#theoffspring — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #theoffspring, aggregated by home.social.
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ROCKVILLE, thank you for such a warm welcome 🤘
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
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🎵 The Offspring - Self Esteem (2008 Remaster)▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
Watch SMASH played live in its entirety from our 30th Anniversary Concert in 2024 on Fri May 15 💀
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 The Offspring - This Is Not Utopia▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 The Offspring - This Is Not Utopia▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
BeachLife Festival, you were out of your f*cking mind 🙌🙏
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Happy Friday, you stupid dumbsh*t godd*mn motherf*cker 🖕 😀
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The Offspring - Bad Habit (Live from The Honda Center 2024) | SMASH 30th Anniversary
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Check out the lyrics for the song “Pretty Fly” by The Offspring
#TheOffspring #PrettyFly
https://daletra.com/the-offspring/lyrics/pretty-fly-for-a-white-guy.html -
the drum fills in Takes Me Nowhere are phenomenal
straight ahead, but executed with serious violence
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the drum fills in Takes Me Nowhere are phenomenal
straight ahead, but executed with serious violence
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the drum fills in Takes Me Nowhere are phenomenal
straight ahead, but executed with serious violence
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the drum fills in Takes Me Nowhere are phenomenal
straight ahead, but executed with serious violence
-
the drum fills in Takes Me Nowhere are phenomenal
straight ahead, but executed with serious violence
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Meeting The Original Pretty Fly Guy IRL 🙌🪰🙌
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Sehen Sie den Text des Liedes “Self Esteem” von The Offspring
#TheOffspring #SelfEsteem
https://daletra.top/the-offspring/liedtexte/self-esteem.html -
Consulta la letra de la canción “Self Esteem” de The Offspring
#TheOffspring #SelfEsteem
https://daletra.net/the-offspring/letras/self-esteem.html -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 The Offspring - Come Out and Play (2008 Remaster)▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
“The Kids Aren't Alright" live across South America 🤘
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Testo della canzone “Self Esteem” di The Offspring
#TheOffspring #SelfEsteem
https://daletra.online/the-offspring/testi/self-esteem.html -
The Offspring - The Kids Aren't Alright | Live Across South America (2025)
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Confira a letra da música “Self Esteem” de The Offspring
#TheOffspring #SelfEsteem
https://daletra.com.br/the-offspring/letra/self-esteem.html -
Ted Tocks Covers - Year 9 - Day 30
I Wanna Be Sedated
Remembering #JoeyRamone 25 years later with a unique take on this punk anthem.
“Twenty-twenty-twenty four hours to go
I wanna be sedated
Nothin' to do and nowhere to go
I wanna be sedated
Just get me to the airport
Put me on a plane
Hurry hurry hurry before I go insane”#TheRamones #AliceCooper #KirstyMacColl #VinceNeil #DeeDeeRamone #TheGoGos #TheOffspring #Moe #MatthewSweet #SusannaHoffs #ProzakforLovers
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Ted Tocks Covers - Year 9 - Day 30
I Wanna Be Sedated
Remembering #JoeyRamone 25 years later with a unique take on this punk anthem.
“Twenty-twenty-twenty four hours to go
I wanna be sedated
Nothin' to do and nowhere to go
I wanna be sedated
Just get me to the airport
Put me on a plane
Hurry hurry hurry before I go insane”#TheRamones #AliceCooper #KirstyMacColl #VinceNeil #DeeDeeRamone #TheGoGos #TheOffspring #Moe #MatthewSweet #SusannaHoffs #ProzakforLovers
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Ted Tocks Covers - Year 9 - Day 30
I Wanna Be Sedated
Remembering #JoeyRamone 25 years later with a unique take on this punk anthem.
