#death-doom — Public Fediverse posts

Into to the Obscure: Cianide – Death, Doom and Destruction

We all have our dark and privileged metal secrets we selfishly keep to ourselves, only sharing with a…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #1997 #AmericanMetal #BoltThrower #Cianide #Death #DeathDoom #DeathDoomandDestruction #DeathMetal #Dismember #Entertainment #IntotheObscure #LostHorizonRecords #review #reviews
https://www.newsbeep.com/us/784178/

Into to the Obscure: Cianide – Death, Doom and Destruction

We all have our dark and privileged metal secrets we selfishly keep to ourselves, only sharing with a…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #1997 #AmericanMetal #BoltThrower #Cianide #Death #DeathDoom #DeathDoomandDestruction #DeathMetal #Dismember #Entertainment #IntotheObscure #LostHorizonRecords #review #reviews
https://www.newsbeep.com/us/784178/

Into to the Obscure: Cianide – Death, Doom and Destruction

We all have our dark and privileged metal secrets we selfishly keep to ourselves, only sharing with a…
#NewsBeep #News #Music #1997 #AmericanMetal #BoltThrower #Cianide #Death #DeathDoom #DeathDoomandDestruction #DeathMetal #Dismember #Entertainment #IntotheObscure #LostHorizonRecords #review #Reviews #UK #UnitedKingdom
https://www.newsbeep.com/uk/710777/

https://www.europesays.com/ie/603920/ Into to the Obscure: Cianide – Death, Doom and Destruction #1997 #AmericanMetal #BoltThrower #Cianide #death #DeathDoom #DeathDoomAndDestruction #DeathMetal #Dismember #Éire #Entertainment #IE #IntoTheObscure #Ireland #LostHorizonRecords #Music #Review #Reviews

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

As AMG readers surely know, death metal and science fiction go together like science and fiction. Foundational and contemporary examples alike confirm that atonal riffing, guttural growling, and machine-gun drumming pair well with spaceships, aliens, and exoplanets. On the surface, Italy’s Into Darkness fit nicely into this milieu—that cover recalls the content of Spheres (Pestilence) and the color palette of The Key (Nocturnus).1 The band insists, however, that they do not play ‘sci-fi’ or ‘spacey’ death metal. Instead, Into Darkness describe Route to the Outer Side, their long-gestating debut album, as timeless death metal with a focus on ‘divulgative astronomy,’ which translates complex science into accessible language. Death metal, too, constitutes its own specialized language, with experts in the Commentariat ready to evaluate this Italian trio’s contribution to the discourse.

Route to the Outer Side took a while to arrive, but it enters the death metal stratosphere with a bang. Formed in 2011, Into Darkness released several demos, splits, and EPs before their first full-length. Doomed Warrior is the ‘Commander’ of this musical mission, handling vocals, a host of guitar duties (rhythm, lead, acoustic), and bass. Santo is ‘Pilot,’ propelling the Into Darkness ship with his dexterous drumming, while Filippo serves as ‘Mission Specialist,’ mixing more guitars into the melee.2 Despite their Italian heritage, Into Darkness claim Dutch death metal as their primary influence. Indeed, the razor-wire tones, thrash-doom fluctuations, and merciless rhythmic assaults recall Asphyx. I’m also reminded of Spiritual Healing-era Death, insofar as Into Darkness illuminates their tried-and-true murkiness with a tech/prog sensibility. For a more contemporary referent, one can cite the elevated nastiness of Horrendous, seeing as the band favors walloping production that isn’t too low-end heavy. The result is a familiar, consistent debut of quality death metal that rips, grooves, and punishes.

The big question is whether its concept elevates Route to the Outer Side. As an exercise in divulgative astronomy, each song emblematizes an object in the outer region of our solar system: the four gas/ice giants, the Kuiper belt, and—of course—little old Pluto. A peek at their lyrics proves that Into Darkness aren’t joking when they describe their songs as ‘divulgative’ (i.e. informative). In opener “Jupiter,” for example, Doomed Warrior shreds a squeal-laden guitar maelstrom while screaming quantitative data about the fifth planet: ‘Its mass alone, heavy might, outweighs what stands beside / Two and a half times the mass of the other planets combined.’ Like much death metal, the lyrics are generally inscrutable; in this way, the lyrics ‘don’t matter,’ as is frequently true in the subgenre. The informative lyrics are unique, however, seeming to map onto melodic shifts and key changes (“Saturn”). This mapping isn’t obvious, though, revealing a potential over-reading on my part.3 Lyrics aside, the songwriting doesn’t quite stick after the mission ends, but each individual journey excites in the moment.

