#folkrock — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #folkrock, aggregated by home.social.
-
Ronnie Van Zant’s 1977 X-rated attack on Neil Young
Credit: Far Out / MCA Records / Analog Originals Wed 9 September 2026 1:00, UK Rock and roll…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #1970 #1970s #1977 #America #CivilRightsMovement #Entertainment #feud #FolkRock #LynyrdSkynyrd #NeilYoung #SouthernRock
https://www.newsbeep.com/us/841391/ -
Ronnie Van Zant’s 1977 X-rated attack on Neil Young
Credit: Far Out / MCA Records / Analog Originals Wed 9 September 2026 1:00, UK Rock and roll…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #1970 #1970s #1977 #America #CivilRightsMovement #Entertainment #feud #FolkRock #LynyrdSkynyrd #NeilYoung #SouthernRock
https://www.newsbeep.com/us/841391/ -
Ronnie Van Zant’s 1977 X-rated attack on Neil Young
Credit: Far Out / MCA Records / Analog Originals Wed 9 September 2026 1:00, UK Rock and roll…
#NewsBeep #News #Music #1970 #1970s #1977 #America #CivilRightsMovement #Entertainment #Feud #Folkrock #LynyrdSkynyrd #NeilYoung #SouthernRock #UK #UnitedKingdom
https://www.newsbeep.com/uk/764628/ -
https://www.europesays.com/uk/1194356/ Ronnie Van Zant’s 1977 X-rated attack on Neil Young #1970 #1970s #1977 #america #CivilRightsMovement #Entertainment #feud #FolkRock #LynyrdSkynyrd #music #NeilYoung #SouthernRock #UK #UnitedKingdom
-
🔴 LIVE NOW ON VORTEX
📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
──────────────
🎵 Lisa Germano - Electrified▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Night ⛓️ (Industrial metal)
──────────────
🎵 Yodelice - Freaks▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Night ⛓️ (Industrial metal)
──────────────
🎵 Yodelice - Freaks▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Night ⛓️ (Industrial metal)
──────────────
🎵 Yodelice - Freaks▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Night ⛓️ (Industrial metal)
──────────────
🎵 Yodelice - Freaks▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Night ⛓️ (Industrial metal)
──────────────
🎵 Yodelice - Freaks▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
──────────────
🎵 Declan McKenna - Mulholland's Dinner and Wine▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
"I'll Feel a Whole Lot Better" is a song by the Los Angeles #folkRock band #theByrds, first released in June 1965 on the #Bside of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, #MrTambourineMan and #TheByrdsGreatestHits. The song was written by band member #GeneClark.
https://www.youtube.com/watch?v=867AFH1FkVc -
🔴 LIVE NOW ON VORTEX
📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
──────────────
🎵 Cass McCombs - New Earth▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
──────────────
🎵 Fat Dog - Peace Song▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
──────────────
🎵 Timbuk 3 - A Sinful Life▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
──────────────
🎵 Camper Van Beethoven - Take the Skinheads Bowling▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #CamperVanBeethoven #AlternativeRock #FolkRock #80s
-
Stamp Collecting is/was my son Lennon's band who released their album last night at their final show in #NorthPortland. Half the group is leaving for college. Obviously I have bias, but damn, they were so good! #Unwound fans take note.
