#slam — Public Fediverse posts

https://www.fogolf.com/1271356/top-50-greatest-nba-players-ever-complete-ranking/ Top 50 Greatest NBA Players Ever – Complete Ranking #AlleyOop #BoredFilm #CATCHING #comics #Diving #Dunk #edit #fights #Film #highlights #history #jam #JORDAN #Juke #Leaping #LeBron #movies #OneHanded #PGAOfficialWorldGolfRanking #PGARanking #ScottVincent #slam #spin #sports #truck #Vincent

https://www.europesays.com/it/512570/ Roland Garros, come sono le regole per il caldo eccessivo #accade #AccadeTorneo #AccadeTorneoAustralian #atp #australian #AustralianOpen #break #caldo #calore #campo #cerundolo #garros #gradi #heat #incontro #IT #Italia #Italy #match #open #organizzatori #potuto #proprie #protocollo #regole #roland #RolandGarros #Sinner #slam #sospensione #Sport #Sports #tennis #terzo… #torneo

https://www.europesays.com/it/511108/ Davidovich Fokina abbandonato dall’allenatore durante il Roland Garros: «Mi ha scritto per dire che era finita e se n’è andato» #accaduto #andato #coach #cose #davidovich #DavidovichFokina #deluso #fokina #intenzione #IntenzioneRincorrerlo #IT #Italia #Italy #messaggio #normale #parigi #ParigiCoach #persona #puerta #rincorrerlo #slam #spagnolo #Sport #Sports #team #tennis #torneo

INFESTATION (Lituània) presenta nou àlbum: "Rituals Beneath the Crimson Sun" #Infestation #Slam #BrutalDeathMetal #Goregrind #Maig2026 #Lituània #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

INFESTATION (Lituània) presenta nou àlbum: "Rituals Beneath the Crimson Sun" #Infestation #Slam #BrutalDeathMetal #Goregrind #Maig2026 #Lituània #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

https://www.europesays.com/it/506300/ Sinner, manca solo il Roland Garros per completare tutti i grandi tornei, come Djokovic #appuntamenti #atp #AtpFinals #AtpFinalsDavis #big #caccia #calendario #conquistato #davis #federer #finals #FinalsDavis #garros #indoor #IT #Italia #Italy #jannik #masters #MastersAtp #MastersAtpFinals #miami #montecarlo #nadal #parigi #ParigiIndoor #roland #RolandGarros #roma #slam #SlamMasters #SlamMastersAtp #Sport #Sports #tennis #Titoli #unico #vinto

https://www.europesays.com/it/502736/ Roland Garros, Cinà: “Qualificarsi è un sogno. Contento di come ho lottato” #bambino #bisogna #BisognaContinuare #BisognaContinuareLavorare #cambia #CambiaPercorso #CambiaPercorsoFederico #campo #ce #CeFatta #cina #coach #contento #continuare #ContinuareLavorare #cose #facile #federico #francesco #garros #IT #Italia #Italy #papà #percorso #principale #roland #RolandGarros #slam #Sport #Sports #tabellone #TabellonePrincipale #tennis

https://www.europesays.com/it/501345/ Djokovic riparte da Troicki: ecco chi è il nuovo coach #amico #carriera #coach #compagno #coppa #CoppaDavis #davis #djokovic #fianco #garros #IT #Italia #Italy #murray #nole #obiettivo #ripresa #ritrovare #roland #RolandGarros #serbo #slam #sognando #Sport #Sports #team #tennis #troicki #ultimi #viktor #ViktorTroicki #vincente #vinto

https://www.europesays.com/nl/?p=216110 Dit was 2016: Radio Veronica, Sky Radio en Radio 10 in handen van Talpa #Amusement #Dutch #Entertainment #GielBeelen #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NiekVanDerBruggen #NL #Radio10 #RadioVeronica #RadioFreak25Jaar #RuudDeWild #SkyRadio #SLAM!FM

https://www.europesays.com/be-nl/?p=66691 Dit was 2016: Radio Veronica, Sky Radio en Radio 10 in handen van Talpa #Amusement #BE #België #Belgium #Entertainment #GielBeelen #Music #Muziek #NiekVanDerBruggen #Radio10 #RadioVeronica #RadioFreak25Jaar #RuudDeWild #SkyRadio #SLAM!FM

https://www.europesays.com/it/499922/ Roland Garros, la protesta dei giocatori sui premi #arrivare #atp #AtpWta #aumento #AumentoMontepremi #boicottaggio #dare #diritti #dovrebbe #dovrebbero #euro #garros #giocatori #indietro #IT #Italia #Italy #maggiori #media #montepremi #mossa #percepiscono #player #possibilità #premi #protesta #ricavi #roland #RolandGarros #slam #Sport #Sports #tennis #top #TopPlayer #tornei #torneo #wta

https://www.europesays.com/be-fr/113348/ David Goffin fait ses adieux à Roland-Garros #2026 #ATP #BE #BEFr #Belgique #Belgium #France #garros #grand #interational #men #paris #roland #rolandgarros #slam #sport #Sports #tennis #women

