#vinylcollection — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #vinylcollection, aggregated by home.social.
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Various Artists, Broken Hearts & Dirty Windows: The Songs of John Prine, 2010 on Oh Boy
This is the first volume - there was a volume two in 2021. Great collection of musicians here covering one of my favorite songwriters: "Bruised Orange (Chain of Sorrow)" - Justin Vernon "Wedding Day in Funeralville" - Conor Oberst and the Mystic Valley Band "All the Best"- My Morning Jacket "Mexican Home" - Josh Ritter "Six O'Clock News"- Lambchop "Far From Me"- Justin Townes Earle "Spanish Pipedream" - The Avett Brothers "Angel from Montgomery" - Old Crow Medicine Show "The Late […] -
Various Artists, Broken Hearts & Dirty Windows: The Songs of John Prine, 2010 on Oh Boy
This is the first volume - there was a volume two in 2021. Great collection of musicians here covering one of my favorite songwriters: "Bruised Orange (Chain of Sorrow)" - Justin Vernon "Wedding Day in Funeralville" - Conor Oberst and the Mystic Valley Band "All the Best"- My Morning Jacket "Mexican Home" - Josh Ritter "Six O'Clock News"- Lambchop "Far From Me"- Justin Townes Earle "Spanish Pipedream" - The Avett Brothers "Angel from Montgomery" - Old Crow Medicine Show "The Late […] -
THE SHOUTLESS
Bowery At Midnight
1986 Sweden pressingLast spin of the night goes to some more tasty #garage rock.
In the mid #80s , there was a bit of a garage rock revival, of which The Shoutless were very much a part of.
It was flavored with a little #punk , some #psychedelic rock, as well as some classic 50s rock n roll.
It’s still a pretty obscure record today, but fully worth your time and exploration.
Eight REALLY rad tunes that should be recognized.#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #sweden #1980s #80sMusic
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THE SHOUTLESS
Bowery At Midnight
1986 Sweden pressingLast spin of the night goes to some more tasty #garage rock.
In the mid #80s , there was a bit of a garage rock revival, of which The Shoutless were very much a part of.
It was flavored with a little #punk , some #psychedelic rock, as well as some classic 50s rock n roll.
It’s still a pretty obscure record today, but fully worth your time and exploration.
Eight REALLY rad tunes that should be recognized.#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #sweden #1980s #80sMusic
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THE SHOUTLESS
Bowery At Midnight
1986 Sweden pressingLast spin of the night goes to some more tasty #garage rock.
In the mid #80s , there was a bit of a garage rock revival, of which The Shoutless were very much a part of.
It was flavored with a little #punk , some #psychedelic rock, as well as some classic 50s rock n roll.
It’s still a pretty obscure record today, but fully worth your time and exploration.
Eight REALLY rad tunes that should be recognized.#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #sweden #1980s #80sMusic
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THE SHOUTLESS
Bowery At Midnight
1986 Sweden pressingLast spin of the night goes to some more tasty #garage rock.
In the mid #80s , there was a bit of a garage rock revival, of which The Shoutless were very much a part of.
It was flavored with a little #punk , some #psychedelic rock, as well as some classic 50s rock n roll.
It’s still a pretty obscure record today, but fully worth your time and exploration.
Eight REALLY rad tunes that should be recognized.#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #sweden #1980s #80sMusic
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THE SHOUTLESS
Bowery At Midnight
1986 Sweden pressingLast spin of the night goes to some more tasty #garage rock.
In the mid #80s , there was a bit of a garage rock revival, of which The Shoutless were very much a part of.
It was flavored with a little #punk , some #psychedelic rock, as well as some classic 50s rock n roll.
It’s still a pretty obscure record today, but fully worth your time and exploration.
Eight REALLY rad tunes that should be recognized.#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #sweden #1980s #80sMusic
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THE VANDALS
I Saw Her In A Mustang
2021 U.S. reissue
Translucent Blue vinylNot the punk band from the #80s , but an equally unhinged #garage rock band from the #60s .
They are most remembered for the title track here; a song so risqué for 1965, that most radio stations refused to play it, resulting in its colossal failure.
Most of this record is dodgy u released live songs, including a few Beatles and Kinks covers, but it’s all about having the four studio recordings of “Mystery", "We're The Vandals", “I Saw Her In A Mustang", and “The Joker".
