#obituary — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #obituary, aggregated by home.social.
-
https://www.europesays.com/at/380255/ Andy Williams: Every-Time-I-Die-Gitarrist und Wrestler stirbt mit 48 #AT #Austria #Entertainment #EveryTimeIDie #Music #Musik #Nachruf #Obituary #Österreich #RSX #Unterhaltung
-
Andy Williams, Every Time I Die Guitarist and Pro Wrestler, Dead at 48
Andy Williams, a professional wrestler who was formerly the founding guitarist of metalcore band Every Time I Die,…
#NewsBeep #News #Topstories #everytimeidie #Headlines #obit #Obituary #RSX #TopStories
https://www.newsbeep.com/721638/ -
Andy Williams, Every Time I Die Guitarist and Pro Wrestler, Dead at 48
Andy Williams, a professional wrestler who was formerly the founding guitarist of metalcore band Every Time I Die,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #EveryTimeIDie #obit #obituary #RSX
https://www.newsbeep.com/us/838793/ -
Andy Williams, Every Time I Die Guitarist and Pro Wrestler, Dead at 48
Andy Williams, a professional wrestler who was formerly the founding guitarist of metalcore band Every Time I Die,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #EveryTimeIDie #obit #obituary #RSX
https://www.newsbeep.com/us/838793/ -
Andy Williams, Every Time I Die Guitarist and Pro Wrestler, Dead at 48
Andy Williams, a professional wrestler who was formerly the founding guitarist of metalcore band Every Time I Die,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #EveryTimeIDie #obit #obituary #RSX
https://www.newsbeep.com/us/838793/ -
Andy Williams, Every Time I Die Guitarist and Pro Wrestler, Dead at 48
Andy Williams, a professional wrestler who was formerly the founding guitarist of metalcore band Every Time I Die,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #EveryTimeIDie #obit #obituary #RSX
https://www.newsbeep.com/us/838793/ -
Andy Williams, Every Time I Die Guitarist and Pro Wrestler, Dead at 48
Andy Williams, a professional wrestler who was formerly the founding guitarist of metalcore band Every Time I Die,…
#NewsBeep #News #Music #AU #Australia #Entertainment #EveryTimeIDie #obit #obituary #RSX
https://www.newsbeep.com/au/882492/ -
Andy Williams, Every Time I Die Guitarist and Pro Wrestler, Dead at 48
Andy Williams, a professional wrestler who was formerly the founding guitarist of metalcore band Every Time I Die,…
#NewsBeep #News #Music #AU #Australia #Entertainment #EveryTimeIDie #obit #obituary #RSX
https://www.newsbeep.com/au/882492/ -
https://www.europesays.com/ie/675777/ Andy Williams, Every Time I Die Guitarist and Pro Wrestler, Dead at 48 #Éire #Entertainment #EveryTimeIDie #IE #Ireland #Music #obit #obituary #RSX
-
Andy Williams, Every Time I Die Guitarist & Professional Wrestler, Dies at 48
-
Robin Morgan Dies: Former Ms. Magazine Editor, Women’s Media Center Co-Founder With Jane Fonda & Gloria Steinem Was 85
#News #Obituaries #GloriaSteinem #JaneFonda #Obituary #RobinMorgan -
Robin Morgan Dies: Former Ms. Magazine Editor, Women’s Media Center Co-Founder With Jane Fonda & Gloria Steinem Was 85
#News #Obituaries #GloriaSteinem #JaneFonda #Obituary #RobinMorgan -
Robin Morgan Dies: Former Ms. Magazine Editor, Women’s Media Center Co-Founder With Jane Fonda & Gloria Steinem Was 85
#News #Obituaries #GloriaSteinem #JaneFonda #Obituary #RobinMorgan -
Robin Morgan Dies: Former Ms. Magazine Editor, Women’s Media Center Co-Founder With Jane Fonda & Gloria Steinem Was 85
#News #Obituaries #GloriaSteinem #JaneFonda #Obituary #RobinMorgan -
Gloria Steinem used the dinner table as a place to forge relationships and foster change — neither a cook nor an enthusiastic eater
https://www.nytimes.com/2026/09/04/dining/gloria-steinem-dinners-food.html
Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change.
