#frozensoul — Public Fediverse posts

Ravaged by the Yeti – Snowbound Horror Review

Unfortunately for this review, I have not been ravaged by the Yeti before. But if it’s anything like…
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https://www.newsbeep.com/us/750949/

Ravaged by the Yeti – Snowbound Horror Review

Unfortunately for this review, I have not been ravaged by the Yeti before. But if it’s anything like…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2.5 #2026 #BoltThrower #DeathMetal #Entertainment #frozensoul #Grindcore #Jul26 #Massacre #Monstrous #Paganizer #RavagedbytheYeti #review #reviews #Ribspreader #SnowboundHorror #SwedishMetal #TestimonyRecords #WhiteWizzard
https://www.newsbeep.com/us/750949/

https://www.europesays.com/uk/1076708/ Ravaged by the Yeti – Snowbound Horror Review #25 #2026 #BoltThrower #DeathMetal #Entertainment #FrozenSoul #Grindcore #Jul26 #Massacre #Monstrous #music #Paganizer #RavagedByTheYeti #Review #Reviews #Ribspreader #SnowboundHorror #SwedishMetal #TestimonyRecords #UK #UnitedKingdom #WhiteWizzard

Unfortunately for this review, I have not been ravaged by the Yeti before. But if it’s anything like what happens when you make one too many White Wizzard jokes around Steel Druhm, then it must be a ruthless and altogether ungraceful experience. If so, then Sweden’s Ravaged by the Yeti do the experience justice. Yet another project of guitarist/vocalist Rogga Johansson (Paganizer, Ribspreader, among many, many others), Ravaged by the Yeti first unleashed their Yeti-themed grind-infused death metal on 2023’s Apex Predator. In 2026, they return with a fresh lineup of Johansson, bassist Mike Borders (ex-Massacre), and drummer Jon Rudin (Monstrous). Snowbound Horror promises savagery, plain and simple. Can Ravaged by the Yeti’s simulacrum of their namesake act prove as memorable as the real deal?

Ravaged by the Yeti do one thing on Snowbound Horror, and that’s spill guts out over the snow. Not their guts, mind you; there’s nothing confessional about this. Through Johansson’s gore-slathered growls, Ravaged by the Yeti treat their listeners to one blood-soaked scene to the next. Himalayan explorers are ripped to pieces (“By the Hand of the Beast”), reduced to slurry (“Human Spoil”), and stuffed in the Abominable Snowman’s freezer (“Frozen Stiff”) before all’s said and done on Snowbound Horror. These savage snippets are captured through Ravaged by the Yeti’s commitment to icy, no-frills death metal. Songs like “Vengeance in Fur” and “Death by Icicle” flex big riffs and punchy kicks while never letting up on the bludgeonings. If you only want a heaping helping of violence out of your death metal, or if Frozen Soul’s latest has you hankering for more cold, Ravaged by the Yeti have you covered with Snowbound Horror.

Snowbound Horror lives off meat-headed riffcraft. Raiding Bolt Thrower’s arsenal of heavy groove ordnance, songs like “As Fangs Go Deep,” “Beast Prey,” and “Snowbound Horror” bash and rumble with bestial, straightforward aggression. Apex Predator’s grind influence largely takes a backseat to this death-groove on Snowbound Horror, but songs like “By the Hand of the Beast” and “Tusk of the Yeti” maintain grind’s speed and serrated assault. It helps that Ravaged by the Yeti sport drums with adequate thump and snap to them, a surprisingly dynamic mix, and a guitar tone thick and wet as carrion. Between the riffs and growls, rudimentary guitar leads spring up from time to time (“Human Spoil,” “They Came through the Cold”) along with the occasional slick drum fill (“Tusk of the Yeti”). By now, Johansson can probably write respectable death riffs in his sleep, and Ravaged by the Yeti doesn’t disappoint in this regard.

What does disappoint about Snowbound Horror, however, is its one-note quality. Obviously, Ravaged by the Yeti’s explicit theming limits their creative scope, but Snowbound Horror utilizes too few basic riff shapes and compositions to stay fresh. “Beast Prey” opens with a riff far too similar to the preceding “As Fangs Go Deep”‘s opening riff, and the few solo-esque leads across Snowbound Horror all sit too closely on the same part of the neck. Only “They Came through the Cold” sticks out upon repeat listens, as Ravaged by the Yeti employ a smidge more melody and storytelling focus on this particular tale of terror. For the most part, what could be said about any one song on Snowbound Horror could be just as applicable to any other song. What Ravaged by the Yeti do is fun, but with a very limited set of tools stretched across thirty-five minutes, Snowbound Horror’s grizzly cheek runs cold by the time “Land of Ice and Snow” closes out.

