#ellende — Public Fediverse posts

𝗥𝘂𝘀𝘀𝗶𝘀𝗰𝗵𝗲 𝗸𝘂𝗻𝘀𝘁𝗲𝗻𝗮𝗮𝗿 𝘁𝗲𝗸𝗲𝗻𝘁 𝗶𝗻 𝗱𝗲 𝗰𝗲𝗹 𝗱𝗲 𝗲𝗹𝗹𝗲𝗻𝗱𝗲 𝘃𝗮𝗻 𝘇𝗶𝗰𝗵 𝗮𝗳 𝗺𝗲𝘁 𝗮𝘀, 𝗯𝗹𝗼𝗲𝗱 𝗲𝗻 𝘁𝗮𝗻𝗱𝗽𝗮𝘀𝘁𝗮

Sinds het begin van de Russische inval in Oekraïne is ook de repressie in Rusland zelf gigantisch toegenomen. Wie zich uitspreekt of durft te verzetten tegen de oorlog of het regime in Moskou, kan op zware celstraffen rekenen. In een overvolle cel in...

https://www.rtl.nl/nieuws/buitenland/artikel/5583120/pavel-krisevitsj-gevangenis-rusland-kunstenaar-tekeningen

#RussischeKunstenaar #Ellende #Celkunst

They fill you with the faults they had
And add some extra, just for you.

Ooteoote-serie Poetry in motion, 553: Philip Larkin, This be the verse
https://bit.ly/PIM553-larkin
#poëzie #animatie #Boekenweek #PhilipLarkin #generaties #doorgeven #ouders #kinderen #ellende

'𝗢𝗽𝗲𝗲𝗻𝘀𝘁𝗮𝗽𝗲𝗹𝗶𝗻𝗴 𝘃𝗮𝗻 𝗲𝗹𝗹𝗲𝗻𝗱𝗲' 𝘃𝗼𝗼𝗿 𝘀𝗰𝗵𝗲𝗽𝗲𝗻 𝗶𝗻 𝗦𝘁𝗿𝗮𝗮𝘁 𝘃𝗮𝗻 𝗛𝗼𝗿𝗺𝘂𝘇 𝗲𝗻 𝗦𝘂𝗲𝘇𝗸𝗮𝗻𝗮𝗮𝗹

Als schepen naar Europa willen varen, dan leverde dat al problemen op als ze door het Suezkanaal wilden gaan. De problemen met de Straat van Hormuz komen daar nog een keer bovenop. De twee belangrijke vaarroutes ondervinden momenteel de gevolgen van het conflict in...

https://www.rtl.nl/nieuws/economie/artikel/5573359/straat-van-hormuz-en-suezkanaal-opeenstapeling-van-ellende-voor

#Ellende #Schepen #Hormuz

https://www.europesays.com/nl/103450/ Ellende – Zerfall | Zware Metalen #2026 #albumreview #Amusement #AopRecords #austere #BlackMetal #Dutch #ellende #Entertainment #firtan #gris #groza #HarakiriForTheSky #igric #ImperiumDekadenz #karg #lantlôs #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NL #PostBlackMetal #servant #zerfall #ZwareMetalen

Hurtling into the new year with his heart on his sleeve (and bones on his shirt), Ellende’s one-man maestro L.G. bids to set a high bar for 2026. Zerfall, the band’s first new material since 2022,1 continues where Ellenbogengesellschaft left off, further polishing the allure of classically infused black metal. Conjuring comparisons to compatriots Harakiri for the Sky and Weltenbrandt,2 Austria’s Ellende lives somewhere between post and depressive black metal, unapologetically tackling poignant themes with passionate performances and crisp clarity. Translating to ‘decay,’ Zerfall examines the agony of a life fractured by loss and the painstaking endeavor to reclaim inner peace afterwards. Does Ellende’s latest prevail in capturing the haunting sting of tragedy and the catharsis of acceptance, or does it Zerfall short?

The aural evolution from Ellenbogengesellschaft to Zerfall flows like a frosty stream, with stirring strings and restrained piano evoking a sophisticated grace alongside Ellende’s more traditional blackened wrath. In many ways, the mettle that pushed Ellenbogengesellschaft to new heights shines even brighter here, packing more texture and ideas into Zerfall’s composition. In particular, the dedication to vocal variety begets a more nuanced performance and adds enticing wrinkles to an already dense soundscape. Choirs, whispers, and rasps swirl together in an eddy of sonic splendor, and as I revisit past Ellende albums, this dimension more than any other stands as a testament to how L.G. continues to find ways to refine and enrich his project’s musical identity.

Zerfall by Ellende

Performances across Zerfall dazzle, with the overarching imperative to buoy emotional impact before all else. While there’s little here to sate those who obsess over technical wizardry, I’ve rarely been so in tune with the spirit of music without understanding any of the words.3 Ellende’s central narrative on Zerfall follows a rollercoaster of emotional states, ranging from intense passion (“Wahrheit Teil I,” Wahrheit Teil II”) to sullen contemplation (“Übertritt”) and adventurous perspective-seeking (“Reise”). The music bolsters these themes, as resonant bass plucks support moments of introspection while anger and pain manifest in blackened wails (“Ode ans Licht”). Ellende’s fusion of feeling into melody sparkles with vitality, where even the two bonus tracks preserve (if not outright enhance) Zerfall’s tender luster. Throughout, dreamily sustained chords entwine with buzzing tremolos, drenching the album with atmosphere, while soulful guitar leads emerge with megadoses of seasoning to ensure proceedings are never bland (“Wahrheit Teil I,” “Zerfall”). Instrumentally, Zerfall presents a lush experience that rewards multiple listens to unravel and appreciate its complex flavors.

Besides Ellende’s lyrical and musical cohesion, Zerfall offers an organic production and boasts a track list that wards off weak songs as well as standout moments. The bright production and mix allow the intricate web of instrumentation to breathe, from the sharp percussive click of a pick on acoustic guitar to the slight warble of a bow’s stroke across a violin. No track is dispensable, either—opener “Nur” is closest, yet it effectively establishes Zerfall’s mood at the outset. What’s most telling as I examine my time with Zerfall is the consistency with which I’ve listened to it, both actively and passively. Every track has the same number of plays, and when I reflect on why, it’s clear that while no track should be skipped, no individual moment galvanizes me to spin it again outside of its surrounding context. For an album so steeped in impassioned expressionism, Zerfall never quite attains the zenith of drama needed to fully achieve a euphoric climax of mounting tension and emotion, and this missing ingredient holds it back from greatness.

In his review of Ellenbogengesellschaft, Doomy observed that each release hones Ellende’s songwriting. Zerfall is no exception, taking what worked on prior albums to cultivate a more mature iteration. What began as L.G.’s outlet for introverted misanthropy has developed into a layered project that wields pathos like a knife, cutting to your emotional core with a deft flick of the wrist. Musically, I remember 2025 getting off to a slow start, and Ellende excites me for what 2026 has in store. Even if the coming year doesn’t live up to expectations, Zerfall establishes a surefire safety net of quality and feels.

