#speedmetal — Public Fediverse posts

ETERNITY'S END (Alemanya) presenta nou single: "Ravenheart" #EternitySEnd #ProgressivePower #SpeedMetal #Setembre2026 #Alemanya #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic

ETERNITY'S END (Alemanya) presenta nou single: "Ravenheart" #EternitySEnd #ProgressivePower #SpeedMetal #Setembre2026 #Alemanya #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic

Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the Helsinki underground with a gnarly and riotous speed, thrash, and old school black metal attack. Featuring additional lashings of classic heavy metal, punk, and death influences, Rapid unleash their retro brand of ugly, thrashy mayhem on debut album, Enter the Realm of Fire. And from the get-go, these dudes share a clear devotion of ye olden days of underground, piss-and-vinegar-drenched metal, creating an authentically twisted concoction, brooding with bombast, evil vibes, and over-the-top theatrics. The colorfully named trio, consisting of bassist/vocalist Vincent Revenge, drummer The Goon, and axe wielder Atte ‘Spectre’ Nikku, formed back in 2014. During this time, they spat out a couple of demos and 2022’s Blackstar Oppression Regime EP generating underground buzz. Boasting a mean, unvarnished sound, and metal cred up the ying-yang, can Rapid back things up with songwriting to match their trve old school values?

Following an unnecessary intro piece, Rapid launch into their work proper on the ripping “Witchcraft of Horror,” laying their cards on the table, flexing their blackened thrash and speed metal combo, taking cues from the likes of Venom, early Slayer, Mercyful Fate and modern retro heavyweights Bütcher and Midnight. It’s a raucous, unhinged formula to warm the blackened hearts of’80s metal and underground aficionados. Once more, Rapid is a deceptively nimble beast, wielding their crude weapons and vicious badassery with deft hands, threading slithering melodies and sinister atmospheres into the thrashing cauldron, where galloping speed, raucously blackened riffs and unhinged vocals conspire to wreak havoc. Revenge’s vocals lend the album a wickedly over-the-top and charismatic edge, as black-thrash howls, croaks, demented screams and a rough-around-the-edges cleaner style are unleashed.

Aside from the punkish, first-wave gallop and thrust of mid-album burner “Horemheb,” and epic, if slightly overcooked closer “Beyond the Gates of the Rapid Flames,” Rapid keep the songwriting sharp and punchy, much to the album’s advantage. While the raw slash-and-burn riffage reigns supreme, the melodic embellishments and occasional noteworthy soloing add layers of substance and intrigue to the otherwise cutthroat nature of the Rapid formula. The hugely energetic delivery, coupled with their feral streak and deft handling of tempo variations, helps maintain interest across the album’s duration. At its best, Enter the Realm of Fire goes hard and comes emblazoned with deadly hooks and killer atmosphere, such as those adorning the frosty death march of “Wielder of Might – Death from Above,” grimly venomous meloblack meets heavy metal grooves of “Black Poison,” and blackened heavy metal gallop exhibited on the hooky, over-the-top “Pest Eater.” Not all tracks hit the same heights, but it’s all pretty solid and enjoyable fare.

Enter the Realm of Fire comes armed and dangerous with a roughshod production that tramples modern production values into dust, complimenting the looser vibes and gritty underground aesthetics, without sacrificing overall bite, clarity and tasty dynamics. Rough production and looser vibes do not translate to sloppy performances. The trio bust out energetic, tightly synced performances, highlighted by Revenge’s unusual yet often compelling vocals and Spectre’s raw, menacing riffs, blazing melodies, and often eloquently shredded solos. There are slight ebbs and flows in song-to-song quality, though aside from the throwaway intro and almost comically odd slower-paced track “Gaze of the Black Void,” the album is uniformly solid with a few especially potent bangers.

