#grond — Public Fediverse posts

https://www.europesays.com/dk/91916/ LEGO Lord of the Rings 40893 Grond (Grond! Grond!) Gift With Purchase [Review] – The Brothers Brick #Grond #lego #LEGOGroup #LegoIcons #LordOfTheRings #MinasTirith #reviews

Zonneschijn en Droge Grond!

Hallo, lieve vrienden! 🐦 Vandaag gaan we samen fladderen door ons avontuur over zonneschijn en droge grond! Ben je er klaar voor? Ik zie al die nieuwsgierige oogjes! 👀✨

Wat is Zonneschijn? ☀️

Zo...

🌞 Leer verder: https://leeralles.nl/zonneschijn-en-droge-grond/?feed_id=23643

#DROGE #GROND #ZONNESCHIJN
https://leeralles.nl/zonneschijn-en-droge-grond/?feed_id=23643

Grond – The Temple Review

Ten long years passed since Grond released Worship the Kraken, a fun and meaty slab of Bolt Thrower-meets-Autopsy-meets-Lovecraft…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.5 #Apr26 #autopsy #BoltThrower #Corpsessed #DeathDoom #DeathMetal #Entertainment #frozensoul #Grond #review #reviews #RussianMetal #SulphurAeon #TempleofVoid #TheTemple #XtreemMusic
https://www.newsbeep.com/us/627054/

Grond – The Temple Review

Ten long years passed since Grond released Worship the Kraken, a fun and meaty slab of Bolt Thrower-meets-Autopsy-meets-Lovecraft…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.5 #Apr26 #autopsy #BoltThrower #Corpsessed #DeathDoom #DeathMetal #Entertainment #frozensoul #Grond #review #reviews #RussianMetal #SulphurAeon #TempleofVoid #TheTemple #XtreemMusic
https://www.newsbeep.com/us/627054/

Ten long years passed since Grond released Worship the Kraken, a fun and meaty slab of Bolt Thrower-meets-Autopsy-meets-Lovecraft madness. With such a protracted lull in recording activity, I was sure there was never going to be another Grond record, but lo and behold, The Temple peeked above the horizon just enough for me to catch it on the approach. I quiver with anticipation to see what cosmic horrors await me there.

Grond is the same stomping monstrosity that left the world all those years ago, muscular and be-tentacled as ever. Their Bolt Thrower riffs and nasty bass tone still take center stage, ensuring that any listener’s face scrunches up in grotesque relief (“Weddigen,” “Submergence”). A Temple of Void-like doom/death shroud adorns The Temple in shadowed moods and ominous atmosphere, creating a vastness of scale and stature Worship the Kraken didn’t have (“U-29,” “Dreadnought”). Much like other modern old-school revival acts like Frozen Soul, simplicity is Grond’s best friend, choosing reliable parts and pieces of the death metal arsenal to ensure maximum impact in their songwriting. Thankfully, Grond’s high-fantasy horror theme, frightful guitar pyrotechnics in solos and flourishes (“Dreadnought”), and beefy production help set The Temple apart from contemporary examples of the style and make for a highly engaging 48 minutes.

At first, though, I wasn’t sure if The Temple justified its ten-year incubation period. It’s their slowest, their longest, and arguably their simplest record in terms of structure. I wondered if this meant it offered less substance or weaker engagement. I was wrong. Without sacrificing heft or extremity, Grond doubled down on accessibility and groove to make The Temple their most easily digestible outing thus far (“Pour le Merite,” “Radiant Fury”), but they made considerable effort using accessibility to their advantage. In place of compositional complexity, odd time signatures, or speed, wild lead guitar exhibitionism, gut-punching bass burbles, and clever drum fills abound. This trade, in turn, makes even the most straightforward cuts exciting and distinctive (“The Temple”). Furthermore, revisits uncover even more nifty details and entertaining embellishments—again sourced primarily from the guitar work—that bring depth and charm to The Temple for which initial impressions don’t account.