Rating: Very Good!!
DR: 7 | Format Reviewed: 320 kbps mp3
Label: AOP Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 2nd, 2026

Hurtling into the new year with his heart on his sleeve (and bones on his shirt), Ellende’s one-man maestro L.G. bids to set a high bar for 2026. Zerfall, the band’s first new material since 2022,1 continues where Ellenbogengesellschaft left off, further polishing the allure of classically infused black metal. Conjuring comparisons to compatriots Harakiri for the Sky and Weltenbrandt,2 Austria’s Ellende lives somewhere between post and depressive black metal, unapologetically tackling poignant themes with passionate performances and crisp clarity. Translating to ‘decay,’ Zerfall examines the agony of a life fractured by loss and the painstaking endeavor to reclaim inner peace afterwards. Does Ellende’s latest prevail in capturing the haunting sting of tragedy and the catharsis of acceptance, or does it Zerfall short?

The aural evolution from Ellenbogengesellschaft to Zerfall flows like a frosty stream, with stirring strings and restrained piano evoking a sophisticated grace alongside Ellende’s more traditional blackened wrath. In many ways, the mettle that pushed Ellenbogengesellschaft to new heights shines even brighter here, packing more texture and ideas into Zerfall’s composition. In particular, the dedication to vocal variety begets a more nuanced performance and adds enticing wrinkles to an already dense soundscape. Choirs, whispers, and rasps swirl together in an eddy of sonic splendor, and as I revisit past Ellende albums, this dimension more than any other stands as a testament to how L.G. continues to find ways to refine and enrich his project’s musical identity.

Zerfall by Ellende

Performances across Zerfall dazzle, with the overarching imperative to buoy emotional impact before all else. While there’s little here to sate those who obsess over technical wizardry, I’ve rarely been so in tune with the spirit of music without understanding any of the words.3 Ellende’s central narrative on Zerfall follows a rollercoaster of emotional states, ranging from intense passion (“Wahrheit Teil I,” Wahrheit Teil II”) to sullen contemplation (“Übertritt”) and adventurous perspective-seeking (“Reise”). The music bolsters these themes, as resonant bass plucks support moments of introspection while anger and pain manifest in blackened wails (“Ode ans Licht”). Ellende’s fusion of feeling into melody sparkles with vitality, where even the two bonus tracks preserve (if not outright enhance) Zerfall’s tender luster. Throughout, dreamily sustained chords entwine with buzzing tremolos, drenching the album with atmosphere, while soulful guitar leads emerge with megadoses of seasoning to ensure proceedings are never bland (“Wahrheit Teil I,” “Zerfall”). Instrumentally, Zerfall presents a lush experience that rewards multiple listens to unravel and appreciate its complex flavors.

Besides Ellende’s lyrical and musical cohesion, Zerfall offers an organic production and boasts a track list that wards off weak songs as well as standout moments. The bright production and mix allow the intricate web of instrumentation to breathe, from the sharp percussive click of a pick on acoustic guitar to the slight warble of a bow’s stroke across a violin. No track is dispensable, either—opener “Nur” is closest, yet it effectively establishes Zerfall’s mood at the outset. What’s most telling as I examine my time with Zerfall is the consistency with which I’ve listened to it, both actively and passively. Every track has the same number of plays, and when I reflect on why, it’s clear that while no track should be skipped, no individual moment galvanizes me to spin it again outside of its surrounding context. For an album so steeped in impassioned expressionism, Zerfall never quite attains the zenith of drama needed to fully achieve a euphoric climax of mounting tension and emotion, and this missing ingredient holds it back from greatness.

In his review of Ellenbogengesellschaft, Doomy observed that each release hones Ellende’s songwriting. Zerfall is no exception, taking what worked on prior albums to cultivate a more mature iteration. What began as L.G.’s outlet for introverted misanthropy has developed into a layered project that wields pathos like a knife, cutting to your emotional core with a deft flick of the wrist. Musically, I remember 2025 getting off to a slow start, and Ellende excites me for what 2026 has in store. Even if the coming year doesn’t live up to expectations, Zerfall establishes a surefire safety net of quality and feels.

Rating: Very Good!!
DR: 7 | Format Reviewed: 320 kbps mp3
Label: AOP Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 2nd, 2026

Hurtling into the new year with his heart on his sleeve (and bones on his shirt), Ellende’s one-man maestro L.G. bids to set a high bar for 2026. Zerfall, the band’s first new material since 2022,1 continues where Ellenbogengesellschaft left off, further polishing the allure of classically infused black metal. Conjuring comparisons to compatriots Harakiri for the Sky and Weltenbrandt,2 Austria’s Ellende lives somewhere between post and depressive black metal, unapologetically tackling poignant themes with passionate performances and crisp clarity. Translating to ‘decay,’ Zerfall examines the agony of a life fractured by loss and the painstaking endeavor to reclaim inner peace afterwards. Does Ellende’s latest prevail in capturing the haunting sting of tragedy and the catharsis of acceptance, or does it Zerfall short?

The aural evolution from Ellenbogengesellschaft to Zerfall flows like a frosty stream, with stirring strings and restrained piano evoking a sophisticated grace alongside Ellende’s more traditional blackened wrath. In many ways, the mettle that pushed Ellenbogengesellschaft to new heights shines even brighter here, packing more texture and ideas into Zerfall’s composition. In particular, the dedication to vocal variety begets a more nuanced performance and adds enticing wrinkles to an already dense soundscape. Choirs, whispers, and rasps swirl together in an eddy of sonic splendor, and as I revisit past Ellende albums, this dimension more than any other stands as a testament to how L.G. continues to find ways to refine and enrich his project’s musical identity.

Zerfall by Ellende

Performances across Zerfall dazzle, with the overarching imperative to buoy emotional impact before all else. While there’s little here to sate those who obsess over technical wizardry, I’ve rarely been so in tune with the spirit of music without understanding any of the words.3 Ellende’s central narrative on Zerfall follows a rollercoaster of emotional states, ranging from intense passion (“Wahrheit Teil I,” Wahrheit Teil II”) to sullen contemplation (“Übertritt”) and adventurous perspective-seeking (“Reise”). The music bolsters these themes, as resonant bass plucks support moments of introspection while anger and pain manifest in blackened wails (“Ode ans Licht”). Ellende’s fusion of feeling into melody sparkles with vitality, where even the two bonus tracks preserve (if not outright enhance) Zerfall’s tender luster. Throughout, dreamily sustained chords entwine with buzzing tremolos, drenching the album with atmosphere, while soulful guitar leads emerge with megadoses of seasoning to ensure proceedings are never bland (“Wahrheit Teil I,” “Zerfall”). Instrumentally, Zerfall presents a lush experience that rewards multiple listens to unravel and appreciate its complex flavors.