Really fun album and a weird picture of what people considered salacious in the mid-60s.
Today, people use the phrase “poon tang” far more regularly and relaxed. 😎
😂#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #1960s #60smusic #punk #mod #poontang
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THE VANDALS
I Saw Her In A Mustang
2021 U.S. reissue
Translucent Blue vinylNot the punk band from the #80s , but an equally unhinged #garage rock band from the #60s .
They are most remembered for the title track here; a song so risqué for 1965, that most radio stations refused to play it, resulting in its colossal failure.
Most of this record is dodgy u released live songs, including a few Beatles and Kinks covers, but it’s all about having the four studio recordings of “Mystery", "We're The Vandals", “I Saw Her In A Mustang", and “The Joker".
Really fun album and a weird picture of what people considered salacious in the mid-60s.
Today, people use the phrase “poon tang” far more regularly and relaxed. 😎
😂#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #1960s #60smusic #punk #mod #poontang
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THE VANDALS
I Saw Her In A Mustang
2021 U.S. reissue
Translucent Blue vinylNot the punk band from the #80s , but an equally unhinged #garage rock band from the #60s .
They are most remembered for the title track here; a song so risqué for 1965, that most radio stations refused to play it, resulting in its colossal failure.
Most of this record is dodgy u released live songs, including a few Beatles and Kinks covers, but it’s all about having the four studio recordings of “Mystery", "We're The Vandals", “I Saw Her In A Mustang", and “The Joker".
Really fun album and a weird picture of what people considered salacious in the mid-60s.
Today, people use the phrase “poon tang” far more regularly and relaxed. 😎
😂#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #1960s #60smusic #punk #mod #poontang
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THE VANDALS
I Saw Her In A Mustang
2021 U.S. reissue
Translucent Blue vinylNot the punk band from the #80s , but an equally unhinged #garage rock band from the #60s .
They are most remembered for the title track here; a song so risqué for 1965, that most radio stations refused to play it, resulting in its colossal failure.
Most of this record is dodgy u released live songs, including a few Beatles and Kinks covers, but it’s all about having the four studio recordings of “Mystery", "We're The Vandals", “I Saw Her In A Mustang", and “The Joker".
Really fun album and a weird picture of what people considered salacious in the mid-60s.
Today, people use the phrase “poon tang” far more regularly and relaxed. 😎
😂#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #1960s #60smusic #punk #mod #poontang
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THE VANDALS
I Saw Her In A Mustang
2021 U.S. reissue
Translucent Blue vinylNot the punk band from the #80s , but an equally unhinged #garage rock band from the #60s .
They are most remembered for the title track here; a song so risqué for 1965, that most radio stations refused to play it, resulting in its colossal failure.
Most of this record is dodgy u released live songs, including a few Beatles and Kinks covers, but it’s all about having the four studio recordings of “Mystery", "We're The Vandals", “I Saw Her In A Mustang", and “The Joker".
Really fun album and a weird picture of what people considered salacious in the mid-60s.
Today, people use the phrase “poon tang” far more regularly and relaxed. 😎
😂#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #1960s #60smusic #punk #mod #poontang
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THE TROUBLE MAKERS
The Great Lost Trouble Makers Album
2013 U.S. reissueHaven’t taken this one out for a spin in a long time.
Super-cool #garage -y #lofi #punk from the #90s posing as garage-y Lo-fi punk from the #60s.
The album is deliberately unpolished; with killer, snarly guitars and really great, catchy riffs.
John Kiffmeyer (AKA Al Sobrante), who was Green Day’s original drummer, is listed as a producer here, which is…odd?
Regardless, a really fun album by four dudes from Sacramento.
#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #california #1990s #90smusic
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THE TROUBLE MAKERS
The Great Lost Trouble Makers Album
2013 U.S. reissueHaven’t taken this one out for a spin in a long time.
Super-cool #garage -y #lofi #punk from the #90s posing as garage-y Lo-fi punk from the #60s.
The album is deliberately unpolished; with killer, snarly guitars and really great, catchy riffs.
John Kiffmeyer (AKA Al Sobrante), who was Green Day’s original drummer, is listed as a producer here, which is…odd?
Regardless, a really fun album by four dudes from Sacramento.