The Temple boasts many traits and nuances that not only make it a joy to return to, but also help shrink its inflated runtime, yet some areas could still use a trim. At a bloated six-and-a-half minutes, the title track only barely justifies its length with the strength of its guitar work, but would be stronger still with a full minute or so hacked off the first half for brevity. In fact, most of The Temple’s nine tracks toy with that ambitious six-minute barrier. While a vast majority of them don’t feel nearly that long, they all have at least one small grouping of measures that, if culled, wouldn’t detract from the compositions to which they belong (“Weddigen,” “Dark Solitude of the Sea,” “U-29”). Additionally, instrumental intro “Rotter Himmel” adds very little to the whole except to tumble right into the opener proper. At three minutes, it begs either to be nipped, tucked, and integrated into “Weddigen,” or to be cut altogether.

Aside from a spot of bloat, there’s a lot to enjoy in The Temple. It’s a rare kind of classically informed, doom-tinged, mid-paced death metal that grows with every spin. Grond achieved that grower status with their third LP, and it was worth the ten-year wait. It might not be a groundbreaking album, but competes well in its field and pairs very nicely with other Lovecraft-inspired death metal from the likes of Sulphur Aeon or Corpsessed. So if that’s your bag, Grond’s your monster. Choose your vessel, and enter the gate The Temple!

Rating: Very Good
DR: 5 | Format Reviewed: ~260 kbps VBR mp3
Label: XTreem Music
Websites: grond.bandcamp.com | facebook.com/grondrus
Releases Worldwide: April 30th, 2026

Ten long years passed since Grond released Worship the Kraken, a fun and meaty slab of Bolt Thrower-meets-Autopsy-meets-Lovecraft madness. With such a protracted lull in recording activity, I was sure there was never going to be another Grond record, but lo and behold, The Temple peeked above the horizon just enough for me to catch it on the approach. I quiver with anticipation to see what cosmic horrors await me there.

Grond is the same stomping monstrosity that left the world all those years ago, muscular and be-tentacled as ever. Their Bolt Thrower riffs and nasty bass tone still take center stage, ensuring that any listener’s face scrunches up in grotesque relief (“Weddigen,” “Submergence”). A Temple of Void-like doom/death shroud adorns The Temple in shadowed moods and ominous atmosphere, creating a vastness of scale and stature Worship the Kraken didn’t have (“U-29,” “Dreadnought”). Much like other modern old-school revival acts like Frozen Soul, simplicity is Grond’s best friend, choosing reliable parts and pieces of the death metal arsenal to ensure maximum impact in their songwriting. Thankfully, Grond’s high-fantasy horror theme, frightful guitar pyrotechnics in solos and flourishes (“Dreadnought”), and beefy production help set The Temple apart from contemporary examples of the style and make for a highly engaging 48 minutes.

At first, though, I wasn’t sure if The Temple justified its ten-year incubation period. It’s their slowest, their longest, and arguably their simplest record in terms of structure. I wondered if this meant it offered less substance or weaker engagement. I was wrong. Without sacrificing heft or extremity, Grond doubled down on accessibility and groove to make The Temple their most easily digestible outing thus far (“Pour le Merite,” “Radiant Fury”), but they made considerable effort using accessibility to their advantage. In place of compositional complexity, odd time signatures, or speed, wild lead guitar exhibitionism, gut-punching bass burbles, and clever drum fills abound. This trade, in turn, makes even the most straightforward cuts exciting and distinctive (“The Temple”). Furthermore, revisits uncover even more nifty details and entertaining embellishments—again sourced primarily from the guitar work—that bring depth and charm to The Temple for which initial impressions don’t account.

The Temple boasts many traits and nuances that not only make it a joy to return to, but also help shrink its inflated runtime, yet some areas could still use a trim. At a bloated six-and-a-half minutes, the title track only barely justifies its length with the strength of its guitar work, but would be stronger still with a full minute or so hacked off the first half for brevity. In fact, most of The Temple’s nine tracks toy with that ambitious six-minute barrier. While a vast majority of them don’t feel nearly that long, they all have at least one small grouping of measures that, if culled, wouldn’t detract from the compositions to which they belong (“Weddigen,” “Dark Solitude of the Sea,” “U-29”). Additionally, instrumental intro “Rotter Himmel” adds very little to the whole except to tumble right into the opener proper. At three minutes, it begs either to be nipped, tucked, and integrated into “Weddigen,” or to be cut altogether.