Besides Ellende’s lyrical and musical cohesion, Zerfall offers an organic production and boasts a track list that wards off weak songs as well as standout moments. The bright production and mix allow the intricate web of instrumentation to breathe, from the sharp percussive click of a pick on acoustic guitar to the slight warble of a bow’s stroke across a violin. No track is dispensable, either—opener “Nur” is closest, yet it effectively establishes Zerfall’s mood at the outset. What’s most telling as I examine my time with Zerfall is the consistency with which I’ve listened to it, both actively and passively. Every track has the same number of plays, and when I reflect on why, it’s clear that while no track should be skipped, no individual moment galvanizes me to spin it again outside of its surrounding context. For an album so steeped in impassioned expressionism, Zerfall never quite attains the zenith of drama needed to fully achieve a euphoric climax of mounting tension and emotion, and this missing ingredient holds it back from greatness.

In his review of Ellenbogengesellschaft, Doomy observed that each release hones Ellende’s songwriting. Zerfall is no exception, taking what worked on prior albums to cultivate a more mature iteration. What began as L.G.’s outlet for introverted misanthropy has developed into a layered project that wields pathos like a knife, cutting to your emotional core with a deft flick of the wrist. Musically, I remember 2025 getting off to a slow start, and Ellende excites me for what 2026 has in store. Even if the coming year doesn’t live up to expectations, Zerfall establishes a surefire safety net of quality and feels.

Rating: Very Good!!
DR: 7 | Format Reviewed: 320 kbps mp3
Label: AOP Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 2nd, 2026

Hurtling into the new year with his heart on his sleeve (and bones on his shirt), Ellende’s one-man maestro L.G. bids to set a high bar for 2026. Zerfall, the band’s first new material since 2022,1 continues where Ellenbogengesellschaft left off, further polishing the allure of classically infused black metal. Conjuring comparisons to compatriots Harakiri for the Sky and Weltenbrandt,2 Austria’s Ellende lives somewhere between post and depressive black metal, unapologetically tackling poignant themes with passionate performances and crisp clarity. Translating to ‘decay,’ Zerfall examines the agony of a life fractured by loss and the painstaking endeavor to reclaim inner peace afterwards. Does Ellende’s latest prevail in capturing the haunting sting of tragedy and the catharsis of acceptance, or does it Zerfall short?

The aural evolution from Ellenbogengesellschaft to Zerfall flows like a frosty stream, with stirring strings and restrained piano evoking a sophisticated grace alongside Ellende’s more traditional blackened wrath. In many ways, the mettle that pushed Ellenbogengesellschaft to new heights shines even brighter here, packing more texture and ideas into Zerfall’s composition. In particular, the dedication to vocal variety begets a more nuanced performance and adds enticing wrinkles to an already dense soundscape. Choirs, whispers, and rasps swirl together in an eddy of sonic splendor, and as I revisit past Ellende albums, this dimension more than any other stands as a testament to how L.G. continues to find ways to refine and enrich his project’s musical identity.

Zerfall by Ellende

Performances across Zerfall dazzle, with the overarching imperative to buoy emotional impact before all else. While there’s little here to sate those who obsess over technical wizardry, I’ve rarely been so in tune with the spirit of music without understanding any of the words.3 Ellende’s central narrative on Zerfall follows a rollercoaster of emotional states, ranging from intense passion (“Wahrheit Teil I,” Wahrheit Teil II”) to sullen contemplation (“Übertritt”) and adventurous perspective-seeking (“Reise”). The music bolsters these themes, as resonant bass plucks support moments of introspection while anger and pain manifest in blackened wails (“Ode ans Licht”). Ellende’s fusion of feeling into melody sparkles with vitality, where even the two bonus tracks preserve (if not outright enhance) Zerfall’s tender luster. Throughout, dreamily sustained chords entwine with buzzing tremolos, drenching the album with atmosphere, while soulful guitar leads emerge with megadoses of seasoning to ensure proceedings are never bland (“Wahrheit Teil I,” “Zerfall”). Instrumentally, Zerfall presents a lush experience that rewards multiple listens to unravel and appreciate its complex flavors.

Besides Ellende’s lyrical and musical cohesion, Zerfall offers an organic production and boasts a track list that wards off weak songs as well as standout moments. The bright production and mix allow the intricate web of instrumentation to breathe, from the sharp percussive click of a pick on acoustic guitar to the slight warble of a bow’s stroke across a violin. No track is dispensable, either—opener “Nur” is closest, yet it effectively establishes Zerfall’s mood at the outset. What’s most telling as I examine my time with Zerfall is the consistency with which I’ve listened to it, both actively and passively. Every track has the same number of plays, and when I reflect on why, it’s clear that while no track should be skipped, no individual moment galvanizes me to spin it again outside of its surrounding context. For an album so steeped in impassioned expressionism, Zerfall never quite attains the zenith of drama needed to fully achieve a euphoric climax of mounting tension and emotion, and this missing ingredient holds it back from greatness.

In his review of Ellenbogengesellschaft, Doomy observed that each release hones Ellende’s songwriting. Zerfall is no exception, taking what worked on prior albums to cultivate a more mature iteration. What began as L.G.’s outlet for introverted misanthropy has developed into a layered project that wields pathos like a knife, cutting to your emotional core with a deft flick of the wrist. Musically, I remember 2025 getting off to a slow start, and Ellende excites me for what 2026 has in store. Even if the coming year doesn’t live up to expectations, Zerfall establishes a surefire safety net of quality and feels.

Rating: Very Good!!
DR: 7 | Format Reviewed: 320 kbps mp3
Label: AOP Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 2nd, 2026

Hurtling into the new year with his heart on his sleeve (and bones on his shirt), Ellende’s one-man maestro L.G. bids to set a high bar for 2026. Zerfall, the band’s first new material since 2022,1 continues where Ellenbogengesellschaft left off, further polishing the allure of classically infused black metal. Conjuring comparisons to compatriots Harakiri for the Sky and Weltenbrandt,2 Austria’s Ellende lives somewhere between post and depressive black metal, unapologetically tackling poignant themes with passionate performances and crisp clarity. Translating to ‘decay,’ Zerfall examines the agony of a life fractured by loss and the painstaking endeavor to reclaim inner peace afterwards. Does Ellende’s latest prevail in capturing the haunting sting of tragedy and the catharsis of acceptance, or does it Zerfall short?

The aural evolution from Ellenbogengesellschaft to Zerfall flows like a frosty stream, with stirring strings and restrained piano evoking a sophisticated grace alongside Ellende’s more traditional blackened wrath. In many ways, the mettle that pushed Ellenbogengesellschaft to new heights shines even brighter here, packing more texture and ideas into Zerfall’s composition. In particular, the dedication to vocal variety begets a more nuanced performance and adds enticing wrinkles to an already dense soundscape. Choirs, whispers, and rasps swirl together in an eddy of sonic splendor, and as I revisit past Ellende albums, this dimension more than any other stands as a testament to how L.G. continues to find ways to refine and enrich his project’s musical identity.

