#deathmetal — Public Fediverse posts

SOUL VOID (Nova Zelanda) presenta nou àlbum: "Through Arterial Mist" #SoulVoid #DeathMetal #Maig2026 #NovaZelanda #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

SOUL VOID (Nova Zelanda) presenta nou àlbum: "Through Arterial Mist" #SoulVoid #DeathMetal #Maig2026 #NovaZelanda #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

New Jersey’s marshlands and hospital waste pits have long concealed one of America’s best death metal acts. Formed in 2000, Funebrarum leaked from the Garden State with a sound steeped in early 90s acts like Incantation and Immolation. Their Beneath the Columns of Abandoned Gods debut was a cavernous, monolithic ode to all things extreme and vile. Though it was crushingly heavy, there was a deft hand at work compositionally that made it all go down like greased tripe. It’s a classic of the death metal genre that, for whatever reason, never seems to get the respect it deserves. After 2009s excellent The Sleep of Morbid Dreams, the band went into a kind of extended hibernation, rising only occasionally to drop splits and EPs every few years, the last of which arrived in 2016. After 16 long years (and 10 of complete inactivity), they finally rise from the grave and deign to release a new full-length upon the world with Beckoning the Void of Eternal Silence. The good news is that multi-instrument wizard Phil Tougas of Worm, First Fragment, EXXÛL, and 50 other bands is on board to provide extra fretboard-busting insanity. After such a lengthy absence, what can one expect from Funebrarum? Will their usual caveman cavern-core antics still feel as terrifying and oppressive in this new age of death? Let’s drag the Jersey swamps for answers and dead mobsters.

After an overlong intro that sounds like it was stolen from a late 90s symphonic black metal album, we get dropped into the title track, which starts out equally moody and ominous before eventually shifting into cavern-core pummeling and blasting. Once this occurs, references to Incantation and Cruciamentum are inevitable, but this is a mellower beast with a lighter vibe to the music, as a classic 90s death metal gallop surfaces again and again amid stretches of doom slog and hyper-blastery. Guttural death vox and crazed blackened screams dot the landscape, and newish axe Sam Osbourne (ex-Undergang) joins Phil Tougas in dropping classic death leads and exploring other melodic spaces when solo time arrives. It’s a convincingly heavy, dense song, and it feels fairly inspired. Some of the momentum gained here is lost during the nearly 7 minutes of follow-up “ša nagba amāru,” which opts for a doomier direction and ends up a bit less convincing and forceful despite some interesting guitar work and appropriately dark moods. A big moment arrives with “Into Dark Domains,” where some of the classic Funebrarum energy sparks into being. It offers nods to classic 90s death platters like Onward to Golgotha, and some pieces even remind me of early grind days Carcass.

“From Rotting Burial Shrouds” delivers an immediately satisfying, few-frills beat down of foaming-at-the-mouth caveman death, and I love it, but it makes me wish for more lead pipe intensity from the rest of the material. And while nothing here could be labeled as wholly bad or filler (minus the short mid-album interlude), not every song puts the pimp hand down and bashes my brain into mind jelly. Penultimate track “Turning the Stones of Torment” is fairly generic and doesn’t do much for me. The nearly 9-minute finale, “The Whispering Cathedral – Epilogue,” is also underwhelming. It has interesting moments and segments, but by the 6th minute, I’m ready to settle my bill and check out. At 49 minutes, Beckoning feels significantly longer, and there’s noticeable bloat on several tracks that weigh things down in unfortunate ways.

There’s a garbage truck full of raw talent involved in the making of this album, even without the contributions from Mr. Tougas. Charles Koryn (Ascended Dead, ex-Ghoulgotha) is an impressive drummer, and he supplies a steady stream of gallops, blasts, rolls, and fills that keep things moving and shaking. Daryl Kahan (ex-Disma) is a true throat terror, shaking the ground with phlegmy, repellent croaks, and harsh screams. He sounds very inhuman and very reanimated. Now add the Tougas factor, and the guitar work goes from wow to WOW. The man can play and play he does. The only criticism I’d make is that some of the fretboard gymnastics make the vibe shift from death metal to melodeath and cause the album to feel less rancid and diseased.

I wasn’t expecting to see another album from Funebraum, and while I’m happy to have it, I’m a bit let down that it doesn’t approach the heights of their established discography. It’s definitely good with very good moments, but after so long in the void of eternal silence, it’s hard not to expect MOAR. I suppose part of the problem is that what they’re doing here has now been done so many times before, so some of the shock and awe has worn off. Still, there are loads of quality noise to be found for the patient death heads. New Jersey still has some disgusting tricks up its sleeve after all, besides Newark. Worth a loud blast, then go and visit their early stuff post-haste.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Pulverized Records
Websites: funebrarum-death-metal.bandcamp.com | facebook.com/funebrarumofficial | instagram.com/funebrarum_official
Releases Worldwide: May 29th, 2026

New Jersey’s marshlands and hospital waste pits have long concealed one of America’s best death metal acts. Formed in 2000, Funebrarum leaked from the Garden State with a sound steeped in early 90s acts like Incantation and Immolation. Their Beneath the Columns of Abandoned Gods debut was a cavernous, monolithic ode to all things extreme and vile. Though it was crushingly heavy, there was a deft hand at work compositionally that made it all go down like greased tripe. It’s a classic of the death metal genre that, for whatever reason, never seems to get the respect it deserves. After 2009s excellent The Sleep of Morbid Dreams, the band went into a kind of extended hibernation, rising only occasionally to drop splits and EPs every few years, the last of which arrived in 2016. After 16 long years (and 10 of complete inactivity), they finally rise from the grave and deign to release a new full-length upon the world with Beckoning the Void of Eternal Silence. The good news is that multi-instrument wizard Phil Tougas of Worm, First Fragment, EXXÛL, and 50 other bands is on board to provide extra fretboard-busting insanity. After such a lengthy absence, what can one expect from Funebrarum? Will their usual caveman cavern-core antics still feel as terrifying and oppressive in this new age of death? Let’s drag the Jersey swamps for answers and dead mobsters.

