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#obituary — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #obituary, aggregated by home.social.

  1. Gloria Steinem used the dinner table as a place to forge relationships and foster change — neither a cook nor an enthusiastic eater
    nytimes.com/2026/09/04/dining/
    Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change.
    #food #feminism #obituary

  2. Gloria Steinem used the dinner table as a place to forge relationships and foster change — neither a cook nor an enthusiastic eater
    nytimes.com/2026/09/04/dining/
    Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change.
    #food #feminism #obituary

  3. Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change. #food #feminism #obituary

    nytimes.com/2026/09/04/dining/

    Posted into FLIPBOARD EXCHANGE FEED 🗞️ @flipboard-exchange-feed-Econopass

  4. Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change. #food #feminism #obituary

    nytimes.com/2026/09/04/dining/

    Posted into FLIPBOARD EXCHANGE FEED 🗞️ @flipboard-exchange-feed-Econopass

  5. Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change. #food #feminism #obituary

    nytimes.com/2026/09/04/dining/

    Posted into FLIPBOARD EXCHANGE FEED 🗞️ @flipboard-exchange-feed-Econopass

  6. RIP Rachel Naomi Remen, MD

    “As a medical educator, therapist, and teacher, she enabled many thousands of physicians to find individual meaning and purpose in the practice of medicine and thousands of patients to remember their power to heal.”

    I read her books early in my career, and in them saw how physicians can be storytellers, and how the art of storytelling makes us better physicians. I never had the opportunity to meet her, but some of my mentors did and told me how she changed (and saved) their lives

    She truly influenced our profession for the better. She was saving lives from #burnout before it was a buzzword

    #medmastodon #physicians #storyteller #obituary

    tns.commonweal.org/podcasts/ce

  7. Un des plus grands n’est plus

    David Hockney est décédé le 11 juin 2026

    English version : click here

    Il y a des tas d’expositions nouvelles en ce moment, partout. Et tous les jours, il y en a d’autres qui s’ouvrent. Je ne sais pas où donner de la tête, ni des doigts.
    Mais aujourd’hui, il faut que tout cela attende, que tout s’écarte. Un grand, un géant de l’art est mort hier, et comme tant d’autres, je ne peux m’empêcher d’y aller, moi aussi, de mon ode à David Hockney (1937-2026).

    «La joie de la nature», au musée Van Gogh 2019 (photo JW)

    On connaît son histoire. Né à Bradford, dans le nord industriel de l’Angleterre, dans une famille ouvrière, David Hockney découvre très jeune son talent et très jeune aussi, il reçoit une formation au dessin. Plus tard, il descend à Londres, où il peut poursuivre ses études au prestigieux Royal College of Art. Le succès vient très vite. Ensuite, il s’envole pour New York, plus tard pour la Californie. C’est là que, ébloui par la lumière et les couleurs, il fait ses fameuses peintures de piscines (comme le célèbre « A Bigger Splash »). Et pendant des années durant, il fera plus ou moins la navette entre la lumineuse Californie, son Yorkshire natal et, plus tard, la Normandie, où il passera en tout cas le temps de la pandémie, et où il fait une de ses plus belles fresques, exposée à la Fondation Louis Vuitton en 2025.

    https://youtu.be/KyiByo5yMR8?si=fDmDxtOu2sHUAE-7

    J’ai écrit déjà plusieurs fois sur Hockney et certaines de ses expositions (au Van Gogh Museum, au musée Teylers, et à d’autres endroits encore). Et à chaque fois j’étais éblouie, soufflée, par ses couleurs, sa vitalité, et sa capacité de se réinventer à chaque fois. Hockney n’hésitait pas à explorer, puis à embrasser et à perfectionner de nouvelles techniques, la photo, l’i-pad, la vidéo, ou des combinaisons de tout cela, et à chaque fois, il nous coupait le souffle. Il fallait du courage, car au départ, le monde artistique n’appréciait pas forcément ces «mélanges» entre informatique et peinture. Mais Hockney n’avait pas froid aux yeux, et il l’a montré aussi en affirmant que les peintres d’antan se servaient d’instruments (d’optique, de mesure) pour établir la perspective. Sacrilège! Mais Hockney tenait bon, il en a fait la démonstration dans ses oeuvres à lui – et il avait probablement raison.