Zerfall by Ellende

Performances across Zerfall dazzle, with the overarching imperative to buoy emotional impact before all else. While there’s little here to sate those who obsess over technical wizardry, I’ve rarely been so in tune with the spirit of music without understanding any of the words.3 Ellende’s central narrative on Zerfall follows a rollercoaster of emotional states, ranging from intense passion (“Wahrheit Teil I,” Wahrheit Teil II”) to sullen contemplation (“Übertritt”) and adventurous perspective-seeking (“Reise”). The music bolsters these themes, as resonant bass plucks support moments of introspection while anger and pain manifest in blackened wails (“Ode ans Licht”). Ellende’s fusion of feeling into melody sparkles with vitality, where even the two bonus tracks preserve (if not outright enhance) Zerfall’s tender luster. Throughout, dreamily sustained chords entwine with buzzing tremolos, drenching the album with atmosphere, while soulful guitar leads emerge with megadoses of seasoning to ensure proceedings are never bland (“Wahrheit Teil I,” “Zerfall”). Instrumentally, Zerfall presents a lush experience that rewards multiple listens to unravel and appreciate its complex flavors.

Besides Ellende’s lyrical and musical cohesion, Zerfall offers an organic production and boasts a track list that wards off weak songs as well as standout moments. The bright production and mix allow the intricate web of instrumentation to breathe, from the sharp percussive click of a pick on acoustic guitar to the slight warble of a bow’s stroke across a violin. No track is dispensable, either—opener “Nur” is closest, yet it effectively establishes Zerfall’s mood at the outset. What’s most telling as I examine my time with Zerfall is the consistency with which I’ve listened to it, both actively and passively. Every track has the same number of plays, and when I reflect on why, it’s clear that while no track should be skipped, no individual moment galvanizes me to spin it again outside of its surrounding context. For an album so steeped in impassioned expressionism, Zerfall never quite attains the zenith of drama needed to fully achieve a euphoric climax of mounting tension and emotion, and this missing ingredient holds it back from greatness.

In his review of Ellenbogengesellschaft, Doomy observed that each release hones Ellende’s songwriting. Zerfall is no exception, taking what worked on prior albums to cultivate a more mature iteration. What began as L.G.’s outlet for introverted misanthropy has developed into a layered project that wields pathos like a knife, cutting to your emotional core with a deft flick of the wrist. Musically, I remember 2025 getting off to a slow start, and Ellende excites me for what 2026 has in store. Even if the coming year doesn’t live up to expectations, Zerfall establishes a surefire safety net of quality and feels.

Rating: Very Good!!
DR: 7 | Format Reviewed: 320 kbps mp3
Label: AOP Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 2nd, 2026

Das neue Jahr macht leider da weiter, wo das letzte aufgehört hat. Da kommt mir das neue, absolut brillante Album von #Ellende gerade recht. #BlackMetal #Metal #SoundtrackOfMyLife https://m.youtube.com/watch?v=qZ8t9kho-qU

@HeyeBodo Liste kommt in meinem Jahresrückblick, aber bei den Konzerten waren #Yellowcard , #DeathByRomy und #Ellende vorne mit dabei. Auf Konserve #Kauan und #LabyrinthusStellarum . WTGs „Wie kann man in diesen Zeiten tanzen“ war auch wichtig.

@HeyeBodo Liste kommt in meinem Jahresrückblick, aber bei den Konzerten waren #Yellowcard , #DeathByRomy und #Ellende vorne mit dabei. Auf Konserve #Kauan und #LabyrinthusStellarum . WTGs „Wie kann man in diesen Zeiten tanzen“ war auch wichtig.

@HeyeBodo Liste kommt in meinem Jahresrückblick, aber bei den Konzerten waren #Yellowcard , #DeathByRomy und #Ellende vorne mit dabei. Auf Konserve #Kauan und #LabyrinthusStellarum . WTGs „Wie kann man in diesen Zeiten tanzen“ war auch wichtig.

During the #DerWegEinerFreiheit Concert I spottet a lot of people with #Ellende shirts. I finally remembered to give them a listen and it's pretty good #BlackMetal .

Guess I'll use #BandCampFriday for some Ellende-Shopping.

Edit: Mmmhm, you can even buy the complete digital discography for 44€. Tempting.

https://ellende.bandcamp.com/album/todbringerin

okay, that’s my gig! 😦
#Ellende #Karg #Firtan

ELLENDE (Àustria) presenta nou single: "Zerfall" #Ellende #PostBlackMetal #Octubre2025 #Àustria #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic

@ivolimmen Odido zuigt enorm op alle fronten. T-Mobile had service, maar Odido... #ellende

𝗚𝗼𝗿𝗱𝗼𝗻 𝗵𝗲𝗲𝗳𝘁 '𝗲𝗹𝗹𝗲𝗻𝗱𝗲 𝗺𝗲𝘁 𝗹𝘂𝗰𝗵𝘁𝘄𝗲𝗴𝗲𝗻'

Gordon heeft "al twee weken lang ellende met de luchtwegen". Dat zei de zanger en presentator woensdag in de ochtendshow Jan-Willem Start Op! op NPO Radio 2. "Ik hoop dat het snel opknapt", aldus een schorre Gordon.

https://www.rtl.nl/boulevard/artikel/5523035/gordon-heeft-ellende-met-luchtwegen

#Gordon #ellende #luchtwegen

𝗗𝗶𝘁 𝗱𝗼𝗲𝘁 𝗲𝗲𝗻 𝘁𝗶𝗷𝗱𝗹𝗶𝗷𝗻 𝘃𝗼𝗹 𝗼𝗼𝗿𝗹𝗼𝗴 𝗲𝗻 𝗲𝗹𝗹𝗲𝗻𝗱𝗲 𝗺𝗲𝘁 𝗼𝗻𝘀 𝗴𝗲𝗺𝗼𝗲𝗱, 𝘃𝗼𝗹𝗴𝗲𝗻𝘀 𝗲𝘅𝗽𝗲𝗿𝘁𝘀

De oorlog in Oekraïne, hartverscheurende beelden uit Gaza en wapengeweld tussen Israël en Iran. We worden via (sociale) media de hele dag bestookt met oorlogsbeelden. Wat doen al die beelden met ons? Maakt het ons onverschillig of juist meer betrokken?

https://www.rtl.nl/nieuws/buitenland/artikel/5514267/doomscrolling-hoe-oorlog-op-je-scherm-je-gevoel-beinvloedt

#Oorlog #Ellende #Gemoed

Volgens het NOStalgische #NOSjournaal was #oudjaarsavond voor de meeste mensen een groot feest (de overige dieren werden niet genoemd).
Daarna volgde een opsomming van een en al doffe #ellende.
Kom op nou, journalisten van de NOS, doe niet zo gezellig en PVV-pleaserig. Dat hele oudjaarsgedoe is inmiddels een tijdelijke hel van lawaaiplezier en alcoholmisbruik (niet perse in die volgorde).

