#greenday — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #greenday, aggregated by home.social.
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Movie TV Tech Geeks #MusicFeatures #Music #Lists #GreenDay 10 Most Perfect Classic Rock Instrumentals of All Time, Ranked http://dlvr.it/TSmSw5
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Movie TV Tech Geeks #MusicFeatures #Music #Lists #GreenDay 10 Most Perfect Classic Rock Instrumentals of All Time, Ranked http://dlvr.it/TSmSw5
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Movie TV Tech Geeks #MusicFeatures #Music #Lists #GreenDay 10 Most Perfect Classic Rock Instrumentals of All Time, Ranked http://dlvr.it/TSmSw5
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Movie TV Tech Geeks #MusicFeatures #Music #Lists #GreenDay 10 Most Perfect Classic Rock Instrumentals of All Time, Ranked http://dlvr.it/TSmSw5
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Movie TV Tech Geeks #MusicFeatures #Music #Lists #GreenDay 10 Most Perfect Classic Rock Instrumentals of All Time, Ranked http://dlvr.it/TSmSw5
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Good Riddance (Time of Your Life) ⏱
#GreenDay
https://www.youtube.com/watch?v=fhrK0i-2Nes -
Good Riddance (Time of Your Life) ⏱
#GreenDay
https://www.youtube.com/watch?v=fhrK0i-2Nes -
Good Riddance (Time of Your Life) ⏱
#GreenDay
https://www.youtube.com/watch?v=fhrK0i-2Nes -
Good Riddance (Time of Your Life) ⏱
#GreenDay
https://www.youtube.com/watch?v=fhrK0i-2Nes -
Good Riddance (Time of Your Life) ⏱
#GreenDay
https://www.youtube.com/watch?v=fhrK0i-2Nes -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Green Day - The American Dream Is Killing Me▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
Dałam na mastodonie, ale na różnych wpisach, więc no… Dam na wafrn, ale na jednym :A_BlobCat_Bongo:
https://www.youtube.com/watch?v=efErDBjXz3I
https://www.vidlii.com/watch?v=2dabARds6Yg
https://www.cda.pl/video/30303178be
https://odysee.com/@Gryficowa:2/Boulevard-Of-Broken-Dreams-polytoria:5Bo serio, potęga fediverse działa też różnie :A_BlobCat_HappyPaws:
#Polytoria #game #GreenDay #music #song #youtube #odysee #CDA #vidlii -
Dałam na mastodonie, ale na różnych wpisach, więc no… Dam na wafrn, ale na jednym :A_BlobCat_Bongo:
https://www.youtube.com/watch?v=efErDBjXz3I
https://www.vidlii.com/watch?v=2dabARds6Yg
https://www.cda.pl/video/30303178be
https://odysee.com/@Gryficowa:2/Boulevard-Of-Broken-Dreams-polytoria:5Bo serio, potęga fediverse działa też różnie :A_BlobCat_HappyPaws:
#Polytoria #game #GreenDay #music #song #youtube #odysee #CDA #vidlii -
Dałam na mastodonie, ale na różnych wpisach, więc no… Dam na wafrn, ale na jednym :A_BlobCat_Bongo:
https://www.youtube.com/watch?v=efErDBjXz3I
https://www.vidlii.com/watch?v=2dabARds6Yg
https://www.cda.pl/video/30303178be
https://odysee.com/@Gryficowa:2/Boulevard-Of-Broken-Dreams-polytoria:5Bo serio, potęga fediverse działa też różnie :A_BlobCat_HappyPaws:
#Polytoria #game #GreenDay #music #song #youtube #odysee #CDA #vidlii -
Dałam na mastodonie, ale na różnych wpisach, więc no… Dam na wafrn, ale na jednym :A_BlobCat_Bongo:
https://www.youtube.com/watch?v=efErDBjXz3I
https://www.vidlii.com/watch?v=2dabARds6Yg
https://www.cda.pl/video/30303178be
https://odysee.com/@Gryficowa:2/Boulevard-Of-Broken-Dreams-polytoria:5Bo serio, potęga fediverse działa też różnie :A_BlobCat_HappyPaws:
#Polytoria #game #GreenDay #music #song #youtube #odysee #CDA #vidlii -
Dałam na mastodonie, ale na różnych wpisach, więc no… Dam na wafrn, ale na jednym :A_BlobCat_Bongo:
https://www.youtube.com/watch?v=efErDBjXz3I
https://www.vidlii.com/watch?v=2dabARds6Yg
https://www.cda.pl/video/30303178be
https://odysee.com/@Gryficowa:2/Boulevard-Of-Broken-Dreams-polytoria:5Bo serio, potęga fediverse działa też różnie :A_BlobCat_HappyPaws:
#Polytoria #game #GreenDay #music #song #youtube #odysee #CDA #vidlii -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Green Day - Good Riddance (Time of Your Life)▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
«Billie Joe fue un cobarde (Little Pussy)»: Linda Perry recuerda cuando estuvo en miras de producir un álbum para Green Day pero la rechazaron | vía #NaciónRock
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«Billie Joe fue un cobarde (Little Pussy)»: Linda Perry recuerda cuando estuvo en miras de producir un álbum para Green Day pero la rechazaron | vía #NaciónRock
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Green Day - When I Come Around▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 Green Day - Boulevard of Broken Dreams▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
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Breminale 2026 Bremen: Vor 32 Jahren stand Green Day auf der Bühne
Festival am Osterdeich Vor 32 Jahren: Weltberühmte Band trat auf der Breminale auf Aktualisiert am 21.05.2026 – 14:49…
#Bremen #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Auftrittsort #Bandauftritt #Breminale #Germany #GreenDay #Konzerttermin #Osterdeich #Punkrock #Punkrockband
https://www.europesays.com/de/1035861/ -
Rock im Park in Nürnberg: So viel Geld verdienen Flaschensammler
Festival in Nürnberg Rock im Park: So viel verdienen Pfandflaschensammler Aktualisiert am 20.05.2026 – 04:23 UhrLesedauer: 3 Min.…
#Nuernberg #Nuremberg #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Nürnberg #Bayern #Berlin #Bier #Festival #Germany #GreenDay #Hündin #RockimPark
https://www.europesays.com/de/1032229/ -
Os 100 melhores álbuns de punk de todos os tempos, segundo Rolling Stone
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GreenDay .com in 1997, before it became the official website for the band.