Rapid’s accomplished debut comes as a pleasant surprise, skillfully straddling the line between nostalgia, ’80s metal trvness, and raw underground grit, while sounding fresh enough to stand on its own. Sure, influences are proudly adorned on their ragged battle vests, but there is ample upside to what Rapid have cooked up. A wild and venomous ride, Enter the Realm of Fire is a gleefully violent, old school metal rampage that largely overcomes its warts and all flaws with solidly entertaining songwriting. The future looks bright for these throwback underground warriors.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Culloden – Witchpricker
#HeavyMetal #Metal #NWOBHM #NWOTHM #SpeedMetal #epicmetal #heavymetal #NewcastleUponTyne
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://cullodenuk.bandcamp.com/album/witchpricker

Il Segreto del Vero Rock: Perché la Tua Chitarra Ha Bisogno di un Mastro Liutaio (E Dove Trovarlo!)

https://metal-lore.com/2026/07/20/il-segreto-del-vero-rock-perche-la-tua-chitarra-ha-bisogno-di-un-mastro-liutaio-e-dove-trovarlo/

✊MANIAKKS BEWARE ✊

In case you are looking for the perfect collector's item, look no further! The ETERNAL DAGGER limited box set is the perfect opportunity to show your dedication to Iron Kobra and Heavy Metal!

Limited box set (200 copies) with the album on blue/silver galaxy vinyl, including

- insert
- A1 sized poster
- sticker
- post card
- woven patch
- silkscreened backpatch
- metal pin
- posterflag
- slipmat
- download code

Be quick or be dead, this box will never see a second run! #IronKobra #HeavyMetal #vinyl #metal #SpeedMetal #EternalDagger

A week has passed since the release of our new album ETERNAL DAGGER and we cannot express how extremely grateful we are for all the positive feedback and love that YOU have shown us! Thank you so much for all your support and dedication.

Now we want to know: From the despairing depths of the Tembling Dungeons to the epic unspeakable heights of the Mountains of Madness, what is your favourite track of the album? Are you SIDE ETERNAL or SIDE DAGGER?

Post in the comments and let us know!

To celebrate the release, we will also hand out 5 free download codes of our new album among all comments! #IronKobra #HeavyMetal #metal #EternalDagger #SpeedMetal #nwothm

The year was 2008. The place is Gelsenkirchen, Germany. Four brave souls were about to form Iron Kobra. Yearning for an era with less sheen and more grit, the band honed their craft with early demo Cult of the Snake and EP Battlesword. Their debut full-length, Dungeon Masters, wouldn’t descend upon the masses until 2012. While a little rough, it showed promise and ambition; the band clearly understood the fundamentals of hard rock and classic heavy metal. 2015 would see them return with Might & Magic, a higher-octane affair with tighter musicianship. But for a single here and there, Iron Kobra has remained quiet in the 11 years since. The metal snake returns now in 2026, promising louder, faster, and better.

I’m gonna do this review a little backward, starting with my chief complaint. Eternal Dagger feels more like a playlist than an album. There’s awesome musicianship and band cohesion on display here—the call and response antics of “Trembling Dungeons,” the stair-stepped riffs of “Fliehen,” the band’s perfect punctuation of Ela’s lyrics on “Forbidden Fruits,” Matze’s bass carrying the melody through the end of “Silver Strings and Iron Wings”—but nothing really ties these tracks together. It’s all undeniably the work of Iron Kobra, but the band careens—quite competently, at least—from searing speed metal (“Unchained & Untamed”) to Priestly NWoBHM (“Shibuya Nights”) to epic heavy metal (“Mountains of Madness”), making the album feel a bit unfocused. The great part about a criticism like this is that it has absolutely no bearing on how fucking hard these Germans rip.