At 41 minutes, Route to the Outer Side comprises a concisely expansive voyage, though it’s hard to see the galaxy for the celestial objects. One might expect the opening quartet of “Jupiter” through “Neptune” to grow increasingly icy; alas, the four giants play out as dynamic yet interchangeable onslaughts. Into Darkness sprinkles black-box-sounding voiceovers throughout, reinforcing the divulgative concept. “Halley” doesn’t feel especially ‘comet-like,’ but “Kuiper Belt” is a nice interlude into “Pluto,” which should be the closer. Its concluding guitar melody (akin to “For Whom the Bell Tolls”) fades out in album-ending fashion, whereas the closing title track is a brief rager that absolutely sounds like liftoff.

Into Darkness have created a debut that should please most fans of death metal. As long as listeners don’t go in expecting it to be cosmic or atmospheric (despite the cover), they’ll be fine. Route to the Outer Side isn’t terribly original, but it’s totally righteous. It also taught me a thing or two about our solar system, which I can’t say is a typical result of consuming death metal. I’ll definitely be looking to the skies for Into Darkness to reappear. Hopefully, the band won’t be like Uranus, taking ‘eighty-four years to reach the end / Of another lone journey.’

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 24th, 2026

Fossilization + Phobocosm + Urza presented by Swamp Conspiracy and DoomShip

Neue Zukunft, Friday, September 4 at 07:00 PM GMT+2

Before Swamp Fest 2026 returns in full force, we’re excited to present you with a killer warm-up show on the Friday of the week before. Fossilization are on tour with Phobocosm and will bring the house down at Neue Zukunft with their dark, atmospherically dense, and technically demanding death metal.

The tour is dedicated to Fossilization’s “Advent Of Wounds,” released in January 2026, and Phobocosm’s “Gateway,” released last year.

Berlin-based funeral-death-doom band Urza will open the evening as the support act. The concert is presented by DoomShip and Swamp Conspiracy—a must-see event for all fans of extreme sounds who want to get in the mood for Swamp Fest.

Fossilization:

http://fossilization.bandcamp.com/

Phobocosm:

https://phobocosm.bandcamp.com/album/rottenatomy

Urza:

https://urza-doom.bandcamp.com/music

VVK 20 EUR

AK 25 EUR

04.09.2026

Neue Zukunft

https://berlin.askapunk.de/event/fossilization-phobocosm-urza-presented-by-swamp-conspiracy-and-doomship

Fossilization + Phobocosm + Urza presented by Swamp Conspiracy and DoomShip

Neue Zukunft, Friday, September 4 at 07:00 PM GMT+2

Before Swamp Fest 2026 returns in full force, we’re excited to present you with a killer warm-up show on the Friday of the week before. Fossilization are on tour with Phobocosm and will bring the house down at Neue Zukunft with their dark, atmospherically dense, and technically demanding death metal.

The tour is dedicated to Fossilization’s “Advent Of Wounds,” released in January 2026, and Phobocosm’s “Gateway,” released last year.

Berlin-based funeral-death-doom band Urza will open the evening as the support act. The concert is presented by DoomShip and Swamp Conspiracy—a must-see event for all fans of extreme sounds who want to get in the mood for Swamp Fest.

Fossilization:

http://fossilization.bandcamp.com/

Phobocosm:

https://phobocosm.bandcamp.com/album/rottenatomy

Urza:

https://urza-doom.bandcamp.com/music

VVK 20 EUR

AK 25 EUR

04.09.2026

Neue Zukunft

https://berlin.askapunk.de/event/fossilization-phobocosm-urza-presented-by-swamp-conspiracy-and-doomship

Fossilization + Phobocosm + Urza presented by Swamp Conspiracy and DoomShip

Neue Zukunft, Friday, September 4 at 07:00 PM GMT+2

Before Swamp Fest 2026 returns in full force, we’re excited to present you with a killer warm-up show on the Friday of the week before. Fossilization are on tour with Phobocosm and will bring the house down at Neue Zukunft with their dark, atmospherically dense, and technically demanding death metal.

