#tool — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #tool, aggregated by home.social.
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Garnix, the cutting-edge #CI #tool nobody asked for, is finally biting the dust, joining #Shopify and bidding #farewell to its three devoted users. 🎉 The open-sourced code is now available for the brave souls who dare to resurrect this #relic of the #digital age. 🚀💀
https://discourse.nixos.org/t/garnix-is-shutting-down-not-oc/77895 #Garnix #open-source #HackerNews #ngated -
Garnix, the cutting-edge #CI #tool nobody asked for, is finally biting the dust, joining #Shopify and bidding #farewell to its three devoted users. 🎉 The open-sourced code is now available for the brave souls who dare to resurrect this #relic of the #digital age. 🚀💀
https://discourse.nixos.org/t/garnix-is-shutting-down-not-oc/77895 #Garnix #open-source #HackerNews #ngated -
Garnix, the cutting-edge #CI #tool nobody asked for, is finally biting the dust, joining #Shopify and bidding #farewell to its three devoted users. 🎉 The open-sourced code is now available for the brave souls who dare to resurrect this #relic of the #digital age. 🚀💀
https://discourse.nixos.org/t/garnix-is-shutting-down-not-oc/77895 #Garnix #open-source #HackerNews #ngated -
Garnix, the cutting-edge #CI #tool nobody asked for, is finally biting the dust, joining #Shopify and bidding #farewell to its three devoted users. 🎉 The open-sourced code is now available for the brave souls who dare to resurrect this #relic of the #digital age. 🚀💀
https://discourse.nixos.org/t/garnix-is-shutting-down-not-oc/77895 #Garnix #open-source #HackerNews #ngated -
Garnix, the cutting-edge #CI #tool nobody asked for, is finally biting the dust, joining #Shopify and bidding #farewell to its three devoted users. 🎉 The open-sourced code is now available for the brave souls who dare to resurrect this #relic of the #digital age. 🚀💀
https://discourse.nixos.org/t/garnix-is-shutting-down-not-oc/77895 #Garnix #open-source #HackerNews #ngated -
After talking to our users, we added a new in-app tool: a level to help you find a flat space to spend a good night :)
It's free, and shows the four wheels level status individually and by how much you should adjust them.
You can use this new tool on Android and iOS by using the new button on the left of the map, or directly in the spot overlay.
This is still a sort of beta phase, we're planning on finetuning it although it already works well!
Get it there: https://goodspots.app
#GoodSpots #VanLife #Travel #Level #Park #Flat #Night #Tool #Android #iOS
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After talking to our users, we added a new in-app tool: a level to help you find a flat space to spend a good night :)
It's free, and shows the four wheels level status individually and by how much you should adjust them.
You can use this new tool on Android and iOS by using the new button on the left of the map, or directly in the spot overlay.
This is still a sort of beta phase, we're planning on finetuning it although it already works well!
Get it there: https://goodspots.app
#GoodSpots #VanLife #Travel #Level #Park #Flat #Night #Tool #Android #iOS
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After talking to our users, we added a new in-app tool: a level to help you find a flat space to spend a good night :)
It's free, and shows the four wheels level status individually and by how much you should adjust them.
You can use this new tool on Android and iOS by using the new button on the left of the map, or directly in the spot overlay.
This is still a sort of beta phase, we're planning on finetuning it although it already works well!
Get it there: https://goodspots.app
#GoodSpots #VanLife #Travel #Level #Park #Flat #Night #Tool #Android #iOS
-
After talking to our users, we added a new in-app tool: a level to help you find a flat space to spend a good night :)
It's free, and shows the four wheels level status individually and by how much you should adjust them.
You can use this new tool on Android and iOS by using the new button on the left of the map, or directly in the spot overlay.
This is still a sort of beta phase, we're planning on finetuning it although it already works well!
Get it there: https://goodspots.app
#GoodSpots #VanLife #Travel #Level #Park #Flat #Night #Tool #Android #iOS
-
After talking to our users, we added a new in-app tool: a level to help you find a flat space to spend a good night :)
It's free, and shows the four wheels level status individually and by how much you should adjust them.
You can use this new tool on Android and iOS by using the new button on the left of the map, or directly in the spot overlay.
This is still a sort of beta phase, we're planning on finetuning it although it already works well!