https://www.europesays.com/it/499444/ Sinner come Djokovic a 25 anni: gli incredibili numeri di Jannik #agosto #atp #AtpFinals #AtpTotale #australian #AustralianOpen #AustralianOpenWimbledon #bottino #carriera #davis #djokovic #età #finals #IT #Italia #Italy #jannik #masters #nole #numeri #numero #open #Sinner #slam #Sport #Sports #tennis #Titoli #TitoliAtp #vinti

https://www.europesays.com/be-fr/112348/ À Barvaux, 12 artistes donnent vie à des animaux sculptés dans la pierre (vidéo et photos) #2026 #Arts #ArtsAndDesign #ArtsEtDesign #ATP #BE #BEFr #Belgique #Belgium #Design #Divertissement #Entertainment #France #garros #grand #interational #men #paris #roland #rolandgarros #slam #sport #tennis #women

https://www.europesays.com/ch-fr/138073/ À Barvaux, 12 artistes donnent vie à des animaux sculptés dans la pierre (vidéo et photos) #2026 #ArtsAndDesign #ArtsEtDesign #ATP #Divertissement #Entertainment #France #garros #grand #interational #men #Paris #roland #rolandgarros #slam #Sport #Suisse #Tennis #women

https://www.europesays.com/it/496330/ Tennis, Sinner, ora il Roland Garros: lo Slam che gli manca. Ma serve recuperare #adige #AdigeGenitori #AdigeGenitoriFidanzata #alcaraz #alto #AltoAdige #campo #decisivo #energie #evitare #fatica #fisico #fondamentale #giovedì #IT #Italia #Italy #jannik #laila #madrid #martedì #numero #parigi #recuperare #roma #sera #serie #Sinner #slam #sorteggio #Sport #Sports #straordinario #tabellone #team #tennis #tornare

Said El Hassnaoui – Said lacht met liefde

Theater de Richel, Friday, October 9 at 09:00 PM GMT+2

Van een zorgeloze single die “nooit aan kinderen begon” naar een chronisch vermoeide vader van de eeuw (zelfbenoemd). In ‘Saïd lacht met liefde’ neemt Saïd el Hassnaoui je mee door de chaos van de liefde. Verwacht een spervuur aan herkenbare blunders, ongemakkelijke Tinder-dates die je liever vergeet en break-ups die achteraf gezien... nou ja, best grappig waren.
Saïd was trouwambtenaar, dus hij weet als geen ander: de liefde is vaak een puinhoop, maar wel fantastisch materiaal voor een avondje cabaret.
Let op singles: kom niet alleen, want de kans is groot dat je door Saïd uitgehuwelijkt wordt en met een nieuwe vlam naar buiten loopt.

Saïd el Hassnaoui, een innemende zaalinpakker met pretogen” – Volkskrant

Je kunt hier echt mensen zien waarvan we nog veel gaan horen, zoals comedian Said El Hassnaoui – Het Parool

Said is ontwapenend met zijn heerlijk lichthese vertelstem, prachtige zang, grappige motoriek en aanstekelijke energie – Jury Leids Cabaret Festival 2024

Komiek Said el Hassnaoui leidt de avond in goede banen. – Theater.nl

Met zijn energieke en enthousiaste manier van vertellen zet hij onze lachspieren blijvend op scherp – Ugenda

Biografie

Saïd el Hassnaoui, ook wel bekend als WestSaid, is een bekende naam in de Nederlandse en Belgische comedy scene. In 2014 won hij twee comedy prijzen. De Comedy Slam en de UICF Talent Award. In 2024 werd hij finalist van het Leids Cabaret Festival. Met een lovend juryrapport en mooi recensies van de pers toerde hij het land af met de overige finalisten.

https://offbeat.amsterdam/event/said-el-hassnaoui-said-lacht-met-liefde

CANDYPAINTCADAVER (Estats Units) presenta nou EP: "Box Chevy Brutality" #Candypaintcadaver #Slam #BrutalDeathMetal #Maig2026 #EstatsUnits #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

CANDYPAINTCADAVER (Estats Units) presenta nou EP: "Box Chevy Brutality" #Candypaintcadaver #Slam #BrutalDeathMetal #Maig2026 #EstatsUnits #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

https://www.europesays.com/afrika/18111/ Sanlam Kenya-Aktie (KE0000000414): Schwacher Kursverlauf, Solvabilität im Fokus #KE0000000414 #Kenia #Kenya #SLAM

CEPHALOTRIPSY (Estats Units) presenta nou recopilatori: "Epigenetic Neurogensis + Uterovaginal Insertion of Extirpated Anomalies" #Cephalotripsy #Slam #BrutalDeathMetal #Maig2026 #EstatsUnits #NouRecopilatori #Metall #Metal #MúsicaMetal #MetalMusic

CEPHALOTRIPSY (Estats Units) presenta nou recopilatori: "Epigenetic Neurogensis + Uterovaginal Insertion of Extirpated Anomalies" #Cephalotripsy #Slam #BrutalDeathMetal #Maig2026 #EstatsUnits #NouRecopilatori #Metall #Metal #MúsicaMetal #MetalMusic