Ravaged by the Yeti’s Snowbound Horror is more enjoyable than an actual ravaging by the Yeti, but not quite as memorable. It’s a lot more fun than the rating below might suggest, but it would be dishonest of me to say it hasn’t run thin after several listens. If you value gore and grit above all in your death metal, Ravaged by the Yeti might be your picnic. But as a whole artistic package, Snowbound Horror goes by in a blur, hitting hard during its time but leaving little impact in its wake. When I get mangled and masticated by a cryptid, that’s not the story I want to share afterwards.

Rating: Mixed
DR: 8 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: facebook.com/RavagedbytheYeti | ravagedbytheyeti.bandcamp.com
Releases Worldwide: July 10th, 2026

Unfortunately for this review, I have not been ravaged by the Yeti before. But if it’s anything like what happens when you make one too many White Wizzard jokes around Steel Druhm, then it must be a ruthless and altogether ungraceful experience. If so, then Sweden’s Ravaged by the Yeti do the experience justice. Yet another project of guitarist/vocalist Rogga Johansson (Paganizer, Ribspreader, among many, many others), Ravaged by the Yeti first unleashed their Yeti-themed grind-infused death metal on 2023’s Apex Predator. In 2026, they return with a fresh lineup of Johansson, bassist Mike Borders (ex-Massacre), and drummer Jon Rudin (Monstrous). Snowbound Horror promises savagery, plain and simple. Can Ravaged by the Yeti’s simulacrum of their namesake act prove as memorable as the real deal?

Ravaged by the Yeti do one thing on Snowbound Horror, and that’s spill guts out over the snow. Not their guts, mind you; there’s nothing confessional about this. Through Johansson’s gore-slathered growls, Ravaged by the Yeti treat their listeners to one blood-soaked scene to the next. Himalayan explorers are ripped to pieces (“By the Hand of the Beast”), reduced to slurry (“Human Spoil”), and stuffed in the Abominable Snowman’s freezer (“Frozen Stiff”) before all’s said and done on Snowbound Horror. These savage snippets are captured through Ravaged by the Yeti’s commitment to icy, no-frills death metal. Songs like “Vengeance in Fur” and “Death by Icicle” flex big riffs and punchy kicks while never letting up on the bludgeonings. If you only want a heaping helping of violence out of your death metal, or if Frozen Soul’s latest has you hankering for more cold, Ravaged by the Yeti have you covered with Snowbound Horror.

Snowbound Horror lives off meat-headed riffcraft. Raiding Bolt Thrower’s arsenal of heavy groove ordnance, songs like “As Fangs Go Deep,” “Beast Prey,” and “Snowbound Horror” bash and rumble with bestial, straightforward aggression. Apex Predator’s grind influence largely takes a backseat to this death-groove on Snowbound Horror, but songs like “By the Hand of the Beast” and “Tusk of the Yeti” maintain grind’s speed and serrated assault. It helps that Ravaged by the Yeti sport drums with adequate thump and snap to them, a surprisingly dynamic mix, and a guitar tone thick and wet as carrion. Between the riffs and growls, rudimentary guitar leads spring up from time to time (“Human Spoil,” “They Came through the Cold”) along with the occasional slick drum fill (“Tusk of the Yeti”). By now, Johansson can probably write respectable death riffs in his sleep, and Ravaged by the Yeti doesn’t disappoint in this regard.

What does disappoint about Snowbound Horror, however, is its one-note quality. Obviously, Ravaged by the Yeti’s explicit theming limits their creative scope, but Snowbound Horror utilizes too few basic riff shapes and compositions to stay fresh. “Beast Prey” opens with a riff far too similar to the preceding “As Fangs Go Deep”‘s opening riff, and the few solo-esque leads across Snowbound Horror all sit too closely on the same part of the neck. Only “They Came through the Cold” sticks out upon repeat listens, as Ravaged by the Yeti employ a smidge more melody and storytelling focus on this particular tale of terror. For the most part, what could be said about any one song on Snowbound Horror could be just as applicable to any other song. What Ravaged by the Yeti do is fun, but with a very limited set of tools stretched across thirty-five minutes, Snowbound Horror’s grizzly cheek runs cold by the time “Land of Ice and Snow” closes out.