After an overlong intro that sounds like it was stolen from a late 90s symphonic black metal album, we get dropped into the title track, which starts out equally moody and ominous before eventually shifting into cavern-core pummeling and blasting. Once this occurs, references to Incantation and Cruciamentum are inevitable, but this is a mellower beast with a lighter vibe to the music, as a classic 90s death metal gallop surfaces again and again amid stretches of doom slog and hyper-blastery. Guttural death vox and crazed blackened screams dot the landscape, and newish axe Sam Osbourne (ex-Undergang) joins Phil Tougas in dropping classic death leads and exploring other melodic spaces when solo time arrives. It’s a convincingly heavy, dense song, and it feels fairly inspired. Some of the momentum gained here is lost during the nearly 7 minutes of follow-up “ša nagba amāru,” which opts for a doomier direction and ends up a bit less convincing and forceful despite some interesting guitar work and appropriately dark moods. A big moment arrives with “Into Dark Domains,” where some of the classic Funebrarum energy sparks into being. It offers nods to classic 90s death platters like Onward to Golgotha, and some pieces even remind me of early grind days Carcass.

“From Rotting Burial Shrouds” delivers an immediately satisfying, few-frills beat down of foaming-at-the-mouth caveman death, and I love it, but it makes me wish for more lead pipe intensity from the rest of the material. And while nothing here could be labeled as wholly bad or filler (minus the short mid-album interlude), not every song puts the pimp hand down and bashes my brain into mind jelly. Penultimate track “Turning the Stones of Torment” is fairly generic and doesn’t do much for me. The nearly 9-minute finale, “The Whispering Cathedral – Epilogue,” is also underwhelming. It has interesting moments and segments, but by the 6th minute, I’m ready to settle my bill and check out. At 49 minutes, Beckoning feels significantly longer, and there’s noticeable bloat on several tracks that weigh things down in unfortunate ways.

There’s a garbage truck full of raw talent involved in the making of this album, even without the contributions from Mr. Tougas. Charles Koryn (Ascended Dead, ex-Ghoulgotha) is an impressive drummer, and he supplies a steady stream of gallops, blasts, rolls, and fills that keep things moving and shaking. Daryl Kahan (ex-Disma) is a true throat terror, shaking the ground with phlegmy, repellent croaks, and harsh screams. He sounds very inhuman and very reanimated. Now add the Tougas factor, and the guitar work goes from wow to WOW. The man can play and play he does. The only criticism I’d make is that some of the fretboard gymnastics make the vibe shift from death metal to melodeath and cause the album to feel less rancid and diseased.

I wasn’t expecting to see another album from Funebraum, and while I’m happy to have it, I’m a bit let down that it doesn’t approach the heights of their established discography. It’s definitely good with very good moments, but after so long in the void of eternal silence, it’s hard not to expect MOAR. I suppose part of the problem is that what they’re doing here has now been done so many times before, so some of the shock and awe has worn off. Still, there are loads of quality noise to be found for the patient death heads. New Jersey still has some disgusting tricks up its sleeve after all, besides Newark. Worth a loud blast, then go and visit their early stuff post-haste.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Pulverized Records
Websites: funebrarum-death-metal.bandcamp.com | facebook.com/funebrarumofficial | instagram.com/funebrarum_official
Releases Worldwide: May 29th, 2026

New Jersey’s marshlands and hospital waste pits have long concealed one of America’s best death metal acts. Formed in 2000, Funebrarum leaked from the Garden State with a sound steeped in early 90s acts like Incantation and Immolation. Their Beneath the Columns of Abandoned Gods debut was a cavernous, monolithic ode to all things extreme and vile. Though it was crushingly heavy, there was a deft hand at work compositionally that made it all go down like greased tripe. It’s a classic of the death metal genre that, for whatever reason, never seems to get the respect it deserves. After 2009s excellent The Sleep of Morbid Dreams, the band went into a kind of extended hibernation, rising only occasionally to drop splits and EPs every few years, the last of which arrived in 2016. After 16 long years (and 10 of complete inactivity), they finally rise from the grave and deign to release a new full-length upon the world with Beckoning the Void of Eternal Silence. The good news is that multi-instrument wizard Phil Tougas of Worm, First Fragment, EXXÛL, and 50 other bands is on board to provide extra fretboard-busting insanity. After such a lengthy absence, what can one expect from Funebrarum? Will their usual caveman cavern-core antics still feel as terrifying and oppressive in this new age of death? Let’s drag the Jersey swamps for answers and dead mobsters.

