#speedmetal — Public Fediverse posts

❗️ "Mysterium" où la 9ème démonstration réussie que 𝗣𝗮𝗿𝗮𝗱𝗼𝘅 sait faire du Heavy/Thrash/Speed ambitieux et revigorant...

https://www.coreandco.fr/chroniques/paradox-mysterium-10995.html

#review #chronique #heavymetal #thrashmetal #speedmetal #germany

❗️ "Mysterium" où la 9ème démonstration réussie que 𝗣𝗮𝗿𝗮𝗱𝗼𝘅 sait faire du Heavy/Thrash/Speed ambitieux et revigorant...

https://www.coreandco.fr/chroniques/paradox-mysterium-10995.html

#review #chronique #heavymetal #thrashmetal #speedmetal #germany

https://www.europesays.com/ie/675819/ Rapid – Enter the Realm of Fire Review #2026 #30 #BlackMetal #Bütcher #DyingVictimsProductions #Éire #EnterTheRealmOfFire #Entertainment #FinnishMetal #HeavyMetal #IE #Ireland #MercyfulFate #Midnight #Music #Rapid #Review #Reviews #Slayer #SpeedMetal #ThrashMetal #Venom

Rapid – Enter the Realm of Fire Review

Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the…
#NewsBeep #News #Music #2026 #3.0 #AU #Australia #BlackMetal #butcher #DyingVictimsProductions #EntertheRealmofFire #Entertainment #FinnishMetal #HeavyMetal #MercyfulFate #midnight #rapid #review #reviews #Slayer #SpeedMetal #ThrashMetal #Venom
https://www.newsbeep.com/au/882314/

Rapid – Enter the Realm of Fire Review

Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the…
#NewsBeep #News #Music #2026 #3.0 #AU #Australia #BlackMetal #butcher #DyingVictimsProductions #EntertheRealmofFire #Entertainment #FinnishMetal #HeavyMetal #MercyfulFate #midnight #rapid #review #reviews #Slayer #SpeedMetal #ThrashMetal #Venom
https://www.newsbeep.com/au/882314/

Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the Helsinki underground with a gnarly and riotous speed, thrash, and old school black metal attack. Featuring additional lashings of classic heavy metal, punk, and death influences, Rapid unleash their retro brand of ugly, thrashy mayhem on debut album, Enter the Realm of Fire. And from the get-go, these dudes share a clear devotion of ye olden days of underground, piss-and-vinegar-drenched metal, creating an authentically twisted concoction, brooding with bombast, evil vibes, and over-the-top theatrics. The colorfully named trio, consisting of bassist/vocalist Vincent Revenge, drummer The Goon, and axe wielder Atte ‘Spectre’ Nikku, formed back in 2014. During this time, they spat out a couple of demos and 2022’s Blackstar Oppression Regime EP generating underground buzz. Boasting a mean, unvarnished sound, and metal cred up the ying-yang, can Rapid back things up with songwriting to match their trve old school values?

Following an unnecessary intro piece, Rapid launch into their work proper on the ripping “Witchcraft of Horror,” laying their cards on the table, flexing their blackened thrash and speed metal combo, taking cues from the likes of Venom, early Slayer, Mercyful Fate and modern retro heavyweights Bütcher and Midnight. It’s a raucous, unhinged formula to warm the blackened hearts of’80s metal and underground aficionados. Once more, Rapid is a deceptively nimble beast, wielding their crude weapons and vicious badassery with deft hands, threading slithering melodies and sinister atmospheres into the thrashing cauldron, where galloping speed, raucously blackened riffs and unhinged vocals conspire to wreak havoc. Revenge’s vocals lend the album a wickedly over-the-top and charismatic edge, as black-thrash howls, croaks, demented screams and a rough-around-the-edges cleaner style are unleashed.

Aside from the punkish, first-wave gallop and thrust of mid-album burner “Horemheb,” and epic, if slightly overcooked closer “Beyond the Gates of the Rapid Flames,” Rapid keep the songwriting sharp and punchy, much to the album’s advantage. While the raw slash-and-burn riffage reigns supreme, the melodic embellishments and occasional noteworthy soloing add layers of substance and intrigue to the otherwise cutthroat nature of the Rapid formula. The hugely energetic delivery, coupled with their feral streak and deft handling of tempo variations, helps maintain interest across the album’s duration. At its best, Enter the Realm of Fire goes hard and comes emblazoned with deadly hooks and killer atmosphere, such as those adorning the frosty death march of “Wielder of Might – Death from Above,” grimly venomous meloblack meets heavy metal grooves of “Black Poison,” and blackened heavy metal gallop exhibited on the hooky, over-the-top “Pest Eater.” Not all tracks hit the same heights, but it’s all pretty solid and enjoyable fare.

Enter the Realm of Fire comes armed and dangerous with a roughshod production that tramples modern production values into dust, complimenting the looser vibes and gritty underground aesthetics, without sacrificing overall bite, clarity and tasty dynamics. Rough production and looser vibes do not translate to sloppy performances. The trio bust out energetic, tightly synced performances, highlighted by Revenge’s unusual yet often compelling vocals and Spectre’s raw, menacing riffs, blazing melodies, and often eloquently shredded solos. There are slight ebbs and flows in song-to-song quality, though aside from the throwaway intro and almost comically odd slower-paced track “Gaze of the Black Void,” the album is uniformly solid with a few especially potent bangers.