Get it there: https://goodspots.app
#GoodSpots #VanLife #Travel #Level #Park #Flat #Night #Tool #Android #iOS
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Bone-handled knife, Roman Empire, 1st-5th century AD
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#Starless #APerfectCircle Nice, but it’s definitely not for me. I left the #Tool Kult behind ages ago! Have I missed out on anything? I still quite liked some early #APC songs. #music #alternative #rock #metal youtu.be/0is_VwWU3EE
A Perfect Circle - "Starless" ... -
Monolord – Neverending Review By Creeping IvyI always thought Monolord could level up by favoring hooky bangers. So too did Roquentin, who, in evaluating Vænir back in 2015, saw in these long-form Sabbathians the potential for memorable songs. In picking up Monolord reviewing duties, Huck N Roll began charting a consistently Good stoner/doom career that flirted with evolution but consistently maintained a tried-and-true formula. I would have added the adjectival modifier to Your Time to Shine (2021)—its five distinctive tracks strike a Very Good balance of droniness and catchiness across a sensible 39 minutes.1 My revisionism notwithstanding, Monolord has come to embody the AMG Good, with four branches now on the beloved 3.0tree. As the third Monolord reviewer, the odds suggest I will slap another 3.0 on Neverending and call it a day, especially if album six continues to innovate only around the edges.
Fortunately, Monolord agrees that hooky bangers would reinvigorate Monolord. To help sculpt what they describe as ‘more succinct and immediate songs’ and a ‘sharper album,’ the band enlisted the legendary Sylvia Massy to record, produce, and mix Neverending.2 Monolord credit Massy for significantly influencing their editing, but this isn’t to say she radically altered the band’s stoner/doom sound. Sonically, Massy beefs up the already thick n’ fuzzy tones of this Swedish power trio. Indeed, the guitar of Thomas Jäger and bass of Mika Häkki continue to combine for some of the fattest, tastiest riffage in the game, with a signature chromaticism hard to achieve in the genre.3 As on prior records, Jäger’s vocals sit back in the mix, making his mid-to-upper range croon ethereally prominent. The metronomic drums of Esben Willems also sit back, making every crash, fill, and cowbell monumental. Like previous outings, Neverending sounds invitingly warm, with some welcome heft this time around.
Under Massy’s guidance, Neverending shakes up the Monolord formula for the first time. Whereas previous records are 5–6 tracks with an average song-length of 8 minutes, 5 of 8 tracks here sit between 3–5 minutes. Exemplifying this new approach is the opening one-two punch of “Iodine,”—which feels like a miniature YOB meets the noise-groove of Killdozer—and “You Bastard,”—the album’s strongest Minilord song. The latter propels an infectious verse-chorus cycle, supplemented by shimmying shakers, with a Riff o’ the Year candidate. Later, “The Masque” and “Invisible” hit the spot; the former has a fun blues stomp and delightfully dark verses, but the song would’ve benefitted from three iterations of its (terrific) chorus. Minilord falters, however, on “Crystal Bridge,” which actually feels too short. Excellent CoC-style sludgery gives way to Jäger alone, laying plaintive vocals atop clean chords. It seems to set up something expansive, but once the sludge riffing returns as a capper, “Crystal Bridge” ends up sounding like a song without a chorus.
Despite their emphasis on succinctness, Monolord lace ‘classic’ longer jams throughout Neverending. ”Oozing Wound” is the darling in this regard, typifying the winning chemistry Jäger, Häkki, and Willems possess when they lock in on a simple riff and give it enough space, turns, and melodic character to make it interesting yet still hypnotic. On “It’s Neverending,” Jäger vocally collaborates with Jörgen Sandström, the former bassist of Entombed, which gives Monolord its first flavoring of death-doom via Sandström’s growls. Though I’m less enthusiastic about the Sandström-led portions, the song’s gentle, melancholic dénouement makes it an exceptional eponymous closer. Speaking of closers, “Inside a Collider” weirdly feels like one at track three. It drones on a hooky riff/vocal combo for a while, but it also contains a killer doom descent I wish happened more than once.
After careful analysis, I have arrived at the same score Monolord has been achieving at AMG for over a decade. In 2019, Huck described No Comfort as the band’s transition album, which was true at the time. But as it currently stands, Neverending is Monolord’s transition album, and it’s a transition not without its growing pains. Though the songwriting falters more than it should on a ‘sharp’ album, holistically, Neverending is an enjoyable 43 minutes, making it a more-than-worthy branch on the 3.0tree.4 In the promo materials, Häkki shares that the collaboration with Massy ‘makes [him] curious about what the next chapter will be’ for Monolord. I count myself among the curious—Neverending isn’t the fully-realized version of Minilord I was hoping for, but it plants the seed.