Aside from a spot of bloat, there’s a lot to enjoy in The Temple. It’s a rare kind of classically informed, doom-tinged, mid-paced death metal that grows with every spin. Grond achieved that grower status with their third LP, and it was worth the ten-year wait. It might not be a groundbreaking album, but competes well in its field and pairs very nicely with other Lovecraft-inspired death metal from the likes of Sulphur Aeon or Corpsessed. So if that’s your bag, Grond’s your monster. Choose your vessel, and enter the gate The Temple!

Rating: Very Good
DR: 5 | Format Reviewed: ~260 kbps VBR mp3
Label: XTreem Music
Websites: grond.bandcamp.com | facebook.com/grondrus
Releases Worldwide: April 30th, 2026

Ten long years passed since Grond released Worship the Kraken, a fun and meaty slab of Bolt Thrower-meets-Autopsy-meets-Lovecraft madness. With such a protracted lull in recording activity, I was sure there was never going to be another Grond record, but lo and behold, The Temple peeked above the horizon just enough for me to catch it on the approach. I quiver with anticipation to see what cosmic horrors await me there.

Grond is the same stomping monstrosity that left the world all those years ago, muscular and be-tentacled as ever. Their Bolt Thrower riffs and nasty bass tone still take center stage, ensuring that any listener’s face scrunches up in grotesque relief (“Weddigen,” “Submergence”). A Temple of Void-like doom/death shroud adorns The Temple in shadowed moods and ominous atmosphere, creating a vastness of scale and stature Worship the Kraken didn’t have (“U-29,” “Dreadnought”). Much like other modern old-school revival acts like Frozen Soul, simplicity is Grond’s best friend, choosing reliable parts and pieces of the death metal arsenal to ensure maximum impact in their songwriting. Thankfully, Grond’s high-fantasy horror theme, frightful guitar pyrotechnics in solos and flourishes (“Dreadnought”), and beefy production help set The Temple apart from contemporary examples of the style and make for a highly engaging 48 minutes.

At first, though, I wasn’t sure if The Temple justified its ten-year incubation period. It’s their slowest, their longest, and arguably their simplest record in terms of structure. I wondered if this meant it offered less substance or weaker engagement. I was wrong. Without sacrificing heft or extremity, Grond doubled down on accessibility and groove to make The Temple their most easily digestible outing thus far (“Pour le Merite,” “Radiant Fury”), but they made considerable effort using accessibility to their advantage. In place of compositional complexity, odd time signatures, or speed, wild lead guitar exhibitionism, gut-punching bass burbles, and clever drum fills abound. This trade, in turn, makes even the most straightforward cuts exciting and distinctive (“The Temple”). Furthermore, revisits uncover even more nifty details and entertaining embellishments—again sourced primarily from the guitar work—that bring depth and charm to The Temple for which initial impressions don’t account.

The Temple boasts many traits and nuances that not only make it a joy to return to, but also help shrink its inflated runtime, yet some areas could still use a trim. At a bloated six-and-a-half minutes, the title track only barely justifies its length with the strength of its guitar work, but would be stronger still with a full minute or so hacked off the first half for brevity. In fact, most of The Temple’s nine tracks toy with that ambitious six-minute barrier. While a vast majority of them don’t feel nearly that long, they all have at least one small grouping of measures that, if culled, wouldn’t detract from the compositions to which they belong (“Weddigen,” “Dark Solitude of the Sea,” “U-29”). Additionally, instrumental intro “Rotter Himmel” adds very little to the whole except to tumble right into the opener proper. At three minutes, it begs either to be nipped, tucked, and integrated into “Weddigen,” or to be cut altogether.

Aside from a spot of bloat, there’s a lot to enjoy in The Temple. It’s a rare kind of classically informed, doom-tinged, mid-paced death metal that grows with every spin. Grond achieved that grower status with their third LP, and it was worth the ten-year wait. It might not be a groundbreaking album, but competes well in its field and pairs very nicely with other Lovecraft-inspired death metal from the likes of Sulphur Aeon or Corpsessed. So if that’s your bag, Grond’s your monster. Choose your vessel, and enter the gate The Temple!