#Vuurwerk #PleaseFuckOff
#vuurwerkverbod #Doei

Volgens het NOStalgische #NOSjournaal was #oudjaarsavond voor de meeste mensen een groot feest (de overige dieren werden niet genoemd).
Daarna volgde een opsomming van een en al doffe #ellende.
Kom op nou, journalisten van de NOS, doe niet zo gezellig en PVV-pleaserig. Dat hele oudjaarsgedoe is inmiddels een tijdelijke hel van lawaaiplezier en alcoholmisbruik (niet perse in die volgorde).

#Vuurwerk #PleaseFuckOff
#vuurwerkverbod #Doei

𝗝𝗲𝗻𝗻𝗲𝗸𝗲 𝗺𝗶𝗷𝗱𝘁 𝗵𝗲𝘁 𝗻𝗶𝗲𝘂𝘄𝘀, 𝗻𝗲𝘁 𝗮𝗹𝘀 𝗱𝘂𝗶𝘇𝗲𝗻𝗱𝗲𝗻 𝗮𝗻𝗱𝗲𝗿𝗲𝗻: '𝗔𝗹 𝗱𝗶𝗲 𝗲𝗹𝗹𝗲𝗻𝗱𝗲, 𝗶𝗸 𝘁𝗿𝗲𝗸 𝗵𝗲𝘁 𝗻𝗶𝗲𝘁'

Het Rode Kruis maakt zich zorgen: steeds meer mensen mijden het nieuws. Hoe erg is het als mensen geen nieuws meer kijken, luisteren of lezen? En waarom doen we het? "Ik trok het niet meer, al die ellende."

https://www.rtl.nl/nieuws/artikel/5482128/steeds-meer-nieuwsmijders-vanwege-teveel-ellende-rode-kruis-bezorgd-we-mogen

#Jenneke #mijdt #ellende

𝗠𝗶𝗰𝗵𝗲𝗹𝗹𝗮 𝗞𝗼𝘅 𝘄𝗲𝗿𝗸𝘁 𝗮𝗮𝗻 𝗻𝗶𝗲𝘂𝘄𝗲 '𝘄𝗲𝗿𝗲𝗹𝗱𝗵𝗶𝘁': '𝗪𝗮𝘁 𝗲𝗲𝗻 𝗲𝗹𝗹𝗲𝗻𝗱𝗲'

Mensen kennen Michella Kox (44) niet alleen van haar deelname aan realityshows, maar ook van haar wereldhits als 'Wat Een Ellende' en 'Kakkerlak Met Nagellak'. Goed nieuws voor de fans van Mies, want ze komt met nieuwe ellende! Eh... muziek!

https://www.rtl.nl/boulevard/entertainment/artikel/5474264/michella-kox-nieuwe-muziek-jungle

#MichellaKox #wereldhit #ellende

𝗠𝗶𝗰𝗵𝗲𝗹𝗹𝗮 𝗞𝗼𝘅 𝘄𝗲𝗿𝗸𝘁 𝗮𝗮𝗻 𝗻𝗶𝗲𝘂𝘄𝗲 '𝘄𝗲𝗿𝗲𝗹𝗱𝗵𝗶𝘁': '𝗪𝗮𝘁 𝗲𝗲𝗻 𝗲𝗹𝗹𝗲𝗻𝗱𝗲'

Mensen kennen Michella Kox (44) niet alleen van haar deelname aan realityshows, maar ook van haar wereldhits als 'Wat Een Ellende' en 'Kakkerlak Met Nagellak'. Goed nieuws voor de fans van Mies, want ze komt met nieuwe ellende! Eh... muziek!

https://www.rtl.nl/boulevard/entertainment/artikel/5474264/michella-kox-nieuwe-muziek-jungle

#MichellaKox #wereldhit #ellende

𝗠𝗶𝗰𝗵𝗲𝗹𝗹𝗮 𝗞𝗼𝘅 𝘄𝗲𝗲𝗿 𝘁𝗲𝗿𝘂𝗴 𝘂𝗶𝘁 𝗱𝗲 𝗷𝘂𝗻𝗴𝗹𝗲: '𝗪𝗮𝘁 𝗲𝗲𝗻 𝗲𝗹𝗹𝗲𝗻𝗱𝗲'

Michella Kox (44) heeft de jungle weer ingeruild voor ons kikkerlandje. De realityster is terug van de opnames van 'Echte Meisjes in de Jungle'.

https://www.rtl.nl/boulevard/entertainment/artikel/5471533/michella-kox-terug-echte-meisjes-de-jungle

#MichellaKox #jungle #ellende

#TheMetalDogArticleList #GhostCultMagazine ALBUM REVIEW: Ellende - Todbringerin - Ghost Cult Magazine ghostcultmag.com/album-review... #Ellende #Todbringerin #AOPRecords #AtmosphericBlackMetal #BlackMetal #MattCook #AlbumReview #TaylorSwift

#TheMetalDogArticleList
#GhostCultMagazine
ALBUM REVIEW: Ellende - Todbringerin - Ghost Cult Magazine

https://ghostcultmag.com/album-review-ellende-todbringerin-aop-records/

#Ellende #Todbringerin #AOPRecords #AtmosphericBlackMetal #BlackMetal #MattCook #AlbumReview #TaylorSwift

#TheMetalDogArticleList
#GhostCultMagazine
ALBUM REVIEW: Ellende - Todbringerin - Ghost Cult Magazine

https://ghostcultmag.com/album-review-ellende-todbringerin-aop-records/

#Ellende #Todbringerin #AOPRecords #AtmosphericBlackMetal #BlackMetal #MattCook #AlbumReview #TaylorSwift

#TheMetalDogArticleList
#GhostCultMagazine
ALBUM REVIEW: Ellende - Todbringerin - Ghost Cult Magazine

https://ghostcultmag.com/album-review-ellende-todbringerin-aop-records/

#Ellende #Todbringerin #AOPRecords #AtmosphericBlackMetal #BlackMetal #MattCook #AlbumReview #TaylorSwift

#TheMetalDogArticleList
#GhostCultMagazine
ALBUM REVIEW: Ellende - Todbringerin - Ghost Cult Magazine

https://ghostcultmag.com/album-review-ellende-todbringerin-aop-records/

#Ellende #Todbringerin #AOPRecords #AtmosphericBlackMetal #BlackMetal #MattCook #AlbumReview #TaylorSwift

#TheMetalDogArticleList
#GhostCultMagazine
ALBUM REVIEW: Ellende - Todbringerin - Ghost Cult Magazine

https://ghostcultmag.com/album-review-ellende-todbringerin-aop-records/

#Ellende #Todbringerin #AOPRecords #AtmosphericBlackMetal #BlackMetal #MattCook #AlbumReview #TaylorSwift

Weltenbrandt – Transzendenz Schatten Romantik Review

By Steel Druhm

Written by: Nameless-n00b_86

As the temperature where I live begins to inch downward, I find serenity in bleak yet beautiful post-black metal. Weltenbrandt is a relatively new Austrian post-black band looking to make a name for themselves in the review scene with their second full-length album Transzendenz Schatten Romantik. This is fitting because I, too, am attempting to make a name for myself—both literally and figuratively—on the other side of the review process.1 I eagerly tore open my very first promo, which informed me of several guest vocalist appearances from bands like Harakiri for the Sky and Ellende (among others). While I went in with few expectations for Weltenbrandt, they were slightly raised by virtue of association with such heavy hitters in the genre. Can Weltenbrandt reach the same level of quality and—perhaps more importantly—differentiate themselves from their peers?