Ravaged by the Yeti’s Snowbound Horror is more enjoyable than an actual ravaging by the Yeti, but not quite as memorable. It’s a lot more fun than the rating below might suggest, but it would be dishonest of me to say it hasn’t run thin after several listens. If you value gore and grit above all in your death metal, Ravaged by the Yeti might be your picnic. But as a whole artistic package, Snowbound Horror goes by in a blur, hitting hard during its time but leaving little impact in its wake. When I get mangled and masticated by a cryptid, that’s not the story I want to share afterwards.

Rating: Mixed
DR: 8 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: facebook.com/RavagedbytheYeti | ravagedbytheyeti.bandcamp.com
Releases Worldwide: July 10th, 2026

Unfortunately for this review, I have not been ravaged by the Yeti before. But if it’s anything like what happens when you make one too many White Wizzard jokes around Steel Druhm, then it must be a ruthless and altogether ungraceful experience. If so, then Sweden’s Ravaged by the Yeti do the experience justice. Yet another project of guitarist/vocalist Rogga Johansson (Paganizer, Ribspreader, among many, many others), Ravaged by the Yeti first unleashed their Yeti-themed grind-infused death metal on 2023’s Apex Predator. In 2026, they return with a fresh lineup of Johansson, bassist Mike Borders (ex-Massacre), and drummer Jon Rudin (Monstrous). Snowbound Horror promises savagery, plain and simple. Can Ravaged by the Yeti’s simulacrum of their namesake act prove as memorable as the real deal?

Ravaged by the Yeti do one thing on Snowbound Horror, and that’s spill guts out over the snow. Not their guts, mind you; there’s nothing confessional about this. Through Johansson’s gore-slathered growls, Ravaged by the Yeti treat their listeners to one blood-soaked scene to the next. Himalayan explorers are ripped to pieces (“By the Hand of the Beast”), reduced to slurry (“Human Spoil”), and stuffed in the Abominable Snowman’s freezer (“Frozen Stiff”) before all’s said and done on Snowbound Horror. These savage snippets are captured through Ravaged by the Yeti’s commitment to icy, no-frills death metal. Songs like “Vengeance in Fur” and “Death by Icicle” flex big riffs and punchy kicks while never letting up on the bludgeonings. If you only want a heaping helping of violence out of your death metal, or if Frozen Soul’s latest has you hankering for more cold, Ravaged by the Yeti have you covered with Snowbound Horror.

Snowbound Horror lives off meat-headed riffcraft. Raiding Bolt Thrower’s arsenal of heavy groove ordnance, songs like “As Fangs Go Deep,” “Beast Prey,” and “Snowbound Horror” bash and rumble with bestial, straightforward aggression. Apex Predator’s grind influence largely takes a backseat to this death-groove on Snowbound Horror, but songs like “By the Hand of the Beast” and “Tusk of the Yeti” maintain grind’s speed and serrated assault. It helps that Ravaged by the Yeti sport drums with adequate thump and snap to them, a surprisingly dynamic mix, and a guitar tone thick and wet as carrion. Between the riffs and growls, rudimentary guitar leads spring up from time to time (“Human Spoil,” “They Came through the Cold”) along with the occasional slick drum fill (“Tusk of the Yeti”). By now, Johansson can probably write respectable death riffs in his sleep, and Ravaged by the Yeti doesn’t disappoint in this regard.

What does disappoint about Snowbound Horror, however, is its one-note quality. Obviously, Ravaged by the Yeti’s explicit theming limits their creative scope, but Snowbound Horror utilizes too few basic riff shapes and compositions to stay fresh. “Beast Prey” opens with a riff far too similar to the preceding “As Fangs Go Deep”‘s opening riff, and the few solo-esque leads across Snowbound Horror all sit too closely on the same part of the neck. Only “They Came through the Cold” sticks out upon repeat listens, as Ravaged by the Yeti employ a smidge more melody and storytelling focus on this particular tale of terror. For the most part, what could be said about any one song on Snowbound Horror could be just as applicable to any other song. What Ravaged by the Yeti do is fun, but with a very limited set of tools stretched across thirty-five minutes, Snowbound Horror’s grizzly cheek runs cold by the time “Land of Ice and Snow” closes out.