“Twenty-twenty-twenty four hours to go
I wanna be sedated
Nothin' to do and nowhere to go
I wanna be sedated
Just get me to the airport
Put me on a plane
Hurry hurry hurry before I go insane”#TheRamones #AliceCooper #KirstyMacColl #VinceNeil #DeeDeeRamone #TheGoGos #TheOffspring #Moe #MatthewSweet #SusannaHoffs #ProzakforLovers
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Very pleasantly surprised to see that #TheOffspring are on #Bandcamp. Haven't listened to this one in at least a decade, gonna use it to power through today's debugging session. :flan_hacker:
https://theoffspring.bandcamp.com/album/conspiracy-of-one
#theStudiops.: I'm pretty sure I'm wearing the same headphones as back then. Accidental extra nostalgia factor. (Koss Porta Pro)
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Very pleasantly surprised to see that #TheOffspring are on #Bandcamp. Haven't listened to this one in at least a decade, gonna use it to power through today's debugging session. :flan_hacker:
https://theoffspring.bandcamp.com/album/conspiracy-of-one
#theStudiops.: I'm pretty sure I'm wearing the same headphones as back then. Accidental extra nostalgia factor. (Koss Porta Pro)
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Very pleasantly surprised to see that #TheOffspring are on #Bandcamp. Haven't listened to this one in at least a decade, gonna use it to power through today's debugging session. :flan_hacker:
https://theoffspring.bandcamp.com/album/conspiracy-of-one
#theStudiops.: I'm pretty sure I'm wearing the same headphones as back then. Accidental extra nostalgia factor. (Koss Porta Pro)
-
Very pleasantly surprised to see that #TheOffspring are on #Bandcamp. Haven't listened to this one in at least a decade, gonna use it to power through today's debugging session. :flan_hacker:
https://theoffspring.bandcamp.com/album/conspiracy-of-one
#theStudiops.: I'm pretty sure I'm wearing the same headphones as back then. Accidental extra nostalgia factor. (Koss Porta Pro)
-
Very pleasantly surprised to see that #TheOffspring are on #Bandcamp. Haven't listened to this one in at least a decade, gonna use it to power through today's debugging session. :flan_hacker:
https://theoffspring.bandcamp.com/album/conspiracy-of-one
#theStudiops.: I'm pretty sure I'm wearing the same headphones as back then. Accidental extra nostalgia factor. (Koss Porta Pro)
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🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 The Offspring - Come Out and Play (2008 Remaster)▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
🔴 LIVE NOW ON VORTEX
📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
──────────────
🎵 The Offspring - Come Out and Play (2008 Remaster)▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
Testo della canzone “Pretty Fly” di The Offspring
#TheOffspring #PrettyFly
https://daletra.online/the-offspring/testi/pretty-fly-for-a-white-guy.html -
Veja a letra da música “Self Esteem” de The Offspring
#TheOffspring #SelfEsteem
https://daletra.com.br/the-offspring/letra/self-esteem.html -
Veja a letra da música “Self Esteem” de The Offspring
#TheOffspring #SelfEsteem
https://daletra.com.br/the-offspring/letra/self-esteem.html -
🎵 What you had and what you lost
They're all memories in the wind
Those days go by
And we all start again 🎵----
Listening to some older The Offspring albums I hadn't really checked out in the past. This is the cover of The Offspring's 2012 album "Days Go By." I'm enjoying the album. So, I decided to recreate the album cover with old man Kabuki and little kid Sasha.
If interested, you can check out the music video for the title track here: https://www.youtube.com/watch?v=XrBet1Rv32k
#ACNH #AnimalCrossing #FediCrossing #VideoGames #Nintendo #NintendoSwitch #ACNHScreenshots #ACNHCommunity #あつもり #あつ森 #CozyGames #CozyGamer #CozyGaming #MusicMonday #ACNHBuilds #ACNHScenes #TheOffspring
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🎵 What you had and what you lost
They're all memories in the wind
Those days go by
And we all start again 🎵----
Listening to some older The Offspring albums I hadn't really checked out in the past. This is the cover of The Offspring's 2012 album "Days Go By." I'm enjoying the album. So, I decided to recreate the album cover with old man Kabuki and little kid Sasha.
If interested, you can check out the music video for the title track here: https://www.youtube.com/watch?v=XrBet1Rv32k
#ACNH #AnimalCrossing #FediCrossing #VideoGames #Nintendo #NintendoSwitch #ACNHScreenshots #ACNHCommunity #あつもり #あつ森 #CozyGames #CozyGamer #CozyGaming #MusicMonday #ACNHBuilds #ACNHScenes #TheOffspring
-
🎵 What you had and what you lost
They're all memories in the wind
Those days go by
And we all start again 🎵----
Listening to some older The Offspring albums I hadn't really checked out in the past. This is the cover of The Offspring's 2012 album "Days Go By." I'm enjoying the album. So, I decided to recreate the album cover with old man Kabuki and little kid Sasha.