Rapid’s accomplished debut comes as a pleasant surprise, skillfully straddling the line between nostalgia, ’80s metal trvness, and raw underground grit, while sounding fresh enough to stand on its own. Sure, influences are proudly adorned on their ragged battle vests, but there is ample upside to what Rapid have cooked up. A wild and venomous ride, Enter the Realm of Fire is a gleefully violent, old school metal rampage that largely overcomes its warts and all flaws with solidly entertaining songwriting. The future looks bright for these throwback underground warriors.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the Helsinki underground with a gnarly and riotous speed, thrash, and old school black metal attack. Featuring additional lashings of classic heavy metal, punk, and death influences, Rapid unleash their retro brand of ugly, thrashy mayhem on debut album, Enter the Realm of Fire. And from the get-go, these dudes share a clear devotion of ye olden days of underground, piss-and-vinegar-drenched metal, creating an authentically twisted concoction, brooding with bombast, evil vibes, and over-the-top theatrics. The colorfully named trio, consisting of bassist/vocalist Vincent Revenge, drummer The Goon, and axe wielder Atte ‘Spectre’ Nikku, formed back in 2014. During this time, they spat out a couple of demos and 2022’s Blackstar Oppression Regime EP generating underground buzz. Boasting a mean, unvarnished sound, and metal cred up the ying-yang, can Rapid back things up with songwriting to match their trve old school values?

Following an unnecessary intro piece, Rapid launch into their work proper on the ripping “Witchcraft of Horror,” laying their cards on the table, flexing their blackened thrash and speed metal combo, taking cues from the likes of Venom, early Slayer, Mercyful Fate and modern retro heavyweights Bütcher and Midnight. It’s a raucous, unhinged formula to warm the blackened hearts of’80s metal and underground aficionados. Once more, Rapid is a deceptively nimble beast, wielding their crude weapons and vicious badassery with deft hands, threading slithering melodies and sinister atmospheres into the thrashing cauldron, where galloping speed, raucously blackened riffs and unhinged vocals conspire to wreak havoc. Revenge’s vocals lend the album a wickedly over-the-top and charismatic edge, as black-thrash howls, croaks, demented screams and a rough-around-the-edges cleaner style are unleashed.

Aside from the punkish, first-wave gallop and thrust of mid-album burner “Horemheb,” and epic, if slightly overcooked closer “Beyond the Gates of the Rapid Flames,” Rapid keep the songwriting sharp and punchy, much to the album’s advantage. While the raw slash-and-burn riffage reigns supreme, the melodic embellishments and occasional noteworthy soloing add layers of substance and intrigue to the otherwise cutthroat nature of the Rapid formula. The hugely energetic delivery, coupled with their feral streak and deft handling of tempo variations, helps maintain interest across the album’s duration. At its best, Enter the Realm of Fire goes hard and comes emblazoned with deadly hooks and killer atmosphere, such as those adorning the frosty death march of “Wielder of Might – Death from Above,” grimly venomous meloblack meets heavy metal grooves of “Black Poison,” and blackened heavy metal gallop exhibited on the hooky, over-the-top “Pest Eater.” Not all tracks hit the same heights, but it’s all pretty solid and enjoyable fare.

Enter the Realm of Fire comes armed and dangerous with a roughshod production that tramples modern production values into dust, complimenting the looser vibes and gritty underground aesthetics, without sacrificing overall bite, clarity and tasty dynamics. Rough production and looser vibes do not translate to sloppy performances. The trio bust out energetic, tightly synced performances, highlighted by Revenge’s unusual yet often compelling vocals and Spectre’s raw, menacing riffs, blazing melodies, and often eloquently shredded solos. There are slight ebbs and flows in song-to-song quality, though aside from the throwaway intro and almost comically odd slower-paced track “Gaze of the Black Void,” the album is uniformly solid with a few especially potent bangers.

Rapid’s accomplished debut comes as a pleasant surprise, skillfully straddling the line between nostalgia, ’80s metal trvness, and raw underground grit, while sounding fresh enough to stand on its own. Sure, influences are proudly adorned on their ragged battle vests, but there is ample upside to what Rapid have cooked up. A wild and venomous ride, Enter the Realm of Fire is a gleefully violent, old school metal rampage that largely overcomes its warts and all flaws with solidly entertaining songwriting. The future looks bright for these throwback underground warriors.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the Helsinki underground with a gnarly and riotous speed, thrash, and old school black metal attack. Featuring additional lashings of classic heavy metal, punk, and death influences, Rapid unleash their retro brand of ugly, thrashy mayhem on debut album, Enter the Realm of Fire. And from the get-go, these dudes share a clear devotion of ye olden days of underground, piss-and-vinegar-drenched metal, creating an authentically twisted concoction, brooding with bombast, evil vibes, and over-the-top theatrics. The colorfully named trio, consisting of bassist/vocalist Vincent Revenge, drummer The Goon, and axe wielder Atte ‘Spectre’ Nikku, formed back in 2014. During this time, they spat out a couple of demos and 2022’s Blackstar Oppression Regime EP generating underground buzz. Boasting a mean, unvarnished sound, and metal cred up the ying-yang, can Rapid back things up with songwriting to match their trve old school values?

Following an unnecessary intro piece, Rapid launch into their work proper on the ripping “Witchcraft of Horror,” laying their cards on the table, flexing their blackened thrash and speed metal combo, taking cues from the likes of Venom, early Slayer, Mercyful Fate and modern retro heavyweights Bütcher and Midnight. It’s a raucous, unhinged formula to warm the blackened hearts of’80s metal and underground aficionados. Once more, Rapid is a deceptively nimble beast, wielding their crude weapons and vicious badassery with deft hands, threading slithering melodies and sinister atmospheres into the thrashing cauldron, where galloping speed, raucously blackened riffs and unhinged vocals conspire to wreak havoc. Revenge’s vocals lend the album a wickedly over-the-top and charismatic edge, as black-thrash howls, croaks, demented screams and a rough-around-the-edges cleaner style are unleashed.

