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#stonerrock — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #stonerrock, aggregated by home.social.

  1. Free download codes:

    Slippery When Wet - Pure Blood

    "A song about those nasty little side effects you weren't warned about"

    getmusic.fm/l/mwo8yO

    #metal #garagerock #hardrock #stonerrock #music

  2. Free download codes:

    Slippery When Wet - Pure Blood

    "A song about those nasty little side effects you weren't warned about"

    getmusic.fm/l/mwo8yO

    #metal #garagerock #hardrock #stonerrock #music

  3. Free download codes:

    Slippery When Wet - Pure Blood

    "A song about those nasty little side effects you weren't warned about"

    getmusic.fm/l/mwo8yO

    #metal #garagerock #hardrock #stonerrock #music

  4. Free download codes:

    Slippery When Wet - Pure Blood

    "A song about those nasty little side effects you weren't warned about"

    getmusic.fm/l/mwo8yO

    #metal #garagerock #hardrock #stonerrock #music

  5. Setting up inside a real cinema is always a thrill for us. Huge screen, heavy riffs, and hypnotic visuals filling up the whole room while everyone leans back in cinema chairs. We’ve put together an audiovisual ride we’re really excited to share live.

    To anyone around the Nuremberg or Middle Franconia area looking for a proper Saturday night trip: it’s just a short ride down south, and we’d love to have you with us.

    📅 Saturday, September 19, 2026
    ⏰ 21:00
    📍 Kino Center Weißenburg in Bayern

    #Fogdriver #PsychedelicRock #StonerRock #LiveVisuals #KinoKonzert #Weissenburg #Nürnberg #Mittelfranken #visualarts

  6. FRENZEE + KANNABINÕID | NEUE ZUKUNFT - Berlin

    Neue Zukunft, Wednesday, September 30 at 07:00 PM GMT+2

    FRENZEE + KANNABINÕID
    30.09.2026 - Neue Zukunft

    Doors: 19:00 Start: 20:00
    Tickets: https://www.greyzone-tickets.de/produkte/1296

    berlin.askapunk.de/event/frenz

  7. Anschließend etwas psychedelischer #StonerRock von #TheBlackAngels
    Gefällt mir ziemlich gut. Hypnotisch treibende Beats und ziemlich viel 70er Rock.
    #NowPlaying #vinyl #vinylrecords #Rock

  8. Anschließend etwas psychedelischer #StonerRock von #TheBlackAngels
    Gefällt mir ziemlich gut. Hypnotisch treibende Beats und ziemlich viel 70er Rock.
    #NowPlaying #vinyl #vinylrecords #Rock

  9. Anschließend etwas psychedelischer #StonerRock von #TheBlackAngels
    Gefällt mir ziemlich gut. Hypnotisch treibende Beats und ziemlich viel 70er Rock.
    #NowPlaying #vinyl #vinylrecords #Rock

  10. Anschließend etwas psychedelischer #StonerRock von #TheBlackAngels
    Gefällt mir ziemlich gut. Hypnotisch treibende Beats und ziemlich viel 70er Rock.
    #NowPlaying #vinyl #vinylrecords #Rock

  11. Anschließend etwas psychedelischer #StonerRock von #TheBlackAngels
    Gefällt mir ziemlich gut. Hypnotisch treibende Beats und ziemlich viel 70er Rock.
    #NowPlaying #vinyl #vinylrecords #Rock

  12. The Sonic Odyssey of Beaver: Amsterdam’s Unsung Heavy Rock Pioneers

    In the twilight of the 1980s, as synth-pop and glam metal dominated mainstream airwaves, something raw and thunderous was brewing in Amsterdam’s underground scene. Enter Beaver, a band that didn’t just play music—they conjured soundscapes from deep space and deep psyche. With fuzzed-out riffs, haunting rhythms, and a commitment to carving their own musical path, Beaver stands as one of Europe’s most underrated yet influential heavy rock acts. A Band is Born The origin story of […]