MECHANICAL BUTCHER (Estats Units) presenta nou EP: "Chronicles of Post-Mortem Amputations" #MechanicalButcher #Slam #BrutalDeathMetal #Maig2026 #EstatsUnits #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

MECHANICAL BUTCHER (Estats Units) presenta nou EP: "Chronicles of Post-Mortem Amputations" #MechanicalButcher #Slam #BrutalDeathMetal #Maig2026 #EstatsUnits #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

FACE MAULER (Itàlia) presenta nou EP: "World Mauler" #FaceMauler #Slam #BrutalDeathMetal #Maig2026 #Itàlia #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

FACE MAULER (Itàlia) presenta nou EP: "World Mauler" #FaceMauler #Slam #BrutalDeathMetal #Maig2026 #Itàlia #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

https://www.europesays.com/nl/209201/ NMO Luisteronderzoek week 19-2026: NPO Radio 2 is marktleider – Radiowereld #100%NL #3FM #538 #Amusement #Arrow #BNR #BNRNieuwsradio #Dutch #Entertainment #joe #KINK #luistercijfers #Music #Muziek #NationaalLuisterOnderzoek #Nederland #Nederlanden #Nederlands #Netherlands #NL #NMOLuisteronderzoek #NPO #NPO3FM #NPOKlassiek #NPORadio1 #NPORadio2 #NPORadio5 #Qmusic #Radio10 #Radio538 #RadioDecibel #RadioVeronica #SkyRadio #skyradio #Slam #sublime #Veronica

FLAMMABLE REGURGITOSIS (Austràlia) presenta nou EP: "Transcending Intelligence Through Post Human Carnification" #FlammableRegurgitosis #Slam #BrutalDeathMetal #Maig2026 #Austràlia #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

FLAMMABLE REGURGITOSIS (Austràlia) presenta nou EP: "Transcending Intelligence Through Post Human Carnification" #FlammableRegurgitosis #Slam #BrutalDeathMetal #Maig2026 #Austràlia #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

Texan five-banger Frozen Soul crept into my promo pile back in 2021 with their glacially imposing Crypt of Ice. Unfortunately, I missed covering the improved follow-up Glacial Domination properly, relegating it to a Filter blurb instead. But that’s no excuse for Century Media to withhold No Place of Warmth from me when it was time. No matter, because Frozen Soul deserve a full-bodied tongue bath from this hot-blooded sponge, and I intend to give it with great relish.

The Frozen Soul formula carries over into No Place of Warmth, but evolves incrementally just as Glacial Domination did three years prior. As these homo glaciali continue their ascent into a full upright stance, their Bolt Thrower-meets-Sanguisugabogg-meets-Rotpit riff orgy enters a new realm of ferocity, carrying a murderous momentum and relentless grooves across a dick-skin-tight 35 minutes. Vocalist Chad Green puts down a vicious performance of caveman roars, rancid rasps, and infectious barks. Matt Dennard pounds the mammoth skins with a single-minded bludgeoning that oozes blood, pus, and attitude. Bassist Samantha Mobley, always rumbling beneath these well-tread tundras, anchors the affair in muscular heft and scalpel precision (though the unforgiving compression in the mix makes her great work difficult to make out in many listening environments). Most importantly, however, are guitarists Chris Bonner’s and Michael Munday’s unflappable riffs and infectious hooks. Familiar perhaps to a fault but nonetheless brutally effective, Frozen Soul’s guitar work crests a summit on No Place of Warmth, generating heaps of energy with minimal tooling and using it to slam skulls into each other with devastating impact.

What more could you ask for in a stripped-down, meat-and-potatoes death metal record? A better mix, sure, but not much else. “Invoke War (ft. Machine Head)” brings Bolt Thrower aggression, anvils, and icepicks to my cranium with cold prejudice, leaving me a drooling mess whose only joy in life demands MOAR RIFFS. Thankfully, the slamtastic “Absolute Zero,” “Dreadnought (ft. Sanguisugabogg),” and “Skinned by the Wind,” along with mid-paced stompers “Chaos Will Reign,” “DEATHWEAVER,” and “Frost Forged” shoot overdoses of riff-laced adrenaline directly into my veins, reducing me to animalistic mindlessness. As that progresses, the urge to zoom becomes a new inconvenience in daily life, but Frozen Soul prepared for that. Rippers “No Place of Warmth (ft. Gerard Way),” “Eyes of Despair,” “Ethereal Dreams,” and “Killin Time (Until It’s Time to Kill)” roar and rage through flesh and bone with sleazy grooves that fit right at home at any local bar brawl, giving my overflowing energy reserves an outlet through fist and boot.