From the first moments of “Trembling Dungeons”—a trash can opening, a sick divebomb, and soaring cleans—it’s clear Iron Kobra came here to chew bubblegum and kick ass, and they’re all out of bubblegum.1 Eternal Dagger is a rager written for all those who still blast Saxon on the reg. Whether burning barns (“Forbidden Fruits,” “Treacherous Tyrant”) or stomping out anthemic bangers, Iron Kobra plays with wanton abandon. This riotous and free energy never lets up, largely thanks to drummer Bjӧrn, even when the tempo drops a gear. “Silver Strings and Iron Wings” takes me back to Di’Anno-era Maiden, and “Trembling Dungeons” could’ve been an Angel Witch b-side. “Eternal Dagger” ventures into progressive territory, and although it doesn’t quite stick the landing and ends a little awkwardly, it’s intriguing, and I’d like to see them explore this narrative style more on future releases.

Eternal Dagger is a vast improvement over Iron Kobra’s back catalog, most notably stemming from its superior production. Mixed and mastered by Stefan Castevet, Eternal Dagger feels full and fleshed out. Bjӧrn’s kick drum moves some serious air, and Matze’s bass sounds absolutely incredible. It’s lush, vibrant, and responsible for some of my favorite moments on Eternal Dagger (“Shibuya Nights,” “Silver Strings,” “Unchained & Untamed”). The other major improvement of Eternal Dagger is the band’s synergy. While previous efforts felt like four talented musicians playing together, Eternal Dagger feels far more cohesive. This is best shown in the way lead guitarist Steffen dances beautifully around Ela’s rhythm guitars like variations on a theme. His leads and solos always feel like an extension of the rhythm section, rather than a standalone element (“Trembling Dungeons,” “Forbidden Fruits,” “Treacherous Tyrant”). Licks and fills from every member of Iron Kobra decorate the larger compositions, and as a result, Eternal Dagger feels like the work of a band at the top of their game.

Iron Kobra has got the goods. Front to back, Eternal Dagger is infectious and riotously fun. Whether you wanna howl at the sky while driving a bit too fast down the highway or pump your fist and bang your head in a crowd of sweaty, late-middle-aged men, Iron Kobra will get you there. I do wish Eternal Dagger had a more singular identity, but at the end of the day, I still had a blast working with this album over the past couple weeks. Unless you won’t settle for anything less than earth-shattering and paradigm-shifting masterpieces, Eternal Dagger will give you a sore neck and some involuntary stank face just fine.

Rating: 3.5/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: June 19th, 2026

And in case you are unsure whether ETERNAL DAGGER is for you ... here a list of reviews (thread) ⬇️ #IronKobra #EternalDagger #HeavyMetal #metal #SpeedMetal #nwothm

ETERNAL DAGGER RELEASE ... TODAY!

Time since MIGHT & MAGIC:
11 years.
4,061 days.
5,847,840 minutes.
Enough time to listen to the IRON MAIDEN album 143,564 times.

And now, the time has come.

OUR THIRD ALBUM ETERNAL DAGGER IS OUT TODAY!

We will present some songs tomorrow at Der Detze Rockt, where you will also be able to purchase it in person. We will update the merch on our bandcamp store shortly.

Thanks for the support. It means the world to us.
#IronKobra #EternalDagger #HeavyMetal #SpeedMetal #EpicMetal #metal #rock #nwothm

:headbanger: FULL ALBUM STREAM :headbanger:

We are proud to present to you, in collaboration with Decibel Magazine, our upcoming album ETERNAL DAGGER in its entirety!

ETERNAL DAGGER will release this Friday, with our official release party at DETZE ROCKT Festival on Saturday. Don't forget to pre-order the album at Dying Victims Productions! #HeavyMetal #IronKobra #metal #SpeedMetal #EpicMetal #EternalDagger
https://www.decibelmagazine.com/2026/06/15/full-album-stream-iron-kobra-eternal-dagger/

Dal “Maestro” alla Tabula Rasa: la TV italiana preferisce il playback al Guitar Solo

https://metal-lore.com/2026/06/15/dal-maestro-alla-tabula-rasa-la-tv-italiana-preferisce-il-playback-al-guitar-solo/

