panos Agoros’ despairing howls are a particular highlight, full of a gravelly, blackened urgency that sounds the alarm for an interplanetary attack. Gang vocals on tracks like “Living in a Metastable Universe” and “The Kinetics of a Superintelligence Explosion” add extra weight to his frantic performance, proving Dephosphorus can incinerate worlds and still have a blast doing it. Raw, intense, and violent, Planetokonos is a must-listen for fans seeking Remission-era energy.
Tyme’s Tattered Treats
Mortual // Altars of Brutality [July 4th, 2025 – Nuclear Winter Records]
From the fetid rainforests of Costa Rica, San Jose’s Mortual dropped their sneaky good death metal debut, Altar of Brutality, on Independence Day this year. Free of frills and fuckery, Justin Corpse and Master Killer—both have guitar, bass, and vocal credits here—go for the jugular, providing swarms of riffs entrenched in filthy, Floridian swamp waters and powdered with Jersey grit. Solo work comes fast, squealy, and furious as if graduated from the Azagthothian school of shred (“Dominion of Eternal Blasphemy,” “Skeletal Vortex”), as hints of early Deicide lurk within the chugging chunks of “Altar of Brutality” and whiffs of early Monstrosity float amongst the speedier nooks and crannies of “Divine Monstrosity.”1 Incantationally cavernous, the vocals fit the OSDM mold to a tee, sitting spaciously fat and happy within Dan Lowndes’ great mix and master, which consequently draws out a bestial bass sound that permeates the entirety of Altar of Brutality with low-end menace. Chalo’s (Chemicide) drum performance warrants particular note, as, from the opening tom roll of “Mortuary Rites,” he proceeds to bash skulls throughout Altar of Brutality’s swift thirty-five-minute runtime with a brutal blitz of double-kicking and blast-beating kit abuse. Embodying a DIY work ethic that imbues these tracks with youthful energy and a wealth of death metal character, Mortual aren’t looking to reinvent the wheel as much as they’d like to crush you under its meaty treads, over and over again.
Stomach // Low Demon [July 18th, 2025 – Self-Release]
Droney, doomy, sweaty, and sludgy as fuck, Stomach’s blast furnace second album, Low Demon, is the antithesis of summer-fun metal. Hailing from Geneva, Illinois, Stomach is drummer/vocalist John Hoffman (Weekend Nachos) and guitarist Adam Tomlinson (Sick/Tired, Sea of Shit), who capably carry out their cacophonous work in such a way as to defy the fact that they’re only a duo.2 At volume, and believe me, you’ll want to crank this fucker to eleven, Low Demon will have you retching up all that light beer you drank by the pool and crying for yer mom, as “Dredged” oozes, rib-rattling from the speakers, a continuous, four-and-a-half-minute chord-layered exercise in exponentially applied tonal pressure. With five tracks spanning just over forty-three minutes, there’s not a lot on Low Demon that’s in a hurry, and aside from sections of up-tempo doom riffs (“Get Through Winter”) and some downright grindery (“Oscillate”) offering respite from the otherwise crushing wall of sound, listening to Stomach is akin to being waterboarded with molasses. Heavy influences from Earth, Sunn O))), Crossed Out, and Grief—whose Come to Grief stands as a sludge staple—form the basis for much of Stomach’s sound, and while Primitive Man and Hell draw apt comparisons as well, I’m guessing you know what you’re getting into by now. Maniacally cinematic and far from light-hearted, Stomach’s Low Demon was everything I didn’t think I needed during this hot and humid-as-an-armpit-in-hell summer.
Killjoy’s Flutes of Fancy
Braia // Vertentes de lá e cá [July 10th, 2025 – Self-Release]
Bruno Maia is one of the most inventive and hardworking musicians that I know of. Best known for the whimsical Celtic folk metal of Tuatha de Danann, he also has his own folk rock side project, Braia. Vertentes de lá e cá explores the rich history and culture of the Minas Gerais state in his native country, Brazil.3 Bursting with more sweetness than a ripe mango, Vertentes de lá e cá sports a huge diversity of musical styles and instruments. A combination of flute, viola, and acoustic guitar forms the backbone of most of the songs, like the Irish jigs in “Vertentes” or the flitting melodies of “Princesa do Sul.” My ears also detect accordion (“O Cururu do Ingaí”), saxophone (“Serra das Letras”), harmonica (“Hipólita”), banjo (“Carrancas”), and spacey synth effects (“Pagode Mouro”). That last one might sound out of place, but it makes more sense after learning of the local tales of extraterrestrial encounters. Maia sings in only two of the twelve tracks (“Emboabas” and “Rei do Campo Grande”), but all 41 minutes should be engaging enough for listeners who are typically unmoved by instrumental music. Though thematically focused on one specific location, Vertentes de lá e cá deserves to be heard by the entire world.
