#psychrock — Public Fediverse posts

#PRESS 𝗘𝘀𝗰𝗲 𝗼𝗴𝗴𝗶 in CD e digitale per NOS Records 𝘼 𝘿𝙚𝙚𝙥 𝘿𝙞𝙫𝙚 𝙄𝙣 𝙏𝙝𝙚 𝘾𝙤𝙡𝙤𝙪𝙧𝙛𝙪𝙡 𝘼𝙣𝙙 𝙈𝙮𝙨𝙩𝙚𝙧𝙞𝙤𝙪𝙨 𝙂𝙖𝙧𝙙𝙚𝙣 𝙊𝙛 𝙈𝙧. 𝙏𝙖𝙭𝙤𝙡𝙤𝙜𝙮, l’album di debutto dei #Taxology! Quindici tracce tra psichedelia, suggestioni cinematografiche e immaginario botanico danno forma a un concept album visionario e immersivo, sospeso tra sogno e realtà: https://bfan.link/a-deep-dive-in-the-colourful-and-mysterious-garden-of-mr-taxology 💥

#psychedelic #psychrock #progressive #cinematicmusic #newalbum #outnow #releaseday #peyotepress #ufficiostampamusicale #peyotezone

#PRESS 𝗘𝘀𝗰𝗲 𝗼𝗴𝗴𝗶 in CD e digitale per NOS Records 𝘼 𝘿𝙚𝙚𝙥 𝘿𝙞𝙫𝙚 𝙄𝙣 𝙏𝙝𝙚 𝘾𝙤𝙡𝙤𝙪𝙧𝙛𝙪𝙡 𝘼𝙣𝙙 𝙈𝙮𝙨𝙩𝙚𝙧𝙞𝙤𝙪𝙨 𝙂𝙖𝙧𝙙𝙚𝙣 𝙊𝙛 𝙈𝙧. 𝙏𝙖𝙭𝙤𝙡𝙤𝙜𝙮, l’album di debutto dei #Taxology! Quindici tracce tra psichedelia, suggestioni cinematografiche e immaginario botanico danno forma a un concept album visionario e immersivo, sospeso tra sogno e realtà: https://bfan.link/a-deep-dive-in-the-colourful-and-mysterious-garden-of-mr-taxology 💥

#psychedelic #psychrock #progressive #cinematicmusic #newalbum #outnow #releaseday #peyotepress #ufficiostampamusicale #peyotezone

#PRESS 𝗘𝘀𝗰𝗲 𝗼𝗴𝗴𝗶 in CD e digitale per NOS Records 𝘼 𝘿𝙚𝙚𝙥 𝘿𝙞𝙫𝙚 𝙄𝙣 𝙏𝙝𝙚 𝘾𝙤𝙡𝙤𝙪𝙧𝙛𝙪𝙡 𝘼𝙣𝙙 𝙈𝙮𝙨𝙩𝙚𝙧𝙞𝙤𝙪𝙨 𝙂𝙖𝙧𝙙𝙚𝙣 𝙊𝙛 𝙈𝙧. 𝙏𝙖𝙭𝙤𝙡𝙤𝙜𝙮, l’album di debutto dei #Taxology! Quindici tracce tra psichedelia, suggestioni cinematografiche e immaginario botanico danno forma a un concept album visionario e immersivo, sospeso tra sogno e realtà: https://bfan.link/a-deep-dive-in-the-colourful-and-mysterious-garden-of-mr-taxology 💥

#psychedelic #psychrock #progressive #cinematicmusic #newalbum #outnow #releaseday #peyotepress #ufficiostampamusicale #peyotezone

#PRESS 𝗘𝘀𝗰𝗲 𝗼𝗴𝗴𝗶 in CD e digitale per NOS Records 𝘼 𝘿𝙚𝙚𝙥 𝘿𝙞𝙫𝙚 𝙄𝙣 𝙏𝙝𝙚 𝘾𝙤𝙡𝙤𝙪𝙧𝙛𝙪𝙡 𝘼𝙣𝙙 𝙈𝙮𝙨𝙩𝙚𝙧𝙞𝙤𝙪𝙨 𝙂𝙖𝙧𝙙𝙚𝙣 𝙊𝙛 𝙈𝙧. 𝙏𝙖𝙭𝙤𝙡𝙤𝙜𝙮, l’album di debutto dei #Taxology! Quindici tracce tra psichedelia, suggestioni cinematografiche e immaginario botanico danno forma a un concept album visionario e immersivo, sospeso tra sogno e realtà: https://bfan.link/a-deep-dive-in-the-colourful-and-mysterious-garden-of-mr-taxology 💥

#psychedelic #psychrock #progressive #cinematicmusic #newalbum #outnow #releaseday #peyotepress #ufficiostampamusicale #peyotezone

The Cosmic Dead

The Workmans Club, Friday, May 15 at 08:00 PM GMT+1

u:mack in association with Heavy Psych Sounds proudly presents The Cosmic Dead at The Workman's Club Friday 15th of May.

One of the greatest and loudest psychedelic space rock bands of recent times. Prepare to have your minds blown. Support on the night comes from local space rockers Wild Rocket.

The Cosmic Dead are an amorphous blob of space rock energy hailing from Glasgow, Scotland. Their exploratory compositions often reach levels of sonic destruction through reflective repetition and visceral harmony.

The band has taken many forms since forming in 2010 and has been declared 'The loudest psychedelic rock band on the planet." by legendary compere Kozmik Ken. At the base of the current sonic obliteration team is a rhythm section of Tommy Duffin and Omar Aborida, a thunderous and cohesive unit which is then further propelled into the outer realms by Luigi Pasquini providing frantic italo synthesized electronics along with Calum Calderwood's mind bending, sky-shattering fiddle acrobatics.

'Beyond The Beyond' is the highly anticipated tenth studio album from inter-dimensional space travelling explorers The Cosmic Dead, the album takes listeners on a four track expedition into the deepest cosmos of the band. Recorded at Dystopia Recording Studio in Glasgow, 'Beyond The Beyond' features the riff rolling rhythm section of Tommy Duffin on drums and Omar Aborida on bass guitar alongside soaring fiddle acrobatics from Calum Calderwood and electronic textural bleeps and bloops from Luigi Pasquini on synthesizers, all wah laden and with phasers set to destroy - Turn on, tune in and immerse yourself in the sound of The Cosmic Dead.