    phicklephilly.wordpress.com/20

  13. The Sonic Odyssey of Beaver: Amsterdam’s Unsung Heavy Rock Pioneers

    In the twilight of the 1980s, as synth-pop and glam metal dominated mainstream airwaves, something raw and thunderous was brewing in Amsterdam’s underground scene. Enter Beaver, a band that didn’t just play music—they conjured soundscapes from deep space and deep psyche. With fuzzed-out riffs, haunting rhythms, and a commitment to carving their own musical path, Beaver stands as one of Europe’s most underrated yet influential heavy rock acts. A Band is Born The origin story of […]

    phicklephilly.wordpress.com/20

  14. The Sonic Odyssey of Beaver: Amsterdam’s Unsung Heavy Rock Pioneers

    In the twilight of the 1980s, as synth-pop and glam metal dominated mainstream airwaves, something raw and thunderous was brewing in Amsterdam’s underground scene. Enter Beaver, a band that didn’t just play music—they conjured soundscapes from deep space and deep psyche. With fuzzed-out riffs, haunting rhythms, and a commitment to carving their own musical path, Beaver stands as one of Europe’s most underrated yet influential heavy rock acts. A Band is Born The origin story of […]

    phicklephilly.wordpress.com/20

  15. The Sonic Odyssey of Beaver: Amsterdam’s Unsung Heavy Rock Pioneers

    In the twilight of the 1980s, as synth-pop and glam metal dominated mainstream airwaves, something raw and thunderous was brewing in Amsterdam’s underground scene. Enter Beaver, a band that didn’t just play music—they conjured soundscapes from deep space and deep psyche. With fuzzed-out riffs, haunting rhythms, and a commitment to carving their own musical path, Beaver stands as one of Europe’s most underrated yet influential heavy rock acts. A Band is Born The origin story of […]

    phicklephilly.wordpress.com/20

  16. The Sonic Odyssey of Beaver: Amsterdam’s Unsung Heavy Rock Pioneers

    In the twilight of the 1980s, as synth-pop and glam metal dominated mainstream airwaves, something raw and thunderous was brewing in Amsterdam’s underground scene. Enter Beaver, a band that didn’t just play music—they conjured soundscapes from deep space and deep psyche. With fuzzed-out riffs, haunting rhythms, and a commitment to carving their own musical path, Beaver stands as one of Europe’s most underrated yet influential heavy rock acts. A Band is Born The origin story of […]

    phicklephilly.wordpress.com/20

  17. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎵 Queens Of The Stone Age - Tangled Up In Plaid (Album Version)

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #QueensOfTheStoneAge #StonerRock #AlternativeRock #2000s

  18. Last night's gig was #Sólstafir + #OranssiPazuzu + #Kylesa (Hulder opened but the show started too early for my meetings so we skipped them.)

    All were great, but Kylesa's drummer is *amazing*

    youtube.com/watch?v=v61N3EO18xE

    #BlackMetal #StonerRock #Psychedelic

  19. Restless Spirit – Restless Spirit Review By Steel Druhm

    When one thinks of Long Island, stoner doom may not be the first musical variant that comes to mind. Restless Spirit have been out to change that since 2015, dropping several EPs and 3 long players of massive, weighty music with toes in the pools frequented by Mastodon, C.O.C., and The Sword. 2023s Afterimage was a great album crushed beneath a disastrous production that made enjoyment nigh impossible. Now comes their self-titled 4th album and a bit of a course correction. It’s a lighter, more rocking effort with a sense of brightness and wistfulness embedded in the burly, beefy sound. It’s still something entirely well-suited for a biker bar, but what Restless Spirit does is put them in the same ballpark as acts like Clutch, Fireball Ministry, and Freedom Hawk, and just in time for summer sun and outdoor beer drinking. How could that be a bad thing?

