#stonerrock — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #stonerrock, aggregated by home.social.
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🔴 LIVE NOW ON VORTEX
📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
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🎵 Queens Of The Stone Age - Easy Street▶️ Écouter / Listen : VorteX [Radio]
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Pelegrin – The Curse of Nephtar Review By Creeping IvyIn the proliferating bustle of the AMG promo bin, citing Elder, King Buffalo, and Slift as comparable artists will absolutely grab my attention. Hence, I seized The Curse of Nephtar, the third album from French psych-rockers Pelegrin, with much excitement. Thus Spoke, however, tempered my enthusiasm with her Mixed review of the band’s previous outing. While Thus enjoyed Ways of Avicenna (2023) for its groovin’ riffs and hooky choruses, she found these to be fleeting moments on an incoherent album.1 In their press sheet, Pelegrin promise that The Curse of Nephtar ups both the catchiness and heaviness factors. Meanwhile, the album’s narrative arc—an allegory about the tragic influence of fossil fuels on the Middle East and the world at large—suggests attention to cohesion.
The aforementioned acts sonically capture The Curse of Nephtar, though a hint of originality comes through. Here’s the elevator pitch: Pelegrin sounds like Elder, King Buffalo, and Slift collaborating on the Dune soundtrack. The latter two bands stand as especially apt comparables, seeing as Pelegrin is also a power trio. In his role as guitarist, François Roze deals in mixed-mode melodies, metal-adjacent chuggery, and psychedelic solos (“Eons”). Bassist Jason Recoing possesses a rattling tone that initiates grooves (“Sun and Blood”) and builds bridges (“Price to Pay”).2 Rounding out the trio, drummer Antoine Ebel establishes the album’s chill vibe, propelling the heavier riffs with a peppery swagger when needed (“Plenty”). Seasoning Pelegrin’s Middle Eastern tonalities with what they describe as ‘a dash of Arabian spices’ are guest vocals from Halima Joy and sound effects from Mathieu Houeix. Couched in organic, airy production, Pelegrin submits a unique enough entry into the contemporary pantheon of heavy psych rock with The Curse of Nephtar, even if the album isn’t as heavy as the band wants it to be.
In his role as vocalist, Roze vacillates between vibe-setting and hook-sinking on The Curse of Nephtar. His voice sits in a lower-to-upper middle range, sinking into the musical sand and then surfacing to attack. On standout song “In the Company of Stars,” Roze amplifies tasty psych grooves and key shifts with a catchy chorus, powered by bluesy undertones and riveting high notes. Other verses and choruses on The Curse of Nephtar, however, fail to reach these heights. Sometimes, it sounds like Roze is searching for a stable hook and not quite finding one. Because the music of Pelegrin isn’t overtly proggy, or heavy, or jammy, the vocals need to carry more memorability than they do. Still, Roze’s is not a bad performance by any means—his voice fits the psychedelic aura Pelegrin is going for.Like its vocals, The Curse of Nephtar’s narrative generally satisfies while leaving this listener wanting more. That striking black orb on the equally striking album cover is Nephtar itself, ever-so-slowly surfacing from a prehistoric ocean to subdue all living things on earth (humans included). Initiating the narrative, “Eons” overlays voiceovers that collide with the harmonization of the irresistible main riff, conveying a sense of grandeur.3 The shift from the upbeat “In the Company of Stars” to the doomier “Drawn to Nephtar” nicely veers the narrative into sinister terrain. Meanwhile, some songs don’t live up to their narrative station. “Price to Pay” serves sweet melodies, heavy riffs, and proggy tempo shifts, but Roze doesn’t quite convey the unleashing of chaos with his vocals. The same can be said for the epic closer, “Break the Omen”; it deals out delectable riffs and wah-wah solos, but Roze doesn’t vocally bring it home. The Curse of Nephtar clocks in at a somewhat svelte 43 minutes, which is a good and bad thing here. Pelegrin should be applauded for broaching a timely eco-political concept in a timeless, economical manner. Still, a little more time and space would suit this eons-in-the-making narrative.4
In the end, The Curse of Nephtar counts as a positive step forward for Pelegrin. The band has struggled on past efforts with the meandering temptations of psych rock, but their third album feels more immediate and impactful. Still, it’s hard not to hear Pelegrin’s latest as more potential than payoff, especially in the vocal department. In a year where Elder and Slift5 have released high-quality albums,6 The Curse of Nephtar sits below these stalwarts. But Pelegrin possess the tools for greatness, and I’ll definitely be keeping tabs on them.
