#badreligion — Public Fediverse posts

https://www.youtube.com/watch?v=nHjYLz9eF7w

Bad Religion "Flat Earth Society"

#nowlistening #nowplaying #badreligion #punk #punkrock #alternativerock

L'8 Settembre 1988 quei mattacchioni dei Bad Religion pubblicavano Suffer, un disco destinato a diventare una delle pietre miliari del Punk Hardcore melodico, quello che da li in poi sarebbe semplicemente stato definito come il "Punk Californiano".
NoFX, OffSpring, Pennywise, tutti i gruppi successivamente hanno indicato quel album come il loro punto di riferimento

15 tracce, per una durata complessiva di 26 minuti, praticamente meno di due minuti di media a traccia 😅

38 anni dopo è ancora un disco unico, godibilissimo dalla prima all'ultima traccia, in un lungo grande respiro!

Tra le mie preferite, "Give you nothing".

Hey, everybody's looking but they never can see
All the angst, corruption and the dishonesty
Think about the times and places you've never known
You're a man swarm atom and yet you're alone

So I give you me, I give you nothing
I give you me, I give you nothing

So you got a place that you can call all your own
But you make a habit of carrying the stone
Look around and ask someone if you are alive
You're a sidewalk cypher speaking prionic jive

So I give you me, I give you nothing
I give you me, I give you nothing

Respectable, despicable, it seems all the same
Now we realise that we have nothing to say
If your reserve is weak, audacity complete
Ask yourself again, do I deserve much from them

No!

Hey, everybody's looking but they never can see
All the angst, corruption and the dishonesty
Look around and ask someone if you are alive
You're a sidewalk cipher speaking prionic jive

So I give you me, I give you nothing
I said I give you me, I give you nothing

@[email protected]

#punk #badreligion #suffer #punkhc #california #skatepunk #giveyounothing #greggraffin #brettgurewitz #nofx #offspring

https://youtu.be/8zrPheKNQZM

L'8 Settembre 1988 quei mattacchioni dei Bad Religion pubblicavano Suffer, un disco destinato a diventare una delle pietre miliari del Punk Hardcore melodico, quello che da li in poi sarebbe semplicemente stato definito come il "Punk Californiano".
NoFX, OffSpring, Pennywise, tutti i gruppi successivamente hanno indicato quel album come il loro punto di riferimento

15 tracce, per una durata complessiva di 26 minuti, praticamente meno di due minuti di media a traccia 😅

38 anni dopo è ancora un disco unico, godibilissimo dalla prima all'ultima traccia, in un lungo grande respiro!

Tra le mie preferite, "Give you nothing".

Hey, everybody's looking but they never can see
All the angst, corruption and the dishonesty
Think about the times and places you've never known
You're a man swarm atom and yet you're alone

So I give you me, I give you nothing
I give you me, I give you nothing

So you got a place that you can call all your own
But you make a habit of carrying the stone
Look around and ask someone if you are alive
You're a sidewalk cypher speaking prionic jive

So I give you me, I give you nothing
I give you me, I give you nothing

Respectable, despicable, it seems all the same
Now we realise that we have nothing to say
If your reserve is weak, audacity complete
Ask yourself again, do I deserve much from them

No!

Hey, everybody's looking but they never can see
All the angst, corruption and the dishonesty
Look around and ask someone if you are alive
You're a sidewalk cipher speaking prionic jive

So I give you me, I give you nothing
I said I give you me, I give you nothing

@[email protected]

#punk #badreligion #suffer #punkhc #california #skatepunk #giveyounothing #greggraffin #brettgurewitz #nofx #offspring

https://youtu.be/8zrPheKNQZM

Punk rock contra propaganda fascista: Fake Names, proyecto de integrantes de Bad Religion, Refused, OFF! y más anuncia nuevo álbum | vía #NaciónRock

https://www.nacionrock.com/punk-rock-contra-propaganda-fascista-fake-names-proyecto-de-integrantes-de-bad-religion-refused-off-y-mas-anuncia-nuevo-album/

#adelantos #badreligion #punkrock #refused

Bad Religion - American Jesus.

The lyrics of this song is more relevant today than ever. Crazy. #BadReligion #americanjesus

https://www.youtube.com/watch?v=xFZEAacq7OY&

Bad Religion - American Jesus.