Aside from the punkish, first-wave gallop and thrust of mid-album burner “Horemheb,” and epic, if slightly overcooked closer “Beyond the Gates of the Rapid Flames,” Rapid keep the songwriting sharp and punchy, much to the album’s advantage. While the raw slash-and-burn riffage reigns supreme, the melodic embellishments and occasional noteworthy soloing add layers of substance and intrigue to the otherwise cutthroat nature of the Rapid formula. The hugely energetic delivery, coupled with their feral streak and deft handling of tempo variations, helps maintain interest across the album’s duration. At its best, Enter the Realm of Fire goes hard and comes emblazoned with deadly hooks and killer atmosphere, such as those adorning the frosty death march of “Wielder of Might – Death from Above,” grimly venomous meloblack meets heavy metal grooves of “Black Poison,” and blackened heavy metal gallop exhibited on the hooky, over-the-top “Pest Eater.” Not all tracks hit the same heights, but it’s all pretty solid and enjoyable fare.

Enter the Realm of Fire comes armed and dangerous with a roughshod production that tramples modern production values into dust, complimenting the looser vibes and gritty underground aesthetics, without sacrificing overall bite, clarity and tasty dynamics. Rough production and looser vibes do not translate to sloppy performances. The trio bust out energetic, tightly synced performances, highlighted by Revenge’s unusual yet often compelling vocals and Spectre’s raw, menacing riffs, blazing melodies, and often eloquently shredded solos. There are slight ebbs and flows in song-to-song quality, though aside from the throwaway intro and almost comically odd slower-paced track “Gaze of the Black Void,” the album is uniformly solid with a few especially potent bangers.

Rapid’s accomplished debut comes as a pleasant surprise, skillfully straddling the line between nostalgia, ’80s metal trvness, and raw underground grit, while sounding fresh enough to stand on its own. Sure, influences are proudly adorned on their ragged battle vests, but there is ample upside to what Rapid have cooked up. A wild and venomous ride, Enter the Realm of Fire is a gleefully violent, old school metal rampage that largely overcomes its warts and all flaws with solidly entertaining songwriting. The future looks bright for these throwback underground warriors.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the Helsinki underground with a gnarly and riotous speed, thrash, and old school black metal attack. Featuring additional lashings of classic heavy metal, punk, and death influences, Rapid unleash their retro brand of ugly, thrashy mayhem on debut album, Enter the Realm of Fire. And from the get-go, these dudes share a clear devotion of ye olden days of underground, piss-and-vinegar-drenched metal, creating an authentically twisted concoction, brooding with bombast, evil vibes, and over-the-top theatrics. The colorfully named trio, consisting of bassist/vocalist Vincent Revenge, drummer The Goon, and axe wielder Atte ‘Spectre’ Nikku, formed back in 2014. During this time, they spat out a couple of demos and 2022’s Blackstar Oppression Regime EP generating underground buzz. Boasting a mean, unvarnished sound, and metal cred up the ying-yang, can Rapid back things up with songwriting to match their trve old school values?

Following an unnecessary intro piece, Rapid launch into their work proper on the ripping “Witchcraft of Horror,” laying their cards on the table, flexing their blackened thrash and speed metal combo, taking cues from the likes of Venom, early Slayer, Mercyful Fate and modern retro heavyweights Bütcher and Midnight. It’s a raucous, unhinged formula to warm the blackened hearts of’80s metal and underground aficionados. Once more, Rapid is a deceptively nimble beast, wielding their crude weapons and vicious badassery with deft hands, threading slithering melodies and sinister atmospheres into the thrashing cauldron, where galloping speed, raucously blackened riffs and unhinged vocals conspire to wreak havoc. Revenge’s vocals lend the album a wickedly over-the-top and charismatic edge, as black-thrash howls, croaks, demented screams and a rough-around-the-edges cleaner style are unleashed.

Aside from the punkish, first-wave gallop and thrust of mid-album burner “Horemheb,” and epic, if slightly overcooked closer “Beyond the Gates of the Rapid Flames,” Rapid keep the songwriting sharp and punchy, much to the album’s advantage. While the raw slash-and-burn riffage reigns supreme, the melodic embellishments and occasional noteworthy soloing add layers of substance and intrigue to the otherwise cutthroat nature of the Rapid formula. The hugely energetic delivery, coupled with their feral streak and deft handling of tempo variations, helps maintain interest across the album’s duration. At its best, Enter the Realm of Fire goes hard and comes emblazoned with deadly hooks and killer atmosphere, such as those adorning the frosty death march of “Wielder of Might – Death from Above,” grimly venomous meloblack meets heavy metal grooves of “Black Poison,” and blackened heavy metal gallop exhibited on the hooky, over-the-top “Pest Eater.” Not all tracks hit the same heights, but it’s all pretty solid and enjoyable fare.

Enter the Realm of Fire comes armed and dangerous with a roughshod production that tramples modern production values into dust, complimenting the looser vibes and gritty underground aesthetics, without sacrificing overall bite, clarity and tasty dynamics. Rough production and looser vibes do not translate to sloppy performances. The trio bust out energetic, tightly synced performances, highlighted by Revenge’s unusual yet often compelling vocals and Spectre’s raw, menacing riffs, blazing melodies, and often eloquently shredded solos. There are slight ebbs and flows in song-to-song quality, though aside from the throwaway intro and almost comically odd slower-paced track “Gaze of the Black Void,” the album is uniformly solid with a few especially potent bangers.

Rapid’s accomplished debut comes as a pleasant surprise, skillfully straddling the line between nostalgia, ’80s metal trvness, and raw underground grit, while sounding fresh enough to stand on its own. Sure, influences are proudly adorned on their ragged battle vests, but there is ample upside to what Rapid have cooked up. A wild and venomous ride, Enter the Realm of Fire is a gleefully violent, old school metal rampage that largely overcomes its warts and all flaws with solidly entertaining songwriting. The future looks bright for these throwback underground warriors.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Rapid by name, rapid by nature. A simple but effective moniker for this rip-roaring trio emerging from the Helsinki underground with a gnarly and riotous speed, thrash, and old school black metal attack. Featuring additional lashings of classic heavy metal, punk, and death influences, Rapid unleash their retro brand of ugly, thrashy mayhem on debut album, Enter the Realm of Fire. And from the get-go, these dudes share a clear devotion of ye olden days of underground, piss-and-vinegar-drenched metal, creating an authentically twisted concoction, brooding with bombast, evil vibes, and over-the-top theatrics. The colorfully named trio, consisting of bassist/vocalist Vincent Revenge, drummer The Goon, and axe wielder Atte ‘Spectre’ Nikku, formed back in 2014. During this time, they spat out a couple of demos and 2022’s Blackstar Oppression Regime EP generating underground buzz. Boasting a mean, unvarnished sound, and metal cred up the ying-yang, can Rapid back things up with songwriting to match their trve old school values?