The tour is dedicated to Fossilization’s “Advent Of Wounds,” released in January 2026, and Phobocosm’s “Gateway,” released last year.

Berlin-based funeral-death-doom band Urza will open the evening as the support act. The concert is presented by DoomShip and Swamp Conspiracy—a must-see event for all fans of extreme sounds who want to get in the mood for Swamp Fest.

Fossilization:

http://fossilization.bandcamp.com/

Phobocosm:

https://phobocosm.bandcamp.com/album/rottenatomy

Urza:

https://urza-doom.bandcamp.com/music

VVK 20 EUR

AK 25 EUR

04.09.2026

Neue Zukunft

https://berlin.askapunk.de/event/fossilization-phobocosm-urza-presented-by-swamp-conspiracy-and-doomship

Fossilization + Phobocosm + Urza presented by Swamp Conspiracy and DoomShip

Neue Zukunft, Friday, September 4 at 07:00 PM GMT+2

Before Swamp Fest 2026 returns in full force, we’re excited to present you with a killer warm-up show on the Friday of the week before. Fossilization are on tour with Phobocosm and will bring the house down at Neue Zukunft with their dark, atmospherically dense, and technically demanding death metal.

The tour is dedicated to Fossilization’s “Advent Of Wounds,” released in January 2026, and Phobocosm’s “Gateway,” released last year.

Berlin-based funeral-death-doom band Urza will open the evening as the support act. The concert is presented by DoomShip and Swamp Conspiracy—a must-see event for all fans of extreme sounds who want to get in the mood for Swamp Fest.

Fossilization:

http://fossilization.bandcamp.com/

Phobocosm:

https://phobocosm.bandcamp.com/album/rottenatomy

Urza:

https://urza-doom.bandcamp.com/music

VVK 20 EUR

AK 25 EUR

04.09.2026

Neue Zukunft

https://berlin.askapunk.de/event/fossilization-phobocosm-urza-presented-by-swamp-conspiracy-and-doomship

Sundrowner Fest V presented by Swamp Conspiracy

52grad-e.V., Friday, July 24 at 07:00 PM GMT+2

Save the date for the fifth Sundrowner Fest in Berlin! This year including a cozy warm up day!

Since the past few years have been pretty crowded, we’re selling advance tickets for the first time this year. These are limited to 111, as they include the Warm-Up Day at Neue Zukunft Garage, where space is limited. If those sell out, there will still be tickets available at the door on Saturday for the Pumptrack Open Air.

https://www.tixforgigs.com/Event/74688/

https://52grad.org/uncategorized/232/

With:

Friday at Neue Zukunft (Garage)

Doors: 19:00

Start: 20:00

Lares (Psychedelic Black Doom from Berlin)

https://lares.bandcamp.com/album/et-in-arcadia-ego

WAR (Heavy Doomgaze from Leipzig)

https://venividiwar.bandcamp.com/album/venividiwar

Bees Made Honey in the Vein Tree (Experimental Post Metal from Stuttgart!)

https://beesmadehoneyintheveintree.bandcamp.com/

________________________________________________

Saturday at Sonnendeck am Pumptrack (52 Grad e.V.)

Doors: 16:20

Start: 17:00

Endonomos (Funeral Death Doom from Salzburg)

https://endonomos.bandcamp.com/

Thoughts: (Instrumental Post Metal from Rostock)

https://officialthoughts.bandcamp.com/album/of-the-radiant-void

Crowskin (Noisy SldugeCore from Potsdam)

https://crowskin.bandcamp.com/music

Fuchur (Saxy Noise Sludge from Berlin)

https://fuchur.bandcamp.com/

Yanos( Doomy Post Hardcore from Leipzig)

https://yanos.bandcamp.com/album/elysium

https://berlin.askapunk.de/event/sundrowner-fest-v-presented-by-swamp-conspiracy

Sundrowner Fest V presented by Swamp Conspiracy

52grad-e.V., Friday, July 24 at 07:00 PM GMT+2

Save the date for the fifth Sundrowner Fest in Berlin! This year including a cozy warm up day!

