#progmetal — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #progmetal, aggregated by home.social.
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Retrouvez RADIO-ERDORIN en direct le 11 septembre 2026 à 21 h 00, pour discuter de plein de l'épisode d'août 2026.
https://youtube.com/live/yMirP5klHhg
Aussi sur Twitch : https://www.twitch.tv/sgallay
et sur Peertube : https://videos.pair2jeux.tube/w/u9ZxztEXkPjfv7jNDCPrfc -
Retrouvez RADIO-ERDORIN en direct le 11 septembre 2026 à 21 h 00, pour discuter de plein de l'épisode d'août 2026.
https://youtube.com/live/yMirP5klHhg
Aussi sur Twitch : https://www.twitch.tv/sgallay
et sur Peertube : https://videos.pair2jeux.tube/w/u9ZxztEXkPjfv7jNDCPrfc -
Retrouvez RADIO-ERDORIN en direct le 11 septembre 2026 à 21 h 00, pour discuter de plein de l'épisode d'août 2026.
https://youtube.com/live/yMirP5klHhg
Aussi sur Twitch : https://www.twitch.tv/sgallay
et sur Peertube : https://videos.pair2jeux.tube/w/u9ZxztEXkPjfv7jNDCPrfc -
Retrouvez RADIO-ERDORIN en direct le 11 septembre 2026 à 21 h 00, pour discuter de plein de l'épisode d'août 2026.
https://youtube.com/live/yMirP5klHhg
Aussi sur Twitch : https://www.twitch.tv/sgallay
et sur Peertube : https://videos.pair2jeux.tube/w/u9ZxztEXkPjfv7jNDCPrfc -
Retrouvez RADIO-ERDORIN en direct le 11 septembre 2026 à 21 h 00, pour discuter de plein de l'épisode d'août 2026.
https://youtube.com/live/yMirP5klHhg
Aussi sur Twitch : https://www.twitch.tv/sgallay
et sur Peertube : https://videos.pair2jeux.tube/w/u9ZxztEXkPjfv7jNDCPrfc -
#JukeboxFridayNight
#progmetal
#memoriesThis song named after flower about which i have special memories... Memories about people who not with us yet... I like this flowers, i like their scent and how this flowers look like.
Caligula's Horse - Marigold
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Aujourd'hui sur Blog à part – Radio-Erdorin, août 2026
Sans surprise, ce nouvel épisode de Radio-Erdorin, pour les albums d’août 2026, a encore été finalisé en mode rush, genre la veille de son débriefing.
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Aujourd'hui sur Blog à part – Radio-Erdorin, août 2026
Sans surprise, ce nouvel épisode de Radio-Erdorin, pour les albums d’août 2026, a encore été finalisé en mode rush, genre la veille de son débriefing.
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Aujourd'hui sur Blog à part – Radio-Erdorin, août 2026
Sans surprise, ce nouvel épisode de Radio-Erdorin, pour les albums d’août 2026, a encore été finalisé en mode rush, genre la veille de son débriefing.
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Aujourd'hui sur Blog à part – Radio-Erdorin, août 2026
Sans surprise, ce nouvel épisode de Radio-Erdorin, pour les albums d’août 2026, a encore été finalisé en mode rush, genre la veille de son débriefing.
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Aujourd'hui sur Blog à part – Radio-Erdorin, août 2026
Sans surprise, ce nouvel épisode de Radio-Erdorin, pour les albums d’août 2026, a encore été finalisé en mode rush, genre la veille de son débriefing.
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Aujourd'hui sur Blog à part – Radio-Erdorin, août 2026
Sans surprise, ce nouvel épisode de Radio-Erdorin, pour les albums d’août 2026, a encore été finalisé en mode rush, genre la veille de son débriefing.
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New song from The Ocean and it's incredible.
Album is out in a few weeks. -
WHAT THE HELL?! 🤯 I never ever heard about this band, found as one of the #newReleases today. One song in and I'm already hooked!!!
