#stonerrock — Public Fediverse posts

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🎵 Elder - Capture/Release

▶️ Écouter / Listen : VorteX [Radio]
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#VortexWave #Elder #StonerRock #DoomMetal #2000s

The countdown is on! 🎬✨

We’re in the final stretch of preparations for our upcoming Cinema Concerts—and Weißenburg marks the first of two consecutive movie theater shows! Massive instrumental riffs meet hypnotic live visual projections right on the big screen.

When: Saturday, September 19, 2026

Where: Kinocenter Weißenburg (Bavaria)

Part one of our cinema double feature. Come drift away with us—we can’t wait to see you there!

Grab your cinema seats here:

https://www.kinowug.de/de/programm?date=2026-09-19

(Stay tuned for part two in Dillingen the following week!)

#PostRock #PsychedelicRock #StonerRock #LiveMusic #CinemaConcert #VisualArts #Bavaria

The countdown is on! 🎬✨

We’re in the final stretch of preparations for our upcoming Cinema Concerts—and Weißenburg marks the first of two consecutive movie theater shows! Massive instrumental riffs meet hypnotic live visual projections right on the big screen.

When: Saturday, September 19, 2026

Where: Kinocenter Weißenburg (Bavaria)

Part one of our cinema double feature. Come drift away with us—we can’t wait to see you there!

Grab your cinema seats here:

https://www.kinowug.de/de/programm?date=2026-09-19

(Stay tuned for part two in Dillingen the following week!)

#PostRock #PsychedelicRock #StonerRock #LiveMusic #CinemaConcert #VisualArts #Bavaria

The countdown is on! 🎬✨

We’re in the final stretch of preparations for our upcoming Cinema Concerts—and Weißenburg marks the first of two consecutive movie theater shows! Massive instrumental riffs meet hypnotic live visual projections right on the big screen.

When: Saturday, September 19, 2026

Where: Kinocenter Weißenburg (Bavaria)

Part one of our cinema double feature. Come drift away with us—we can’t wait to see you there!

Grab your cinema seats here:

https://www.kinowug.de/de/programm?date=2026-09-19

(Stay tuned for part two in Dillingen the following week!)

#PostRock #PsychedelicRock #StonerRock #LiveMusic #CinemaConcert #VisualArts #Bavaria

The countdown is on! 🎬✨

We’re in the final stretch of preparations for our upcoming Cinema Concerts—and Weißenburg marks the first of two consecutive movie theater shows! Massive instrumental riffs meet hypnotic live visual projections right on the big screen.

When: Saturday, September 19, 2026

Where: Kinocenter Weißenburg (Bavaria)

Part one of our cinema double feature. Come drift away with us—we can’t wait to see you there!

Grab your cinema seats here:

https://www.kinowug.de/de/programm?date=2026-09-19

(Stay tuned for part two in Dillingen the following week!)

#PostRock #PsychedelicRock #StonerRock #LiveMusic #CinemaConcert #VisualArts #Bavaria

The countdown is on! 🎬✨

We’re in the final stretch of preparations for our upcoming Cinema Concerts—and Weißenburg marks the first of two consecutive movie theater shows! Massive instrumental riffs meet hypnotic live visual projections right on the big screen.

When: Saturday, September 19, 2026

Where: Kinocenter Weißenburg (Bavaria)

Part one of our cinema double feature. Come drift away with us—we can’t wait to see you there!

Grab your cinema seats here:

https://www.kinowug.de/de/programm?date=2026-09-19

(Stay tuned for part two in Dillingen the following week!)

#PostRock #PsychedelicRock #StonerRock #LiveMusic #CinemaConcert #VisualArts #Bavaria

In the proliferating bustle of the AMG promo bin, citing Elder, King Buffalo, and Slift as comparable artists will absolutely grab my attention. Hence, I seized The Curse of Nephtar, the third album from French psych-rockers Pelegrin, with much excitement. Thus Spoke, however, tempered my enthusiasm with her Mixed review of the band’s previous outing. While Thus enjoyed Ways of Avicenna (2023) for its groovin’ riffs and hooky choruses, she found these to be fleeting moments on an incoherent album.1 In their press sheet, Pelegrin promise that The Curse of Nephtar ups both the catchiness and heaviness factors. Meanwhile, the album’s narrative arc—an allegory about the tragic influence of fossil fuels on the Middle East and the world at large—suggests attention to cohesion.

The aforementioned acts sonically capture The Curse of Nephtar, though a hint of originality comes through. Here’s the elevator pitch: Pelegrin sounds like Elder, King Buffalo, and Slift collaborating on the Dune soundtrack. The latter two bands stand as especially apt comparables, seeing as Pelegrin is also a power trio. In his role as guitarist, François Roze deals in mixed-mode melodies, metal-adjacent chuggery, and psychedelic solos (“Eons”). Bassist Jason Recoing possesses a rattling tone that initiates grooves (“Sun and Blood”) and builds bridges (“Price to Pay”).2 Rounding out the trio, drummer Antoine Ebel establishes the album’s chill vibe, propelling the heavier riffs with a peppery swagger when needed (“Plenty”). Seasoning Pelegrin’s Middle Eastern tonalities with what they describe as ‘a dash of Arabian spices’ are guest vocals from Halima Joy and sound effects from Mathieu Houeix. Couched in organic, airy production, Pelegrin submits a unique enough entry into the contemporary pantheon of heavy psych rock with The Curse of Nephtar, even if the album isn’t as heavy as the band wants it to be.

In his role as vocalist, Roze vacillates between vibe-setting and hook-sinking on The Curse of Nephtar. His voice sits in a lower-to-upper middle range, sinking into the musical sand and then surfacing to attack. On standout song “In the Company of Stars,” Roze amplifies tasty psych grooves and key shifts with a catchy chorus, powered by bluesy undertones and riveting high notes. Other verses and choruses on The Curse of Nephtar, however, fail to reach these heights. Sometimes, it sounds like Roze is searching for a stable hook and not quite finding one. Because the music of Pelegrin isn’t overtly proggy, or heavy, or jammy, the vocals need to carry more memorability than they do. Still, Roze’s is not a bad performance by any means—his voice fits the psychedelic aura Pelegrin is going for.

Like its vocals, The Curse of Nephtar’s narrative generally satisfies while leaving this listener wanting more. That striking black orb on the equally striking album cover is Nephtar itself, ever-so-slowly surfacing from a prehistoric ocean to subdue all living things on earth (humans included). Initiating the narrative, “Eons” overlays voiceovers that collide with the harmonization of the irresistible main riff, conveying a sense of grandeur.3 The shift from the upbeat “In the Company of Stars” to the doomier “Drawn to Nephtar” nicely veers the narrative into sinister terrain. Meanwhile, some songs don’t live up to their narrative station. “Price to Pay” serves sweet melodies, heavy riffs, and proggy tempo shifts, but Roze doesn’t quite convey the unleashing of chaos with his vocals. The same can be said for the epic closer, “Break the Omen”; it deals out delectable riffs and wah-wah solos, but Roze doesn’t vocally bring it home. The Curse of Nephtar clocks in at a somewhat svelte 43 minutes, which is a good and bad thing here. Pelegrin should be applauded for broaching a timely eco-political concept in a timeless, economical manner. Still, a little more time and space would suit this eons-in-the-making narrative.4

In the end, The Curse of Nephtar counts as a positive step forward for Pelegrin. The band has struggled on past efforts with the meandering temptations of psych rock, but their third album feels more immediate and impactful. Still, it’s hard not to hear Pelegrin’s latest as more potential than payoff, especially in the vocal department. In a year where Elder and Slift5 have released high-quality albums,6 The Curse of Nephtar sits below these stalwarts. But Pelegrin possess the tools for greatness, and I’ll definitely be keeping tabs on them.

Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Ripple Music
Websites: Instagram | Facebook
Releases Worldwide: September 4th, 2026

You’ve likely never heard of him, but Mauricio Guerrero has been a busy man of late. I hadn’t either, until Peruvian stoner-doom band Illwind, featuring lead guitar from Guerrero, dropped their debut album in early July. Clarkkent’s positive review of The Unfolding at the End of Light drew my attention to this ‘chill record with some outstanding moments,’ many of which arrive via Guerrero’s transportive solos. Not two months later, Guerrero returns with another stoner/doom debut: Argul’s Soledad & Orgullo (‘Solitude & Pride’). In Argul, Guerrero shares guitar and vocal duties with Jose María Venturi, both of whom formed the band in 2014. Filling out the lineup are Peruvian scene veterans Jian Holmes (bass) and Alonso Guerrero (drums).1 In snatching Soledad & Orgullo from the promo bin, I was quite curious whether Argul’s debut would continue Guerrero’s hot streak or flood Peru’s stoner-doom market with middling/subpar wares.

Argul build their musical edifice on doom and stoner cornerstones, old and new. Based on Soledad & Orgullo’s cover art alone, you wouldn’t be wrong in guessing that this Peruvian quartet primarily channels early Black Sabbath. While its sylvan visual aesthetics scream ‘self-titled debut!’, Argul’s debut more closely parallels the tones and riff-work of Master of Reality. Indeed, M. Guerrero and Venturi generally keep the guitar lines dark, slow, and bluesy (“Ritual”), but they also bust out some livelier boogies that get the head boppin’ (“Hor Hodin”). The duo frequently melodicize in funerary modes (“Animal Dog”), sure to bring joy to those wallowing in sorrow at the extinction of old Pallbearer. And in their droniest moments, Argul recall Matt Pike’s minimalist axe-work in Sleep (“Engendro”). Soledad & Orgullo’s artwork perfectly portends its open, earthy music; the production is spaciously organic, and the interplay between the guitars, Holmes’s exploratory bass runs, and the backbeat drumming feels refreshingly present. You can hear minor deviations during rhythmic shifts, which is not a criticism—the album sounds like a well-curated live band.

Vocally, Argul avoid the bombast frequently found in doom and the coarseness often favored in stoner metal/rock. Instead, M. Guerrero and Venturi utilize not quite reverb-drenched ethereal lilts, frequently harmonizing with one another. This isn’t to say that Argul are peerless in how they drape voices over doom/stoner metal. Their approach reminds me of the way bands like Windhand and REZN summon ghostly atmospheres through singing, emphasizing the somber, resigned aesthetics of the genre. Soledad & Orgullo doesn’t deal out memorable hooks like the above-mentioned acts, but M. Guerrero and Venturi stitch a warm vocal blanket that’s enchanting in its own right. Other than the occasional sound clip,2 which took me out of the album’s aura, Argul have a compelling vocal duo on their hands that could be further enhanced with more attention to memorability.

Soledad & Orgullo plays as a consistently enjoyable album, though it suffers from some issues. For starters, the album can be divided into stronger/weaker cuts. Epic opener “Ritual” sits in the stronger category, itself opening with an instantly striking descent that’s harmonized to Pallbearian heights. “Hor Hodin,” a shorter track, also triumphs, developing absolutely delectable Iommian shuffles. Meanwhile, “Engendro” and closer “Animal Dog” are comparatively weaker tracks, though they aren’t bad by any means. Soledad & Orgullo can also be knocked for its occasionally overdone songcraft. While “Ritual” mostly succeeds as a long song, “Animal Dog” definitely drags at times. Nevertheless, this four-track album runs for a reasonable 31 minutes, if you don’t count the concluding bonus track. With “Kamog,” Soledad & Orgullo clocks in at 45 minutes. Yes, that’s right—the bonus track (which could be trimmed) adds a whopping 15 minutes to the runtime.3

On the whole, though, count Soledad & Orgullo as another solid stoner-doom offering from Mauricio Guerrero. He and Venturi are a talented duo that know how to dress irresistible riffs in morose guitar melodies and gossamer vocal harmonies. While Argul’s songwriting is a bit hit-and-miss, they possess a captivating sound out of the gate that bodes well for the future. Argul should be proud of this debut, which fans of doom and stoner metal should certainly sample.

Rating: 3.0/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Personal Records
Websites: Bandcamp | Instagram
Releases Worldwide: August 21st, 2026

DJ Ricardo Wang #guesthost Guitar Shop #radio on #FreeformPortland

90.3 FM & 98.3 FM #ontheradio in #portlandoregon

#GuitarRock #ExpunkimentalMusic #heavypsych #noiserock #protometal #protopunk #postpunk #postmetal #garagerock #stonerrock #spacerock #AvantGarage #postrock #classicmetal #freedomrock #freemusic #freeformradio #freeform

#archive (#listen anytime!):
https://whatsthiscalled.net/2026/08/16/guest-host-of-guitar-shop-radio-16-august-2026

Desert-Legende #FuManchu als Demiurgen eines Riff-Infernos lassen einen schweißtreibenden Stonersturm im #Wizemann losbrechen.

https://www.gig-blog.net/2026/08/14/fu-manchu-daily-thompson-12-08-2026-im-wizemann-stuttgart/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #StonerRock #Stuttgart

Merch is ready!
Look at thouse fabulous Flyers 👍

#Ehingen #Fogdriver #instrumental #stonerrock #psychedelicrock

Next stop: Ehingen! 🌫️✨
We are bringing the haze to Chameleon Ehingen on June 13th. Get ready for a massive night of heavy riffs and cinematic sounds!

Joining us on stage:
🔥 Rulaman – bringing that deep, soulful Psychedelic Rock.
🔥 Black Ocean's Edge – heavy grooves from the dark blue.

Three bands, one trip. See you in the fog! 🎸🎞️

#Ehingen #PostRock #StonerRock #PsychedelicRock #LiveMusic #GigAlert #Instrumental

Trip on this groove for 13 minutes ✌️

I'm The Mountain #StonedJesus

https://youtu.be/IBs7k7Jfi_A

#tunetuesday #stonerrock #fieldsmountainsvalleys

newstuff2026-09

(Post-)Punk/Hardcore/Rock/Metal and associates

Featuring new (sometimes also live and re-released/remastered) songs/videos by:

@paddelnohnekanu , Circus Trees, New Found Glory, Arch Enemy, Die Verlierer, Dead Finks, Bazookatooth, Les Shirley, One Reason To Rise, Bruise Control, Jacob The Horse, Foo Fighters, Charm School, Shitshow, The Downstrokes, DAS LECK, Bad Vacation, MAYSON's PARTY, Arcadia, Guhn Twei, Terror, The Menzingers, Upchuck, The Casualties, Dirty Sound Magnet, The Antics, The Arrivals, Gottlieb, Bicurious, The Hives, Social Distortion, The Melmacs, Truckfighters, Serpent, Uli Sailor, DAVES, Shoreline, Future Teens, Depression Nap, BEAR, Birdlegs, Zwakkelmann, UNIVERSUM25, Frachter, Krav Boca, This House, Kreftich, Talco, Tim Holehouse & The Escape Ghosts, KO-MA, Skinny Lister, L.A. Sagne, The Last Vinci, Mary Anne's Polar Rig, MACSAT, FJØRT, Wir sind Fliegen, Rob Zombie - and some more... ;-)

New concerts/sessions by:
Frankie And The Witch Fingers, Florida Man, ZIP, Lambrini Girls...