"If the rings of Saturn could sing, this is the sound they would make." - Zero Tolerance

https://flypost.ie/event/the-cosmic-dead

Tickets: Tame Impala (2026) – Berlin concert

Tame Impala in Berlin ushers in a new phase of Kevin Parker’s projectTame Impala arrives at Berlin’s…
#Germany #DE #Europe #EU #Europa #Berlin #2026 #Berlinconcert #Berlintickets #concertticketsBerlin #Deadbeattour #psychrock #SynthPop #TameImpala #TameImpalatickets #UberArenaBerlin
https://www.europesays.com/germany/7377/

#PRESS 𝗘𝘀𝗰𝗲 𝗼𝗴𝗴𝗶 in CD a edizione limitata e digitale per #BloodySound 𝘾𝙤𝙧𝙥𝙤 𝘾𝙚𝙡𝙚𝙨𝙩𝙚, il nuovo album dei #PalmerGenerator!
La band “formato famiglia” del post-rock italiano torna con una sinfonia cosmica in quattro movimenti, tra mantra ipnotici e vibrazioni interstellari.
Scoprilo subito al link: https://palmergenerator.lnk.to/CorpoCeleste 💥

#postrock #psychrock #psychedelicrock #newalbum #releaseday #outnow #peyotepress #ufficiostampamusicale #peyotezone

#PRESS 𝗘𝘀𝗰𝗲 𝗼𝗴𝗴𝗶 in CD a edizione limitata e digitale per #BloodySound 𝘾𝙤𝙧𝙥𝙤 𝘾𝙚𝙡𝙚𝙨𝙩𝙚, il nuovo album dei #PalmerGenerator!
La band “formato famiglia” del post-rock italiano torna con una sinfonia cosmica in quattro movimenti, tra mantra ipnotici e vibrazioni interstellari.
Scoprilo subito al link: https://palmergenerator.lnk.to/CorpoCeleste 💥

#postrock #psychrock #psychedelicrock #newalbum #releaseday #outnow #peyotepress #ufficiostampamusicale #peyotezone

#PRESS 𝗘𝘀𝗰𝗲 𝗼𝗴𝗴𝗶 in CD a edizione limitata e digitale per #BloodySound 𝘾𝙤𝙧𝙥𝙤 𝘾𝙚𝙡𝙚𝙨𝙩𝙚, il nuovo album dei #PalmerGenerator!
La band “formato famiglia” del post-rock italiano torna con una sinfonia cosmica in quattro movimenti, tra mantra ipnotici e vibrazioni interstellari.
Scoprilo subito al link: https://palmergenerator.lnk.to/CorpoCeleste 💥

#postrock #psychrock #psychedelicrock #newalbum #releaseday #outnow #peyotepress #ufficiostampamusicale #peyotezone

#PRESS 𝗘𝘀𝗰𝗲 𝗼𝗴𝗴𝗶 in CD a edizione limitata e digitale per #BloodySound 𝘾𝙤𝙧𝙥𝙤 𝘾𝙚𝙡𝙚𝙨𝙩𝙚, il nuovo album dei #PalmerGenerator!
La band “formato famiglia” del post-rock italiano torna con una sinfonia cosmica in quattro movimenti, tra mantra ipnotici e vibrazioni interstellari.
Scoprilo subito al link: https://palmergenerator.lnk.to/CorpoCeleste 💥

#postrock #psychrock #psychedelicrock #newalbum #releaseday #outnow #peyotepress #ufficiostampamusicale #peyotezone

https://youtu.be/fVz_cnyus2k?si=17V0-2PKbiLc7bKC

La meva #CançóDelDia per al dissabte 25 d'abril és aquesta dels #SoftMachine #Canterbury #ProgRock #PsychRock #Fusion #DesDel1966 📗!

https://www.youtube.com/watch?v=0nAjN7UsnpA

#TuneTuesday #WhatShallWeDrink #ButtholeSurfers #psych #PsychRock

Monday is the big day. We're celebrating 4/20 at our favourite venue in Berlin, the Neue Zukunft!
Together with Psychrusader, Zeynep, Pete D'Elia and psychelicous visuals by Sektor 7G! Let's get high and higher! 🌿

#StonedMedusa #band #concert #Berlin #StonerRock #StonerDoom #PsychDoom #DoomMetal #PsychRock #PsychedelicRock #PsychedelicDoom #HeavyRock

This week's #ThursdayFiveList is #LetTheRiversFlow

Robert Johnson - Traveling Riverside Blues
https://youtu.be/Oq83yq2u3_E

Creedence Clearwater Revival - Green River
https://youtu.be/fAZMPee1k5Q

Psychic War - Transmutation in the River of Gold
https://youtu.be/ArUQ3-xcDH4

Coil - Dark River
https://youtu.be/mO1XQzHM06o

Meat Puppets - River Rose
https://youtu.be/FUIVnohf2Dg

#blues #electronica #psych #BluesRock #PsychRock #ambient #grind #metal

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Help Yourself

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Death Mask

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Consequences Of Love (Chris and Cosey Remix)

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Kontroll

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Honey

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Dirt

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Scorpio Rising

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Son's Of Rother

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - You Disco I Freak

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Ein Fur Die Damen

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas; Katie Stelmanis - Your Loft My Acid feat. Katie Stelmanis

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Flying

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - Rekkit

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

🔴 LIVE NOW ON VORTEX
📻 Saturday Night Vortex | Mix Death In Vegas 🎰
──────────────
🎵 Death In Vegas - G.B.H.

▶️ https://lesonduvortex.net

💬 Discord: https://discord.gg/d82hJZBeDE

#DeathInVegas #PsychRock #Electronic #VortexRadio #SaturdayNight

Didn't think I'd have anything for this week's #ThursdayFiveList theme of #BloomsEverywhere, but they keep coming to me, so here they are.