#food #feminism #obituary -
Gloria Steinem used the dinner table as a place to forge relationships and foster change — neither a cook nor an enthusiastic eater
https://www.nytimes.com/2026/09/04/dining/gloria-steinem-dinners-food.html
Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change.
#food #feminism #obituary -
Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change. #food #feminism #obituary
Posted into FLIPBOARD EXCHANGE FEED 🗞️ @flipboard-exchange-feed-Econopass
-
Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change. #food #feminism #obituary
Posted into FLIPBOARD EXCHANGE FEED 🗞️ @flipboard-exchange-feed-Econopass
-
Neither a home cook nor an enthusiastic eater, she used the dinner table as a place to forge relationships and foster change. #food #feminism #obituary
Posted into FLIPBOARD EXCHANGE FEED 🗞️ @flipboard-exchange-feed-Econopass
-
RAPPLER | Philippine & World News | Investigative Journalism | Data | Civic Engagement | Public Interest [Unofficial] @[email protected] ·Resil B. Mojares, National Artist for Literature, dies at 83
https://web.brid.gy/r/https://www.rappler.com/people/obituary/writer-resil-mojares-dies/
-
Amber Eggers Dies: ‘Love After Lockup’ Star Was 41
#News #Obituaries #AmberEggers #LifeAfterLockup #Obituary -
Amber Eggers Dies: ‘Love After Lockup’ Star Was 41
#News #Obituaries #AmberEggers #LifeAfterLockup #Obituary -
Amber Eggers Dies: ‘Love After Lockup’ Star Was 41
#News #Obituaries #AmberEggers #LifeAfterLockup #Obituary -
Amber Eggers Dies: ‘Love After Lockup’ Star Was 41
#News #Obituaries #AmberEggers #LifeAfterLockup #Obituary -
Un des plus grands n’est plus
David Hockney est décédé le 11 juin 2026
English version : click here
Il y a des tas d’expositions nouvelles en ce moment, partout. Et tous les jours, il y en a d’autres qui s’ouvrent. Je ne sais pas où donner de la tête, ni des doigts.
«La joie de la nature», au musée Van Gogh 2019 (photo JW)
Mais aujourd’hui, il faut que tout cela attende, que tout s’écarte. Un grand, un géant de l’art est mort hier, et comme tant d’autres, je ne peux m’empêcher d’y aller, moi aussi, de mon ode à David Hockney (1937-2026).On connaît son histoire. Né à Bradford, dans le nord industriel de l’Angleterre, dans une famille ouvrière, David Hockney découvre très jeune son talent et très jeune aussi, il reçoit une formation au dessin. Plus tard, il descend à Londres, où il peut poursuivre ses études au prestigieux Royal College of Art. Le succès vient très vite. Ensuite, il s’envole pour New York, plus tard pour la Californie. C’est là que, ébloui par la lumière et les couleurs, il fait ses fameuses peintures de piscines (comme le célèbre « A Bigger Splash »). Et pendant des années durant, il fera plus ou moins la navette entre la lumineuse Californie, son Yorkshire natal et, plus tard, la Normandie, où il passera en tout cas le temps de la pandémie, et où il fait une de ses plus belles fresques, exposée à la Fondation Louis Vuitton en 2025.
https://youtu.be/KyiByo5yMR8?si=fDmDxtOu2sHUAE-7
J’ai écrit déjà plusieurs fois sur Hockney et certaines de ses expositions (au Van Gogh Museum, au musée Teylers, et à d’autres endroits encore). Et à chaque fois j’étais éblouie, soufflée, par ses couleurs, sa vitalité, et sa capacité de se réinventer à chaque fois. Hockney n’hésitait pas à explorer, puis à embrasser et à perfectionner de nouvelles techniques, la photo, l’i-pad, la vidéo, ou des combinaisons de tout cela, et à chaque fois, il nous coupait le souffle. Il fallait du courage, car au départ, le monde artistique n’appréciait pas forcément ces «mélanges» entre informatique et peinture. Mais Hockney n’avait pas froid aux yeux, et il l’a montré aussi en affirmant que les peintres d’antan se servaient d’instruments (d’optique, de mesure) pour établir la perspective. Sacrilège! Mais Hockney tenait bon, il en a fait la démonstration dans ses oeuvres à lui – et il avait probablement raison.