Youtube playlist (by date, ascending):
https://www.youtube.com/playlist?list=PLZNVqgSsmymrXV12D1hSXxuu20K-mWVnN

Info page including links (by date, descending):
https://www.inoreader.com/stream/user/1005944110/tag/newstuff2026-09/view/html?cs=m&n=200

Concerts/Sessions2026 (newest on top, updated continously):
https://www.youtube.com/playlist?list=PLZNVqgSsmympyCk7uYSbwFMLb_fGtKYj0

Concerts/Sessions 2026 info page (also newest on top):
https://www.inoreader.com/stream/user/1005944110/tag/0-concerts-latest/view/html?cs=m&n=500

Download 18+(/blocked) videos: https://yt5s.biz/ (does not always work, but trying again/later might), https://genyoutube.online/ (seems more reliable atm)

Social media / Fediverse account(s):
https://punkstodon.de/@aintjustmusic
https://f.freinetz.ch/profile/aintjustmusic
"Blog" (Down atm): https://paper.wf/aintjustmusic/

@punk #Punk #Hardcore #HardcorePunk #AnarchoPunk #DeutschPunk #SkaPunk #SkaCore #Screamo #PowerViolence #GrindCore #77Punk #GaragePunk #PunkRock #PostPunk #SynthPunk #IndiePunk #AlternativePunk #PostHardcore #RABM #ZeckenRap #PunkRap #Rock #Metal #Postrock #Postmetal #Doom #Sludge #StonerRock #MathRock #StimPunks

[cc-by-nc-sa](https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode)

newstuff2026-03

(Post-)Punk/Hardcore/Rock/Metal and associates

Featuring new (sometimes also live and re-released/remastered) songs/videos by:
@MetzgerButcher , Rantanplan, The Messthetics, Kissa, Kreftich, Stonus, Agassi, OK Nein, Hi-Standard, Fragile City, Empty Bones, Paula Paula, Dropkick Murphys, Twenty One Children, Sleaford Mods, Jacob The Horse, Peaches, Filth Is Eternal, Poison The Well, Remember Sports, Landowner, Cult Of Dom Keller, Converge, Blagged, Gogol Bordello, Dirty Sound Magnet, Higher Power, Easy Out, Gas Station Boner Pills, Toe Knife, The Casualties, Mariachi El Bronx, fluppe, Commitment, Sweet Reaper, Ponte del Diavolo, XpresidentX, The Melmacs, Storm Boy, Death of Youth, Swiss + Die Andern, GWAR, Miesha and The Spanks, Last Hounds, Krav Boca, The Fake Friends, The Damned, KO-MA - and some more... ;-)

New concerts/sessions by:
Doe St, Carrion Kids, Twenty One Children...

Youtube playlist (by date, ascending):
https://www.youtube.com/playlist?list=PLZNVqgSsmymqV75TA6x21PVx_CA4Nq9Ka

Info page including links (by date, descending):
https://www.inoreader.com/stream/user/1005944110/tag/newstuff2026-03/view/html?cs=m&n=200

Concerts/Sessions2026 (newest on top, updated continously):
https://www.youtube.com/playlist?list=PLZNVqgSsmympyCk7uYSbwFMLb_fGtKYj0

Concerts/Sessions 2026 info page (also newest on top):
https://www.inoreader.com/stream/user/1005944110/tag/0-concerts-latest/view/html?cs=m&n=500

"Archived" from 2025:
concerts/sessions2025 (newest on top):
https://www.youtube.com/playlist?list=PLZNVqgSsmymrw3i9U1pOgcQe8KdqO_ceh

This one also has an info page (also newest on top):
https://www.inoreader.com/stream/user/1005944110/tag/concerts2025/view/html?cs=m&n=500

Download 18+(/blocked) videos: https://yt5s.biz/ (does not always work, but trying again/later might)

Social media / Fediverse account(s):
https://punkstodon.de/@aintjustmusic
https://f.freinetz.ch/profile/aintjustmusic
"Blog" (Down atm): https://paper.wf/aintjustmusic/

@punk #Punk #Hardcore #HardcorePunk #AnarchoPunk #DeutschPunk #SkaPunk #SkaCore #Screamo #PowerViolence #GrindCore #77Punk #GaragePunk #PunkRock #PostPunk #SynthPunk #IndiePunk #AlternativePunk #PostHardcore #RABM #ZeckenRap #PunkRap #Rock #Metal #Postrock #Postmetal #Doom #Sludge #StonerRock #MathRock #StimPunks

[cc-by-nc-sa](https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode)

https://youtu.be/F0RR_DufQdQ?si=AZmdZQoxOjq8C3hW

La meva #CançóDelDia per al dimecres 31 de desembre és aquesta dels #Kadavar #Berlín #HardRock #StonerRock #PsychRock #70sRock 💓!

newstuff2025-51

(Post-)Punk/Hardcore/Rock/Metal and associates

Featuring new (sometimes also live and re-released/remastered) songs/videos by:
Anticitizen, Kochkraft durch KMA, Gymshorts, Fatboy Slim & The Rolling Stones, Turnstile, Daiei Spray, Krav Boca, Los Fastidios, Big Problem, Feel Worse, Cainhurst, The Hahas and The Blablas, Scattrbrain, SNõõPER, Sincere Engineer, Rancoeur, Pink Wonder, Long Distance Calling, Sleaford Mods, Roy Batty, H-Blockx, Calling All Captains, Human Missile Crisis, Kodder, Grossstadtgeflüster, Onyon, The Baby Seals, Double Life, Crystal F, Skinsects, Dearth Party, The Dead Milkmen, Gluecifer, Berthold City, Psychedelic Porn Crumpets, The Heart Punches, Friends with Boats, Jangar, Jaguero, Psychopunch, The Busters, archreverend, Marmozets, Geishas Of Doom, Black Honey, The toten Crackhuren im Kofferraum (The TCHIK), Bahnhof Motte, Heiter bis Wolkig - and some more... ;-)

New concerts/sessions by:
Gorilla Biscuits, Viagra Boys, C'est Qui?, Amyl and The Sniffers...