The lyrics of this song is more relevant today than ever. Crazy. #BadReligion #americanjesus

https://www.youtube.com/watch?v=xFZEAacq7OY&

Bad Religion - American Jesus.

The lyrics of this song is more relevant today than ever. Crazy. #BadReligion #americanjesus

https://www.youtube.com/watch?v=xFZEAacq7OY&

Bad Religion - American Jesus.

The lyrics of this song is more relevant today than ever. Crazy. #BadReligion #americanjesus

https://www.youtube.com/watch?v=xFZEAacq7OY&

🔁 Bad Religion ► Infected

https://musicwayatx.com/2026/08/28/%f0%9f%94%81-bad-religion-%e2%96%ba-infected/

Del comunicado de prensa de Sega:

El tráiler también cuenta con la canción “Ten in 2010” de Bad Religion, uno de los varios éxitos icónicos del juego original que regresan para la banda sonora de Crazy Taxi: World Tour. Otras canciones que regresan incluyen “All I Want” y “Change the World” de The Offspring, y “Them and Us” e “Inner Logic” de Bad Religion.

https://www.youtube.com/watch?v=a3mF9zwozJk

#BadReligion #BestBandInTheUniverse #CrazyTaxi

Del comunicado de prensa de Sega:

El tráiler también cuenta con la canción “Ten in 2010” de Bad Religion, uno de los varios éxitos icónicos del juego original que regresan para la banda sonora de Crazy Taxi: World Tour. Otras canciones que regresan incluyen “All I Want” y “Change the World” de The Offspring, y “Them and Us” e “Inner Logic” de Bad Religion.

https://www.youtube.com/watch?v=a3mF9zwozJk

#BadReligion #BestBandInTheUniverse #CrazyTaxi

Del comunicado de prensa de Sega:

El tráiler también cuenta con la canción “Ten in 2010” de Bad Religion, uno de los varios éxitos icónicos del juego original que regresan para la banda sonora de Crazy Taxi: World Tour. Otras canciones que regresan incluyen “All I Want” y “Change the World” de The Offspring, y “Them and Us” e “Inner Logic” de Bad Religion.

https://www.youtube.com/watch?v=a3mF9zwozJk

#BadReligion #BestBandInTheUniverse #CrazyTaxi

Del comunicado de prensa de Sega:

El tráiler también cuenta con la canción “Ten in 2010” de Bad Religion, uno de los varios éxitos icónicos del juego original que regresan para la banda sonora de Crazy Taxi: World Tour. Otras canciones que regresan incluyen “All I Want” y “Change the World” de The Offspring, y “Them and Us” e “Inner Logic” de Bad Religion.

https://www.youtube.com/watch?v=a3mF9zwozJk

#BadReligion #BestBandInTheUniverse #CrazyTaxi

BAD RELIGION!!!

https://www.youtube.com/watch?v=SBPcyymTIsk

#Gamescon #BestBandInTheUniverse #BadReligion

BAD RELIGION!!!

https://www.youtube.com/watch?v=SBPcyymTIsk

#Gamescon #BestBandInTheUniverse #BadReligion

BAD RELIGION!!!

https://www.youtube.com/watch?v=SBPcyymTIsk

#Gamescon #BestBandInTheUniverse #BadReligion

BAD RELIGION!!!

https://www.youtube.com/watch?v=SBPcyymTIsk

#Gamescon #BestBandInTheUniverse #BadReligion

New post: Festival Review: Bloodstock 2026 – Friday (WeeG’s view) https://moshville.co.uk/reviews/gig-review/2026/08/festival-review-bloodstock-2026-friday-weegs-view/ #Atarka #BadReligion #Biohazard #BloodCountess

New post: Festival Review: Bloodstock 2026 – Friday (WeeG’s view) https://moshville.co.uk/reviews/gig-review/2026/08/festival-review-bloodstock-2026-friday-weegs-view/ #Atarka #BadReligion #Biohazard #BloodCountess

Bad Religion auf dem Amplifire in Wilhelmsburg.
Großartig 😍🤘🏼
Das einzige Konzert in 2026 in D.
#badreligion #amplifire_festival_2026

Bad Religion auf dem Amplifire in Wilhelmsburg.
Großartig 😍🤘🏼
Das einzige Konzert in 2026 in D.
#badreligion #amplifire_festival_2026