Ween - Push th' Little Daisies
https://youtu.be/gPjPb3nNprg

The Foundations - Build Me Up Buttercup
https://youtu.be/A19350JoiE8

Tom Petty - Wildflowers
https://youtu.be/Ozgmyx919a4

Seal - Kiss from a Rose
https://youtu.be/_2PCtLXWdbY

Type O Negative - Burnt Flowers Fallen
https://youtu.be/vnufpNPc0-Y

#Ween #TomPetty #TypeO #TypeONegative #doom #DoomRock #psych #PsychRock #soul

[Concert] Monkeys on Mars (Monkey3 + Mars Red Sky) à la Maroquinerie

https://urlr.me/y29GZx

#Lamaroquinerie #monkey3 #welcometothemachine #collision #spacerock #MonkeysOnMars #StonerRock #PsychedelicRock #HeavyRock #FuzzRock #psychrock #psychedelic

Recensioni ✍️ 👤 The Striped Bananas 📈 8 👥 1K 🔗 Eternity Forest 7️⃣ 📅 3-10-2025 🏠 2025 (Cosmic Sunshine) #️⃣ Psychrock Pop I coniugi Shepard si reinventano, partendo dalla sintesi pop a cura di Gianfranco Marmoro #Ondarock #MusicianSky #MusicSky #Music

Eternity Forest - Album by The...

Polish Retro Rock’n’Roll Group Penthouse. Releases Second Album “Somewhere A New Moon”

Penthouse is a seven-piece lineup operating within alt-rock and retro aesthetics. The foundation of their sound is the juxtaposition of two female voices with a male lead, alongside a fusion of rock’n’roll, soul, and funk. The band’s work is rooted in 1960s style, presented in a dark, dense setting. The group was formed in Puławy, Poland by musicians previously associated with acclaimed polish underground alt rock bands such as The Black Tapes, Elvis Deluxe, The Feral Trees, and Jack Saint.

https://youtu.be/HrWojVYruhQ?si=I5UqNpHvDzfZCdKM

The second Penthouse album, “Somewhere A New Moon”, is described by the band as “searching for lightning in a bottle and the path to one’s own moon“. It explores a broad spectrum of genres: dark funk, brooklyn soul, and elements of afrobeat and blues.

Magic Castles Release New Single ‘Mary Anne’

Magic Castles release new single ‘Mary Anne’, the second to be lifted from their incoming album ‘Realized’. Due out April 24th on Fuzz Club, ‘Realized’ is a set of lush psych-rock reveries from Minneapolis songwriter Jason Edmonds, blending late-60s folk-rock warmth with shoegaze shimmer.

https://www.youtube.com/watch?v=cTAQcT5M3NU

Consisting of nine dreamlike, melody-led trips that unfold in waves, ‘Realized’ is equal parts hazy nostalgia and widescreen modern psychedelia, centring dreamy, heavily-layered arrangements and floating vocal harmonies. Following recent lead single ‘Abandoned Mansions’, ‘Mary Anne’ is the latest taste of what’s to come. The band’s Jason Edmonds says of the track:

“This one was recorded at Pachyderm Studio (the legendary rural Minnesota studio where Nirvana recorded In Utero) with the Magic Castles band. It’s myself and Izaak on guitars, Kristof on bass and Adam drumming. It’s a catchy pop song with this dreamy push-and-pull energy. Tight and rocking, melodic and upbeat, but with a streak of melancholy running through it. Not quite shoegaze… but it lives in that atmosphere, with some call and response type backing vocals for fans of Television thrown in. The Mary Anne in question is someone maybe struggling with communication breakdowns and the weight of the world, but she’s strong, resourceful, and ultimately ready to kick ass.”

Magic Castles was formed in Minneapolis MN in the early 2000s by multi-instrumentalist and songwriter Jason Edmonds. Their debut album ‘Lore of Mysticore’ caught the ear of Anton Newcombe of the Brian Jonestown Massacre, culminating in four albums released on Newcombe’s label ‘A’ Recordings Ltd over 2012-22 – including, most recently, 2021’s ‘Sun Reign’ (a song from which would feature on an episode of the hit HBO series Succession). After a headline tour of Europe in 2023, Jason returned to Minneapolis and steadily finished piecing together ‘Realized’ – the band’s fifth-full length, now ready to see the light of the day on their new label home Fuzz Club.

Edmonds and the rest of the current Magic Castles line-up (consisting of Adam Patterson on drums, Izaak Drew on guitar and Kristof Marden on bass) recorded the tracks with Nick Tveitbakk at the legendary Pachyderm Studios in Minnesota, with additional recording by Edmonds at his studio the Map Room and in Neil Weir’s remote chapel-converted-to-studio, Blue Bell Knoll, where Edmonds and Weir would loving co-mix the end result. The result takes Magic Castles’ music to a newfound level of clarity, whilst still retaining that same, long-harboured analogue warmth only made possible through an array of vintage amps, guitars and transistor organs. 

https://youtu.be/z_YWynW9PmU?si=n_A1OGhzSOSpCzrm

La meva #CançóDelDia per al dijous 26 de febrer és aquesta dels #KulaShaker #London #PsychRock 🕉️!

Nottingham Psych-Rock Trio Cult Of Dom Keller Release New Single And Video

Nottingham band Cult Of Dom Keller are today releasing ‘Let Me Go Satan’, the second single to be taken from their long-awaited new album ‘Unholy Drum’, out March 27th 2026. Their first album in five years lands produced by Angus Andrew of LIARS, with whom the band struck up a fruitful creative partnership with when LIARS were drafted in to remix a track from their previous record, 2021’s.‘They Carried The Dead In A U.F.O’.

‘Unholy Drum’ is the result of half a decade spent evolving and deconstructing, Andrew digging his claws into the Cult’s vault of demos, ideas and fragments until something stranger stepped out –  a more expansive and left-field art-rock sound shining through the cracks in the band’s dark psychedelic noise-rock. The band say:

“Songs were cut apart, inverted, whispered to. Left alone long enough to twitch back to life. All while the fever dream of global instability seeped into the DNA of the record… Working with Angus brought a different angle of experimentation to the way we worked. Together, everything was dismantled and pushed further into the dark… And yet, there was liberation. A freedom in abandoning defined roles. In serving the song rather than the structure. In hearing an idea suddenly explode into life.” 

