#psychedelic-rock — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #psychedelic-rock, aggregated by home.social.
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TÕ YÕ + Daisy Confused // B.L.O. Kantine
B.L.O. Kantine, Sunday, November 8 at 07:00 PM GMT+1
East Side Delta, Lockkunst e.V. and Ya Ya Yeah present TÕ YÕ, psychedelic-rock band from Tokyo. Support by DAISY CONFUSED, visuals by SECTOR 7G.
> Sunday 8 Nov, 2026
> B.L.O. Kantine (Kaskelstraße 55, 10317 Berlin)
> doors 19:00, Start 20:00
> presale via TixforGigs ( https://www.tixforgigs.com/Event/75908?af=c0168mzw8f7n&saf=2j0ntvi )
TÕ YÕ
Born out of the Far Eastern underground scene, Tō Yō is undoubtedly a next-generation psychedelic rock band. Their organic band sound and rhythms are rooted in the chaotic, genre-defying Tokyo underground, always driven by a mindset that embraces constant on-stage experimentation.During their European tours in 2024 and 2025, they stunned audiences at historic rock festivals such as SonicBlast Fest and Freak Valley Festival, while also sparking spontaneous “trips” at countless night events across various cities.
Their music exists as a psychedelic outpost—stretching from humid, doomy heaviness to breezy, krautrock-inspired grooves. They reject nothing, absorb everything, and melt it all through a psychedelic lens. This all-embracing approach isn’t just their strength—it’s their only mentality.
In the fall of 2026, they are set to release their long-awaited second studio album, their 3rd in three years. With growing attention, Tō Yō’s ever-evolving sound continues to mesmerize listeners, never failing to captivate.
https://toyotoyo.bandcamp.com
https://www.youtube.com/watch?v=VRn5OzT-aXADAISY CONFUSED
Dark cinematic indie rock with a psychedelic soul. Inspired by the timeless sounds of the 60s/70s, Berlin-based Daisy Confudes paints immersive soundscapes through atmospheric guitars, dreamlike textures and deeply emotional songwriting. A journey worth getting lost in.https://daisyconfused.bandcamp.com
https://www.youtube.com/watch?v=V_rnN5Z750YSECTOR 7G
The extra boost of the BLUES BUMPS series! By fusing cutting-edge techniques with vintage-inspired visuals, this visual collective pushes concerts way beyond the boundaries of sound.https://youtu.be/_9DqQwewj_A
https://s7g.showhttps://berlin.askapunk.de/event/to-yo-daisy-confused-blo-kantine
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Music To Eat review and reaction. Might watch OUT https://www.youtube.com/watch?v=dHuXahjgaOA for Hampton Grease Band 1971 album listening #weird #psychedelicrock #vintage #vinyl #music #ColBruce telling the background and styles (Zappa, Yes, jamband, blues, reading off a paint can for the lyrics)
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Highest Primzahl On Mars – No Home Like Space
#Rock #Spacerock #krautrock #psychedelic #psychedelicrock
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://highestprimzahlonmars.bandcamp.com/album/no-home-like-space -
Hey! Take this delicious psychedelic latte with "Bass" improvisation!
https://youtu.be/5ggvOHkzXpU?si=AOqAs1c5mX8uXdmuHope, Love & Peace! 🌐🥛☕💖✌️
#正反対な君と僕 #seihantai #anime #coffeecore #psychedelicrock #alternative #DIY #music #lofi #bedroommusic
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The countdown is on! 🎬✨
We’re in the final stretch of preparations for our upcoming Cinema Concerts—and Weißenburg marks the first of two consecutive movie theater shows! Massive instrumental riffs meet hypnotic live visual projections right on the big screen.
When: Saturday, September 19, 2026
Where: Kinocenter Weißenburg (Bavaria)
Part one of our cinema double feature. Come drift away with us—we can’t wait to see you there!
Grab your cinema seats here:
https://www.kinowug.de/de/programm?date=2026-09-19
(Stay tuned for part two in Dillingen the following week!)
#PostRock #PsychedelicRock #StonerRock #LiveMusic #CinemaConcert #VisualArts #Bavaria
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🎸 FOGDRIVER – an audiovisual expedition from southern Germany. Instrumental psychedelic spacerock, deliberately no vocals – but live visuals on screen.
Our album "Dancing Fire" is radically DIY: recorded live in the rehearsal room – no overdubs, no digital fixes. Artwork & booking: all in-house.
🎬 New trailer for our 2026 cinema concerts. --> https://youtu.be/BjdBGR9LenM?