Following an unnecessary intro piece, Rapid launch into their work proper on the ripping “Witchcraft of Horror,” laying their cards on the table, flexing their blackened thrash and speed metal combo, taking cues from the likes of Venom, early Slayer, Mercyful Fate and modern retro heavyweights Bütcher and Midnight. It’s a raucous, unhinged formula to warm the blackened hearts of’80s metal and underground aficionados. Once more, Rapid is a deceptively nimble beast, wielding their crude weapons and vicious badassery with deft hands, threading slithering melodies and sinister atmospheres into the thrashing cauldron, where galloping speed, raucously blackened riffs and unhinged vocals conspire to wreak havoc. Revenge’s vocals lend the album a wickedly over-the-top and charismatic edge, as black-thrash howls, croaks, demented screams and a rough-around-the-edges cleaner style are unleashed.

Aside from the punkish, first-wave gallop and thrust of mid-album burner “Horemheb,” and epic, if slightly overcooked closer “Beyond the Gates of the Rapid Flames,” Rapid keep the songwriting sharp and punchy, much to the album’s advantage. While the raw slash-and-burn riffage reigns supreme, the melodic embellishments and occasional noteworthy soloing add layers of substance and intrigue to the otherwise cutthroat nature of the Rapid formula. The hugely energetic delivery, coupled with their feral streak and deft handling of tempo variations, helps maintain interest across the album’s duration. At its best, Enter the Realm of Fire goes hard and comes emblazoned with deadly hooks and killer atmosphere, such as those adorning the frosty death march of “Wielder of Might – Death from Above,” grimly venomous meloblack meets heavy metal grooves of “Black Poison,” and blackened heavy metal gallop exhibited on the hooky, over-the-top “Pest Eater.” Not all tracks hit the same heights, but it’s all pretty solid and enjoyable fare.

Enter the Realm of Fire comes armed and dangerous with a roughshod production that tramples modern production values into dust, complimenting the looser vibes and gritty underground aesthetics, without sacrificing overall bite, clarity and tasty dynamics. Rough production and looser vibes do not translate to sloppy performances. The trio bust out energetic, tightly synced performances, highlighted by Revenge’s unusual yet often compelling vocals and Spectre’s raw, menacing riffs, blazing melodies, and often eloquently shredded solos. There are slight ebbs and flows in song-to-song quality, though aside from the throwaway intro and almost comically odd slower-paced track “Gaze of the Black Void,” the album is uniformly solid with a few especially potent bangers.

Rapid’s accomplished debut comes as a pleasant surprise, skillfully straddling the line between nostalgia, ’80s metal trvness, and raw underground grit, while sounding fresh enough to stand on its own. Sure, influences are proudly adorned on their ragged battle vests, but there is ample upside to what Rapid have cooked up. A wild and venomous ride, Enter the Realm of Fire is a gleefully violent, old school metal rampage that largely overcomes its warts and all flaws with solidly entertaining songwriting. The future looks bright for these throwback underground warriors.

Rating: 3.0/5.0
DR: 9 | Format Reviewed: 320kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

TOXIKULL (Portugal) presenta nou àlbum: "Turbulence" #Toxikull #HeavyMetal #SpeedMetal #Abril2026 #Portugal #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

There’s a big problem with today’s metal scene: There aren’t enough fukkin bands that sound like Nifelheim. Every time I listen to those crazy Swedes, I want MOAR of their scalding black-thrash riffs, MORE of their pummeling blast beats, more of the unhinged ferocity that feels sorely lacking in today’s scene, when it seems like every band needs to have clean vocals and mix at least three genres. While Nifelheim vocalist Hellbutcher did release a very good album in 2024 via his eponymous band, his main project’s frantic intensity has gone largely unreplicated. Fortunately, Nuctemeron are here to change that. Over the past decade, this German group has kept the black flame burning with a slew of splits and EPs that bear titles like Beastfuck and Rape from the Grave, all while clad in enough spikes and leather to make them the favorite customers of their local BDSM shop. With their debut album, Demonic Sceptre, the group has continued following Nifelheim’s burning warpath, unleashing a barrage of frenetic riffs, scathing vocals, and battering rhythms that would make those Swedes proud.

Yet at the same time, calling Nuctemeron mere Nifelheim clones is hardly accurate. Perhaps most notably, the band’s aptly-named vocalist, “Lunatic Aggressor,” avoids mimicking Hellbutcher’s manic rasp by instead delivering a larynx-shredding shriek that somehow turns songs like “Burn My Skin to Leather” into singalong anthems. And, as hinted at by the cover art’s apparent homage to Destruction’s Eternal Devastation, the music here shows that these Germans have heard plenty of thrashy bands besides Hellbutcher and Co. Take the instrumental opener, “Fresh Blood for the 13th Coffin,” which is an ambient synth piece with vaguely medieval vibes that recall Desaster. Said influence continues with the Hellfire‘s Dominion-style guitar melodies that open the first proper track, “The Bat,” before the slicing verses began slashing into your neck like a sharpened scythe. Likewise, “Under Devil’s Command” features a terrific, olde school main riff that evokes the glory days of 80s speed metal, while the harmonized guitars of that song’s bridge serve as a saccharine throwback to metal’s golden age.