    The things I love about Restless Spirit are still here, as opening track “The Burning Need” ably illustrates. It’s slick, bluesy, hard rock in the vein of C.O.C. with big riffs and feedback backing up Paul Alosio’s big, soulful bellows. It’s groovy, crunchy stuff with balls aplenty and a chorus that really pops and sticks in the craw, and you’d be forgiven for thinking this came from some southern crew rather than 3 guys from New York. The goods keep coming on “Hallowed,” which is a bit more spacey and moody, but the hooks are there, and the riffs do most of the talking, as they should. There’s a vintage Monster Magnet vibe in its DNA, and the guitar work is quite agile and interesting, with moments of introspective melancholy effectively stirred into the brew. “Desolations Wake” is a big moment, taking a rocked-out, rowdy approach to entertainingly punchy places with hard-charging guitar work that reminds a lot of Freedom Hawk. It’s got enough machismo to put extra hair on your nethers and make you want to punch a boulder. This one is heading right to my fun in the sun playlist with a bullet.

    Unfortunately, not everything Restless Spirit attempts is a home run, and while nothing here is bad, cuts like “Red in Tooth and Claw” feel a bit more generic and safe. While the nearly 7 minutes of “Time and Distance” pass pretty well thanks to the powerhouse guitar work and forceful vocals, it does feel a bit overlong by the end. The nearly 9-minute closer, “Phantom Pain,” features a 70s psych-rock flavor that reminds me of Wino’s solo material, and the laid-back, emotive guitars pair well with the rougher, heavy riffs. But the length isn’t entirely justified, and by the 6th minute, things start to feel too stretched out. At just over 40 minutes, tracks like these make Restless Spirit feel longer than it really is, despite a good amount of interesting ideas and solid performances across the board. On the good side, the production is vastly better than last time, feeling warm and bright. The guitars have the proper weight, and the drum sound is satisfyingly deep.

    The center of the Restless Spirit universe is Paul Alosio. His riffs and emotive fretboarding provide the foundation for everything, and he’s quite adept at crafting powerful, sinuous leads that grab your attention. Since this kind of music lives and dies by the riffs, he’s the prime mover, and move you he will as he dabbles in 70s rock and borrows from the expected wellsprings like Black Sabbath and Kyuss. He pairs his leads with an effectively rough but melodic vocal approach, and he’s at his best here, delivering with gravitas and soul. Marc Morello backs him up with thick, fat basslines that rumble and quake in all the best ways, while kitman Jon Gusman pounds away with abandon and a keen sense of groove. This is a talented trio, but their mostly good works get partially undermined by occasionally inconsistent writing and a bloat outbreak on the album’s ass-end.

    Restless Spirit is a lesser creature than Afterimage and Blood of the Old Gods, but when it hits the mark, it will leave a deep impression on your ears. It’s worth checking out though, and I’m still a big believer in what the future holds for Restless Spirit. Talent abides, and spirits lurk endlessly, after all. Hail the Isle of Long!

    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Magnetic Eye
    Websites: restlessspirit.bandcamp.com | facebook.com/restlessspiritny | instagram.com/restlessspirit
    Releases Worldwide: May 8th, 2026

    #2026 #30 #AmericanMetal #CorrosionOfConformity #DoomMetal #FreedomHawk #MagneticEyeRecords #May26 #RestlessSpirit #Review #Reviews #StonerRock
  20. Howling Giant – Crucible & Ruin Review

    By Dear Hollow

    Howling Giant occupies such an odd place within its scene. The Nashville collective is stoner metal and psych rock to the core in an energetic way that recalls the down-and-dirty acts like High on Fire or Mastodon, but layers of melody and creative chord usage feel progressive a la Intronaut or Baroness and the triple vocal harmonies are catchy yet evasive, not unlike Torche or Helmet. They also don’t take things too seriously, with a solid sense of humor and a relatable relationship with fans to bring their formidable technical skill to earth.1 Now a release removed from the formidable debut full-length The Space Between Stars and even more from the Black Hole Space Wizard suite, Howling Giant proves their worth once more.