It's some #progmetal maybe also #progrock from Sweden. My first impression was: oh it's a bit like #coldnightforalligators has a kid with #scalethesummit and this kid also have a kid with the kid of #Vola and #plini -
https://youtu.be/izWR5AKdUvc?si=QGDrYhXXOV7E4f6x
La meva #CançóDelDia per al dimecres 11 de març és aquesta de les #Alwaid #Lilla #MètalMelòdic #ProgMetal #MètalSimfònic #DarkRock 5️⃣!
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Abstracted – Hiraeth Review By Samguineous MaximusOnce upon a time, before I was a battle-jacket-wearing, corpse-paint-adorned, trve-metal warrior of the highest order, I was a high-school prog nerd. The djent wave was cresting just as I began to really delve deeper into music, and the hordes of technical, djenty bands with ultra-modern production and surprising amounts of melody still sit near and dear to my heart, even if I rarely reach back into the Sumerian-scented pile in my regular listening habits. 1 That’s why when I saw the promo for Hiraeth, the 2nd album by Brazilian prog metallers Abstracted, with comparisons to The Contortionist, The Human Abstract, and Between the Buried and Me, I couldn’t help but get a little excited at the prospect of newer music tapping into those formative sounds. Abstracted have been a band since 2013, and their long-gestating debut record, 2022’s Atma Conflux, was an effective and varied slab of djenty progressive death metal, marred by tepid production and less-than-stellar clean vocals. More than anything, though, it showed potential as a record brimming with ideas that was so close to being great. With Hiraeth, can the Brazilian group finally unify their influences into something more than the sum of their parts?
On Hiraeth, Abstracted demonstrates a thorough understanding of contemporary progressive metal styles and integrates them into something all their own. The band’s main sound is a djent-fueled take on modern progressive death metal, closest to early-era The Contortionist in its blending of odd-meter riffery, post-rock-influenced textures, and an enticing contrast between melancholic space-age cleans and technical 6-string chugs. Abstracted balance this with more traditional Haken-esque classic prog turnarounds and jazz breaks (“Sirens”), fast-paced Between the Buried and Me riff marathons (“To Quench This Insatiable Thirst”), and harmonic nuance within darker moments à la Persefone (“Requiem”). The result is a varied and dynamic set of tunes that glide effortlessly between impressive riff-fueled aggression and cathartic melodies. Songs like “The Utter End” and “The Barren Grave of God” demonstrate the band’s ability to naturally move from strength to strength without missing a beat, unfolding across expansive guitar arpeggios, delightfully off-kilter breakdowns, virtuosic solos, and powerful musical climaxes.
This level of fluidity and genre cohesion on Hiraeth is only made possible by the high level of musicianship Abstracted display. Guitarists José Consani and Leonardo Brito give varied performances that successfully meld more djent-centric playing with classic death metal sensibilities and demonstrate keen melodic ears with dense jazz chords and powerful lead lines. Drummer Fernando Pollen blends Latin grooves with acrobatic modern metal flourishes, and the production’s more natural drum tone allows his dynamic nuances to guide several songs. 2 On bass, Riverton Alves turns in a thoroughly warm and jazz-based, Cynic-flavored performance that shines during quieter moments, while keyboardist Carol Lynn supplies plenty of atmosphere through subtle synth textures and steps to the forefront a few times with quirky, but effective synth lines reminiscent of Diego Tejeida. Together, this ensemble breathes plenty of life into a style of music that can often feel over-processed, and their performances help to unify this collection of songs into a cohesive whole.The only elements of Hiraeth that aren’t immediately impressive are the vocals and the production. Rosano Pedro Matiussi delivers an impassioned performance, and his vocal lines often fit the songs well, but his clean singing lacks a certain impact or personality to elevate good moments into great ones. Initially, this was enough to deter me from really digging deeper and appreciating the songcraft on display, but the singing grew on me quite a bit with time. Similarly, his death growls are solid, if not one-note, and they feel like they exist more so to fill a role than to accent particular sections. This could potentially be the production’s fault, as Hiraeth sounds generally good and more natural than the swaths of overproduced modern prog 3 but lacks a certain sonic clarity, occasionally making especially dense sections harder to parse. There’s a distinct lack of reverb on the harsh vocals, and I can’t help but wonder if a stronger mix could fit the layered clean singing a bit better. Matiussi’s vocals are far from bad, and there are parts like the somber intro to “Requiem” where he sounds great, but when everything else is operating at such a high level, they feel like a weak link.