If interested, you can check out the music video for the title track here: https://www.youtube.com/watch?v=XrBet1Rv32k
#ACNH #AnimalCrossing #FediCrossing #VideoGames #Nintendo #NintendoSwitch #ACNHScreenshots #ACNHCommunity #あつもり #あつ森 #CozyGames #CozyGamer #CozyGaming #MusicMonday #ACNHBuilds #ACNHScenes #TheOffspring
-
🎵 What you had and what you lost
They're all memories in the wind
Those days go by
And we all start again 🎵----
Listening to some older The Offspring albums I hadn't really checked out in the past. This is the cover of The Offspring's 2012 album "Days Go By." I'm enjoying the album. So, I decided to recreate the album cover with old man Kabuki and little kid Sasha.
If interested, you can check out the music video for the title track here: https://www.youtube.com/watch?v=XrBet1Rv32k
#ACNH #AnimalCrossing #FediCrossing #VideoGames #Nintendo #NintendoSwitch #ACNHScreenshots #ACNHCommunity #あつもり #あつ森 #CozyGames #CozyGamer #CozyGaming #MusicMonday #ACNHBuilds #ACNHScenes #TheOffspring
-
🎵 What you had and what you lost
They're all memories in the wind
Those days go by
And we all start again 🎵----
Listening to some older The Offspring albums I hadn't really checked out in the past. This is the cover of The Offspring's 2012 album "Days Go By." I'm enjoying the album. So, I decided to recreate the album cover with old man Kabuki and little kid Sasha.
If interested, you can check out the music video for the title track here: https://www.youtube.com/watch?v=XrBet1Rv32k
#ACNH #AnimalCrossing #FediCrossing #VideoGames #Nintendo #NintendoSwitch #ACNHScreenshots #ACNHCommunity #あつもり #あつ森 #CozyGames #CozyGamer #CozyGaming #MusicMonday #ACNHBuilds #ACNHScenes #TheOffspring
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https://www.europesays.com/ch-fr/?p=68645 Le Hellfest dévoile des nouveautés concernant sa programmation #BringMeTheHorizon #Clisson #DeepPurple #Divertissement #Entertainment #Festival #Hellfest #hommage #LoireAtlantique #Metal #Music #Musique #nantais #OzzyOsbourne #programmation #Suisse #TheOffspring #UltraVomit
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https://www.europesays.com/be-fr/57209/ Le Hellfest dévoile des nouveautés concernant sa programmation #BE #BEFr #Belgique #Belgium #BringMeTheHorizon #Clisson #DeepPurple #Divertissement #Entertainment #Festival #Hellfest #hommage #LoireAtlantique #METAL #Music #Musique #nantais #OzzyOsbourne #programmation #TheOffspring #UltraVomit
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Confira a letra da música “The Kids Aren't Alright” de The Offspring
#TheOffspring #TheKidsArenTAlright
https://daletra.com.br/the-offspring/letra/the-kids-arent-alright.html -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Hellripper – Coronach Review By Grin ReaperTired? Irritable? Prone to bouts of melancholy that leave you feeling listless and unfocused, particularly as the weather changes? It could be seasonal affective disorder, but these symptoms can also typify a diet deficient in vitamin R(iff). If it’s the latter, Hellripper’s Coronach practically hemorrhages the cure for what ails you, parading pulse-pounding riffs, blistering solos, and enthralling grooves with palliative nonchalance. Unleashing Hellripper’s fourth album in under a decade, architect and sole member James McBain maintains a tried-and-true release schedule and, more importantly, a steady evolution of sophisticated songwriting that’s as compelling as it is emboldening. I won’t mince words—Coronach is an undeniable corker and succeeds as Hellripper’s greatest triumph to date. So run down to your local or digital dealer and grab some Coronach posthaste!