Son oeuvre reste, et c’est formidable. Qu’il s’agisse de paysages, de portraits, d’« instantanés » (comme la trace de la plongeon dans la piscine), de dessins au fusain, de peinture sur i-pad ou de vidéos, la virtuosité de Hockney est immense. Et son oeuvre nous reste. Alors, autant on est triste que ce grand artiste nous ait quittés, autant on peut se réjouir de pouvoir, encore et encore, admirer cette oeuvre.
Pour en savoir plus: regardez A Bigger Picture, documentaire de Bruno Wollheim (2010). Vous pouvez le voir en ligne ici (pour le voir en entier, il faut payer), ou vous pouvez regarder 80 films courts fait pour les 80 ans de David Hockney.
Voir aussi: La joie de la peinture : Hockney à Amsterdam – Vu du Nord
David Hockney, grand peintre britannique, est mort à l’âge de 88 ans
David Hockney : « J’ai toujours voulu faire des images » | France Culture
Image en tête: Le printemps arrive à Woldgate. Musée Van Gogh, 2019
Top
Death of a giant
David Hockney (b. 1937) died on June 11, 2026.
There are many new exhibitions to write about, and I started doing just that. But today, everything has to wait. Today – like so many others – I have to commemorate David Hockney (1937-2026). He is one of the contemporary artists I admire most, and I am not the only one. I have written about several of his exhibitions (among others in the Van Gogh Museum, or in Teylers Museum).
David Hockney, Spring in Woldgate, charcoal on paper, 2012; shown in Van Gogh Museum, The Joy of Nature, 2019Born in the industrial city of Bradford in a working class family, his talent was discovered when he was still very young, and he had drawing lessons from a very young age, too. Later, he went to London where he was admitted to the Royal College of Art. There, his talent was noticed as well, not only by his teachers and other students, but also by galleries and art merchants. Success came pretty soon. Hockney certainly was not one of those artists whose recognition comes only after their death, or late in life. Right away, his work sold well – which permitted him to travel and to live comfortable. He went to New York, then to California, where he was as smitten by the light and colours as Van Gogh was in Provence. It was in California that he made his famous swimming pool paintings, among which ‘‘A Bigger Splash’’.
A room in the Hockney exhibition in Paris (Louis Vuitton Foundation, 2025)Yet Hockney didn’t forget the Yorkshire of his youth, and he returned there regularly, even for longer periods. There he made – among many other works – his famous ‘‘Spring’’ series, and it was also there he started working with new techniques. I remember his earliest i-pad ‘‘paintings’’, one of which represented rain – like a video, except that it wasn’t a video. Hockney was probably the first painter to embrace those new techniques – and to incorporate them in his paintings. He was quite brave in that respect, for in the beginning his use of the i-pad was frowned upon in certain circles. ‘‘Painting’’ with an instrument like that wasn’t serious! In the same way, Hockney proclaimed that painters in earlier centuries used instruments to establish the perspective in their pictures. Sacrilege! It couldn’t be… But he was probably right – and he showed it in his own work.
It was also on his i-pad – perfected by himself – that he made his ‘‘Normandy’’ series. He stayed in his house in Normandy during the pandemic, and each and every day he painted the landscape, that changed with the weather and the seasons – like the landscape he portrayed in Yorkshire. A combination of hundreds of these small pictures and a gigantic ‘‘fresco’’ was shown (among other places) in 2025 in the Fondation Louis Vuitton in Paris.
Hockney’s year-round paintings made in Normandy, 2022 ; here shown in Louis Vuitton Foundation, Paris, 2025Few artists are or were so inventive and prolific as Hockney. He probably was creative and busy till his last moments. In a way, his death makes us orphans. But fortunately, there is his work, which we can see and admire time and time again. In that sense, artists are never really gone.
Interesting: A Bigger Picture, documentary by Bruno Wollheim (2010). You can watch it online here (to watch the whole film, you have to pay), or you can watch 80 short films made for David Hockney’s 80th birthday.
See also La joie de la peinture : Hockney à Amsterdam – Vu du Nord
David Hockney obituary | Painting | The Guardian
Header image : The Arrival of Spring in Woldgate. Van Gogh Museum, 2019
More images in French section
Back To Top – Retour en haut
#20eSiècle #20thCentury #21eSiècle #21stCentury #art #artist #DavidHockney #Dessin #drawing #nécrologie #obituary #painter #painting #peinture -
I liked most of the first season of #Obituary but lost all interest early in season 2.