Since the past few years have been pretty crowded, we’re selling advance tickets for the first time this year. These are limited to 111, as they include the Warm-Up Day at Neue Zukunft Garage, where space is limited. If those sell out, there will still be tickets available at the door on Saturday for the Pumptrack Open Air.

https://www.tixforgigs.com/Event/74688/

https://52grad.org/uncategorized/232/

With:

Friday at Neue Zukunft (Garage)

Doors: 19:00

Start: 20:00

Lares (Psychedelic Black Doom from Berlin)

https://lares.bandcamp.com/album/et-in-arcadia-ego

WAR (Heavy Doomgaze from Leipzig)

https://venividiwar.bandcamp.com/album/venividiwar

Bees Made Honey in the Vein Tree (Experimental Post Metal from Stuttgart!)

https://beesmadehoneyintheveintree.bandcamp.com/

________________________________________________

Saturday at Sonnendeck am Pumptrack (52 Grad e.V.)

Doors: 16:20

Start: 17:00

Endonomos (Funeral Death Doom from Salzburg)

https://endonomos.bandcamp.com/

Thoughts: (Instrumental Post Metal from Rostock)

https://officialthoughts.bandcamp.com/album/of-the-radiant-void

Crowskin (Noisy SldugeCore from Potsdam)

https://crowskin.bandcamp.com/music

Fuchur (Saxy Noise Sludge from Berlin)

https://fuchur.bandcamp.com/

Yanos( Doomy Post Hardcore from Leipzig)

https://yanos.bandcamp.com/album/elysium

https://berlin.askapunk.de/event/sundrowner-fest-v-presented-by-swamp-conspiracy

Sundrowner Fest V presented by Swamp Conspiracy

52grad-e.V., Friday, July 24 at 07:00 PM GMT+2

Save the date for the fifth Sundrowner Fest in Berlin! This year including a cozy warm up day!

Since the past few years have been pretty crowded, we’re selling advance tickets for the first time this year. These are limited to 111, as they include the Warm-Up Day at Neue Zukunft Garage, where space is limited. If those sell out, there will still be tickets available at the door on Saturday for the Pumptrack Open Air.

https://www.tixforgigs.com/Event/74688/

https://52grad.org/uncategorized/232/

With:

Friday at Neue Zukunft (Garage)

Doors: 19:00

Start: 20:00

Lares (Psychedelic Black Doom from Berlin)

https://lares.bandcamp.com/album/et-in-arcadia-ego

WAR (Heavy Doomgaze from Leipzig)

https://venividiwar.bandcamp.com/album/venividiwar

Bees Made Honey in the Vein Tree (Experimental Post Metal from Stuttgart!)

https://beesmadehoneyintheveintree.bandcamp.com/

________________________________________________

Saturday at Sonnendeck am Pumptrack (52 Grad e.V.)

Doors: 16:20

Start: 17:00

Endonomos (Funeral Death Doom from Salzburg)

https://endonomos.bandcamp.com/

Thoughts: (Instrumental Post Metal from Rostock)

https://officialthoughts.bandcamp.com/album/of-the-radiant-void

Crowskin (Noisy SldugeCore from Potsdam)

https://crowskin.bandcamp.com/music

Fuchur (Saxy Noise Sludge from Berlin)

https://fuchur.bandcamp.com/

Yanos( Doomy Post Hardcore from Leipzig)

https://yanos.bandcamp.com/album/elysium

https://berlin.askapunk.de/event/sundrowner-fest-v-presented-by-swamp-conspiracy

Sundrowner Fest V presented by Swamp Conspiracy

52grad-e.V., Friday, July 24 at 07:00 PM GMT+2

Save the date for the fifth Sundrowner Fest in Berlin! This year including a cozy warm up day!