Rating: 3.0/5.0
#2026 #30 #BlackSabbath #CorrosionOfConformity #DoomMetal #Entombed #JohnnyCash #Killdozer #May26 #Monolord #Neverending #RelapseRecords #Review #Reviews #StonerMetal #SwedishMetal #SystemOfADown #Tool #YOB
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: Official | Instagram | Facebook
Releases Worldwide: May 29th, 2026 -
Monolord – Neverending Review By Creeping IvyI always thought Monolord could level up by favoring hooky bangers. So too did Roquentin, who, in evaluating Vænir back in 2015, saw in these long-form Sabbathians the potential for memorable songs. In picking up Monolord reviewing duties, Huck N Roll began charting a consistently Good stoner/doom career that flirted with evolution but consistently maintained a tried-and-true formula. I would have added the adjectival modifier to Your Time to Shine (2021)—its five distinctive tracks strike a Very Good balance of droniness and catchiness across a sensible 39 minutes.1 My revisionism notwithstanding, Monolord has come to embody the AMG Good, with four branches now on the beloved 3.0tree. As the third Monolord reviewer, the odds suggest I will slap another 3.0 on Neverending and call it a day, especially if album six continues to innovate only around the edges.
Fortunately, Monolord agrees that hooky bangers would reinvigorate Monolord. To help sculpt what they describe as ‘more succinct and immediate songs’ and a ‘sharper album,’ the band enlisted the legendary Sylvia Massy to record, produce, and mix Neverending.2 Monolord credit Massy for significantly influencing their editing, but this isn’t to say she radically altered the band’s stoner/doom sound. Sonically, Massy beefs up the already thick n’ fuzzy tones of this Swedish power trio. Indeed, the guitar of Thomas Jäger and bass of Mika Häkki continue to combine for some of the fattest, tastiest riffage in the game, with a signature chromaticism hard to achieve in the genre.3 As on prior records, Jäger’s vocals sit back in the mix, making his mid-to-upper range croon ethereally prominent. The metronomic drums of Esben Willems also sit back, making every crash, fill, and cowbell monumental. Like previous outings, Neverending sounds invitingly warm, with some welcome heft this time around.
Under Massy’s guidance, Neverending shakes up the Monolord formula for the first time. Whereas previous records are 5–6 tracks with an average song-length of 8 minutes, 5 of 8 tracks here sit between 3–5 minutes. Exemplifying this new approach is the opening one-two punch of “Iodine,”—which feels like a miniature YOB meets the noise-groove of Killdozer—and “You Bastard,”—the album’s strongest Minilord song. The latter propels an infectious verse-chorus cycle, supplemented by shimmying shakers, with a Riff o’ the Year candidate. Later, “The Masque” and “Invisible” hit the spot; the former has a fun blues stomp and delightfully dark verses, but the song would’ve benefitted from three iterations of its (terrific) chorus. Minilord falters, however, on “Crystal Bridge,” which actually feels too short. Excellent CoC-style sludgery gives way to Jäger alone, laying plaintive vocals atop clean chords. It seems to set up something expansive, but once the sludge riffing returns as a capper, “Crystal Bridge” ends up sounding like a song without a chorus.
Despite their emphasis on succinctness, Monolord lace ‘classic’ longer jams throughout Neverending. ”Oozing Wound” is the darling in this regard, typifying the winning chemistry Jäger, Häkki, and Willems possess when they lock in on a simple riff and give it enough space, turns, and melodic character to make it interesting yet still hypnotic. On “It’s Neverending,” Jäger vocally collaborates with Jörgen Sandström, the former bassist of Entombed, which gives Monolord its first flavoring of death-doom via Sandström’s growls. Though I’m less enthusiastic about the Sandström-led portions, the song’s gentle, melancholic dénouement makes it an exceptional eponymous closer. Speaking of closers, “Inside a Collider” weirdly feels like one at track three. It drones on a hooky riff/vocal combo for a while, but it also contains a killer doom descent I wish happened more than once.
After careful analysis, I have arrived at the same score Monolord has been achieving at AMG for over a decade. In 2019, Huck described No Comfort as the band’s transition album, which was true at the time. But as it currently stands, Neverending is Monolord’s transition album, and it’s a transition not without its growing pains. Though the songwriting falters more than it should on a ‘sharp’ album, holistically, Neverending is an enjoyable 43 minutes, making it a more-than-worthy branch on the 3.0tree.4 In the promo materials, Häkki shares that the collaboration with Massy ‘makes [him] curious about what the next chapter will be’ for Monolord. I count myself among the curious—Neverending isn’t the fully-realized version of Minilord I was hoping for, but it plants the seed.