#Sweetpea seemed to have potential, but it became clear in episode 1 that both shows are so similar I have to accuse Obituary of blatant theft from Sweetpea's source material, a series of books first published years before Obituary was released.
Character type, exact same work environment, and general tone are identical.
I won't bother with either.
-
Jay Daniel Dies: Producer On Groundbreaking If Troubled Series ‘Roseanne’, ‘Moonlighting’ & ‘Cybil’ Was 82
#News #Obituaries #JayDaniel #Moonlighting #Obituary #Roseanne -
Jungle Rot – Cruel Face of War Review By Grin ReaperAfter four years of studio silence, Kenoshan cavemen Jungle Rot emerge from the bush with twelfth platter, Cruel Face of War. For the uninitiated, Jungle Rot plays groovy death metal that’s hostile, bludgeoning, and never dares to overthink anything. Their output has been more reliable than our coverage, and reviewing every other album since 2011’s Kill on Command, each has earned a ‘Mixed’ rating. Interestingly, the two albums we missed reviewing, Terror Regime and Jungle Rot, are the best of that group, particularly their self-titled effort. Now faced with our first consecutive Jungle Rot evaluation, can Cruel Face of War break the mold, or does it run through the Jungle on cruise control?
‘Consistency is key’ perseveres as a pillar of advice I mete out and live by,1 and this lesson sticks with Jungle Rot like flies on a decomposing carcass. After three decades of mouth-breathing death jams, the band still delivers freshly forged OSDM every two to four years that reeks of Obituary and Bolt Thrower. While the hardcore and deathcore vestiges have diminished,2 trace amounts of Hatebreed and Slaughter to Prevail lurk within Jungle Rot’s fetid funk, especially Dave Matrise’s vocals. To be fair, any fluctuations in their sound become conversations of degrees, and since Fueled by Hate dropped in 2004, Jungle Rot has been lodged in a groove so deep they haven’t pulled out from it yet.
Jungle Rot sounds best when they inject a bit of melody into their formula, and those crumbs unerringly serve as the best morsels on Cruel Face of War. Maybe that’s because only those moments break up the monotony of an otherwise wearisome chuggathon, where an unvarying landscape of riffs and grooves blur together into an indistinct sea of homogenous death metal. For instance, the riffs on “When the Elders Rise” and “Rot Riffs” carry just enough character to help differentiate themselves from the rest of the pack, but otherwise, I can’t distinguish between most others without playing them back-to-back. To Jungle Rot’s credit, they possess a sound uniquely their own. But like a painter who only uses a single color, they lock themselves into a self-imposed prison of uniformity that undercuts any notion of tension or contrast.
Despite the detractors, Jungle Rot’s adherence to convention pays dividends as well. Pit-ready grooves and stank-inducing verses make great fodder for good ol’ fashioned head-banging, and while the simplicity limits Cruel Face of War’s upside, it also ensures a stable foundation to build upon. Regarding pacing, Jungle Rot plays with two speeds: a menacing, mid-paced skulk and a faster, more predatory trot. Though they never commit to woebegone plods or balls-out blitzes, there’s just enough variety to keep things engaging without moving too far away from Jungle Rot’s established sonic ideal. Additionally, Cruel Face of War merits praise for the efficient yet expressive solos, particularly on “Cruel Face of War” and “Horrors Vile,” with Geoff Bub and David Matrise credited for guitars.3 Bassist James Genenz rumbles and groans alongside, supplying a meaty dimension to Cruel Face of War, and drummer Spenser Syphers pounds and pummels as needed. Dan “The Man” Swanö even handles mixing and mastering, granting the immediate boost he bestows to nearly everything he touches.
Cruel Face of War never outright errs, yet Jungle Rot proves so reticent to stray from the path oft-traveled that I wonder why they recorded new material. Jungle Rot felt like a promising step forward, infusing wicked melodies into the band’s brutish brand of death metal. Since then, Jungle Rot seems content to churn out mildly different flavors of the same core recipe with rapidly diminishing returns. After thirty years of staying the course, I’m not hopeful that Jungle Rot will venture into unfamiliar territory, but without stepping outside their comfort zone, I don’t foresee them bursting free from their Jungle Rut.