Since the past few years have been pretty crowded, we’re selling advance tickets for the first time this year. These are limited to 111, as they include the Warm-Up Day at Neue Zukunft Garage, where space is limited. If those sell out, there will still be tickets available at the door on Saturday for the Pumptrack Open Air.

https://www.tixforgigs.com/Event/74688/

https://52grad.org/uncategorized/232/

With:

Friday at Neue Zukunft (Garage)

Doors: 19:00

Start: 20:00

Lares (Psychedelic Black Doom from Berlin)

https://lares.bandcamp.com/album/et-in-arcadia-ego

WAR (Heavy Doomgaze from Leipzig)

https://venividiwar.bandcamp.com/album/venividiwar

Bees Made Honey in the Vein Tree (Experimental Post Metal from Stuttgart!)

https://beesmadehoneyintheveintree.bandcamp.com/

________________________________________________

Saturday at Sonnendeck am Pumptrack (52 Grad e.V.)

Doors: 16:20

Start: 17:00

Endonomos (Funeral Death Doom from Salzburg)

https://endonomos.bandcamp.com/

Thoughts: (Instrumental Post Metal from Rostock)

https://officialthoughts.bandcamp.com/album/of-the-radiant-void

Crowskin (Noisy SldugeCore from Potsdam)

https://crowskin.bandcamp.com/music

Fuchur (Saxy Noise Sludge from Berlin)

https://fuchur.bandcamp.com/

Yanos( Doomy Post Hardcore from Leipzig)

https://yanos.bandcamp.com/album/elysium

https://berlin.askapunk.de/event/sundrowner-fest-v-presented-by-swamp-conspiracy

Niveous – Cult of the Void Star
#BlackMetal #BlackenedDeathMetal #MelodicBlackMetal #Metal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/cult-of-the-void-star

Niveous – Cult of the Void Star
#BlackMetal #BlackenedDeathMetal #MelodicBlackMetal #Metal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/cult-of-the-void-star

Niveous – Cult of the Void Star
#BlackMetal #BlackenedDeathMetal #MelodicBlackMetal #Metal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/cult-of-the-void-star

Niveous – Cult of the Void Star
#BlackMetal #BlackenedDeathMetal #MelodicBlackMetal #Metal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/cult-of-the-void-star

Niveous – Cult of the Void Star
#BlackMetal #BlackenedDeathMetal #MelodicBlackMetal #Metal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/cult-of-the-void-star

Wills Dissolve – The Heavens Are Not On Fire...
#BlackMetal #Metal #Opeth #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #novembersdoom #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/the-heavens-are-not-on-fire

Wills Dissolve – The Heavens Are Not On Fire...
#BlackMetal #Metal #Opeth #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #novembersdoom #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/the-heavens-are-not-on-fire

Wills Dissolve – The Heavens Are Not On Fire...
#BlackMetal #Metal #Opeth #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #novembersdoom #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/the-heavens-are-not-on-fire

Wills Dissolve – The Heavens Are Not On Fire...
#BlackMetal #Metal #Opeth #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #novembersdoom #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/the-heavens-are-not-on-fire

Wills Dissolve – The Heavens Are Not On Fire...
#BlackMetal #Metal #Opeth #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #novembersdoom #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/the-heavens-are-not-on-fire

Sertraline – From Both Our Hands
#BlackMetal #Metal #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/from-both-our-hands-2

Sertraline – From Both Our Hands
#BlackMetal #Metal #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/from-both-our-hands-2

Sertraline – From Both Our Hands
#BlackMetal #Metal #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/from-both-our-hands-2

Sertraline – From Both Our Hands
#BlackMetal #Metal #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/from-both-our-hands-2

Sertraline – From Both Our Hands
#BlackMetal #Metal #PostBlackMetal #atmosphericblackmetal #deathdoom #doommetal #postrock #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/from-both-our-hands-2

TORT – Dimonis de la Sauva Negra
#Barcelona #Deathdoommetal #Doom #Metal #Sludge #Spain #Stoner #deathdoom #deathdoommetal #deathdoom
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://discosmacarras.bandcamp.com/album/dimonis-de-la-sauva-negra

TORT – Dimonis de la Sauva Negra
#Barcelona #Deathdoommetal #Doom #Metal #Sludge #Spain #Stoner #deathdoom #deathdoommetal #deathdoom
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://discosmacarras.bandcamp.com/album/dimonis-de-la-sauva-negra