Rating: Very Good
DR: 5 | Format Reviewed: ~260 kbps VBR mp3
Label: XTreem Music
Websites: grond.bandcamp.com | facebook.com/grondrus
Releases Worldwide: April 30th, 2026

Ten long years passed since Grond released Worship the Kraken, a fun and meaty slab of Bolt Thrower-meets-Autopsy-meets-Lovecraft madness. With such a protracted lull in recording activity, I was sure there was never going to be another Grond record, but lo and behold, The Temple peeked above the horizon just enough for me to catch it on the approach. I quiver with anticipation to see what cosmic horrors await me there.

Grond is the same stomping monstrosity that left the world all those years ago, muscular and be-tentacled as ever. Their Bolt Thrower riffs and nasty bass tone still take center stage, ensuring that any listener’s face scrunches up in grotesque relief (“Weddigen,” “Submergence”). A Temple of Void-like doom/death shroud adorns The Temple in shadowed moods and ominous atmosphere, creating a vastness of scale and stature Worship the Kraken didn’t have (“U-29,” “Dreadnought”). Much like other modern old-school revival acts like Frozen Soul, simplicity is Grond’s best friend, choosing reliable parts and pieces of the death metal arsenal to ensure maximum impact in their songwriting. Thankfully, Grond’s high-fantasy horror theme, frightful guitar pyrotechnics in solos and flourishes (“Dreadnought”), and beefy production help set The Temple apart from contemporary examples of the style and make for a highly engaging 48 minutes.

At first, though, I wasn’t sure if The Temple justified its ten-year incubation period. It’s their slowest, their longest, and arguably their simplest record in terms of structure. I wondered if this meant it offered less substance or weaker engagement. I was wrong. Without sacrificing heft or extremity, Grond doubled down on accessibility and groove to make The Temple their most easily digestible outing thus far (“Pour le Merite,” “Radiant Fury”), but they made considerable effort using accessibility to their advantage. In place of compositional complexity, odd time signatures, or speed, wild lead guitar exhibitionism, gut-punching bass burbles, and clever drum fills abound. This trade, in turn, makes even the most straightforward cuts exciting and distinctive (“The Temple”). Furthermore, revisits uncover even more nifty details and entertaining embellishments—again sourced primarily from the guitar work—that bring depth and charm to The Temple for which initial impressions don’t account.

The Temple boasts many traits and nuances that not only make it a joy to return to, but also help shrink its inflated runtime, yet some areas could still use a trim. At a bloated six-and-a-half minutes, the title track only barely justifies its length with the strength of its guitar work, but would be stronger still with a full minute or so hacked off the first half for brevity. In fact, most of The Temple’s nine tracks toy with that ambitious six-minute barrier. While a vast majority of them don’t feel nearly that long, they all have at least one small grouping of measures that, if culled, wouldn’t detract from the compositions to which they belong (“Weddigen,” “Dark Solitude of the Sea,” “U-29”). Additionally, instrumental intro “Rotter Himmel” adds very little to the whole except to tumble right into the opener proper. At three minutes, it begs either to be nipped, tucked, and integrated into “Weddigen,” or to be cut altogether.

Aside from a spot of bloat, there’s a lot to enjoy in The Temple. It’s a rare kind of classically informed, doom-tinged, mid-paced death metal that grows with every spin. Grond achieved that grower status with their third LP, and it was worth the ten-year wait. It might not be a groundbreaking album, but competes well in its field and pairs very nicely with other Lovecraft-inspired death metal from the likes of Sulphur Aeon or Corpsessed. So if that’s your bag, Grond’s your monster. Choose your vessel, and enter the gate The Temple!

Rating: Very Good
DR: 5 | Format Reviewed: ~260 kbps VBR mp3
Label: XTreem Music
Websites: grond.bandcamp.com | facebook.com/grondrus
Releases Worldwide: April 30th, 2026

Ten long years passed since Grond released Worship the Kraken, a fun and meaty slab of Bolt Thrower-meets-Autopsy-meets-Lovecraft madness. With such a protracted lull in recording activity, I was sure there was never going to be another Grond record, but lo and behold, The Temple peeked above the horizon just enough for me to catch it on the approach. I quiver with anticipation to see what cosmic horrors await me there.