You might notice a rare occurrence in the preceding paragraph: I highlighted every song on No Place of Warmth to extol their virtues. This was no accident, as every track has something memorable and engaging to take away, but No Place of Warmth isn’t perfect. As mentioned earlier, No Place of Warmth is crushed pretty heavily. Consequently, Samantha’s bass struggles for audibility—despite offering ample textural heft—behind chunky guitars and ferocious roars. With a little less compression and a few tweaks to instrumental positioning, her input would be heard more fully and thereby make even greater impact. Additionally, Matt Dennard’s bass kick feels a bit plastic, creating a bit of tactile unpleasantness during initial spins. In other areas, the album’s various guest spots don’t stand out as distinctly as a guest spot should. It took a few spins to nail down Machine Head’s contributions to “Invoke War,” especially, and Gerard Way’s unexpected blackened rasps deserve greater presence, too. I still can’t confidently pick out Sanguisugabogg in “Dreadnought,” though it is a killer tune. As a criticism, this mostly points to a thoughtfulness in features that Frozen Soul neglected, but that they might easily rectify with more intentional writing that gives those features more significance and definition going forward.

All told, No Place of Warmth is more than just rock-solid Bolt Thrower worship. It is a consistently entertaining record tailor-made to ensure gains in the gym, incite massive mosh pits in any given venue, and cause spinal trauma to any receptive passers-by. It’s nothing new, and nothing groundbreaking, but its tectonic grooves and boundless vitality crack the crust regardless. Should you be in need of more quality death metal this year—and we all know you can never have too much—No Place of Warmth is a worthy part of a balanced breakfast rotation.

Rating: Very Good!
DR: 4 | Format Reviewed: PCM
Label: Century Media Records
Websites: Bandcamp | Official | Facebook
Releases Worldwide: May 8th, 2026

Texan five-banger Frozen Soul crept into my promo pile back in 2021 with their glacially imposing Crypt of Ice. Unfortunately, I missed covering the improved follow-up Glacial Domination properly, relegating it to a Filter blurb instead. But that’s no excuse for Century Media to withhold No Place of Warmth from me when it was time. No matter, because Frozen Soul deserve a full-bodied tongue bath from this hot-blooded sponge, and I intend to give it with great relish.

The Frozen Soul formula carries over into No Place of Warmth, but evolves incrementally just as Glacial Domination did three years prior. As these homo glaciali continue their ascent into a full upright stance, their Bolt Thrower-meets-Sanguisugabogg-meets-Rotpit riff orgy enters a new realm of ferocity, carrying a murderous momentum and relentless grooves across a dick-skin-tight 35 minutes. Vocalist Chad Green puts down a vicious performance of caveman roars, rancid rasps, and infectious barks. Matt Dennard pounds the mammoth skins with a single-minded bludgeoning that oozes blood, pus, and attitude. Bassist Samantha Mobley, always rumbling beneath these well-tread tundras, anchors the affair in muscular heft and scalpel precision (though the unforgiving compression in the mix makes her great work difficult to make out in many listening environments). Most importantly, however, are guitarists Chris Bonner’s and Michael Munday’s unflappable riffs and infectious hooks. Familiar perhaps to a fault but nonetheless brutally effective, Frozen Soul’s guitar work crests a summit on No Place of Warmth, generating heaps of energy with minimal tooling and using it to slam skulls into each other with devastating impact.

What more could you ask for in a stripped-down, meat-and-potatoes death metal record? A better mix, sure, but not much else. “Invoke War (ft. Machine Head)” brings Bolt Thrower aggression, anvils, and icepicks to my cranium with cold prejudice, leaving me a drooling mess whose only joy in life demands MOAR RIFFS. Thankfully, the slamtastic “Absolute Zero,” “Dreadnought (ft. Sanguisugabogg),” and “Skinned by the Wind,” along with mid-paced stompers “Chaos Will Reign,” “DEATHWEAVER,” and “Frost Forged” shoot overdoses of riff-laced adrenaline directly into my veins, reducing me to animalistic mindlessness. As that progresses, the urge to zoom becomes a new inconvenience in daily life, but Frozen Soul prepared for that. Rippers “No Place of Warmth (ft. Gerard Way),” “Eyes of Despair,” “Ethereal Dreams,” and “Killin Time (Until It’s Time to Kill)” roar and rage through flesh and bone with sleazy grooves that fit right at home at any local bar brawl, giving my overflowing energy reserves an outlet through fist and boot.

You might notice a rare occurrence in the preceding paragraph: I highlighted every song on No Place of Warmth to extol their virtues. This was no accident, as every track has something memorable and engaging to take away, but No Place of Warmth isn’t perfect. As mentioned earlier, No Place of Warmth is crushed pretty heavily. Consequently, Samantha’s bass struggles for audibility—despite offering ample textural heft—behind chunky guitars and ferocious roars. With a little less compression and a few tweaks to instrumental positioning, her input would be heard more fully and thereby make even greater impact. Additionally, Matt Dennard’s bass kick feels a bit plastic, creating a bit of tactile unpleasantness during initial spins. In other areas, the album’s various guest spots don’t stand out as distinctly as a guest spot should. It took a few spins to nail down Machine Head’s contributions to “Invoke War,” especially, and Gerard Way’s unexpected blackened rasps deserve greater presence, too. I still can’t confidently pick out Sanguisugabogg in “Dreadnought,” though it is a killer tune. As a criticism, this mostly points to a thoughtfulness in features that Frozen Soul neglected, but that they might easily rectify with more intentional writing that gives those features more significance and definition going forward.