Rating: 3.0/5.0
#2026 #30 #BlackSabbath #CorrosionOfConformity #DoomMetal #Entombed #JohnnyCash #Killdozer #May26 #Monolord #Neverending #RelapseRecords #Review #Reviews #StonerMetal #SwedishMetal #SystemOfADown #Tool #YOB
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: Official | Instagram | Facebook
Releases Worldwide: May 29th, 2026 -
Monolord – Neverending Review By Creeping IvyI always thought Monolord could level up by favoring hooky bangers. So too did Roquentin, who, in evaluating Vænir back in 2015, saw in these long-form Sabbathians the potential for memorable songs. In picking up Monolord reviewing duties, Huck N Roll began charting a consistently Good stoner/doom career that flirted with evolution but consistently maintained a tried-and-true formula. I would have added the adjectival modifier to Your Time to Shine (2021)—its five distinctive tracks strike a Very Good balance of droniness and catchiness across a sensible 39 minutes.1 My revisionism notwithstanding, Monolord has come to embody the AMG Good, with four branches now on the beloved 3.0tree. As the third Monolord reviewer, the odds suggest I will slap another 3.0 on Neverending and call it a day, especially if album six continues to innovate only around the edges.
Fortunately, Monolord agrees that hooky bangers would reinvigorate Monolord. To help sculpt what they describe as ‘more succinct and immediate songs’ and a ‘sharper album,’ the band enlisted the legendary Sylvia Massy to record, produce, and mix Neverending.2 Monolord credit Massy for significantly influencing their editing, but this isn’t to say she radically altered the band’s stoner/doom sound. Sonically, Massy beefs up the already thick n’ fuzzy tones of this Swedish power trio. Indeed, the guitar of Thomas Jäger and bass of Mika Häkki continue to combine for some of the fattest, tastiest riffage in the game, with a signature chromaticism hard to achieve in the genre.3 As on prior records, Jäger’s vocals sit back in the mix, making his mid-to-upper range croon ethereally prominent. The metronomic drums of Esben Willems also sit back, making every crash, fill, and cowbell monumental. Like previous outings, Neverending sounds invitingly warm, with some welcome heft this time around.
Under Massy’s guidance, Neverending shakes up the Monolord formula for the first time. Whereas previous records are 5–6 tracks with an average song-length of 8 minutes, 5 of 8 tracks here sit between 3–5 minutes. Exemplifying this new approach is the opening one-two punch of “Iodine,”—which feels like a miniature YOB meets the noise-groove of Killdozer—and “You Bastard,”—the album’s strongest Minilord song. The latter propels an infectious verse-chorus cycle, supplemented by shimmying shakers, with a Riff o’ the Year candidate. Later, “The Masque” and “Invisible” hit the spot; the former has a fun blues stomp and delightfully dark verses, but the song would’ve benefitted from three iterations of its (terrific) chorus. Minilord falters, however, on “Crystal Bridge,” which actually feels too short. Excellent CoC-style sludgery gives way to Jäger alone, laying plaintive vocals atop clean chords. It seems to set up something expansive, but once the sludge riffing returns as a capper, “Crystal Bridge” ends up sounding like a song without a chorus.
Despite their emphasis on succinctness, Monolord lace ‘classic’ longer jams throughout Neverending. ”Oozing Wound” is the darling in this regard, typifying the winning chemistry Jäger, Häkki, and Willems possess when they lock in on a simple riff and give it enough space, turns, and melodic character to make it interesting yet still hypnotic. On “It’s Neverending,” Jäger vocally collaborates with Jörgen Sandström, the former bassist of Entombed, which gives Monolord its first flavoring of death-doom via Sandström’s growls. Though I’m less enthusiastic about the Sandström-led portions, the song’s gentle, melancholic dénouement makes it an exceptional eponymous closer. Speaking of closers, “Inside a Collider” weirdly feels like one at track three. It drones on a hooky riff/vocal combo for a while, but it also contains a killer doom descent I wish happened more than once.
After careful analysis, I have arrived at the same score Monolord has been achieving at AMG for over a decade. In 2019, Huck described No Comfort as the band’s transition album, which was true at the time. But as it currently stands, Neverending is Monolord’s transition album, and it’s a transition not without its growing pains. Though the songwriting falters more than it should on a ‘sharp’ album, holistically, Neverending is an enjoyable 43 minutes, making it a more-than-worthy branch on the 3.0tree.4 In the promo materials, Häkki shares that the collaboration with Massy ‘makes [him] curious about what the next chapter will be’ for Monolord. I count myself among the curious—Neverending isn’t the fully-realized version of Minilord I was hoping for, but it plants the seed.