Next and recent Gigs --> https://fogdriver.de/live/
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Released yesterday 39 years ago:
🇬🇧 Pink Floyd "A Momentary Lapse of Reason" – 1987
First studio album following Roger Waters’ departure. David Gilmour and Nick Mason reconvened Pink Floyd, with Richard Wright returning to the fold, and the album deliberately moved away from the political and conceptual approach that had dominated the Waters era...
#pinkfloyd #progressiverock #artrock #psychedelicrock #rock #vinyl #music #vinylrecords #nowspinning #nowlistening
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Acid Mothers Temple & The Melting Paraiso U.F.O. – Live in Brattleboro 2002
#Experimental #Rock #heavyrock #interplay #krautrock #psychedelic #psychedelicrock #spacerock #unreleased #Japan
CC BY (#CreativeCommons Attribution) #ccmusic
https://acidmotherstemple.bandcamp.com/album/live-in-brattleboro-2002 -
Acid Mothers Temple & The Melting Paraiso U.F.O. – Live in London 2025
#Experimental #Rock #fuzzguitar #krautrock #minimal #psychedelicrock #spacerock #Japan
CC BY (#CreativeCommons Attribution) #ccmusic
https://acidmotherstemple.bandcamp.com/album/live-in-london-2025 -
First listen: Mr. Fantasy by Traffic, Original U.S. Mono Version, released February 1968
https://rateyourmusic.com/release/album/traffic/heaven-is-in-your-mind-5/
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We're still on our summer break, but we have some important news for you: You can now find our music on all the big streaming platforms. 🎉
And because the big commercial plattforms actually suck, you can also find us on free and non-commercial alternatives like Mirlo and Bandwagon.fm. 🥳 Did we miss anything?
Photo by Nancy Wappler
#StonedMedusa #Music #Band #EpRelease #DemoRelease #Mirlo #Bandwagon #PsychDoom #StonerDoom #PsychedelicRock #PsychedelicDoom #DoomMetal #SaturDoom
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The Odd Ditties – Backstage
#Alternative #bigbandjazz #dixielandjazz #islandmusic #mariachimusic #maximalist #newwave #orchestral #progressive #psychedelicrock #stadiumrock #Longmont
CC BY-SA (#CreativeCommons Attribution Share Alike) #ccmusic
https://oddditties.bandcamp.com/album/backstage -
New #review today: "In the early 70s, #MarianneSegal emerged as the principal songwriter, vocalist, and guitarist for #Jade, one of the more cherished cult names of the British #ProgressiveFolk movement. The Gathering, originally released in 2007, found Segal surrounded by an unlikely but inspired cast that included members of the neo-medieval psych-folk ensemble #Circulus." #ExposeOnline #PsychedelicRock #PsychedelicFolk #SilverJade http://expose.org/index.php/articles/display/marianne-segal-featuring-circulus-the-gathering-6.html
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First Listen: Mr. Fantasy by Traffic, released December 1967
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Dystopiate – IHNIGS026.2 // Dystopiate - Infiltrator (Single)
#Electronic #amebix #blackmetal #blackmetalpunk #crust #dbeat #discharge #indie #motorhead #noisepop #noiserock #postrock #psychedelicrock #rawpunk #Boston
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://iheartnoise.bandcamp.com/album/ihnigs0262-dystopiate-infiltrator-single -
Various Artists – IHNDIGS001 // Gone In 60 Seconds - Vol. 1
#Electronic #IndependentLabel #alternativemusic #compilation #diyrecordlabel #indie #noisepop #noiserock #postrock #postpunk #psychedelicrock #underground #Boston
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://iheartnoise.bandcamp.com/album/ihndigs001-gone-in-60-seconds-vol-1 -
Dystopiate – IHN015 // Dystopiate - Filth Film
#Amebix #Electronic #Mayhem #Motorhead #blackmetal #crustpunk #dbeat #discharge #indie #noisepop #noiserock #postrock #psychedelicrock #rawpunk #voivod #Boston
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://iheartnoise.bandcamp.com/album/ihn015-dystopiate-filth-film -
Pelegrin – The Curse of Nephtar Review By Creeping IvyIn the proliferating bustle of the AMG promo bin, citing Elder, King Buffalo, and Slift as comparable artists will absolutely grab my attention. Hence, I seized The Curse of Nephtar, the third album from French psych-rockers Pelegrin, with much excitement. Thus Spoke, however, tempered my enthusiasm with her Mixed review of the band’s previous outing. While Thus enjoyed Ways of Avicenna (2023) for its groovin’ riffs and hooky choruses, she found these to be fleeting moments on an incoherent album.1 In their press sheet, Pelegrin promise that The Curse of Nephtar ups both the catchiness and heaviness factors. Meanwhile, the album’s narrative arc—an allegory about the tragic influence of fossil fuels on the Middle East and the world at large—suggests attention to cohesion.