#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #california #1990s #90smusic
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THE TROUBLE MAKERS
The Great Lost Trouble Makers Album
2013 U.S. reissueHaven’t taken this one out for a spin in a long time.
Super-cool #garage -y #lofi #punk from the #90s posing as garage-y Lo-fi punk from the #60s.
The album is deliberately unpolished; with killer, snarly guitars and really great, catchy riffs.
John Kiffmeyer (AKA Al Sobrante), who was Green Day’s original drummer, is listed as a producer here, which is…odd?
Regardless, a really fun album by four dudes from Sacramento.
#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #california #1990s #90smusic
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THE TROUBLE MAKERS
The Great Lost Trouble Makers Album
2013 U.S. reissueHaven’t taken this one out for a spin in a long time.
Super-cool #garage -y #lofi #punk from the #90s posing as garage-y Lo-fi punk from the #60s.
The album is deliberately unpolished; with killer, snarly guitars and really great, catchy riffs.
John Kiffmeyer (AKA Al Sobrante), who was Green Day’s original drummer, is listed as a producer here, which is…odd?
Regardless, a really fun album by four dudes from Sacramento.
#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #california #1990s #90smusic
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THE TROUBLE MAKERS
The Great Lost Trouble Makers Album
2013 U.S. reissueHaven’t taken this one out for a spin in a long time.
Super-cool #garage -y #lofi #punk from the #90s posing as garage-y Lo-fi punk from the #60s.
The album is deliberately unpolished; with killer, snarly guitars and really great, catchy riffs.
John Kiffmeyer (AKA Al Sobrante), who was Green Day’s original drummer, is listed as a producer here, which is…odd?
Regardless, a really fun album by four dudes from Sacramento.
#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #california #1990s #90smusic
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Wenn ich mich recht erinnere, war es Viva la Vida von Coldplay, was ich als erstes von Chris Martin und seiner Band gehört habe. Die Geschichte vom gescheiterten Herrscher, die das Stück beschreibt, und die orchestrale, hymnische Melodie begeistern mich bis heute. Tatsächlich lasse ich mich seit Jahren von diesem Lied wecken. Was das über mich aussagt, weiß ich allerdings auch nicht…
Wenn ich dieses Album mit den anderen vergleiche, die von Coldplay noch in meinem Plattenschränkchen stehen, sticht es mit seinem sehr orchestralen und weniger melancholischen Klang doch heraus. Ich mag das Album, und Titel wie Viva la Vida und Lost finden mehr oder weniger regelmäßig ihren Weg durch meine Gehörgänge. Die anderen Alben mögen mehr was für die Masse und die Konzertgänger sein, aber Viva la Vida eignet sich meiner Ansicht nach besser, um in den eigenen vier Wänden (und vielleicht auch über Kopfhörer) genossen zu werden, während ich einen historischen Roman lese.
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https://clip.place/w/bUg2UuRqnn4Z7XYXUksns1
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#nowplaying #nowspinning #music #vinyllove #vinylcollection #vinyl #Coldplay -
Wenn ich mich recht erinnere, war es Viva la Vida von Coldplay, was ich als erstes von Chris Martin und seiner Band gehört habe. Die Geschichte vom gescheiterten Herrscher, die das Stück beschreibt, und die orchestrale, hymnische Melodie begeistern mich bis heute. Tatsächlich lasse ich mich seit Jahren von diesem Lied wecken. Was das über mich aussagt, weiß ich allerdings auch nicht…
Wenn ich dieses Album mit den anderen vergleiche, die von Coldplay noch in meinem Plattenschränkchen stehen, sticht es mit seinem sehr orchestralen und weniger melancholischen Klang doch heraus. Ich mag das Album, und Titel wie Viva la Vida und Lost finden mehr oder weniger regelmäßig ihren Weg durch meine Gehörgänge. Die anderen Alben mögen mehr was für die Masse und die Konzertgänger sein, aber Viva la Vida eignet sich meiner Ansicht nach besser, um in den eigenen vier Wänden (und vielleicht auch über Kopfhörer) genossen zu werden, während ich einen historischen Roman lese.