Demonic Sceptre by Nuctemeron

That said, it’s clear that Nifelheim is a massive influence here. And fortunately, Nuctemeron absolutely nail that band’s sound with a slew of the wildest black-thrash cuts I’ve heard in a long time. Early highlight “After Violent Storm” basically functions as a complementary vasectomy, as the ricocheting guitar line in that song’s refrain is hot enough to turn whatever genitals you have into something that looks like a charred pork rind. “Fuck Off!!! (In the Name of Evil)” uses Nifelheim’s infamous two-word mantra as the basis to unleash a shitstorm of bouncy, frantic guitars that culminates with the sound of a skipping record repeating that titular proclamation over and over. Later, the aforementioned “Burn My Skin to Leather” sounds like a lost cut from Servants of Darkness with its squealing guitar lines, while “Metallic Thunder” uses a rapid, tapping guitar line to great effect.

My only real criticism here is that some of the songs repeat their main riffs a bit too much, but that feels like a minor quibble in light of the sheer inspiration on display. The aforementioned “Lunatic Aggressor” shrieks his head off like a banshee the whole time, and the way he pronounces his V’s as W’s is positively endearing. Guitarist “Exterminator” unleashes riff after riff of pure maniacal energy, and his searing, fast solos are a perfect complement to the band’s relentless nature. As shown on the closing track, “Brandish the Hammer of Hell,” the group also aren’t afraid to mix things up, as the song concludes with crooning clean vocals that mimic a melodic guitar line. The production is also great, sounding raw and powerful while remaining clear and retaining plenty of dynamic range.

Demonic Sceptre is exactly what your psychotic inner black-thrash fan has been craving. This is the first group I’ve heard that truly embodies Nifelheim’s unhinged, frantic style, and yet they mix things up just enough to avoid being a mere worship act. What’s more, the band constantly exude a sense of furious inspiration, yet for how extreme they are, their songs sure are fukkin catchy. For me and anyone else bold enough to brave the group’s scorching fury, Nuctemeron’s debut may just be the best black-thrash record we hear this year.

Rating: 4.0/5.0
DR: 9 | Format Reviewed: 320 kbps
Label: I Hate Records
Websites: nuctemeron-blackspeedhell.bandcamp.com | facebook.com/blackspeedhell
Releases Worldwide: March 13th, 2026

SPEEDTRAP Vol. II Fundraiser Show - Motorwolf / Postluven / Ravenspell @ Thrashcan - December 6th, 2025

Thrash Can, Saturday, December 6 at 09:00 PM EST

Viridian Cult Productions presents:

SPEEDTRAP Vol. II FUNDRAISER SHOW

You had a blast at the first SPEEDTRAP? Want to prepare yourself for the impending cavalcade of ripping metal madness next April? Well this is the event for you! Head down to the Thrashcan on the night of Saturday, December 6th, for this one-two-three punch of shredtastic mania!

Newcomer heavy metal warriors Ravenspell from Quebec City will open the night, following by thrashers Postluven, hot off the release of their brand new record, 'Blasphemy of Blood', capped off by everyone's favourite speed freax in Motorwolf!

Don't miss it!

Motorwolf:
https://motorwolf.bandcamp.com/album/possessed

Postluven:
https://postluven.bandcamp.com/album/blasphemy-of-blood

Ravenspell:
https://ravenspell.bandcamp.com/track/warriors-9-to-5

Poster by Jose-Gabriel Bazan Gauthier.

Saturday, December 6th, 2025
@ Thrashcan (Ask a punk!)
Doors 9:00 PM
Show 9:30 PM
$15 / PWYC

https://montreal.askapunk.net/event/speedtrap-vol-ii-fundraiser-show-motorwolf-postluven-ravenspell-thrashcan-december-6th-2025

Live roundup 36#

We are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!

What your gig featured?

If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!

#1 Vendel

More info: https://www.instagram.com/vendel_epic_metal/

#2 Iron Driver

More info:https://www.facebook.com/irondrivernworhm

#3 Cruelforce

More info: https://www.instagram.com/cruelforceofficial/

#4 Sinner Rage

More info: https://www.facebook.com/SinnerRageHeavyMetal

#5 Heretic Steel

More info:https://www.instagram.com/heresymetalmedia/

#6 Starlett Stock Hard N heavy Festival

More info: https://www.facebook.com/profile.php?id=100094397856444

#7 Tailgunner @ Sweden Rock

More info: https://www.facebook.com/tailgunnerhq

#8 Guerrilla Gathering

More info: https://www.tixforgigs.com/Event/69029?af=preezw1n1iwf&saf=1zr0vjf

#9 Iron Maiden US tour 2026

More info:https://www.ironmaiden.com/

#10 Taunus Metal Festival XVI

More info: https://www.facebook.com/taunusmetal

#1 #10 #2 #3 #4 #5 #6 #7 #8 #9 #AMBUSH #cruelForce #GuerrillaGathering #HeavyMetal #HereticFestival #IronDriver #IronMaiden #mechanicTyrants #NewWaveOfTraditionalHeavyMetal #NWOTHM #SinnerRage #speedMetal #spitfire #starlettStock #SwedenRock #Tailgunner #TaunusMetalFestivalXVI #thenwothm #vendel

CUTTHROAT (Irlanda) presenta nova demo: "Cutthroat" #Cutthroat #SpeedMetal #ThrashMetal #Octubre2025 #Irlanda #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

Stuck in the Filter: August 2025’s Angry Misses

By Kenstrosity

The heat persists, but now the humidity comes in full force as storm systems wreak havoc upon the coasts. I hide in my cramped closet of an office, lest I be washed out once again by an unsuspecting deluge. However, I still send my minions out into the facility, bound by duty to search for those metallic scraps on which we feast.

Fortuitously, most all of those imps I sent out came back alive, and with wares! BEHOLD!