All told, No Place of Warmth is more than just rock-solid Bolt Thrower worship. It is a consistently entertaining record tailor-made to ensure gains in the gym, incite massive mosh pits in any given venue, and cause spinal trauma to any receptive passers-by. It’s nothing new, and nothing groundbreaking, but its tectonic grooves and boundless vitality crack the crust regardless. Should you be in need of more quality death metal this year—and we all know you can never have too much—No Place of Warmth is a worthy part of a balanced breakfast rotation.

Rating: Very Good!
DR: 4 | Format Reviewed: PCM
Label: Century Media Records
Websites: Bandcamp | Official | Facebook
Releases Worldwide: May 8th, 2026

Texan five-banger Frozen Soul crept into my promo pile back in 2021 with their glacially imposing Crypt of Ice. Unfortunately, I missed covering the improved follow-up Glacial Domination properly, relegating it to a Filter blurb instead. But that’s no excuse for Century Media to withhold No Place of Warmth from me when it was time. No matter, because Frozen Soul deserve a full-bodied tongue bath from this hot-blooded sponge, and I intend to give it with great relish.

The Frozen Soul formula carries over into No Place of Warmth, but evolves incrementally just as Glacial Domination did three years prior. As these homo glaciali continue their ascent into a full upright stance, their Bolt Thrower-meets-Sanguisugabogg-meets-Rotpit riff orgy enters a new realm of ferocity, carrying a murderous momentum and relentless grooves across a dick-skin-tight 35 minutes. Vocalist Chad Green puts down a vicious performance of caveman roars, rancid rasps, and infectious barks. Matt Dennard pounds the mammoth skins with a single-minded bludgeoning that oozes blood, pus, and attitude. Bassist Samantha Mobley, always rumbling beneath these well-tread tundras, anchors the affair in muscular heft and scalpel precision (though the unforgiving compression in the mix makes her great work difficult to make out in many listening environments). Most importantly, however, are guitarists Chris Bonner’s and Michael Munday’s unflappable riffs and infectious hooks. Familiar perhaps to a fault but nonetheless brutally effective, Frozen Soul’s guitar work crests a summit on No Place of Warmth, generating heaps of energy with minimal tooling and using it to slam skulls into each other with devastating impact.

What more could you ask for in a stripped-down, meat-and-potatoes death metal record? A better mix, sure, but not much else. “Invoke War (ft. Machine Head)” brings Bolt Thrower aggression, anvils, and icepicks to my cranium with cold prejudice, leaving me a drooling mess whose only joy in life demands MOAR RIFFS. Thankfully, the slamtastic “Absolute Zero,” “Dreadnought (ft. Sanguisugabogg),” and “Skinned by the Wind,” along with mid-paced stompers “Chaos Will Reign,” “DEATHWEAVER,” and “Frost Forged” shoot overdoses of riff-laced adrenaline directly into my veins, reducing me to animalistic mindlessness. As that progresses, the urge to zoom becomes a new inconvenience in daily life, but Frozen Soul prepared for that. Rippers “No Place of Warmth (ft. Gerard Way),” “Eyes of Despair,” “Ethereal Dreams,” and “Killin Time (Until It’s Time to Kill)” roar and rage through flesh and bone with sleazy grooves that fit right at home at any local bar brawl, giving my overflowing energy reserves an outlet through fist and boot.

You might notice a rare occurrence in the preceding paragraph: I highlighted every song on No Place of Warmth to extol their virtues. This was no accident, as every track has something memorable and engaging to take away, but No Place of Warmth isn’t perfect. As mentioned earlier, No Place of Warmth is crushed pretty heavily. Consequently, Samantha’s bass struggles for audibility—despite offering ample textural heft—behind chunky guitars and ferocious roars. With a little less compression and a few tweaks to instrumental positioning, her input would be heard more fully and thereby make even greater impact. Additionally, Matt Dennard’s bass kick feels a bit plastic, creating a bit of tactile unpleasantness during initial spins. In other areas, the album’s various guest spots don’t stand out as distinctly as a guest spot should. It took a few spins to nail down Machine Head’s contributions to “Invoke War,” especially, and Gerard Way’s unexpected blackened rasps deserve greater presence, too. I still can’t confidently pick out Sanguisugabogg in “Dreadnought,” though it is a killer tune. As a criticism, this mostly points to a thoughtfulness in features that Frozen Soul neglected, but that they might easily rectify with more intentional writing that gives those features more significance and definition going forward.