    To address the elephant in the room, Glass Future saw Howling Giant’s progressive tendencies flying their freak flag too much. While attempting to keep the stoner murk and reconcile it with aptly crystalline melody, the band lost what is so great about them: solid songwriting. It’s completely contrary to what gave them the edge over genre mates Sergeant Thunderhoof in their dueling split – their head-first dabbling in more elusive chord progressions felt like a more stoner-inclined dime-store version of Intronaut’s Habitual Levitations. This is what makes third full-length Crucible & Ruin so refreshing:2 it’s everything you love about the Nashville now-quartet – and more. The template of killer riffs, soaring choruses, searing solos, and stoner haze is amplified by new guitarist/synth player Adrian Zambrano – adding layers and textures to Howling Giant’s already winning formula.

    Howling Giant feels reinvigorated with Crucible & Ruin. Songwriting prowess on full display, the kitchen sink of riff, solo, melody, and catchiness has never looked so clean. While some remnants of Glass Future hang around in more evasive chord structures and emphasis on melody (instrumental “Lesser Gods”), the tracks shift from the anthemic to the kickass, rounded out by the understated Helmet-esque triple-vocal attack – a potentially divisive element of Howling Giant’s sound –3 and that warm stoner haze. Chunky riffs dominate and add a jolt of energy (“Hunter’s Mark,” “Beholder I: Downfall”), while anthemic choruses and transcendent chord progressions take listeners to a psychedelic heaven (“Archon,” “Archivist”). Southern fried bluesy vibes a la All Them Witches also grace the vibe with a backwoods atmosphere (“Beholder II: Labyrinth,” “Melchor’s Bones”), paying homage to their home state of Tennessee. All assets culminate in the two parts of “Beholder,” the Phrygian key giving them a more epic and grandiose feel.

    With the addition of Zambrano, Howling Giant has never felt so fleshed out. Compared to the flashy vocals and melodies of Sergeant Thunderhoof, Howling Giant has always been a meat-and-potatoes type of band, but Crucible & Ruin finds the band building upon this template using more versatility in its musical arsenal. Layers of melodic overlays grace rhythmic punch a purpose and intensity (“Canyons,” “Scythe and Scepter”), the tasteful balance between the melodic and the skronky add intrigue and madness (“Hunter’s Mark,” “Archon,” “Beholder I: Downfall”), and ethereal atmosphere is built atop and duels with more downtuned riffs and bass (“Lesser Gods,” “Archivist,” “Beholder II: Labyrinth”). The dueling guitars add a much-needed and ridiculously tantalizing dimension that takes Howling Giant’s already solid sound to new heights.

    Howling Giant’s vocal approach of hyper harmonies will remain a divisive element, the central riff and spoken word of “Melchor’s Bones” can get a bit repetitive, and instrumental “Lesser Gods” is a bit questionable, but don’t let that distract you from the fact that it’s the band’s best album to date. Crucible & Ruin distills everything that makes Howling Giant great and beefs it up, weaponizing their already formidable songwriting with Zambrano’s melodic and textural synth and fretwork. Featuring riffs upon riffs with complex songwriting that doesn’t fly over listeners’ heads, relatable vocals that don’t lose their punch, and new guitar work that takes the band to new heights, across a forty-eight-minute runtime that zips by, it’s hard not to bob your head. While comparisons to Mastodon, Baroness, and Anciients are fair, Howling Giant is its own beast, an intersection of stoner haze, riffy intensity, and melodic taste. Crucible & Ruin caught me by surprise in the best way, and is sure to appear at year-end.

    Rating: 4.0/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Magnetic Eye Records
    Websites: howlinggiant.bandcamp.com | howlinggiant.com | facebook.com/howlinggiant
    Releases Worldwide: October 31st, 2025

    Show 3 footnotes

    1. Even their artwork was created by guitarist/vocalist Tom Polzine’s mother, Susan M. Davies, who has contributed artwork in the past.
    2. Fourth full-length if you count Black Hole Space Wizard, Part 2 in its qualifying length.
    3. Their ubiquitous harmonies remind me of the post-hardcore band Cry of the Afflicted.