#emo #experimentalmusic #folkrock #psychfolk #noiserock
https://stampcollecting.bandcamp.com/album/cardboard-television
-
Dan Saulpaugh – I Waited For You
The singer-songwriter scene has thrived in recent years, with many artists releasingoutstanding pieces of work. However, not many of them are capable of delivering profoundly emotional pieces of work where each vocal harmony, strum over the strings, and delicate rhythmic patterns tackle the heart and soul. Surely, those songs are good, but somehow, each one of those artists lacks something to become a standout music outlet on an ever-evolving music scene. Thankfully, there are musicians like Dan Saulpaugh, whose music exceeds all expectations, carrying all those qualities other artists lack in their songs. “I Waited For You,” the latest composition by this New York City-based artist, exemplifies how a singer-songwriter’s music should sound in 2026. Originally written in 2018, this composition is a quiet meditation on leaving home. Dan Saulpaugh draws inspiration from “Waiting For Godot,” a tragicomedy play by Irish playwright and writer Samuel Beckett, reflecting on his move from Lake Placid, NY to New York City five years before writing the song. It tackles various sentiments, moods, situations, and circumstances, making it a highly relatable composition for everyone who has gone through the similiar process in life. Sonically, Dan Saulpaugh combines a singer-songwriter approach with various styles and techniques to depict a lush sonic imagery that immediately wraps around your listening apparatus and refuses to let go long after the last notes and beats fade. Perhaps folk dominates the most, as he incorporated all the fundamental elements of the genre into it, but do not be surprised if you stumble upon some of the finest properties borrowed from Americana, alt-country, acoustic rock, indie rock, etc. He uses all these additional sonic ingredients as more than necessary enhancements that unquestionably uplift this marvelous track to new heights while simultaneously remaining loyal to the primary sonic direction. Therefore, “I Waited For You” will not only appeal to folk fans, but also to anyone who appreciates cleverly crafted and flawlessly performed music.
Photo courtesy of the artist.As soon as you press play, you’ll immediately notice how much effort, heart, and soul Dan Saulpaugh poured into this composition. With his band, consisting of Charlie Rauh (guitar), Kaley “Puck” Puckett (keyboards), Trevor Brown (bass), and Alejandro Luna (drums), he crafts a calm, soothing, ethereal atmosphere rarely heard or seen in folk songs nowadays. Each vocal, sonic, and rhythmic maneuver has its place and purpose, making “I Waited For You” such a pleasant listening experience. This composition wouldn’t sound this good without Dan Saulpaugh’s soulful, sincere, confident, emotional, and powerful vocal performance. You’ll hear how his voice shines in the limelight, commanding attention and guiding you through each segment of the song. His marvelous voice seamlessly balances low, mid, and high notes with such precision and finesse, emphasizing everything the remainder of the band intended to achieve with this track. Besides decorating every segment and orchestration, his voice also contributes more than necessary emotional depth and complexity to an already intricate song structure. Also, there are additional vocal layers, contributing more depth and anthemic vibes to this fine piece of sonic artistry. In the meantime, the interplay between synth and guidars shapes a perfect backdrop for all the vocals to shine upon. You’ll stumble upon multiple guitar layers, delivering catchy, memorable chord progressions, harmonies, melodies, themes, and accentuations while the synths bring more leads, soundscapes, and chord progressions over the top. It’s nearly mindblowing how acoustic guitars, reverby electric guitars, and keys articulate together harmoneously without overwhelming each other, proving that Dan Saulpaugh and the band thought about everything while assembling this track.
Beneath those lush guitar and synth works, you’ll notice equally impressive, vividly hearable, warm-sounding basslines rumbling around and contributing more heaviness, clarity, and depth while acting as a binding element between the mentioned orchestrations and rhythmic patterns. These low ends are rich, deep, dense, and heavy, providing more groove and depth to the song without overwhelming other instruments. The tastefully arranged, flawlessly performed, well-accentuated, energetic beats, breaks, fills, and other percussive acrobatics keep everything in line while dictating groove and pace. You’ll hear how each hit of the snare, kick of the bass drum, accentuation over the hi-hat, and splash over cymbals cuts through the ambiance, contributing more detail and dynamics to the song. Each instrument plays a significant role in this sonic equation, making “I Waited For You” even more appealing to the ears. “I Waited For You” is a folk rock masterpiece, tastefully crafted to satisfy even the pickiest fan of the genre. This song not only shines with some of the finest vocal harmonies, lush guitar and synth works, groovy basslines, and excellent rhythmic patterns, but it also demonstrates Dan Saulpaugh’s incredible songwriting and composing abilities. If you’re looking for emotive folk rock music that immediately tackles your heart and soul, “I Waited For You” will be right up your alley. Do not miss it!