Rating: 3.0/5.0
#2026 #30 #Elder #FrenchRock #KingBuffalo #Pelegrin #ProgressiveRock #PsychedelicRock #Review #Reviews #RippleMusic #Sep26 #Slift #StonerRock #TheCurseOfNephtar
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Ripple Music
Websites: Instagram | Facebook
Releases Worldwide: September 4th, 2026 -
Pelegrin – The Curse of Nephtar Review By Creeping IvyIn the proliferating bustle of the AMG promo bin, citing Elder, King Buffalo, and Slift as comparable artists will absolutely grab my attention. Hence, I seized The Curse of Nephtar, the third album from French psych-rockers Pelegrin, with much excitement. Thus Spoke, however, tempered my enthusiasm with her Mixed review of the band’s previous outing. While Thus enjoyed Ways of Avicenna (2023) for its groovin’ riffs and hooky choruses, she found these to be fleeting moments on an incoherent album.1 In their press sheet, Pelegrin promise that The Curse of Nephtar ups both the catchiness and heaviness factors. Meanwhile, the album’s narrative arc—an allegory about the tragic influence of fossil fuels on the Middle East and the world at large—suggests attention to cohesion.
The aforementioned acts sonically capture The Curse of Nephtar, though a hint of originality comes through. Here’s the elevator pitch: Pelegrin sounds like Elder, King Buffalo, and Slift collaborating on the Dune soundtrack. The latter two bands stand as especially apt comparables, seeing as Pelegrin is also a power trio. In his role as guitarist, François Roze deals in mixed-mode melodies, metal-adjacent chuggery, and psychedelic solos (“Eons”). Bassist Jason Recoing possesses a rattling tone that initiates grooves (“Sun and Blood”) and builds bridges (“Price to Pay”).2 Rounding out the trio, drummer Antoine Ebel establishes the album’s chill vibe, propelling the heavier riffs with a peppery swagger when needed (“Plenty”). Seasoning Pelegrin’s Middle Eastern tonalities with what they describe as ‘a dash of Arabian spices’ are guest vocals from Halima Joy and sound effects from Mathieu Houeix. Couched in organic, airy production, Pelegrin submits a unique enough entry into the contemporary pantheon of heavy psych rock with The Curse of Nephtar, even if the album isn’t as heavy as the band wants it to be.
In his role as vocalist, Roze vacillates between vibe-setting and hook-sinking on The Curse of Nephtar. His voice sits in a lower-to-upper middle range, sinking into the musical sand and then surfacing to attack. On standout song “In the Company of Stars,” Roze amplifies tasty psych grooves and key shifts with a catchy chorus, powered by bluesy undertones and riveting high notes. Other verses and choruses on The Curse of Nephtar, however, fail to reach these heights. Sometimes, it sounds like Roze is searching for a stable hook and not quite finding one. Because the music of Pelegrin isn’t overtly proggy, or heavy, or jammy, the vocals need to carry more memorability than they do. Still, Roze’s is not a bad performance by any means—his voice fits the psychedelic aura Pelegrin is going for.Like its vocals, The Curse of Nephtar’s narrative generally satisfies while leaving this listener wanting more. That striking black orb on the equally striking album cover is Nephtar itself, ever-so-slowly surfacing from a prehistoric ocean to subdue all living things on earth (humans included). Initiating the narrative, “Eons” overlays voiceovers that collide with the harmonization of the irresistible main riff, conveying a sense of grandeur.3 The shift from the upbeat “In the Company of Stars” to the doomier “Drawn to Nephtar” nicely veers the narrative into sinister terrain. Meanwhile, some songs don’t live up to their narrative station. “Price to Pay” serves sweet melodies, heavy riffs, and proggy tempo shifts, but Roze doesn’t quite convey the unleashing of chaos with his vocals. The same can be said for the epic closer, “Break the Omen”; it deals out delectable riffs and wah-wah solos, but Roze doesn’t vocally bring it home. The Curse of Nephtar clocks in at a somewhat svelte 43 minutes, which is a good and bad thing here. Pelegrin should be applauded for broaching a timely eco-political concept in a timeless, economical manner. Still, a little more time and space would suit this eons-in-the-making narrative.4
In the end, The Curse of Nephtar counts as a positive step forward for Pelegrin. The band has struggled on past efforts with the meandering temptations of psych rock, but their third album feels more immediate and impactful. Still, it’s hard not to hear Pelegrin’s latest as more potential than payoff, especially in the vocal department. In a year where Elder and Slift5 have released high-quality albums,6 The Curse of Nephtar sits below these stalwarts. But Pelegrin possess the tools for greatness, and I’ll definitely be keeping tabs on them.