    Son oeuvre reste, et c’est formidable. Qu’il s’agisse de paysages, de portraits, d’« instantanés » (comme la trace de la plongeon dans la piscine), de dessins au fusain, de peinture sur i-pad ou de vidéos, la virtuosité de Hockney est immense. Et son oeuvre nous reste. Alors, autant on est triste que ce grand artiste nous ait quittés, autant on peut se réjouir de pouvoir, encore et encore, admirer cette oeuvre.

    Pour en savoir plus: regardez A Bigger Picture, documentaire de Bruno Wollheim (2010). Vous pouvez le voir en ligne ici (pour le voir en entier, il faut payer), ou vous pouvez regarder 80 films courts fait pour les 80 ans de David Hockney.

    Voir aussi: La joie de la peinture : Hockney à Amsterdam – Vu du Nord

    David Hockney, grand peintre britannique, est mort à l’âge de 88 ans

    David Hockney : « J’ai toujours voulu faire des images » | France Culture

    Image en tête: Le printemps arrive à Woldgate. Musée Van Gogh, 2019

    Top

    Death of a giant

    David Hockney (b. 1937) died on June 11, 2026.

    There are many new exhibitions to write about, and I started doing just that. But today, everything has to wait. Today – like so many others – I have to commemorate David Hockney (1937-2026). He is one of the contemporary artists I admire most, and I am not the only one. I have written about several of his exhibitions (among others in the Van Gogh Museum, or in Teylers Museum).

    David Hockney, Spring in Woldgate, charcoal on paper, 2012; shown in Van Gogh Museum, The Joy of Nature, 2019

    Born in the industrial city of Bradford in a working class family, his talent was discovered when he was still very young, and he had drawing lessons from a very young age, too. Later, he went to London where he was admitted to the Royal College of Art. There, his talent was noticed as well, not only by his teachers and other students, but also by galleries and art merchants. Success came pretty soon. Hockney certainly was not one of those artists whose recognition comes only after their death, or late in life. Right away, his work sold well – which permitted him to travel and to live comfortable. He went to New York, then to California, where he was as smitten by the light and colours as Van Gogh was in Provence. It was in California that he made his famous swimming pool paintings, among which ‘‘A Bigger Splash’’.

    A room in the Hockney exhibition in Paris (Louis Vuitton Foundation, 2025)

    Yet Hockney didn’t forget the Yorkshire of his youth, and he returned there regularly, even for longer periods. There he made – among many other works – his famous ‘‘Spring’’ series, and it was also there he started working with new techniques. I remember his earliest i-pad ‘‘paintings’’, one of which represented rain – like a video, except that it wasn’t a video. Hockney was probably the first painter to embrace those new techniques – and to incorporate them in his paintings. He was quite brave in that respect, for in the beginning his use of the i-pad was frowned upon in certain circles. ‘‘Painting’’ with an instrument like that wasn’t serious! In the same way, Hockney proclaimed that painters in earlier centuries used instruments to establish the perspective in their pictures. Sacrilege! It couldn’t be… But he was probably right – and he showed it in his own work.

    https://youtu.be/g0-yI_Ph0aE

    It was also on his i-pad – perfected by himself – that he made his ‘‘Normandy’’ series. He stayed in his house in Normandy during the pandemic, and each and every day he painted the landscape, that changed with the weather and the seasons – like the landscape he portrayed in Yorkshire. A combination of hundreds of these small pictures and a gigantic ‘‘fresco’’ was shown (among other places) in 2025 in the Fondation Louis Vuitton in Paris.

    Hockney’s year-round paintings made in Normandy, 2022 ; here shown in Louis Vuitton Foundation, Paris, 2025

    Few artists are or were so inventive and prolific as Hockney. He probably was creative and busy till his last moments. In a way, his death makes us orphans. But fortunately, there is his work, which we can see and admire time and time again. In that sense, artists are never really gone.

    Interesting: A Bigger Picture, documentary by Bruno Wollheim (2010). You can watch it online here (to watch the whole film, you have to pay), or you can watch 80 short films made for David Hockney’s 80th birthday.