First review of our upcoming album ETERNAL DAGGER! „If you enjoyed listening to albums like Tokyo Blade's debut, See You in Hell from Crossfire, Witch Cross's Fit for Fight and the like, you'll want to give Eternal Dagger a spin.“ 4/5 #HeavyMetal #IronKobra #EternalDagger #SpeedMetal https://www.metalcrypt.com/reviews/16737

Iron Kobra – Eternal Dagger
#EpicMetal #HardRock #HeavyMetal #Metal #SpeedMetal #german #Gelsenkirchen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://ironkobra.bandcamp.com/album/eternal-dagger

Iron Kobra – Dungeon Masters
#EpicMetal #HardRock #HeavyMetal #Metal #SpeedMetal #german #Gelsenkirchen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://ironkobra.bandcamp.com/album/dungeon-masters

Listen to TREMBLING DUNGEONS, the opening track of our third album ETERNAL DAGGER! #IronKobra #EternalDagger #HeavyMetal #SpeedMetal https://ironkobra.bandcamp.com/album/eternal-dagger

IRON KOBRA 2026 – The Eternal Dagger Era

Ela – Six String Slaying & Haunting Screams from Sto'Vo'Kor
Björn – Thundering Drums of Doom
Steffen – Guitar Carnage on the Altar of Harmony
Matze – Four Strings of Apocalypse

📸 Kai Ski of The Serpent Sun Tattoo
#HeavyMetal #SpeedMetal #EpicMetal #IronKobra #EternalDagger

TREMBLING DUNGEONS

We're proud to introduce the first single TREMBLING DUNGEONS off of our upcoming album ETERNAL DAGGER in conspiracy with Dying Victims Productions and presented by DEAF FOREVER!

ETERNAL DAGGER will be out June 19th and is up for pre-order at Dying Victims Productions now! #HeavyMetal #SpeedMetal #EpicMetal
https://youtu.be/modFaAVuKiQ?si=Q6L6Md5Y8mK6SLt3

Today is a great day for #metal as is the release day for the new #Hellripper 🤘🐐🤘

#Hellripper #Coronarch #goatcvlt #thrashmetal #speedmetal #blackenedthrash

https://hellripper.bandcamp.com/album/coronach-24-bit-hd-audio

SPEEDTRAP Vol. II

Piranha Bar, Friday, April 10 at 05:00 PM EDT

Viridian Cult Productions presents:

SPEEDTRAP Vol. II

After thememorable night of ripping speed metal that was SPEEDTRAP Vol. I in 2025, the event returns in 2026 for our second edition, even bigger, badder, and more shred-tastic! We've got bands coming from all over the country for this year's fest, ensuring this is one weekend you won't want to miss!

Taking place over two nights, Friday, April 10th and Saturday, April 11th, here's our lineup for this year!

Friday, April 10th:
- Spirit Unbound (MTL)
- Samurai (MTL)
- Black Absinthe (Toronto)
- Killotine (Hamilton)
- The Scepter (Ottawa)
- Castle (San Francisco / Toronto)

Saturday, April 11th:
- Drowning in Blood (MTL)
- Shroud (MTL)
- Zero Tolerance (Hamilton)
- Saccage (Quebec City)
- Ritual Warfare (Halifax)
- Tower Hill (Edmonton)
- Lycanthro (Toronto)
- Freeways (Brampton)

Poster and logo by the one and only Ghastly McNasty!