Rating: 3.0/5.0
#2026 #30 #Elder #FrenchRock #KingBuffalo #Pelegrin #ProgressiveRock #PsychedelicRock #Review #Reviews #RippleMusic #Sep26 #Slift #StonerRock #TheCurseOfNephtar
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Ripple Music
Websites: Instagram | Facebook
Releases Worldwide: September 4th, 2026 -
Pelegrin – The Curse of Nephtar Review By Creeping IvyIn the proliferating bustle of the AMG promo bin, citing Elder, King Buffalo, and Slift as comparable artists will absolutely grab my attention. Hence, I seized The Curse of Nephtar, the third album from French psych-rockers Pelegrin, with much excitement. Thus Spoke, however, tempered my enthusiasm with her Mixed review of the band’s previous outing. While Thus enjoyed Ways of Avicenna (2023) for its groovin’ riffs and hooky choruses, she found these to be fleeting moments on an incoherent album.1 In their press sheet, Pelegrin promise that The Curse of Nephtar ups both the catchiness and heaviness factors. Meanwhile, the album’s narrative arc—an allegory about the tragic influence of fossil fuels on the Middle East and the world at large—suggests attention to cohesion.
The aforementioned acts sonically capture The Curse of Nephtar, though a hint of originality comes through. Here’s the elevator pitch: Pelegrin sounds like Elder, King Buffalo, and Slift collaborating on the Dune soundtrack. The latter two bands stand as especially apt comparables, seeing as Pelegrin is also a power trio. In his role as guitarist, François Roze deals in mixed-mode melodies, metal-adjacent chuggery, and psychedelic solos (“Eons”). Bassist Jason Recoing possesses a rattling tone that initiates grooves (“Sun and Blood”) and builds bridges (“Price to Pay”).2 Rounding out the trio, drummer Antoine Ebel establishes the album’s chill vibe, propelling the heavier riffs with a peppery swagger when needed (“Plenty”). Seasoning Pelegrin’s Middle Eastern tonalities with what they describe as ‘a dash of Arabian spices’ are guest vocals from Halima Joy and sound effects from Mathieu Houeix. Couched in organic, airy production, Pelegrin submits a unique enough entry into the contemporary pantheon of heavy psych rock with The Curse of Nephtar, even if the album isn’t as heavy as the band wants it to be.