Ich habe kurzfristig ein 2-Tages Ticket für Amplifire Festival jetzt am Freitag und Samstag in Hamburg-Wilhelmsburg abzugeben. Das Lineup ist im Anhang zu begutachten. Ich sach nur: Bad Religion. 🙌🏼
Gern boosten und bei Interesse bitte eine DM schicken.
Würde dafür gern € 80,00 haben wollen.
#amplifire_festival_2026
#hamburg #wilhelmsburg
#badreligion #fcsp

Ich habe kurzfristig ein 2-Tages Ticket für Amplifire Festival jetzt am Freitag und Samstag in Hamburg-Wilhelmsburg abzugeben. Das Lineup ist im Anhang zu begutachten. Ich sach nur: Bad Religion. 🙌🏼
Gern boosten und bei Interesse bitte eine DM schicken.
Würde dafür gern € 80,00 haben wollen.
#amplifire_festival_2026
#hamburg #wilhelmsburg
#badreligion #fcsp

Ich habe kurzfristig ein 2-Tages Ticket für Amplifire Festival jetzt am Freitag und Samstag in Hamburg-Wilhelmsburg abzugeben. Das Lineup ist im Anhang zu begutachten. Ich sach nur: Bad Religion. 🙌🏼
Gern boosten und bei Interesse bitte eine DM schicken.
Würde dafür gern € 80,00 haben wollen.
#amplifire_festival_2026
#hamburg #wilhelmsburg
#badreligion #fcsp

Ich habe kurzfristig ein 2-Tages Ticket für Amplifire Festival jetzt am Freitag und Samstag in Hamburg-Wilhelmsburg abzugeben. Das Lineup ist im Anhang zu begutachten. Ich sach nur: Bad Religion. 🙌🏼
Gern boosten und bei Interesse bitte eine DM schicken.
Würde dafür gern € 80,00 haben wollen.
#amplifire_festival_2026
#hamburg #wilhelmsburg
#badreligion #fcsp

Bad Religion "Faith in God"

https://www.youtube.com/watch?v=nDAtzeokhUQ

#punk #punkrock #rock #badreligion #nowplaying #nowlistening #alternativerock

The bit that you skip #199: Bad Religion – Leaders and Followers

Can’t claim any greater knowledge about punk besides the usual. Mohawks, three chords, leather jackets with pins, big ass boots, and interesting hair colours. Granted, most of my punk exposure pre 1994 came from documentaries, movies like Dudes (1987) and that dude that got Spocked in The Voyage Home. Oh, and The Young Ones.

So when MTV aired 21st century (digital boy), I recognised the vocal stylings, but not the music. It was an interesting alternative to the usual punk I expected and I was all for it. Asking the right people at music bazaars and jumble sales proved fruitful. I heard about Dead Boys, PiL, and Dead Kennedys, all different branches of that tree called punk.

Leaders and Followers, included only on the japanese version of Stranger than Fiction (and the Clerks Soundtrack) is my fave Bad Religion track. You’ve got Doctor Greg Graffin’s nearly verbose but exceedingly relevant lyrics accompanied by a catchy riff you can bob your head to. The chorus is singalong in the style The Hold Steady has inspired all of its career on.

I never bought the Japanese edition of Stranger than fiction, I only had a badly dubbed tape a friend gave me and that’s what hold me over the years. The Clerks soundtrack was lent to me by a friend, and he never has picked it up. I’m still waiting for him to drop by but I don’t believe this will ever happen as he is, in his words, exiled forever from Mexico. He had this podcast that overtly political and I think it rubbed some people the wrong way. I didn’t agree with his views most of the times, but I think he was really into something, as he would talk for 1 or 2 hours everyday, just like your five and dime streamers do nowadays. What seemed to radicalise him was (allegedly) the failure of his restaurant due to government red tape. Whether that was truth or another of his ornate lies, that I’ll never know.

Life is strange.