Rating: Disappointing
#20 #2026 #AmericanMetal #BoltThrower #CruelFaceOfWar #DeathMetal #Hatebreed #JungleRot #May26 #Obituary #Review #Reviews #SlaughterToPrevail #UniqueLeaderRecords
DR: 6 | Format Reviewed: 224 kbps mp3
Label: Unique Leader Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 15th, 20264 -
Six Feet Under – Next to Die Review By Alekhines Gun
Here in the hall, we have a tradition called “Squatter’s Rights”. This ensures that if you had the fortune to review something good, you get first dibs on that band’s next release; it also helps prevent the staff from mass-slaughtering each other when trying to see who gets to cover bigger names. Impossibly long-running “Little Engine That Would” outfit Six Feet Under are a remarkable inversion of that rule as the only “big” name where the opposite is true. Rapidly passed about like a blunt when the cops roll up, their last seven albums reviewed here have been through no less than five writers, and now their newest “opus” has fallen to me.1 Previous album Killing for Revenge had the inimitable Iceberg shower the band with praise enough to justify upping their classification from embarrassing to “merely” bad, which is, at least, an improvement in the most scientific sense of the word. Can Barnes and the Boys keep this upward trajectory?
That Next to Die suffers from self-sabotaging of good ideas is no surprise; what may be surprising is how many good ideas there are to sabotage. Against all odds and seemingly with the sole purpose of ruining entertaining writing, Six Feet Under has managed to assemble an album I find very difficult to outright hate. From a collection of fun, tasteful solos (“Destroyed Remains”, “Next to Die”) to grooves and riffs which manage to carry a whiff of old-school authenticity without devolving completely into boneheaded ignorance (“Mutilated Corpse in the Woods”), Next to Die is mostly barren of the rage-triggering flaws of olde. There are moments in here to get my toes tapping and noggin’ joggin’, with high-energy Obituary-isms and riffs that recall the stench of the oldest of old school death.
For the most part, Chris Barnes has managed to get out of his own way, discovering high-brow concepts like hot tea and honey between takes and maybe not smoking all the time. The utter ghastliness of Nightmares of the Decomposed has been mercifully abandoned, as he turns in a performance which manages to straddle a sweet spot between The Bleeding and Butchered at Birth, albeit more sun-bleached and war-torn. True, the more open spaces do him no favors when he tries to fill them with sustained growls, and from time to time, he still sounds like he’s struggling with his pacing (“Grasped From Beyond”, “Wrath and Terror Takes Command”), but he doesn’t sound like he’s trying to talk through a tight and possibly fuzzy leather belt anymore. He’s brought a smidgen more tonal range this go-round, digging deeper for some extra lows in “Skin Coffins” and squeezing out the last drops of juice from his throat in the high-belted chorus of “Ill Wishes”. While it’s only taken a decade or three, Barnes can’t be considered the defining weak link of his band anymore.
Instead, everyone gets to have a hand in things!2 Drummer Marco Pitruzzella often zigs when he should zag, with bizarre drum arrangements and surprisingly minimal beats (“Unmistakable Smell of Death”, “Mind Hell”) which turn into real momentum killers. Some artistic ideas can’t stick the landing, like the aforementioned “Ill Wishes,” which swings for a real album climax in presentation but is ruined by Barnes licking my ears with wildly moist ASMR verses,3 and album kickoff “Approach Your Grave” tries to return death metal to its horror roots with a nifty curtain-raising styled riff that takes two and a half minutes too long to get to the point. Then there’s the paradox of the album: “Mister Blood and Guts.” Musically speaking, this is the crown jewel, with a curb stomping, pit igniting, grin-inducing wad of chug-heavy fun in the chorus, as long as you try not to think too hard about how the lyrics sound like they were written by Sid from Toy Story. Really, that’s the album in a nutshell: there’s some unexpected joy in here, but the sense of relief you feel as the average and mediocre lifts its head is palpable.
“Stand tall, score it appropriately.” That’s what my Freezer Brother Tyme said. Well, I have, and frankly, I’m angry about it. This was not the dumpster fire I was looking forward to. It is not irredeemable, it is not atrocious, and it is not appallingly terrible. It is instead a cumulative result of a surprising amount of good ideas, riddled with enough flaws and imperfections to drag the final product down to average. Many bands would find that devastating. For Six Feet Under, it is a crowning accomplishment, a continuation of their upward trajectory from the unforgivable to the merely appallingly milquetoast.