Rating: 3.0/5.0
#2026 #30 #BlackSabbath #CorrosionOfConformity #DoomMetal #Entombed #JohnnyCash #Killdozer #May26 #Monolord #Neverending #RelapseRecords #Review #Reviews #StonerMetal #SwedishMetal #SystemOfADown #Tool #YOB
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: Official | Instagram | Facebook
Releases Worldwide: May 29th, 2026 -
Monolord – Neverending Review By Creeping IvyI always thought Monolord could level up by favoring hooky bangers. So too did Roquentin, who, in evaluating Vænir back in 2015, saw in these long-form Sabbathians the potential for memorable songs. In picking up Monolord reviewing duties, Huck N Roll began charting a consistently Good stoner/doom career that flirted with evolution but consistently maintained a tried-and-true formula. I would have added the adjectival modifier to Your Time to Shine (2021)—its five distinctive tracks strike a Very Good balance of droniness and catchiness across a sensible 39 minutes.1 My revisionism notwithstanding, Monolord has come to embody the AMG Good, with four branches now on the beloved 3.0tree. As the third Monolord reviewer, the odds suggest I will slap another 3.0 on Neverending and call it a day, especially if album six continues to innovate only around the edges.
Fortunately, Monolord agrees that hooky bangers would reinvigorate Monolord. To help sculpt what they describe as ‘more succinct and immediate songs’ and a ‘sharper album,’ the band enlisted the legendary Sylvia Massy to record, produce, and mix Neverending.2 Monolord credit Massy for significantly influencing their editing, but this isn’t to say she radically altered the band’s stoner/doom sound. Sonically, Massy beefs up the already thick n’ fuzzy tones of this Swedish power trio. Indeed, the guitar of Thomas Jäger and bass of Mika Häkki continue to combine for some of the fattest, tastiest riffage in the game, with a signature chromaticism hard to achieve in the genre.3 As on prior records, Jäger’s vocals sit back in the mix, making his mid-to-upper range croon ethereally prominent. The metronomic drums of Esben Willems also sit back, making every crash, fill, and cowbell monumental. Like previous outings, Neverending sounds invitingly warm, with some welcome heft this time around.
Under Massy’s guidance, Neverending shakes up the Monolord formula for the first time. Whereas previous records are 5–6 tracks with an average song-length of 8 minutes, 5 of 8 tracks here sit between 3–5 minutes. Exemplifying this new approach is the opening one-two punch of “Iodine,”—which feels like a miniature YOB meets the noise-groove of Killdozer—and “You Bastard,”—the album’s strongest Minilord song. The latter propels an infectious verse-chorus cycle, supplemented by shimmying shakers, with a Riff o’ the Year candidate. Later, “The Masque” and “Invisible” hit the spot; the former has a fun blues stomp and delightfully dark verses, but the song would’ve benefitted from three iterations of its (terrific) chorus. Minilord falters, however, on “Crystal Bridge,” which actually feels too short. Excellent CoC-style sludgery gives way to Jäger alone, laying plaintive vocals atop clean chords. It seems to set up something expansive, but once the sludge riffing returns as a capper, “Crystal Bridge” ends up sounding like a song without a chorus.
Despite their emphasis on succinctness, Monolord lace ‘classic’ longer jams throughout Neverending. ”Oozing Wound” is the darling in this regard, typifying the winning chemistry Jäger, Häkki, and Willems possess when they lock in on a simple riff and give it enough space, turns, and melodic character to make it interesting yet still hypnotic. On “It’s Neverending,” Jäger vocally collaborates with Jörgen Sandström, the former bassist of Entombed, which gives Monolord its first flavoring of death-doom via Sandström’s growls. Though I’m less enthusiastic about the Sandström-led portions, the song’s gentle, melancholic dénouement makes it an exceptional eponymous closer. Speaking of closers, “Inside a Collider” weirdly feels like one at track three. It drones on a hooky riff/vocal combo for a while, but it also contains a killer doom descent I wish happened more than once.
After careful analysis, I have arrived at the same score Monolord has been achieving at AMG for over a decade. In 2019, Huck described No Comfort as the band’s transition album, which was true at the time. But as it currently stands, Neverending is Monolord’s transition album, and it’s a transition not without its growing pains. Though the songwriting falters more than it should on a ‘sharp’ album, holistically, Neverending is an enjoyable 43 minutes, making it a more-than-worthy branch on the 3.0tree.4 In the promo materials, Häkki shares that the collaboration with Massy ‘makes [him] curious about what the next chapter will be’ for Monolord. I count myself among the curious—Neverending isn’t the fully-realized version of Minilord I was hoping for, but it plants the seed.