On new cut ‘Let Me Go Satan’, which arrives following the recent release of lead single ‘Leaders With Hoovers, Cult Of Dom Keller add: “Let Me Go Satan was the first song we worked on with Angus (Liars). The original demo was the bass line over a drum loop Ryan came up with and was experimenting with trying to make his guitars sound like a choir. Verses were wrote there and then but bringing to the band we struggled at first to come up with any vocal melody for the verse and choruses. Angus really connected with this demo early on and really worked us hard for several months developing and pushing the melody development. Once we found what worked well we started experimenting and this fuzzy little demo over time developed into a fully formed slice of dreamy psych as we really went for it building the layers of harmonies. We liked the idea of having a more upbeat sound at conflict with its dark lyrical narrative as well as burying some messages low down in the mix for the listener to discover…”

https://youtu.be/iMkR1O9Toy0?si=jHcC2GCEw40aGFL_

‘Unholy Drum’ is the long-awaited sixth album from Nottingham band Cult Of Dom Keller – not a ‘return’, for they were never really gone, but the product of five years spent evolving. In collaboration with Angus Andrew of LIARS on production duties, “Songs were cut apart, inverted, whispered to. Left alone long enough to twitch back to life. All while the fever dream of global instability seeped into the DNA of the record.” The result – due for release March 27th 2026 on Fuzz Club – finds a more expansive and left-field art-rock sound shining through the cracks in the Cult’s dark psychedelic noise-rock. 

Reflecting on the time leading up to ‘Unholy Drum’, the Cult – now comprised of Neil Marsden (vocals/keys/synths), Ryan DelGaudio (vocals/guitar/synths) and Alistair Burns (drums) – write: “It’s been nearly five years since we slipped through a crack in the world – and couldn’t find the same exit twice. It was a time where bassists dissolved like mist. Where bodies glitched in ways that felt half-medical, half-mythic. Where everything stalled except the music. Ideas kept arriving. Fragments. Residue. Ghost scraps clinging to existence like unfinished dreams, waiting to become whole. But this time, we wanted to create something totally different.” 

And then came LIARS’ Angus Andrew: not a producer in the traditional sense but “a kindred spirit who opened a door we didn’t even know we had locked.” Working with Angus on a LIARS remix of their 2021’Run From The Gullskinna’ single, a new creative relationship was immediately forged and the Cult’s vault of ideas soon pried upon for Angus to dig his claws into: 

“Working with Angus brought a different angle of experimentation to the way we worked. Together, everything was dismantled and pushed further into the dark. Sound was dissected until it sprouted limbs. We went so deep inside the tracks that eventually it felt like the songs were waiting for us to catch up… And yet, there was liberation. A freedom in abandoning defined roles. In serving the song rather than the structure. In hearing an idea suddenly explode into life through, say, the force of a full orchestra. It felt like any sound in our heads was now possible, and we continued to craft and shape the songs.”

For all that ‘Unholy Drum’ might mark a departure from the crushingly heavy or freak-out-inclined sonics that characterised much of the Cult’s ever-evolving back-catalogue, the shadowy, post-apocalyptic visions that have always been at the core remain deeply-rooted. Only this time something stranger stepped out, wired directly into the voltage of now. ‘Unholy Drum’ is an album that brushes against our bleak political reality without delivering a manifesto – not a sermon, but the sound of a fever, a possession, a rupture.

“The Unholy Drum is the pulse you obey without meaning to. The rhythm that already owns you. It’s the click-track of modern existence – the subliminal march of markets, governments, algorithms, and the digital ghosts that crave our attention more than our blood. We didn’t name it to provoke. We named it because it was already there. At times it felt less like making an album and more like receiving a transmission from a future we wanted no part of. UNHOLY DRUM is that transmission.”

https://youtu.be/EZx-Px4-7YY?si=Htj8atjE1DTXUB1I

La meva #CançóDelDia per al dilluns 16 de febrer és aquesta de les #CocoRosie #Iowa #Hawai #FreakFolk #PsychRock #IndiePop #Electrònica 🤤!

Golden Hours Released New Album “Beyond Wires” Via Fuzz Club

‘Beyond Wires’, the sophomore album from Berlin/Brussels post-punk group Golden Hours is out today on Fuzz Club. Alongside the release of their second full-length, the band are also releasing a video for ‘The Same Thing’ – following earlier singles ‘The Letter’, ‘Heading For The Moon’, and ‘Arctic Desert’. 

Based between Berlin and Brussels, Golden Hours are Hákon Aõalsteinsson, Wim Janssens, Tobias Humble and Rodrigo Fuentealba Palavacino – an outfit of seasoned players who between them have performed as part of Gang Of Four, The Brian Jonestown Massacre, Tricky, The Fuzztones and more. Golden Hours first rumbled out of the shadows in 2023 with their self-titled debut and are now emerging once more with ‘Beyond Wires’.

‘Beyond Wires’ was knit together in-between the tours and other obligations of its four members, written and recorded in rehearsal rooms in Berlin and an old mansion in Brussels. “The latter definitely put its stamp on the record with its noisy electric static bleeding into every song”, says Wim. But a band like Golden Hours never shies away from these things: they lean into it and welcome those ghostly appearances with open arms and just try to out-fuzz the buzz with layers of noise and strong melodic elements that cut through like a knife.

“With the new album, the band is stealthily moving closer to a sonic space that we can call our own”, says Wim. The sum of all the influences gathered in the recording room could easily crush any other band that doesn’t have the mileage under its belt like Golden Hours has – but for all the influences deeply encoded in its DNA, the band is able to add their flavor time and time again. 

‘Beyond Wires’ is the sound of four people gathering in a Berlin rehearsal room, punching holes in a wall and picking up the fallen bits to create something new over the course of a few days. Not easily distracted or outgunned in the game of trial and error that is still their favorite tool in the creative process, Golden Hours seems to swear by the simplest of rules: “A light shakin’ of the head to the left and right will kill a weak idea in a heartbeat, when no-one says anything the idea is likely accepted. You’ve got to keep the roads clear, to let all the good stuff pass through. You can throw up road blocks in your own time.”

https://youtu.be/82YjtSwxIHU?si=FY6Lk9aOIop119Ho

On the release week single ‘The Same Thing’, Wim says: “The Same Thing leans heavily on Tobias deadpan drum groove and shows the band in full repetitive kraut modus. The song was the last one added to the long-list for the album. When all tracks were recorded, the question was asked: did anyone still have any gems hidden up their sleeves? Hakon started playing this guitar riff, and we all instantly locked in, and within 15 minutes, a song structure appeared. After 2 takes, the basic track was nailed. The song took a slight turn when vocals and extra layers were added in post-production, away from the obvious and into more atmospheric realms, in sync with the overall sound of the album.”