Rating: 2.5/5.0
#25 #2026 #AmericanMetal #Apr26 #DeathMetal #NextToDie #Obituary #Review #Reviews #SixFeetUnder
DR: 5 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records
Website: Album Bandcamp
Releases Worldwide: April 24th, 2026 -
Radio Free Skaro #1062 – The Daleks Will Stop at Anything
http://traffic.libsyn.com/freyburg/rfs1062.mp3The time has come and the two previously missing but now gloriously present episodes of The Daleks’ Master Plan, namely The Nightmare Begins (Episode 1) and Devil’s Planet (Episode 3), are here to be viewed and reviewed! They appeared not only on the BBC iPlayer but also in full on the US (but not Canadian, feh) Classic Doctor Who Youtube channel, and we have viewed said episodes and have thoughts. But that’s not all we also have an interview with Toby Hadoke, who hosted a screening at Riverside Studios and reflects with Steven on the screening, the episodes, and the overall wonder that is their return!
Links:
- Support Radio Free Skaro on Patreon
- The Daleks’ Master Plan: The Nightmare Begins – iPlayer
- The Daleks’ Master Plan: Devil’s Planet – iPlayer
- The Daleks’ Master Plan: The Nightmare Begins – YouTube
- The Daleks’ Master Plan: Devil’s Planet – YouTube
- Doctor Who Magazine 628 released
- BBC Three to run Twenty Years of Tennant marathon Apr 16
- HBO says not aware of a potential Doctor Who partnership with the BBC
- Big Finish: Doctor Who: Time War – Uncharted: Branches due May 2026
- Big Finish: Doctor Who – Rutans vs Sontarans: Betrayal at the House of Sontar out now
- Big Finish: Torchwood: Curtain released
- Paul Hayes’ Flight Into Danger documentary and article
- World of Telly – Gangsters
- Laurie Webb died at 101
Interview:
#BBCThree #BigFiniah #BigFinish #davidTennant #doctorWho #doctorWhoMagazine #Gangsters #HBO #iPlayer #LaurieWebb #Mechandise #MissingEpisodes #Obituary #PaulHayes #TheDaleksMasterPlan #TheGiggle #TheStarBeast #TobyHadoke #WildBlueYonder #WorldOfTelly #YouTube -
Michael Connelly Shares ‘Bosch’s Origin Story As He Pays Tribute To Series Creator Eric Overmyer
#News #Obituaries #Bosch #EricOvermyer #MichaelConnelly #Obituaryhttps://deadline.com/2026/03/michael-connelly-eric-overmyer-tribute-1236759772/
-
Actor Robert Carradine Dies At Age 71
#News #KeithCarradine #Obituary #RobertCarradinehttps://deadline.com/2026/02/robert-carradine-dead-age-71-1236734055/
-
Willie Colón Dies: Salsa Music Legend And Activist Was 75
#News #Obituaries #Obituary #WillieColónhttps://deadline.com/2026/02/willie-colon-dies-75-1236731880/
-
Willie Colón, Pioneering Salsa Icon, Dead at 75
-
June Lockhart, actor in TV’s ‘Lassie’ and ‘Lost in Space,’ dies at 100
-
June Lockhart Dies: ‘Lassie’ & ‘Lost in Space’ Actress Was 100
#News #Obituaries #JuneLockhart #Obituaryhttps://deadline.com/2025/10/june-lockhart-dies-100-1236597102/
-
Ian Freebairn-Smith Dies: Grammy Winning ‘A Star Is Born’ Arranger, Prolific TV & Film Composer Was 93
#News #Obituaries #AStarIsBorn #IanFreebairnSmith #Obituaryhttps://deadline.com/2025/10/ian-freebairn-smith-dead-1236583914/
-
Quentin Tarantino Pays Tribute To Michael Madsen With ‘Reservoir Dogs’ Memory: “I’m On Your Side, Buddy”
#News #Obituaries #MichaelMadsen #Obituary #QuentinTarantino #ReservoirDogs -
Robert Wilson Dies: Visionary Theater Creator Whose Philip Glass Opera Collaboration ‘Einstein On The Beach’ Remains A Towering Example Of 1970s Avant-Garde Art, Was 83
#News #EinsteinontheBeach #Obituary #RobertWilson -
Clairvoyance – Chasm of Immurement Review
By Maddog
Yes, I picked this up entirely because of its cover. Girardi’s gorgeous spiral of tombstones and skeletons conjures vintage highbrow death metal of the likes of Death. The title Chasm of Immurement grasps at brutal badassery in the vein of Suffocation’s Effigy of the Forgotten. Clairvoyance’s logo remains indecipherable even if you know the band’s name, suggesting kvltness galore. The promo materials describe lyrics that address the isolating effects of depression, foreshadowing a harrowing listen. In isolation, each of these judgments strikes at the truth but glances off. Chasm of Immurement is the debut album from Poland’s Clairvoyance, an unknown band comprising unknown musicians. Lying at the intersection of brainless death-doom and brainiac digressions, Chasm of Immurement is a powerful foray into death metal.