Grond is the same stomping monstrosity that left the world all those years ago, muscular and be-tentacled as ever. Their Bolt Thrower riffs and nasty bass tone still take center stage, ensuring that any listener’s face scrunches up in grotesque relief (“Weddigen,” “Submergence”). A Temple of Void-like doom/death shroud adorns The Temple in shadowed moods and ominous atmosphere, creating a vastness of scale and stature Worship the Kraken didn’t have (“U-29,” “Dreadnought”). Much like other modern old-school revival acts like Frozen Soul, simplicity is Grond’s best friend, choosing reliable parts and pieces of the death metal arsenal to ensure maximum impact in their songwriting. Thankfully, Grond’s high-fantasy horror theme, frightful guitar pyrotechnics in solos and flourishes (“Dreadnought”), and beefy production help set The Temple apart from contemporary examples of the style and make for a highly engaging 48 minutes.

At first, though, I wasn’t sure if The Temple justified its ten-year incubation period. It’s their slowest, their longest, and arguably their simplest record in terms of structure. I wondered if this meant it offered less substance or weaker engagement. I was wrong. Without sacrificing heft or extremity, Grond doubled down on accessibility and groove to make The Temple their most easily digestible outing thus far (“Pour le Merite,” “Radiant Fury”), but they made considerable effort using accessibility to their advantage. In place of compositional complexity, odd time signatures, or speed, wild lead guitar exhibitionism, gut-punching bass burbles, and clever drum fills abound. This trade, in turn, makes even the most straightforward cuts exciting and distinctive (“The Temple”). Furthermore, revisits uncover even more nifty details and entertaining embellishments—again sourced primarily from the guitar work—that bring depth and charm to The Temple for which initial impressions don’t account.

The Temple boasts many traits and nuances that not only make it a joy to return to, but also help shrink its inflated runtime, yet some areas could still use a trim. At a bloated six-and-a-half minutes, the title track only barely justifies its length with the strength of its guitar work, but would be stronger still with a full minute or so hacked off the first half for brevity. In fact, most of The Temple’s nine tracks toy with that ambitious six-minute barrier. While a vast majority of them don’t feel nearly that long, they all have at least one small grouping of measures that, if culled, wouldn’t detract from the compositions to which they belong (“Weddigen,” “Dark Solitude of the Sea,” “U-29”). Additionally, instrumental intro “Rotter Himmel” adds very little to the whole except to tumble right into the opener proper. At three minutes, it begs either to be nipped, tucked, and integrated into “Weddigen,” or to be cut altogether.

Aside from a spot of bloat, there’s a lot to enjoy in The Temple. It’s a rare kind of classically informed, doom-tinged, mid-paced death metal that grows with every spin. Grond achieved that grower status with their third LP, and it was worth the ten-year wait. It might not be a groundbreaking album, but competes well in its field and pairs very nicely with other Lovecraft-inspired death metal from the likes of Sulphur Aeon or Corpsessed. So if that’s your bag, Grond’s your monster. Choose your vessel, and enter the gate The Temple!

Rating: Very Good
DR: 5 | Format Reviewed: ~260 kbps VBR mp3
Label: XTreem Music
Websites: grond.bandcamp.com | facebook.com/grondrus
Releases Worldwide: April 30th, 2026

I wouldn't even hestitate

https://piefed.social/c/lotrmemes/p/2035226/i-wouldn-t-even-hestitate

I wouldn't even hestitate

I wouldn't even hestitate

I wouldn't even hestitate

https://piefed.social/c/lotrmemes/p/2035226/i-wouldn-t-even-hestitate

I wouldn't even hestitate

https://piefed.social/c/lotrmemes/p/2035226/i-wouldn-t-even-hestitate

GROND (Rússia) presenta nou àlbum: "The Temple" #Grond #DeathMetal #Abril2026 #Rússia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