After an overlong intro that sounds like it was stolen from a late 90s symphonic black metal album, we get dropped into the title track, which starts out equally moody and ominous before eventually shifting into cavern-core pummeling and blasting. Once this occurs, references to Incantation and Cruciamentum are inevitable, but this is a mellower beast with a lighter vibe to the music, as a classic 90s death metal gallop surfaces again and again amid stretches of doom slog and hyper-blastery. Guttural death vox and crazed blackened screams dot the landscape, and newish axe Sam Osbourne (ex-Undergang) joins Phil Tougas in dropping classic death leads and exploring other melodic spaces when solo time arrives. It’s a convincingly heavy, dense song, and it feels fairly inspired. Some of the momentum gained here is lost during the nearly 7 minutes of follow-up “ša nagba amāru,” which opts for a doomier direction and ends up a bit less convincing and forceful despite some interesting guitar work and appropriately dark moods. A big moment arrives with “Into Dark Domains,” where some of the classic Funebrarum energy sparks into being. It offers nods to classic 90s death platters like Onward to Golgotha, and some pieces even remind me of early grind days Carcass.

“From Rotting Burial Shrouds” delivers an immediately satisfying, few-frills beat down of foaming-at-the-mouth caveman death, and I love it, but it makes me wish for more lead pipe intensity from the rest of the material. And while nothing here could be labeled as wholly bad or filler (minus the short mid-album interlude), not every song puts the pimp hand down and bashes my brain into mind jelly. Penultimate track “Turning the Stones of Torment” is fairly generic and doesn’t do much for me. The nearly 9-minute finale, “The Whispering Cathedral – Epilogue,” is also underwhelming. It has interesting moments and segments, but by the 6th minute, I’m ready to settle my bill and check out. At 49 minutes, Beckoning feels significantly longer, and there’s noticeable bloat on several tracks that weigh things down in unfortunate ways.

There’s a garbage truck full of raw talent involved in the making of this album, even without the contributions from Mr. Tougas. Charles Koryn (Ascended Dead, ex-Ghoulgotha) is an impressive drummer, and he supplies a steady stream of gallops, blasts, rolls, and fills that keep things moving and shaking. Daryl Kahan (ex-Disma) is a true throat terror, shaking the ground with phlegmy, repellent croaks, and harsh screams. He sounds very inhuman and very reanimated. Now add the Tougas factor, and the guitar work goes from wow to WOW. The man can play and play he does. The only criticism I’d make is that some of the fretboard gymnastics make the vibe shift from death metal to melodeath and cause the album to feel less rancid and diseased.

I wasn’t expecting to see another album from Funebraum, and while I’m happy to have it, I’m a bit let down that it doesn’t approach the heights of their established discography. It’s definitely good with very good moments, but after so long in the void of eternal silence, it’s hard not to expect MOAR. I suppose part of the problem is that what they’re doing here has now been done so many times before, so some of the shock and awe has worn off. Still, there are loads of quality noise to be found for the patient death heads. New Jersey still has some disgusting tricks up its sleeve after all, besides Newark. Worth a loud blast, then go and visit their early stuff post-haste.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Pulverized Records
Websites: funebrarum-death-metal.bandcamp.com | facebook.com/funebrarumofficial | instagram.com/funebrarum_official
Releases Worldwide: May 29th, 2026

New Jersey’s marshlands and hospital waste pits have long concealed one of America’s best death metal acts. Formed in 2000, Funebrarum leaked from the Garden State with a sound steeped in early 90s acts like Incantation and Immolation. Their Beneath the Columns of Abandoned Gods debut was a cavernous, monolithic ode to all things extreme and vile. Though it was crushingly heavy, there was a deft hand at work compositionally that made it all go down like greased tripe. It’s a classic of the death metal genre that, for whatever reason, never seems to get the respect it deserves. After 2009s excellent The Sleep of Morbid Dreams, the band went into a kind of extended hibernation, rising only occasionally to drop splits and EPs every few years, the last of which arrived in 2016. After 16 long years (and 10 of complete inactivity), they finally rise from the grave and deign to release a new full-length upon the world with Beckoning the Void of Eternal Silence. The good news is that multi-instrument wizard Phil Tougas of Worm, First Fragment, EXXÛL, and 50 other bands is on board to provide extra fretboard-busting insanity. After such a lengthy absence, what can one expect from Funebrarum? Will their usual caveman cavern-core antics still feel as terrifying and oppressive in this new age of death? Let’s drag the Jersey swamps for answers and dead mobsters.

After an overlong intro that sounds like it was stolen from a late 90s symphonic black metal album, we get dropped into the title track, which starts out equally moody and ominous before eventually shifting into cavern-core pummeling and blasting. Once this occurs, references to Incantation and Cruciamentum are inevitable, but this is a mellower beast with a lighter vibe to the music, as a classic 90s death metal gallop surfaces again and again amid stretches of doom slog and hyper-blastery. Guttural death vox and crazed blackened screams dot the landscape, and newish axe Sam Osbourne (ex-Undergang) joins Phil Tougas in dropping classic death leads and exploring other melodic spaces when solo time arrives. It’s a convincingly heavy, dense song, and it feels fairly inspired. Some of the momentum gained here is lost during the nearly 7 minutes of follow-up “ša nagba amāru,” which opts for a doomier direction and ends up a bit less convincing and forceful despite some interesting guitar work and appropriately dark moods. A big moment arrives with “Into Dark Domains,” where some of the classic Funebrarum energy sparks into being. It offers nods to classic 90s death platters like Onward to Golgotha, and some pieces even remind me of early grind days Carcass.