In his role as vocalist, Roze vacillates between vibe-setting and hook-sinking on The Curse of Nephtar. His voice sits in a lower-to-upper middle range, sinking into the musical sand and then surfacing to attack. On standout song “In the Company of Stars,” Roze amplifies tasty psych grooves and key shifts with a catchy chorus, powered by bluesy undertones and riveting high notes. Other verses and choruses on The Curse of Nephtar, however, fail to reach these heights. Sometimes, it sounds like Roze is searching for a stable hook and not quite finding one. Because the music of Pelegrin isn’t overtly proggy, or heavy, or jammy, the vocals need to carry more memorability than they do. Still, Roze’s is not a bad performance by any means—his voice fits the psychedelic aura Pelegrin is going for.Like its vocals, The Curse of Nephtar’s narrative generally satisfies while leaving this listener wanting more. That striking black orb on the equally striking album cover is Nephtar itself, ever-so-slowly surfacing from a prehistoric ocean to subdue all living things on earth (humans included). Initiating the narrative, “Eons” overlays voiceovers that collide with the harmonization of the irresistible main riff, conveying a sense of grandeur.3 The shift from the upbeat “In the Company of Stars” to the doomier “Drawn to Nephtar” nicely veers the narrative into sinister terrain. Meanwhile, some songs don’t live up to their narrative station. “Price to Pay” serves sweet melodies, heavy riffs, and proggy tempo shifts, but Roze doesn’t quite convey the unleashing of chaos with his vocals. The same can be said for the epic closer, “Break the Omen”; it deals out delectable riffs and wah-wah solos, but Roze doesn’t vocally bring it home. The Curse of Nephtar clocks in at a somewhat svelte 43 minutes, which is a good and bad thing here. Pelegrin should be applauded for broaching a timely eco-political concept in a timeless, economical manner. Still, a little more time and space would suit this eons-in-the-making narrative.4
In the end, The Curse of Nephtar counts as a positive step forward for Pelegrin. The band has struggled on past efforts with the meandering temptations of psych rock, but their third album feels more immediate and impactful. Still, it’s hard not to hear Pelegrin’s latest as more potential than payoff, especially in the vocal department. In a year where Elder and Slift5 have released high-quality albums,6 The Curse of Nephtar sits below these stalwarts. But Pelegrin possess the tools for greatness, and I’ll definitely be keeping tabs on them.
Rating: 3.0/5.0
#2026 #30 #Elder #FrenchRock #KingBuffalo #Pelegrin #ProgressiveRock #PsychedelicRock #Review #Reviews #RippleMusic #Sep26 #Slift #StonerRock #TheCurseOfNephtar
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Ripple Music
Websites: Instagram | Facebook
Releases Worldwide: September 4th, 2026 -
Pelegrin – The Curse of Nephtar Review By Creeping IvyIn the proliferating bustle of the AMG promo bin, citing Elder, King Buffalo, and Slift as comparable artists will absolutely grab my attention. Hence, I seized The Curse of Nephtar, the third album from French psych-rockers Pelegrin, with much excitement. Thus Spoke, however, tempered my enthusiasm with her Mixed review of the band’s previous outing. While Thus enjoyed Ways of Avicenna (2023) for its groovin’ riffs and hooky choruses, she found these to be fleeting moments on an incoherent album.1 In their press sheet, Pelegrin promise that The Curse of Nephtar ups both the catchiness and heaviness factors. Meanwhile, the album’s narrative arc—an allegory about the tragic influence of fossil fuels on the Middle East and the world at large—suggests attention to cohesion.
The aforementioned acts sonically capture The Curse of Nephtar, though a hint of originality comes through. Here’s the elevator pitch: Pelegrin sounds like Elder, King Buffalo, and Slift collaborating on the Dune soundtrack. The latter two bands stand as especially apt comparables, seeing as Pelegrin is also a power trio. In his role as guitarist, François Roze deals in mixed-mode melodies, metal-adjacent chuggery, and psychedelic solos (“Eons”). Bassist Jason Recoing possesses a rattling tone that initiates grooves (“Sun and Blood”) and builds bridges (“Price to Pay”).2 Rounding out the trio, drummer Antoine Ebel establishes the album’s chill vibe, propelling the heavier riffs with a peppery swagger when needed (“Plenty”). Seasoning Pelegrin’s Middle Eastern tonalities with what they describe as ‘a dash of Arabian spices’ are guest vocals from Halima Joy and sound effects from Mathieu Houeix. Couched in organic, airy production, Pelegrin submits a unique enough entry into the contemporary pantheon of heavy psych rock with The Curse of Nephtar, even if the album isn’t as heavy as the band wants it to be.