Youtube playlist (by date, ascending):
https://www.youtube.com/playlist?list=PLZNVqgSsmymr0WdEejIcpmRhTgI3h58XW

Info page including links (by date, descending):
https://www.inoreader.com/stream/user/1005944110/tag/newstuff2025-51/view/html?cs=m&n=200

concerts/sessions2025 (newest on top, updated continously):
https://www.youtube.com/playlist?list=PLZNVqgSsmymrw3i9U1pOgcQe8KdqO_ceh

This also has an info page (also newest on top):
https://www.inoreader.com/stream/user/1005944110/tag/0-concerts-latest/view/html?cs=m&n=500

Download 18+(/blocked) videos: https://yt5s.biz/

Social media / Fediverse account(s):
https://punkstodon.de/@aintjustmusic
https://f.freinetz.ch/profile/aintjustmusic
"Blog" (Down atm): https://paper.wf/aintjustmusic/

@punk #Punk #Hardcore #HardcorePunk #AnarchoPunk #DeutschPunk #SkaPunk #SkaCore #Screamo #PowerViolence #GrindCore #77Punk #GaragePunk #PunkRock #PostPunk #SynthPunk #IndiePunk #AlternativePunk #PostHardcore #RABM #ZeckenRap #PunkRap #Rock #Metal #Postrock #Postmetal #Doom #Sludge #StonerRock #MathRock #StimPunks #JukeboxFridayNight

[cc-by-nc-sa](https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode)

newstuff2025-50

(Post-)Punk/Hardcore/Rock/Metal and associates

Featuring new (sometimes also live and re-released/remastered) songs/videos by:
ZIP, Fire Sale, Kapa Tult, Kaleidobolt, Kreator, Fluchtversuch, Painted Vein, DOWNGIRL, Long Distance Calling, Ellende, Pegging Mitchell, Few Thoughts, Bonaparte feat. Bela B, Viagra Boys, 4ft Fingers, Booze & Glory, Bleakness, MynameiS, Spoilman, Pitfloor, Blackwater Holylight, Bad Mary, Early Riser, Turbostaat, @antillectual , Remember Sports, I Promised The World, Irnini Mons, Doodseskader, Maria Iskariot, Aesop Rock, Pelican, Xain, Knarre, FJØRT, Billy Bragg, A Mes, Fatoni, Joybomb, Sex Shop Mushrooms, Girl Tones, erdmöbel, The Pretty Reckless - and some more... ;-)

New concerts/sessions by:
Air, Faith No More, The Prodigy, Converge, Half Naked Headline, The Hives...

Youtube playlist (by date, ascending):
https://www.youtube.com/playlist?list=PLZNVqgSsmymowySOOEuQxZRMs5bVdgvsP

Info page including links (by date, descending):
https://www.inoreader.com/stream/user/1005944110/tag/newstuff2025-50/view/html?cs=m&n=200

concerts/sessions2025 (newest on top, updated continously):
https://www.youtube.com/playlist?list=PLZNVqgSsmymrw3i9U1pOgcQe8KdqO_ceh

This also has an info page (also newest on top):
https://www.inoreader.com/stream/user/1005944110/tag/0-concerts-latest/view/html?cs=m&n=500

Download 18+(/blocked) videos: https://yt5s.biz/

Social media / Fediverse account(s):
https://punkstodon.de/@aintjustmusic
https://f.freinetz.ch/profile/aintjustmusic
"Blog" (Down atm): https://paper.wf/aintjustmusic/

@punk #Punk #Hardcore #HardcorePunk #AnarchoPunk #DeutschPunk #SkaPunk #SkaCore #Screamo #PowerViolence #GrindCore #77Punk #GaragePunk #PunkRock #PostPunk #SynthPunk #IndiePunk #AlternativePunk #PostHardcore #RABM #ZeckenRap #PunkRap #Rock #Metal #Postrock #Postmetal #Doom #Sludge #StonerRock #MathRock #StimPunks #JukeboxFridayNight

[cc-by-nc-sa](https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode)

Am 2. Dezember 2025 spielten KADAVAR und SLOMOSA im Berliner Huxleys. Hier unsere große Bildergalerie mit Fotos der Berliner Band und der Stoner-Rocker aus Bergen, Norwegen. #kadavar #slomosa #stonerrock

https://www.burnyourears.de/live/54733-kadavar-und-slomosa-fotos-vom-livegig-im-huxleys-berlin.html

newstuff2025-49

(Post-)Punk/Hardcore/Rock/Metal and associates

Featuring new (sometimes also live and re-released/remastered) songs/videos by:
Easy Out, Dubioza Kolektiv, Inconvenience Store, FFO: Chillin, Edgar Wasser, Psyche 16, Vague Rituals, Dr Sure's Unusual Practice, Ash Return, The Scaners, The Noname, L.Y.N.S, Mariachi El Bronx, SNFU, Roman Candle, Death Lens, Blut Und Tod, Angel Du$t, Storm Boy, SAFI, XpresidentX, Wet Leg, Racket Corp, Cursive, Drunken Swallows, Ronker, Flippeur, Laura Cox, MynameiS, Antillectual, BSK, Teen Mortgage, Gully Boys, jasmine.4.t, Asteriae, Poppy, Kreftich, Die Nerven, WIZO - and some more... ;-)

New concerts/sessions by:
Rats and Daggers, Brutus, Los Bitchos, 'Crève, Ouverte!', Refused, Deadletter, The Gits, jasmine.4.t...

Youtube playlist (by date, ascending):
https://www.youtube.com/playlist?list=PLZNVqgSsmymr6a2oUHMZoMd_rxbROh16N

Info page including links (by date, descending):
https://www.inoreader.com/stream/user/1005944110/tag/newstuff2025-49/view/html?cs=m&n=200

concerts/sessions2025 (newest on top, updated continously):
https://www.youtube.com/playlist?list=PLZNVqgSsmymrw3i9U1pOgcQe8KdqO_ceh

This also has an info page (also newest on top):
https://www.inoreader.com/stream/user/1005944110/tag/0-concerts-latest/view/html?cs=m&n=500

Social media / Fediverse account(s):
https://punkstodon.de/@aintjustmusic
https://f.freinetz.ch/profile/aintjustmusic
"Blog" (Down atm): https://paper.wf/aintjustmusic/

@punk #Punk #Hardcore #HardcorePunk #AnarchoPunk #DeutschPunk #SkaPunk #SkaCore #Screamo #PowerViolence #GrindCore #77Punk #GaragePunk #PunkRock #PostPunk #SynthPunk #IndiePunk #AlternativePunk #PostHardcore #RABM #ZeckenRap #PunkRap #Rock #Metal #Postrock #Postmetal #Doom #Sludge #StonerRock #MathRock #StimPunks #JukeboxFridayNight

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Suncraft – Welcome to the Coven Review

By Spicie Forrest

I first became acquainted with stoner rock while attending college and skiing in Salt Lake City. Whether carving the corduroy or taking face shots of bottomless pow, the raucous groove of the style made for a great soundtrack. I’ve largely moved on to heavier and less accessible pastures, but once in a while, something brings me back. This time, it was Suncraft, a five-piece formed in Oslo, Norway in 2017; I couldn’t let a genre tag like “stoner/black/pop” pass by unyoinked. We missed their 2021 debut, Flat Earth Rider, but I’m here to give their sophomore effort, Welcome to the Coven, the proper AMG treatment.

Suncraft has historically relied on mid-paced stoner rock, but their second LP sees the band move in a different direction. Welcome to the Coven is what happens when Queens of the Stone Age wields The Sword and walks The DOGS. It’s riotous, retro, and downright groovy. With a triple-pronged attack, guitarists Vebørn Rindal Krogstad, Sigurd Grøtan, and Jens Henrik Kverndal let loose a wildly infectious salvo of stoner and garage rock. “Welcome to the Coven” and “Forgotten Goddess” rip across the desert in an old convertible Mustang powered solely by diesel and sativa. “Love’s Underrated” gives garage revival and a little Japandroids, while “Wizards of the Anger Magic” opens on The Beach Boys and pays heavy tribute to The Ramones. Mixed into this strong foundation you’ll also find riffage stained black (“Ragebait”), pop punk angst (“Greed Battalion”), posty and proggy diversions (“High on Silence”), and even a millennial whoop or two. These are disparate elements to bring under one umbrella, but like fellow countrymen Kvelertak, Suncraft pull it off well.