Tickets on sale now at the link below:

https://www.eventbrite.com/e/speedtrap-vol-ii-tickets-1982479158530?aff=oddtdtcreator

https://montreal.askapunk.net/event/speedtrap-vol-ii

Sacred Leather – Keep the Fire Burning Review

By Steel Druhm

I’ve never been to Indiana, so I’m not acquainted with how they do things. After listening to Sacred Leather’s sophomore outing, Keep the Fire Burning, I’m definitely left wondering if time moves differently there, though. That’s because this is one of the most retro, throwback-y pure metal things I’ve heard in some time, with a sound so hopelessly locked between 1983-1986, that I feel my back hair receding as my olde denim jacket grows new Venom and Motörhead patches. When I call this style “dated,” what I really mean is carbon-dated.1 Now, don’t take this as a criticism, as those years were some of the very best for classic heavy metal, and Sacred Leather do their damnedest to harvest the finest elements from a time when things were simple, pure, and still very based in hard-rock. As this album unspools, you’ll be whisked away to an age when Jag Panzer, Savage Grace, and Warlord ruled with a collective iron fist, and being labeled a poser was akin to a death sentence. Could you withstand the cred rigors of such a draconian time? Steel Druhm did once and would gladly do so again!

After a tasteful instrumental intro, Sacred Leather tan your worthless hide from point Ape to point ChimpanZee on “Spitfire at Night,” powered by the uber-period guitar work of J.J. Highway and Cvon Owens. It’s vintage metal with a speed injection, and it reminds me of long-forgotten German quasi-thrashers Vendetta mixed with Agent Steel. That’s 100% undiluted Steel bait, and the chum is thick and saucy here. Riffs churn and race, over-the-top solos stamp fat exclamation points, and frontman Dee Wrathchild screams and wails like a banshee on banshee meths. It’s a recipe for rowdy, high-energy shenanigans, and in the steady hands of Sacred Leather, this volatile brew sizzles and pops. “Phantom Highway (Hell is Comin’ Down)” delivers more lusty worship of excess. It’s a slick blend of NWoBHM and the most sturdy of mid-80s US metal, and it reminds me of Sumerlands. “Fallen Angel” channels the early days of Jag Panzer with big arena-ready guitars dueling with wanton vocals locked in overdrive as every ounce of meatheaded drama is wrung from the music. Sure, Mr. Wrathchild lets his voice get away from him at times, but that’s freaking metal, folks.

Song after song hits like a runaway freight train from 1985, and at no point will you want to step off the tracks. “Tear Out My Heart” feels like the bastard love child of Warlord and Savage Grace, with stunning guitars framing the kind of massive vocal drama that only 80s metal can provide. If you were looking for a burly, hard-as-nails breakup song for written for men who don’t cry, this is it. The title track channels the badass anthemic might of the criminally underappreciated Cities, and the band proudly honor their oath to keep the flame of the 80s burning bright. Just as you regain your senses, the big epic closer “Mistress of the Sun” arrives to make you love it or feel the wrath of Wrathchild. This is the same kind of larger-than-life metal tune as Krokus’ immortal “Screaming in the Night,” walking the line between anthem and power ballad and damn if it doesn’t tickle all the same nerve endings. There are no bad tracks, with each activating a major nostalgia bomb. So, what, if any, drawbacks will you encounter amid this most retro metal marination session? There are bits of bloat here and there, like on “Tear Out My Heart,” but not to the point where the songs are seriously undermined. In fact, at a tight 40 minutes, this thing feels like a fast-moving mission statement on how to properly worship the 80s, with a production about as trve to the time as one could hope for.

This is the kind of metal album that exudes guitar magic, and Highway and Owens spare no expense in decorating each song with the trappings of yesteryear. I hear many classic 80s albums referenced in their playing, and they really know the era they pay homage to. The riffs are energetic, beefy, and vibrant, and the harmonies and solos rock hard. Over the top of this solid foundation, Dee Wrathchild channels his inner metal god. Blessed with a broad range, he lets it all hang out, exploring his upper register freely and sometimes in ill-advised ways. He does seem to slip out of tune here and there when going all in, but I don’t especially care. Most of what he delivers is solid and commanding, checking all the boxes of 80s overkill and melodrama.

I love it when I blunder into some December release expecting little but getting my ass handed to me on a gleaming chrome platter. Sacred Leather bring the classic metal thunder, and if you love the sounds of the 80s, you should await the lightning strike. As winter moves ever closer, you too should Keep the Fire Burning. Any other choice would smack of flagrant poserism, and that would mean a visit from the Metal Inquisition. Be true to your olde school.