Kenstrosity’s Galactic Gremlin

Silent Millenia // Celestial Twilight: Beyond the Crimson Veil [August 26th, 2025 – Self-Release]

Have you ever seen such a delightfully cheesy cover? Probably, but it’s been a while for me. I bought Celestial Twilight: Beyond the Crimson Veil, the second raw symphonic black metal opus from Finnish one-man act Silent Millenia, on the strength of the artwork alone. Little did I know that what lay beyond this crimson veil was some of the most fun melodic black metal this side of Moonlight Sorcery. The same low-fi roughness that personifies Old Nick’s work grounds Silent Millenia’s starbound songwriting as it traverses the universe with an energetic punch reminiscent of Emperor or Stormkeep (“Awaken the Celestial Spell,” “Daemonic Mastery”). To help differentiate Silent Millenia’s sound from that of their peers, a gothic atmosphere ensorcells much of this material to great effect, merging eerie Victorian melodies with galactic adventurism in an unlikely pair (“Enthrone the Spectral”). Swirling synths and sparkling twinkles abound as well, creating blissful moments of interest as frosty tremolos and piercing blasts take full advantage of the false sense of security those entrancing clouds of synthetic instrumentation create (“Benighted Path to Darkness Mysterium,” “Reign in Cosmic Majesty”). Simply put, Celestial Twilight is an unexpected gem of a symphonic black metal record, bursting with killer ideas and infinite levels of raw, unabashed fun. You should hear it!

Kronos’ Unexpected Unearthments

Street Sects // Dry Drunk [August 15th, 2025 – Self Release]

Dry Drunk sticks to your inner surfaces, draining down like cigarette tar along paralyzed cilia to pool in your lungs until the cells themselves foment rebellion. Once it’s in you, you feel paranoid, wretched, and alone. So it’s the proper follow-up to Street Sects’ visionary debut, End Position. Like that record, Dry Drunk plumbs the most mundane and unsavory gutters of America for a cast of protagonists that it dwells in or dispatches with a mixture of pity and disgust, with vocalist Leo Ashline narrating their violent crimes and self-hatred in a mixture of croons, shrieks, and snarls that cook the air before the speakers into the scent of booze and rotten teeth. And like that record, Shaun Ringsmuth (Glassing) dresses the sets with a fractal litter of snaps, squeals, crashes, gunshots, and grinding electronics, caked in tar and collapsing just as soon as it is swept into a structure. And like End Position, Dry Drunk is a masterpiece. The impeccable six-song stretch from “Love Makes You Fat” through “Riding the Clock” ties you to the bumper and drags you along some of the duo’s most creative side-roads, through the simmering, straightjacketed sludge of “Baker Act” to the chopped-up, smirking electronica of “Eject Button.” Swerving between addled, unintelligible agony and unforgettable anthems, Dry Drunk, like End Position before it is nothing less than the life of a junkie scraped together, heated on a spoon, and injected into your head. Once you’ve taken a hit, you will never be quite the same.

Thus Spoke’s Frightening Fragments

Defacement // Doomed [August 22nd, 2025 – Self Release]

There’s music for every vibe.1 The one Defacement fits is an exclusively extreme metal flavor of moody that is only appreciable by genre fans, made tangibly more eerie by their persistent idiosyncratic use of dark ambient interludes amidst the viciously distorted blackened death. Audiences—and reviewers—tend to disparage these electronic segments, but I’ve always felt their crackling presence increases the analog horror of it all, and rather than being a breather from the intensity, they prolong the nausea, the sense of emptiness, and the abject fearfulness of head-based trauma. This latter concept grows more metaphorical still on Doomed, where the violence is inside the mind, purpose-erasing, and emotionally-detaching. The ambience might be the most sadly beautiful so far (“Mournful,” and “Clouded” especially), and the transitions into nightmarish heaviness arguably the most fluid. And the metal is undoubtedly the most ambitious, dynamic, and magnificent of Defacement’s career, combining their most gruesome dissonance (“Portrait”) with their most bizarrely exuberant guitar melodies (“Unexplainable,” “Unrecognised”). Solos drip tangibly with (emotional) resonance (“Unexplainable,” “Absent”) and there’s not a breath or a moment of wasted space. Yes, the band’s heavier side can suffer from a nagging sense of homogeneous mass, but it remains transporting. While I can appreciate why others do not appreciate Defacement, this is the first of their outings I can truthfully say mesmerised me on first listen.

ClarkKent’s Heated Hymns

Phantom Fire // Phantom Fire [August 8th, 2025 – Edged Circle Productions]

While I waded through the murky depths of the August promo sump, Steel implored me to take the eponymous third album from Phantom Fire. “The AMG commentariat love blackened heavy metal,” he said. I disregarded his advice at my peril, and while I ended up enjoying what I grabbed, it turns out this would have been solid too. Featuring members from Enslaved, Kraków. Hellbutcher, and Aeternus, Phantom Fire play old school speed metal that harks back to the likes of Motörhead and Iron Maiden’s Killers. Thanks to healthy doses of bass and production values that allow the instruments to shine, each song is infused with energetic grooves. The music sounds fresh, crisp, and clear, from the booming drums to Eld’s “blackened” snarls. Early tracks “Eternal Void” and “All For None” show off the catchy blend of simple guitar riffs and a hoppin’ bass accompanied by energetic kit work. While placing a somewhat lengthy instrumental track in the middle of a record usually slows it down, “Fatal Attraction” turns out to be a highlight. It tells a tragic love story involving a motorcycle with nothing but instruments, an engine revving, and some police sirens. The second half of Phantom Fire gets a bit on the weirder side, turning to some stoner and psychedelia. There’s a push and pull between the stoner and Motörhead speed stuff on songs like “Malphas” and “Submersible Pt. 2,” and this blend actually works pretty well. It turns out that they aren’t phantom after all—these guys are truly fire.