With Hiraeth, Abstracted have delivered an impressive piece of modern progressive metal. This record is a grower for sure, with dense and layered compositions often revealing their clever construction and intense interconnectedness only after repeated spins. Even if the vocals leave a little to be desired, the Brazilian group has successfully combined the sounds of several of the best modern prog bands into something exciting and nuanced.
Rating: Good
#2026 #30 #Abstracted #AnAbstractIllusion #BetweenTheBuriedAndMe #BrazilianMetal #Cynic #Djent #Entheos #Feb26 #Haken #Hiraeth #MTheoryAudio #Persefone #ProgMetal #ProgressiveDeath #ProgressiveMetal #Review #Reviews #TheContortionist #TheHumanAbstract
DR: 5 | Format Reviewed: 320 kbps mp3
Label: M-Theory Audio
Websites: abstractedmetal.bandcamp | facebook.com/abstractedbr
Releases Worldwide: February 20, 2026 -
Ob #Stuttgart auch mit Babylonien verglichen werden kann – wäre eventuell eine Frage für unser Stadtoberhaupt. #WyattE nehmen uns zumindest musikalisch in eine Art imaginiertes Babylonien mit.
https://www.gig-blog.net/2026/02/25/hemelbestormer-wyatt-e-21-02-2026-club-zentral-stuttgart/
#stuttgart #wyatte #konzert #konzertbericht #concert #livemusic #livemusik #konzertfotografie #concertphotography #doom #progmetal #postrock #hemelbestormer #metal
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Didn’t know this band, it was listed in the new releases for today. Some #progmetal #mathcore from Denmark. #ColdNightForAlligators
Sounds cool! And not just the bandname
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Wildhunt – Aletheia Review By Andy-War-Hall
The calendar turns, and what better way to celebrate the coming year than an album that sounds straight out of the late 80s? Austria’s Wildhunt have been slinging out classic thrash/heavy metal since 2011, but have until this year produced only one record: 2016’s Descending. Ten years is a long time to cook up a sophomore record, and Wildhunt via Jawbreaker Records boasts of “a mix of detail-loving, energetic metal and epic song structures” for album number two, Aletheia. Cited as being for fans of Metallica, Heathen, King Diamond and Megadeth, Wildhunt runs the risks of any band explicitly evoking the distant past: coming off as geriatric nostalgia-bait. Is this Wildhunt’s fate, or can they rise above and make Aletheia a blast from the present-past?
Wildhunt may play the kind of stuff Ronald Reagan could’ve heard, but Altheia doesn’t sound like the kind of record Reagan could’ve played either. Recalling at once the prog-thrash of Heathen on “Made Man” and “The Holy Pale” and the 70s hard rockin’ of Rainbow on “Touching the Ground” and “Aletheia,” Wildhunt play an inherently backward-looking style that still sounds fresh out of the garage. The guitar duo of Wolfgang Elwitschger and Julian Malkmus draw heavily from the schools of Hetfield and Blackmore, dropping muscular palm-muted riffs and nimbly melodic leads and solos, while bassist Robbie Nöbauer regularly works in lines that play with the six-string like Cliff Burton licks (“Kanashibari”). Rhythmically, drummer Lukas Lobnig lays down driving patterns that propel Wildhunt through all of the wild turns that Aletheia has, most notably on the gargantuan prog numbers of “Made Man” and “Sole Voyage.” Top it off with Elwitschger’s booming baritone—warm, silky and vintage as Aletheia’s dynamic mixing and mastering—and you get an album expertly performed and deeply indebted to the sounds of yesteryear.
Though Wildhunt won’t surprise you with novelty, Aletheia might catch you off-guard with its adventurous, progressive songwriting. Wildhunt forgo simple catchiness and repetitive loops on Aletheia in favor of untypical, tension-building intervals and progressions. Songs spiral out into bridge-filled bonanzas of killer riffs and solos, getting into Megadeth speeds on “The Holy Pale,” majestic prog-power hooks on “Sole Voyage” á la Tanagra and, in the album’s most unexpected turn, a diversion into smooth salsa also on “Sole Voyage.” Furthering Wildhunt’s eccentricity, Aletheia deal in dark, thoughtful, and fantastical lyricism. When Elwitchger opines on “Aletheia” that “hypocrisy is the tribute that vice pays to virtue,” I perk up immediately, every time. If you’re looking for familiarity and easy listening, Aletheia is for you; if you’re looking for something expansive and daring, Aletheia is also for you.