All told, No Place of Warmth is more than just rock-solid Bolt Thrower worship. It is a consistently entertaining record tailor-made to ensure gains in the gym, incite massive mosh pits in any given venue, and cause spinal trauma to any receptive passers-by. It’s nothing new, and nothing groundbreaking, but its tectonic grooves and boundless vitality crack the crust regardless. Should you be in need of more quality death metal this year—and we all know you can never have too much—No Place of Warmth is a worthy part of a balanced breakfast rotation.

Rating: Very Good!
DR: 4 | Format Reviewed: PCM
Label: Century Media Records
Websites: Bandcamp | Official | Facebook
Releases Worldwide: May 8th, 2026

Texan five-banger Frozen Soul crept into my promo pile back in 2021 with their glacially imposing Crypt of Ice. Unfortunately, I missed covering the improved follow-up Glacial Domination properly, relegating it to a Filter blurb instead. But that’s no excuse for Century Media to withhold No Place of Warmth from me when it was time. No matter, because Frozen Soul deserve a full-bodied tongue bath from this hot-blooded sponge, and I intend to give it with great relish.

The Frozen Soul formula carries over into No Place of Warmth, but evolves incrementally just as Glacial Domination did three years prior. As these homo glaciali continue their ascent into a full upright stance, their Bolt Thrower-meets-Sanguisugabogg-meets-Rotpit riff orgy enters a new realm of ferocity, carrying a murderous momentum and relentless grooves across a dick-skin-tight 35 minutes. Vocalist Chad Green puts down a vicious performance of caveman roars, rancid rasps, and infectious barks. Matt Dennard pounds the mammoth skins with a single-minded bludgeoning that oozes blood, pus, and attitude. Bassist Samantha Mobley, always rumbling beneath these well-tread tundras, anchors the affair in muscular heft and scalpel precision (though the unforgiving compression in the mix makes her great work difficult to make out in many listening environments). Most importantly, however, are guitarists Chris Bonner’s and Michael Munday’s unflappable riffs and infectious hooks. Familiar perhaps to a fault but nonetheless brutally effective, Frozen Soul’s guitar work crests a summit on No Place of Warmth, generating heaps of energy with minimal tooling and using it to slam skulls into each other with devastating impact.

What more could you ask for in a stripped-down, meat-and-potatoes death metal record? A better mix, sure, but not much else. “Invoke War (ft. Machine Head)” brings Bolt Thrower aggression, anvils, and icepicks to my cranium with cold prejudice, leaving me a drooling mess whose only joy in life demands MOAR RIFFS. Thankfully, the slamtastic “Absolute Zero,” “Dreadnought (ft. Sanguisugabogg),” and “Skinned by the Wind,” along with mid-paced stompers “Chaos Will Reign,” “DEATHWEAVER,” and “Frost Forged” shoot overdoses of riff-laced adrenaline directly into my veins, reducing me to animalistic mindlessness. As that progresses, the urge to zoom becomes a new inconvenience in daily life, but Frozen Soul prepared for that. Rippers “No Place of Warmth (ft. Gerard Way),” “Eyes of Despair,” “Ethereal Dreams,” and “Killin Time (Until It’s Time to Kill)” roar and rage through flesh and bone with sleazy grooves that fit right at home at any local bar brawl, giving my overflowing energy reserves an outlet through fist and boot.

You might notice a rare occurrence in the preceding paragraph: I highlighted every song on No Place of Warmth to extol their virtues. This was no accident, as every track has something memorable and engaging to take away, but No Place of Warmth isn’t perfect. As mentioned earlier, No Place of Warmth is crushed pretty heavily. Consequently, Samantha’s bass struggles for audibility—despite offering ample textural heft—behind chunky guitars and ferocious roars. With a little less compression and a few tweaks to instrumental positioning, her input would be heard more fully and thereby make even greater impact. Additionally, Matt Dennard’s bass kick feels a bit plastic, creating a bit of tactile unpleasantness during initial spins. In other areas, the album’s various guest spots don’t stand out as distinctly as a guest spot should. It took a few spins to nail down Machine Head’s contributions to “Invoke War,” especially, and Gerard Way’s unexpected blackened rasps deserve greater presence, too. I still can’t confidently pick out Sanguisugabogg in “Dreadnought,” though it is a killer tune. As a criticism, this mostly points to a thoughtfulness in features that Frozen Soul neglected, but that they might easily rectify with more intentional writing that gives those features more significance and definition going forward.

All told, No Place of Warmth is more than just rock-solid Bolt Thrower worship. It is a consistently entertaining record tailor-made to ensure gains in the gym, incite massive mosh pits in any given venue, and cause spinal trauma to any receptive passers-by. It’s nothing new, and nothing groundbreaking, but its tectonic grooves and boundless vitality crack the crust regardless. Should you be in need of more quality death metal this year—and we all know you can never have too much—No Place of Warmth is a worthy part of a balanced breakfast rotation.

Rating: Very Good!
DR: 4 | Format Reviewed: PCM
Label: Century Media Records
Websites: Bandcamp | Official | Facebook
Releases Worldwide: May 8th, 2026

Texan five-banger Frozen Soul crept into my promo pile back in 2021 with their glacially imposing Crypt of Ice. Unfortunately, I missed covering the improved follow-up Glacial Domination properly, relegating it to a Filter blurb instead. But that’s no excuse for Century Media to withhold No Place of Warmth from me when it was time. No matter, because Frozen Soul deserve a full-bodied tongue bath from this hot-blooded sponge, and I intend to give it with great relish.