Burning Witches // Inquisition [August 22nd, 2025 – Napalm Records]

With six albums in eight years, Swiss quintet Burning Witches has really been burning rubber. While such prolific output in such a short time frame generally spells trouble, Inquisition is a solid piece of heavy/power metal. Burning Witches dabbles in a mix of speedy power metal and mid-tempo heavy metal, often sounding like ’80s stalwarts Judas Priest and Def Leppard. With Laura Guldemond’s gruff voice, they produce a more weighty, less happy version of power metal than the likes of Fellowship or Frozen Crown. While the songs stick to formulaic structures, tempo shifts from song to song help keep things from growing stale. We see this variety right from the get-go, where “Soul Eater” takes a high-energy approach before moving into the more mellow “Shame.” There’s even a pretty solid ballad, “Release Me,” that grounds the back half of the record. Songs of the sort that Burning Witches write need catchy choruses, and fortunately, they deliver. “High Priestess of the Night” is a particular standout, delivering a knock-out punch in its delivery. It helps that the instrumental parts are well-executed, from crunchy riffs to subdued solos to booming blast beats. Anyone looking for a solid bit of power metal that’s not too heavy on the cheese will find this worth a listen.

Deathhammer // Crimson Dawn [August 29th, 2025 – Hells Headbangers Records]

Celebrating 20 years of blackened speed, Deathhammer drop LP number six with the kind of energy that exhausted parents dread to see in their children at bedtime. This is my first foray with the band, and I am in awe of the relentless level of manic energy they keep throughout Crimson Dawn’s 39 minutes. If science could learn how to harness their energy, we’d have an endless source of renewables. The two-piece out of Norway channels classic Slayer on crack and even has moments reminiscent of Painkiller-era Judas Priest. They play non-stop thrash cranked to 11, with persistent blast beats and some dual guitar parts that leave your head spinning from the rapid-fire directions the riffs fire off in. The heart of the mania is singer Sergeant Salsten. His crazed vocals are amazing—snarling, shouting, and shrieking in a way that took me back to the manic pitch Judge Doom could reach in Who Framed Roger Rabbit? He sings so fast that on the chorus of “Crimson Dawn,” it sounds like he says “Griffindor,” which had me searching confusedly for the Harry Potter tag. This was probably my favorite song, not just because of the Griffindor thing, but because that chorus is so catchy. Either way, it’s tough to pick a standout track because they all grip you by the throat and don’t let go. Crimson Dawn is a ton of fun and a must listen if you like your music fast.

Grin Reaper’s Bountiful Blight

Kallias // Digital Plague [August 14th, 2025 – Self Release]

Machine gun drumming, spacey synths, Morbid Angel-meets-Meshuggah riffing, Turian-esque barking and Voyager-reminiscent vocal melodies…what the fuck is going on here? The only thing more surprising than someone having the moxie to blend all these things together is how well they work in concert. Kallias doesn’t hold back on sophomore album Digital Plague, and the result is a rocket-fueled blast through forty-four minutes of eclectic, addictive prog. The mishmash of styles keeps the album fresh and unpredictable while never dipping its toes in inconsistent waters, and staccato rhythms propel listeners through eight tracks without losing steam. As with any prog metal worth its salt, Kallias brandishes technical prowess, and their cohesion belies the relatively short time they’ve been putting out music.2 The mix is well-suited to spotlight whoever needs it at a given time, whether the bass is purring (“Exogíini Kyriarchía”), the drums are being annihilated (“Pyrrhic Victory”), or a guitar solo nears Pettrucian wankery (“Phenomenal in Theory”). The end result is three-quarters of an hour filled with myriad influences that fuse into a sound all Kallias’s own, and it’s one I’ve returned to several times since discovering (also, credit to MontDoom for his stunning artwork, which helped initially draw my attention). Check it out—you’ll be sick if you avoid this one like the Plague.

Luke’s Kaleidoscopic Kicks

Giant Haze // Cosmic Mother [August 22nd, 2025 – Tonzonen Records]

Whereas many of my colleagues are bracing themselves for cooler conditions and harsh winters to come, in my neck of the woods, things are warming up. While my own wintry August filter proved scarce, there was one particular summery gem to lift moods with burly riffs and fat stoner grooves. Unheralded German act Giant Haze seemingly emerged out of nowhere during a random Bandcamp deep dive. Debut LP Cosmic Mother channels the good old days of ’90s-inspired desert rock, featuring grungy, doomy vibes via a groovy batch of riff-centric, hard-rocking and uplifting jams, evoking the nostalgic spirit of Kyuss, Fu Manchu, Clutch and perhaps even a dash of Danzig. Punching out raucous, groove-soaked hard rockers with skyscraping hooks (“Geographic Gardens Suck,” “King of Tomorrow,” “Panic to Ride”), summery, funk–psych jams (“Sunrise”), and bluesy, punk-infused fireballs (“Crank in Public,” “Shrink Age”) Giant Haze get a lot of things right on this assured debut. The songwriting is deceptively diverse and punchy, bolstered by solid production, tight musicianship, and the swaggering, ever so slightly goofy vocal charms and powerful hooks of frontman Christoph Wollmann. Inevitably, a few rough spots appear, but overall Cosmic Mother showcases oodles of budding potential, an impactful delivery, cheeky sense of humor, and infectious, feel-good songcraft.

Spicie Forrest’s Foraged Fruit

Bask // The Turning [August 22nd, 2025 – Season of Mist]

Last seen in 2019, Bask returns with fourth LP, The Turning, a concept album following The Rider as she and The Traveler traverse the stars. They still peddle the unique blend of stoner rock and Americana Kenstrosity reviewed favorably in 2019, but 2025 sees them looking up for inspiration. The Turning incorporates a distinct cosmic bent (“The Traveler,” “The Turning”) and post-rock structures (“Dig My Heels,” “Unwound”). These augmentations to Bask’s core sound are enhanced by the masterful pedal steel of new official member Jed Willis. Whether floating through the firmament or tilling earthly pastures, Willis creates textures both fresh and intensely nostalgic. The infinite shifting vistas of The Turning’s front half coalesce into singular timeless visions on the back half, supporting its conceptual nature in both content and form. Like a combination of Huntsmen and Somali Yacht Club, Bask weaves riffs and melodies heard across the plains and through the void above with an unguarded authenticity felt in your soul.