In his role as vocalist, Roze vacillates between vibe-setting and hook-sinking on The Curse of Nephtar. His voice sits in a lower-to-upper middle range, sinking into the musical sand and then surfacing to attack. On standout song “In the Company of Stars,” Roze amplifies tasty psych grooves and key shifts with a catchy chorus, powered by bluesy undertones and riveting high notes. Other verses and choruses on The Curse of Nephtar, however, fail to reach these heights. Sometimes, it sounds like Roze is searching for a stable hook and not quite finding one. Because the music of Pelegrin isn’t overtly proggy, or heavy, or jammy, the vocals need to carry more memorability than they do. Still, Roze’s is not a bad performance by any means—his voice fits the psychedelic aura Pelegrin is going for.Like its vocals, The Curse of Nephtar’s narrative generally satisfies while leaving this listener wanting more. That striking black orb on the equally striking album cover is Nephtar itself, ever-so-slowly surfacing from a prehistoric ocean to subdue all living things on earth (humans included). Initiating the narrative, “Eons” overlays voiceovers that collide with the harmonization of the irresistible main riff, conveying a sense of grandeur.3 The shift from the upbeat “In the Company of Stars” to the doomier “Drawn to Nephtar” nicely veers the narrative into sinister terrain. Meanwhile, some songs don’t live up to their narrative station. “Price to Pay” serves sweet melodies, heavy riffs, and proggy tempo shifts, but Roze doesn’t quite convey the unleashing of chaos with his vocals. The same can be said for the epic closer, “Break the Omen”; it deals out delectable riffs and wah-wah solos, but Roze doesn’t vocally bring it home. The Curse of Nephtar clocks in at a somewhat svelte 43 minutes, which is a good and bad thing here. Pelegrin should be applauded for broaching a timely eco-political concept in a timeless, economical manner. Still, a little more time and space would suit this eons-in-the-making narrative.4
In the end, The Curse of Nephtar counts as a positive step forward for Pelegrin. The band has struggled on past efforts with the meandering temptations of psych rock, but their third album feels more immediate and impactful. Still, it’s hard not to hear Pelegrin’s latest as more potential than payoff, especially in the vocal department. In a year where Elder and Slift5 have released high-quality albums,6 The Curse of Nephtar sits below these stalwarts. But Pelegrin possess the tools for greatness, and I’ll definitely be keeping tabs on them.
Rating: 3.0/5.0
#2026 #30 #Elder #FrenchRock #KingBuffalo #Pelegrin #ProgressiveRock #PsychedelicRock #Review #Reviews #RippleMusic #Sep26 #Slift #StonerRock #TheCurseOfNephtar
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Ripple Music
Websites: Instagram | Facebook
Releases Worldwide: September 4th, 2026 -
Pelegrin – The Curse of Nephtar Review By Creeping IvyIn the proliferating bustle of the AMG promo bin, citing Elder, King Buffalo, and Slift as comparable artists will absolutely grab my attention. Hence, I seized The Curse of Nephtar, the third album from French psych-rockers Pelegrin, with much excitement. Thus Spoke, however, tempered my enthusiasm with her Mixed review of the band’s previous outing. While Thus enjoyed Ways of Avicenna (2023) for its groovin’ riffs and hooky choruses, she found these to be fleeting moments on an incoherent album.1 In their press sheet, Pelegrin promise that The Curse of Nephtar ups both the catchiness and heaviness factors. Meanwhile, the album’s narrative arc—an allegory about the tragic influence of fossil fuels on the Middle East and the world at large—suggests attention to cohesion.