“The song is about the inevitable that comes for you, mostly in moments when you let your guard down. Good things, bad things…The ground beneath your feet can disappear in an instant. It’s the stuff you can never prepare for unless you want to live your life in fear, hiding in a bunker somewhere in a desert where the floods can’t reach you. And it hardly ever happens to you alone, even when no one else gets hit, there’s always collateral damage, stuff that pops up and rears its ugly head years after the avalanche turned your world upside down. It’s a cleansing ritual at best if you’re able to get from under the snow. You can’t keep an eye on everything all the time, and you probably won’t see or hear it coming anyway, but as Tom Waits so beautifully put it:“We’re all gonna be just dirt in the ground”, so no need to go check on your car that fell into that sinking hole before your time is up.”

Crescent – Milogather Parts 1 & 2

In these times, when so many bands compete over who’ll get a better guitar tone, polished production, and become the next big thing on a contemporary music scene, there are still music outlets that rely on authenticity, tradition, and classic sound that drew all of us into a rock ‘n’ roll world in the first place. Crescent are definitely torchbearers of that sweet, soulful, calm yet dominant sound where warm, commanding guitar tone meets groovy drum beats. They deliver music straight from the heart without even needing modern tools to polish their songs. It’s all about sincerity, passion, emotion, and the immense desire to deliver magnificent rock music. With their “Milogather Parts 1 and 2,” they achieved something many bands fail to achieve even throughout their entire careers, and that’s bringing the classic rock sound while infusing many signature ideas and moves at the same time. Even their approach to writing, composing, arranging, and producing music is different in so many ways from any other band you’ll stumble upon nowadays. In an era when countless artists and bands favor speed, digital tools, and immediate impact, Crescent rather chooses to gradually build a steady, healthy, honest relationship between them and listeners by carefully, thoughtfully, skillfully assembling songs that gradually get into your head and refuse to let go long after the last notes and beats end. Lyrically, both tracks explore love and relationships, but with a slightly different approach. Lyrically, both parts of this double single function as two perspectives on intimacy, imbalance, and connection, simple on the surface, but emotionally unresolved underneath. Part 1 circles around uncertainty, age difference, and emotional reassurance, delivered with a lightness that masks its vulnerability, while Part 2 explores emotional labour, unmet support, and the slow realisation that hope doesn’t always lead to change. Together, they act as a conversation that vividly explains how love, emotions, and relationships actually work.

Sonically, Crescent uses various approaches, techniques, directions, and styles to depict such a lush sonic imagery that perfectly suits the lyrics. Perhaps psychedelic rock comes to mind fist, as all fundamental elements of this music genre are vividly hearable from scratch to finish, but do not be surprised if you stumble upon some of the finest properties borrowed from seventies rock, classic rock, blues, etc. The band uses all these additional music genres as more than necessary enhancements, accentuations, decorations, and other detials to uplift their music to an entirely new level while simultaneously remaining loyal to the primary sonic direction. As soon as you press play, you’ll immediately notice how Millie Jones’ marvelous vocal harmonies elevate both compositions to new heights, command attention, and guide listeners on this epic journey through an expansive sonic universe. She seamlessly balances low, mid, and high notes with such precision and finesse, emphasizing everything Crescent intended to achieve with these songs. Besides decorating all those segments and orchestrations, her voice also contributes more than necessary soul, emotion, depth, and complexity over an already intricate soundscape. In the meantime, Caleb Hay helps her out by contributing additional vocal layers, back vocals, and sing-alongs, significant embellishments that make these tracks so ethereal, anthemic, and otherworldly. Of course, both songs have been adorned by many brilliant ideas and outstanding instrumentations, vividly hearable during all those profoundly detailed segments. You’ll immediately notice how Caleb Hay’s impressive guitar works shape a perfect backdrop for all the vocals to shine upon. All those incredible themes, melodies, harmonies, and jangly chord progressions are responsible for why Part 1 resonates with that recognizable psychedelic atmosphere. You’ll also hear many subtle bluesy leads and accentuations along the way, spicing things up to the max. Part 2 offers much heavier, generously distorted guitar riffs, but the quartet has also included those qualities mentioned before. This particular track balances rawness, heaviness, and aggression with calm, soothing, relaxing, and ethereal instrumentations, perfectly showcasing the diversity and creative range of the band.

Besides all those guitar works, it’s good to mention how keyboards contribute even more melody and harmony through a comprehensive collection of luxurious soundscapes and chord progressions. This particular instrument also adds depth and soothingness, especially during Part 1. Also, this epic sonic journey wouldn’t be complete without an equally impressive rhythm section. Beneath all those guitars and keys, you’ll hear how Jake Beddow’s intricate, vividly hearable, warm-sounding basslines rumble, offering more than necessary heaviness, clarity, and depth while simultaneously acting as a binding element between the mentioned instruments and rhythmic patterns. In the meantime, Christian Tunney’s exceptional drumming performance, based upon tastefully assembled, flawlessly performed, well-accentuated beats, breaks, fills, and other percussive acrobatics, keeps the remainder of the instrumentations in line while dictating groove and pace. Each instrument has its place and purpose in this sonic equation, making both parts of “Milogather” a pleasant listening experience worth repeating over and over again. With “Milogather Parts 1 and 2,” Crescent demonstrate their lush, intricate, fascinating sound that goes beyond comprehension so many times during these two tracks. Their love for retro psychedelic rock is so profound that you’ll be immediately transported into the sixties, an era when psych-rock ruled the airwaves. Their music not only brings back the golden age of the genre, but also showcases many innovations, rarely heard or seen in music delivered by other contemporaries. “Milogather Parts 1 and 2” is enchanting double single that vividly showcases all the brilliance of this magnificent quartet, and you should immediately place these songs on your music radar, because these highly creative folks demand your utmost attention.

https://open.spotify.com/album/2pVHHFHhPqFntheKMSjjsR?si=fiW7cBvbT2-1g3hWz8mwuA

Helicon X Al Lover Shared New Single And Video “Not A Thought”

Glasgow band Helicon and Los Angeles-based producer/DJ Al Lover are today releasing the third and final single, ‘Not A Thought’, from their incoming collaborative album, ‘Arise’. Due out February 13th 2026 on Fuzz Club, the bold new record finds Helicon’s counter-cultural psych-rock infused with Lover’s genre-bending electronics – resulting in a maximalist, uplifting sound with a baggy, hypnotic pulse.