Storchi // By Far Away [July 25th, 2025 – Self-Release]
I would guess that the “experimental” tag causes some degree of trepidation within most listeners. However, occasionally an artist executes a fresh new vision so confidently that I can’t help but wonder if it’s secretly been around for a long time. Storchi, an instrumental prog group from Kabri, Israel, utilizes a flute in creative ways. Its bright, jazzy demeanor almost functions as a substitute for a vocalist in terms of expressiveness and personality. The Middle Eastern flair combined with modest electronic elements reminds me of Hugo Kant’s flute-heavy multicultural trip-hop. The chunky palm-muted guitar and bass borrow the best aspects of djent alongside eccentrically dynamic drum tempos. There is premeditation amidst the chaos, though. The triplet tracks “Far,” “Further,” and “Furthest” scattered throughout By Far Away each offer a unique rendition of the same core flute tune. “Lagoona” and “Smoky” make good use of melodic reprisals at the very end to neatly close the loop on what might have otherwise felt like more disjointed songs. Despite frequent and abrupt stylistic shifts, Storchi manages to make the 31-minute runtime of By Far Away feel more enjoyable than jolting. Flute fanatics should take note.
ClarkKent’s Addictive Addition
Daron Malakian and Scars on Broadway // Addicted to the Violence [July 19th, 2025 – Scarred for Life]
Since System of a Down disbanded, guitarist Daron Malakian has gone on to release 3 full-length albums under the moniker Scars on Broadway between 2008 and 2025. This spinoff project has proven Malakian to be the oddball of the group, and this goofiness hasn’t mellowed since SOAD’s debut released 27 years ago. The energetic set of tunes on Addicted to the Violence mixes nu-metal, groove rock, and pop with plenty of synths to create some fun and catchy beats. Sure, you have to delve through some baffling lyrics,4 such as when Malakian sings that there’s “a tiger that’s riding on your back / And it’s singing out ‘Rawr! Rawr!'” (“Killing Spree”). Malakian also turns to the familiar theme of drug addiction that he and Serj have explored from “Sugar” to “Heroine” to “Chemicals.”5 This time around, it’s “Satan Hussein,” where he mixes Quaaludes and Vicodin with Jesus Christ. To offset the repetition within songs, Malakian has the sense to mix things up. There’s the nu-metal cuts of “Satan Hussein” and “Destroy the Power,” featuring energetic vocalizations and grooves, but there’s also a lot of pop (“You Destroy You”). The riffs may not be as wild or creative as times past, but Addicted to the Violence makes use of a variety of instruments that keep things fresh, from an organ (“Done Me Wrong”) to a mandolin (“You Destroy You”) to some sweet synth solos. There’s even a brief saxophone appearance to conclude the album. Yes, I know exactly what you’re thinking: “This sounds awesome!”
#2025 #7DegreesRecords #AddictedToTheViolence #AliceInChains #AltarsOfBrutality #AmericanMetal #AteSAlchemist #AtmosphericBlackMetal #AustralianMetal #BlackMetal #BlackenedDeathMetal #Braia #BrazilianMetal #ByFarAway #Chemicide #CostaRicanMetal #CrossedOut #CurtaNWall #Dance #Darkthrone #DaronMalakianAndScarsOnBroadway #Darude #DeathMetal #Deathgrind #Deicide #Dephosphorus #Doom #DoomMetal #Drone #Earth #EchoesOfGloom #EDM #ExperimentalMetal #FolkMetal #FolkRock #GermanMetal #Gindcore #GreekMetal #Grief #GrooveMetal #Hardcore #Hell #HugoKant #InstrumentalMetal #IsraeliMetal #JethroTull #Jul25 #LowDemon #Mastodon #MelodicBlackMetal #Monstrosity #Mortual #Muse #Nasum #NerveAltar #NuMetal #NuclearWinterRecords #OldNick #Planetoktonos #PopMetal #PrimitiveMan #ProgressiveMetal #RawBlackMetal #Review #Reviews #RippleMusic #ScarredForLife #SeaOfShit #SelfRelease #SelfmadegodRecords #Sheev #SickTired #Sludge #SludgeMetal #Stomach #StonerDoom #StonerMetal #Storchi #StuckInTheFilter #StuckInTheFilter2025 #SunnO_ #SystemOfADown #TheMindSEternalStorm #Tool #TuathaDeDanann #VertentesDeLáECá #WeekendNachos #WitchyForestDanceContest #Witchyre #Yes
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Punisher
Phoebe releases her sophomore album on June 18, 2020 ... Listen to Punisher by Phoebe Bridgers on Amazon Music ... #PhoebeBridgers #punisher #2020rock #contemporaryfolk #folkrock #emo #indiefolk #indierock #rock #rockmusic #music #musicsky #musiciansky
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Calvin Pineda – Travel Plans
#Americana #Folk #Idaho #IndieFolkRock #antifolk #folk #folkrock #lofi #roadfolk #singersongwriter #Boise
CC BY-SA (#CreativeCommons Attribution Share Alike) #ccmusic
https://calvinpineda.bandcamp.com/album/travel-plans -
#AndrewBird - Atomized
Inside Problems (2022)"You know you better start making your apologies. Stop blaming technology, yeah"
#FolkBaroque #Baroque #BaroquePop #Folk #FolkRock #Pop #Rock
#ChamberPop #ChamberFolk #FolkPop #IndieFolk #IndieRock #IndiePopRepurposes a melody from #Beethoven 's seventh symphony.#Classical #ClassicalMusic
#WeAreTheRadio #TootRadio #PouetRadio #Music #Musik #Musique #Musica