GROND (Rússia) presenta nou àlbum: "The Temple" #Grond #DeathMetal #Abril2026 #Rússia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

New post: Album Review: Grond – The Temple https://moshville.co.uk/reviews/album-review/2026/04/album-review-grond-the-temple/ #Grond

New post: Album Review: Grond – The Temple https://moshville.co.uk/reviews/album-review/2026/04/album-review-grond-the-temple/ #Grond

New post: Album Review: Grond – The Temple https://moshville.co.uk/reviews/album-review/2026/04/album-review-grond-the-temple/ #Grond

#Lood in de #grond van #Amsterdam. Zorgwekkend en er wordt toch te licht over gedacht. Het is vooral #schadelijk voor #kinderen, omdat het hun ontwikkeling kan verstoren. Gevaarlijk dus. En dus ook oppassen met #volkstuintjes en wat je daarvan eet.

DeNieuwePolitiek.com #denieuwepolitiek #lijst33
jouw breekijzer voor een menselijke stad

#18maart2026 #gemeenteraadsverkiezingen #gemeenteraadsverkiezingen2026

https://www.linkedin.com/feed/update/urn:li:activity:7439824850560569344

#Lood in de #grond van #Amsterdam. Zorgwekkend en er wordt toch te licht over gedacht. Het is vooral #schadelijk voor #kinderen, omdat het hun ontwikkeling kan verstoren. Gevaarlijk dus. En dus ook oppassen met #volkstuintjes en wat je daarvan eet.

DeNieuwePolitiek.com #denieuwepolitiek #lijst33
jouw breekijzer voor een menselijke stad

#18maart2026 #gemeenteraadsverkiezingen #gemeenteraadsverkiezingen2026

https://www.linkedin.com/feed/update/urn:li:activity:7439405477664399362

GROND

https://piefed.social/c/lotrmemes/p/1791634/grond

GROND

GROND

GROND

Krijn Poppe (Rli): “Wij constateren dat er heel veel geld de #grond in gaat, maar dat dit geld dadelijk niet meer beschikbaar is voor nieuwe stallen of andere verduurzamingsprojecten. Er is de afgelopen jaren van de grond in het landelijk gebied een beleggingsmodel gemaakt.”
https://www.gebiedsontwikkeling.nu/artikelen/rli-de-rol-die-grond-speelt-in-het-landelijk-gebied-moet-en-kan-veranderen/

Krijn Poppe (Rli): “Wij constateren dat er heel veel geld de #grond in gaat, maar dat dit geld dadelijk niet meer beschikbaar is voor nieuwe stallen of andere verduurzamingsprojecten. Er is de afgelopen jaren van de grond in het landelijk gebied een beleggingsmodel gemaakt.”
https://www.gebiedsontwikkeling.nu/artikelen/rli-de-rol-die-grond-speelt-in-het-landelijk-gebied-moet-en-kan-veranderen/

Krijn Poppe (Rli): “Wij constateren dat er heel veel geld de #grond in gaat, maar dat dit geld dadelijk niet meer beschikbaar is voor nieuwe stallen of andere verduurzamingsprojecten. Er is de afgelopen jaren van de grond in het landelijk gebied een beleggingsmodel gemaakt.”
https://www.gebiedsontwikkeling.nu/artikelen/rli-de-rol-die-grond-speelt-in-het-landelijk-gebied-moet-en-kan-veranderen/

Krijn Poppe (Rli): “Wij constateren dat er heel veel geld de #grond in gaat, maar dat dit geld dadelijk niet meer beschikbaar is voor nieuwe stallen of andere verduurzamingsprojecten. Er is de afgelopen jaren van de grond in het landelijk gebied een beleggingsmodel gemaakt.”
https://www.gebiedsontwikkeling.nu/artikelen/rli-de-rol-die-grond-speelt-in-het-landelijk-gebied-moet-en-kan-veranderen/