In a brew stereotypically known for wanton abandon, Welcome to the Coven succeeds through restraint. Post-black and pop punk normally make bridge- or hook-centered appearances, being used as means to build drama and release tension rather than ends in themselves. Drummer Tobias Paulsen utilizes a predominantly upbeat rock style, but he’s got a full toolbox. He deploys d-beats, hooks and fills, blast beats, and tempo changes with precision for maximum emotional impact (“Love’s Underrated,” “Welcome to the Coven”). The same can be said of bassist/singer Rasmus Skage Jensen, whose strings feel elementally nostalgic, both in tone and in their intentionally dynamic grounding of hooks, leads, and rhythmic support. And by keeping a normally tight grip on his vocals, the moments when Jensen lets loose and pushes his pipes to their limit shine all the brighter (“Greed Battalion,” “Forgotten Goddess”). Rather than employing an unchecked, maximalist style, Suncraft’s tempered and deceptively meticulous songcraft elevates Welcome to the Coven far above the sum of its parts.

Suncraft doesn’t treat the incorporation of these various flourishes as puzzles to be solved. Instead, every element on Welcome to the Coven seems chosen and placed to best support a deliriously and irresistibly fun grand design. This approach and Suncraft’s success with it grant them an inimitable air of sprezzatura.1 Krogstad, Grøtan, and Kverndal spin around each other so naturally, offering inspired counterpoints (“Wizards of the Anger Magic”), tossing in pristine fills (“High on Silence”), and passing leads and solos like a hacky sack (“Love’s Underrated,” “Forgotten Goddess”). I don’t for one second believe that Jensen’s interjectory “fuck it” on “Greed Battalion” or Paulsen’s double bass in “Welcome to the Coven” are off the cuff; this album is far too good for that. But when I hear the killer solo in “Love’s Underrated,” the exceptional back half of “Charlatan Killer,” or the barely controlled chaos that is “Forgotten Goddess,” I can’t help but be awed by the explosive synergy on display here—and the casual effortlessness of it.

I had high hopes when I picked up Welcome to the Coven, and from the first seconds of “Ragebait” to the final cymbals of “Forgotten Goddess,”2 Suncraft blew me away. The chorus of “Charlatan Killer” was the only exception, being merely good in a sea of great. Each track on Suncraft’s sophomore effort fits together naturally and neatly in a singular, unified vision. Primally familiar like the mythical dog days of summer, Welcome to the Coven is an astoundingly fun ride. By the end of its 40-minute runtime, I’m invariably left craving more. And if that isn’t the mark of a great album, I don’t know what is.

Rating: 4.0/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: All Good Clean Records
Websites: Facebook | Instagram
Releases Worldwide: November 21st, 2025

#2025 #40 #allGoodCleanRecords #blackMetal #garageRock #japandroids #kvelertak #norwegianMetal #nov25 #popPunk #queensOfTheStoneAge #review #reviews #stonerRock #suncraft #theBeachBoys #theDogs #theRamones #theSword #welcomeToTheCoven

ZEBULON – Come Day of Reckoning
https://eternal-terror.com/?p=75098

RELEASE YEAR: 2025BAND URL: https://zebulondoom.bandcamp.com/album/come-day-of-reckoning-2

The splendid Norwegian doom metal outfit known as Zebulon unleashed this musically dynamic force of nature just a couple of weeks ago, and there is an exciting and emotive edge as well as heaps of gloom to the 6-track effort, which sports the evocative title Come Day of Reckoning, reflecting its […]

#apollonRecords #comeDayOfReckoning #doomMetal #hardRock #heavyMetal #stonerRock #zebulon

"newstuff2025-45
(Post-)Punk/Hardcore/Rock/Metal and associates

Featuring new (sometimes also live and re-released/remastered) songs/videos by: Mahler/Fondermann, ANTICITIZEN, Kreator, YAKKIE, Puscifer, Alkaline Trio, Crazy & The Brains, Pink Snot, Human Missile Crisis, Jens Ausderwäsche, Scattrbrain, Mellon-Collies, Kuadra, Randale, Upchuck, The Mendozaz, Frida Kill, gimmick, Jimmy Eat World, Antillectual, Bratakus, Todeskommando Atomsturm, Fishbone, Kind Beast, These New South Whales, With Patience, FALSE LEFTY, Remember Sports, Thanks! I Hate It, The Prophecy 23, Arcadia, The Lashes, Asthma Kids, TV Casualties, Uli Sailor, RONKER, A Mess, Die Cigaretten, Smash TV, Babyshambles, Marmozets, Khruangbin, Crystal F, MIRRORLESS, Worthington's Law, DANGERFACE, Dropkick Murphys – and some more... ;–)

New concerts/sessions by: Nasty Neighbours, We Lost The Sea, Die Spitz, Poison Ruïn, SONS, Ho99o9, The Armed, Queens of the Stone Age, Miracle Blood..."

https://paper.wf/aintjustmusic/newstuff2025-45

@punk #Punk #Hardcore #HardcorePunk #AnarchoPunk #DeutschPunk #SkaPunk #SkaCore #Screamo #PowerViolence #GrindCore #77Punk #GaragePunk #PunkRock #PostPunk #SynthPunk #IndiePunk #AlternativePunk #PostHardcore #RABM #ZeckenRap #PunkRap #Rock #Metal #Postrock #Postmetal #Doom #Sludge #StonerRock #MathRock #StimPunks #JukeboxFridayNight

Stuck in the Filter: August 2025’s Angry Misses

By Kenstrosity

The heat persists, but now the humidity comes in full force as storm systems wreak havoc upon the coasts. I hide in my cramped closet of an office, lest I be washed out once again by an unsuspecting deluge. However, I still send my minions out into the facility, bound by duty to search for those metallic scraps on which we feast.

Fortuitously, most all of those imps I sent out came back alive, and with wares! BEHOLD!

Kenstrosity’s Galactic Gremlin

Silent Millenia // Celestial Twilight: Beyond the Crimson Veil [August 26th, 2025 – Self-Release]

Have you ever seen such a delightfully cheesy cover? Probably, but it’s been a while for me. I bought Celestial Twilight: Beyond the Crimson Veil, the second raw symphonic black metal opus from Finnish one-man act Silent Millenia, on the strength of the artwork alone. Little did I know that what lay beyond this crimson veil was some of the most fun melodic black metal this side of Moonlight Sorcery. The same low-fi roughness that personifies Old Nick’s work grounds Silent Millenia’s starbound songwriting as it traverses the universe with an energetic punch reminiscent of Emperor or Stormkeep (“Awaken the Celestial Spell,” “Daemonic Mastery”). To help differentiate Silent Millenia’s sound from that of their peers, a gothic atmosphere ensorcells much of this material to great effect, merging eerie Victorian melodies with galactic adventurism in an unlikely pair (“Enthrone the Spectral”). Swirling synths and sparkling twinkles abound as well, creating blissful moments of interest as frosty tremolos and piercing blasts take full advantage of the false sense of security those entrancing clouds of synthetic instrumentation create (“Benighted Path to Darkness Mysterium,” “Reign in Cosmic Majesty”). Simply put, Celestial Twilight is an unexpected gem of a symphonic black metal record, bursting with killer ideas and infinite levels of raw, unabashed fun. You should hear it!