A somewhat paradoxical duality is immediately apparent when listening to Transzendenz Schatten Romantik. Half the album is composed of melodic black metal, most commonly with mid-paced tremolo riffs and a dolorous atmosphere similar to NONE. The other half expands upon the sound of the debut album Schöpfung with heartfelt instrumental sections in the vein of Unreqvited. On paper, neither of these components is particularly new or noteworthy. However, what makes Transzendenz Schatten Romantik impressive is the ease with which it ebbs and flows between the black metal and the peaceful instrumental passages. For instance, “Prana” opens with a simple choral melody that melds into a post-black verse and then aids the handoff to the string arrangement in the middle. Like a pair of tightly entwined ropes, both parts are stronger together than they would be individually.

If I had to choose a single word to describe Transzendenz Schatten Romantik, it would be “varied”. Founder, songwriter, and vocalist Bernhard Zieher has a knack for using many different tools in ways that feel natural. Many of the songs pull from an array of pianos, strings, choral backing vocals, synths, and acoustic guitars to infuse emotion into the music. There’s also a range of tempos within and between songs. While none are quite funereal in tempo, some are slower and tend to feature more of the aforementioned alternative instrumentation (“Melancholia Urgewalt,” “Resilienz,” and “Broken Crosses”). Others are faster and more guitar-heavy, reminding the listener that this is still black metal at heart (“Apotropaion” and “Tiefste Rast”). Then there are, of course, the two interlude tracks. In my experience, instrumental interludes usually fulfill one of two roles in an album: pleasant palate cleanser or pointless distraction. Thankfully, both “Ornament” and “Serenade” fall under the former category and contribute in a small way to the overall atmosphere and flow of the album.

As refreshing as the instrumentation is, the element that could benefit from more diversity would be the vocals. No less than four guest vocalists are crammed into Transzendenz Schatten Romantik: P.G. of Groza on “Apotropaion,” J.J. of Harakiri for the Sky/Karg on “Prana,” Silvano of Regnum Noricum on “Broken Crosses” and L.G. of Ellende on “Tiefste Rast.” That’s an abundance of guests, considering the total runtime is only 39 minutes across 9 tracks (7 full-length songs). While they certainly don’t detract from the record, they all perform harsh vocals that don’t add much above and beyond Zieher’s snarls and screams. Having relatively few tracks with solely the main vocalist undermines this fledgling band’s identity to some degree. Furthermore, this brand of highly melodic and emotional black metal can be elevated by clean vocals—Vorna’s gorgeous album Aamunkoi from last year is a stellar example—so the lack of a guest singer to complement Zieher seems like a missed opportunity.

Despite these minor concerns, almost everything that Weltenbrandt attempts lands well, which is surprising for such a young band. They have succeeded in writing an album worthy of being mentioned and played alongside the more established groups that lent their voices to Transzendenz Schatten Romantik while carving out their own style in the genre. It’s a strong effort that is barely held back from a higher score by some slight reservations (and the fact that Steel removed the 4th key from all n00b-issued keyboards after Holdeneye went through the program). I can heartily recommend this album to any inclined towards the softer side of black metal or those looking to get a head start on autumn moods in the Northern Hemisphere.

Rating: 3.5/5.0
DR: WAV | Format Reviewed: WAVY
Label: Self-Release
Websites: weltenbrandt.bandcamp.com | facebook.com/weltenbrandt
Releases Worldwide: August 25th, 2024

#2024 #35 #Aug24 #AustrianMetal #DepressiveBlackMetal #Ellende #Groza #HarakiriForTheSky #Karg #RegnumNoricum #Review #Reviews #SelfRelease #TranszendenzSchattenRomantik #Unreqvited #Vorna #Weltenbrandt

Weltenbrandt – Transzendenz Schatten Romantik Review

By Steel Druhm

Written by: Nameless-n00b_86

As the temperature where I live begins to inch downward, I find serenity in bleak yet beautiful post-black metal. Weltenbrandt is a relatively new Austrian post-black band looking to make a name for themselves in the review scene with their second full-length album Transzendenz Schatten Romantik. This is fitting because I, too, am attempting to make a name for myself—both literally and figuratively—on the other side of the review process.1 I eagerly tore open my very first promo, which informed me of several guest vocalist appearances from bands like Harakiri for the Sky and Ellende (among others). While I went in with few expectations for Weltenbrandt, they were slightly raised by virtue of association with such heavy hitters in the genre. Can Weltenbrandt reach the same level of quality and—perhaps more importantly—differentiate themselves from their peers?

A somewhat paradoxical duality is immediately apparent when listening to Transzendenz Schatten Romantik. Half the album is composed of melodic black metal, most commonly with mid-paced tremolo riffs and a dolorous atmosphere similar to NONE. The other half expands upon the sound of the debut album Schöpfung with heartfelt instrumental sections in the vein of Unreqvited. On paper, neither of these components is particularly new or noteworthy. However, what makes Transzendenz Schatten Romantik impressive is the ease with which it ebbs and flows between the black metal and the peaceful instrumental passages. For instance, “Prana” opens with a simple choral melody that melds into a post-black verse and then aids the handoff to the string arrangement in the middle. Like a pair of tightly entwined ropes, both parts are stronger together than they would be individually.

If I had to choose a single word to describe Transzendenz Schatten Romantik, it would be “varied”. Founder, songwriter, and vocalist Bernhard Zieher has a knack for using many different tools in ways that feel natural. Many of the songs pull from an array of pianos, strings, choral backing vocals, synths, and acoustic guitars to infuse emotion into the music. There’s also a range of tempos within and between songs. While none are quite funereal in tempo, some are slower and tend to feature more of the aforementioned alternative instrumentation (“Melancholia Urgewalt,” “Resilienz,” and “Broken Crosses”). Others are faster and more guitar-heavy, reminding the listener that this is still black metal at heart (“Apotropaion” and “Tiefste Rast”). Then there are, of course, the two interlude tracks. In my experience, instrumental interludes usually fulfill one of two roles in an album: pleasant palate cleanser or pointless distraction. Thankfully, both “Ornament” and “Serenade” fall under the former category and contribute in a small way to the overall atmosphere and flow of the album.