“From Rotting Burial Shrouds” delivers an immediately satisfying, few-frills beat down of foaming-at-the-mouth caveman death, and I love it, but it makes me wish for more lead pipe intensity from the rest of the material. And while nothing here could be labeled as wholly bad or filler (minus the short mid-album interlude), not every song puts the pimp hand down and bashes my brain into mind jelly. Penultimate track “Turning the Stones of Torment” is fairly generic and doesn’t do much for me. The nearly 9-minute finale, “The Whispering Cathedral – Epilogue,” is also underwhelming. It has interesting moments and segments, but by the 6th minute, I’m ready to settle my bill and check out. At 49 minutes, Beckoning feels significantly longer, and there’s noticeable bloat on several tracks that weigh things down in unfortunate ways.

There’s a garbage truck full of raw talent involved in the making of this album, even without the contributions from Mr. Tougas. Charles Koryn (Ascended Dead, ex-Ghoulgotha) is an impressive drummer, and he supplies a steady stream of gallops, blasts, rolls, and fills that keep things moving and shaking. Daryl Kahan (ex-Disma) is a true throat terror, shaking the ground with phlegmy, repellent croaks, and harsh screams. He sounds very inhuman and very reanimated. Now add the Tougas factor, and the guitar work goes from wow to WOW. The man can play and play he does. The only criticism I’d make is that some of the fretboard gymnastics make the vibe shift from death metal to melodeath and cause the album to feel less rancid and diseased.

I wasn’t expecting to see another album from Funebraum, and while I’m happy to have it, I’m a bit let down that it doesn’t approach the heights of their established discography. It’s definitely good with very good moments, but after so long in the void of eternal silence, it’s hard not to expect MOAR. I suppose part of the problem is that what they’re doing here has now been done so many times before, so some of the shock and awe has worn off. Still, there are loads of quality noise to be found for the patient death heads. New Jersey still has some disgusting tricks up its sleeve after all, besides Newark. Worth a loud blast, then go and visit their early stuff post-haste.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Pulverized Records
Websites: funebrarum-death-metal.bandcamp.com | facebook.com/funebrarumofficial | instagram.com/funebrarum_official
Releases Worldwide: May 29th, 2026

New Jersey’s marshlands and hospital waste pits have long concealed one of America’s best death metal acts. Formed in 2000, Funebrarum leaked from the Garden State with a sound steeped in early 90s acts like Incantation and Immolation. Their Beneath the Columns of Abandoned Gods debut was a cavernous, monolithic ode to all things extreme and vile. Though it was crushingly heavy, there was a deft hand at work compositionally that made it all go down like greased tripe. It’s a classic of the death metal genre that, for whatever reason, never seems to get the respect it deserves. After 2009s excellent The Sleep of Morbid Dreams, the band went into a kind of extended hibernation, rising only occasionally to drop splits and EPs every few years, the last of which arrived in 2016. After 16 long years (and 10 of complete inactivity), they finally rise from the grave and deign to release a new full-length upon the world with Beckoning the Void of Eternal Silence. The good news is that multi-instrument wizard Phil Tougas of Worm, First Fragment, EXXÛL, and 50 other bands is on board to provide extra fretboard-busting insanity. After such a lengthy absence, what can one expect from Funebrarum? Will their usual caveman cavern-core antics still feel as terrifying and oppressive in this new age of death? Let’s drag the Jersey swamps for answers and dead mobsters.

After an overlong intro that sounds like it was stolen from a late 90s symphonic black metal album, we get dropped into the title track, which starts out equally moody and ominous before eventually shifting into cavern-core pummeling and blasting. Once this occurs, references to Incantation and Cruciamentum are inevitable, but this is a mellower beast with a lighter vibe to the music, as a classic 90s death metal gallop surfaces again and again amid stretches of doom slog and hyper-blastery. Guttural death vox and crazed blackened screams dot the landscape, and newish axe Sam Osbourne (ex-Undergang) joins Phil Tougas in dropping classic death leads and exploring other melodic spaces when solo time arrives. It’s a convincingly heavy, dense song, and it feels fairly inspired. Some of the momentum gained here is lost during the nearly 7 minutes of follow-up “ša nagba amāru,” which opts for a doomier direction and ends up a bit less convincing and forceful despite some interesting guitar work and appropriately dark moods. A big moment arrives with “Into Dark Domains,” where some of the classic Funebrarum energy sparks into being. It offers nods to classic 90s death platters like Onward to Golgotha, and some pieces even remind me of early grind days Carcass.

“From Rotting Burial Shrouds” delivers an immediately satisfying, few-frills beat down of foaming-at-the-mouth caveman death, and I love it, but it makes me wish for more lead pipe intensity from the rest of the material. And while nothing here could be labeled as wholly bad or filler (minus the short mid-album interlude), not every song puts the pimp hand down and bashes my brain into mind jelly. Penultimate track “Turning the Stones of Torment” is fairly generic and doesn’t do much for me. The nearly 9-minute finale, “The Whispering Cathedral – Epilogue,” is also underwhelming. It has interesting moments and segments, but by the 6th minute, I’m ready to settle my bill and check out. At 49 minutes, Beckoning feels significantly longer, and there’s noticeable bloat on several tracks that weigh things down in unfortunate ways.