Ravaged by the Yeti’s Snowbound Horror is more enjoyable than an actual ravaging by the Yeti, but not quite as memorable. It’s a lot more fun than the rating below might suggest, but it would be dishonest of me to say it hasn’t run thin after several listens. If you value gore and grit above all in your death metal, Ravaged by the Yeti might be your picnic. But as a whole artistic package, Snowbound Horror goes by in a blur, hitting hard during its time but leaving little impact in its wake. When I get mangled and masticated by a cryptid, that’s not the story I want to share afterwards.

Rating: Mixed
DR: 8 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: facebook.com/RavagedbytheYeti | ravagedbytheyeti.bandcamp.com
Releases Worldwide: July 10th, 2026

Unfortunately for this review, I have not been ravaged by the Yeti before. But if it’s anything like what happens when you make one too many White Wizzard jokes around Steel Druhm, then it must be a ruthless and altogether ungraceful experience. If so, then Sweden’s Ravaged by the Yeti do the experience justice. Yet another project of guitarist/vocalist Rogga Johansson (Paganizer, Ribspreader, among many, many others), Ravaged by the Yeti first unleashed their Yeti-themed grind-infused death metal on 2023’s Apex Predator. In 2026, they return with a fresh lineup of Johansson, bassist Mike Borders (ex-Massacre), and drummer Jon Rudin (Monstrous). Snowbound Horror promises savagery, plain and simple. Can Ravaged by the Yeti’s simulacrum of their namesake act prove as memorable as the real deal?

Ravaged by the Yeti do one thing on Snowbound Horror, and that’s spill guts out over the snow. Not their guts, mind you; there’s nothing confessional about this. Through Johansson’s gore-slathered growls, Ravaged by the Yeti treat their listeners to one blood-soaked scene to the next. Himalayan explorers are ripped to pieces (“By the Hand of the Beast”), reduced to slurry (“Human Spoil”), and stuffed in the Abominable Snowman’s freezer (“Frozen Stiff”) before all’s said and done on Snowbound Horror. These savage snippets are captured through Ravaged by the Yeti’s commitment to icy, no-frills death metal. Songs like “Vengeance in Fur” and “Death by Icicle” flex big riffs and punchy kicks while never letting up on the bludgeonings. If you only want a heaping helping of violence out of your death metal, or if Frozen Soul’s latest has you hankering for more cold, Ravaged by the Yeti have you covered with Snowbound Horror.

Snowbound Horror lives off meat-headed riffcraft. Raiding Bolt Thrower’s arsenal of heavy groove ordnance, songs like “As Fangs Go Deep,” “Beast Prey,” and “Snowbound Horror” bash and rumble with bestial, straightforward aggression. Apex Predator’s grind influence largely takes a backseat to this death-groove on Snowbound Horror, but songs like “By the Hand of the Beast” and “Tusk of the Yeti” maintain grind’s speed and serrated assault. It helps that Ravaged by the Yeti sport drums with adequate thump and snap to them, a surprisingly dynamic mix, and a guitar tone thick and wet as carrion. Between the riffs and growls, rudimentary guitar leads spring up from time to time (“Human Spoil,” “They Came through the Cold”) along with the occasional slick drum fill (“Tusk of the Yeti”). By now, Johansson can probably write respectable death riffs in his sleep, and Ravaged by the Yeti doesn’t disappoint in this regard.

What does disappoint about Snowbound Horror, however, is its one-note quality. Obviously, Ravaged by the Yeti’s explicit theming limits their creative scope, but Snowbound Horror utilizes too few basic riff shapes and compositions to stay fresh. “Beast Prey” opens with a riff far too similar to the preceding “As Fangs Go Deep”‘s opening riff, and the few solo-esque leads across Snowbound Horror all sit too closely on the same part of the neck. Only “They Came through the Cold” sticks out upon repeat listens, as Ravaged by the Yeti employ a smidge more melody and storytelling focus on this particular tale of terror. For the most part, what could be said about any one song on Snowbound Horror could be just as applicable to any other song. What Ravaged by the Yeti do is fun, but with a very limited set of tools stretched across thirty-five minutes, Snowbound Horror’s grizzly cheek runs cold by the time “Land of Ice and Snow” closes out.

Ravaged by the Yeti’s Snowbound Horror is more enjoyable than an actual ravaging by the Yeti, but not quite as memorable. It’s a lot more fun than the rating below might suggest, but it would be dishonest of me to say it hasn’t run thin after several listens. If you value gore and grit above all in your death metal, Ravaged by the Yeti might be your picnic. But as a whole artistic package, Snowbound Horror goes by in a blur, hitting hard during its time but leaving little impact in its wake. When I get mangled and masticated by a cryptid, that’s not the story I want to share afterwards.