https://open.spotify.com/track/3FCM6JRpclDoGwBxKmuO0n?si=8dea7067a2444379
#ACOUSTICROCK #ALTCOUNTRY #AMERICANA #DANSAULPAUGH #FOLK #folkRock #INDIE #INDIEFOLK #MUSIC #REVIEWS #SINGERSONGWRITER -
David Raine – Pollack Splash
If you’ve been following Thoughts Words Action for any amount of time, you know I’m a sucker for a track that can create a world within a few minutes. David Raine has done exactly that with “Pollack Splash,” a marvelous piece of indie folk that feels like a breath of fresh air in an often cluttered scene. It’s a perfect showcase in atmosphere and restraint, blending the raw sincerity of folk rock with a polished, ethereal indie-pop sensibility that immediately grabs your attention.
The song’s foundation is built upon thoughtfully assembled chord progressions delivered on a crisp acoustic guitar. From the first strum, Raine establishes a calm, soothing, and relaxing environment that feels almost cinematic, but what makes this track truly stand out is the way it evolves. Instead of staying in one gear, Raine gradually introduces warm-sounding basslines and well-accentuated beats that add a layer of complexity without ever overwhelming the core melody. It’s a delicate balancing act, and he pulls it off with confidence you only see in seasoned songwriters.
Raine’s voice is the emotional anchor here, soulful, sincere, and incredibly confident. He utilizes harmonies that add depth to the track, making the ethereal atmosphere feel even more immersive. There’s a real sense of peace in his delivery that perfectly matches the splash of the title, evoking images of light hitting water. Every element, from the rhythmic maneuvers to the melodic flourishes, sounds amazing and feels carefully and wisely placed. “Pollack Splash” is an excellent song that proves David Raine is an ultimate force in the indie-folk world. It’s a must-listen for anyone who needs a moment of clarity and sonic beauty in their day.
https://open.spotify.com/track/7zPYPBhXJ9hwEe6TPscdyc?si=9fe492ca6a8d4268
#ACOUSTICROCK #DAVIDRAINE #folkRock #INDIEPOP #INDIEROCK #MUSIC #REVIEWS #SINGERSONGWRITER -
With Ronnie's role with the Faces now just a memory, the co-founder of both that group and its predecessor the Small Faces, was now striding out into new territory...
#ClassicRock #RockMusic #70sMusic #MusicHistory #UKCharts #1970s #RetroMusic #BritishRock #RockHistory #Vinyl #SmallFaces #RonnieLane #SlimChance #HowCome #FacesBand #ModRock #FolkRock
-
Stuck in the Filter: July 2025’s Angry Misses
By Kenstrosity
If you thought June was hot, you aren’t ready for what July has in store. The thin metallic walls of these flimsy ducts warp and soften as the sweltering environs continue to challenge the definition of “habitable.” But I must force my minions to continue their work, as this duty is sacred. Our ravenous appetites cannot be slaked without the supplementary sustenance the Filter brings!
Thankfully, we rescued just enough scraps to put together a meager spread. Enjoy in moderation!
Kenstrosity’s Blackened Buds
Echoes of Gloom // The Mind’s Eternal Storm [July 12th, 2025 – Self-Release]
Queensland isn’t my first thought when considering locales for atmospheric black metal. A genre so often built upon frigid tones and icy melodies feels incongruous to the heat and beastliness of the Australian landscape. Yet, one-man atmoblack act Echoes of Gloom persists. Masterminded by one Dan Elkin, Echoes of Gloom evokes a warm, muggy, and morose spirit with debut record The Mind’s Eternal Storm. But unlike many of the atmospheric persuasion, Echoes of Gloom also injects a classic heavy metal attack and a vaguely punky/folky twist into their formula to keep interest high (“Immortality Manifest,” “Throes of Bereavement I”). Furthermore, Echoes of Gloom weaponizes their energetic take on depressing atmoblack such that even as my head bounces to the riffy groove of surprisingly propulsive numbers like “The Wandering Moon” and “Great Malignant Towers of Delirium,” a palpable pall looms ever present, sapping all color from life as I witness this work. This in turn translates well to the long form, as demonstrated by the epic two-part “Throes of Bereavement” suite and ripping ten-minute closer “Wanderer of the Mind’s Eternal Storm,” boasting dynamics uncommon in the atmospheric field. In sum, if you’re the kind of metal fan that struggles with the airier side of the spectrum, The Mind’s Eternal Storm might be a good place to start.