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https://clip.place/w/bUg2UuRqnn4Z7XYXUksns1
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#nowplaying #nowspinning #music #vinyllove #vinylcollection #vinyl #Coldplay -
Wenn ich mich recht erinnere, war es Viva la Vida von Coldplay, was ich als erstes von Chris Martin und seiner Band gehört habe. Die Geschichte vom gescheiterten Herrscher, die das Stück beschreibt, und die orchestrale, hymnische Melodie begeistern mich bis heute. Tatsächlich lasse ich mich seit Jahren von diesem Lied wecken. Was das über mich aussagt, weiß ich allerdings auch nicht…
Wenn ich dieses Album mit den anderen vergleiche, die von Coldplay noch in meinem Plattenschränkchen stehen, sticht es mit seinem sehr orchestralen und weniger melancholischen Klang doch heraus. Ich mag das Album, und Titel wie Viva la Vida und Lost finden mehr oder weniger regelmäßig ihren Weg durch meine Gehörgänge. Die anderen Alben mögen mehr was für die Masse und die Konzertgänger sein, aber Viva la Vida eignet sich meiner Ansicht nach besser, um in den eigenen vier Wänden (und vielleicht auch über Kopfhörer) genossen zu werden, während ich einen historischen Roman lese.
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https://clip.place/w/bUg2UuRqnn4Z7XYXUksns1
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#nowplaying #nowspinning #music #vinyllove #vinylcollection #vinyl #Coldplay -
Julian Lennon, The Secret Value of Daydreaming, 1986 on Atlantic
This was Julian Lennon's sophomore album, following Valotte. Billy Joel joins on piano on "You Get What You Want." It was recorded at Compass Point in the Bahamas and produced by Phil Ramone (who also produced his debut). Was startled to see the twin towers on the inner sleeve so close to the 25th anniversary of 9/11 - not sure what that image has to do with the this album and thought for a moment someone had changed the inner liner. You can see other photos from the shoot on Timothy […]https://goatless.org/2026/09/19/julian-lennon-the-secret-value-of-daydreaming-1986-on-atlantic
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Julian Lennon, The Secret Value of Daydreaming, 1986 on Atlantic
This was Julian Lennon's sophomore album, following Valotte. Billy Joel joins on piano on "You Get What You Want." It was recorded at Compass Point in the Bahamas and produced by Phil Ramone (who also produced his debut). Was startled to see the twin towers on the inner sleeve so close to the 25th anniversary of 9/11 - not sure what that image has to do with the this album and thought for a moment someone had changed the inner liner. You can see other photos from the shoot on Timothy […]https://goatless.org/2026/09/19/julian-lennon-the-secret-value-of-daydreaming-1986-on-atlantic
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Carole King, Tapestry, 1971 on Ode
Sophomore album from Carole King (her debut album was called Writer), this album is often cited on shortlists of the greatest albums of all time. It was produced by Lou Adler, and won four grammy awards in 1972. It's been certified 14x platinum. You can find a copy of Rumours in just about any record store, but they ought to have a bunch of copies of this too. My copy—via Music Heals in Palm Springs, CA—is a Monarch Pressing on the ODE labels without the 7 in front of their logo […]https://goatless.org/2026/09/18/carole-king-tapestry-1971-on-ode
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Carole King, Tapestry, 1971 on Ode
Sophomore album from Carole King (her debut album was called Writer), this album is often cited on shortlists of the greatest albums of all time. It was produced by Lou Adler, and won four grammy awards in 1972. It's been certified 14x platinum. You can find a copy of Rumours in just about any record store, but they ought to have a bunch of copies of this too. My copy—via Music Heals in Palm Springs, CA—is a Monarch Pressing on the ODE labels without the 7 in front of their logo […]https://goatless.org/2026/09/18/carole-king-tapestry-1971-on-ode
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Carole King, Tapestry, 1971 on Ode
Sophomore album from Carole King (her debut album was called Writer), this album is often cited on shortlists of the greatest albums of all time. It was produced by Lou Adler, and won four grammy awards in 1972. It's been certified 14x platinum. You can find a copy of Rumours in just about any record store, but they ought to have a bunch of copies of this too. My copy—via Music Heals in Palm Springs, CA—is a Monarch Pressing on the ODE labels without the 7 in front of their logo […]https://goatless.org/2026/09/18/carole-king-tapestry-1971-on-ode
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Carole King, Tapestry, 1971 on Ode
Sophomore album from Carole King (her debut album was called Writer), this album is often cited on shortlists of the greatest albums of all time. It was produced by Lou Adler, and won four grammy awards in 1972. It's been certified 14x platinum. You can find a copy of Rumours in just about any record store, but they ought to have a bunch of copies of this too. My copy—via Music Heals in Palm Springs, CA—is a Monarch Pressing on the ODE labels without the 7 in front of their logo […]https://goatless.org/2026/09/18/carole-king-tapestry-1971-on-ode
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Carole King, Tapestry, 1971 on Ode
Sophomore album from Carole King (her debut album was called Writer), this album is often cited on shortlists of the greatest albums of all time. It was produced by Lou Adler, and won four grammy awards in 1972. It's been certified 14x platinum. You can find a copy of Rumours in just about any record store, but they ought to have a bunch of copies of this too. My copy—via Music Heals in Palm Springs, CA—is a Monarch Pressing on the ODE labels without the 7 in front of their logo […]https://goatless.org/2026/09/18/carole-king-tapestry-1971-on-ode
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DOLLY PARTON
I Will Always Love You b/w Do I Ever Cross Your Mind?