Rating: Mixed
DR: 8 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: facebook.com/RavagedbytheYeti | ravagedbytheyeti.bandcamp.com
Releases Worldwide: July 10th, 2026

Unfortunately for this review, I have not been ravaged by the Yeti before. But if it’s anything like what happens when you make one too many White Wizzard jokes around Steel Druhm, then it must be a ruthless and altogether ungraceful experience. If so, then Sweden’s Ravaged by the Yeti do the experience justice. Yet another project of guitarist/vocalist Rogga Johansson (Paganizer, Ribspreader, among many, many others), Ravaged by the Yeti first unleashed their Yeti-themed grind-infused death metal on 2023’s Apex Predator. In 2026, they return with a fresh lineup of Johansson, bassist Mike Borders (ex-Massacre), and drummer Jon Rudin (Monstrous). Snowbound Horror promises savagery, plain and simple. Can Ravaged by the Yeti’s simulacrum of their namesake act prove as memorable as the real deal?

Ravaged by the Yeti do one thing on Snowbound Horror, and that’s spill guts out over the snow. Not their guts, mind you; there’s nothing confessional about this. Through Johansson’s gore-slathered growls, Ravaged by the Yeti treat their listeners to one blood-soaked scene to the next. Himalayan explorers are ripped to pieces (“By the Hand of the Beast”), reduced to slurry (“Human Spoil”), and stuffed in the Abominable Snowman’s freezer (“Frozen Stiff”) before all’s said and done on Snowbound Horror. These savage snippets are captured through Ravaged by the Yeti’s commitment to icy, no-frills death metal. Songs like “Vengeance in Fur” and “Death by Icicle” flex big riffs and punchy kicks while never letting up on the bludgeonings. If you only want a heaping helping of violence out of your death metal, or if Frozen Soul’s latest has you hankering for more cold, Ravaged by the Yeti have you covered with Snowbound Horror.

Snowbound Horror lives off meat-headed riffcraft. Raiding Bolt Thrower’s arsenal of heavy groove ordnance, songs like “As Fangs Go Deep,” “Beast Prey,” and “Snowbound Horror” bash and rumble with bestial, straightforward aggression. Apex Predator’s grind influence largely takes a backseat to this death-groove on Snowbound Horror, but songs like “By the Hand of the Beast” and “Tusk of the Yeti” maintain grind’s speed and serrated assault. It helps that Ravaged by the Yeti sport drums with adequate thump and snap to them, a surprisingly dynamic mix, and a guitar tone thick and wet as carrion. Between the riffs and growls, rudimentary guitar leads spring up from time to time (“Human Spoil,” “They Came through the Cold”) along with the occasional slick drum fill (“Tusk of the Yeti”). By now, Johansson can probably write respectable death riffs in his sleep, and Ravaged by the Yeti doesn’t disappoint in this regard.

What does disappoint about Snowbound Horror, however, is its one-note quality. Obviously, Ravaged by the Yeti’s explicit theming limits their creative scope, but Snowbound Horror utilizes too few basic riff shapes and compositions to stay fresh. “Beast Prey” opens with a riff far too similar to the preceding “As Fangs Go Deep”‘s opening riff, and the few solo-esque leads across Snowbound Horror all sit too closely on the same part of the neck. Only “They Came through the Cold” sticks out upon repeat listens, as Ravaged by the Yeti employ a smidge more melody and storytelling focus on this particular tale of terror. For the most part, what could be said about any one song on Snowbound Horror could be just as applicable to any other song. What Ravaged by the Yeti do is fun, but with a very limited set of tools stretched across thirty-five minutes, Snowbound Horror’s grizzly cheek runs cold by the time “Land of Ice and Snow” closes out.

Ravaged by the Yeti’s Snowbound Horror is more enjoyable than an actual ravaging by the Yeti, but not quite as memorable. It’s a lot more fun than the rating below might suggest, but it would be dishonest of me to say it hasn’t run thin after several listens. If you value gore and grit above all in your death metal, Ravaged by the Yeti might be your picnic. But as a whole artistic package, Snowbound Horror goes by in a blur, hitting hard during its time but leaving little impact in its wake. When I get mangled and masticated by a cryptid, that’s not the story I want to share afterwards.