    See also La joie de la peinture : Hockney à Amsterdam – Vu du Nord

    David Hockney obituary | Painting | The Guardian

    ‘The vibrant proof of a presence slipped away’: Why David Hockney’s 1967 masterpiece is newly poignant after his death

    Header image : The Arrival of Spring in Woldgate. Van Gogh Museum, 2019

    More images in French section

    Back To Top – Retour en haut

    #20eSiècle #20thCentury #21eSiècle #21stCentury #art #artist #DavidHockney #Dessin #drawing #nécrologie #obituary #painter #painting #peinture
  8. I liked most of the first season of #Obituary but lost all interest early in season 2.

    #Sweetpea seemed to have potential, but it became clear in episode 1 that both shows are so similar I have to accuse Obituary of blatant theft from Sweetpea's source material, a series of books first published years before Obituary was released.

    Character type, exact same work environment, and general tone are identical.

    I won't bother with either.

    #tv #television #DarkComedy #plagiarism

  9. Radio Free Skaro #1070 – Do They Know It’s Christmas?

    http://traffic.libsyn.com/freyburg/rfs1070.mp3

    Download MP3

    Jingle bells are probably silent this Christmas as, if RTD’s hinting in the UK media has led the Three Who Rule to conclude, after Mr. Davies stating he won’t be filming anything this year, so…whither Doctor Who Christmas Special? We get after it! We also look into the spectacular looking 4K release of the 1996 TV Movie, our thoughts on the Mandolorian and Grogu, the usual Big Finish Zaprudering, and an interview with Sophie Aldred, Paul Cornell and author Adrian Tchaikovsky and their involvement in the Salvation’s Child graphic novel! Space Comics!

    Links:

    Interview:

    #AdrianTchiakovsky #AndrewSkilleter #BigFinish #BritBox #CutawayComics #DoctorWhoAdventures #DoctorWhoAmI #doctorWhoMagazine #DoctorWhoTVMovie #JonathanHelm #MarciaLucas #Merchandise #Obituary #ParadiseTowers #PaulCornell #PaulMcGann #RussellTDavies #Series16 #SophieAldred #SylvesterMcCoy
  10. Radio Free Skaro #1068 – They’re Not Real Bats

    http://traffic.libsyn.com/freyburg/rfs1068.mp3

    Download MP3

    Doctor Who is back! At least in the United States, by way of AMC+ which will be the exclusive streaming home of Doctor Who (2005-2022). No word if it’ll show up on AMC+ Canada, which does in fact exist, but we’re used to being the forgotten child of media. Plus we have more BFI and Big Finish news, a nice little BF tribute to Gareth David-Lloyd, and we travel back to the Jodie Whittaker era with a Miniscope examining the directing work of Lee Haven Jones on Spyfall Part Two, Orphan 55, and Revolution of the Daleks! 

    Links:

    Miniscope:

    #AMC #BigFinish #DavidBanks #doctorWho #doctorWhoMagazine #GarethDavidLloyd #JillCurzon #LeeHavenJones #Merchandise #Miniscope #nuWho #Obituary #Orphan55 #RevolutionOfTheDaleks #SpyfallPartTwo #TheUltimateEvil
  11. Radio Free Skaro #1062 – The Daleks Will Stop at Anything

    http://traffic.libsyn.com/freyburg/rfs1062.mp3

    Download MP3

    The time has come and the two previously missing but now gloriously present episodes of The Daleks’ Master Plan, namely The Nightmare Begins (Episode 1) and Devil’s Planet (Episode 3), are here to be viewed and reviewed! They appeared not only on the BBC iPlayer but also in full on the US (but not Canadian, feh) Classic Doctor Who Youtube channel, and we have viewed said episodes and have thoughts. But that’s not all we also have an interview with Toby Hadoke, who hosted a screening at Riverside Studios and reflects with Steven on the screening, the episodes, and the overall wonder that is their return! 