There’s a garbage truck full of raw talent involved in the making of this album, even without the contributions from Mr. Tougas. Charles Koryn (Ascended Dead, ex-Ghoulgotha) is an impressive drummer, and he supplies a steady stream of gallops, blasts, rolls, and fills that keep things moving and shaking. Daryl Kahan (ex-Disma) is a true throat terror, shaking the ground with phlegmy, repellent croaks, and harsh screams. He sounds very inhuman and very reanimated. Now add the Tougas factor, and the guitar work goes from wow to WOW. The man can play and play he does. The only criticism I’d make is that some of the fretboard gymnastics make the vibe shift from death metal to melodeath and cause the album to feel less rancid and diseased.

I wasn’t expecting to see another album from Funebraum, and while I’m happy to have it, I’m a bit let down that it doesn’t approach the heights of their established discography. It’s definitely good with very good moments, but after so long in the void of eternal silence, it’s hard not to expect MOAR. I suppose part of the problem is that what they’re doing here has now been done so many times before, so some of the shock and awe has worn off. Still, there are loads of quality noise to be found for the patient death heads. New Jersey still has some disgusting tricks up its sleeve after all, besides Newark. Worth a loud blast, then go and visit their early stuff post-haste.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Pulverized Records
Websites: funebrarum-death-metal.bandcamp.com | facebook.com/funebrarumofficial | instagram.com/funebrarum_official
Releases Worldwide: May 29th, 2026

PESTILENT DECAY (Espanya) presenta nou EP: "Dying....In Pain" #PestilentDecay #DeathMetal #Maig2026 #Espanya #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

PESTILENT DECAY (Espanya) presenta nou EP: "Dying....In Pain" #PestilentDecay #DeathMetal #Maig2026 #Espanya #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

ODYSEE: Youtube alternative

Few years ago I discovered Odysee, something like a decent Youtube alternative.
The website is still up, so I posted more videos.
If you're on Odysee, suscribe to my channel if you want/ can:

https://odysee.com/@Gabalgabow:c?view=content

#metal #deathmetal #odysee

ODYSEE: Youtube alternative

Few years ago I discovered Odysee, something like a decent Youtube alternative.
The website is still up, so I posted more videos.
If you're on Odysee, suscribe to my channel if you want/ can:

https://odysee.com/@Gabalgabow:c?view=content

#metal #deathmetal #odysee

ODYSEE: Youtube alternative

Few years ago I discovered Odysee, something like a decent Youtube alternative.
The website is still up, so I posted more videos.
If you're on Odysee, suscribe to my channel if you want/ can:

https://odysee.com/@Gabalgabow:c?view=content

#metal #deathmetal #odysee

ODYSEE: Youtube alternative

Few years ago I discovered Odysee, something like a decent Youtube alternative.
The website is still up, so I posted more videos.
If you're on Odysee, suscribe to my channel if you want/ can:

https://odysee.com/@Gabalgabow:c?view=content

#metal #deathmetal #odysee

ODYSEE: Youtube alternative

Few years ago I discovered Odysee, something like a decent Youtube alternative.
The website is still up, so I posted more videos.
If you're on Odysee, suscribe to my channel if you want/ can:

https://odysee.com/@Gabalgabow:c?view=content

#metal #deathmetal #odysee

ISHIMURA (Estats Units) presenta nou àlbum: "Msster" #Ishimura #BlackMetal #DeathMetal #Noise #Maig2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

ISHIMURA (Estats Units) presenta nou àlbum: "Msster" #Ishimura #BlackMetal #DeathMetal #Noise #Maig2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

Italian death metal band Escapeinout unveils their new album The Age of Collapse – As Above, So Below via Brutal Records.

These singles offer a first glimpse into the album’s sonic direction—delivering raw energy, tight execution, and the unmistakable weight of underground death metal.

Pre-save now and discover the singles “The Wait” and “No Time”.

#Escapeinout #DeathMetal #ExtremeMetal #UndergroundMetal #BrutalRecords #TheWait #NoTime #NewRelease #NewSingle #Metal

Hatebreed will headline the second 2026 leg of The Summer Slaughter Tour with support from Terror, Incantation, Gates To Hell, Torture, and Creeping Death.

Details: https://metalinsider.net/touring/hatebreed-to-headline-second-leg-of-summer-slaughter-2026

#Hatebreed #SummerSlaughter #Terror #Incantation #CreepingDeath #DeathMetal #Hardcore #MetalTour #MetalNews

Hatebreed will headline the second 2026 leg of The Summer Slaughter Tour with support from Terror, Incantation, Gates To Hell, Torture, and Creeping Death.

Details: https://metalinsider.net/touring/hatebreed-to-headline-second-leg-of-summer-slaughter-2026

#Hatebreed #SummerSlaughter #Terror #Incantation #CreepingDeath #DeathMetal #Hardcore #MetalTour #MetalNews

Vendul + Boundless Chaos + Devils Hour + Lead Injector

ask a punk, Saturday, May 30 at 08:00 PM GMT+2

A pale shadow falls over the capital… will haunt Kulturzentrum @spirale_berlin on the 30th of May.