On the new single, which follows ‘Arise’ and ‘Backbreaker’, Helicon’s John-Paul Hughes says: “This one’s for the heavy psych heads. Pounding, motorik momentum, swirling fuzz guitars and a dense, enveloping mix that feels circular rather than linear. Looping and locking you into a euphoric, swirling psych-out. Lyrically, it’s about pretending everything’s OK when it isn’t. Mantra-like in its repetition, it captures collapse and the quiet violence of modern mental saturation. When generating ideas and demos for the album, it was the first track where AL took the lead, sending over the initial beats and chords, which we then arranged, expanded and built into the final version we recorded together in Glasgow with Tony Doogan.”

Lover adds: “’Not a Thought’ was a fun one. Most of the album came together with the band sending me demos to tweak and build on, but this track worked in reverse. I sent over a few loops, and what they came back with completely blew me away. I love how unhinged the final version is—it’s unlike anything I’ve heard, and it really feels like new ground was broken. It’s dark, heavy, and freaked out, but there’s a light touch of humor and a real blasé attitude to it. That kind of juxtaposition is what makes it work, and it feels connected to the spirit of bands like The Velvet Underground and The Stooges.”

https://youtu.be/KrhnxxqD0r8?si=pSao046ehxWNZlRx

Produced by Tony Doogan (Mogwai, The Jesus & Mary Chain) at Castle Of Doom Studios in Glasgow, ‘Arise’ is a dense, hypnotic, and fiercely rhythmic record that layers trip-hop breaks, deep low-end and dub textures. The record’s alchemical creative approach was built initially on a trans-Atlantic online back-and-forth of demos between Helicon and Lover. Once upwards of 20 demos had been bounced across the ether and eventually whittled down, the Helicon band (clocking in at nine members at the time of writing, with Belle & Sebastian’s Chris Geddes also playing piano on ‘Goodbye Cool World’) headed into Castle Of Doom to lay down the bare-bones, ready for Lover to fly over and join them and work his magic on drum machine, synth and samplers.
 
“For me, psychedelia is about breaking things open and seeing where it can go next”, John-Paul says: “How far can it stretch and still feel vital? Working with Al Lover let us twist it into something new and prove it can still evolve, still surprise, and still mean something in a world of conformity where everything begins to look and sound the same.” With Lover adding: “The process of working with Helicon on this project has been nothing but a joy. It’s so nice to have music be the conduit for human connection. This is an ongoing theme with any creative endeavour that I’ve undertaken. I hope that connectivity reaches through the music to the listener, helping them feel like a participant in the music, not just passive observers.”

UPCOMING HELICON LIVE SHOWS

2nd Feb – Voodoo Rooms, Edinburgh

26th Feb – Sidney & Matilda, Sheffield

27th Feb – The Deaf Institute, Manchester 

21st Mar – The Georgian Theatre, Stockton On Tees

25th Apr – Foxlowe Arts Centre, Leek

26th Apr – Ramsgate Music Hall, Ramsgate

27th Apr – Hot Box, Chelmsford

1st & 2nd May – Fuzz Club Eindhoven

3rd May – Kulturzentrum Kinett, Kusel, Germany 

10th May – Neue Zukunft, Berlin, Germany

13th May – Wedgewood Rooms, Portsmouth

2nd Aug – Kendal Calling, The Lake District

19th Sept – Psyched Up! The Old Woollen, Leeds 

25th Sept – The 100 Club, London

More to be announced soon

Tickets:https://www.heliconglasgow.com/live 

#ALLOVER #FUZZCLUB #HELICON #MUSIC #NEWS #NOISEPOP #PSYCHROCK #PSYCHEDELICROCK

Helicon X Al Lover Shared New Single And Video “Not A Thought”

Glasgow band Helicon and Los Angeles-based producer/DJ Al Lover are today releasing the third and final single, ‘Not A Thought’, from their incoming collaborative album, ‘Arise’. Due out February 13th 2026 on Fuzz Club, the bold new record finds Helicon’s counter-cultural psych-rock infused with Lover’s genre-bending electronics – resulting in a maximalist, uplifting sound with a baggy, hypnotic pulse.

On the new single, which follows ‘Arise’ and ‘Backbreaker’, Helicon’s John-Paul Hughes says: “This one’s for the heavy psych heads. Pounding, motorik momentum, swirling fuzz guitars and a dense, enveloping mix that feels circular rather than linear. Looping and locking you into a euphoric, swirling psych-out. Lyrically, it’s about pretending everything’s OK when it isn’t. Mantra-like in its repetition, it captures collapse and the quiet violence of modern mental saturation. When generating ideas and demos for the album, it was the first track where AL took the lead, sending over the initial beats and chords, which we then arranged, expanded and built into the final version we recorded together in Glasgow with Tony Doogan.”

Lover adds: “’Not a Thought’ was a fun one. Most of the album came together with the band sending me demos to tweak and build on, but this track worked in reverse. I sent over a few loops, and what they came back with completely blew me away. I love how unhinged the final version is—it’s unlike anything I’ve heard, and it really feels like new ground was broken. It’s dark, heavy, and freaked out, but there’s a light touch of humor and a real blasé attitude to it. That kind of juxtaposition is what makes it work, and it feels connected to the spirit of bands like The Velvet Underground and The Stooges.”

https://youtu.be/KrhnxxqD0r8?si=pSao046ehxWNZlRx

Produced by Tony Doogan (Mogwai, The Jesus & Mary Chain) at Castle Of Doom Studios in Glasgow, ‘Arise’ is a dense, hypnotic, and fiercely rhythmic record that layers trip-hop breaks, deep low-end and dub textures. The record’s alchemical creative approach was built initially on a trans-Atlantic online back-and-forth of demos between Helicon and Lover. Once upwards of 20 demos had been bounced across the ether and eventually whittled down, the Helicon band (clocking in at nine members at the time of writing, with Belle & Sebastian’s Chris Geddes also playing piano on ‘Goodbye Cool World’) headed into Castle Of Doom to lay down the bare-bones, ready for Lover to fly over and join them and work his magic on drum machine, synth and samplers.
 