Expanding on the achievements of Hellripper’s previous albums, Coronach harnesses the charm of earlier releases and injects them with a lethal dose of vitality. Back in 2017, debut Coagulating Darkness bled its influences on its sleeve, from riffs dripping with warp-speed Venom to the guitar lead from “Bastard of Hades” pulled straight from Metallica’s “Hit the Lights.” The Affair of the Poisons shaped Hellripper’s identity with flurries of licks that, while still laced with influences, exuded a welcome dimension of originality. Three years ago, Warlocks Grim & Withered Hags’ introduced knotted, longer-form compositions that pushed out the runtime while augmenting Hellripper’s arsenal of aural ammunition. With Coronach, Hellripper strikes a balance between the lengthier arrangements of Warlocks and the breakneck blackened bangers of yore, amplified by stellar performances throughout.
Coronach (24-bit HD audio) by Hellripper
Coronach overflows with electrifying instrumentation, and while McBain supplies most of Hellripper’s sonic ingredients, a few guests further enrich its proceedings. Searing leads and scorching solos set Coronach’s eight tracks aflame, boasting some of the hookiest guitar-playing I’ve heard this year. “Hunderprest” and “Blakk Satanik Fvkkstorm” crackle with flashy fretwork, buoyed by longtime six-string contributor Joseph Quinlan (Desert Heretic). Similarly, “Kinchyle (Goatkraft and Granite)” rumbles with snappy Motörheadstrong riffs before an acoustic guitar cuts in to transition the song into slinky grooves and heavy half-times. After some interplay, the pace ramps back up to close out on the intro riff. Hellripper has never lacked for earworms, yet Coronach unveils a mature understanding of dynamic songwriting that endows depth and complexity while never sounding forced or unnatural. Besides Quinlan, Jess Townsend contributes violin on “Baobhan Sith (Waltz of the Damned),” while singer Marianne returns to lend her vocals on a few tracks and Antonio Rodriguez reprises the bagpipes on closer “Coronach.” Vacuous’s Max Southall even bestows some percussive flair on “Mortercheyn.” Between himself and the talented musicians he’s assembled, it’s clear that while McBain is comfortable with his supporting cast, he’s determined not to put out the same album twice.
What impresses me most with Coronach is that McBain manages to broaden Hellripper’s auditory palette without ever losing the band’s core identity. “Hunderprest” and “Coronach” brim with the band’s trademark rippin’ riffs, yet the solos recall southern rock shredding à la Lynyrd Skynyrd or The Outlaws played at one-and-a-half speed. “Sculptor’s Cave,” meanwhile, channels what El Cuervo affectionately dubbed ‘Motörhead on cocaine’ energy during its “Rock ‘n’ Roll”-informed solo. A pervasive punk attitude also shimmers beneath the surface of Coronach, where the unadorned guitar refrains from “Kinchyle (Goatkraft and Granite),” “Sculptor’s Cave,” and “Mortercheyn” evoke more technical versions of Bad Religion and The Offspring. Tying it all together and allowing the myriad influences to coalesce, the mix ensures this is the best Hellripper has sounded, retaining their raw edge while dialing back the ‘everything louder than everything else’ approach that afflicted past albums—The Affair of the Poisons in particular.
Doubtlessly, Hellripper has dropped their finest release so far with Coronach, though a few small adjustments could have boosted it to undisputed excellence. “Baobhan Sith (Waltz of the Damned)” runs a tad too long, and although I like “Mortercheyn,” it doesn’t quite live up to the heights of the other tracks. Even so, I unapologetically return to Coronach again and again with no signs of slowing down. Just remember—Coronach must be taken while driving or operating heavy machinery. If lethargy creeps in or your mouth runs dry from a chronic deficit of Vitamin R, just take one to two doses of Coronach (by ear) and wait for Hellripper’s restorative fix to kick in.1
Rating: Great!!
#2026 #40 #BadReligion #BlackMetal #CenturyMediaRecords #Coronach #DesertHeretic #Hellripper #LynyrdSkynyrd #Mar26 #Metallica #Motörhead #Review #Reviews #ScottishMetal #SpeedMetal #TheOffspring #TheOutlaws #ThrashMetal #Vacuous #Venom
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Century Media Records
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 27th, 2026 -
Ver la letra de la canción “The Kids Aren't Alright” de The Offspring
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Veja a letra da música “The Kids Aren't Alright” de The Offspring
#TheOffspring #TheKidsArenTAlright
https://daletra.com.br/the-offspring/letra/the-kids-arent-alright.html