TORT – Dimonis de la Sauva Negra
#Barcelona #Deathdoommetal #Doom #Metal #Sludge #Spain #Stoner #deathdoom #deathdoommetal #deathdoom
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://discosmacarras.bandcamp.com/album/dimonis-de-la-sauva-negra

TORT – Dimonis de la Sauva Negra
#Barcelona #Deathdoommetal #Doom #Metal #Sludge #Spain #Stoner #deathdoom #deathdoommetal #deathdoom
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://discosmacarras.bandcamp.com/album/dimonis-de-la-sauva-negra

TORT – Dimonis de la Sauva Negra
#Barcelona #Deathdoommetal #Doom #Metal #Sludge #Spain #Stoner #deathdoom #deathdoommetal #deathdoom
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://discosmacarras.bandcamp.com/album/dimonis-de-la-sauva-negra

#ThursDeath this week is new EP 'The Witch King' from Cleveland's PROCESSION. This is some quality death doom, some of the best I've heard in a while. From a slow, crushing pace to galloping drums- these guys really know how to do it. Awesome debut.

https://processiondeath.bandcamp.com/album/the-witch-king

#metal #DeathMetal #DeathDoom #Cleveland #ClevelandMetal #Ohio #OhioMetal @HailsandAles @wendigo @rtw @guffo @AlfeeDee @c0m4 @nnenov @Kitty @swampgas @flockofnazguls @umrk @ttntm @pephorror

#ThursDeath this week is new EP 'The Witch King' from Cleveland's PROCESSION. This is some quality death doom, some of the best I've heard in a while. From a slow, crushing pace to galloping drums- these guys really know how to do it. Awesome debut.

https://processiondeath.bandcamp.com/album/the-witch-king

#metal #DeathMetal #DeathDoom #Cleveland #ClevelandMetal #Ohio #OhioMetal @HailsandAles @wendigo @rtw @guffo @AlfeeDee @c0m4 @nnenov @Kitty @swampgas @flockofnazguls @umrk @ttntm @pephorror

#ThursDeath this week is new EP 'The Witch King' from Cleveland's PROCESSION. This is some quality death doom, some of the best I've heard in a while. From a slow, crushing pace to galloping drums- these guys really know how to do it. Awesome debut.

https://processiondeath.bandcamp.com/album/the-witch-king

#metal #DeathMetal #DeathDoom #Cleveland #ClevelandMetal #Ohio #OhioMetal @HailsandAles @wendigo @rtw @guffo @AlfeeDee @c0m4 @nnenov @Kitty @swampgas @flockofnazguls @umrk @ttntm @pephorror

#ThursDeath this week is new EP 'The Witch King' from Cleveland's PROCESSION. This is some quality death doom, some of the best I've heard in a while. From a slow, crushing pace to galloping drums- these guys really know how to do it. Awesome debut.

https://processiondeath.bandcamp.com/album/the-witch-king

#metal #DeathMetal #DeathDoom #Cleveland #ClevelandMetal #Ohio #OhioMetal @HailsandAles @wendigo @rtw @guffo @AlfeeDee @c0m4 @nnenov @Kitty @swampgas @flockofnazguls @umrk @ttntm @pephorror

#ThursDeath this week is new EP 'The Witch King' from Cleveland's PROCESSION. This is some quality death doom, some of the best I've heard in a while. From a slow, crushing pace to galloping drums- these guys really know how to do it. Awesome debut.

https://processiondeath.bandcamp.com/album/the-witch-king

#metal #DeathMetal #DeathDoom #Cleveland #ClevelandMetal #Ohio #OhioMetal @HailsandAles @wendigo @rtw @guffo @AlfeeDee @c0m4 @nnenov @Kitty @swampgas @flockofnazguls @umrk @ttntm @pephorror

https://www.europesays.com/uk/1038207/ Review: Gold Spire – Steps into Shadow #2026 #5 #AwakeningRecords #DeathDoom #EnglishLyrics #Entertainment #HarshVocals #june #music #ProgressiveDeathMetal #SmoothJazz #Sweden #UK #UnitedKingdom