“For me, psychedelia is about breaking things open and seeing where it can go next”, John-Paul says: “How far can it stretch and still feel vital? Working with Al Lover let us twist it into something new and prove it can still evolve, still surprise, and still mean something in a world of conformity where everything begins to look and sound the same.” With Lover adding: “The process of working with Helicon on this project has been nothing but a joy. It’s so nice to have music be the conduit for human connection. This is an ongoing theme with any creative endeavour that I’ve undertaken. I hope that connectivity reaches through the music to the listener, helping them feel like a participant in the music, not just passive observers.”

UPCOMING HELICON LIVE SHOWS

2nd Feb – Voodoo Rooms, Edinburgh

26th Feb – Sidney & Matilda, Sheffield

27th Feb – The Deaf Institute, Manchester 

21st Mar – The Georgian Theatre, Stockton On Tees

25th Apr – Foxlowe Arts Centre, Leek

26th Apr – Ramsgate Music Hall, Ramsgate

27th Apr – Hot Box, Chelmsford

1st & 2nd May – Fuzz Club Eindhoven

3rd May – Kulturzentrum Kinett, Kusel, Germany 

10th May – Neue Zukunft, Berlin, Germany

13th May – Wedgewood Rooms, Portsmouth

2nd Aug – Kendal Calling, The Lake District

19th Sept – Psyched Up! The Old Woollen, Leeds 

25th Sept – The 100 Club, London

More to be announced soon

Tickets:https://www.heliconglasgow.com/live 

#ALLOVER #FUZZCLUB #HELICON #MUSIC #NEWS #NOISEPOP #PSYCHROCK #PSYCHEDELICROCK

#JukeboxFridayNight #StepByStep — songs about walking/running

bout time I post some deep cuts for this prompt…

House of Fire - Walking Along the Sun
https://song.link/i/285266103

No, this is not a cover of Smashmouth.

#2000sMusic #PsychRock #PsychedelicRock #NeoPsych #Tambourines

https://youtu.be/F0RR_DufQdQ?si=AZmdZQoxOjq8C3hW

La meva #CançóDelDia per al dimecres 31 de desembre és aquesta dels #Kadavar #Berlín #HardRock #StonerRock #PsychRock #70sRock 💓!

Yet again listening to one of the greatest albums ever recorded to get my morning going

https://youtube.com/playlist?list=OLAK5uy_ntY1sjMMLYEj2KFPN8gtLHfpH_vCUxGEs&si=gffaE4hE30itP0vP

#MeatPuppets #90s #90sMusic #PsychRock #AltCountry

https://youtu.be/8YehoejPll8?si=XnQ6aV06I4V-MQtl

La meva #CançóDelDia per al dissabte 20 de desembre és aquesta de la #RosalieCunningham #SouthendOnSea #Veu #Guitarra #Teclats #Pop #Folk #PsychRock #ProgRock 🎊!

Sun-Drenched Shoegaze: Evil Twin Returns with “California (She’s So Royal)”

Evil Twin has officially released “California (She’s So Royal),” a vibrant new single that defies easy categorization. The track serves as a seamless intersection of psych-rock, indie, shoegaze, and power pop, capturing a melodic yet hazy energy. Now available across all major streaming platforms, the song highlights the band’s ability to pair infectious hooks with ethereal textures. Whether you are looking for the driving energy of power pop or the washed-out bliss of shoegaze, Evil Twin delivers a royal performance that cements their status as a versatile force in the independent scene.

https://open.spotify.com/track/2kKxgum0YVBPSQopi4sm3k?si=e86f1255d9f842cd

#dreamPop #evilTwin #indie #indiePop #music #news #powerPop #psychRock #psychedelicRock #shoegaze

#BostonWeekend 9x Fri INDIE PSYCH #Montreal sends Psych Rockers Besnard Lakes to Deep Cuts in #MedfordMA . w/ Vivid Bloom - 18+ 21$ https://www.youtube.com/watch?v=lFpskp8u4YU https://dice.fm/event/ry6d6w-the-besnard-lakes-vivid-bloom-5th-dec-deep-cuts-medford-tickets
#BesnardLakes #VividBloom #DeepCuts #Medford #BostonMusic #PsychRock #IndieRock #PsychedelicMusic

Huge thanks to whoever gave me this link to when Curt and Cris from the Meat Puppets played acoustic songs on Tempe, Arizona radio station KUKQ in 1990 (so young - only a band for about 10 years at this point, but still, preparing to play with Peter Murphy).

https://youtu.be/9w4-UCIF1aU

They do a few songs with a mini interview - the first song is an instrumental version of a song they'd later record with lyrics, 'That's How It Goes' that Curt had JUST written, it didn't even have a title at that point- and he plays it on a 12 string he wasn't even familiar with. Just fuckin awesome. Then they do 'Plateau', 'One of These Days', 'If You've Got the Money, I've Got the Time' (the interview) and 'Candy Hearts', a George Jones cover. And the host Jonathan mentions a Smithereens CD at the end! Epic.

#MeatPuppets #90s #90sMusic #PsychRock #GeorgeJones #Arizona #Tempe #radio #TempeArizona #AZ

Floral Image To Release New EP On November 21st, Watch Video For ‘On A Feeling’

Floral Image is set to releasea new ep, Deeper Down Meadowland, on November 21st. The EP features three new tracks, including ‘On A Feeling,’ which douses eastern-inspired melodies over a rapturous rhythm, and ‘Spiraline,’ which builds to a cathartic crescendo of riffing. The EP closes with live takes of fan favorites, showcasing the group’s dynamic progression and their signature blend of introspective lyricism and psych-rock indulgence. A video for ‘On A Feeling’ is out now.

https://youtu.be/HouA20jV34U?si=w-3a1nJfhOKyVh8S

Upcoming shows:
Nov 19th – Norwich, UK
Nov 22nd – Bristol, UK *
Nov 23rd – Manchester, UK *
Nov 24th – Glasgow, UK *
Nov 26th – Brighton,UK *
Nov 27th – Hebden Bridge, UK *
Nov 28th – London, UK *
Mar 14th – Berlin Folk Festival, DE
Apr 17th – Catania, IT

* supporting Minami Deutsch

#FLORALIMAGE #FUZZCLUB #MUSIC #NEWS #PSYCHROCK #PSYCHEDELICROCK

Here's my latest livemusic write-up, "Psych-Ic" on 4 psych-rock encounters in one week in September. Enjoy!