Witchyre // Witchy Forest Dance Contest [July 14th, 2025 – Self-Release]
Germany’s Witchyre answer a question nobody asked but everyone should: what would happen if black metal and dance music joined forces? With debut LP Witchy Forest Dance Contest, we get to experience this mad alchemy firsthand, and it is an absolute joy! The staunchly anti-fascist Witchyre take the raw sound everyone knows and pumps it full of groove, bounce, and uninhibited fun for a raucous 46 minutes. Evoking equal parts Darude and Darkthrone, bangers like “Let There be Light…,” “Witchy Forest Dance Party,” and “Lost in a Dream” burst with infectious energy that feels demonic and exuberant at the same time. The raw production of the metallic elements shouldn’t work with the glossy sheen of electronic doots, but Witchyre’s often pop-punky song structure that develops as these divergent aesthetics collide adeptly bridges the gap (“Spirits Twirling,” “The Vampire Witch,” “Dragon’s Breath”). My main gripe is that even at a reasonable 46 minutes, each song feels a bit bloated, and some dance elements feel recycled in multiple places (“The Spirits Robbed My Mind”). But don’t let that scare you away. Witchyre is a delightful little deviation from convention fit for fans of Curta’n Wall and Old Nick, and everyone should give it a whirl just for fun!
Owlswald’s Hidden Hoots
Sheev // Ate’s Alchemist [July 11th, 2025 – Ripple Music]
While stoner can be hit-or-miss, Ripple Music often delivers the goods. And with Berlin’s Sheev, they can add another notch to their sativa-flavored belt. Since 2017, the four-piece has been brewing their unique, progressive-infused stoner rock sound. On their second full-length, Ate’s Alchemist, Sheev doubles down on their sonic elixir, with a throwback prog-rock vibe that evokes the likes of Yes and Jethro Tull, but with heavy doses of grunge, jam and modern rock. Vocalist Nitzan Sheps’ provides a stripped-down and authentic performance, sounding like a cross between Muse’s Matt Bellamy and Alice in Chains’ Layne Staley. The rhythm section is particularly great here. Drummer Philipp Vogt’s kit work is exceptionally musical, with intricate cymbal patterns on tracks like “Elephant Trunk,” “Cul De Sac,” and “King Mustard II” that fuel deep-pocket grooves. He also provides Tool-like syncopated rhythms on tracks like “Tüdelüt” and “Henry” that lock with bassist Joshan Chaudhary. Chaudhary’s bass playing is rare in its prominence and clarity in the mix. He maintains a tight pocket while also venturing out regularly with nimbler, adventurous flurries that highlight his technical skill. Yeah, a couple of the longer songs get a little lost, but the album is packed with killer musicianship and vocal hooks that stick with you, so it barely matters. Overall, Sheev has delivered a solid record that I’ll be spinning a lot—and you should too.