Thanks to @decibel_rebel_87 for organising and @crimsonlizard636 for the sick design

https://berlin.askapunk.de/event/vendul-boundless-chaos-devils-hour-lead-injector

Vendul + Boundless Chaos + Devils Hour + Lead Injector

ask a punk, Saturday, May 30 at 08:00 PM GMT+2

A pale shadow falls over the capital… will haunt Kulturzentrum @spirale_berlin on the 30th of May.

Thanks to @decibel_rebel_87 for organising and @crimsonlizard636 for the sick design

https://berlin.askapunk.de/event/vendul-boundless-chaos-devils-hour-lead-injector

Vendul + Boundless Chaos + Devils Hour + Lead Injector

ask a punk, Saturday, May 30 at 08:00 PM GMT+2

A pale shadow falls over the capital… will haunt Kulturzentrum @spirale_berlin on the 30th of May.

Thanks to @decibel_rebel_87 for organising and @crimsonlizard636 for the sick design

https://berlin.askapunk.de/event/vendul-boundless-chaos-devils-hour-lead-injector

Vendul + Boundless Chaos + Devils Hour + Lead Injector

ask a punk, Saturday, May 30 at 08:00 PM GMT+2

A pale shadow falls over the capital… will haunt Kulturzentrum @spirale_berlin on the 30th of May.

Thanks to @decibel_rebel_87 for organising and @crimsonlizard636 for the sick design

https://berlin.askapunk.de/event/vendul-boundless-chaos-devils-hour-lead-injector

NEUROPOLIS (Rússia) presenta nou àlbum: "Петербургские слёзы" #Neuropolis #DoomMetal #DeathMetal #Maig2026 #Rússia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

NEUROPOLIS (Rússia) presenta nou àlbum: "Петербургские слёзы" #Neuropolis #DoomMetal #DeathMetal #Maig2026 #Rússia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

An era has come to an end for Vomitory.

Founding member Urban Gustafsson has announced his departure after 37 years with the Swedish death metal veterans. The news arrives shortly after the release of In Death Throes, the band's latest album via Metal Blade Records.

Details: https://metalinsider.net/news/vomitory-founding-member-urban-gustafsson-steps-down-from-band

#Vomitory #DeathMetal #MetalBladeRecords #InDeathThroes #MetalNews

An era has come to an end for Vomitory.

Founding member Urban Gustafsson has announced his departure after 37 years with the Swedish death metal veterans. The news arrives shortly after the release of In Death Throes, the band's latest album via Metal Blade Records.

Details: https://metalinsider.net/news/vomitory-founding-member-urban-gustafsson-steps-down-from-band

#Vomitory #DeathMetal #MetalBladeRecords #InDeathThroes #MetalNews

https://www.europesays.com/be-nl/71011/ Inferi – Heaven Wept | Zware Metalen #2026 #allegaeon #alterbeast #Amusement #arsis #BE #België #Belgium #DeathMetal #EnfoldDarkness #Entertainment #equipoise #FirstFragment #HeavenWept #inferi #MelodicDeathMetal #Music #Muziek #recensie #TechnicalDeathMetal #TechnicalMelodicDeathMetal #tethys #TheArtisanEra #TheBlackDahliaMurder #USA #ValeOfPnath #VerenigdeStaten #ZwareMetalen

Arch Enemy and The Black Dahlia Murder are joining forces this fall for the Wrath Across America co-headlining tour with support from Septicflesh, Crypta, and Thrown Into Exile.

The run also marks a new era for Arch Enemy following the addition of Lauren Hart as the band's new vocalist.

Details: https://metalinsider.net/touring/arch-enemy-and-the-black-dahlia-murder-announce-wrath-across-america-fall-2026-co-headlining-tour

#ArchEnemy #TheBlackDahliaMurder #Septicflesh #Crypta #DeathMetal #MelodicDeathMetal #MetalTour #MetalNews

Arch Enemy and The Black Dahlia Murder are joining forces this fall for the Wrath Across America co-headlining tour with support from Septicflesh, Crypta, and Thrown Into Exile.

The run also marks a new era for Arch Enemy following the addition of Lauren Hart as the band's new vocalist.

Details: https://metalinsider.net/touring/arch-enemy-and-the-black-dahlia-murder-announce-wrath-across-america-fall-2026-co-headlining-tour

#ArchEnemy #TheBlackDahliaMurder #Septicflesh #Crypta #DeathMetal #MelodicDeathMetal #MetalTour #MetalNews

From The Ashes 24th May 2026

https://hardrockhellradio.com/2026/05/27/from-the-ashes-24th-may-2026/
#DeathMetal #HardRock #HeavyMetal #metal #thrash
#hrhrocks

Thank fuck for Rippikoulu. Listening to this record often prevents me from murdering people.

https://rippikoulu.bandcamp.com/album/musta-seremonia

#deathmetal #deathdoom

Thank fuck for Rippikoulu. Listening to this record often prevents me from murdering people.

https://rippikoulu.bandcamp.com/album/musta-seremonia

#deathmetal #deathdoom

SWARN (Estònia) presenta nou single: "Feral Breed" #Swarn #DeathMetal #Maig2026 #Estònia #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic

SWARN (Estònia) presenta nou single: "Feral Breed" #Swarn #DeathMetal #Maig2026 #Estònia #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic

PALE SPEKTRE (DE) + PELOROUS (DE) + BLOED

OCCII, Friday, May 29 at 08:30 PM GMT+2

Thurifer Promotions presents a night of vicious savagery, courtesy of: PALE SPEKTRE (DE) + PELOROUS (DE) + BLOED