#livemusic #concertreviews #musicwriting #psychrock

https://neddyo.medium.com/september-2025-psych-ic-7207ea08ccde

Purple Stone – Spacetime

It has been a while since we had a chance to write about a duo that sounds this good, and when they’re exploring music genres we love from the bottom of our hearts, every listening session becomes such a treat. As you probably already know, the psychedelic rock scene has thrived over the last couple of years, with many new bands and acts delivering high-quality music. It seems like many of them are overly experimenting, exploiting their influences to the max, or mimicking something that the greats recorded and performed decades ago. Thankfully, there are still music outlets capable of writing, composing, and recording unique tracks, rarely heard or seen today. Purple Stone, a duo hailing from northern Sweden, brought “Spacetime,” their second full-length offering that carries a comprehensive collection of fresh, unique, innovative, and exciting compositions that will unquestionably appeal to all those music enthusiasts who are looking for cleverly assembled and flawlessly performed music. Lyrically and conceptually, this material is self-explanatory. It explores space and time, and their power to shape the universe and everything that surrounds us. Through their music, they cover various sentiments, moods, situations, and circumstances, making this material such a deeply resonant listening experience. Sonically, “Spacetime” dominatly explores psychedelic rock sound, as it carries the fundamental elements of this style, but it also goes beyond mere aesthetics of the genre by incorporating other complementary music genres, directions, techniques, and approaches. During these moments, their dedication to the craft truly shines because their compositions are packed with so many details, nuances, layers, elements, and hidden sonic surprises, ready to be revealed with each new listen. You’ll notice how they implemented some of the finest properties from krautrock, synth rock, art rock, alternative, stoner, indie, cinematic ambient, but do not be surprised if you stumble upon more along the way. Although their songs carry qualities that meet all the trends in modern music production, you’ll also notice a subtle touch of nostalgia, evoking eras of psychedelic rock music when this particular music genre ruled the airwaves. Still, these touches of nostalgia are subtle enough not the spoil their initial sonic direction. It’s such a pleasant listening experience packed with so many qualities, suitable for even those listeners stumbling upon psych-rock music for the first time.

As soon as you press play, you’ll hear that Purple Stone dedicated themselves to crafting luxuriant soundscapes that immediately invite you to join onto epic sonic voyage and never look back. It’s an amalgam of songs that wraps around your listening apparatus, grabs by the collar, and never lets go, proving that even contemporary psych-rock music can still sound addictive, hypnotic, and irresistible. Take “Come On Come On Come On” as a perfect example. Perhaps this introductory piece showcases what you might expect from the remainder of the material, but it also demonstrates Purple Stone’s tremendous creative genius. With all those subtly fuzzy guitar works, lush synth layers, intricate warm-sounding basslines, and profoundly detailed beats, it packs all the qualities you wanna hear in a modern psych-rock. But wait until you hear those soulful vocal harmonies; they’re undoubtedly stealing the show here. We already talked about “I’m The One” in our previous writings. It further expands Purple Stone sounds with even more thoughtfully arranged instrumentations, yet it certainly carries its own, distinctive ambiance worth checking out over and over again. Blending seventies synth sequences with commanding basslines is one of the Purple Stone’s strengths, and “Alright” proves how a rock-solid rhythm section and a couple of beautiful synth layers can do wonders. But the band has not forgotten the guitars. Quite the contrary, in this particular scenario, guitars accentuate carefully picked segments with catchy leads, themes, and other sonic maneuvers. Once again, the vocal harmonies decorate and elevate everything while the harmonious sing-alongs provide a more anthemic, hypnotic, meditative feel. “Get High” calms things down with its moderate pace, cinematic ambient pads, marvelous reverby guitar works, and soulful vocal lines. This particular composition carries almost bluesy, soulful, psych-rock vibes, and the band crafted a masterpiece that further showcases their dedication to the craft. “Moods” continues in nearly the same style, but it’s more focused on repetitive sonic and percussive sequences that create hypnotic, ethereal, otherworldly vibes. With tracks like “Adrift” and “Unidentified Flying Space Machine,” Purple Stone gets back to the primary sonic direction, delivering more vocal harmonies that serve as a centerpiece, jangly yet subtly distorted chord progressions, riffs, and other sonic delicacies. Beneath these vocals and guitars, there is a low-end undercurrent offering more heaviness, clarity, and depth while binding everything together. The beats remain steady, groovy, and dynamic, with all those detailed accentuations and subtle fills announcing each upcoming segment. The duo expertly crafts multilayered soundscapes, and “Late Night” is more than a rock-solid proof of how all those layers articulate together without overwhelming each other. In this track, the guitars play a significant role by emitting all those calm, soothing, relaxing, ethereal themes, melodies, harmonies, chord progressions, and other sonic maneuvers. This epic sonic journey comes to an end with a title track, a fine piece of sonic artistry that pretty much sums up everything Purple Stone intended to achieve with this material while simultaneously inviting you to spin this wonderful album all over again.

https://youtu.be/BvkdwsHxE-Y?si=V0FfQ1Euhz3ZaXkf

If you are looking for a modern psychedelic rock album where each vocal, sonic, and rhythmic maneuver works harmoneously in building an addictive, hypnotic, irresistible, fascinating, and luxurious soundscape, “Spacetime” will be right up your alley. This album is a psych-rock masterpiece, thoughtfully written, composed, and recorded by two brilliant songwriters and musicians, whose tremendous experience, knowledge, talent, skills, and ideas shine from start to finish. You should immediately place “Spacetime” on your radar, because each song is packed with so many mesmerizing moments that will assure this is one of the finest albums you’ll hear in a while. Head to your favorite streaming platform and check it out.

https://open.spotify.com/album/1RCzin7My0zyFdaIvqFQPJ?si=_1a1wViwRby5BXGpJNiYMw

#ALTERNATIVE #AMBIENT #ARTROCK #CINEMATIC #INDIE #INDIEROCK #MUSIC #PSYCHROCK #PSYCHEDELICROCK #PURPLESTONE #REVIEWS #SYNTHROCK