-Sam J. Valdés López

https://www.youtube.com/watch?v=AO1Cxeuyv6U

Happy Birthday to Jay Bentley, bassist and co-founding member of Bad Religion, member of Wasted Youth, T.S.O.L. and Circle Jerks, born on this day in 1964, Wichita

Photo by Paul Archuleta

#punk #punks #punkrock #jaybentley #badreligion #punkrockhistory

Happy Birthday to Jay Bentley, bassist and co-founding member of Bad Religion, member of Wasted Youth, T.S.O.L. and Circle Jerks, born on this day in 1964, Wichita

Photo by Paul Archuleta

#punk #punks #punkrock #jaybentley #badreligion #punkrockhistory

Happy Birthday to Jay Bentley, bassist and co-founding member of Bad Religion, member of Wasted Youth, T.S.O.L. and Circle Jerks, born on this day in 1964, Wichita

Photo by Paul Archuleta

#punk #punks #punkrock #jaybentley #badreligion #punkrockhistory

Happy Birthday to Jay Bentley, bassist and co-founding member of Bad Religion, member of Wasted Youth, T.S.O.L. and Circle Jerks, born on this day in 1964, Wichita

Photo by Paul Archuleta

#punk #punks #punkrock #jaybentley #badreligion #punkrockhistory

Listening to old #BadReligion albums and quite shocked how these 1990’s songs captured the trends that were certainly observable back then, but could have simply faded away or morphed, like many others.

But instead they not only became mainstream, and an overwhelmingly global one… Take these for example:

• “American Jesus” https://www.youtube.com/watch?v=12kcpP-8jfM
• “Flat Earth Society” https://www.youtube.com/watch?v=nHjYLz9eF7w
• “21st Century Digital Boy” https://www.youtube.com/watch?v=TYApdmp6je8

P.S. I’d love to link these from some Funkwhale instance but these seem to be quite limited in numbers…

Listening to old #BadReligion albums and quite shocked how these 1990’s songs captured the trends that were certainly observable back then, but could have simply faded away or morphed, like many others.

But instead they not only became mainstream, and an overwhelmingly global one… Take these for example:

• “American Jesus” https://www.youtube.com/watch?v=12kcpP-8jfM
• “Flat Earth Society” https://www.youtube.com/watch?v=nHjYLz9eF7w
• “21st Century Digital Boy” https://www.youtube.com/watch?v=TYApdmp6je8

P.S. I’d love to link these from some Funkwhale instance but these seem to be quite limited in numbers…

Listening to old #BadReligion albums and quite shocked how these 1990’s songs captured the trends that were certainly observable back then, but could have simply faded away or morphed, like many others.

But instead they not only became mainstream, and an overwhelmingly global one… Take these for example:

• “American Jesus” https://www.youtube.com/watch?v=12kcpP-8jfM
• “Flat Earth Society” https://www.youtube.com/watch?v=nHjYLz9eF7w
• “21st Century Digital Boy” https://www.youtube.com/watch?v=TYApdmp6je8

P.S. I’d love to link these from some Funkwhale instance but these seem to be quite limited in numbers…

Listening to old #BadReligion albums and quite shocked how these 1990’s songs captured the trends that were certainly observable back then, but could have simply faded away or morphed, like many others.

But instead they not only became mainstream, and an overwhelmingly global one… Take these for example:

• “American Jesus” https://www.youtube.com/watch?v=12kcpP-8jfM
• “Flat Earth Society” https://www.youtube.com/watch?v=nHjYLz9eF7w
• “21st Century Digital Boy” https://www.youtube.com/watch?v=TYApdmp6je8

P.S. I’d love to link these from some Funkwhale instance but these seem to be quite limited in numbers…

The first 4 studio albums by Bad Religion.

Do you have a favorite?

I'll go first — Suffer is, for me, the band's standout album.

#punk #punks #punkrock #badreligion #history #punkrockhistory

The first 4 studio albums by Bad Religion.

Do you have a favorite?

I'll go first — Suffer is, for me, the band's standout album.

#punk #punks #punkrock #badreligion #history #punkrockhistory

The first 4 studio albums by Bad Religion.

Do you have a favorite?

I'll go first — Suffer is, for me, the band's standout album.

#punk #punks #punkrock #badreligion #history #punkrockhistory

The first 4 studio albums by Bad Religion.

Do you have a favorite?

I'll go first — Suffer is, for me, the band's standout album.

#punk #punks #punkrock #badreligion #history #punkrockhistory

@Enpunkt Auch bei mir landen diverse Alben von #BadReligion regelmäßig in der Playlist. Insbesondere Suffer, Against the Grain, Stranger than Fiction und die von Dir genannte New Maps of Hell.

Es ist erschreckend, wie aktuell viele der Songtexte immer noch sind. 🤔

@Enpunkt Auch bei mir landen diverse Alben von #BadReligion regelmäßig in der Playlist. Insbesondere Suffer, Against the Grain, Stranger than Fiction und die von Dir genannte New Maps of Hell.