But with how many twists and turns Wildhunt throw at the listener, Aletheia can feel surprising blunted at times. Aletheia is dramatic, and its songs go a lot of directions, but they rarely build to the big, explosive moments to accent their highs and lows. For example, though Elwitchger’s voice is plenty good, it sounds like he sticks too closely to his most comfortable range and, though he never comes off as strained as a result, it feels like he’s not quite giving it all. “Made Man” and “In Frozen Dreams” exemplify this issue, as even though each segment of them is interesting, they don’t really build up to much, and as such feel a little meandering. Similarly, the two instrumentals “Touching the Ground” and “Kanashibari” sit in a weird middle ground of being too involved to pass off as interludes but not quite substantial enough to work as stand-alone songs. Aletheia isn’t devoid of memorable moments—”The Holy Pale” and “Aletheia” have killer choruses and “Sole Voyage” is a blast front to back1—but with how much creativity Wildhunt possess it should be more electrifying than it is.
Aletheia isn’t the face of metal to come in 2026,2 but it’s a fun and energetic morsel of heavy metal regardless, and what more does anything need to be? If the previous paragraph came off as overly harsh, it’s only because the skill and creativity Wildhunt exudes make it easy to imagine how great Aletheia could be if things were taken up one more notch. If any of the bands mentioned above are your cup(s) of tea, Altheia will more than likely agree to your sensibilities. It’s adventurous, well-played, lots of fun, and occasionally great. Kicking off 2026 with Wildhunt’s Altheia is no bad idea at all.
Rating: Good
#2026 #30 #Altheia #AustrianMetal #Heathen #HeavyMetal #Jan26 #JawbreakerRecords #KingDiamond #Megadeth #Metallica #ProgMetal #Rainbow #Review #Reviews #Tanagra #ThrashMetal #Wildhunt
DR: 8 | Format Reviewed: 320 kbps MP3
Label: Jawbreaker Records
Websites: wildhunt.at | jawbreakerrecords.bandcamp.com | facebook.com/wildhuntaustria
Releases Worldwide: January 2nd, 2026 -
https://youtu.be/il5TKqb-VxA?si=QgMogKavNMVoXX6U
La meva #CançóDelDia per al divendres 6 de juny és aquesta del #Samtar #Wisconsin #MètalMelòdic #RockAlternatiu #ProgMetal #PsychRock 👃🏿!
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#deathmetal #thrashmetal #blackmetal #powermetal #doommetal #stonermetal #progmetal
#groovemetal #heavymetal #vikingmetal #warmetal #blackeneddeathmetal #deathnroll #melodicdeathmetal #symphonicmetal #deathdoommetal
#funeraldoommetal
#sludgemetal #folkmetal #paganmetal #glammetal
#gothicmetal #grindcore #deathcore
#deathgrind #goregrind #industrialmetal #postmetal #mathcore #dissonantdeathmetal #dissonantblackmetal #neoclassicalmetal
#speedmetal #crossovermetal #nwothm #nwobhm #djent #metalcore -
https://youtu.be/9pIfQe-uadc?si=sIU1Q3TNofLd1wHp
La meva #CançóDelDia per al dissabte 15 de juny és aquesta dels #Kingcrow #Roma #ProgMetal #ProgRock #MètalAlternatiu #RockAlternatiu #EdgarAllanPoe ✒️!
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#TheMetalDogArticleList
#MetalInjection
COGNIZANCE Returns With Technical New Single "The Towering Monument"
Cognizance doesn't miss.https://metalinjection.net/video/cognizance-returns-with-technical-new-single-the-towering-monument
#Cognizance #NewSingle #TheToweringMonument #TechnicalMetal #SurpriseRelease #BlueprintOfTheFallen #MetalInjection #ProgMetal #DeathMetal