Rating: 3.0/5.0
#2026 #30 #BlackSabbath #CorrosionOfConformity #DoomMetal #Entombed #JohnnyCash #Killdozer #May26 #Monolord #Neverending #RelapseRecords #Review #Reviews #StonerMetal #SwedishMetal #SystemOfADown #Tool #YOB
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: Official | Instagram | Facebook
Releases Worldwide: May 29th, 2026 -
Monolord – Neverending Review By Creeping IvyI always thought Monolord could level up by favoring hooky bangers. So too did Roquentin, who, in evaluating Vænir back in 2015, saw in these long-form Sabbathians the potential for memorable songs. In picking up Monolord reviewing duties, Huck N Roll began charting a consistently Good stoner/doom career that flirted with evolution but consistently maintained a tried-and-true formula. I would have added the adjectival modifier to Your Time to Shine (2021)—its five distinctive tracks strike a Very Good balance of droniness and catchiness across a sensible 39 minutes.1 My revisionism notwithstanding, Monolord has come to embody the AMG Good, with four branches now on the beloved 3.0tree. As the third Monolord reviewer, the odds suggest I will slap another 3.0 on Neverending and call it a day, especially if album six continues to innovate only around the edges.
Fortunately, Monolord agrees that hooky bangers would reinvigorate Monolord. To help sculpt what they describe as ‘more succinct and immediate songs’ and a ‘sharper album,’ the band enlisted the legendary Sylvia Massy to record, produce, and mix Neverending.2 Monolord credit Massy for significantly influencing their editing, but this isn’t to say she radically altered the band’s stoner/doom sound. Sonically, Massy beefs up the already thick n’ fuzzy tones of this Swedish power trio. Indeed, the guitar of Thomas Jäger and bass of Mika Häkki continue to combine for some of the fattest, tastiest riffage in the game, with a signature chromaticism hard to achieve in the genre.3 As on prior records, Jäger’s vocals sit back in the mix, making his mid-to-upper range croon ethereally prominent. The metronomic drums of Esben Willems also sit back, making every crash, fill, and cowbell monumental. Like previous outings, Neverending sounds invitingly warm, with some welcome heft this time around.
Under Massy’s guidance, Neverending shakes up the Monolord formula for the first time. Whereas previous records are 5–6 tracks with an average song-length of 8 minutes, 5 of 8 tracks here sit between 3–5 minutes. Exemplifying this new approach is the opening one-two punch of “Iodine,”—which feels like a miniature YOB meets the noise-groove of Killdozer—and “You Bastard,”—the album’s strongest Minilord song. The latter propels an infectious verse-chorus cycle, supplemented by shimmying shakers, with a Riff o’ the Year candidate. Later, “The Masque” and “Invisible” hit the spot; the former has a fun blues stomp and delightfully dark verses, but the song would’ve benefitted from three iterations of its (terrific) chorus. Minilord falters, however, on “Crystal Bridge,” which actually feels too short. Excellent CoC-style sludgery gives way to Jäger alone, laying plaintive vocals atop clean chords. It seems to set up something expansive, but once the sludge riffing returns as a capper, “Crystal Bridge” ends up sounding like a song without a chorus.
Despite their emphasis on succinctness, Monolord lace ‘classic’ longer jams throughout Neverending. ”Oozing Wound” is the darling in this regard, typifying the winning chemistry Jäger, Häkki, and Willems possess when they lock in on a simple riff and give it enough space, turns, and melodic character to make it interesting yet still hypnotic. On “It’s Neverending,” Jäger vocally collaborates with Jörgen Sandström, the former bassist of Entombed, which gives Monolord its first flavoring of death-doom via Sandström’s growls. Though I’m less enthusiastic about the Sandström-led portions, the song’s gentle, melancholic dénouement makes it an exceptional eponymous closer. Speaking of closers, “Inside a Collider” weirdly feels like one at track three. It drones on a hooky riff/vocal combo for a while, but it also contains a killer doom descent I wish happened more than once.
After careful analysis, I have arrived at the same score Monolord has been achieving at AMG for over a decade. In 2019, Huck described No Comfort as the band’s transition album, which was true at the time. But as it currently stands, Neverending is Monolord’s transition album, and it’s a transition not without its growing pains. Though the songwriting falters more than it should on a ‘sharp’ album, holistically, Neverending is an enjoyable 43 minutes, making it a more-than-worthy branch on the 3.0tree.4 In the promo materials, Häkki shares that the collaboration with Massy ‘makes [him] curious about what the next chapter will be’ for Monolord. I count myself among the curious—Neverending isn’t the fully-realized version of Minilord I was hoping for, but it plants the seed.