Review: Gold Spire – Steps into Shadow

Published by Andy on 2026/06/192026/06/19 Artwork by: Påhl Sundström Style: Progressive Death Metal, Smooth Jazz, Death/Doom MetalRecommended for…
#NewsBeep #News #Music #2026 #5 #AwakeningRecords #DeathDoom #Englishlyrics #Entertainment #harshvocals #june #progressivedeathmetal #smoothjazz #Sweden #UK #UnitedKingdom
https://www.newsbeep.com/uk/647893/

Moonworshipper – 13 Fullmoon Nights of Doubt
#BlackMetal #Metal #atmosphericblackmetal #avantgardemetal #deathdoom #depressivepop #doommetal #postrock #suicidalblackmetal #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/13-fullmoon-nights-of-doubt

Moonworshipper – 13 Fullmoon Nights of Doubt
#BlackMetal #Metal #atmosphericblackmetal #avantgardemetal #deathdoom #depressivepop #doommetal #postrock #suicidalblackmetal #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/13-fullmoon-nights-of-doubt

Moonworshipper – 13 Fullmoon Nights of Doubt
#BlackMetal #Metal #atmosphericblackmetal #avantgardemetal #deathdoom #depressivepop #doommetal #postrock #suicidalblackmetal #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/13-fullmoon-nights-of-doubt

Moonworshipper – 13 Fullmoon Nights of Doubt
#BlackMetal #Metal #atmosphericblackmetal #avantgardemetal #deathdoom #depressivepop #doommetal #postrock #suicidalblackmetal #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/13-fullmoon-nights-of-doubt

Moonworshipper – 13 Fullmoon Nights of Doubt
#BlackMetal #Metal #atmosphericblackmetal #avantgardemetal #deathdoom #depressivepop #doommetal #postrock #suicidalblackmetal #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/13-fullmoon-nights-of-doubt

https://www.europesays.com/be-nl/81932/ Fires In The Distance – Circadian Promise #Amusement #BE #België #Belgium #CircadianPromise #DeathDoom #Entertainment #FiresInTheDistance #melodeath #MelodicDeathMetal #Music #Muziek #ProstheticRecords

Just found this Mortiferum live video and it's so good. So slow and so heavy https://www.youtube.com/watch?v=i5NcwP4-4P4&t

#DeathDoom

Just found this Mortiferum live video and it's so good. So slow and so heavy https://www.youtube.com/watch?v=i5NcwP4-4P4&t

#DeathDoom

Just found this Mortiferum live video and it's so good. So slow and so heavy https://www.youtube.com/watch?v=i5NcwP4-4P4&t

#DeathDoom

Just found this Mortiferum live video and it's so good. So slow and so heavy https://www.youtube.com/watch?v=i5NcwP4-4P4&t

#DeathDoom

Just found this Mortiferum live video and it's so good. So slow and so heavy https://www.youtube.com/watch?v=i5NcwP4-4P4&t

#DeathDoom

Free download codes:

Ossarium - Onward

"Onward!"

https://getmusic.fm/l/TmlYDr

#metal #deathmetal #oldschooldeathmetal #deathdoom #ossarium #onward #osdm #music

Free download codes:

Ossarium - Onward

"Onward!"

https://getmusic.fm/l/TmlYDr

#metal #deathmetal #oldschooldeathmetal #deathdoom #ossarium #onward #osdm #music

Free download codes:

Ossarium - Onward

"Onward!"

https://getmusic.fm/l/TmlYDr

#metal #deathmetal #oldschooldeathmetal #deathdoom #ossarium #onward #osdm #music

Free download codes:

Ossarium - Onward

"Onward!"

https://getmusic.fm/l/TmlYDr

#metal #deathmetal #oldschooldeathmetal #deathdoom #ossarium #onward #osdm #music

Nordicwinter – Sorrow
#BlackMetal #DSBM #DepressiveSuicidalBlackMetal #Metal #atmosphericblackmetal #deathdoom #depressiveblackmetal #doommetal #metalnoirquebecois #postrock #quebecblackmetal #suicidalblackmetal #Amadora
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://hypnoticdirgerecords.bandcamp.com/album/sorrow