The aforementioned acts sonically capture The Curse of Nephtar, though a hint of originality comes through. Here’s the elevator pitch: Pelegrin sounds like Elder, King Buffalo, and Slift collaborating on the Dune soundtrack. The latter two bands stand as especially apt comparables, seeing as Pelegrin is also a power trio. In his role as guitarist, François Roze deals in mixed-mode melodies, metal-adjacent chuggery, and psychedelic solos (“Eons”). Bassist Jason Recoing possesses a rattling tone that initiates grooves (“Sun and Blood”) and builds bridges (“Price to Pay”).2 Rounding out the trio, drummer Antoine Ebel establishes the album’s chill vibe, propelling the heavier riffs with a peppery swagger when needed (“Plenty”). Seasoning Pelegrin’s Middle Eastern tonalities with what they describe as ‘a dash of Arabian spices’ are guest vocals from Halima Joy and sound effects from Mathieu Houeix. Couched in organic, airy production, Pelegrin submits a unique enough entry into the contemporary pantheon of heavy psych rock with The Curse of Nephtar, even if the album isn’t as heavy as the band wants it to be.
In his role as vocalist, Roze vacillates between vibe-setting and hook-sinking on The Curse of Nephtar. His voice sits in a lower-to-upper middle range, sinking into the musical sand and then surfacing to attack. On standout song “In the Company of Stars,” Roze amplifies tasty psych grooves and key shifts with a catchy chorus, powered by bluesy undertones and riveting high notes. Other verses and choruses on The Curse of Nephtar, however, fail to reach these heights. Sometimes, it sounds like Roze is searching for a stable hook and not quite finding one. Because the music of Pelegrin isn’t overtly proggy, or heavy, or jammy, the vocals need to carry more memorability than they do. Still, Roze’s is not a bad performance by any means—his voice fits the psychedelic aura Pelegrin is going for.Like its vocals, The Curse of Nephtar’s narrative generally satisfies while leaving this listener wanting more. That striking black orb on the equally striking album cover is Nephtar itself, ever-so-slowly surfacing from a prehistoric ocean to subdue all living things on earth (humans included). Initiating the narrative, “Eons” overlays voiceovers that collide with the harmonization of the irresistible main riff, conveying a sense of grandeur.3 The shift from the upbeat “In the Company of Stars” to the doomier “Drawn to Nephtar” nicely veers the narrative into sinister terrain. Meanwhile, some songs don’t live up to their narrative station. “Price to Pay” serves sweet melodies, heavy riffs, and proggy tempo shifts, but Roze doesn’t quite convey the unleashing of chaos with his vocals. The same can be said for the epic closer, “Break the Omen”; it deals out delectable riffs and wah-wah solos, but Roze doesn’t vocally bring it home. The Curse of Nephtar clocks in at a somewhat svelte 43 minutes, which is a good and bad thing here. Pelegrin should be applauded for broaching a timely eco-political concept in a timeless, economical manner. Still, a little more time and space would suit this eons-in-the-making narrative.4
In the end, The Curse of Nephtar counts as a positive step forward for Pelegrin. The band has struggled on past efforts with the meandering temptations of psych rock, but their third album feels more immediate and impactful. Still, it’s hard not to hear Pelegrin’s latest as more potential than payoff, especially in the vocal department. In a year where Elder and Slift5 have released high-quality albums,6 The Curse of Nephtar sits below these stalwarts. But Pelegrin possess the tools for greatness, and I’ll definitely be keeping tabs on them.