Es ist erschreckend, wie aktuell viele der Songtexte immer noch sind. 🤔

@Enpunkt Auch bei mir landen diverse Alben von #BadReligion regelmäßig in der Playlist. Insbesondere Suffer, Against the Grain, Stranger than Fiction und die von Dir genannte New Maps of Hell.

Es ist erschreckend, wie aktuell viele der Songtexte immer noch sind. 🤔

@Enpunkt Auch bei mir landen diverse Alben von #BadReligion regelmäßig in der Playlist. Insbesondere Suffer, Against the Grain, Stranger than Fiction und die von Dir genannte New Maps of Hell.

Es ist erschreckend, wie aktuell viele der Songtexte immer noch sind. 🤔

https://www.europesays.com/uk/961601/ Arroganz – Death Doom Punks Review #2026 #35 #Arroganz #BadReligion #BlackFlag #CasketsOpen #Death #DeathDoomPunks #DeathMetal #Descendants #Discharge #DoomMetal #Entertainment #GermanMetal #GreenDay #Immolation #May26 #music #Pantera #Punk #Review #Reviews #RiseAgainst #SocialDistortion #TestimonyRecords #UK #UnitedKingdom

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punks—the title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.

Rating: Very Good
DR: 7 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
Releases Worldwide: May 15th, 2026

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bad religion
inepsy
analrevolt
pixamandurries

Entzun / Listen (streaming):
https://punkirratia.net:8443/punk

#badreligion #inepsy #analrevolt #pixamandurries #FediRadio #punk #streaming #NowPlaying #music #musica #musique #musika #MastoRadio

·· azkenak airean - last broadcast ··

bad religion
inepsy
analrevolt
pixamandurries

Entzun / Listen (streaming):
https://punkirratia.net:8443/punk

#badreligion #inepsy #analrevolt #pixamandurries #FediRadio #punk #streaming #NowPlaying #music #musica #musique #musika #MastoRadio

·· azkenak airean - last broadcast ··

bad religion
inepsy
analrevolt
pixamandurries

Entzun / Listen (streaming):
https://punkirratia.net:8443/punk

#badreligion #inepsy #analrevolt #pixamandurries #FediRadio #punk #streaming #NowPlaying #music #musica #musique #musika #MastoRadio

#nowplaying No Control von Bad Religion. Davon habe ich oft einen Ohrwurm, wenn ich nur die Nachrichten gelesen habe ...

"And I wanna conquer the world, Give all the idiots a brand new religion, Put an end to poverty, uncleanliness, and toil" 🎶

#badreligion #punk #nocontrol

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bad religion
fregatura
empire down
the squats

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#badreligion #fregatura #empiredown #thesquats #FediRadio #punk #streaming #NowPlaying #music #musica #musique #musika #MastoRadio

·· azkenak airean - last broadcast ··

bad religion
fregatura
empire down
the squats

Entzun / Listen (streaming):
https://punkirratia.net:8443/punk

#badreligion #fregatura #empiredown #thesquats #FediRadio #punk #streaming #NowPlaying #music #musica #musique #musika #MastoRadio

·· azkenak airean - last broadcast ··

bad religion
fregatura
empire down
the squats

Entzun / Listen (streaming):
https://punkirratia.net:8443/punk

#badreligion #fregatura #empiredown #thesquats #FediRadio #punk #streaming #NowPlaying #music #musica #musique #musika #MastoRadio

Rockout 2026 en Estadio Santa Laura: Una descarga de ruido y resistencia | vía #ZumbidoCL

https://zumbido.cl/rockout-2026-en-estadio-santa-laura-una-descarga-de-ruido-y-resistencia/

#2minutos #animal #badreligion #estadiosantalaura #eternainocencia #evaristo #lavelapuerca #livereview #loskk #machuca #manodeobra #nonservium #rockout #soziedadalkoholika #tenemosexplosivos #transistor

Rockout 2026: Desde el caos, mosh y bengalas a la devoción por leyendas del punk | vía #NaciónRock

https://www.nacionrock.com/rockout-2026-desde-el-caos-mosh-y-bengalas-a-la-devocion-por-leyendas-del-punk/

#badreligion #hardcore #machuca #nonservium #punkrock #rockout #tenemosexplosivos