The Frozen Soul formula carries over into No Place of Warmth, but evolves incrementally just as Glacial Domination did three years prior. As these homo glaciali continue their ascent into a full upright stance, their Bolt Thrower-meets-Sanguisugabogg-meets-Rotpit riff orgy enters a new realm of ferocity, carrying a murderous momentum and relentless grooves across a dick-skin-tight 35 minutes. Vocalist Chad Green puts down a vicious performance of caveman roars, rancid rasps, and infectious barks. Matt Dennard pounds the mammoth skins with a single-minded bludgeoning that oozes blood, pus, and attitude. Bassist Samantha Mobley, always rumbling beneath these well-tread tundras, anchors the affair in muscular heft and scalpel precision (though the unforgiving compression in the mix makes her great work difficult to make out in many listening environments). Most importantly, however, are guitarists Chris Bonner’s and Michael Munday’s unflappable riffs and infectious hooks. Familiar perhaps to a fault but nonetheless brutally effective, Frozen Soul’s guitar work crests a summit on No Place of Warmth, generating heaps of energy with minimal tooling and using it to slam skulls into each other with devastating impact.

What more could you ask for in a stripped-down, meat-and-potatoes death metal record? A better mix, sure, but not much else. “Invoke War (ft. Machine Head)” brings Bolt Thrower aggression, anvils, and icepicks to my cranium with cold prejudice, leaving me a drooling mess whose only joy in life demands MOAR RIFFS. Thankfully, the slamtastic “Absolute Zero,” “Dreadnought (ft. Sanguisugabogg),” and “Skinned by the Wind,” along with mid-paced stompers “Chaos Will Reign,” “DEATHWEAVER,” and “Frost Forged” shoot overdoses of riff-laced adrenaline directly into my veins, reducing me to animalistic mindlessness. As that progresses, the urge to zoom becomes a new inconvenience in daily life, but Frozen Soul prepared for that. Rippers “No Place of Warmth (ft. Gerard Way),” “Eyes of Despair,” “Ethereal Dreams,” and “Killin Time (Until It’s Time to Kill)” roar and rage through flesh and bone with sleazy grooves that fit right at home at any local bar brawl, giving my overflowing energy reserves an outlet through fist and boot.

You might notice a rare occurrence in the preceding paragraph: I highlighted every song on No Place of Warmth to extol their virtues. This was no accident, as every track has something memorable and engaging to take away, but No Place of Warmth isn’t perfect. As mentioned earlier, No Place of Warmth is crushed pretty heavily. Consequently, Samantha’s bass struggles for audibility—despite offering ample textural heft—behind chunky guitars and ferocious roars. With a little less compression and a few tweaks to instrumental positioning, her input would be heard more fully and thereby make even greater impact. Additionally, Matt Dennard’s bass kick feels a bit plastic, creating a bit of tactile unpleasantness during initial spins. In other areas, the album’s various guest spots don’t stand out as distinctly as a guest spot should. It took a few spins to nail down Machine Head’s contributions to “Invoke War,” especially, and Gerard Way’s unexpected blackened rasps deserve greater presence, too. I still can’t confidently pick out Sanguisugabogg in “Dreadnought,” though it is a killer tune. As a criticism, this mostly points to a thoughtfulness in features that Frozen Soul neglected, but that they might easily rectify with more intentional writing that gives those features more significance and definition going forward.

All told, No Place of Warmth is more than just rock-solid Bolt Thrower worship. It is a consistently entertaining record tailor-made to ensure gains in the gym, incite massive mosh pits in any given venue, and cause spinal trauma to any receptive passers-by. It’s nothing new, and nothing groundbreaking, but its tectonic grooves and boundless vitality crack the crust regardless. Should you be in need of more quality death metal this year—and we all know you can never have too much—No Place of Warmth is a worthy part of a balanced breakfast rotation.

Rating: Very Good!
DR: 4 | Format Reviewed: PCM
Label: Century Media Records
Websites: Bandcamp | Official | Facebook
Releases Worldwide: May 8th, 2026

Lesen und gelesen werden – Science Slam der Uni Potsdam in der Waschhaus-Arena

Von Tacitus’ „Germania“ bis Karl Mays „Winnetou“ reicht das literarische Spektrum des nächsten Science Slams der Universität Potsdam, der am 13. Mai um 20 Uhr in der Waschhaus Arena einige kulturwissenschaftliche Akzente setzt: https://www.uni-potsdam.de/de/nachrichten/detail/2026-05-05-lesen-und-gelesen-werden-science-slam-der-uni-potsdam-in-der-waschhaus-arena

#scienceslam #forschung #wissenschaft #slam #kultur #literatur #kulturwissenschaften #naturwissenschaften #chemie #künstlicheintelligenz #unifindetstadt #potsdam