The aforementioned acts sonically capture The Curse of Nephtar, though a hint of originality comes through. Here’s the elevator pitch: Pelegrin sounds like Elder, King Buffalo, and Slift collaborating on the Dune soundtrack. The latter two bands stand as especially apt comparables, seeing as Pelegrin is also a power trio. In his role as guitarist, François Roze deals in mixed-mode melodies, metal-adjacent chuggery, and psychedelic solos (“Eons”). Bassist Jason Recoing possesses a rattling tone that initiates grooves (“Sun and Blood”) and builds bridges (“Price to Pay”).2 Rounding out the trio, drummer Antoine Ebel establishes the album’s chill vibe, propelling the heavier riffs with a peppery swagger when needed (“Plenty”). Seasoning Pelegrin’s Middle Eastern tonalities with what they describe as ‘a dash of Arabian spices’ are guest vocals from Halima Joy and sound effects from Mathieu Houeix. Couched in organic, airy production, Pelegrin submits a unique enough entry into the contemporary pantheon of heavy psych rock with The Curse of Nephtar, even if the album isn’t as heavy as the band wants it to be.
In his role as vocalist, Roze vacillates between vibe-setting and hook-sinking on The Curse of Nephtar. His voice sits in a lower-to-upper middle range, sinking into the musical sand and then surfacing to attack. On standout song “In the Company of Stars,” Roze amplifies tasty psych grooves and key shifts with a catchy chorus, powered by bluesy undertones and riveting high notes. Other verses and choruses on The Curse of Nephtar, however, fail to reach these heights. Sometimes, it sounds like Roze is searching for a stable hook and not quite finding one. Because the music of Pelegrin isn’t overtly proggy, or heavy, or jammy, the vocals need to carry more memorability than they do. Still, Roze’s is not a bad performance by any means—his voice fits the psychedelic aura Pelegrin is going for.Like its vocals, The Curse of Nephtar’s narrative generally satisfies while leaving this listener wanting more. That striking black orb on the equally striking album cover is Nephtar itself, ever-so-slowly surfacing from a prehistoric ocean to subdue all living things on earth (humans included). Initiating the narrative, “Eons” overlays voiceovers that collide with the harmonization of the irresistible main riff, conveying a sense of grandeur.3 The shift from the upbeat “In the Company of Stars” to the doomier “Drawn to Nephtar” nicely veers the narrative into sinister terrain. Meanwhile, some songs don’t live up to their narrative station. “Price to Pay” serves sweet melodies, heavy riffs, and proggy tempo shifts, but Roze doesn’t quite convey the unleashing of chaos with his vocals. The same can be said for the epic closer, “Break the Omen”; it deals out delectable riffs and wah-wah solos, but Roze doesn’t vocally bring it home. The Curse of Nephtar clocks in at a somewhat svelte 43 minutes, which is a good and bad thing here. Pelegrin should be applauded for broaching a timely eco-political concept in a timeless, economical manner. Still, a little more time and space would suit this eons-in-the-making narrative.4
In the end, The Curse of Nephtar counts as a positive step forward for Pelegrin. The band has struggled on past efforts with the meandering temptations of psych rock, but their third album feels more immediate and impactful. Still, it’s hard not to hear Pelegrin’s latest as more potential than payoff, especially in the vocal department. In a year where Elder and Slift5 have released high-quality albums,6 The Curse of Nephtar sits below these stalwarts. But Pelegrin possess the tools for greatness, and I’ll definitely be keeping tabs on them.
Rating: 3.0/5.0
#2026 #30 #Elder #FrenchRock #KingBuffalo #Pelegrin #ProgressiveRock #PsychedelicRock #Review #Reviews #RippleMusic #Sep26 #Slift #StonerRock #TheCurseOfNephtar
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Ripple Music
Websites: Instagram | Facebook
Releases Worldwide: September 4th, 2026 -
Blues For Allah
#gratefuldead #bluesforallah #70srock #folkrock #progressiverock #psychedelicrock #rock #rockmusic #music #musicsky #musiciansky #jerrygarcia #donnajeangodchaux #mickeyhart #billkreutzmann #philleash #bobweir #keithgodchaux September 1, 1975 ~ The Grateful Dead release Blues For Allah. It's a highly experimental record -- even for the Dead -- that blends progressive rock, jazz fusion, and Middle Eastern musical influences. It is also the first album to…
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Los invito a probar mis panes!
Son realmente buenos! 🎶🎵🍔💖✌️
https://www.youtube.com/@PanTheMaid#yanineko #music #psychedelicrock #shoegaze #bedroommusic #lofi #noiserock #alternative #DIY #punk #improvisation