Rating: 3.0/5.0
#2026 #30 #BlackSabbath #CorrosionOfConformity #DoomMetal #Entombed #JohnnyCash #Killdozer #May26 #Monolord #Neverending #RelapseRecords #Review #Reviews #StonerMetal #SwedishMetal #SystemOfADown #Tool #YOB
DR: N/A | Format Reviewed: Stream
Label: Relapse Records
Websites: Official | Instagram | Facebook
Releases Worldwide: May 29th, 2026 -
So I wrote a #tool in #golang to track domain expiration. It pushes metrics to #prometheus for #observability with #grafana
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So I wrote a #tool in #golang to track domain expiration. It pushes metrics to #prometheus for #observability with #grafana
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So I wrote a #tool in #golang to track domain expiration. It pushes metrics to #prometheus for #observability with #grafana
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So I wrote a #tool in #golang to track domain expiration. It pushes metrics to #prometheus for #observability with #grafana
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https://www.fogolf.com/1268602/caddy-splash-released-a-premium-2-in-1-step-up-golf-tee-and-divot-repair-tool-usagolf/ Caddy Splash released a premium 2-in-1 step up golf tee and divot repair tool. #usagolf #2in1 #caddy #DIVOT #Golf #GolfBalls #GolfBallsVideos #GolfBallsVlog #GolfBallsYouTube #GolfEquipment #GolfEquipmentVideos #GolfEquipmentVlog #GolfEquipmentYouTube #GolfTee #GolfTees #GolfTeesVideos #GolfTeesVlog #GolfTeesYouTube #PREMIUM #released #repair #Splash #STEP #tee #Tool #USAgolf
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https://www.fogolf.com/1268602/caddy-splash-released-a-premium-2-in-1-step-up-golf-tee-and-divot-repair-tool-usagolf/ Caddy Splash released a premium 2-in-1 step up golf tee and divot repair tool. #usagolf #2in1 #caddy #DIVOT #Golf #GolfBalls #GolfBallsVideos #GolfBallsVlog #GolfBallsYouTube #GolfEquipment #GolfEquipmentVideos #GolfEquipmentVlog #GolfEquipmentYouTube #GolfTee #GolfTees #GolfTeesVideos #GolfTeesVlog #GolfTeesYouTube #PREMIUM #released #repair #Splash #STEP #tee #Tool #USAgolf
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OpenFlowKit: Il #tool #OpenSource Local-First che unisce Diagram-as-Code e AI
#intelligenzaArtificiale @tecnologia @opensourcehttps://webappsmagazine.blogspot.com/2026/05/openflowkit-il-tool-open-source-local.html
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Sci-Fi Soldiers – Sidekick Modular Chara... #Hero #Tool #Face #Scifi #Charactercreator #Stylized #Accessories #Army #Props #Humanoid #Armour #Clothing #Modular #Blendshapes #Human #AssetStore
https://u3dn.com/packages/sci-fi-soldiers-sidekick-modular-characters-by-synty-327632
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Over 100 of you have starred GodotPrompter!
Seeing the line trend up like this is incredibly motivating. Thank you for giving the tool a try and supporting open-source tools.
Let’s keep building!
GitHub: https://github.com/jame581/GodotPrompter
#godot #OpenSource #claudecode #gamedev #aiagent #indiedev #tool
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Quick Model - Asset Library and Level Design Tool #Lowpoly #2D #3D #Leveldesign #Tool #Assets #Utility #Game #Library #Model #Collection #Easy #Archive #Fast #AssetStore
https://u3dn.com/packages/quick-model-asset-library-and-level-design-tool-262599
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OpenAI Hires in Preparation for AI That Could Train Itself
OpenAI has set the goal of making an AI tool that could research its own improvements. Now, the…
#NewsBeep #News #Artificialintelligence #AI #aisafety #Anthropic #ArtificialIntelligence #CA #Canada #company #frontieraimodel #goal #implication #lab #metr #model #month #openaihires #posting #researcher #Technology #tool #work
https://www.newsbeep.com/ca/690962/ -
It just clicked what Schism, by Tool is about.
It makes me even more annoyed that Maynard James Keenan seems to be a piece of shit.