As refreshing as the instrumentation is, the element that could benefit from more diversity would be the vocals. No less than four guest vocalists are crammed into Transzendenz Schatten Romantik: P.G. of Groza on “Apotropaion,” J.J. of Harakiri for the Sky/Karg on “Prana,” Silvano of Regnum Noricum on “Broken Crosses” and L.G. of Ellende on “Tiefste Rast.” That’s an abundance of guests, considering the total runtime is only 39 minutes across 9 tracks (7 full-length songs). While they certainly don’t detract from the record, they all perform harsh vocals that don’t add much above and beyond Zieher’s snarls and screams. Having relatively few tracks with solely the main vocalist undermines this fledgling band’s identity to some degree. Furthermore, this brand of highly melodic and emotional black metal can be elevated by clean vocals—Vorna’s gorgeous album Aamunkoi from last year is a stellar example—so the lack of a guest singer to complement Zieher seems like a missed opportunity.

Despite these minor concerns, almost everything that Weltenbrandt attempts lands well, which is surprising for such a young band. They have succeeded in writing an album worthy of being mentioned and played alongside the more established groups that lent their voices to Transzendenz Schatten Romantik while carving out their own style in the genre. It’s a strong effort that is barely held back from a higher score by some slight reservations (and the fact that Steel removed the 4th key from all n00b-issued keyboards after Holdeneye went through the program). I can heartily recommend this album to any inclined towards the softer side of black metal or those looking to get a head start on autumn moods in the Northern Hemisphere.

Rating: 3.5/5.0
DR: WAV | Format Reviewed: WAVY
Label: Self-Release
Websites: weltenbrandt.bandcamp.com | facebook.com/weltenbrandt
Releases Worldwide: August 25th, 2024

#2024 #35 #Aug24 #AustrianMetal #DepressiveBlackMetal #Ellende #Groza #HarakiriForTheSky #Karg #RegnumNoricum #Review #Reviews #SelfRelease #TranszendenzSchattenRomantik #Unreqvited #Vorna #Weltenbrandt

Weltenbrandt – Transzendenz Schatten Romantik Review

By Steel Druhm

Written by: Nameless-n00b_86

As the temperature where I live begins to inch downward, I find serenity in bleak yet beautiful post-black metal. Weltenbrandt is a relatively new Austrian post-black band looking to make a name for themselves in the review scene with their second full-length album Transzendenz Schatten Romantik. This is fitting because I, too, am attempting to make a name for myself—both literally and figuratively—on the other side of the review process.1 I eagerly tore open my very first promo, which informed me of several guest vocalist appearances from bands like Harakiri for the Sky and Ellende (among others). While I went in with few expectations for Weltenbrandt, they were slightly raised by virtue of association with such heavy hitters in the genre. Can Weltenbrandt reach the same level of quality and—perhaps more importantly—differentiate themselves from their peers?

A somewhat paradoxical duality is immediately apparent when listening to Transzendenz Schatten Romantik. Half the album is composed of melodic black metal, most commonly with mid-paced tremolo riffs and a dolorous atmosphere similar to NONE. The other half expands upon the sound of the debut album Schöpfung with heartfelt instrumental sections in the vein of Unreqvited. On paper, neither of these components is particularly new or noteworthy. However, what makes Transzendenz Schatten Romantik impressive is the ease with which it ebbs and flows between the black metal and the peaceful instrumental passages. For instance, “Prana” opens with a simple choral melody that melds into a post-black verse and then aids the handoff to the string arrangement in the middle. Like a pair of tightly entwined ropes, both parts are stronger together than they would be individually.

If I had to choose a single word to describe Transzendenz Schatten Romantik, it would be “varied”. Founder, songwriter, and vocalist Bernhard Zieher has a knack for using many different tools in ways that feel natural. Many of the songs pull from an array of pianos, strings, choral backing vocals, synths, and acoustic guitars to infuse emotion into the music. There’s also a range of tempos within and between songs. While none are quite funereal in tempo, some are slower and tend to feature more of the aforementioned alternative instrumentation (“Melancholia Urgewalt,” “Resilienz,” and “Broken Crosses”). Others are faster and more guitar-heavy, reminding the listener that this is still black metal at heart (“Apotropaion” and “Tiefste Rast”). Then there are, of course, the two interlude tracks. In my experience, instrumental interludes usually fulfill one of two roles in an album: pleasant palate cleanser or pointless distraction. Thankfully, both “Ornament” and “Serenade” fall under the former category and contribute in a small way to the overall atmosphere and flow of the album.

As refreshing as the instrumentation is, the element that could benefit from more diversity would be the vocals. No less than four guest vocalists are crammed into Transzendenz Schatten Romantik: P.G. of Groza on “Apotropaion,” J.J. of Harakiri for the Sky/Karg on “Prana,” Silvano of Regnum Noricum on “Broken Crosses” and L.G. of Ellende on “Tiefste Rast.” That’s an abundance of guests, considering the total runtime is only 39 minutes across 9 tracks (7 full-length songs). While they certainly don’t detract from the record, they all perform harsh vocals that don’t add much above and beyond Zieher’s snarls and screams. Having relatively few tracks with solely the main vocalist undermines this fledgling band’s identity to some degree. Furthermore, this brand of highly melodic and emotional black metal can be elevated by clean vocals—Vorna’s gorgeous album Aamunkoi from last year is a stellar example—so the lack of a guest singer to complement Zieher seems like a missed opportunity.

Despite these minor concerns, almost everything that Weltenbrandt attempts lands well, which is surprising for such a young band. They have succeeded in writing an album worthy of being mentioned and played alongside the more established groups that lent their voices to Transzendenz Schatten Romantik while carving out their own style in the genre. It’s a strong effort that is barely held back from a higher score by some slight reservations (and the fact that Steel removed the 4th key from all n00b-issued keyboards after Holdeneye went through the program). I can heartily recommend this album to any inclined towards the softer side of black metal or those looking to get a head start on autumn moods in the Northern Hemisphere.

Rating: 3.5/5.0
DR: WAV | Format Reviewed: WAVY
Label: Self-Release
Websites: weltenbrandt.bandcamp.com | facebook.com/weltenbrandt
Releases Worldwide: August 25th, 2024

#2024 #35 #Aug24 #AustrianMetal #DepressiveBlackMetal #Ellende #Groza #HarakiriForTheSky #Karg #RegnumNoricum #Review #Reviews #SelfRelease #TranszendenzSchattenRomantik #Unreqvited #Vorna #Weltenbrandt

https://ellende.bandcamp.com/album/todbringerin

#Ellende bringen demnächst mit #Todbringerin ein neues #Album raus. Ellende ist irgendwo zwischen #ArmosphericBlackMetal und #PostBlackMetal angesiedelt, das aktuelle #Album #Ellenbogengesellschaft gefällt mir sehr!

https://ellende.bandcamp.com/album/todbringerin

#Ellende bringen demnächst mit #Todbringerin ein neues #Album raus. Ellende ist irgendwo zwischen #ArmosphericBlackMetal und #PostBlackMetal angesiedelt, das aktuelle #Album #Ellenbogengesellschaft gefällt mir sehr!