Pale Spektre (DE)
Like the announcement of a long series of disgraces, Pale Spektre veils the sky in gloom and despair. A glob of malevolence spawning from the astral world. A transcendental experience of oblivion of the Self. A pounding beat dictating your descent into the mouth of a starving hellish beast.
https://palespektre.bandcamp.com/

Pelorous (DE)
There’s something strangely enchanting about Pelorous‘s music. At its rotting core, it is pummelling black metal punk. But it’s delivered with such a hallucinatory energy that it transcends into an elegant beast, like roaring hymns sung over a church in ruins. At last, this kaleidoscopic spirit is making its way to Amsterdam, to bestow its blessings upon the Low Lands.
https://pelorous.bandcamp.com/album/hyphic-dissolution

Bloed
One of Amsterdam’s most recent regurgitations will initiate the night. Groovy and abrasive black death cascading over the impure. No agenda. No trve kvlt bullshit. Only heartfelt hostility.
https://bloed.bandcamp.com/album/t-regent

Artwork by Thurifer

Presale/door prices adjusted: our events are set up by volunteers in favour of supporting DIY touring acts, but it is getting ever more risky to plan and book events – please support the community and buy your tickets early! Presale closes 18.00 on day of the show.

https://offbeat.amsterdam/event/pale-spektre-de-pelorous-de-bloed

BLOODY VENGEANCE (DE) + INFAUSTES (PY) + EJECUTOR (CL)

OCCII, Sunday, June 7 at 08:00 PM GMT+2

BLOODY VENGEANCE (DE) + INFAUSTES (PY) + EJECUTOR (CL)

Enter the gates of OCCII for the Amsterdam siege of the ABOMINABLE TRINITY OF WARFARE NOISE. Come witness a night of blasphemous worship, demonic riffs and killer destruction. Blood shall be spilled and crosses will be turned...

Bloody Vengeance (Germany)

Blistering death-thrash mayhem, vulcanic worship. Featuring members of Ross Bay legends Blasphemy and Death Worship.

https://www.instagram.com/bloody.vengeance.absolute/

https://bloodyvengeance.bandcamp.com/album/ru-do-de-guerra

Watch this video on YouTube

Infaustes (Paraguay)

From the Paraguayan planes come Infaustes, 3 evil sorceresses conjuring punishing war metal. Don’t miss their first onslaught on Europe!

https://www.instagram.com/infaustes

Watch this video on YouTube

Ejecutor (Chile)

Chilean black-thrash legends Ejecutor are bringing occult riffs to the stage, blasting old tunes as well as material from their new album ‘Medium... La daga de la iniciación’

https://darkrecollectionsprods.bandcamp.com/album/split

Watch this video on YouTube

Presale/door prices adjusted: our events are set up by volunteers in favour of supporting DIY touring acts, but it is getting ever more risky to plan and book events – please support the community and buy your tickets early! Presale closes 18.00 on day of the show.

https://offbeat.amsterdam/event/bloody-vengeance-de-infaustes-py-ejecutor-cl

MYHVR (Ucraïna) presenta nou EP: "Hallucinating Aortha" #Myhvr #DeathMetal #Grindcore #Maig2026 #Ucraïna #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

MYHVR (Ucraïna) presenta nou EP: "Hallucinating Aortha" #Myhvr #DeathMetal #Grindcore #Maig2026 #Ucraïna #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

INCINITOR (Indonèsia) presenta nou EP: "Black Invocation Conquest" #Incinitor #BlackMetal #DeathMetal #Maig2026 #Indonèsia #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

Amon Amarth, Dethklok, and Castle Rat turned Milwaukee into complete chaos during the "Amonklok Conquest" tour stop.

Viking battles, giant row pits, theatrical rat warfare, and enough fog to accidentally end the night early? Somehow, it was one of the most entertaining metal shows of the year.

Read the full review: https://metalinsider.net/photos/photos-review-amonklok-conquest-brings-viking-battles-giant-row-pits-and-dethklok-chaos-to-milwaukee-5-16-2026

#AmonAmarth #Dethklok #CastleRat #AmonklokConquest #Metalocalypse #LiveReview #Metal #DeathMetal #MelodicDeathMetal #ConcertReview

Today's music:

Nungara - North Star

https://youtu.be/SzjCZJ3_FB4

#metal #DarkMetal #DeathMetal #germany #brazil #music #np #NowPlaying #MastoMusic

Today's music:

Nungara - North Star

https://youtu.be/SzjCZJ3_FB4

#metal #DarkMetal #DeathMetal #germany #brazil #music #np #NowPlaying #MastoMusic

Today's music:

Nungara - North Star

https://youtu.be/SzjCZJ3_FB4

#metal #DarkMetal #DeathMetal #germany #brazil #music #np #NowPlaying #MastoMusic

Today's music:

Nungara - North Star

https://youtu.be/SzjCZJ3_FB4

#metal #DarkMetal #DeathMetal #germany #brazil #music #np #NowPlaying #MastoMusic

The C60 Mixtape Show 26th May 2026
First broadcast on Hard Rock Hell Radio on 26th May 2026. From hard rock to southern metal, symphonic metal to
https://hardrockhellradio.com/2026/05/26/6a0994dfefd1f558b02a49f7/
#BlackMetal #DeathMetal #doom #HeavyMetal #Podcast #thrash
#hrhrocks