    Links:

    Interview:

    #BBCThree #BigFiniah #BigFinish #davidTennant #doctorWho #doctorWhoMagazine #Gangsters #HBO #iPlayer #LaurieWebb #Mechandise #MissingEpisodes #Obituary #PaulHayes #TheDaleksMasterPlan #TheGiggle #TheStarBeast #TobyHadoke #WildBlueYonder #WorldOfTelly #YouTube
  12. Martha’s Mexican Cocina closure leads top Fort Worth news

    A 2026 report analyzing how much it costs to live “in sustainable comfort” in the biggest U.S. cities has found Fort Worth residents need to make $1,123 more than they did last year to live comfortably in the city. Fo…
    #dining #cooking #diet #food #Food #Closings #FoodTopics #hotheadlines #mostpopular #OBITUARY #stateparks #tastemakerawards
    diningandcooking.com/2585726/m

  13. Radio Free Skaro #1040 – Scotland 1965

    http://traffic.libsyn.com/freyburg/rfs1040.mp3

    Download MP3

    The Three Who Rule take on the big questions this week, including whether or not to call the Sea Devils “Homo Aqua,” possible BBC broadcast plans for The War Between the Land and the Sea, the existence of 4K 35mm transfers of telecined old TV shows, and most importantly the spreading media virus known as the Spiral Staircase, which has driven Steven further around the bend than usual! Plus Tubi intrigue regarding the status of Classic Doctor Who, Doctor Who Magazine issuing massive pieces about Carole Ann Ford and Terry Nation, and most importantly, the first of our five-part re-evaluation of Torchwood: Children of Earth! 

    Links:

    Review:

    #623 #BadWolf #BBC #BigFinish #Disney #doctorWho #doctorWhoMagazine #GallifreyOne #MarkStrickson #Merchandise #Obituary #PaulineCollins #RussellTDavies #TheWarBetweenTheLandAndTheSea #TorchwoodChildrenOfEarth #Tubi

  14. Jane Goodall, famed #Primatologist , #anthropologist and #conservationist , dead at 91

    "The #JaneGoodall Inst. has learned this morning, Wed, October 1, 2025, that Dr. Jane Goodall DBE, UN Messenger of Peace & Founder of the Jane #Goodall Institute has passed away due to natural causes," the institute said on social media. "She was in #California as part of her speaking tour in the United States."

    Goodall’s discoveries as an #ethologist revolutionized science
    #obituary

    abcnews.go.com/International/j

  15. A Tribute to Patrick Hemingway with Sandra Spanier | The Hemingway Society

     The Hemingway Society

    A Tribute to Patrick Hemingway with Sandra Spanier

    Hemingway and his children, photo via Wikipedia. By Not specified, owned by John F. Kennedy Presidential Library and Museum – Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library, Public Domain, https://commons.wikimedia.org/w/index.php?curid=7895616

    Share on Facebook, Share on Twitter, Share on LinkedIn, Subscribe with Apple Podcasts, Subscribe with RSS, Download this episode

    Listen to the podcast, also on many podcast platforms.

    September 10, 2025

    At One True Podcast we were sad to hear of the death of Patrick Hemingway, the middle son of Ernest, who died on September 2, 2025. Patrick Hemingway (1928-2025) lived a life that was truly Hemingwayesque: traveling like his father, living much of his life in Africa, hunting and fishing, and determined to maintain the legacy of his father’s literary work. 

    We invited Sandra Spanier, General Editor of the Hemingway Letters Project, to share her memories of Patrick, including his contributions to the Letters Project, her visits with him, and a poignant interview with Patrick that was conducted just a few months ago. Our episode closes with a soundbite from that June 2025 interview.

    We hope you enjoy this immediate reaction to the sad news of Patrick’s passing.

    Continue/Read Original Article Here: A Tribute to Patrick Hemingway with Sandra Spanier | The Hemingway Society

    #2025 #Books #Death #Education #ErnestHemingway #HemingwaySociety #History #Libraries #Library #LibraryOfCongress #Obituary #OneTruePodcast #Passing #PatrickHemingway #Reading #September2 #Son #UnitedStates

  16. Robert Wilson Dies: Visionary Theater Creator Whose Philip Glass Opera Collaboration ‘Einstein On The Beach’ Remains A Towering Example Of 1970s Avant-Garde Art, Was 83
    #News #EinsteinontheBeach #Obituary #RobertWilson

    deadline.com/2025/07/robert-wi

  17. Clairvoyance – Chasm of Immurement Review

    By Maddog

    Yes, I picked this up entirely because of its cover. Girardi’s gorgeous spiral of tombstones and skeletons conjures vintage highbrow death metal of the likes of Death. The title Chasm of Immurement grasps at brutal badassery in the vein of Suffocation’s Effigy of the Forgotten. Clairvoyance’s logo remains indecipherable even if you know the band’s name, suggesting kvltness galore. The promo materials describe lyrics that address the isolating effects of depression, foreshadowing a harrowing listen. In isolation, each of these judgments strikes at the truth but glances off. Chasm of Immurement is the debut album from Poland’s Clairvoyance, an unknown band comprising unknown musicians. Lying at the intersection of brainless death-doom and brainiac digressions, Chasm of Immurement is a powerful foray into death metal.