Beste wensen (Sigmund)

#nieuwjaar #gelukkig_nieuwjaar #beste_wensen #ellende #oorlog #klimaatcrisis #extreem_weer #polarisatie #sigmund

Beste wensen (Sigmund)

#nieuwjaar #gelukkig_nieuwjaar #beste_wensen #ellende #oorlog #klimaatcrisis #extreem_weer #polarisatie #sigmund

Beste wensen (Sigmund)

#nieuwjaar #gelukkig_nieuwjaar #beste_wensen #ellende #oorlog #klimaatcrisis #extreem_weer #polarisatie #sigmund

Beste wensen (Sigmund)

#nieuwjaar #gelukkig_nieuwjaar #beste_wensen #ellende #oorlog #klimaatcrisis #extreem_weer #polarisatie #sigmund

Beste wensen (Sigmund)

#nieuwjaar #gelukkig_nieuwjaar #beste_wensen #ellende #oorlog #klimaatcrisis #extreem_weer #polarisatie #sigmund

𝗪𝗼𝗲𝗸𝗲𝗿𝗽𝗼𝗹𝗶𝘀𝗮𝗳𝗳𝗮𝗶𝗿𝗲: '𝗜𝗸 𝘄𝗲𝗿𝗸 𝗱𝗼𝗼𝗿 𝗱𝗲𝘇𝗲 𝗲𝗹𝗹𝗲𝗻𝗱𝗲 𝗼𝗽 𝗺𝗶𝗷𝗻 72𝗲 𝗻𝗼𝗴'

Blijdschap bij klanten van ASR en Aegon die in het verleden een woekerpolis afsloten bij deze verzekeraars. Ze krijgen een deel van hun geld terug omdat claimorganisaties en de verzekeraars na jaren van juridisch getouwtrek een akkoord sloten. Daarmee is een strijd van bijna 17 jaar in het...

https://www.rtlnieuws.nl/economie/artikel/5421882/woekerpolis-geinterviewden-gedupeerden-asr-aon

#Woekerpolisaffaire #ellende #72e

𝗪𝗼𝗲𝗸𝗲𝗿𝗽𝗼𝗹𝗶𝘀𝗮𝗳𝗳𝗮𝗶𝗿𝗲: '𝗜𝗸 𝘄𝗲𝗿𝗸 𝗱𝗼𝗼𝗿 𝗱𝗲𝘇𝗲 𝗲𝗹𝗹𝗲𝗻𝗱𝗲 𝗼𝗽 𝗺𝗶𝗷𝗻 72𝗲 𝗻𝗼𝗴'

Blijdschap bij klanten van ASR en Aegon die in het verleden een woekerpolis afsloten bij deze verzekeraars. Ze krijgen een deel van hun geld terug omdat claimorganisaties en de verzekeraars na jaren van juridisch getouwtrek een akkoord sloten. Daarmee is een strijd van bijna 17 jaar in het...

https://www.rtlnieuws.nl/economie/artikel/5421882/woekerpolis-geinterviewden-gedupeerden-asr-aon

#Woekerpolisaffaire #ellende #72e

𝗪𝗼𝗲𝗸𝗲𝗿𝗽𝗼𝗹𝗶𝘀𝗮𝗳𝗳𝗮𝗶𝗿𝗲: '𝗜𝗸 𝘄𝗲𝗿𝗸 𝗱𝗼𝗼𝗿 𝗱𝗲𝘇𝗲 𝗲𝗹𝗹𝗲𝗻𝗱𝗲 𝗼𝗽 𝗺𝗶𝗷𝗻 72𝗲 𝗻𝗼𝗴'

Blijdschap bij klanten van ASR en Aegon die in het verleden een woekerpolis afsloten bij deze verzekeraars. Ze krijgen een deel van hun geld terug omdat claimorganisaties en de verzekeraars na jaren van juridisch getouwtrek een akkoord sloten. Daarmee is een strijd van bijna 17 jaar in het...

https://www.rtlnieuws.nl/economie/artikel/5421882/woekerpolis-geinterviewden-gedupeerden-asr-aon

#Woekerpolisaffaire #ellende #72e

𝗪𝗼𝗲𝗸𝗲𝗿𝗽𝗼𝗹𝗶𝘀𝗮𝗳𝗳𝗮𝗶𝗿𝗲: '𝗜𝗸 𝘄𝗲𝗿𝗸 𝗱𝗼𝗼𝗿 𝗱𝗲𝘇𝗲 𝗲𝗹𝗹𝗲𝗻𝗱𝗲 𝗼𝗽 𝗺𝗶𝗷𝗻 72𝗲 𝗻𝗼𝗴'

Blijdschap bij klanten van ASR en Aegon die in het verleden een woekerpolis afsloten bij deze verzekeraars. Ze krijgen een deel van hun geld terug omdat claimorganisaties en de verzekeraars na jaren van juridisch getouwtrek een akkoord sloten. Daarmee is een strijd van bijna 17 jaar in het...

https://www.rtlnieuws.nl/economie/artikel/5421882/woekerpolis-geinterviewden-gedupeerden-asr-aon

#Woekerpolisaffaire #ellende #72e

𝗪𝗼𝗲𝗸𝗲𝗿𝗽𝗼𝗹𝗶𝘀𝗮𝗳𝗳𝗮𝗶𝗿𝗲: '𝗜𝗸 𝘄𝗲𝗿𝗸 𝗱𝗼𝗼𝗿 𝗱𝗲𝘇𝗲 𝗲𝗹𝗹𝗲𝗻𝗱𝗲 𝗼𝗽 𝗺𝗶𝗷𝗻 72𝗲 𝗻𝗼𝗴'

Blijdschap bij klanten van ASR en Aegon die in het verleden een woekerpolis afsloten bij deze verzekeraars. Ze krijgen een deel van hun geld terug omdat claimorganisaties en de verzekeraars na jaren van juridisch getouwtrek een akkoord sloten. Daarmee is een strijd van bijna 17 jaar in het...

https://www.rtlnieuws.nl/economie/artikel/5421882/woekerpolis-geinterviewden-gedupeerden-asr-aon

#Woekerpolisaffaire #ellende #72e

@Guzman

Nope, wij #linkse mensen zijn veel te #arrogant geweest in het verleden naar #janmodaal. En nu krigen we al jaren de rekening daarvoor en leren het nog steeds niet. Wij hebben hen niet écht beschermd voor deze #ellende voor hen. Daarom stemmen die mensen uit wanhoop #omzigt of zoiets.

Wat mij dwarszit in deze #tijdgeest. Als je maar wil, #positief bent. Ik ben een enorme positivo maar ik ben niet blind voor #beleid dat #ellende bevordert en #rijkdom faciliteert.

Wat mij dwarszit in deze #tijdgeest. Als je maar wil, #positief bent. Ik ben een enorme positivo maar ik ben niet blind voor #beleid dat #ellende bevordert en #rijkdom faciliteert.

Wat mij dwarszit in deze #tijdgeest. Als je maar wil, #positief bent. Ik ben een enorme positivo maar ik ben niet blind voor #beleid dat #ellende bevordert en #rijkdom faciliteert.