YOU ALL KNOW THE CHANT

https://piefed.social/c/lotrmemes/p/1717522/you-all-know-the-chant

YOU ALL KNOW THE CHANT

YOU ALL KNOW THE CHANT

YOU ALL KNOW THE CHANT

YOU ALL KNOW THE CHANT

https://piefed.social/c/lotrmemes/p/1717522/you-all-know-the-chant

kalveren in de wei
nieuwe blogpost op reade wjirmen https://readewjirmen.frl/2026/01/23/kalveren-in-de-wei/
ze staan je zo lief aan te kijken – maar wat hebben kalveren met de bodem van het weiland te maken? met hun pootjes houden de bovenste laag open waardoor water en lucht vrij de grond in kunnen stromen – dat heeft de bodem nodig om gezond te zijn en te blijven – dan kunnen […]
#bodem #grond #kalf #kalveren #wormen

kalveren in de wei
nieuwe blogpost op reade wjirmen https://readewjirmen.frl/2026/01/23/kalveren-in-de-wei/
ze staan je zo lief aan te kijken – maar wat hebben kalveren met de bodem van het weiland te maken? met hun pootjes houden de bovenste laag open waardoor water en lucht vrij de grond in kunnen stromen – dat heeft de bodem nodig om gezond te zijn en te blijven – dan kunnen […]
#bodem #grond #kalf #kalveren #wormen

kalveren in de wei
nieuwe blogpost op reade wjirmen https://readewjirmen.frl/2026/01/23/kalveren-in-de-wei/
ze staan je zo lief aan te kijken – maar wat hebben kalveren met de bodem van het weiland te maken? met hun pootjes houden de bovenste laag open waardoor water en lucht vrij de grond in kunnen stromen – dat heeft de bodem nodig om gezond te zijn en te blijven – dan kunnen […]
#bodem #grond #kalf #kalveren #wormen

De Wonderen van de Grond!

Hallo, lieve vrienden! Ik ben Tweety, en ik vlieg zo rond in ons klaslokaal vandaag om jullie alles te vertellen over de wonderen van de grond! 🌱💚 Zijn jullie klaar om met me op avontuur te gaan?...

🌞 Leer verder: https://leeralles.nl/de-wonderen-van-de-grond/?feed_id=18879

#GROND #VAN #WONDEREN

Trillende Grond: Aardbevingen Uitlegd!

Hallo, lieve studenten! Ik ben Tweety, jouw vrolijke vogeltje en gids door de spannende wereld van aardrijkskunde! Vandaag fladder ik om jullie te vertellen over een heel bijzonder onderwerp: aar...

🌞 Leer verder: https://leeralles.nl/trillende-grond-aardbevingen-uitlegd/?feed_id=18479

#AARDBEVINGEN #GROND #TRILLENDE #UITLEGD

Natuur-Dappere Helden: Vrienden voor Schone Grond!

Hallo, jonge ontdekkingsreizigers! 🐱 Ik ben Mauw de Poes, en ik neem jullie mee op een spannend avontuur door de wondere wereld van de natuur! Vandaag gaan we het hebben over iets heel belangrijks...

🌞 Leer verder: https://leeralles.nl/natuur-dappere-helden-vrienden-voor-schone-grond/?feed_id=17151

#GROND #HELDEN #NATUURDAPPERE #SCHONE #VOOR #VRIENDEN

https://www.europesays.com/nl/53528/ Andy van der Meijde gefileerd: “Is hier een storende factor” #Amusement #andy #Celebrities #Dutch #Entertainment #gekomen #Gordon #grond #jordi #krijgt #kritiek #lieve #Nederland #Nederlanden #Nederlands #Netherlands #NL #online #pilot #programma #snapt #staat #TelegraafJournalist #versteegden

https://www.europesays.com/nl/46215/ Boeren investeren vooral in grond via Rabobankfonds | Melkvee.nl #agrarische #bank #Boeren #Business #Commercial #Dutch #duurzame #euro #extensivering #financiering #fonds #groei #grond #innovaties #investeren #miljard #Nederland #Nederlanden #Nederlands #nederlandse #Netherlands #NL #Ondernemers #Rabobank #rabobankfonds #sterke #verduurzaming #verstrekt #Zakelijk