A first pass through Chasm of Immurement suggests primitive death metal with a dollop of doom. “Eternal Blaze” opens the album with a bang that recalls Faceless Burial’s Speciation. After grabbing me by the anus, Clairvoyance maintains its hold by alternating between mid-range Obituary riffs and lurching Autopsy-style death-doom. These lowbrow highlights feel both as slimy and evolved as an amoeba. With both its riffs and its guitar tone, Chasm of Immurement leaves a palpable layer of grime that justifies multiple colonoscopies. “Blood Divine” emerges as a late gem through riffs that are gory enough to draw blood and enormous enough to evoke Immolation. This isn’t isolated to a subset of the tracks; throughout its runtime, Chasm of Immurement alternates between a sixteen-wheeler and a used minivan without dulling its fun.
On your fifth listen, Clairvoyance’s experimental bent comes into view. The same doomy riffs you’d heard before reveal spooky foreground melodies (“Reign of Silence”). The same track that you’d interpreted as a caveman ditty blossoms in baffling melodic directions in its second half (“Eternal Blaze”). The same song that introduced itself as by-the-books death metal culminates in a monstrous doomy climax (“Fleshmachine”). The same sections that you’d dismissed as repetitive transform into home bases for grimy excursions, interfering with your sleep schedule and your family obligations. Adorning hefty riffs with sinister melodies, Clairvoyance recalls both Lovecraft’s Azathoth and Morbid Angel’s Trey Azagthoth. It took me a while to realize that I was doing Chasm of Immurement an injustice by pigeonholing it into old-school death metal. It is indeed that, but it’s so much more.
Clairvoyance’s varying ambitions both empower and dilute each other. Spanning 34 minutes across 6 tracks, Chasm of Immurement is a concise collection of lengthy tracks. Some of its pieces wander, especially at their simplest. For instance, despite being the second shortest track, “Blood Divine” feels lengthy because of its dearth of creative ideas. Similarly, the shortest song, “Eternal Blaze,” suffers from riffwork that’s decent but unimaginative, before eventually redeeming itself with more variety. Even so, these flubs are rare. The six-minute “Hymn of the Befouled” is the starkest counterexample, balancing length with girth by combining a vicious off-kilter main riff with melodic escapades that hold me rapt. Parts of Chasm of Immurement could do a better job of remaining engaging, but it’s hardly a fatal flaw.