Kronos’ Unexpected Unearthments

Street Sects // Dry Drunk [August 15th, 2025 – Self Release]

Dry Drunk sticks to your inner surfaces, draining down like cigarette tar along paralyzed cilia to pool in your lungs until the cells themselves foment rebellion. Once it’s in you, you feel paranoid, wretched, and alone. So it’s the proper follow-up to Street Sects’ visionary debut, End Position. Like that record, Dry Drunk plumbs the most mundane and unsavory gutters of America for a cast of protagonists that it dwells in or dispatches with a mixture of pity and disgust, with vocalist Leo Ashline narrating their violent crimes and self-hatred in a mixture of croons, shrieks, and snarls that cook the air before the speakers into the scent of booze and rotten teeth. And like that record, Shaun Ringsmuth (Glassing) dresses the sets with a fractal litter of snaps, squeals, crashes, gunshots, and grinding electronics, caked in tar and collapsing just as soon as it is swept into a structure. And like End Position, Dry Drunk is a masterpiece. The impeccable six-song stretch from “Love Makes You Fat” through “Riding the Clock” ties you to the bumper and drags you along some of the duo’s most creative side-roads, through the simmering, straightjacketed sludge of “Baker Act” to the chopped-up, smirking electronica of “Eject Button.” Swerving between addled, unintelligible agony and unforgettable anthems, Dry Drunk, like End Position before it is nothing less than the life of a junkie scraped together, heated on a spoon, and injected into your head. Once you’ve taken a hit, you will never be quite the same.

Thus Spoke’s Frightening Fragments

Defacement // Doomed [August 22nd, 2025 – Self Release]

There’s music for every vibe.1 The one Defacement fits is an exclusively extreme metal flavor of moody that is only appreciable by genre fans, made tangibly more eerie by their persistent idiosyncratic use of dark ambient interludes amidst the viciously distorted blackened death. Audiences—and reviewers—tend to disparage these electronic segments, but I’ve always felt their crackling presence increases the analog horror of it all, and rather than being a breather from the intensity, they prolong the nausea, the sense of emptiness, and the abject fearfulness of head-based trauma. This latter concept grows more metaphorical still on Doomed, where the violence is inside the mind, purpose-erasing, and emotionally-detaching. The ambience might be the most sadly beautiful so far (“Mournful,” and “Clouded” especially), and the transitions into nightmarish heaviness arguably the most fluid. And the metal is undoubtedly the most ambitious, dynamic, and magnificent of Defacement’s career, combining their most gruesome dissonance (“Portrait”) with their most bizarrely exuberant guitar melodies (“Unexplainable,” “Unrecognised”). Solos drip tangibly with (emotional) resonance (“Unexplainable,” “Absent”) and there’s not a breath or a moment of wasted space. Yes, the band’s heavier side can suffer from a nagging sense of homogeneous mass, but it remains transporting. While I can appreciate why others do not appreciate Defacement, this is the first of their outings I can truthfully say mesmerised me on first listen.

ClarkKent’s Heated Hymns

Phantom Fire // Phantom Fire [August 8th, 2025 – Edged Circle Productions]

While I waded through the murky depths of the August promo sump, Steel implored me to take the eponymous third album from Phantom Fire. “The AMG commentariat love blackened heavy metal,” he said. I disregarded his advice at my peril, and while I ended up enjoying what I grabbed, it turns out this would have been solid too. Featuring members from Enslaved, Kraków. Hellbutcher, and Aeternus, Phantom Fire play old school speed metal that harks back to the likes of Motörhead and Iron Maiden’s Killers. Thanks to healthy doses of bass and production values that allow the instruments to shine, each song is infused with energetic grooves. The music sounds fresh, crisp, and clear, from the booming drums to Eld’s “blackened” snarls. Early tracks “Eternal Void” and “All For None” show off the catchy blend of simple guitar riffs and a hoppin’ bass accompanied by energetic kit work. While placing a somewhat lengthy instrumental track in the middle of a record usually slows it down, “Fatal Attraction” turns out to be a highlight. It tells a tragic love story involving a motorcycle with nothing but instruments, an engine revving, and some police sirens. The second half of Phantom Fire gets a bit on the weirder side, turning to some stoner and psychedelia. There’s a push and pull between the stoner and Motörhead speed stuff on songs like “Malphas” and “Submersible Pt. 2,” and this blend actually works pretty well. It turns out that they aren’t phantom after all—these guys are truly fire.

Burning Witches // Inquisition [August 22nd, 2025 – Napalm Records]

With six albums in eight years, Swiss quintet Burning Witches has really been burning rubber. While such prolific output in such a short time frame generally spells trouble, Inquisition is a solid piece of heavy/power metal. Burning Witches dabbles in a mix of speedy power metal and mid-tempo heavy metal, often sounding like ’80s stalwarts Judas Priest and Def Leppard. With Laura Guldemond’s gruff voice, they produce a more weighty, less happy version of power metal than the likes of Fellowship or Frozen Crown. While the songs stick to formulaic structures, tempo shifts from song to song help keep things from growing stale. We see this variety right from the get-go, where “Soul Eater” takes a high-energy approach before moving into the more mellow “Shame.” There’s even a pretty solid ballad, “Release Me,” that grounds the back half of the record. Songs of the sort that Burning Witches write need catchy choruses, and fortunately, they deliver. “High Priestess of the Night” is a particular standout, delivering a knock-out punch in its delivery. It helps that the instrumental parts are well-executed, from crunchy riffs to subdued solos to booming blast beats. Anyone looking for a solid bit of power metal that’s not too heavy on the cheese will find this worth a listen.

Deathhammer // Crimson Dawn [August 29th, 2025 – Hells Headbangers Records]

Celebrating 20 years of blackened speed, Deathhammer drop LP number six with the kind of energy that exhausted parents dread to see in their children at bedtime. This is my first foray with the band, and I am in awe of the relentless level of manic energy they keep throughout Crimson Dawn’s 39 minutes. If science could learn how to harness their energy, we’d have an endless source of renewables. The two-piece out of Norway channels classic Slayer on crack and even has moments reminiscent of Painkiller-era Judas Priest. They play non-stop thrash cranked to 11, with persistent blast beats and some dual guitar parts that leave your head spinning from the rapid-fire directions the riffs fire off in. The heart of the mania is singer Sergeant Salsten. His crazed vocals are amazing—snarling, shouting, and shrieking in a way that took me back to the manic pitch Judge Doom could reach in Who Framed Roger Rabbit? He sings so fast that on the chorus of “Crimson Dawn,” it sounds like he says “Griffindor,” which had me searching confusedly for the Harry Potter tag. This was probably my favorite song, not just because of the Griffindor thing, but because that chorus is so catchy. Either way, it’s tough to pick a standout track because they all grip you by the throat and don’t let go. Crimson Dawn is a ton of fun and a must listen if you like your music fast.