1982 Canada 7” singleI great little find downtown today!
Picture sleeve in great shape, record is near mint… just excellent.There’s nothing left to say about Dolly.
She was everything you could have ever wanted her to be and more, and her absence will never be filled by anybody.
Ever.This is probably going in a frame to hang somewhere in my house. The thing I like about this particular picture sleeve is that I can display EITHER side of it.
The image of The Best Little Whorehouse In Texas on the back is equally as great.#vinyl #vinylrecords #vinylcommunity #records #vintage #retro #physicalmedia #analog #vinylcollection #art #music #country #western #dollyparton
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The Specials, More Specials, 1980 on Two-Tone
Second album from Coventry's own The Specials, with Jerry Dammer, Sir Horace Gentleman, John Bradbury, Dick Cuthell, Roddy Radiation, Lynval Golding, Rico Rodrigues, Neville Staples and Terry Hall. Several members of the Go-Go's join for backing vocals: Belinda Carlisle, Charlotte Caffey, and Jane Wiedlin (who would co-write "Our Lips Are Sealed" with Hall). My copy—via Beverly Coin & Jewelry—is a UK pressing with the sticker advertising the additional 7" single but alas no single. […]https://goatless.org/2026/05/29/the-specials-more-specials-1980-on-two-tone
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The Specials, More Specials, 1980 on Two-Tone
Second album from Coventry's own The Specials, with Jerry Dammer, Sir Horace Gentleman, John Bradbury, Dick Cuthell, Roddy Radiation, Lynval Golding, Rico Rodrigues, Neville Staples and Terry Hall. Several members of the Go-Go's join for backing vocals: Belinda Carlisle, Charlotte Caffey, and Jane Wiedlin (who would co-write "Our Lips Are Sealed" with Hall). My copy—via Beverly Coin & Jewelry—is a UK pressing with the sticker advertising the additional 7" single but alas no single. […]https://goatless.org/2026/05/29/the-specials-more-specials-1980-on-two-tone
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Sarah Vaughan, Duke Ellington: Song Book One, 1980 on Pablo Today
First of two records of Sarah Vaughan doing Duke Ellington songs recorded in 1979 and released in 1980 (there is a Song Book Two, also released in 1980). Produced by Norman Granz, and engineered by Val Valentin and Bob Simpson.
Supporting artists include Waymon Reed (trumpet), J. J. Johnson (trombone), Frank Foster (tenor sax), Frank Wess (flute, tenor sax), Zoot Sims (tenor sax), Jimmy Rowles & Mike Wofford (piano), Joe Pass & Bucky Pizzarelli (guitar), Andy Simpkins (bass), and Grady Tate (drums), with Billy Byers arranging and conducting.
Pablo Today was a sub-label that started in 1979 and focused on “non-mainstream jazz” – not sure what that means but I’ve had great luck picking up Pablo records in general.
My copy, via Beatnick Records in Montréal Québec, is an original 1980 US pressing. with “Manufactured by Pablo Records” rim text.