𝐃𝐚𝐫𝐤 𝐈𝐧𝐝𝐮𝐬𝐭𝐫𝐢𝐚𝐥 𝐌𝐞𝐭𝐚𝐥 // 𝐆𝐨𝐭𝐡𝐢𝐜 𝐇𝐨𝐫𝐫𝐨𝐫 𝐂𝐲𝐛𝐞𝐫𝐏𝐮𝐧𝐤 // 𝐄𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭𝐚𝐥 𝐃𝐚𝐫𝐤𝐰𝐚𝐯𝐞
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𝐓𝐇𝐄 𝐃𝐎𝐎𝐌 𝐌𝐀𝐂𝐇𝐈𝐍𝐄𝐒

𝘕𝘖 𝘔𝘖𝘙𝘌 𝘚𝘐𝘓𝘌𝘕𝘛
-

https://music.apple.com/us/artist/the-doom-machines/1896332768

#metal #industrial #industrialmetal #darkwave #cyberpunk #horror #music #cybermetal #technomusic #electronicmusic #heavymetal #darkmusic #gothic #gothicmetal #gothicrock #blackmetal #deathmetal #techno #alternative #experimental #electronic #dancemusic #playlist #sound #trance #experimentalmusic #metalmusic #song #songoftheday #apple #thedoommachines

𝐃𝐚𝐫𝐤 𝐈𝐧𝐝𝐮𝐬𝐭𝐫𝐢𝐚𝐥 𝐌𝐞𝐭𝐚𝐥 // 𝐆𝐨𝐭𝐡𝐢𝐜 𝐇𝐨𝐫𝐫𝐨𝐫 𝐂𝐲𝐛𝐞𝐫𝐏𝐮𝐧𝐤 // 𝐄𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭𝐚𝐥 𝐃𝐚𝐫𝐤𝐰𝐚𝐯𝐞
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𝐓𝐇𝐄 𝐃𝐎𝐎𝐌 𝐌𝐀𝐂𝐇𝐈𝐍𝐄𝐒

𝘕𝘖 𝘔𝘖𝘙𝘌 𝘚𝘐𝘓𝘌𝘕𝘛
-

https://music.apple.com/us/artist/the-doom-machines/1896332768

#metal #industrial #industrialmetal #darkwave #cyberpunk #horror #music #cybermetal #technomusic #electronicmusic #heavymetal #darkmusic #gothic #gothicmetal #gothicrock #blackmetal #deathmetal #techno #alternative #experimental #electronic #dancemusic #playlist #sound #trance #experimentalmusic #metalmusic #song #songoftheday #apple #thedoommachines

𝐃𝐚𝐫𝐤 𝐈𝐧𝐝𝐮𝐬𝐭𝐫𝐢𝐚𝐥 𝐌𝐞𝐭𝐚𝐥 // 𝐆𝐨𝐭𝐡𝐢𝐜 𝐇𝐨𝐫𝐫𝐨𝐫 𝐂𝐲𝐛𝐞𝐫𝐏𝐮𝐧𝐤 // 𝐄𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭𝐚𝐥 𝐃𝐚𝐫𝐤𝐰𝐚𝐯𝐞
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𝐓𝐇𝐄 𝐃𝐎𝐎𝐌 𝐌𝐀𝐂𝐇𝐈𝐍𝐄𝐒

𝘕𝘖 𝘔𝘖𝘙𝘌 𝘚𝘐𝘓𝘌𝘕𝘛
-

https://music.apple.com/us/artist/the-doom-machines/1896332768

#metal #industrial #industrialmetal #darkwave #cyberpunk #horror #music #cybermetal #technomusic #electronicmusic #heavymetal #darkmusic #gothic #gothicmetal #gothicrock #blackmetal #deathmetal #techno #alternative #experimental #electronic #dancemusic #playlist #sound #trance #experimentalmusic #metalmusic #song #songoftheday #apple #thedoommachines

𝐃𝐚𝐫𝐤 𝐈𝐧𝐝𝐮𝐬𝐭𝐫𝐢𝐚𝐥 𝐌𝐞𝐭𝐚𝐥 // 𝐆𝐨𝐭𝐡𝐢𝐜 𝐇𝐨𝐫𝐫𝐨𝐫 𝐂𝐲𝐛𝐞𝐫𝐏𝐮𝐧𝐤 // 𝐄𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭𝐚𝐥 𝐃𝐚𝐫𝐤𝐰𝐚𝐯𝐞
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𝐓𝐇𝐄 𝐃𝐎𝐎𝐌 𝐌𝐀𝐂𝐇𝐈𝐍𝐄𝐒

𝘕𝘖 𝘔𝘖𝘙𝘌 𝘚𝘐𝘓𝘌𝘕𝘛
-

https://music.apple.com/us/artist/the-doom-machines/1896332768

#metal #industrial #industrialmetal #darkwave #cyberpunk #horror #music #cybermetal #technomusic #electronicmusic #heavymetal #darkmusic #gothic #gothicmetal #gothicrock #blackmetal #deathmetal #techno #alternative #experimental #electronic #dancemusic #playlist #sound #trance #experimentalmusic #metalmusic #song #songoftheday #apple #thedoommachines