#RetroTech #90sComputing #DigitalNostalgia #OldSchoolTech #TechThrowback #1990sTech #GreenDay
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GreenDay .com in 1997, before it became the official website for the band.
#RetroTech #90sComputing #DigitalNostalgia #OldSchoolTech #TechThrowback #1990sTech #GreenDay
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GreenDay .com in 1997, before it became the official website for the band.
#RetroTech #90sComputing #DigitalNostalgia #OldSchoolTech #TechThrowback #1990sTech #GreenDay
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https://www.europesays.com/uk/961601/ Arroganz – Death Doom Punks Review #2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #Entertainment #GermanMetal #GreenDay #Immolation #May26 #music #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords #UK #UnitedKingdom
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Arroganz – Death Doom Punks Review By Andy-War-HallOnce, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?
Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.
That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.
Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.
Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.
Rating: Very Good
#2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #GermanMetal #GreenDay #Immolation #May26 #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026 -
Arroganz – Death Doom Punks Review By Andy-War-HallOnce, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?
Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.
That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.
Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.
Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.
Rating: Very Good
#2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #GermanMetal #GreenDay #Immolation #May26 #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026 -
Arroganz – Death Doom Punks Review By Andy-War-HallOnce, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?
Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.
That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.
Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.
Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.
Rating: Very Good
#2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #GermanMetal #GreenDay #Immolation #May26 #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026 -
Arroganz – Death Doom Punks Review By Andy-War-HallOnce, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?
Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.
That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.
Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.
Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.
Rating: Very Good
#2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #GermanMetal #GreenDay #Immolation #May26 #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026 -
Arroganz – Death Doom Punks Review By Andy-War-HallOnce, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?
Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.
That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.
Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.
Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.
Rating: Very Good
#2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #GermanMetal #GreenDay #Immolation #May26 #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026 -
📻 ■ Ya hay fecha de estreno para la película de Green Day: ‘Nimrods’ llega a los cines este verano ■
https://los40.com/2026/05/13/ya-hay-fecha-de-estreno-para-la-pelicula-de-green-day-nimrods-llega-a-los-cines-este-verano/?int=MASTODON_WORLD -
📻 ■ Ya hay fecha de estreno para la película de Green Day: ‘Nimrods’ llega a los cines este verano ■
https://los40.com/2026/05/13/ya-hay-fecha-de-estreno-para-la-pelicula-de-green-day-nimrods-llega-a-los-cines-este-verano/?int=MASTODON_WORLD -
Coming soon to itch.io!!
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Coming soon to itch.io!!
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Coming soon to itch.io!!
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Coming soon to itch.io!!
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Coming soon to itch.io!!
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Green Day-Inspired Comedy ‘Nimrods’ Sets Summer Release
#MovieNews #Movies #BillieJoeArmstrong #FredArmisen #GreenDay #JennaFischer #LeeKirk #MasonThames #McKennaGrace #Music #Nimrods #TorontoInternationalFilmFestival -
Green Day-Inspired Comedy ‘Nimrods’ Sets Summer Release
#MovieNews #Movies #BillieJoeArmstrong #FredArmisen #GreenDay #JennaFischer #LeeKirk #MasonThames #McKennaGrace #Music #Nimrods #TorontoInternationalFilmFestival -
Green Day-Inspired Comedy ‘Nimrods’ Sets Summer Release
#MovieNews #Movies #BillieJoeArmstrong #FredArmisen #GreenDay #JennaFischer #LeeKirk #MasonThames #McKennaGrace #Music #Nimrods #TorontoInternationalFilmFestival -
Green Day-Inspired Comedy ‘Nimrods’ Sets Summer Release
#MovieNews #Movies #BillieJoeArmstrong #FredArmisen #GreenDay #JennaFischer #LeeKirk #MasonThames #McKennaGrace #Music #Nimrods #TorontoInternationalFilmFestival -
Green Day-Inspired Comedy ‘Nimrods’ Sets Summer Release
#MovieNews #Movies #BillieJoeArmstrong #FredArmisen #GreenDay #JennaFischer #LeeKirk #MasonThames #McKennaGrace #Music #Nimrods #TorontoInternationalFilmFestival