Dephosphorus // Planetoktonos [July 18th, 2025 – Selfmadegod Records/7 Degrees Records/Nerve Altar]
Space…the final grind-tier. On their fifth album, Planetoktonos (“Planetkiller”), Greek astro-grind quartet Dephosphorus rejects normal grind classifications and instead annihilates worlds with a brutal, interstellar collision of grind, blackened death, and hardcore. Taking inspiration from the harsh sci-fi of James S.A. Corey’s The Expanse, Planetoktonos is a relentless twenty-eight-minute assault—a sonic asteroid belt of thick, menacing distortion and time-warped drumming that channels Dephosphorus’ raw, furious energy. “The Triumph of Science and Reason” and “After the Holocaust” attack with the ruthless speed of Nasum while others, such as “The Kinetics of a Superintelligence Explosion,” “Hunting for Dyson Spheres,” and “Calculating Infinity,” punctuate sludgy aggression with razor-sharp, shredding passages reminiscent of early Mastodon that offer contrasting technical and rhythmic hostility. Vocalist Panos Agoros’ despairing howls are a particular highlight, full of a gravelly, blackened urgency that sounds the alarm for an interplanetary attack. Gang vocals on tracks like “Living in a Metastable Universe” and “The Kinetics of a Superintelligence Explosion” add extra weight to his frantic performance, proving Dephosphorus can incinerate worlds and still have a blast doing it. Raw, intense, and violent, Planetokonos is a must-listen for fans seeking Remission-era energy.
Tyme’s Tattered Treats
Mortual // Altars of Brutality [July 4th, 2025 – Nuclear Winter Records]
From the fetid rainforests of Costa Rica, San Jose’s Mortual dropped their sneaky good death metal debut, Altar of Brutality, on Independence Day this year. Free of frills and fuckery, Justin Corpse and Master Killer—both have guitar, bass, and vocal credits here—go for the jugular, providing swarms of riffs entrenched in filthy, Floridian swamp waters and powdered with Jersey grit. Solo work comes fast, squealy, and furious as if graduated from the Azagthothian school of shred (“Dominion of Eternal Blasphemy,” “Skeletal Vortex”), as hints of early Deicide lurk within the chugging chunks of “Altar of Brutality” and whiffs of early Monstrosity float amongst the speedier nooks and crannies of “Divine Monstrosity.”1 Incantationally cavernous, the vocals fit the OSDM mold to a tee, sitting spaciously fat and happy within Dan Lowndes’ great mix and master, which consequently draws out a bestial bass sound that permeates the entirety of Altar of Brutality with low-end menace. Chalo’s (Chemicide) drum performance warrants particular note, as, from the opening tom roll of “Mortuary Rites,” he proceeds to bash skulls throughout Altar of Brutality’s swift thirty-five-minute runtime with a brutal blitz of double-kicking and blast-beating kit abuse. Embodying a DIY work ethic that imbues these tracks with youthful energy and a wealth of death metal character, Mortual aren’t looking to reinvent the wheel as much as they’d like to crush you under its meaty treads, over and over again.
Stomach // Low Demon [July 18th, 2025 – Self-Release]
Droney, doomy, sweaty, and sludgy as fuck, Stomach’s blast furnace second album, Low Demon, is the antithesis of summer-fun metal. Hailing from Geneva, Illinois, Stomach is drummer/vocalist John Hoffman (Weekend Nachos) and guitarist Adam Tomlinson (Sick/Tired, Sea of Shit), who capably carry out their cacophonous work in such a way as to defy the fact that they’re only a duo.2 At volume, and believe me, you’ll want to crank this fucker to eleven, Low Demon will have you retching up all that light beer you drank by the pool and crying for yer mom, as “Dredged” oozes, rib-rattling from the speakers, a continuous, four-and-a-half-minute chord-layered exercise in exponentially applied tonal pressure. With five tracks spanning just over forty-three minutes, there’s not a lot on Low Demon that’s in a hurry, and aside from sections of up-tempo doom riffs (“Get Through Winter”) and some downright grindery (“Oscillate”) offering respite from the otherwise crushing wall of sound, listening to Stomach is akin to being waterboarded with molasses. Heavy influences from Earth, Sunn O))), Crossed Out, and Grief—whose Come to Grief stands as a sludge staple—form the basis for much of Stomach’s sound, and while Primitive Man and Hell draw apt comparisons as well, I’m guessing you know what you’re getting into by now. Maniacally cinematic and far from light-hearted, Stomach’s Low Demon was everything I didn’t think I needed during this hot and humid-as-an-armpit-in-hell summer.