Rating: 3.5/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: King Volume Records / Wise Blood Records
Websites: facebook.com/leathersacredleather | instagram.com/sacred_leather
Releases Worldwide: December 12th, 2015

#2025 #35 #AgentSteel #AmericanMetal #Cities #Dec25 #HeavyMetal #JagPanzer #KeepTheFireBurning #Review #Reviews #SacredLeather #SavageGrace #SpeedMetal #Sumerlands #Vendetta #Warlord

Agent Steel - Unstoppable Force

Friday night - it’s time for a classic.

Alien-themed speed metal with outstanding vocals. I can understand when the voice is a little too much for some listeners, however IMO Agent Steel wouldn’t be themselves without John Cyriis.

Guitars are magnificent, too. You can still hear the NWOBHM roots (Rager), but also their transition to speed/thrash.

Altogether a blast from the past and a gem from the 80s.

https://tidal.com/browse/album/44633027?u

#metal #rezensionen #vinyl #music #agentsteel #speedmetal @metal

Sölicitör – Enemy in Mirrors Review

By ClarkKent

Sölicitör’s 2020 debut made quite the splash ’round these parts when 4.Öldeneye heaped glorious praise all over it. The five-piece out of Seattle has been quiet since then, releasing an EP in 2022 totaling two songs. Now they return for their sophomore release with a philosophy of more – more songs, more length, and even a couple more instruments (piano, synths). The members wanted to take a more hands-on approach with Enemy in Mirrors, which is why vocalist Amy Lee Carlson lent not only her pipes but also her artistic ability in designing the cover art. While Sölicitör retains their core sound, Enemy in Mirrors promises to be a more melodic journey. Not to worry, this is still your Holdenfather’s Sölicitör, albeit with a touch more nuance.

As Holdeneye described in his review of Spectral Devastation, Sölicitör’s style isn’t as straightforward as it appears on the surface. They find inspiration from ’80s speedy heavy acts like Judas Priest and Iron Maiden, only this time around, they add more melodic elements reminiscent of Bloodletter. The resemblance to the latter is apparent early, as the combination of speed and melodic leads gets “Paralysis” going right out the gates. “Iron Wolves of War” and “We Who Remain” continue this streak while also including some catchy choruses that channel Sölicitör’s influences. When Carlson sings “Flee! Flee in horror!” on “Iron Wolves of War,” I couldn’t help but think of Dickinson’s iconic chorus on “Run to the Hills.” Then, on the chorus of “We Who Remain,” it sounds an awful lot like she’s singing “Defenders of the faith.”1 Sölicitör inject plenty of spirit into their speed, and the addition of melodic leads adds depth and a layer of infectiousness.

Enemy in Mirrors is not just speed, however. The record combines up-tempo velocity with mid-tempo grooves, pianos and synths that build suspense, and, of course, Carlson’s formidable voice to perform songs that prove Sölicitör to be effective storytellers. “Spellbound Mist” is the first to dabble in this more nuanced storytelling, beginning at a slower pace as Carlson croons and casts her spell over the listener. Then it takes a sudden turn on the back half towards furious shredding and thrash that gave me flashbacks of the twists and turns that Helms Deep took on Chasing the Dragon. The final two songs similarly impress in their ability to spin a yarn, beginning with synths that create ghostly atmospheres before melodic riffs and a thrumming bass add to the enchanting soundscape. With this patient buildup, Carlson eventually gets fists pumping with well-timed vocal entrances—singing “I am the deceiver” on “Black Magick (Part I)” and throwing out a creatively pronounced “Ooooh yeah!” on “The Devil’s Hand (Part II).” Both tracks end Enemy in Mirrors on a high note, showcasing Sölicitör’s maturity in songwriting.