Lesen und gelesen werden – Science Slam der Uni Potsdam in der Waschhaus-Arena

Von Tacitus’ „Germania“ bis Karl Mays „Winnetou“ reicht das literarische Spektrum des nächsten Science Slams der Universität Potsdam, der am 13. Mai um 20 Uhr in der Waschhaus Arena einige kulturwissenschaftliche Akzente setzt: https://www.uni-potsdam.de/de/nachrichten/detail/2026-05-05-lesen-und-gelesen-werden-science-slam-der-uni-potsdam-in-der-waschhaus-arena

#scienceslam #forschung #wissenschaft #slam #kultur #literatur #kulturwissenschaften #naturwissenschaften #chemie #künstlicheintelligenz #unifindetstadt #potsdam

Lesen und gelesen werden – Science Slam der Uni Potsdam in der Waschhaus-Arena

Von Tacitus’ „Germania“ bis Karl Mays „Winnetou“ reicht das literarische Spektrum des nächsten Science Slams der Universität Potsdam, der am 13. Mai um 20 Uhr in der Waschhaus Arena einige kulturwissenschaftliche Akzente setzt: https://www.uni-potsdam.de/de/nachrichten/detail/2026-05-05-lesen-und-gelesen-werden-science-slam-der-uni-potsdam-in-der-waschhaus-arena

#scienceslam #forschung #wissenschaft #slam #kultur #literatur #kulturwissenschaften #naturwissenschaften #chemie #künstlicheintelligenz #unifindetstadt #potsdam

Lesen und gelesen werden – Science Slam der Uni Potsdam in der Waschhaus-Arena

Von Tacitus’ „Germania“ bis Karl Mays „Winnetou“ reicht das literarische Spektrum des nächsten Science Slams der Universität Potsdam, der am 13. Mai um 20 Uhr in der Waschhaus Arena einige kulturwissenschaftliche Akzente setzt: https://www.uni-potsdam.de/de/nachrichten/detail/2026-05-05-lesen-und-gelesen-werden-science-slam-der-uni-potsdam-in-der-waschhaus-arena

#scienceslam #forschung #wissenschaft #slam #kultur #literatur #kulturwissenschaften #naturwissenschaften #chemie #künstlicheintelligenz #unifindetstadt #potsdam

Lesen und gelesen werden – Science Slam der Uni Potsdam in der Waschhaus-Arena

Von Tacitus’ „Germania“ bis Karl Mays „Winnetou“ reicht das literarische Spektrum des nächsten Science Slams der Universität Potsdam, der am 13. Mai um 20 Uhr in der Waschhaus Arena einige kulturwissenschaftliche Akzente setzt: https://www.uni-potsdam.de/de/nachrichten/detail/2026-05-05-lesen-und-gelesen-werden-science-slam-der-uni-potsdam-in-der-waschhaus-arena

#scienceslam #forschung #wissenschaft #slam #kultur #literatur #kulturwissenschaften #naturwissenschaften #chemie #künstlicheintelligenz #unifindetstadt #potsdam

DISSENTOMY (Indonèsia) presenta nova demo: "Demo 2026" #Dissentomy #Slam #BrutalDeathMetal #Maig2026 #Indonèsia #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

DISSENTOMY (Indonèsia) presenta nova demo: "Demo 2026" #Dissentomy #Slam #BrutalDeathMetal #Maig2026 #Indonèsia #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

DISSENTOMY (Indonèsia) presenta nova demo: "Demo 2026" #Dissentomy #Slam #BrutalDeathMetal #Maig2026 #Indonèsia #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

DECOMPOSITION OF ENTRAILS (Rússia) presenta nova col·laboració: "Scourged by Enmity" #DecompositionOfEntrails #Slam #BrutalDeathMetal #Maig2026 #Rússia #NovaCol·laboració #Metall #Metal #MúsicaMetal #MetalMusic

DECOMPOSITION OF ENTRAILS (Rússia) presenta nova col·laboració: "Scourged by Enmity" #DecompositionOfEntrails #Slam #BrutalDeathMetal #Maig2026 #Rússia #NovaCol·laboració #Metall #Metal #MúsicaMetal #MetalMusic

SKIN FLAYER presenta nou àlbum: "v1. 24-Karat Slaughter" #SkinFlayer #Slam #BrutalDeathMetal #Maig2026 #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

SKIN FLAYER presenta nou àlbum: "v1. 24-Karat Slaughter" #SkinFlayer #Slam #BrutalDeathMetal #Maig2026 #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

https://www.europesays.com/africa/228250/ Sanlam Kenya stock (KE0000000414): Insurance and financial services play in East Africa #KE0000000414 #Kenya #slam

https://www.europesays.com/it/483622/ «Io, Sinner, Alcaraz guadagnamo bene. Il problema è che tanti giocatori non riescono a vivere di tennis, non è sostenibile» #boicottaggio #InternazionaliRoma2026 #IT #Italia #Italy #slam #Sport #Sports #tennis #zverev