Rating: Mixed
DR: 8 | Format Reviewed: 320 kbps MP3
Label: Testimony Records
Websites: facebook.com/RavagedbytheYeti | ravagedbytheyeti.bandcamp.com
Releases Worldwide: July 10th, 2026

Ten long years passed since Grond released Worship the Kraken, a fun and meaty slab of Bolt Thrower-meets-Autopsy-meets-Lovecraft madness. With such a protracted lull in recording activity, I was sure there was never going to be another Grond record, but lo and behold, The Temple peeked above the horizon just enough for me to catch it on the approach. I quiver with anticipation to see what cosmic horrors await me there.

Grond is the same stomping monstrosity that left the world all those years ago, muscular and be-tentacled as ever. Their Bolt Thrower riffs and nasty bass tone still take center stage, ensuring that any listener’s face scrunches up in grotesque relief (“Weddigen,” “Submergence”). A Temple of Void-like doom/death shroud adorns The Temple in shadowed moods and ominous atmosphere, creating a vastness of scale and stature Worship the Kraken didn’t have (“U-29,” “Dreadnought”). Much like other modern old-school revival acts like Frozen Soul, simplicity is Grond’s best friend, choosing reliable parts and pieces of the death metal arsenal to ensure maximum impact in their songwriting. Thankfully, Grond’s high-fantasy horror theme, frightful guitar pyrotechnics in solos and flourishes (“Dreadnought”), and beefy production help set The Temple apart from contemporary examples of the style and make for a highly engaging 48 minutes.

At first, though, I wasn’t sure if The Temple justified its ten-year incubation period. It’s their slowest, their longest, and arguably their simplest record in terms of structure. I wondered if this meant it offered less substance or weaker engagement. I was wrong. Without sacrificing heft or extremity, Grond doubled down on accessibility and groove to make The Temple their most easily digestible outing thus far (“Pour le Merite,” “Radiant Fury”), but they made considerable effort using accessibility to their advantage. In place of compositional complexity, odd time signatures, or speed, wild lead guitar exhibitionism, gut-punching bass burbles, and clever drum fills abound. This trade, in turn, makes even the most straightforward cuts exciting and distinctive (“The Temple”). Furthermore, revisits uncover even more nifty details and entertaining embellishments—again sourced primarily from the guitar work—that bring depth and charm to The Temple for which initial impressions don’t account.

The Temple boasts many traits and nuances that not only make it a joy to return to, but also help shrink its inflated runtime, yet some areas could still use a trim. At a bloated six-and-a-half minutes, the title track only barely justifies its length with the strength of its guitar work, but would be stronger still with a full minute or so hacked off the first half for brevity. In fact, most of The Temple’s nine tracks toy with that ambitious six-minute barrier. While a vast majority of them don’t feel nearly that long, they all have at least one small grouping of measures that, if culled, wouldn’t detract from the compositions to which they belong (“Weddigen,” “Dark Solitude of the Sea,” “U-29”). Additionally, instrumental intro “Rotter Himmel” adds very little to the whole except to tumble right into the opener proper. At three minutes, it begs either to be nipped, tucked, and integrated into “Weddigen,” or to be cut altogether.

Aside from a spot of bloat, there’s a lot to enjoy in The Temple. It’s a rare kind of classically informed, doom-tinged, mid-paced death metal that grows with every spin. Grond achieved that grower status with their third LP, and it was worth the ten-year wait. It might not be a groundbreaking album, but competes well in its field and pairs very nicely with other Lovecraft-inspired death metal from the likes of Sulphur Aeon or Corpsessed. So if that’s your bag, Grond’s your monster. Choose your vessel, and enter the gate The Temple!

Rating: Very Good
DR: 5 | Format Reviewed: ~260 kbps VBR mp3
Label: XTreem Music
Websites: grond.bandcamp.com | facebook.com/grondrus
Releases Worldwide: April 30th, 2026

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OBITUARY Teams With Pabst Blue Ribbon For A New Beer Cooler
We'll take one, please and thank you.

https://metalinjection.net/metal-merch/obituary-teams-with-pabst-blue-ribbon-for-a-new-beer-cooler

#Obituary #PabstBlueRibbon #KangaCoolers #BeerCooler #MetalMerch #TourDates #CannibalCorpse #AmonAmarth #FrozenSoul #MerchCollaboration #ExclusiveDesign #LimitedEdition #Thirsty #ColdBeer #DeathMetal