I see a parallel between Sölicitör and Helms Deep in that both bands churned out longer sophomore albums than their debuts. In Sölicitör’s case, the length isn’t due to longer songs, but more of them. Unfortunately, this proves my lone gripe, as there’s a slight sag in quality in the back half, which keeps Enemy in Mirrors shy of the coveted 4.Ö. These songs aren’t lacking in the speed department, but they fail to utilize the melodic leads present on the rest of the record. “Fallen Angel” isn’t the longest cut, but it feels like it due to its more uniform structure and lack of hooks. “Crimson Battle Beast” begins with a classic speed intro, but the chorus comes off awkwardly and a bit silly. What these tunes do isn’t necessarily bad, but they sound more bland than the rest. Whether these two, plus the other weaker track, “Enemy in Mirrors,” work for you or not is likely going to be a key deciding factor in how much you enjoy the album.

Enemy in Mirrors is a welcome return after a five-year break, and it’s a promising direction for these talented musicians. If you enjoyed the debut, you’ll be happy to know Sölicitör doesn’t make any core shifts in their sound, and what they do add is a definite improvement. While we would certainly prefer beloved bands to release records more frequently, the most important thing is quality, and Sölicitör has quality in spades. If you like fun, if you like speedy and melodic metal, you owe it to yourself to check this out.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Gates of Hell Records
Website: Bandcamp | Facebook
Releases Worldwide: September 19th, 2025

#35 #AmericanMetal #Bloodletter #EnemyInMirrors #GatesOfHellRecords #HeavyMetal #HelmsDeep #IronMaiden #JudasPriest #MelodicMetal #Review #Reviews2025 #Sep25 #Sölicitör #SpeedMetal #ThrashMetal

ENDSUMMER RITUAL @ Thrashcan - August 15th, 2025

Thrash Can, Friday, August 15 at 07:00 PM EDT

ENDSUMMER RITUAL

Coming up on Friday, August 15th, 2025 at Thrashcan!

Prepare for an ushering of darkness as Edmonton black metal wizards Sorguinazia and Kings Rot descend upon our fair city for a night of ultimate chaotic debauchery.

They’ll be joined by black n’ roll warriors Mistwalker, Quebec City noire miscreants Masse d'Armes, melodic Montreal shredders Shroud, and the darkened coldwave and post-punk tidings of Oiseau de Proie

This is an evening of misery and madness that you DON’T want to miss!

Sorguinazia:
https://sorguinazia.bandcamp.com/album/of-lust-and-leeches

Kings Rot:
https://kingsrot.bandcamp.com/album/at-the-gates-of-adversarial-darkness

Masse d'Armes:
https://massedarmesqc.bandcamp.com/album/masse-darmes

Mistwalker:
https://mistwalker.bandcamp.com/album/oceanic-heritage

Shroud:
https://shroudmtl.bandcamp.com/track/the-eternal-void

Oiseau de Proie:
https://oiseaudeproie.bandcamp.com/album/m-lop-es-dun-ciel-teint

Friday, August 15th, 2025
@ Thrashcan (Ask a Punk!)
Doors @ 7:00 PM
Show @ 8:00 PM
$15
18+

https://montreal.askapunk.net/event/endsummer-ritual-thrashcan-august-15th-2025

#TheMetalDogArticleList
#UltimateGuitar
'There's a Fine Line Between Playing Fast and Too Fast': Kerry King Explains Why Too Much Speed Can Be Detrimental for Thrash Metal Riffs
''It's just knowing when to say, 'Hey, this is going too fast.'''

https://www.ultimate-guitar.com/news/general_music_news/theres_a_fine_line_between_playing_fast_and_too_fast_kerry_king_explains_why_too_much_speed_can_be_detrimental_for_thrash_metal_riffs.html

#KerryKing #ThrashMetal #UltimateGuitar #MusicNews #GuitarRiffs #SpeedMetal #MetalMusic #GuitarPlaying #MusicTips #HeavyMetal