Balancing thoughtful death metal and anti-intellectual death-doom, Clairvoyance’s debut is as weird as it is powerful. Neanderthals who need their fix should look here, as Chasm of Immurement’s crushing death metal riffs rival the best of old-school death metal. Conversely, fans of Morbid Angel’s wonkiness or Tomb Mold’s shapeshifting shenanigans will find just as much to love here. Chasm of Immurement is unlikely to dethrone Faithxtractor’s Loathing and the Noose atop my 2025 death metal ranking, as its occasional meandering loses my interest. But it’s a promising debut from a crew of talented Polish fiends.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Carbonized Records
Websites: carbonizedrecords.bandcamp.com | facebook.com/clairvoyancedeathmetal
Releases Worldwide: July 18th, 2025#2025 #35 #Autopsy #BrutalDeath #BrutalDeathMetal #CarbonizedRecords #ChasmOfImmurement #Clairvoyance #Death #DeathDoom #DeathMetal #DeathDoomMetal #FacelessBurial #Immolation #Jul25 #MorbidAngel #Obituary #PolishMetal #ProgDeath #ProgressiveDeath #ProgressiveDeathMetal #Review #Reviews #Suffocation #TombMold
-
Michael Madsen Official Cause Of Death Determined
#News #Obituaries #MichaelMadsen #Obituaryhttps://deadline.com/2025/07/michael-madsen-cause-of-death-1236461387/
-
Young Noble Dies: Rapper & Member Of Tupac’s Outlawz Group Was 47
#News #Obituaries #Obituary #Outlawz #TupacShakur #YoungNoblehttps://deadline.com/2025/07/young-noble-dies-47-1236450360/
-
Terry Louise Fisher Dies: ‘L.A. Law’ Co-Creator & ‘Cagney & Lacey’ Writer Was 79
#News #Obituaries #CagneyLacey #LALaw #Obituary #TerryLouiseFisherhttps://deadline.com/2025/06/terry-louise-fisher-dies-79-1236432626/
-
Radio Free Skaro #1016 – Bonestorm
http://traffic.libsyn.com/freyburg/rfs1016.mp3
It’s “Wish World”, the penultimate episode Season 2 of Doctor Who, but the moment has been prepared for! What did Steven, Warren, and Chris think of this lead-up to next week’s finale “The Reality War” and all the many campy bits therein? Will the Doctor regain his identity and crack the code of a 1950s inflected dystopia? Will Ruby work out the mystery of a forgotten world? Will Belinda get anything to do? Tune in and find out! Plus Barbie, Big Finish, and more!
Links:
- Support Radio Free Skaro on Patreon
- Doctor Who S2E07 “Wish World” Review
- Doctor Who S2E07 Unleashed
- Doctor Who S2E07 Behind the Scenes
- Varada Sethu Interviews Carole Ann Ford
- Dugga Doo full version
- Dugga Doo 24/7
- Fifteenth Doctor Barbie due July
- Ruby Sunday Barbie due July
- Doctor Who Magazine 617 released
- Doctor Who: River Song Choose Your Own Adventure Hardcover due Feb 12, 2026
- Big Finish Call Me Master: Monsters due September 2025
- Big Finish Doctor Who: Alixion due September 2025
- Bonnie Langford & Colin Baker answer Big Finish listener questions
- Big Finish: Star Cops – Conflict returns in 2026
- Peter David died
- BBC arts broadcaster Alan Yentob dies aged 78
#AlanYentob #Barbie #BigFinish #BonnieLangford #CaroleAnnFord #ColinBaker #doctorWho #doctorWhoMagazine #DoctorWhoUnleashed #Merchandise #Obituary #PeterDavid #Season2 #TheInterstellarSongContest #VaradaSethu #WishWorld
-
Renowned Photographer Radhakrishnan Chakyat Passes Away
#Charliemovie #Malayalamcinema #Obituary #Photography #Radhakrishnan
https://blazetrends.com/renowned-photographer-radhakrishnan-chakyat-passes-away/?fsp_sid=37407 -
David Edward Byrd Dies: ‘Follies’ Artist Whose Iconic Psychedelic Posters Spanned Rock And Broadway Was 83
#News #Obituaries #Broadway #DavidEdwardByrd #Follies #Godspell #Obituaryhttps://deadline.com/2025/02/david-edward-byrd-dead-1236278266/
-
Alan Rachins Dies: ‘LA Law’ And ‘Dharma & Greg’ Actor Was 82
#News #Obituaries #AlanRachins #Death #Deaths #DharmaGreg #LALaw #LALaw #Obit #Obits #Obituaryhttps://deadline.com/2024/11/alan-rachins-dies-82-la-law-dharma-greg-actor-1236165464/
-
Columbus Blue Jackets left-winger Johnny Gaudreau died Thursday night when he was struck by a car while riding a bicycle in New Jersey in a crash that also killed his brother, Matthew. https://www.japantimes.co.jp/sports/2024/08/31/more-sports/johnny-gaudreau-killed-bicycle-crash/ #moresports #johnnygaudreau #matthewgaudreau #columbusbluejackets #calgaryflames #nhl #obituary
-
NHL Player Johnny Gaudreau And Brother Fatally Struck By SUV Day Before Sister’s Wedding
#News #Obituaries #Sports #ColumbusBlueJackets #JohnnyGaudreau #Obituaryhttps://deadline.com/2024/08/johnny-gaudreau-dead-obituary-1236073779/
