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#progressive-rock — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #progressive-rock, aggregated by home.social.

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  1. Today we have a special issue for you: besides a review of the latest Downes Braise Association (DBA) album, DPRP's Patrick McAfee interviewed Chris Braide!

    dprp.net/reviews/2026/037
    #prog #ProgRock #ProgressiveRock

  2. Future Games

    #fleetwoodmac #futuregames #70smusic #music #musicsky #musiciansky #rock #rockmusic #progressiverock #softrock #pyschedelicrock #folkrock #spacerock #bobwelch #christinemcvie Fleetwood Mac releases its 5th album on September 3, 1971. It was recorded at a pivotal time for Fleetwood Mac, following several significant lineup changes. It was the first album to feature guitarist Bob Welch and the first with Christine McVie as a full, credited band member.

    robinbannks.com/2026/09/03/fut

  3. August break is over and we're back with a bunch of varied prog and related reviews for you: Castanarc, The Gardening Club, Steve Hackett & Steve Rothery, Loneshore, Eddie Mulder & Friends, A Plague of Lighthouse Keepers.
    dprp.net/reviews/2026/036
    #prog #ProgRock #ProgressiveRock

  4. Here are some lovely memories from the Crescendo Festival! 📷 Well done and thank you to Pascal Sauriat, Olivier Fromentin and Pascal Anthiaume for these photos 🙏

    #ProgressiveRock #ProgRock #RockProgressif #ProgressiveMusic #SymphonicProg #RockProgresivo #RockProgressivo
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  5. Pelegrin – The Curse of Nephtar Review By Creeping Ivy

    In the proliferating bustle of the AMG promo bin, citing Elder, King Buffalo, and Slift as comparable artists will absolutely grab my attention. Hence, I seized The Curse of Nephtar, the third album from French psych-rockers Pelegrin, with much excitement. Thus Spoke, however, tempered my enthusiasm with her Mixed review of the band’s previous outing. While Thus enjoyed Ways of Avicenna (2023) for its groovin’ riffs and hooky choruses, she found these to be fleeting moments on an incoherent album.1 In their press sheet, Pelegrin promise that The Curse of Nephtar ups both the catchiness and heaviness factors. Meanwhile, the album’s narrative arc—an allegory about the tragic influence of fossil fuels on the Middle East and the world at large—suggests attention to cohesion.

    The aforementioned acts sonically capture The Curse of Nephtar, though a hint of originality comes through. Here’s the elevator pitch: Pelegrin sounds like Elder, King Buffalo, and Slift collaborating on the Dune soundtrack. The latter two bands stand as especially apt comparables, seeing as Pelegrin is also a power trio. In his role as guitarist, François Roze deals in mixed-mode melodies, metal-adjacent chuggery, and psychedelic solos (“Eons”). Bassist Jason Recoing possesses a rattling tone that initiates grooves (“Sun and Blood”) and builds bridges (“Price to Pay”).2 Rounding out the trio, drummer Antoine Ebel establishes the album’s chill vibe, propelling the heavier riffs with a peppery swagger when needed (“Plenty”). Seasoning Pelegrin’s Middle Eastern tonalities with what they describe as ‘a dash of Arabian spices’ are guest vocals from Halima Joy and sound effects from Mathieu Houeix. Couched in organic, airy production, Pelegrin submits a unique enough entry into the contemporary pantheon of heavy psych rock with The Curse of Nephtar, even if the album isn’t as heavy as the band wants it to be.


    In his role as vocalist, Roze vacillates between vibe-setting and hook-sinking on The Curse of Nephtar. His voice sits in a lower-to-upper middle range, sinking into the musical sand and then surfacing to attack. On standout song “In the Company of Stars,” Roze amplifies tasty psych grooves and key shifts with a catchy chorus, powered by bluesy undertones and riveting high notes. Other verses and choruses on The Curse of Nephtar, however, fail to reach these heights. Sometimes, it sounds like Roze is searching for a stable hook and not quite finding one. Because the music of Pelegrin isn’t overtly proggy, or heavy, or jammy, the vocals need to carry more memorability than they do. Still, Roze’s is not a bad performance by any means—his voice fits the psychedelic aura Pelegrin is going for.