    #2025 #40 #AllThemWitches #AmericanMetal #Anciients #Baroness #CrucibleRuin #CryOfTheAfflicted #Helmet #HighOnFire #HowlingGiant #Intronaut #MagneticEyeRecords #Mastodon #Oct25 #PsychedelicRock #Review #Reviews #SergeantThunderhoof #StonerDoomMetal #StonerMetal #StonerRock #Torche

  21. Desertfest 2025 ...so I’m off to sunny Camden Town to see the world’s finest collection of Orange amps and hear some of the finest crushingly loud music available. #desertfest #desertfest2025 #metal #doom #stonerrock #sludge #festivalreview #musicreview freq.org.uk/reviews/desertfest

  22. So, I was walking through an LP shop in Manhattan, and wanted to take something home (generally, but also as a “souvenir” from NYC).

    They didn't have a lot of rock music, but this album cover looked interesting. Bandcamp's genres said:

    #HardRock #StonerMetal #StonerRock

    So I thought: sure, sounds good, let's buy it without listening to it.

    Turns out it has the same #NewMetal-y / Emo lyrics like most music from the US 😩

    Won't be listening to this again.

    #MetalCringe

  23. Wer am Samstag (06.07.2024) keinen Bock auf #Breminale-Matsch hat: Holt euch eine Portion #Psychedelic/#Doom/#Stoner/#Rock im #Meisenfrei beim

    BREMER KRAUTSALAT No. 6

    mit „Arcane Allies“, „Liquid Orbit“ und „Tetrao Urogallus“. 🤘

    local-radio.de/bremer-krautsal

    #BluesClubMeisenfrei #Bremen #LiveMusik #Konzert #Gig #bands #StonerRock #KrautRock #LocalRadio #FreakRock

  24. Wer am Samstag (06.07.2024) keinen Bock auf #Breminale-Matsch hat: Holt euch eine Portion #Psychedelic/#Doom/#Stoner/#Rock im #Meisenfrei beim

    BREMER KRAUTSALAT No. 6

    mit „Arcane Allies“, „Liquid Orbit“ und „Tetrao Urogallus“. 🤘

    local-radio.de/bremer-krautsal

    #BluesClubMeisenfrei #Bremen #LiveMusik #Konzert #Gig #bands #StonerRock #KrautRock #LocalRadio #FreakRock

  25. Wer am Samstag (06.07.2024) keinen Bock auf #Breminale-Matsch hat: Holt euch eine Portion #Psychedelic/#Doom/#Stoner/#Rock im #Meisenfrei beim

    BREMER KRAUTSALAT No. 6

    mit „Arcane Allies“, „Liquid Orbit“ und „Tetrao Urogallus“. 🤘

    local-radio.de/bremer-krautsal

    #BluesClubMeisenfrei #Bremen #LiveMusik #Konzert #Gig #bands #StonerRock #KrautRock #LocalRadio #FreakRock

  26. Wer am Samstag (06.07.2024) keinen Bock auf #Breminale-Matsch hat: Holt euch eine Portion #Psychedelic/#Doom/#Stoner/#Rock im #Meisenfrei beim

    BREMER KRAUTSALAT No. 6

    mit „Arcane Allies“, „Liquid Orbit“ und „Tetrao Urogallus“. 🤘

    local-radio.de/bremer-krautsal

    #BluesClubMeisenfrei #Bremen #LiveMusik #Konzert #Gig #bands #StonerRock #KrautRock #LocalRadio #FreakRock

  27. Wer am Samstag (06.07.2024) keinen Bock auf #Breminale-Matsch hat: Holt euch eine Portion #Psychedelic/#Doom/#Stoner/#Rock im #Meisenfrei beim

    BREMER KRAUTSALAT No. 6

    mit „Arcane Allies“, „Liquid Orbit“ und „Tetrao Urogallus“. 🤘

    local-radio.de/bremer-krautsal

    #BluesClubMeisenfrei #Bremen #LiveMusik #Konzert #Gig #bands #StonerRock #KrautRock #LocalRadio #FreakRock