Dolphin Whisperer’s Disseminating Discharge

Plasmodulated // An Ocean ov Putrid, Stinky, Vile, Disgusting Hell [August 1st, 2025 – Personal Records]

Stinky, sticky, slimy—all adjectives that define the ideal death metal platter. Myk Colby has been trying to chase this perfect balance in a reverb-wonky package with projects like the d-beaten Hot Graves and extra hazy Wharflurch, but vile death metal balance is hard to achieve. However, An Ocean ov Putrid, Stinky, Vile, Disgusting Hell contains a recklessly pinched Demilichian riffage, classic piercing whammy bombs, and spook-minded synth ambience that places Plasmodulated with an odor more pungent than its peers. With an infected ear that festers equally with doom-loaded, Incantation-indebted drags (“Gelatinous Mutation ov Brewed Origin,” “Trapped in the Plasmovoid”) and Voivod-on-jenkem cutaways to foul-throated extravagence (“The Final Fuckening”). An air of intelligent tempo design keeps An Ocean from never feeling trapped in a maze of its own fumes, with Colby’s lush and bubbling synth design seguing tumbles into hammering deathly tremolo runs (“Such Rapid Sphacelation”) and Celtic Frosted riff tumbles (“Drowning in Sputum”) alike, all before swirling about his own tattered, trailing vocal sputters. Steady but slippery, elegant yet effluvial, An Ocean ov Putrid, Stinky, Vile, Disgusting Hell provides the necessary noxious pressure to corrode death metal-loving denizens into pure gloops of stained-denim pit worship. Delivered as labeled, Plasmodulated earns its hazardous declaration. We here at AMG are not liable for any OSHA violations that occur as a result of Plasmodulated consumption on the job, though.

#2025 #Aeternus #AmericanMetal #Americana #AnOceanOvPutridStinkyVileDisgustingHell #Aug25 #Bask #BlackMetal #BlackenedDeathMetal #BurningWitches #CelestialTwilightBeyondTheCrimsonVeil #CelticFrost #Clutch #CosmicMother #CrimsonDawn #Danzig #DarkAmbient #DeathMetal #Deathhammer #DefLeppard #Defacement #Demilich #DigitalPlague #Doomed #DryDrunk #DutchMetal #EdgedCircleProductions #Emperor #Enslaved #Fellship #FinnishMetal #FrozenCrown #FuManchu #GermanMetal #GiantHaze #Glassing #Hardcore #HeavyMetal #Hellbutcher #HellsHeadbangersRecords #HotGraves #Huntsmen #Incantation #Inquisition #IronMaiden #JudasPriest #Kallias #Kraków #Kyuss #MelodicBlackMetal #Meshuggah #MoonlightSorcery #MorbidAngel #Motörhead #NapalmRecords #NorwegianMetal #OldNick #PersonalRecords #PhantomFire #Plasmodulated #PowerMetal #ProgressiveDeathMetal #RawBlackMetal #Review #Reviews #SelfRelease #SilentMillenia #Slayer #Sludge #SludgeMetal #SomaliYachtClub #SpeedMetal #StonerRock #Stormkeep #StreetSects #StuckInTheFilter #StuckInTheFilter2025 #SwissMetal #SymphonicBlackMetal #TechnicalDeathMetal #TheTurning #TonzonenRecords #Turian #Voivod #Voyager #Wharflurch

HEROBRINE (Suècia) presenta nou recopilatori: "The Early Days 2023-2024" #Herobrine #HeavyMetal #SpeedMetal #PowerMetal #Setembre2025 #Suècia #NouRecopilatori #Metall #Metal #MúsicaMetal #MetalMusic

TOXIKULL (Portugal) presenta nou àlbum en directe: "Echoes of the Arena" #Toxikull #HeavyMetal #SpeedMetal #Juliol2025 #Portugal #NouÀlbumEnDirecte #Metall #Metal #MúsicaMetal #MetalMusic

THE GREAT KAT (Estats Units) presenta nou àlbum: "Reincarnation of Beethoven Only Guitar Violin Double Virtuoso Since Paganini" #TheGreatKat #SpeedMetal #ThrashMetal #Shred #Juliol2025 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

PYROMANCER presenta nou EP: "Grimoire of Conjuration" #Pyromancer #BlackMetal #SpeedMetal #Punk #Juliol2025 #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

OUTBURST (Alemanya) presenta nou àlbum: "Devouring the Masses" #Outburst #SpeedMetal #ThrashMetal #Març2025 #Alemanya #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

SPEEDTRAP Vol. I

Batiment 7, Saturday, April 12 at 04:00 PM EDT

Viridian Cult Productions presents:

SPEEDTRAP Vol. I

Prepare for a night of unholy and ripping speed metal punk at Bâtiment 7 for the inaugural edition of SPEEDTRAP, a new (hopefully) annual festial in Montreal dedicated to unrelenting tempos and old school sounds.

On the afternoon of Saturday, April 12th, 2025, 11 bands will take the stage at Bâtiment 7 with one purpose: rockin' the fvck out. Join us for this frenzied ritual of razor-sharp sonic terror!

The lineup for this year's event from first to last:

- Leash Aggression
- Mistwalker
- Anti-Criss (Rimouski)
- Motorwolf
- Feed
- Street Panther
- Tonnerre
- The Watcher (Boston)
- Barrow Wight (Ottawa)
- Occult Burial
- Metalian

Tickets are $30 ($33.28 with Eventbrite's fees) in advance, $40 at the door.

@ Bâtiment 7
1900 Rue le Ber, Montreal
Doors / Portes 16:00h
Show / Spectacle 16:30h
NO PUNK TIME
18+ (ID Required)

Tickets available through Eventbrite at this link:
https://www.eventbrite.ca/.../speedtrap-vol-i-tickets...

Poster by the ever-talented Ghastly McNasty.

https://montreal.askapunk.net/event/speedtrap-vol-i