#1980 #1980s #AndySimpkins #BeatnickRecords #BobSimpson #BuckyPizzarelli #DukeEllington #FrankFoster #FrankWess #JJJohnson #jazz #JimmyRowles #JoePass #MikeWofford #MontrealQC #NormanGranz #Pablo #PabloToday #SarahVaughan #ValValentin #vinyl #vinylcollection #vinylfinds #WaymonReed #ZootSims -
Sarah Vaughan, Duke Ellington: Song Book One, 1980 on Pablo Today
First of two records of Sarah Vaughan doing Duke Ellington songs recorded in 1979 and released in 1980 (there is a Song Book Two, also released in 1980). Produced by Norman Granz, and engineered by Val Valentin and Bob Simpson.
Supporting artists include Waymon Reed (trumpet), J. J. Johnson (trombone), Frank Foster (tenor sax), Frank Wess (flute, tenor sax), Zoot Sims (tenor sax), Jimmy Rowles & Mike Wofford (piano), Joe Pass & Bucky Pizzarelli (guitar), Andy Simpkins (bass), and Grady Tate (drums), with Billy Byers arranging and conducting.
Pablo Today was a sub-label that started in 1979 and focused on “non-mainstream jazz” – not sure what that means but I’ve had great luck picking up Pablo records in general.
My copy, via Beatnick Records in Montréal Québec, is an original 1980 US pressing. with “Manufactured by Pablo Records” rim text.
#1980 #1980s #AndySimpkins #BeatnickRecords #BobSimpson #BuckyPizzarelli #DukeEllington #FrankFoster #FrankWess #JJJohnson #jazz #JimmyRowles #JoePass #MikeWofford #MontrealQC #NormanGranz #Pablo #PabloToday #SarahVaughan #ValValentin #vinyl #vinylcollection #vinylfinds #WaymonReed #ZootSims -
Count Basie and Oscar Peterson, Night Rider, 1980 on Pablo
One of my favorite Pablo records, bringing together two legends: Count Basie and Oscar Peterson, with support from Louis Bellson and John Heard. Produced by Norman Granz and engineered by Val Valentin, with liner notes by Nat Hentoff.
Basie plays organ on “Memories of You” and Peterson plays electric piano on “Blues for Pamela.” The opening 12:38 cut of the title track is, as they say, worth the price of admission on its own.
My copy, via Beatnick Records in Montréal, QC, is a Canadian pressing (Manufactured and Distributed in Canada by RCA Limited).
#1980 #1980s #CountBasie #jazz #JohnHeard #LouisBellson #NormanGranz #OscarPeterson #Pablo #ValValentin #vinyl #vinylcollection #vinylfinds -
Count Basie and Oscar Peterson, Night Rider, 1980 on Pablo
One of my favorite Pablo records, bringing together two legends: Count Basie and Oscar Peterson, with support from Louis Bellson and John Heard. Produced by Norman Granz and engineered by Val Valentin, with liner notes by Nat Hentoff.
Basie plays organ on “Memories of You” and Peterson plays electric piano on “Blues for Pamela.” The opening 12:38 cut of the title track is, as they say, worth the price of admission on its own.
My copy, via Beatnick Records in Montréal, QC, is a Canadian pressing (Manufactured and Distributed in Canada by RCA Limited).
#1980 #1980s #CountBasie #jazz #JohnHeard #LouisBellson #NormanGranz #OscarPeterson #Pablo #ValValentin #vinyl #vinylcollection #vinylfinds -
Count Basie and Oscar Peterson, Night Rider, 1980 on Pablo
One of my favorite Pablo records, bringing together two legends: Count Basie and Oscar Peterson, with support from Louis Bellson and John Heard. Produced by Norman Granz and engineered by Val Valentin, with liner notes by Nat Hentoff.
Basie plays organ on “Memories of You” and Peterson plays electric piano on “Blues for Pamela.” The opening 12:38 cut of the title track is, as they say, worth the price of admission on its own.
My copy, via Beatnick Records in Montréal, QC, is a Canadian pressing (Manufactured and Distributed in Canada by RCA Limited).
#1980 #1980s #CountBasie #jazz #JohnHeard #LouisBellson #NormanGranz #OscarPeterson #Pablo #ValValentin #vinyl #vinylcollection #vinylfinds -
Count Basie and Oscar Peterson, Night Rider, 1980 on Pablo
One of my favorite Pablo records, bringing together two legends: Count Basie and Oscar Peterson, with support from Louis Bellson and John Heard. Produced by Norman Granz and engineered by Val Valentin, with liner notes by Nat Hentoff.