Killjoy’s Flutes of Fancy
Braia // Vertentes de lá e cá [July 10th, 2025 – Self-Release]
Bruno Maia is one of the most inventive and hardworking musicians that I know of. Best known for the whimsical Celtic folk metal of Tuatha de Danann, he also has his own folk rock side project, Braia. Vertentes de lá e cá explores the rich history and culture of the Minas Gerais state in his native country, Brazil.3 Bursting with more sweetness than a ripe mango, Vertentes de lá e cá sports a huge diversity of musical styles and instruments. A combination of flute, viola, and acoustic guitar forms the backbone of most of the songs, like the Irish jigs in “Vertentes” or the flitting melodies of “Princesa do Sul.” My ears also detect accordion (“O Cururu do Ingaí”), saxophone (“Serra das Letras”), harmonica (“Hipólita”), banjo (“Carrancas”), and spacey synth effects (“Pagode Mouro”). That last one might sound out of place, but it makes more sense after learning of the local tales of extraterrestrial encounters. Maia sings in only two of the twelve tracks (“Emboabas” and “Rei do Campo Grande”), but all 41 minutes should be engaging enough for listeners who are typically unmoved by instrumental music. Though thematically focused on one specific location, Vertentes de lá e cá deserves to be heard by the entire world.
Storchi // By Far Away [July 25th, 2025 – Self-Release]
I would guess that the “experimental” tag causes some degree of trepidation within most listeners. However, occasionally an artist executes a fresh new vision so confidently that I can’t help but wonder if it’s secretly been around for a long time. Storchi, an instrumental prog group from Kabri, Israel, utilizes a flute in creative ways. Its bright, jazzy demeanor almost functions as a substitute for a vocalist in terms of expressiveness and personality. The Middle Eastern flair combined with modest electronic elements reminds me of Hugo Kant’s flute-heavy multicultural trip-hop. The chunky palm-muted guitar and bass borrow the best aspects of djent alongside eccentrically dynamic drum tempos. There is premeditation amidst the chaos, though. The triplet tracks “Far,” “Further,” and “Furthest” scattered throughout By Far Away each offer a unique rendition of the same core flute tune. “Lagoona” and “Smoky” make good use of melodic reprisals at the very end to neatly close the loop on what might have otherwise felt like more disjointed songs. Despite frequent and abrupt stylistic shifts, Storchi manages to make the 31-minute runtime of By Far Away feel more enjoyable than jolting. Flute fanatics should take note.
ClarkKent’s Addictive Addition
Daron Malakian and Scars on Broadway // Addicted to the Violence [July 19th, 2025 – Scarred for Life]
Since System of a Down disbanded, guitarist Daron Malakian has gone on to release 3 full-length albums under the moniker Scars on Broadway between 2008 and 2025. This spinoff project has proven Malakian to be the oddball of the group, and this goofiness hasn’t mellowed since SOAD’s debut released 27 years ago. The energetic set of tunes on Addicted to the Violence mixes nu-metal, groove rock, and pop with plenty of synths to create some fun and catchy beats. Sure, you have to delve through some baffling lyrics,4 such as when Malakian sings that there’s “a tiger that’s riding on your back / And it’s singing out ‘Rawr! Rawr!'” (“Killing Spree”). Malakian also turns to the familiar theme of drug addiction that he and Serj have explored from “Sugar” to “Heroine” to “Chemicals.”5 This time around, it’s “Satan Hussein,” where he mixes Quaaludes and Vicodin with Jesus Christ. To offset the repetition within songs, Malakian has the sense to mix things up. There’s the nu-metal cuts of “Satan Hussein” and “Destroy the Power,” featuring energetic vocalizations and grooves, but there’s also a lot of pop (“You Destroy You”). The riffs may not be as wild or creative as times past, but Addicted to the Violence makes use of a variety of instruments that keep things fresh, from an organ (“Done Me Wrong”) to a mandolin (“You Destroy You”) to some sweet synth solos. There’s even a brief saxophone appearance to conclude the album. Yes, I know exactly what you’re thinking: “This sounds awesome!”