Grin Reaper’s Bountiful Blight

Kallias // Digital Plague [August 14th, 2025 – Self Release]

Machine gun drumming, spacey synths, Morbid Angel-meets-Meshuggah riffing, Turian-esque barking and Voyager-reminiscent vocal melodies…what the fuck is going on here? The only thing more surprising than someone having the moxie to blend all these things together is how well they work in concert. Kallias doesn’t hold back on sophomore album Digital Plague, and the result is a rocket-fueled blast through forty-four minutes of eclectic, addictive prog. The mishmash of styles keeps the album fresh and unpredictable while never dipping its toes in inconsistent waters, and staccato rhythms propel listeners through eight tracks without losing steam. As with any prog metal worth its salt, Kallias brandishes technical prowess, and their cohesion belies the relatively short time they’ve been putting out music.2 The mix is well-suited to spotlight whoever needs it at a given time, whether the bass is purring (“Exogíini Kyriarchía”), the drums are being annihilated (“Pyrrhic Victory”), or a guitar solo nears Pettrucian wankery (“Phenomenal in Theory”). The end result is three-quarters of an hour filled with myriad influences that fuse into a sound all Kallias’s own, and it’s one I’ve returned to several times since discovering (also, credit to MontDoom for his stunning artwork, which helped initially draw my attention). Check it out—you’ll be sick if you avoid this one like the Plague.

Luke’s Kaleidoscopic Kicks

Giant Haze // Cosmic Mother [August 22nd, 2025 – Tonzonen Records]

Whereas many of my colleagues are bracing themselves for cooler conditions and harsh winters to come, in my neck of the woods, things are warming up. While my own wintry August filter proved scarce, there was one particular summery gem to lift moods with burly riffs and fat stoner grooves. Unheralded German act Giant Haze seemingly emerged out of nowhere during a random Bandcamp deep dive. Debut LP Cosmic Mother channels the good old days of ’90s-inspired desert rock, featuring grungy, doomy vibes via a groovy batch of riff-centric, hard-rocking and uplifting jams, evoking the nostalgic spirit of Kyuss, Fu Manchu, Clutch and perhaps even a dash of Danzig. Punching out raucous, groove-soaked hard rockers with skyscraping hooks (“Geographic Gardens Suck,” “King of Tomorrow,” “Panic to Ride”), summery, funk–psych jams (“Sunrise”), and bluesy, punk-infused fireballs (“Crank in Public,” “Shrink Age”) Giant Haze get a lot of things right on this assured debut. The songwriting is deceptively diverse and punchy, bolstered by solid production, tight musicianship, and the swaggering, ever so slightly goofy vocal charms and powerful hooks of frontman Christoph Wollmann. Inevitably, a few rough spots appear, but overall Cosmic Mother showcases oodles of budding potential, an impactful delivery, cheeky sense of humor, and infectious, feel-good songcraft.

Spicie Forrest’s Foraged Fruit

Bask // The Turning [August 22nd, 2025 – Season of Mist]

Last seen in 2019, Bask returns with fourth LP, The Turning, a concept album following The Rider as she and The Traveler traverse the stars. They still peddle the unique blend of stoner rock and Americana Kenstrosity reviewed favorably in 2019, but 2025 sees them looking up for inspiration. The Turning incorporates a distinct cosmic bent (“The Traveler,” “The Turning”) and post-rock structures (“Dig My Heels,” “Unwound”). These augmentations to Bask’s core sound are enhanced by the masterful pedal steel of new official member Jed Willis. Whether floating through the firmament or tilling earthly pastures, Willis creates textures both fresh and intensely nostalgic. The infinite shifting vistas of The Turning’s front half coalesce into singular timeless visions on the back half, supporting its conceptual nature in both content and form. Like a combination of Huntsmen and Somali Yacht Club, Bask weaves riffs and melodies heard across the plains and through the void above with an unguarded authenticity felt in your soul.

Dolphin Whisperer’s Disseminating Discharge

Plasmodulated // An Ocean ov Putrid, Stinky, Vile, Disgusting Hell [August 1st, 2025 – Personal Records]

Stinky, sticky, slimy—all adjectives that define the ideal death metal platter. Myk Colby has been trying to chase this perfect balance in a reverb-wonky package with projects like the d-beaten Hot Graves and extra hazy Wharflurch, but vile death metal balance is hard to achieve. However, An Ocean ov Putrid, Stinky, Vile, Disgusting Hell contains a recklessly pinched Demilichian riffage, classic piercing whammy bombs, and spook-minded synth ambience that places Plasmodulated with an odor more pungent than its peers. With an infected ear that festers equally with doom-loaded, Incantation-indebted drags (“Gelatinous Mutation ov Brewed Origin,” “Trapped in the Plasmovoid”) and Voivod-on-jenkem cutaways to foul-throated extravagence (“The Final Fuckening”). An air of intelligent tempo design keeps An Ocean from never feeling trapped in a maze of its own fumes, with Colby’s lush and bubbling synth design seguing tumbles into hammering deathly tremolo runs (“Such Rapid Sphacelation”) and Celtic Frosted riff tumbles (“Drowning in Sputum”) alike, all before swirling about his own tattered, trailing vocal sputters. Steady but slippery, elegant yet effluvial, An Ocean ov Putrid, Stinky, Vile, Disgusting Hell provides the necessary noxious pressure to corrode death metal-loving denizens into pure gloops of stained-denim pit worship. Delivered as labeled, Plasmodulated earns its hazardous declaration. We here at AMG are not liable for any OSHA violations that occur as a result of Plasmodulated consumption on the job, though.

#2025 #Aeternus #AmericanMetal #Americana #AnOceanOvPutridStinkyVileDisgustingHell #Aug25 #Bask #BlackMetal #BlackenedDeathMetal #BurningWitches #CelestialTwilightBeyondTheCrimsonVeil #CelticFrost #Clutch #CosmicMother #CrimsonDawn #Danzig #DarkAmbient #DeathMetal #Deathhammer #DefLeppard #Defacement #Demilich #DigitalPlague #Doomed #DryDrunk #DutchMetal #EdgedCircleProductions #Emperor #Enslaved #Fellship #FinnishMetal #FrozenCrown #FuManchu #GermanMetal #GiantHaze #Glassing #Hardcore #HeavyMetal #Hellbutcher #HellsHeadbangersRecords #HotGraves #Huntsmen #Incantation #Inquisition #IronMaiden #JudasPriest #Kallias #Kraków #Kyuss #MelodicBlackMetal #Meshuggah #MoonlightSorcery #MorbidAngel #Motörhead #NapalmRecords #NorwegianMetal #OldNick #PersonalRecords #PhantomFire #Plasmodulated #PowerMetal #ProgressiveDeathMetal #RawBlackMetal #Review #Reviews #SelfRelease #SilentMillenia #Slayer #Sludge #SludgeMetal #SomaliYachtClub #SpeedMetal #StonerRock #Stormkeep #StreetSects #StuckInTheFilter #StuckInTheFilter2025 #SwissMetal #SymphonicBlackMetal #TechnicalDeathMetal #TheTurning #TonzonenRecords #Turian #Voivod #Voyager #Wharflurch

Neulich endlich mal wieder mit @FrauHolle auf ein Konzert im #Wizemann mit #ORB, #Slomosa und #Kadavar aus #Berlin. Und das mir, der doch eher nicht auf so Schunkelmusik steht.