Rating: 3.0/5.0
#2026 #30 #Elder #FrenchRock #KingBuffalo #Pelegrin #ProgressiveRock #PsychedelicRock #Review #Reviews #RippleMusic #Sep26 #Slift #StonerRock #TheCurseOfNephtar
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Ripple Music
Websites: Instagram | Facebook
Releases Worldwide: September 4th, 2026 -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2010s
-
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2020s
-
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #PsychedelicRock #StonerRock #2000s
-
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2010s
-
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2010s
-
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2010s
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KING BUFFALO verzichteten in Hamburg auf eine Vorband und ließen stattdessen von der ersten Sekunde an ihre eigene Klangwelt sprechen. Die insgesamt knappe 90-minütige Show war ein Musterbeispiel dafür, wie moderner Psychedelic und Stoner Rock klingen muss: repetitiv, druckvoll und zutiefst einnehmend. #kingbuffalo #stonerrock
https://www.burnyourears.de/live/54903-king-buffalo-in-der-markthalle-hamburg-hypnose-im-sitzen.html
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KING BUFFALO verzichteten in Hamburg auf eine Vorband und ließen stattdessen von der ersten Sekunde an ihre eigene Klangwelt sprechen. Die insgesamt knappe 90-minütige Show war ein Musterbeispiel dafür, wie moderner Psychedelic und Stoner Rock klingen muss: repetitiv, druckvoll und zutiefst einnehmend. #kingbuffalo #stonerrock
https://www.burnyourears.de/live/54903-king-buffalo-in-der-markthalle-hamburg-hypnose-im-sitzen.html
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KING BUFFALO verzichteten in Hamburg auf eine Vorband und ließen stattdessen von der ersten Sekunde an ihre eigene Klangwelt sprechen. Die insgesamt knappe 90-minütige Show war ein Musterbeispiel dafür, wie moderner Psychedelic und Stoner Rock klingen muss: repetitiv, druckvoll und zutiefst einnehmend. #kingbuffalo #stonerrock
https://www.burnyourears.de/live/54903-king-buffalo-in-der-markthalle-hamburg-hypnose-im-sitzen.html
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KING BUFFALO verzichteten in Hamburg auf eine Vorband und ließen stattdessen von der ersten Sekunde an ihre eigene Klangwelt sprechen. Die insgesamt knappe 90-minütige Show war ein Musterbeispiel dafür, wie moderner Psychedelic und Stoner Rock klingen muss: repetitiv, druckvoll und zutiefst einnehmend. #kingbuffalo #stonerrock
https://www.burnyourears.de/live/54903-king-buffalo-in-der-markthalle-hamburg-hypnose-im-sitzen.html
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KING BUFFALO verzichteten in Hamburg auf eine Vorband und ließen stattdessen von der ersten Sekunde an ihre eigene Klangwelt sprechen. Die insgesamt knappe 90-minütige Show war ein Musterbeispiel dafür, wie moderner Psychedelic und Stoner Rock klingen muss: repetitiv, druckvoll und zutiefst einnehmend. #kingbuffalo #stonerrock
https://www.burnyourears.de/live/54903-king-buffalo-in-der-markthalle-hamburg-hypnose-im-sitzen.html
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2010s
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2000s
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2010s
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2010s
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 King Buffalo - Balrog▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE#VortexWave #KingBuffalo #StonerRock #PsychedelicRock #2010s
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#nowplaying King Buffalo - Dead Star
One of the albums that got me back into vinyl records. Slowly but steadily building crescendos, excellent vocals and lyrics. "Eta Carinae" is probably one of my fave KB tracks.
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#nowplaying King Buffalo - Dead Star
One of the albums that got me back into vinyl records. Slowly but steadily building crescendos, excellent vocals and lyrics. "Eta Carinae" is probably one of my fave KB tracks.
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#nowplaying King Buffalo - Dead Star
One of the albums that got me back into vinyl records. Slowly but steadily building crescendos, excellent vocals and lyrics. "Eta Carinae" is probably one of my fave KB tracks.
-
#nowplaying King Buffalo - Dead Star
One of the albums that got me back into vinyl records. Slowly but steadily building crescendos, excellent vocals and lyrics. "Eta Carinae" is probably one of my fave KB tracks.
-
#nowplaying King Buffalo - Dead Star
One of the albums that got me back into vinyl records. Slowly but steadily building crescendos, excellent vocals and lyrics. "Eta Carinae" is probably one of my fave KB tracks.
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Gestern ein super mitreißendes Konzert von #kingbuffalo in #Dortmund im #pianoclub gesehen. #stonerrock
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Gestern ein super mitreißendes Konzert von #kingbuffalo in #Dortmund im #pianoclub gesehen. #stonerrock
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Gestern ein super mitreißendes Konzert von #kingbuffalo in #Dortmund im #pianoclub gesehen. #stonerrock
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Gestern ein super mitreißendes Konzert von #kingbuffalo in #Dortmund im #pianoclub gesehen. #stonerrock