#2025 #7DegreesRecords #AddictedToTheViolence #AliceInChains #AltarsOfBrutality #AmericanMetal #AteSAlchemist #AtmosphericBlackMetal #AustralianMetal #BlackMetal #BlackenedDeathMetal #Braia #BrazilianMetal #ByFarAway #Chemicide #CostaRicanMetal #CrossedOut #CurtaNWall #Dance #Darkthrone #DaronMalakianAndScarsOnBroadway #Darude #DeathMetal #Deathgrind #Deicide #Dephosphorus #Doom #DoomMetal #Drone #Earth #EchoesOfGloom #EDM #ExperimentalMetal #FolkMetal #FolkRock #GermanMetal #Gindcore #GreekMetal #Grief #GrooveMetal #Hardcore #Hell #HugoKant #InstrumentalMetal #IsraeliMetal #JethroTull #Jul25 #LowDemon #Mastodon #MelodicBlackMetal #Monstrosity #Mortual #Muse #Nasum #NerveAltar #NuMetal #NuclearWinterRecords #OldNick #Planetoktonos #PopMetal #PrimitiveMan #ProgressiveMetal #RawBlackMetal #Review #Reviews #RippleMusic #ScarredForLife #SeaOfShit #SelfRelease #SelfmadegodRecords #Sheev #SickTired #Sludge #SludgeMetal #Stomach #StonerDoom #StonerMetal #Storchi #StuckInTheFilter #StuckInTheFilter2025 #SunnO_ #SystemOfADown #TheMindSEternalStorm #Tool #TuathaDeDanann #VertentesDeLáECá #WeekendNachos #WitchyForestDanceContest #Witchyre #Yes
-
Harry Chapin - Verities & Balderdash LP Vinyl Record https://recordsalbums.com/harry-chapin-vinyl-records-albums-lps/3156-harry-chapin-verities-balderdash-lp-vinyl-record-for-sale.html #HarryChapin #Verities #Balderdash #HarryChapinVinyl #HarryChapinRecords #HarryChapinAlbums #HarryChapinLPs #HarryChapinRecord #HarryChapinAlbum #HarryChapinLP #Folk #FolkMusic #FolkRock #FolkMusician #FolkMusicians #FolkSongs #FolkSong #Sale #Selling #Vinyl #Records #Albums #LPs #Record #Album #LP
-
Jim Croce - Life And Times Vinyl LP Record https://recordsalbums.com/jim-croce-vinyl-records-albums-lps/2542-jim-croce-life-and-times-vinyl-lp-record-for-sale.html #JimCroce #TimeInABottle #Time #Bottle #LoveSongs #JimCroceVinyl #JimCroceVinylRecords #JimCroceAlbums #JimCroceLPs #Folk #FolkMusic #FolkRock #FolkMusician #FolkMusicians #FolkSongs #FolkSong #Sale #Selling #Vinyl #Records #Albums #LPs #Record #Album #LP
-
Jim Croce - Greatest Love Songs Vinyl LP https://recordsalbums.com/jim-croce-vinyl-records-albums-lps/1018-jim-croce-greatest-love-songs-vinyl-lp-for-sale.html #JimCroce #TimeInABottle #Time #Bottle #LoveSongs #JimCroceVinyl #JimCroceVinylRecords #JimCroceAlbums #JimCroceLPs #Folk #FolkMusic #FolkRock #FolkMusician #FolkMusicians #FolkSongs #FolkSong #Sale #Selling #Vinyl #Records #Albums #LPs #Record #Album #LP
-
Had an old (well, actually, compared to me, he's young 😆 ) co-worker stop by yesterday's gig - was kind enough to send me this snip/verse from "Dress Rehearsal"
(had to downsize the file to post..)I'm much more comfortable throwing out harmonica fills from from the shadows as a sideman, but if you want folks to hear your own songs... #songwriter #FenderJaguar #SupportLocalMusic #americana #FolkRock