    A first pass through Chasm of Immurement suggests primitive death metal with a dollop of doom. “Eternal Blaze” opens the album with a bang that recalls Faceless Burial’s Speciation. After grabbing me by the anus, Clairvoyance maintains its hold by alternating between mid-range Obituary riffs and lurching Autopsy-style death-doom. These lowbrow highlights feel both as slimy and evolved as an amoeba. With both its riffs and its guitar tone, Chasm of Immurement leaves a palpable layer of grime that justifies multiple colonoscopies. “Blood Divine” emerges as a late gem through riffs that are gory enough to draw blood and enormous enough to evoke Immolation. This isn’t isolated to a subset of the tracks; throughout its runtime, Chasm of Immurement alternates between a sixteen-wheeler and a used minivan without dulling its fun.

    On your fifth listen, Clairvoyance’s experimental bent comes into view. The same doomy riffs you’d heard before reveal spooky foreground melodies (“Reign of Silence”). The same track that you’d interpreted as a caveman ditty blossoms in baffling melodic directions in its second half (“Eternal Blaze”). The same song that introduced itself as by-the-books death metal culminates in a monstrous doomy climax (“Fleshmachine”). The same sections that you’d dismissed as repetitive transform into home bases for grimy excursions, interfering with your sleep schedule and your family obligations. Adorning hefty riffs with sinister melodies, Clairvoyance recalls both Lovecraft’s Azathoth and Morbid Angel’s Trey Azagthoth. It took me a while to realize that I was doing Chasm of Immurement an injustice by pigeonholing it into old-school death metal. It is indeed that, but it’s so much more.

    Clairvoyance’s varying ambitions both empower and dilute each other. Spanning 34 minutes across 6 tracks, Chasm of Immurement is a concise collection of lengthy tracks. Some of its pieces wander, especially at their simplest. For instance, despite being the second shortest track, “Blood Divine” feels lengthy because of its dearth of creative ideas. Similarly, the shortest song, “Eternal Blaze,” suffers from riffwork that’s decent but unimaginative, before eventually redeeming itself with more variety. Even so, these flubs are rare. The six-minute “Hymn of the Befouled” is the starkest counterexample, balancing length with girth by combining a vicious off-kilter main riff with melodic escapades that hold me rapt. Parts of Chasm of Immurement could do a better job of remaining engaging, but it’s hardly a fatal flaw.

    Balancing thoughtful death metal and anti-intellectual death-doom, Clairvoyance’s debut is as weird as it is powerful. Neanderthals who need their fix should look here, as Chasm of Immurement’s crushing death metal riffs rival the best of old-school death metal. Conversely, fans of Morbid Angel’s wonkiness or Tomb Mold’s shapeshifting shenanigans will find just as much to love here. Chasm of Immurement is unlikely to dethrone Faithxtractor’s Loathing and the Noose atop my 2025 death metal ranking, as its occasional meandering loses my interest. But it’s a promising debut from a crew of talented Polish fiends.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kb/s mp3
    Label: Carbonized Records
    Websites: carbonizedrecords.bandcamp.com | facebook.com/clairvoyancedeathmetal
    Releases Worldwide: July 18th, 2025

    #2025 #35 #Autopsy #BrutalDeath #BrutalDeathMetal #CarbonizedRecords #ChasmOfImmurement #Clairvoyance #Death #DeathDoom #DeathMetal #DeathDoomMetal #FacelessBurial #Immolation #Jul25 #MorbidAngel #Obituary #PolishMetal #ProgDeath #ProgressiveDeath #ProgressiveDeathMetal #Review #Reviews #Suffocation #TombMold