    Like its vocals, The Curse of Nephtar’s narrative generally satisfies while leaving this listener wanting more. That striking black orb on the equally striking album cover is Nephtar itself, ever-so-slowly surfacing from a prehistoric ocean to subdue all living things on earth (humans included). Initiating the narrative, “Eons” overlays voiceovers that collide with the harmonization of the irresistible main riff, conveying a sense of grandeur.3 The shift from the upbeat “In the Company of Stars” to the doomier “Drawn to Nephtar” nicely veers the narrative into sinister terrain. Meanwhile, some songs don’t live up to their narrative station. “Price to Pay” serves sweet melodies, heavy riffs, and proggy tempo shifts, but Roze doesn’t quite convey the unleashing of chaos with his vocals. The same can be said for the epic closer, “Break the Omen”; it deals out delectable riffs and wah-wah solos, but Roze doesn’t vocally bring it home. The Curse of Nephtar clocks in at a somewhat svelte 43 minutes, which is a good and bad thing here. Pelegrin should be applauded for broaching a timely eco-political concept in a timeless, economical manner. Still, a little more time and space would suit this eons-in-the-making narrative.4

    In the end, The Curse of Nephtar counts as a positive step forward for Pelegrin. The band has struggled on past efforts with the meandering temptations of psych rock, but their third album feels more immediate and impactful. Still, it’s hard not to hear Pelegrin’s latest as more potential than payoff, especially in the vocal department. In a year where Elder and Slift5 have released high-quality albums,6 The Curse of Nephtar sits below these stalwarts. But Pelegrin possess the tools for greatness, and I’ll definitely be keeping tabs on them.

    Rating: 3.0/5.0
    DR: 8 | Format Reviewed: 320 kbps mp3
    Label: Ripple Music
    Websites: Instagram | Facebook
    Releases Worldwide: September 4th, 2026

    #2026 #30 #Elder #FrenchRock #KingBuffalo #Pelegrin #ProgressiveRock #PsychedelicRock #Review #Reviews #RippleMusic #Sep26 #Slift #StonerRock #TheCurseOfNephtar
  6. A Farewell To Kings

    #rush #afarewelltokings #progressiverock #70srock #classicrock #rock #rockmusic #Music #musicsky #Musiciansky #geddylee #neilpeart #alexlifeson On September 1, 1977, Rush releases their 5th album. This is the one that followed the iconic 2112 that includes the also iconic "Xanadu" -- an 11-minute prog-rock masterpiece featuring that double-neck guitar/bass for Alex and Geddy. And, the title track -- a statement on greed and political decay.

    robinbannks.com/2026/09/01/a-f

  7. Blues For Allah

    #gratefuldead #bluesforallah #70srock #folkrock #progressiverock #psychedelicrock #rock #rockmusic #music #musicsky #musiciansky #jerrygarcia #donnajeangodchaux #mickeyhart #billkreutzmann #philleash #bobweir #keithgodchaux September 1, 1975 ~ The Grateful Dead release Blues For Allah. It's a highly experimental record -- even for the Dead -- that blends progressive rock, jazz fusion, and Middle Eastern musical influences. It is also the first album to…

    robinbannks.com/2026/09/01/blu

  8. Free download codes:

    Song for a Gorgeous Blonde - Avlägsna förmögenheter

    "The title means Distant Fortunes, and this heavily orchestrated track envisions both the hopefulness and trepidation of peering too far into the future."

    getmusic.fm/l/EOLMwU

    #progressiverock #synthpop #artrock #newwave #experimentalelectronic #music

  9. Free download codes:

    Supermarket Parking Lot - Honesty Doesn't Pay

    "Honesty Doesn't Pay is the debut album of Boston/NYC-based art rock project Supermarket Parking Lot, spanning 11 tracks of heartbreak, anxiety, rumination, and acceptance."

    getmusic.fm/l/vensLu

    #rock #alternativerock #progressiverock #artrock #music

  10. New #review today: "I became aware of #EdMacan around 1997, an educator from California’s north coast College of the Redwoods, who’d written a scholarly tome titled Rocking the Classics – English #ProgressiveRock and the Counterculture. Around the same time, his band #HermeticScience released their debut album, a band like no other, featuring Macan on mallet percussion (mostly vibraphone and marimba) and piano, and two students from his music program on bass and drums, forming a trio. At the time there was nothing else quite like them — all of the music was written by Macan, though the influence of his progressive rock interests were always evident." #ExposeOnline JazzFusion #JazzRock #jazz expose.org/index.php/articles/

  11. in keeping secrets of silent earth 3 is such a phenomenal album.I've been listening to it almost nonstop for the past week or two

    #Music #CoheedAndCambria #ProgressiveRock