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Anyone interested in a tool helps to explore C++ ASTs
https://uvic-aurora.github.io/acav-manual/index.html
#HackerNews #C++ #ASTs #tool #programming #tools #open #source #software #development
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https://www.europesays.com/uk/980906/ OpenAI Hires in Preparation for AI That Could Train Itself #AI #AISafety #Anthropic #ArtificialIntelligence #company #FrontierAiModel #goal #implication #lab #metr #model #month #OpenaiHires #posting #researcher #Technology #Tool #UK #UnitedKingdom #Work
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https://www.europesays.com/ie/499185/ Marc Andreessen: AI Bots Never Get Sick, Drunk, or File HR Complaints #agent #AI #AiBot #andreessen #ArtificialIntelligence #ArtificialIntelligence #billion #BoT #Éire #HumanEmployee #IE #Ireland #job #JoeRogan #MarcAndreessen #OddHour #PC #project #Technology #time #Tool #World
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https://www.europesays.com/people/83574/ OpenAI Hires in Preparation for AI That Could Train Itself #AI #AISafety #Anthropic #company #FrontierAiModel #goal #implication #metr #model #month #OpenaiHires #posting #researcher #SamAltman #tool #work
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Here's an affordable air quality tool for meeting planners. CO₂ meters cost less than $100 and provide a useful proxy for air quality.
https://www.conferencesthatwork.com/index.php/meeting-industry/2021/10/air-quality-tool
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✍️ Google lancia la sua app di ricerca per Windows
Come utilizzare l'app Google Desktop e gestire la scorciatoia da tastiera Alt + Space... -
GodotPrompter: Teaching AI Agents to Think in Godot
https://buymeacoffee.com/jame581/godotprompter-teaching-ai-agents-think-godot
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https://www.europesays.com/be-nl/67341/ Google wil online winkelen slimmer maken met Universal Cart #BE #België #Belgium #Google #Science #ScienceAndTechnology #ScienceAndTechnology #Technologie #Technology #tool #webwinkel #Wetenschap #WetenschapEnTechnologie #WetenschapTechnologie
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Yeah, mein Artikel zur Anbahnung literarischer Kompetenzen mit dem Puzzle-Game "Storyteller" ist auch in der Datenbank! :) #Deutschdidaktik #games #blueLZ #Deutschunterricht #Literatur #literarischeKompetenzen #Spiel #openaccess #Recherche #Tool
RE: https://bsky.app/profile/did:plc:442fmsky3fg6l62yweeze2jj/post/3mk6dsbguus2s -
Yeah, mein Artikel zur Anbahnung literarischer Kompetenzen mit dem Puzzle-Game "Storyteller" ist auch in der Datenbank! :) #Deutschdidaktik #games #blueLZ #Deutschunterricht #Literatur #literarischeKompetenzen #Spiel #openaccess #Recherche #Tool
RE: https://bsky.app/profile/did:plc:442fmsky3fg6l62yweeze2jj/post/3mk6dsbguus2s -
Yeah, mein Artikel zur Anbahnung literarischer Kompetenzen mit dem Puzzle-Game "Storyteller" ist auch in der Datenbank! :) #Deutschdidaktik #games #blueLZ #Deutschunterricht #Literatur #literarischeKompetenzen #Spiel #openaccess #Recherche #Tool
RE: https://bsky.app/profile/did:plc:442fmsky3fg6l62yweeze2jj/post/3mk6dsbguus2s -
Yeah, mein Artikel zur Anbahnung literarischer Kompetenzen mit dem Puzzle-Game "Storyteller" ist auch in der Datenbank! :) #Deutschdidaktik #games #blueLZ #Deutschunterricht #Literatur #literarischeKompetenzen #Spiel #openaccess #Recherche #Tool
RE: https://bsky.app/profile/did:plc:442fmsky3fg6l62yweeze2jj/post/3mk6dsbguus2s -
⏳ Gestire con semplicità i permessi delle applicazioni Flatpak con Flatseal
Un'interfaccia grafica intuitiva per revisionare, modificare e ripristinare le autorizzazioni di sicurezza di ogni singola app con un solo clic...👉 https://www.selectallfromdual.com/blog/1782
:speech_balloon: @linux
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After more early Slipknot this morning, it's time for Fear Inoculum - TOOL.
That's one crunchy riff there on Pneuma. And at nearly 12 minutes, they are determined to give us our fill.
Fun fact: pneuma (πνεῦμα) in Ancient Greek means wind, breath or spirit. The album's title track includes the lyric exhale, so it could be any combination of those meanings. (I waited a long time to bring heavy music and Greek together, and of course TOOL provided the connection. 🤓)
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Hey there! Last night I created a playing card generator for "Time's Up!" compatible cards. If you enjoy playing the game and always wanted to create custom cards for a specific event or just for fun, please checkout my tool:
https://finnfreitag.com/tools/card_gen_times_up_compatible?utm_source=m