https://www.europesays.com/nl/38738/ Rotterdam wil huizen bouwen, maar kan erven van grondeigenaar niet vinden #bouwgrond #BreakingNews #BreakingNews #Dutch #erfenissen #FeaturedNews #FeaturedNews #grond #Headlines #Hoofdpunten #LatestNews #LatestNews #Nederland #Nederlanden #Nederlands #Netherlands #News #nieuwbouw #Nieuws #NL #rotterdam #TopStories #TopStories #Voorpaginanieuws #woningen

https://www.europesays.com/nl/38678/ Rotterdam wil huizen bouwen, maar kan erven van grondeigenaar niet vinden #bouwgrond #BreakingNews #BreakingNews #Dutch #erfenissen #FeaturedNews #FeaturedNews #grond #Headlines #Hoofdpunten #LatestNews #LatestNews #Nederland #Nederlanden #Nederlands #Netherlands #News #nieuwbouw #Nieuws #NL #rotterdam #TopStories #TopStories #Voorpaginanieuws #woningen

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#PartijvoordeDieren #vervuiling #groen #verkiezingen2025 #politiek #dieren #dierenmens #dierenrechten #natuur #milieu #klimaatverandering #oceanen #water #grond #vrede #links #progressief #leven #samen #dierproefvrij

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#PartijvoordeDieren #vervuiling #groen #verkiezingen2025 #politiek #dieren #dierenmens #dierenrechten #natuur #milieu #klimaatverandering #oceanen #water #grond #vrede #links #progressief #leven #samen #dierproefvrij

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#PartijvoordeDieren #vervuiling #groen #verkiezingen2025 #politiek #dieren #dierenmens #dierenrechten #natuur #milieu #klimaatverandering #oceanen #water #grond #vrede #links #progressief #leven #samen #dierproefvrij

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#PartijvoordeDieren #vervuiling #groen #verkiezingen2025 #politiek #dieren #dierenmens #dierenrechten #natuur #milieu #klimaatverandering #oceanen #water #grond #vrede #links #progressief #leven #samen #dierproefvrij

'𝗔𝗳𝗿𝗶𝗸𝗮𝗮𝗻𝘀𝗲 𝘀𝘁𝗮𝗺' 𝘂𝗶𝘁 𝗦𝗰𝗵𝗼𝘁𝘀𝗲 𝗻𝗮𝘁𝘂𝘂𝗿 𝗴𝗲𝘇𝗲𝘁, 𝘇𝗲𝗶 '𝗴𝗿𝗼𝗻𝗱 𝘁𝗲𝗿𝘂𝗴 𝘁𝗲 𝗰𝗹𝗮𝗶𝗺𝗲𝗻'

Drie leden van een zelfbenoemde 'Afrikaanse stam' zijn uit de Schotse natuur gezet, waar ze al maandenlang kampeerden. Naar eigen zeggen claimden ze de grond terug van hun voorouders en zou de grond hen door God zijn toegewezen. De stam noemde zichzelf het Koninkrijk van Kubala.

https://www.rtl.nl/nieuws/buitenland/artikel/5531462/schotland-natuur-afrikaanse-stam-uit-gebied-gezet

#Afrikaanse #stam #grond

'𝗔𝗳𝗿𝗶𝗸𝗮𝗮𝗻𝘀𝗲 𝘀𝘁𝗮𝗺' 𝘂𝗶𝘁 𝗦𝗰𝗵𝗼𝘁𝘀𝗲 𝗻𝗮𝘁𝘂𝘂𝗿 𝗴𝗲𝘇𝗲𝘁, 𝘇𝗲𝗶 '𝗴𝗿𝗼𝗻𝗱 𝘁𝗲𝗿𝘂𝗴 𝘁𝗲 𝗰𝗹𝗮𝗶𝗺𝗲𝗻'

Drie leden van een zelfbenoemde 'Afrikaanse stam' zijn uit de Schotse natuur gezet, waar ze al maandenlang kampeerden. Naar eigen zeggen claimden ze de grond terug van hun voorouders en zou de grond hen door God zijn toegewezen. De stam noemde zichzelf het Koninkrijk van Kubala.

https://www.rtl.nl/nieuws/buitenland/artikel/5531462/schotland-natuur-afrikaanse-stam-uit-gebied-gezet

#Afrikaanse #stam #grond