Basie plays organ on “Memories of You” and Peterson plays electric piano on “Blues for Pamela.” The opening 12:38 cut of the title track is, as they say, worth the price of admission on its own.
My copy, via Beatnick Records in Montréal, QC, is a Canadian pressing (Manufactured and Distributed in Canada by RCA Limited).
#1980 #1980s #CountBasie #jazz #JohnHeard #LouisBellson #NormanGranz #OscarPeterson #Pablo #ValValentin #vinyl #vinylcollection #vinylfinds -
Count Basie and Oscar Peterson, Night Rider, 1980 on Pablo
One of my favorite Pablo records, bringing together two legends: Count Basie and Oscar Peterson, with support from Louis Bellson and John Heard. Produced by Norman Granz and engineered by Val Valentin, with liner notes by Nat Hentoff.
Basie plays organ on “Memories of You” and Peterson plays electric piano on “Blues for Pamela.” The opening 12:38 cut of the title track is, as they say, worth the price of admission on its own.
My copy, via Beatnick Records in Montréal, QC, is a Canadian pressing (Manufactured and Distributed in Canada by RCA Limited).
#1980 #1980s #CountBasie #jazz #JohnHeard #LouisBellson #NormanGranz #OscarPeterson #Pablo #ValValentin #vinyl #vinylcollection #vinylfinds -
Peterson 6, The Oscar Peterson Big 6 at the Montreux Jazz Festival 1975, 1975 on Pablo
Titled as The Oscar Peterson Big 6, this is Peterson with Milt Jackson, Joe Pass, Toots Thielemans, Louis Bellson, and Niels Pederson – produced by Norman Granz, and recorded at the Montreux Jazz festival on July 16th, 1975.
My copy—via Fin Du Vinyle in Montréal Québec—is a Canadian pressing (Made in Canada by RCA Limited from master recordings owned or controlled by RCA Records).
#1970s #Canada #jazz #JoePass #LaFinDuVinyle #LouisBellson #MiltJackson #MontrealQC #Montreux #MontreuxJazzFestival #NielsPederson #NormanGranz #Pablo #RCALimited #TootsThielemans #vinyl #vinylcollection #vinylfinds -
Peterson 6, The Oscar Peterson Big 6 at the Montreux Jazz Festival 1975, 1975 on Pablo
Titled as The Oscar Peterson Big 6, this is Peterson with Milt Jackson, Joe Pass, Toots Thielemans, Louis Bellson, and Niels Pederson – produced by Norman Granz, and recorded at the Montreux Jazz festival on July 16th, 1975.
My copy—via Fin Du Vinyle in Montréal Québec—is a Canadian pressing (Made in Canada by RCA Limited from master recordings owned or controlled by RCA Records).
#1970s #Canada #jazz #JoePass #LaFinDuVinyle #LouisBellson #MiltJackson #MontrealQC #Montreux #MontreuxJazzFestival #NielsPederson #NormanGranz #Pablo #RCALimited #TootsThielemans #vinyl #vinylcollection #vinylfinds -
Peterson 6, The Oscar Peterson Big 6 at the Montreux Jazz Festival 1975, 1975 on Pablo
Titled as The Oscar Peterson Big 6, this is Peterson with Milt Jackson, Joe Pass, Toots Thielemans, Louis Bellson, and Niels Pederson – produced by Norman Granz, and recorded at the Montreux Jazz festival on July 16th, 1975.
My copy—via Fin Du Vinyle in Montréal Québec—is a Canadian pressing (Made in Canada by RCA Limited from master recordings owned or controlled by RCA Records).
#1970s #Canada #jazz #JoePass #LaFinDuVinyle #LouisBellson #MiltJackson #MontrealQC #Montreux #MontreuxJazzFestival #NielsPederson #NormanGranz #Pablo #RCALimited #TootsThielemans #vinyl #vinylcollection #vinylfinds -
The Fun Boy Three, The Fun Boy Three, 1982 on Chrysalis
The Fun Boy Three (Terry Hall, Neville Staple, and Lynval Golding) were a spin-off / outgrowth of The Specials. This was their debut, self-titled album with guests Bananarama on four tracks, including a cover of “It Ain’t What You Do (It’s The Way That You Do it),”
Also features “The Lunatics (Have Taken Over The Asylum)” which I love. The album cover back side presents the credits like a movie poster for a film shot in glorious stereo FunboyScope: “Gasp, Wonder, and Thrill to the Sound of the 80s.”