Schön war's trotzdem. :-)

#stonerrock #psychedelicrock #Stuttgart

#Slomosa aus dem eher kühlen Norwegen als Brandstifter und #Kadavar aus Berlin als perfektionistische #StonerRock-Dealer katapultieren auf einen herrlichen Sound-Trip.

https://www.gig-blog.net/2025/10/22/kadavar-slomosa-orb-21-10-2025-im-wizemann-stuttgart/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #Stuttgart #ImWizemann

#kadavar @ Salamandra, #Barcelona #stonerrock #concert

"newstuff2025-42

(Post-)Punk/Hardcore/Rock/Metal and associates

Featuring new (sometimes also live and re-released/remastered) songs/videos by: Danko Jones, Rob Zombie, Tides From Nebula, Bad Tomato, Cold In Berlin, Wax Jaw, Girl Tones, The Slugz, Penny & the Pits, Big Problem, Kill You, Minor Planets, The Hellfreaks, Antillectual, Mahler/Fondermann, Gumm, Roxie & The Razorblades, Militarie Gun, Wet Leg, The Jukebox Romantics, False Reality, Laura Cox, Teen Jesus and the Jean Teasers, BIG SPECIAL, Peaches, AGNOSTIC FRONT, Kal-El, Heart to Gold, Sugar, Excide, The Brokedowns, Crazy & The Brains, The Hirsch Effekt, MØL, Pommes oder Pizza, Crim, Die The Rackelhans, Feldspar, Rancid, Fishbone, iedereen, Das Lumpenpack, 217, Aika, Southtowne Lanes, Verstörte Becker, Pabst, Wasabi Riot, Great Panic Roger, Arrested Denial, SPACED, Alligatoah – and some more... ;–)

New concerts/sessions by: Wet Leg, SCHWINDEL, Knives, ANTI-EVERYTHING, Amyl and the Sniffers, All Them Witches, Holy Blade..."

https://paper.wf/aintjustmusic/newstuff2025-42

@punk #Punk #Hardcore #HardcorePunk #AnarchoPunk #DeutschPunk #SkaPunk #SkaCore #Screamo #PowerViolence #GrindCore #77Punk #GaragePunk #PunkRock #PostPunk #SynthPunk #IndiePunk #AlternativePunk #PostHardcore #RABM #ZeckenRap #PunkRap #Rock #Metal #Postrock #Postmetal #Doom #Sludge #StonerRock #MathRock #StimPunks #JukeboxFridayNight

Live Konzert: Slysonic

Music House, Donnerstag, 4. September um 19:00 MESZ

SWANMAY

Swanmay is a Doom inspired Fuzz/Grunge/Stoner band from Austria, founded in 2014. With amp-walls, aluminum guitars and an arsenal of pedals we manifested our distinctive heavy fuzz sound and played dozens of shows all over Europe as support for Kadavar, Truckfighters, Brant Bjork, The Atomic Bitchwax, My Sleeping Karma, Ufommamut, King Buffalo and many more.

https://swanmay.bandcamp.com/album/frantic-feel

GRIPER

Four knuckleheads from Linz/ Vienna met in late 2018 to form Griper.

https://griper.bandcamp.com/album/fuel-for-fools-demo

SUNSTAIN

Always evolving.

Grunge/Stoner/Doom/Psych/Altrock-Extravaganza.

https://sunstain.bandcamp.com/track/caught-in-limbo

https://gancio.graz.events/event/live-konzert-slysonic

DSW – Tales from the Cosmonaut
#Metal #desertrock #doom #dsw #postmetal #psychedelic #psychedelicrock #stoner #stonermetal #stonerrock #‬heavypsych #Italy
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://acidcosmonautrecords.bandcamp.com/album/tales-from-the-cosmonaut

Scott Hill, 61 pirulos y sigue al pie del cañón. Respeto 🤘

#FuManchu #StonerRock #rockandroll

Os dejo por aquí unos videos del bolo de ayer.

#FuManchu #StonerRock

CATATUMBO (Catalunya) presenta nou single: "Six Feet Closer to Hell" #Catatumbo #StonerRock #Metal #Juny2025 #Catalunya #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic

Desertfest 2025 ...so I’m off to sunny Camden Town to see the world’s finest collection of Orange amps and hear some of the finest crushingly loud music available. #desertfest #desertfest2025 #metal #doom #stonerrock #sludge #festivalreview #musicreview https://freq.org.uk/reviews/desertfest-2025/

#NowPlaying something I ran across the other day - Columbus, Ohio's BRIDESMAID is two bass players & a drummer. No vocals. Song titles are weird riffs on peoples' names, and it sounds thunderous and sludgy and catchy and doomy and fucking AWESOME. They have two LPs, the first of which from 2013 is called 'Breakfast at Riffany's 😂 : https://bridesmaid.bandcamp.com/album/breakfast-at-riffanys

and then of course you have 2016's International House of Mancakes: https://bridesmaid.bandcamp.com/album/international-house-of-mancakes

Play them LOUD

#riffs #FuzzRock #instrumental #StonerRock #ColumbusOhio #OhioBands #Bridesmaid #sludge @wendigo

https://www.youtube.com/watch?v=-wZVFxMbH3w

Corrosion of Conformity "Wiseblood"

#nowlistening #nowplaying #fridaydisco #fridaynightdisco #rock #alternativerock #music #musik #musique #heavymetal #stonerrock #corrosionofconformity

Some #StonerRock on a rainy day...

🎵 Dehumanize by Fu Manchu
💿 The Return of Tomorrow, 2024
▶️ https://song.link/y/Z_x6Jxh6Y0c

#TomsMusic #NowPlaying #FuManchu

High Desert Queen – ‘Palm Reader’ in their own words. https://hardrockhellradio.com/2024/06/29/high-desert-queen-palm-reader-in-their-own-words/
High Desert Queen – ‘Palm Reader’ in their own words, exclusive to Pure Rock Fury with Paul Cash. …
#DesertRock #HardRockHellRadio #HeavyRock #HighDesertQueen #InTheirOwnWords #PalmReader #PaulCash #PureRockFury #Rock #StonerRock #TexasHeavy
#hrhrocks

#TheMetalDogArticleList
#MetalInjection
Album Review: FU MANCHU The Return Of Tomorrow
"The Return of Tomorrow is a great indication of how much fuel Fu Manchu still have in their tank."

https://metalinjection.net/reviews/album-review-fu-manchu-the-return-of-tomorrow

#FuManchu #TheReturnOfTomorrow #StonerRock

New #Dgar song out now!
Happy 4/20 everyone!! :420: :420leaf:
Peace and big love to you all! 🤗
Boosts are very welcome, cheap, and appreciated!! 🫶

Shoutout to @Onj (Andre Louis)!

Gettin Stoned (feat. Andre Louis)
~ Dgar

https://songwhip.com/dgar/gettin-stoned

#DgarMusic #IndieMusic #WeedDay #420Day #MusiciansOfMastodon #Music #StonerRock

If anyone is planning anything for Weed Day this Saturday, 20th April (4/20), and you’re looking for something to put on your Weed Day song playlist, I have something that may just fit the bill.

Gettin Stoned (feat. Andre Louis) will be coming out this Friday on Apple Music, Tidal, Spotify, and all the other streamy places, just in time for you to add it to your Saturday playlist. Be sure to give @Onj a follow!! He did an awesome job on the drums for this track and is a general, all-round legend!

As all #Dgarheads know, the original, full-quality wav file for every #DgarMusic track is available for download from their respective Soundcloud page, which you can then convert to your favourite format and play it on any device you choose.

Want to listen to it now? Okay then! Here it is on #Soundcloud!

Gettin Stoned (feat. Andre Louis)
~ #Dgar

https://soundcloud.com/dgarmusic/gettin-stoned-feat-andre-louis

@FreakyFwoof

#WeedDay #420day #420event #IndieMusic #music #rock #StonerRock

#newmusicfriday

Today with the new single from Stoned Jesus, my favourite Ukranian band. Album comes in March ... #StonedJesus #StonerRock

https://youtu.be/H6kDj-HlQdg