There’s a great BBC documentary—2 Tone The Sound of Coventry—which features lots of interviews with Hall and Staples, though it is more focused on The Specials.
My copy—via A1 records in NYC—is an early 80s Terre Haute pressing which was sealed, with the original hype sticker.
#1980s #1982 #Bananarama #Chrysalis #FunBoyThree #LynvalGolding #NevilleStaple #Specials #TerryHall #vinyl #vinylcollection #vinylfinds
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The Fun Boy Three, The Fun Boy Three, 1982 on Chrysalis
The Fun Boy Three (Terry Hall, Neville Staple, and Lynval Golding) were a spin-off / outgrowth of The Specials. This was their debut, self-titled album with guests Bananarama on four tracks, including a cover of “It Ain’t What You Do (It’s The Way That You Do it),”
Also features “The Lunatics (Have Taken Over The Asylum)” which I love. The album cover back side presents the credits like a movie poster for a film shot in glorious stereo FunboyScope: “Gasp, Wonder, and Thrill to the Sound of the 80s.”
There’s a great BBC documentary—2 Tone The Sound of Coventry—which features lots of interviews with Hall and Staples, though it is more focused on The Specials.
My copy—via A1 records in NYC—is an early 80s Terre Haute pressing which was sealed, with the original hype sticker.
#1980s #1982 #Bananarama #Chrysalis #FunBoyThree #LynvalGolding #NevilleStaple #Specials #TerryHall #vinyl #vinylcollection #vinylfinds
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The Fun Boy Three, The Fun Boy Three, 1982 on Chrysalis
The Fun Boy Three (Terry Hall, Neville Staple, and Lynval Golding) were a spin-off / outgrowth of The Specials. This was their debut, self-titled album with guests Bananarama on four tracks, including a cover of “It Ain’t What You Do (It’s The Way That You Do it),”
Also features “The Lunatics (Have Taken Over The Asylum)” which I love. The album cover back side presents the credits like a movie poster for a film shot in glorious stereo FunboyScope: “Gasp, Wonder, and Thrill to the Sound of the 80s.”
There’s a great BBC documentary—2 Tone The Sound of Coventry—which features lots of interviews with Hall and Staples, though it is more focused on The Specials.
My copy—via A1 records in NYC—is an early 80s Terre Haute pressing which was sealed, with the original hype sticker.
#1980s #1982 #Bananarama #Chrysalis #FunBoyThree #LynvalGolding #NevilleStaple #Specials #TerryHall #vinyl #vinylcollection #vinylfinds
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The Fun Boy Three, The Fun Boy Three, 1982 on Chrysalis
The Fun Boy Three (Terry Hall, Neville Staple, and Lynval Golding) were a spin-off / outgrowth of The Specials. This was their debut, self-titled album with guests Bananarama on four tracks, including a cover of “It Ain’t What You Do (It’s The Way That You Do it),”
Also features “The Lunatics (Have Taken Over The Asylum)” which I love. The album cover back side presents the credits like a movie poster for a film shot in glorious stereo FunboyScope: “Gasp, Wonder, and Thrill to the Sound of the 80s.”
There’s a great BBC documentary—2 Tone The Sound of Coventry—which features lots of interviews with Hall and Staples, though it is more focused on The Specials.
My copy—via A1 records in NYC—is an early 80s Terre Haute pressing which was sealed, with the original hype sticker.
#1980s #1982 #Bananarama #Chrysalis #FunBoyThree #LynvalGolding #NevilleStaple #Specials #TerryHall #vinyl #vinylcollection #vinylfinds
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Oscar Peterson & Dizzy Gillespie, 1975 on Pablo
Pablo records, with a logo and name inspired by Picasso, was started by Norman Granz (who also produced this record) in the early seventies. There’s a ton of great Pablo jazz records—I generally pick them up whenever I see them.
Recorded in 1974 in London, this release brings together two greats but it is not a “legacy” album – their playing is still super vibrant here. (Gillespie won a Best Jazz Performance Grammy for this recording).
My copy via Antone’s Records in Austin TX
#1970s #1975 #AntoneSRecords #AustinTX #DizzyGillespie #NormanGranz #OscarPeterson #PabloRecords #vinyl #vinylcollection #vinylfinds
